Hill Towns
Author: Anne Rivers Siddons
Date: 2000-01-01 05:00:00+00:00
Keywords: Fiction; Chick Lit; Southern; Italy; Contemporary; Romance; Drama; Relationships; Womens; Novels
Description: Although Hill Towns is a coming-of-age story, it's no Romeo and Juliet. There are no young lovers flirting and bedding each other, thinking they've invented the act--this novel centers around adults. The main characters have been married for more than 20 years and believe they know each other absolutely. A trip to Italy shows them there is still much to learn. Catherine "Cat" Gaillard narrates her own story, beginning with a gothic childhood of the sort that inspires folk ballads and tasteless jokes. Orphaned at age 5 when her parents are killed in a freakish accident, Cat chooses to live on M

ANNE RIVERS

SIDDONS

HILL

TOWNS

This book is in memory of my father,

MARVIN RIVERS,
who would have loved a Tuscan odyssey;
and for Cliff and Cynthia, who did.

“Only the very young can live in Eden. Innocence prolonged
ignores experience; knowledge denied becomes a stone in the
head.”

ANDREW LYTLE

“I remember Rome chiefly as the place where Zelda and I had
an appalling squabble.”

SCOTT FITZGERALD,

LETTER, 1922

Contents

ONE

WHEN I WAS FIVE YEARS OLD I MADE A

COLDLY…

1

TWO

I MARRIED HIM ON THE AFTERNOON OF

MY GRADUATION FROM…

20

THREE

“THERE ARE THESE BANDS OF GYPSY

CHILDREN, REALLY SMALL KIDS…

36

FOUR

EVEN BEFORE WE LEFT—WEEKS BEFORE,

IN FACT—THE WORLD ON THE…

62

FIVE

THAT NIGHT I GOT DRUNK WITH SAM

FORREST. IF IT…

89

SIX

ON MY FIRST MORNING IN ROME I SLEPT

LATE. IT…

115

SEVEN

WE MET SAM THE NEXT MORNING IN THE

PIAZZA NAVONA…

143

EIGHT

181

WE CAME INTO VENICE AT DAWN, BUT AS

SAM HAD…

NINE

WE MET AT FLORIAN’S THE NEXT

MORNING FOR CAPPUCCINO AND…

213

TEN

THERE WAS A NOTE. I PICKED IT UP FROM

AMID…

243

ELEVEN

HE CAUGHT A COLD. OF COURSE HE DID.

JOE, WHO…

273

TWELVE

THEY LEFT EARLY THE NEXT MORNING

FOR SIENA, ADA AT…

314

THIRTEEN

YOLANDA SENT ME THE OLD WAY. IT

TOOK MUCH LONGER…

346

FOURTEEN

WE NEVER DID EAT DINNER. I THINK I

KNEW WHEN…

382

ABOUT THE AUTHOR

PRAISE

OTHER BOOKS BY ANNE RIVERS SIDDONS

COVER

COPYRIGHT

ABOUT THE PUBLISHER

1

WHEN I WAS FIVE YEARS OLD I MADE A COLDLY

DESPERATE decision to live forever in a town
on a hill, and so I have, from that terrible
night in June until this one, thirty-seven years and one month
later. If it has been bad for me, as many people these days
seem to be telling me, I can only consider that anything else
at all would have been worse.

“They never saw it coming; they didn’t know what hit
them,” everybody said after my parents were struck and killed
by a speeding truck on the old chain bridge over Tolliver’s

Creek. After that, I knew as simply and unalterably as a child
knows anything that staying alive meant always being able
to see what was coming. Always knowing what might hit
you. So when my father’s parents, kind and substantial Vir-
ginians from the Tidewater who might have given me every
advantage, made to take me home with them after the funer-
al, I simply screamed and screamed until, in despair, they
left me behind with my mother’s eccentric people, who

1

2 / ANNE RIVERS SIDDONS
lived on the top of the mountain where my parents had died.

I had great affection for my Virginia grandparents and little
for the erratic, reclusive Cashes, who were strange even in
that hill country, where strangeness is king, but the ram-
shackle, overgrown Cash house commanded the Blue Ridge
foothills in all directions. From there I would always know
what was coming. From there I would see it long before it
saw me.

I could not have explained this at age five, of course; I
have only recently become fully aware of it. Then, I only
knew that on the mountain I was safe and off it I was not.

Everything in my small being strained after my grandmother
and grandfather Compton as they drove away from the sly,
sunless home of my Cash grandparents in their sedate old

Chrysler that sunny afternoon; I felt as if sunlight and
laughter and gentleness and childhood itself were rolling
away with them. But the new flatland fear was stronger.

When I turned my face into the sagging lap of my grandmoth-
er Cash, she thought I wept in sorrow for my parents and
said for the first of a thousand times, “That’s all right. You
done right. You stay here with your own kind. Your mama
wouldn’t be lyin’ there in her grave if she’d of stayed with
her own kind.”

But I’m not your kind, I remember thinking as clearly as
spring water. I don’t need you. It’s your house I need. It’s
this mountain.

It was, I realize, an extraordinary insight for a small child.

And it did not surface again for more than thirty years. Still,
the power of it served. It held me on the Mountain through
everything that came afterward, all those years that seem in
retrospect to have been lived in a kind of green darkness,
until I met Joe Gaillard in my senior year at Trinity College
and the last lingering darkness took fire into light.

HILL TOWNS / 3

When I told him about my parents’ death—and I remem-
ber it was long after I met him, only days before he proposed
to me—he cried. I stared at him doubtfully; no one had ever
cried upon hearing the manner of their deaths, and some
few laughed outright, nervous, swiftly stifled laughter. Even

I had not cried after that first obliterating grief. I was not too
young to perceive that they had somehow simply died of
ludicrousness. I learned early to parrot laughter along with
the children at Montview Day School, where my Compton
grandparents’ absentee largesse sent me, when they taunted
me with it: “Cat’s mama and daddy fucked themselves to
death!” “Hey, Cat! Wanna go out and hump on the bridge?”

Later, when I began to perceive the dim shape of their
meaning, I stopped laughing and began fighting. By the time

I was ten, I was on the brink of being expelled for aggression.

Time and Cora Pierce’s influence put a stop to that, but I
still hear the laughter sometimes, in the long nights on the

Mountain.

“I’m lucky you weren’t a serial murderer or a Republican,”

I told Joe later. “I’d have married you anyway. It’s pretty
obvious I would have married the first man who didn’t wince
and grin a shit-faced grin and say, ‘Well, at least they died
happy.’”

“I wasn’t crying for them; they probably did die happy, at
that,” he said. “I was crying for you. Nobody should laugh
at a child’s grief. Nobody. Ever.”

“Well, it wasn’t at my grief, exactly,” I said. “It’s just—you
can see why it’s funny, in an awful sort of way, can’t you?

I mean, there they were out on that bridge, just going to
town, and here comes this chicken truck—”

“Nobody,” Joe said fiercely. “Never. Not under any

4 / ANNE RIVERS SIDDONS
circumstance. Jesus Christ, when I think what that laughter
must have taught you about the world—”

“It taught me never to screw on bridges,” I said, and he
did laugh then, the exuberant, froggy laugh that always made
people’s lips tug up involuntarily at the corners. I knew he
was laughing largely because I wanted him to. Joe was a
lovely man then, in the supple greenness of his twenties.

My father was a tall fair boy who came to Trinity College
because his father and grandfather had come before him;
and before them his great-grandfather Cornelius Compton,
an Episcopal bishop of modest fame in the South, had helped
to found the university. There had been Comptons at Trinity
since the beginning. The theological seminary, Compton

Hall, bore their name, and young Corny Compton IV from
the Tidewater was destined to take his place in the southern

Episcopal hierarchy of the last half of the twentieth century.

He had, everyone assured his proud parents, a real passion
for the ministry.

Instead he met my mother in the village at the start of his
senior year, in our lone dry cleaning establishment. She had
come down from the Cashes’ old home, hidden away on the
very top of Morgan’s Mountain, to make a little money and
see a little life, and all his fine passion fled the church in a
rush and poured into her. Literally, probably. They were
married by the New Year, and I appeared in the earliest days
of May. I was a quiet child who absorbed a great deal of
grown-up talk, and while I was still small I came to know
that my mother and father had done it practically the day
they met and whenever afterward they could, and I was lucky
they stopped doing it long enough to marry and give me a
name. I knew what “it” was, too, vaguely; I heard them

HILL TOWNS / 5
so often in the night and sometimes in the daytime, whisper-
ing and laughing and then breathing in that sharp, short
way, and finally moaning and shouting aloud, that I ceased
to be curious about what actually transpired and never even
bothered to spy on them. I suppose I assumed that every-
body’s parents were the same. It did not bother me at all; I
truly believe they loved each other profoundly as well as
lusted after each other, and much of that love overflowed
onto me. We were a happy little family, even though both
sets of my grandparents predicted nothing for us but ruin.

If they had lived there probably would have been more
children. Despite my mother’s assiduous use of the pill, the
law of averages would have undoubtedly caught up with
them sooner or later. My father barely managed to graduate
from Trinity between bouts in bed; as one of my Cash aunts
observed, “His brains must of leaked out, his fly was un-
zipped so often.” His grades were flaccid and his ambition
flown, and after commencement he simply stayed on in

Montview and got a job at the hardware store. The same
aunt said he took it because it was the only thing he could
find where he could come home and bang my mother at
lunchtime. I don’t believe that aunt ever married.

By the time I was five my parents had still not let up much
and were becoming adventurous in their choices of arenas.

