Revealing a festival of guilty pleasures, almost-masterpieces, and undeniable classics in need of revival, 35 directors champion their favorite overlooked or critically savaged gems in this guide. The list includes unsung noir films The Chase and Murder by Contract , famous flops Can’t Stop the Music and Joe Versus the Volcano , art films L’ange and WR: Mysteries of the Organism , theatrical adaptations The Iceman Cometh and The Homecoming , B-movies Killer Klowns from Outer Space and The Honeymoon Killers , and even Oscar-winners Breaking Away and Some Came Running. The filmmakers, including Guillermo del Toro, John Waters, John Woo, Edgar Wright, and Danny Boyle, defend their choices, wanting these films to be loved, admired, and swooned over, arguing the films deserve a larger audience and their place in movie history be reconsidered. Some were well-loved but are now faded or forgotten, others ran afoul of critics or were just buried after a dismal opening run, and still others never even got proper distribution. A few of these titles qualify as bona fide obscurata , but now most can be found on DVD or streaming from Netflix or Amazon. The filmmakers are the perfect hosts, setting the tone, managing expectations, and often being brutally honest about a film’s shortcomings or the reasons why it was lost in the first place.

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From Booklist

In The Film That Changed My Life (2011), Elder interviewed movie directors about the films that inspired them. This new book offers a twist on that theme as 35 directors tell us about their favorite overlooked or critically panned movies. There’s a good mixture of directors, from famous names (Guillermo del Toro, Peter Bogdanovich, John Woo) to filmmakers who haven’t yet become known by mass audiences. And the films are pretty diverse, too, ranging from unsung greats (the British true-crime film, 10 Rillington Place) to films widely considered to be, well, awful (Can’t Stop the Music, starring the Village People). The question-and-answer format allows readers to hear the directors’ reasons for their choices in their own words; Jonathan Levine, for example, points out that somehow, perhaps because of its badness, Can’t Stop the Music is about as entertaining as a movie could possibly be. Each interview explores its subject’s relationship with his or her chosen film—when they first saw it, why they enjoy it so much—and ultimately the book isn’t so much about the movies as it is about the moviemakers. Great fun for movie fans. --David Pitt

Review

"How necessary this book is! And how well judged and written! Some of the best films ever made, as Robert K. Elder proves, are lamentably all but unknown." -- Roger Ebert , author and film critic "I hate Robert Elder. While the rest of us struggle to come up with compelling content, he follows The Film That Changed My Life with another must-read for the novice and hard-core cinephile alike. Anyone who is passionate about art must be prepared to abandon the comfort of conventional wisdom to defend the denigrated and the dismissed; Elder and his impressive cast of commentators inspire us to continue battling for our beloved personal treasures." -- Adam Kempenaar , critic/host, Filmspotting "Sometimes it can be more of a pleasure to hear someone discuss a movie with love than it is to see the movie itself. The thoughts and enthusiasms of Richard Linklater, Guy Maddin, John Waters, and others are alone worth the price of admission--and Steve James describing a movie I already love is no less instructive." -- Jonathan Rosenbaum , author and film critic "It's always fascinating to learn which films filmmakers themselves admire, and even more so to read about movies they regard as underrated or virtually lost. Robert K. Elder has managed to coax absorbing, candid comments from directors as elusive as John Dahl, Steve James, and Alex Proyas." -- Peter Cowie , author and film historian