I was now old enough to lift from sleep and bundle into the
back seat of their old Nash, and they would range the
mountain on moonlit nights, laughing and fondling each
other, my mother reaching back to check on my blankets
and send me back into sleep with a pat, and when they found
a spot that was inviting, and later one that demanded a cer-
tain amount of daring, they simply stopped the Nash, made
sure I was asleep,

6 / ANNE RIVERS SIDDONS
and got out and did it under the cold smile of the moon. I
think they were probably becoming a little jaded, a little
flown with the sheer audacity of the spots they chose, by the
time they died. The old chain-hung bridge over Tolliver’s

Creek was daunting even in daylight; it hung a good fifty
feet in midair over the white-rushing water below, with space
above and below and all around it. I hated it even before
that night.

But it must have swayed gently and irresistibly before them
in its frail emptiness that June night, because they parked the

Nash on the far side, off on the ferny verge, and left me
sleeping in it, and went onto the middle of the bridge and
took off their clothes and began to make love, and it was
during their final blinded and deafened transports of that
love that Leon Crouch, drunk in his father’s chicken truck,
caromed onto the bridge and smashed them off it and onto
the granite rapids below. If they weren’t dead when they
went off, they most surely were as soon as they hit. It was a
closed-casket funeral, a disgrace nearly tantamount to the
manner of their death in the Cash family.

I did not hear the truck coming. I did not hear it hit them.

I only heard, an instant later, the squall of brakes and Leon

Crouch shouting over and over, “Holy shit! Oh, holy shitfire

Jesus Lord!”

And then, when he found me in the back seat of the Nash,

“God damn those trashy fuckers! Right in front of their baby!”

It was as good an epitaph as any for Rosellen and Corneli-
us Compton in the eyes of the Mountain, and it was most
assuredly the start of a consensus. After that, most of the
tears shed for them were, at least in part, tears of embarrassed
laughter. Only mine and perhaps my grandparents’ were
pure, and even mine were inward.

HILL TOWNS / 7

Trinity College crowns the flat summit of Morgan’s Mountain
in south Tennessee like a mortarboard or a forage cap, or
perhaps a bishop’s miter, apt similes all. It was born just
after the Civil War (referred to on the Mountain as the War
for Southern Independence) expressly to serve the southern
dioceses of the Episcopal Church in the Christian education
of its young gentlemen. It was modeled, as perfectly as hu-
man frailty allowed, after the venerable Anglican colleges of

England and held together during its hardscrabble early years
by the unspent passion of a great many unemployed Confed-
erate officers. Many southern bishops blessed it, and not a
few came to teach there. Several still do. Widows of Confed-
erate officers or Episcopal clergymen were its first housemoth-
ers. Early on, it became an indulgent little joke that “Trinity”

in the college’s case referred to God the Father, God the Son,
and General Robert E. Lee.

Succeeding generations of Trinitarians have found no cause
to scuttle the joke. God the Father and God the Son are still
manifestly present in the mellow gray dimness of All Souls

Chapel and Compton Seminary, and General Lee’s portrait,
flanked by draped Confederate flags and crossed dress sabers,
still hangs in Commons.

The education presided over by these eminences is unalter-
ably classical liberal arts and generally first rate in spite of
it, and for that reason many undergraduates are now drawn
from all parts of the country and even the world. Very few
these days come to be molded by God and Robert E. Lee
for life and service in the vanished world of the Christian
gentlemen’s South, and many new students come up the

Mountain for the first

8 / ANNE RIVERS SIDDONS
time prepared to jeer. Even those of us whose permanent
world it is often laugh at Trinity’s sheer hubris of intent and
tradition; the “Trinity experience” no longer fits one to live
anywhere but Trinity, it’s often said at faculty doings on the

Mountain.

But those who remain do not wish to leave. And the young
who enter laughing and stay to graduate almost always go
out into the world off the Mountain taking with them the
swish of invisible academic gowns and a set of near-chivalric
values. There is enormous power in these old gray stones,
cloistered away up here on Morgan’s Mountain. They bend
reality and stop time. I do not wonder that Trinity produces
so few successful junk bond salesmen and politicians. The
daily subliminal infusions of honor are an effective lifelong
purgative for a great many contemporary ambitions. I
sometimes imagine that the last sound new graduates hear
as they roll out under the stone arch that marks the southern-
most boundary of the Domain, as we call it, is the triumphant
laughter of long-dead bishops and generals.

Much of Trinity’s power lies in its sheer beauty. The

Mountain and the village of Montview are almost phant-
asmagorical in their loveliness. There are to me no mountains
on earth so beautiful as these. They are among the oldest in
the world smoothed now to the curves of a sleeping woman’s
body. They roll across the middle South in symmetrical soft,
misted waves. Morgan’s Mountain sits a little apart from the
rest, a last convulsion that marks the dying of the Appalachi-
an chain. And green: green everywhere, always, all the greens
of the entire earth, each to its own season. The top of Mor-
gan’s Mountain is a globe of pure green swimming suspended
in the thin, clear blue air of the southern highlands. It comes
eventually to be the only

HILL TOWNS / 9
air where permanent Trinitarians can thrive. We are unfit, I
have always thought, to breathe other richer, ranker air for
long.

That dreaming old beauty is the snare, of course. Those
who do not need it do not stay. A high percentage of fresh-
men and sophomores do not return. Some flunk out, but
many simply bolt back to the rich, comforting stench of the
world. Those who stay need bells in their ears, and plain-
song, and countless angels dancing always on the heads of
pins. And after all, the world is lucky that relatively few do
stay; what would we do with all those elite young philosoph-
er princelings if their numbers were legion? Where would
we fit all those languorous, learned young Anglophiles?

But the ones who do stay…ah the old mossy stones and
the flying dark gowns and the ranked pennons in chapel
looking for all the world like medieval banners, and the slow
turn of the burnished seasons in the great hardwood forest,
and the mists of autumn and the white snowfall of spring
dogwoods and the world spread out at one’s feet all around
off the Mountain, and the bitter-sweet smoke of wood fires
and the drunkenness of poetry and mathematics and the flow
of bourbon and the night music of concerts and dances
through new green leaves, and the delicately bawdy laughter
of young girls and the sheen of their flesh and hair, and the
special trembling awareness of cold dew and dawn breaking
on monumental hangovers after you have talked all night of
wonderful or terrible things and sung many songs and per-
haps made out by the lake or on the Steep: these things are
golden barbs in the flesh and will hold always. Trinity is ec-
centric and elitist and chauvinistic and innocent and arrogant
and very, very particular, and it claims its own like a great
gray raptor.

10 / ANNE RIVERS SIDDONS

My grandfather Cash was a janitor there.

“What did that feel like?” Joe asked me when he learned
that one grandfather used to clean the structure that bore the
other’s name. Not for long; Papaw Cash refused to enter

Compton Seminary with his mops and brooms once the

Compton of it entered his family. Everyone at Trinity under-
stood.

Joe was powerfully attracted to my family’s bizarre history.

He found none of it amusing and all of it profound. Joe was
a born teacher of literature.

“It’s pure American tragedy,” he said, over and over. “It’s
all of folklore and literature, really: the Montagues and the

Capulets, the Medicis, most of Faulkner—”

“And the Hatfields and the McCoys, maybe?” I said. “Or
the Jukes and the Kallikaks?”

I was in his senior Southern Literature seminar that winter.

It was how we met. I knew he knew the story of my
provenance on the Mountain before he knew me; everyone
at Trinity did. I had stopped minding long before. Such was

Trinity’s ecclesiastical, liberal-arts predilection for wounded
birds and fascination with its own redolently Gothic milieu
that I was a campus favorite from the days I used to come
to work with my grandfather Cash and sit docilely on the
steps of whatever structure he was cleaning, Mamaw Cash
being practically certifiable by then. Somehow I never felt
an outsider in the Domain. Everyone knew and felt sorry for
me, the strange little hybrid of gown and town. And I sup-
pose I was an appealing child; I heard it often. I was slight
and grave and long-limbed, with a cap of curls like a little

Greek boy’s, only fair, and fine thin features. I looked for all
the world like my father and still do, save for the very dark
eyes that were my mother’s. Except for the fine dry lines
around my eyes and

HILL TOWNS / 11
mouth, I could pass now for a rather androgynous late teen.

My father had the same look in the photographs taken just
before he died, and it is there in the portrait of my great-
grandfather Compton, in the seminary. Unworldly and
dreaming, patrician as an overbred collie. It has, I think,
served all us Comptons well, even my poor father. It both
enabled and excused him a great deal.

“What did it feel like?” I answered Joe when he first asked.

“To tell you the truth, it made me feel rather special. Every-
body bent over backward to make me feel accepted, not to
feel…singled out because my grandfather was a campus
janitor, and not even the head honcho at that. I think I was
pretty much Trinity’s poster child for a long time. Papaw
wouldn’t even speak my father’s name by then, but I knew
the name on the seminary was mine, and somehow I knew
that half of me, anyway, was connected to the college in an
important way. After a while Mrs. Pierce, the provost’s wife,
put her foot down and said it was a disgrace for Bishop

Compton’s great-granddaughter to sit on the steps with the
mops and brooms all day, and she took me into her own
house with her housekeeper. I pretty much grew up there
weekdays; I went to the little Trinity kindergarten, and the
faculty children came to play with me, and it got so I went
to all the right little Mountain birthday parties and play
groups and then to Montview Day. I know my Compton
grandparents paid my tuition and probably kicked in a good
bit more in those earliest days, but I think they must have
sent it straight to the Pierces, or maybe there was a discreet
little fund established at the school. The bequest came much
later, after they died. I know if they’d sent money to my Cash
grandparents’ house, Mamaw Cash would have given it all
to her

12 / ANNE RIVERS SIDDONS
church. She was practically handling snakes by that time.”

Joe’s eyes shone behind his rimless round glasses. More

Faulkner; this was beyond his wildest dreams. I could prac-
tically see a monograph taking shape inside his long, elegant
skull: “The Survival of the Gothic Tradition in the American

Southern Highlands.”

“Too bad it all had such an ordinary happy ending,” I said.

He wouldn’t surrender so easily.

“That’s not the way I heard it,” he said. “I heard you went
through a god-awful time with your Cash grandparents before
they died. Christ, no wonder you don’t want to leave this
place. It must seem like the only refuge you ever had.”

I didn’t bother to ask who had told him about the other
side of my childhood, the side that prevailed when I went
home each afternoon with Papaw Cash. Anyone could have.

It was part of the cherished Legend of Catherine Compton.

I heard much later that another professor, a pale young man
in the music school who much admired the ballads of John

Jacob Niles, had made up a folk song about me once while
drunk on jug wine at a faculty party: “The Ballad of Cat

Compton.” It amused me when I finally heard it, in my early
thirties and safe in my stone house on the Steep overlooking
the entire valley, with Joe and our daughter Lacey. But it
would have embarrassed me no end if I had learned about
it at the time. Back then I wanted only to put every vestige
of my life in the dark vine-strangled shack on the other side
of the Mountain behind me and melt into the body of Trinity.

Dark…dear Lord, the darkness around that house and in
it! Not only the darkness of the enshrouding

HILL TOWNS / 13
kudzu and creeper vines that finally came to hold the black
weathered boards together; not only the darkness of the en-
circling pines and the wet gray lip of pure mountain granite
that beetled over it, so that between trees and rock you never
saw the sun or the blue of the sky unless you went outside
and stood in the front yard. No, the darkness in the house
of Burrell and Mattie Cash seeped from the very walls and
canted floors; from the stained rag rugs and cracked linoleum
and the few pieces of scarred old dark fumed oak furniture;
from the black iron stove and the wash pot in the kitchen
and the listing moss-slick outhouse in the pines behind; from
the mean small fireplaces in the four rooms that lay cold and
dank and empty except in the very dead of winter; from, it
seemed to me, the very stuff of my grandparents’ shapeless
lye-boiled clothing, to which my own clothing was nearly
identical; from their dark closed faces and shuttered, black

Cash eyes.

I never knew why my grandparents were so cold and
angry; it was not entirely at my father, and at my mother’s
shameful death with him on the chain bridge, for they were
silent and angry even before that. I remember distinctly that

I really feared going to their house when my parents were
alive, and was always cold there, and finally my mother did
not take me anymore. None of Rosellen Cash’s older brothers
and sisters lived in their parents’ house that I can remember.

All of them had fled it as soon as they could find sustenance
for themselves elsewhere. Three Cash aunts had married
when they were sixteen and could legally do so and moved
to the flatlands, where they raised what seemed to me entire
phalanxes of dark, jeering Cash cousins. Two Cash uncles
had also fled to the flats but did not marry and seemed to

14 / ANNE RIVERS SIDDONS
spend most of their time raising hell. They were said by Pa-
paw to be sorry and by Mamaw to be damned, and I did
not see them at all, even after I went to live in their childhood
home.

I think now that the darkness in that house—the metaphor-
ical darkness, not the physical, which was entirely corpor-
eal—had its genesis in the madness of my grandmother

Mattie Cash. I believe it was that madness that I smelt when

I was small, like a young animal smells hidden blood, and
feared her house as if it had been a charnel house. And I
think it is an apt measure of the terrible fear of randomness,
of murdering chance, that was born in me when my parents
died that I chose that house rather than the benign house of
my Compton kin. Mattie Cash was obliquely mad then; an
outlander might mistake it for simple mountain reclusiveness,
the queerness of old ways, and perhaps a long skein of in-
breeding in the blood. There was more than a little of that
in those hills then, born of proximity and inaccessibility and
sheer xenophobia. But the skewedness that poured from the
old house like invisible smoke was madness pure and simple,
and in my grandmother’s case it chose, as its object, God.

My grandmother was a religious fanatic from the day she
was converted by a hellfire-screaming, circuit-riding preacher
in her sixteenth year on the other side of the Mountain from

Trinity College. By the time her daughter died naked in her
lust and I came to her, she was drunk on God. By the time
my grandfather began taking me to work with him, she was
so deeply possessed by the Holy Ghost that even he, stone-
cold man that he was himself, feared she would harm me if

I were left alone with her. Mamaw never ceased trying, with
cries and threats and apocalyptic quotes from the Old Testa-
ment

HILL TOWNS / 15
or Revelation, to convert anyone who came within range of
her terrible God.

And he was terrible. He was a God of fire and blood and
vengeance, who demanded of his followers flesh and fealty
and money and whatever else they had. He took and he
judged and he damned. In my grandmother’s ruined mind,
he left it up to her to save and instructed her to do it with
her tongue and her hands and her broom and even the occa-
sional kitchen knife, if the occasion for that arose. She
murdered one of Papaw’s two prized heifers, destined to
fatten and thrive and keep us all in milk and butter for winters
to come, because her God demanded of her, one steaming

July day, the sacrifice of a fatted calf. She went after the social
worker from the county, who heard about the calf and came
to see how I was faring, with the same knife. Only the inter-
vention of the pastor of the church to which my grandmother
was indentured, and my grandfather’s promise to keep me
away from her, saved her from being committed then and
there to the state mental facility in Knoxville.

Papaw wasn’t stupid or mean, only frozen in his bitterness.

He could see the trouble my slender fairness and the betray-
ing chocolate eyes of my mother portended for me. As for

Pastor Elkins, he was indeed a snake handler and half mad
himself, but he was a consummate fund raiser. His ram-
shackle prophecy-haunted tabernacle in a tangled hollow at
the base of the Mountain owed half its provenance to the
money Mamaw appropriated from Papaw’s wages, money
kept aside to feed and clothe us. Even more largesse flowed
from the sums my Compton grandparents sent regularly for
my schooling and general well-being. I don’t doubt that those
gentle, cultivated Anglicans financed the upkeep of more
than

16 / ANNE RIVERS SIDDONS
one thick, sluggish, deadly Mountain rattlesnake or water
moccasin. Pastor Elkins looked upon his handmaiden’s rapt,
mad face and saw there many more years of affluence from
the Tidewater before I attained my majority. He smiled his
bleached feral smile at the county folks and promised there
would not be any more unpleasantness from Sister Cash.

“She is God’s daughter in her heart,” he said. “She’s only
just got so full of the Holy Spirit that it runs over sometimes.”

“Holy Spirit, my behind. That old bat is as crazy as a
bedbug,” I heard the young woman from the county say to
her supervisor as they got back into the battered county sedan
and bumped out of our yard.

The next morning I went for the first time up the winding
road to Trinity College with my grandfather in his old truck
and passed for the first time under the arch and into the

Domain.

“Yes,” the small part of me deep inside that knew about
such things whispered. “This is right. This is the place.”

And when the first of the faculty members passed me, sit-
ting quietly, as my grandfather had bidden me, on the gray
stone steps of Lawler Hall, where the college’s administrative
offices were, I raised my head and looked straight at them
and smiled.

“It’s a pretty morning, isn’t it?” I said, and when they in-
variably stopped and asked me my name and whose little
girl I was, I said my name was Catherine Rose Compton,
and my mama and daddy were dead, and I lived now with

Papaw, who made the college clean. And smiled again.

I was six years old, then, and on that day saved myself.

HILL TOWNS / 17

“And the rest, as they say, is history,” I told Joe soon after

I met him. I told Joe everything about me soon after we met,
except the manner of my parents’ death. And that came just
a little later, for it was only months after we met that I knew
we would marry and I might, with luck, stay forever on the

Mountain. Only then did I feel I could trust Joe with the
thing at the heart of my fear of leaving the Mountain, though

I knew from the beginning I would have to explain.

I told him, finally, on a day when he had asked me to go
with him down off the Mountain and over to Chattanooga,
to hear an organ concert in one of the big Episcopal churches
there. Like many other new converts to Trinity’s Oxbridgian
magic, Joe had fallen in love with all things Anglican and
wanted Passionately for me to go with him and hear Bach
and Palestrina played on the new organ at St. Anselm’s. I
simply could not do it, but no excuse would serve. I was
abundantly healthy, lived in one of the dormitories and
would have been warmly encouraged by my housemother
to attend the concert, and by that time was seeing no one
but him.

“I have all the God up here I need,” I said finally. “I don’t
need a dose of anybody else’s.”

He looked at me in thinly veiled alarm. Joe was a good

Congregationalist boy from a poor, rocky little village in
rural Vermont; he was both beguiled by and still a bit wary
of the lush half-mystic eccentricities of the Domain. I think
some buried puritan part of him expected me suddenly to
forsake the orderly, dreaming gray and green spell of Trinity
and start handling serpents myself.

“I’ve often wondered what you must have made of God,
after those early years,” he said. “I mean, your grandmother’s
fanaticism, and then up here, all this,

18 / ANNE RIVERS SIDDONS
your great-grandfather and Compton Hall. God must have
confused you terribly. Nothing about him was consistent for
you.”

“I don’t think I was confused, exactly,” I said. “What did

I know about consistency? I just concluded there were two
of him. One for up here and another one for…you know.

Out there. Down there.”

“Cat,” Joe said. “What is this out-there down-there busi-
ness? Why won’t you leave this mountain? What are you
afraid of?”

And so I told him. And he wept. And I knew I would
marry him if he asked me, and he probably would. And he
did, not long after that day.

I fell in love with him on the first day of his seminar, in
the winter of my senior year, when he came into class wear-
ing a gray flat-topped Confederate officer’s forage cap. Atop
his thick fair hair, with his silky, full mustache and short
golden beard, the cap looked wonderfully easy and contem-
porary; it was like meeting Jeb Stuart himself, or someone
equally mythic and dashing. His academic gown was flung
carelessly over a worn Harris tweed jacket, his blue oxford-
cloth collar was unbuttoned, and his tie was jammed into a
hip pocket. His eyes were blue and full of a kind of swimming
light behind the round wire glasses, and his features were
narrow and sharp and tanned by whatever he had been doing
the previous summer, before he had come to Trinity. We
heard he had been snatched away from somewhere like Yale
or Williams and was considered a great asset to Trinity. He
was the first of the influx of young Ivy-League-educated fac-
ulty Trinity managed to lure south at the start of the seventies,
that decade of greatest change, and those of us who had
qualified for his elite senior seminar sat silently and stared
at him. He

HILL TOWNS / 19
did not speak, only stood still, hipshot, in the forage cap and
looked back at us. He was tall and very thin.

“Hey, y’all,” he said, in a truly terrible parody of a southern
drawl. His voice was flat, nasal, and harsh, with two hundred
years of New England in it. He fairly honked. We burst into
laughter and he grinned, and I caught my breath sharply.

He was the image of my father when he smiled, of my
young father as he smiled down at my mother and me on a
long-ago sunny day on the edge of the Steep, in the only
photograph I had of him. Mamaw had searched out and
burned all the others.

“My name is Joe Gaillard,” he said. “Josiah Peabody Gail-
lard. The Josiah and the Peabody are Vermont Yankee from
back to Adam, but the Gaillard is a Cajun merchant marine
who met my mother in Boston on her high school class trip
and married her three hours before I was born. I just figured

I’d get things off on the right foot and let you guys know
you didn’t have the lock on Gothic down here.”

We laughed again, and I was lost.

2

IMARRIED HIM ON THE AFTERNOON OF MY GRADUATION
from Trinity, in austere little St. Rhoda’s Chapel, in
the sacristy wing of All Souls. I think we could have
filled the great pennon-hung main Chapel if we had chosen;
the entire college was infatuated with our marriage. Fads
pop up like mushrooms after rain on the Mountain, and we
were that season’s craze. Relatively little creeps in from off
the Mountain to divert Trinity even now, and it was doubly
so twenty years ago. Even the firestorm of unrest and change
that consumed the country in the early seventies reached the

Mountain only as an echo.

Oh, there were nods to the times. Women students came
to Trinity. A good proportion of the faculty was recruited
off the Mountain, from other parts of the country and abroad.

Male and female hair alike brushed the shoulders of the black
academic gowns, blue jeans belled at ankles and tie-dye was
everywhere, and the sweet smell of another kind of smoke
curled into the air of both student and faculty parties. The
music that

20

HILL TOWNS / 21
flowed from lit windows was as much protest as plain-song,
as much rock as Respighi. But the Mountain held its own.

The Domain prevailed. The dream at the top of the world
that is Trinity has never been completely breached by the
present. The Age of Aquarius drifted over the Mountain like
smoke and did not settle.

The few people we had chosen to see us married were so
quintessentially of Trinity that in the dim light it might have
been a twilight in the forties, the twenties, or even the closing
of the last century. Flowered hats bloomed, and white gloves,
and the ubiquitous seer-sucker suit. I wore a simple white
eyelet dress that Cora Pierce had married in, with wildflowers
from the Steep in my hair, and Joe wore his Dartmouth
doctoral hood over his Trinity gown. We had to ask official
ecclesiastical permission for him to do that, but the Reverend

Dr. Scofield had offered no objection. It was very much

Trinity’s own wedding, ours was, and somehow the hoods
and gowns of academia were right.

Dr. Scofield had known both of us since we came to

Trinity. He was, to me, as much a part of All Souls as its
famous rose window. I knew it was largely his good offices
that had prevailed upon the college not to interfere with Joe’s
courtship of me. Student-faculty relationships were forbidden
then and are frowned upon even now. But, as I said, Joe was

Trinity’s first golden boy from the Ivy League, and I was
their poster child. Joe had melted any incipient resistance by
simply going to Dr. Pierce, still our provost and my unofficial
guardian since the death of both sets of my grandparents,
and formally declaring his honorable intentions toward me.

I think he may even have asked for my hand, though he in-
sists that he did not.

Dr. Pierce conferred with Dr. Scofield, who said, in

22 / ANNE RIVERS SIDDONS
the lovely Anglican rumble that had propelled him straight
up the Mountain to All Souls decades earlier, “If exceptions
to rules cannot be made in this, the very bastion of the
thinking man, we should cease calling ourselves a liberal arts
institution.”

“And besides,” Mrs. Pierce told me later that he said, “it
solves the problem of Catherine’s future very nicely. I have
often worried that she would choose a husband not of Trin-
ity.”

“Or not choose one at all,” I said to Joe later, laughing.

“This way you get to support me, and the Compton stash
can go into the general fund. What if the school had had to
dish out for me until I was ninety-five?”

When they died, five years before, quietly and peacefully
within four months of each other, my Compton grandparents
had left to the theology school a much larger bequest than
had been anticipated, but with the stipulation that my full
tuition, room, and board be paid from it, plus a generous
living allowance, until I either married or died. When one
of those eventualities occurred, the balance would revert to
the school to use in any way they saw fit. Dr. and Mrs. Pierce
were asked to administer the fund and oversee my welfare
as long as I stayed on the Mountain, and since I had been
living with them ever since my Cash grandparents died when

I was thirteen, in the final fire set in the old house by mad

Mattie Cash, they agreed—I think, happily—to do so.

It was an unusual arrangement, but Trinity was used to
unusual arrangements when it came to me. Exceptions for

Catherine Compton were made with regularity. Old Bishop

Compton’s largesse, all those years before, had been great
indeed. And I truly loved the gentle, childless old couple
who had plucked me off a stone doorstep all those years ago,
and I knew they loved me

HILL TOWNS / 23
in return. They had become the grandparents the Comptons
might have been to me, if I could have made myself leave
the Mountain. But even at thirteen, the fear of the outside
world that was born by Tolliver’s Creek was too vivid, too
real for that. I had made one visit to their home just after

Papaw and Mamaw died, and my anxiety was so overwhelm-
ing that I trembled and vomited for three days, only stopping
when I passed once more under the arch into the Domain.

It was then the suggestion was first made, by Grandmother

Compton, that perhaps a discreet stint of psychiatric therapy
would not be amiss. But by the time she made it I was radiant
and restored in my relief, and so happy to be back at Trinity
that I fairly shimmered with it.

“It’s not you,” I said into my grandmother’s lilac-smelling
neck. “You know I love you and Grandpa. It’s just that…I
have to be up here. I have to be.”

“Then, my dear Cat, you shall be,” she said, and hugged
me hard, and went into the Pierces’ house with Grandpa

Compton to talk with Dr. and Mrs. Pierce about the matter.

I did not realize until she had driven away again that the
tears on my face had been hers and not my own.

After that, I saw my Compton grandparents regularly, and
always on celebratory occasions such as birthdays, gradu-
ations, and the bestowing of academic honors. But always
it was at Trinity. After I enrolled and moved into the fresh-
men women’s hall, upon graduating from Montview Day, I
left the Mountain only for infrequent, reluctant shopping and
academic field trips to nearby Chattanooga or Knoxville or

Nashville and very rarely Atlanta, and I left under the serene
kiss of a tranquilizer administered by the college physician,
an old friend of the Pierces, with no questions asked. Even
then, anxiety

24 / ANNE RIVERS SIDDONS
curled like a snake in the pit of my stomach, dormant but
sentient. By the time I met Joe I had not been off the Moun-
tain in over a year. I was planning, after graduation, to take
a position at Trinity as a graduate assistant in the Art Depart-
ment, where I was taking my degree in Art History. It was
already arranged; fortunately, I was a good student and
sought after as a teaching assistant. Someone would probably
have had to take me anyway if I had not been. It neither es-
caped me nor pleased me that I was, by that time, a campus
icon.

It was a beautiful little wedding, if I do say so, with a spare
sweetness to it. The few contemporaries of mine who atten-
ded often speak of it. My senior-year roommate, Francesca

Leatherberry from Louisville, who is a vice president of a
large Richmond bank now and comes back often to the

Mountain, says it couldn’t have happened anywhere but in
the Domain, nor with anyone but Joe and me.

“So medieval, somehow,” she has said more than once.

“All that gray stone and green light, and you in the wild-
flowers like Juliet, and Joe in his gorgeous hood. And only
the candles, and the Purcell on the recorder, and of course
you and he look exactly like effigies on some old tomb in

Westminster Abbey, one that goes back to the Crusades. Are
you sure you aren’t brother and sister, separated at birth?”

“God, I hope not,” Joe said the first time she said it. “If we
are we’re surely damned, the way we’ve been carrying on.

Our issue will be albino idiots with cloven feet.”

I have thought often of what she said, and what he replied.

I know he has, too.

Even his friend Corinne Parker, then a cynical, foul-
mouthed, and thoroughly engaging graduate assistant in the

Psych Department and now a successful psycholo

HILL TOWNS / 25
gist with a practice in Montview drawn largely from Trinit-
arians, was touched by the ceremony.

“It almost made me wish I was straight,” she said not long
after the wedding, at the first party we gave in our tiny rented
guest cottage behind a big stone house in the village. “The
sheer innocence of it could have choked a mastodon. I
yearned for white eyelet for a week afterward.”

Corinne was a lesbian and lived openly with another gay
woman in a garage apartment out near the Inn. Nobody
particularly cared. One’s sexuality has never been of much
concern at Trinity; sensuality is as much an element up here
as the thin pure air and the cold sweet spring water. How
could it not be, with all this closeness, this raptness, this
sheer youngness? Same-sex relationships have always flour-
ished here, usually as those all-consuming first friendships
that seem peculiar to small colleges, but lines of demarcation
blur on the Mountain. The church had an unofficial stance
against homosexuality in my time at Trinity, of course, but
could hardly afford to make a thing about it, given the ar-
dency of the friendships born in seminary, and generally
didn’t bother anyway. Far better to save the salvos for the
real sins of venality, materialism, and general worldly tacki-
ness.

“You could have white eyelet if you wanted it,” Joe said,
ruffling her short copper thatch. “Who said it’s strictly for
girls? Ol’ Cat here is built like a fourteen-year-old basketball
center.”

“I’d look like a fireplug with a tea napkin slung over it,”

Corinne snarled. “Cat looked like Ophelia on her best day.

Nope. Amy and I are going to tie the knot in black leather
on Harleys, with Three Dog Night for a processional. Y’all
can come if you’ll behave.”

26 / ANNE RIVERS SIDDONS

Amy left the garage apartment and the Mountain the fol-
lowing year, but Corinne has stayed on, good therapist and
good friend that she is. She has another friend now, but
when she comes to our house it is usually alone. She said to
me once, a few years after Lacey was born, “I know it isn’t
any of my business, Cat, but if you ever feel like talking to
somebody about this agoraphobic stuff, I think I could help
you. I’ve had some real successes with it….”

I hugged her. “Rinnie, I’m not agoraphobic. I’m just ex-
actly where I want to be. But thanks anyway,” and she smiled
and hugged me back. She seldom mentioned it again, but
sometimes, at parties at our house, she looked at me
thoughtfully, and I knew what she was thinking.

She and ’Cesca Leatherberry were the only two Trinity
students at our wedding. Dr. and Mrs. Pierce were there, of
course, and the professor whose assistant I would become
in the fall, and the head of Joe’s department and his wife,
and two or three other faculty couples to whom I had grown
close in my years with the Pierces. Joe’s mother was bedrid-
den with emphysema and his father had been dead for some
years, but his older brother and sister, Caleb and Sarah,
came, taciturn and solid and swarthy, the living legacy of
the dead Cajun seaman, but without, apparently, his dark
fire. I liked them, but we had little to say to each other, and

I think they found Trinity and the Mountain somehow effete,
a bit rarefied and precious, after the rocky harshness of their

Vermont farm. They stayed overnight at the inn and left early
the next day, with their invitations to come and stay with
them in Vermont ringing in my ears and my assurances that

I couldn’t wait ringing in theirs.

Somehow I knew I’d never go. I don’t think Joe did,
though; not then.

HILL TOWNS / 27

“Give them a little time,” he said, watching their rental car
set off down the road toward the airport in Chattanooga.

“The Mountain would be pretty esoteric doing to most Ver-
monters. ‘Sheep May Safely Graze’ is a Four-H slogan to
them. Towers belong on TV stations. They’ve never even
met a Southerner, and the first one they do meet is marrying
their little brother. You’ll get to know them better when we
go up for you to meet Ma. On their own turf they’ll be a lot
easier with you.”

“I wish she could have been here,” I said, the old familiar
fear starting up in the pit of my stomach. We had not spoken
before of leaving the Mountain to go and visit his mother.

We had not spoken of leaving it at all.

“I wish your parents could have too,” he said softly.

“Yes,” I said, my eyes stinging suddenly. I saw them again
as they were in the picture I kept on my dresser, only slightly
older than I was now, smiling down at me. “This wedding
was for my mother, as well as for me. Nobody was laughing
at this wedding.”

He pulled me to him and held me against him, my face
feeling the warmth of his body through the T-shirt he’d pulled
on hastily to come and see his brother and sister off. Only
an hour before my cheek had rested there against his bare
skin. I closed my eyes and burrowed my face fiercely into
his chest, to scourge away the stinging tears, to feel the sheer
heat and solidity of him, miraculously mine now.

“Come on,” he said. “Let’s go home. Bed’s still warm.”

And we did.

We had made love for the first time the night before. It
was the first time ever for me: remarkable, Joe said, in that
age of mandatory egalitarian sexuality among the young.

Everywhere in those days, even on the Mountain or perhaps
especially there, love was being made, in car

28 / ANNE RIVERS SIDDONS
seats and dorm rooms and thickets and behind darkened
buildings. On the Steep, you had to step carefully to avoid
treading on lovers. Sex hung in the air as thickly as smoke.

“I can see why you never have, with your parents and all,”

he said, the first time we talked about it, which was not very
long after we met. From the very first, it was hard for us to
keep our hands off each other, and we both sensed that some
sort of policy about sex had to be arrived at.

“What do you mean?” I replied. “They loved it. They did
it all the time. I heard them, even if I never saw them. They
sounded like a couple of wildcats. Practically everybody on
the Mountain knew about them; they were famous.”

“I mean the way they died,” he said hesitantly. “It would
scare anybody.” Joe was still awed and reverential about the

Faulknerian manner of my parents’ demise.

“I’m not scared,” I said and believed it. “I don’t even think
about it anymore. The reason I don’t do it is because I never
met anybody I wanted to do it with until you. And can you
imagine trying to screw in the Pierces’ house? We’d turn
into pillars of salt the second the tire hit the road.”

He laughed and pulled me close, and we resumed the
hypnotic, infinitely slow touching of each other’s faces and
bodies that served us, then, as the prelude to what we both
knew would come soon. How could I be afraid after those
afternoons and nights spent learning his long, knobbed body
by heart and fingertip, inch by inch? There was no part of
either of us unknown to, untouched by, the other. When we
finally broke apart I would be limp and stunned with wanting
him, almost unable to stand. And he would be mute and
sweating.

HILL TOWNS / 29

“Can you get cancer from stored-up sperm?” he would say,
grimacing.

But we did not consummate it. We agreed. It would be
even sweeter for the waiting. And it was the right thing for
us.

It was his decision. “Somehow, jumping your bones before
the ceremony would be like screwing Trinity’s mascot or
something,” he said. “Until we get married you belong to

Trinity. But oh, baby, watch out afterward. Afterward, you’re
mine.”

And so we gasped and burned and fumbled along until
our wedding day, and the instant we went upstairs to our
room in the inn, to which the Pierces had treated us, we
slammed and locked our door, and looked at each other,
and then skinned out of our wedding clothes and ran into
each other’s arms, and did there on the rag rug that had
doubtless been hooked in another century by a blameless
bishop’s wife the thing we had been waiting for. We did not
even make it to the bed. After the first time, we did it twice
more before we even got up off the floor. It was well past
midnight before we finally lay together in the first of the beds
we would share throughout our life. Since then I have slept
alone very few times.

I loved it. I always have. Making love with Joe is one of
the very few totally absolute things I know; it is pure sensa-
tion and transport, unleavened by any external element. At
the beginning of our marriage it was a kind of warm red
earthquake, shaking me until my senses literally left me. Later
it became sweeter, longer, deeper, and even later a slow,
sliding roller-coaster ride whose course I knew as I knew my
way from my bed to my bathroom at night in the dark, famil-
iar in every inch and degree but no less transcendent in the
last white burst than it had been the first time. I knew it was
so for Joe,

30 / ANNE RIVERS SIDDONS
too. I knew by the moves he made, the words he whispered,
the sounds he made at the climax, the way he laughed aloud,
a whoop like a boy’s, after it was done.

For myself, I found I could make no sound. Not that first
time, and never since, could I so much as whisper, whimper,
cry out, laugh. I could feel the sound welling up in me as he
filled and rocked me, feel the long, ululating cry of abandon
and completion spilling from my lungs and climbing my
throat; I could even feel my mouth open with it, and my lips
draw back and contort with the long cry of love, and the
tendons in my throat strain, but I could force no sound out.

At first it puzzled Joe, and then alarmed him slightly, and
finally became a challenge, a matter of honor, a slight. There
were times, until we both made peace with my inability to
make a sound during love, that he went at me so fiercely I
thought he was trying literally to pound a sound from me,
ream from me an affirmation. Sometimes afterward, he would
fall silent and turn away from me, and I would feel tears of
something like guilt in my eyes, and I would roll over on
him and tease him with my hands and mouth until we could
do it again, hoping that this time the dam in my throat would
burst or he would forgive me my muteness. The latter
happened always, but the former never did. I was as unable
to shout my love as a stone.

We finally made a small joke of it and were able to move
past.

“Why does it matter? It’s just noise,” I would say. “You
should be able to tell by now that I sort of like it.”

And he would laugh—would have to, because there was
no mistaking how I felt about the act of love with my hus-
band. A blind man could have read it from my thrashing
body, from the great, silent rictus of passion

HILL TOWNS / 31
that arched my neck and blurred my face. “The silent death,”

Joe came to call it.

“It’s just”—I laughed one summer afternoon as we lay on
the grass in the shady lee of our garden wall—“that I want
to be able to hear you coming.”

Neither of us said anything for a long moment. I knew I
had gone to the literal heart of my silence. In that last, lost
moment I needed more than anything on earth to be able to
hear whatever was coming. So I would not, like my parents,
die of my love.

“Exactly,” Joe said quietly. “Exactly, my poor Cat.”

After that he seemed content with my silence. In an odd
way it seemed even to please him, to become erotic in and
of itself. After that day we did things we had not done before;
he moved in new ways, cried out new things. I was pleased
and relieved but in some obscure way disturbed, too. It was
as though he read in that strange, sad little inability of mine
confirmation of that first seductive Gothic strangeness that
had drawn him to me. I felt he was fucking a woman in an

Appalachian ballad, the Cat Compton of the silly folk song,
instead of the living, breathing, particular woman who was
his wife. But I did not mention this to him. By then I had
made my Eden and drawn him into it with me. I was not
about to poke at its stones and mortar.

For all my life with him, I have wondered about Joe’s fas-
cination with the South, particularly with the dark and secret
veins of the bizarre that run everywhere through this old ta-
pestry. I have come to no firm conclusion, even all these
years later. But I think it had its genesis in that stark, rock-
spined farm outside St. Albans, in Franklin County, in the
northwest corner of Vermont.

Even in the light, Joe said, there was a kind of darkness
on the land, not the rich, fecund green darkness of the

32 / ANNE RIVERS SIDDONS

Mountain and the South in general, but a shallow, flinty
murkiness that did not nourish. The farm was not near a
town of any size; his mother and her cousins and children
tended their few placid New England cattle and raised some
stunted New England potatoes wild miles from the cultivated
coasts of Massachusetts, New Hampshire, and Maine. It was
not much of a farm ever, and his father’s early defection and
death, added to his mother’s chronic illness and the advanced
age of the two cousins, bled it into near poverty. Joe worked
the farm before and after school and in the summers. There
was enough to eat and hand-me-down clothes from Caleb
to clothe, if badly, his weedy frame, but there was nothing
in the long silences of the house and the rasping of his
mother’s sick lungs and the dying crossroads villages to feed
a soul. Joe worked in silence and studied with furious, fo-
cused concentration and remembered that the only music
and laughter and dancing he had ever known had come from
the South, with his dimly remembered father. His grades
were awesome, despite his schedule of farmwork. His SATs
struck his teachers into silence. A young guidance counselor,
herself an outlander, had the wit to help him apply early to
several Ivy League schools, and by the time he was a junior
he had received acceptances from all of them.

He chose Dartmouth, partly because it was essentially a
village, and therefore within his limited ken, and partly be-
cause he had seen a cloyingly romantic movie long before
about Winter Carnival that had enchanted him. When he
said goodbye to his mother and Caleb and Sarah, everyone
understood that it would be a long goodbye.

His first year at Dartmouth he had drifted into a southern
literature course and found there such nourishing richness
and romantic grotesquerie and indolent beauty that his heart,
suckled on granite and silence, flowered

HILL TOWNS / 33
like wild honeysuckle, and he was lost. He brought his new
degree and his hunger for dark Faulknerian loam south,
found the Mountain, and began to sink grateful roots almost
before he cut off the motor of his old Volvo station wagon.

By the time he met me, he was a perfect medium for such
specialized cultivars as we produce here. He would have
fallen in love with me, I think, if I had been built like Brün-
hilde and had a mustache and the mind of an Easter chick.

The extravagant personae of my parents and Cash grandpar-
ents, plus the whole seductive and beautiful Mountain-church-
philosopher business, would have seen to that. The fact that

I was bright enough, funny, vulnerable, and matched him
almost inch for inch in height, slenderness, and exaggerated

Victorian-valentine purity of feature was merely a plus.

After a few bad days and weeks following his promise at
the inn to Caleb and Sarah to bring me north to meet his
mother, I did not really fear that Joe would try to move off
the Mountain and take me with him. That first summer in
the little stone guesthouse we rented behind the larger home
of the Dean of Graduate Studies, in a hardwood grove bor-
dering the Steep, was a magical one. I started the first of the
gardens for which I have become modestly renowned, began
the series of small evenings of food and drink and talk that
have become Trinity traditions, and began to lay down, with
perfect intent and to the best of my abilities, a life for Joe
that was so ordered and fulfilling and rich in substance that
he would not miss the benison of scope. If he knew what I
was about, he gave no sign. He must have known; from the
very first Joe and I were able to read each other’s minds and
hearts. I concluded from his silence and the contentment
with which he let me wrap him in a web of beautiful days
that he was saying to me, Yes. All right.

34 / ANNE RIVERS SIDDONS

Make me a life here that I could have nowhere else, and I
will not ask you to leave. I will let you build me a world,
and the larger one will come to us.

But just for insurance, just for good measure, I covertly
threw into the college incinerator, on the second day of my
marriage, the little round cardboard wheel of Enovids the
college physician had given me. I said nothing to Joe and
made love to him, and cooked and entertained for him, and
laughed with him, and talked long into the summer nights
with him, and waited. And I knew past all doubt the exact
moment, on an August night of long, slow rain and sweet
fresh flower breath from my new garden, that I got pregnant.

And knew that for a few months, at the very least, I was safe.

The next April, when our daughter Lacey was born blind,

I knew I was safe forever. We would not leave the Mountain
now. If Lacey was to live without sight, she would live at
least in Eden. The world that kept me safe would keep her
too.

Only decades later did I come to know that Joe occasion-
ally fancied I had somehow literally blinded her with my
terrible fear, bought my safety with her sight. But I honestly
think he had thought it only a very long time ago, and not
often even then. And by that time there were none of those
terrible thoughts that had not visited me in the dark still
nights when I could not sleep.

On an evening nearly twenty-one years later we sat in a
garden identical save in scope to that first one, having our
drinks in the cool spring twilight and reading a letter from
our daughter, in college a continent away. She had written
to tell us she was going to Europe with friends that summer,
to backpack through Spain and Italy and the

HILL TOWNS / 35
south of France, and hoped we might join her afterward and
travel in Yugoslavia. Her friends had to leave her in Rome,
but she was on fire to go farther, into that strange, hybrid
old country across the Adriatic from Italy.

I hear that Dubrovnik is the most beautiful city in the world,
she wrote in her dark, angular letters, on the paper with the
raised lined grids that she used. I wish you’d come be my
eyes. There doesn’t seem any reason you can’t, now. I’m well
out of the nest. I’ve always wanted to see Dubrovnik.

Joe put the letter down and looked out over the stone wall,
spilling white clematis now, into empty blue air above the
lip of the Steep. Our house commanded the whole valley
like a fortress. He did not speak, but I knew he was thinking
what I was thinking: Lacey for all her blindness would
probably see Dubrovnik sooner, and more clearly, than either
of us. My throat tightened at my daughter’s cheerful valor
and my own crippling cowardice. And for my husband, who
would not say what I knew: that he wanted with all his heart
to stand on the sea wall of that old city with his daughter,
and be her eyes, and let her be his.

“We should go,” I said, around a great geyser of fear, in a
voice that was not mine. “She’s right, there just isn’t any
reason not to. This is silly. Enough is enough.”

“I wouldn’t do that to you, Cat,” Joe said, and there was
nothing in his voice but the old love. Old, a long love….

“Joe….”

“No. I wouldn’t. It would be like holding a gun to your
head and pulling the trigger. What do you think I am?”

“A fifty-year-old man who’s never been to Europe,” I said,
and got up and went into the house and called Corinne

Parker.

3

T“HERE ARE THESE BANDS OF GYPSY CHILDREN,

REALLY small kids, who roam the streets like packs
of orphan puppies; they dress in rags and come up
to you in tears, begging for money, and while your
heart is breaking and you’re fishing for your wallet, one of
them slips around behind you and picks your pocket. Or else
they swoop down on you from behind, so quietly you don’t
even hear them coming, and just snatch your purse and are
two blocks away before you realize what hit you. They’re all
over Rome. Nobody seems able to stop them. Of course, in

Rome, nobody tries very hard.”

Hays Bennett, who was president of the Faculty Council
that year and Joe’s number-two man in the department, took
a deep swallow of his gin and tonic and grinned his vulpine
grin around the room. He had a sharp face and a brush of
red hair and looked like a fox. Of all our friends, I was least
comfortable with Hays. He always looked as though he
halfway meant the sly barbs with which he larded his conver-
sation. Probably he did

36

HILL TOWNS / 37
not; Joe always said he didn’t. But he was the only one of
our usual party crowd who teased me about never leaving
the Mountain, and he did it so often I did not think it was
casual or coincidental. He was looking at me now. I knew
the story of the gypsy children was aimed like an arrow at
me. Colin and Maria had just asked Joe and me to meet them
in Rome in July, where they were to be married, and every-
one at our party had been babbling in excitement over the
proposed trip. My silence had not escaped Hays.

“They sound awful,” I said truthfully. They did; the notion
of that silent swarming pack bursting around me without
warning, snatching, grabbing, was repellent to me, appalling.

But I spoke lightly.

“Oh, they never hurt anybody, except accidentally,” Hays
said. “They’re after your money, not your life. Not like on
the San Diego Freeway or even Atlanta. Italians are not really
into bodily harm. Would you rather be mugged or murdered
than surprised?”

“Cat would,” Joe said lazily from the sofa, where he was
sprawled with his bourbon and soda. I turned to look at him
in surprise and the sort of swift, small shock of hurt you feel
when a beloved child or a pet lashes out at you. Joe knew
how I felt about Hays’s needling.

“Almost, I would,” I said, smiling. “Death before stealth.”

The small group in the living room laughed; Joe and Hays
laughed with them.

“Who wouldn’t? There’s no redeeming social value in
being scared to death,” Corinne Parker said, grinning briefly
and looking closely at me, and everyone laughed again, and
the moment and the party flowed on.

It was a pretty party, a good one. Ours almost always
were. I knew that I had a knack for bringing people together
in easy groups, and I had honed it by determi

38 / ANNE RIVERS SIDDONS
nation and repetition into an art. I liked the deep sense it
gave me of nurturing, of caring for and making happy the
people whose lives were intertwined with ours. After twenty-
three years, most Trinitarians and much of the village and
the Mountain were among that number. A party at the

Gaillards’ had come to be, almost, Trinity’s official sanction;
over the years I had given them to celebrate graduations,
appointments, promotions, publications, new arrivals, retire-
ments, grants received, degrees awarded, and every other
ritual of academic life imaginable. I also celebrated with food
and drink and flowers and candlelight and laughter the
countless engagements, marriages, births, anniversaries, and
once or twice even divorces of my fellow Mountain dwellers
and raised enough funds in our stone house on the Steep to
keep Trinity solvent well into the next century, or so Joe said.

Joe loved our parties too. He loved being a host. It pleased
him to please people, and he was as house-proud as only
someone who has lived meanly in childhood can be. He was
an absolute monarch of his small rich kingdom at the parties,
a graceful and charming and benevolent monarch. It was for
him I had them. I had sensed from the very beginning that
deep inside Joe was a chasm that hungered for ritual and
celebration, for extravagance. I felt that hunger too. Over
the years, the parties had fed it for both of us. More glue,
they were, more mortar for the perfect world that held us in
its bowl on the Mountain. Like my beautiful garden. Like
the music. Like the books and paintings and the food. I had
taught myself to be a very good cook over the years. I wanted
none of Joe’s hungers to go unfed. I wanted his needs met
entirely in the house on the Steep and the school on the

Mountain.

HILL TOWNS / 39

I thought I had succeeded. But his lazy words tonight
shocked me. Two words only, but they spoke from some
unfilled emptiness I had not suspected, and I was frightened.

I looked at him again. He sat in a circle of warm light from
one of the two tall copper lamps that sat on the library table
behind the big sofa in the living room, his long legs in chinos
flung over the sofa’s arm, his head thrown back into piled
pillows. He was tanned from early tennis in the thin, clear
spring air, and his hair was in his blue eyes; he needed a
haircut. I loved the thick flaxen tumble of it when it was too
long. Over the years it had lightened with strands of silver
to the shade of old vermeil, and it and his mustache were
lighter than his skin, so that his teeth flashed very white. His
eyes seemed bluer tonight, darker. It was probably because
of the fairly recent contact lenses, and the lamplight, and the
bourbon. He had had rather a lot of that. Behind him, dog-
wood branches in a crystal vase glowed like snowflakes in
the room’s dimness, and I thought their whiteness darkened
his eyes too. He was still very handsome. Still as lean and
sinewy, thin-featured, thick-haired, still as knobbily graceful
as the day I first saw him. The only change over all the years
had been a kind of ashiness that settled on his skin, a web
of infinitesimal dry lines, a small thickening of grain and
pore, a deepening of creases, a sharpening of bone. He was
still Joe, just a bit hardened.

It was not unbecoming. He had aged, I realized, like many
men on the Mountain. He had hardened into age, not
slackened. Up here, men do not often get fat or go to seed.

They desiccate. Something in the thin air preserves them al-
most like mummies, both literally and metaphorically. For
that matter, there are few fat

40 / ANNE RIVERS SIDDONS
women at Trinity, either. We might be a lost race found a
millennium later in some fabulous, airless tomb.

Suddenly I did not want to take the metaphor any further.

I knew what happened to the beautiful, dried dead when the
tombs were opened at last and the air of the world rushed
in.

I looked at my husband in the light of the copper lamps
and for a moment did not know him.

I looked around my living room at the people who had
come to my party and did not know them, either.

“Dinner in fifteen minutes,” I said, and got up and went
into the kitchen and through it into the downstairs bathroom
and stood at the mirror over the washbasin, eyes closed.

“That better be you,” I said, and opened my eyes. It was,
but there was something different. I was still me, but more
so. Or maybe me, but less….

I had been in therapy with Corinne Parker for almost ex-
actly two years. I started the week after the letter from Lacey
we had read together in the garden, asking us to go to

Yugoslavia with her. We had not gone; Lacey did not really
expect us to. She had known since early childhood that I did
not go off the Mountain, though I had insisted, finally, that
she do so. She had seemed as incurious about it as our friends
in the village and at Trinity; it was simply a given. Mother
did not leave the Mountain. I suppose it did not seem strange
to her. Lacey was raised among a thousand strangenesses,
great and small. Trinity has always been proud of its myriad
graceful eccentricities. Lacey’s world was full of people who
did nor did not do things that were common fodder to those
unfortunates off the Mountain. I think that fact helped her
live as easily with her blindness as she did. In the end she
had persuaded one of her companions to stay on

HILL TOWNS / 41
in Europe and go across the Adriatic with her, and Joe and

I stayed at home and read her letters with joy for her and no
more overt regret for ourselves.

But I had been determined never to see in Joe’s eyes again
a yearning for something I held him back from, and I worked
with Corinne as I have never worked at anything else. It cost
me a great deal, but the look in his eyes over Lacey’s letter
had cost me more. I trembled and sweated and gasped with
the pounding of my heart, and I wept, and once or twice I
threw up in Corinne’s neat little bathroom off her office, as
she walked me through that long-ago night on the chain
bridge and the terrible days and years afterward, in the house
of my crazy grandmother and frozen grandfather. I gulped

Valiums like candy for a while, and lost sleep and weight,
and railed at her, and cried endlessly, when I thought Joe
could not hear me; and on the nights in the second year be-
fore the short, and then longer, trips I took off the Mountain
with Corinne at my side, I paced the house or the garden,
sick and weeping, until dawn came. But I never once held
anything back from Corinne. And I never once missed a
session.

Different? How could I not be different, after all that? I
might look the same—for, like Joe, I was still tall and slender
and tousle-haired, and still had the small face and soft mouth
of a child, and still wore the smattering of freckles across the
bridge of my nose and cheekbones that I had always
worn—but one profound change had been made. Only one,
and that one small and invisible. But it redefined me. Before

I had been Cat who could not go off the Mountain. Now I
was Cat who could. Haltingly, frightened still, not far, and
only after escape routes had been mapped and bolt-holes
located…but

42 / ANNE RIVERS SIDDONS

I could go. Even if I never did again, I knew I could. And

Joe knew.

I looked in the mirror at Cat who could go and knew I
had grown, and Joe feared it and had spoken tonight from
that fear. In that instant I wanted to undo it all, take back
all the sessions with Corinne, go back to where I had been
before Lacey’s letter came, run to Joe and fling my arms
around him and cry, I’m back, I’m here, this is me, don’t
feel like that about me, don’t ever speak like that to me again!

See, I’ve undone it all. Let us be again like we were.

But I knew I could not. I was doomed one day to be
healed, if imperfectly and reluctantly.

I leaned my forehead against the cold surface of the mirror
and shut my eyes again. “Oh, God,” I whispered aloud. “Why
didn’t I see what was happening?”

Corinne had seen. Seen, and tried to make me see. But I
would not, could not.

“Well then,” she said to me in exasperation finally, after
nearly a year of arguing with me about Joe’s role in my re-
covery, “we’ll just damned well do it without him. But I don’t
like it, Cat. I don’t think you realize how deeply all this is
threatening Joe. I don’t think he realizes it, come to that.

He’s capable of sabotaging everything we’ve worked so hard
for, of cutting your legs off under you. He wouldn’t think he
was doing that, of course; he’d think he was protecting you.

I’ve known him even longer than you have. I’ve seen him
operate in faculty situations. He wouldn’t hesitate, and he’d
never admit he’d harmed you. It will be up to you to protect
yourself.”

“I thought you were such a great friend of his; I thought
you loved him so much,” I cried, furious with her.

“I am. I do,” she said. “But I love him like he really is,

HILL TOWNS / 43
and there’s nothing I need from him. I can see him a lot
clearer than you can right now.”

“Corinne,” I said, still angry, “I think you are probably the
best therapist this side of Vienna, but if you say one more
word to me about Joe, I’m going to terminate. Right now.

I mean it.”

She looked at me for a long moment over her horn-rimmed
glasses. Corinne was a handsomer woman than she had been
a girl, her tanned, lined face alive with intelligence and caring.

There was no answering anger in her eyes, only a kind of
weariness.

“You’re right,” she said. “It was the friend talking and not
the therapist. It’s one of the pitfalls. I’m sorry, Cat. No more
about Joe. It was way too soon.”

I let it go. In fact, I buried it deep and forgot it. Or thought

I had. But now, staring into the mirror, I saw the two of us,

Joe and me, over the past two years, as if we had been on a
screen in a theater and I was watching from the audience.

He had not objected to my seeing Corinne at the begin-
ning; he had said only, “It seems a pity to go back into all
that when you’ve made your peace with it. But if it’s what
you want….”

“It is,” I said. “I want to do it for both of us.”

“No need to, for me,” he replied. “I like us just the way we
are. I love you just the way you are.”

But he said no more, and I began the long journey with

Corinne through the debris of my childhood that I had not
thought was there at all.

At first when I came home white and depleted, or cried in
the nights, he would hold me and soothe me. But soon the
twice-a-week crises of fear and sadness seemed to annoy and
then anger him.

“I can’t stand seeing what it’s doing to you,” he

44 / ANNE RIVERS SIDDONS
would say, smoothing the hair off my face, holding me hard
against him. “It’s killing you, and it’s just so unnecessary.

I’m going to talk to Corinne—”

“No,” I said. “No, Joe. This is necessary. This is work I
didn’t do back then. I have to go through it; I can’t go
around it. Don’t say anything to Corinne; this is my therapy.”

After that, I tried to weep when he could not hear me. I
think I succeeded. He did not speak of it again.

But he began to tease me, small thrusts that would have
been wounding if they had not been so funny. Joe was and
is a very funny man. His eye and ear for absurdity are wicked
and true. He could mimic Corinne perfectly, and I would
find myself laughing in spite of my annoyance when he said
things like, “Now, tell me, Catherine, just when did you first
notice this terrible fear of fucking on suspension bridges?”

and “Today we’re going out to the chain bridge and sit there
all afternoon, and you’ll see, not a single couple will come
do the Black Act on it.”

But I never repeated these incidents to Corinne. Some
small sane part of me, buried deep, knew what she would
make of them.

Later on, when I increased my sessions with her to three
times a week, seeing for the first time a crack of daylight in
the wall of my fear, Joe began to urge new things on me.

Added involvement in the affairs of the college, when I
already had more committee meetings and teas and coffees
than I could say grace over; more evenings spent with old
friends in their homes; more parties at ours.

“You just seem to have extra energy,” he said, when I fi-
nally protested mildly. “I thought you might feel like doing
some things with me now.”

HILL TOWNS / 45

“Oh, darling, of course!” I cried. “I haven’t meant to neglect
you. I didn’t realize I was….”

“Well,” he said, “I know this therapy stuff has been tough
on you.”

So I joined the extra committees and went to, and gave,
the parties. But I did not cut back on the therapy.

Finally, midway in the second year, I began to make trips
off the Mountain with Corinne. Tiny ones, at first; really just
drives to the base of the Mountain and back up, or a trip in
her car over to a nearby shopping mall on the outskirts of

Chattanooga, where I sat in the car and waited, eyes closed
and heart pounding, while she went to the drugstore. I was
wet with sweat and tears when we got back, and so weak I
had to go home and lie down, but I could do it. Before, I
could not have. Soon I was driving my car and she was in
the passenger seat, and we began to go farther and stay
longer. The trips were hard—I can never tell anyone how
hard—but I knew I could do them and the fear would not
kill me. On the day in January that we drove all the way to

Atlanta and had lunch at a suburban Wendy’s without my
taking a single Valium, Corinne announced it was time for
me to make a few trips without her.

Instantly the fear was back in all its old, cold weight.

“I can’t,” I whispered. “I can’t do it by myself.”

“I didn’t say by yourself,” she said. “I said without me.

You’re leaning too heavily on me. Get Joe to go with you.

Surely he knows how important this is to you, how hard
you’ve worked.”

“I haven’t told him about the trips,” I said, not meeting
her eyes.

She said nothing.

When I asked him, he would not go.

“I just can’t, sweetie,” he said the first time. “Midterms

46 / ANNE RIVERS SIDDONS
is the worst possible time for me, what with Carlton and

Hank out. Can it wait till early next quarter?”

Early the next quarter he brought a world-famous poet to
campus for three weeks of seminars and receptions. It was
a great coup, and I could see he could not interrupt the royal
visit to drive to a Wendy’s or a Burger King thirty miles away
with me.

In March he sprained his ankle playing tennis.

I took a triple dose of Valium and made the first trip by
myself, in a white haze of sedation and terror. I don’t know
why I didn’t kill someone. The second one I made on two

Valiums. My third trip alone I only took one, though the fear
was truly terrible. I told neither Joe nor Corinne I had gone
alone.

I still saw nothing amiss in Joe’s refusals to go with me.

We truly do see what we need to see, and only that.

In late April, Corinne wanted Joe and me to go away
somewhere for a weekend off the Mountain.

“Go to a fancy hotel in Atlanta,” she said, grinning
wickedly. “Order room service and drink to excess and screw
your heads off. I can vouch for the weekend package at the

Ritz Carlton in Buckhead myself.”

I laughed and made the reservation that afternoon. That
night, over drinks, I told Joe about it. I thought he would be
pleased with my accomplishment, and I knew he liked the

Buckhead Ritz Carlton. He stayed there when he was in At-
lanta for fund-raising trips with President Day or at alumni
functions or SMLA meetings.

“What about it?” I said, leering over the rim of my vodka
and tonic. “I could get a new nightgown for you to rip off.

Or something exotic in the way of marital aids. We could
rent a porn video.”

He did not speak, and he did not look at me.

“I just don’t think we should both be away at the

HILL TOWNS / 47
same time, Cat,” he said finally. “What if…oh, what if Lacey
wanted to come home all of a sudden? Wouldn’t you want
to be here for Lacey?”

I told Corinne about it. I couldn’t not, not this time. She
was silent for a time, and then she sighed, and got up and
walked to her window and looked out at the new green that
shawled the Mountain.

“I’m only going to make one speech, Cat, and then I’m
not going to mention it again. You can do with it what you
choose. If you need to terminate because of it, so be it. Will
you listen?”

She did not look back at me.

“I’ll listen,” I said.

“OK. I think this whole thing—the fear, Joe’s peculiar re-
action to your handling of that fear, and your extremely pe-
culiar reaction to his reaction—is all about control. Control.

Up here you can control your world…and what a world
you’ve made. It’s orderly, it’s serene, it’s beautiful. Very few
people on earth can live like you and Joe do, and almost no
one can do it except in places like this. In the Domain. The
famous Domain. You control your world, and you control

Joe, and he controls you. And it’s all in the name of some
kind of…specialness. Who in their right mind would want
to give up being wonderful, special? Not Joe. Not you. I
know you had an awful shock when you were a kid, and you
had a few bad years with your grandparents. But look at the
life you’ve lived since you got into the whole Trinity thing.

I don’t think it’s safety you’re so afraid of losing, I think it’s
this specialness. Up here you’re not just a housewife, you’re
a Domainian. Joe is not just an English professor, he’s head
of the English Department in the Domain. On the Mountain.

You think he wants you to go running down to the flatland
and leaving Eden

48 / ANNE RIVERS SIDDONS
whenever you want to? Hell, no; he’d have to go with you
or lose you, and he doesn’t want to do either. Go on, Cat.

Go by yourself, then. Hole up in the Ritz and read wonderful
books and eat gorgeous food and swim and shop and drink
champagne and watch TV, and see what the real world is
like. If you can call the Ritz Carlton the real world, of course.

If you don’t go now, I don’t think you ever will.”

It was a long speech for Corinne, and her square figure
was taut with the passion of it. But she never did turn and
face me. I literally could think of no words and stood silent.

“What if Lacey did, for some reason, want to come home?”

I said in a small voice, knowing as I spoke how ridiculous I
sounded.

“Cat, Lacey isn’t going to come home again,” Corinne said.

“You know that, don’t you? You worked hard enough to see
that she didn’t have to, and you succeeded. You know she
isn’t going to come home. Joe knows.”

“Yes,” I whispered. “I know she isn’t.”

And I turned and walked out of Corinne’s office.

I did not go back. When I called to tell her I wanted to
terminate, she said only, “Well, it’s probably time. You’ve
done good work, and you can take it from here. We still
friends?”

“Always,” I said, meaning it. “Always. I’ll never forget what
you did for me.”

“Then send money,” she said, laughing, and I laughed too
and hung up. I felt light and limp with relief. All was well
between Corinne and me. All was as it used to be. I could
still be her friend and have her at our parties, and Joe would
still laugh with her at faculty meetings and at the club. And
spring had come, the ineffably beautiful

HILL TOWNS / 49
green spring on the Mountain. All the Domain bloomed with
it.

I did not go to the Ritz Carlton in Atlanta. I let the sweet
swirl of social activities that catches us up in spring wash
over me and planned for the day in June when Lacey would
come home for her short summer break, before going back
for the first quarter of her senior year at Berkeley. Come
home and then go away again. Corinne was right. Lacey was
not ever coming back for good to the Mountain. I had indeed
seen to that.

When she was born, her eyes were not the indigo of the
newborn but so clear and light a blue they looked almost
silver, washed in a sheen of light that might have been tears
but was not. She was a happy baby from the very first. I
cannot remember a time when Lacey did not crow, or gurgle,
or laugh outright. It was Joe’s laugh, froggy and enchanting,
ridiculous in a tiny baby. Everyone was enthralled with her.

I think I sensed something was wrong from the first instant

I held her, something to do with the strange, beautiful eyes,
though it was only much later that I let myself know. When

I did, long past the time that Joe and the doctor suspected,
when even I could not explain her unfocused stare as a baby’s
undeveloped muscles, I felt a quick, fierce stab of gratitude
beneath the pain and grief. I pushed it away, hating it. But
the aftersense lingered.

“It could have been so much worse,” I said to Joe, trying
to comfort him in his anguish. “It could have been something
fatal. It could have been something that would hurt her,
cause her pain. It could have been something…disfiguring.”

50 / ANNE RIVERS SIDDONS

“Well, she’s not going to have to worry about how she
looks, is she?” he said, through almost the only tears I had
ever seen in his eyes. “Christ, Cat, you think this isn’t going
to cause her pain? You know how the world treats blind
people—like retards!”

“Well then, she just won’t go out into the world,” I said
savagely. “She’ll stay on the Mountain with us. It’s a wonder-
ful life; she can have everything up here. She’ll hardly know
she’s…without sight.”

I could not say “blind” for a long time.

“You’re glad, aren’t you? Now you’ll never have to leave.

She’ll be your anchor to the Mountain.”

I merely looked at him, holding my baby.

“I’m sorry, Cat,” he whispered, his face crumpling. “I’m
sorry. Forgive me. It’s just…I wish I could exchange my eyes
for hers. I…she’ll never see this beautiful place. She’ll never
see your beautiful face….”

I reached out for him over the baby’s head, and he came
into my arms, and for a long moment I held them both, try-
ing with all the force of my being to pump some sort of
healing into them. Perhaps I succeeded just a bit with Joe.

He did not cry again, not that I saw, at any rate. Not for

Lacey.

Lacey needed no healing from me and never has.

We kept her at home. It was Joe’s decision as much as
mine, perhaps even more so. I never had the impression that
he was humoring me. It was not hard to adapt our small
house to a blind child, or at least not to one of Lacey’s
nature. She was fearless and pragmatic to a degree that
simply astounded me, who am neither. If she fell, she picked
herself up and toddled on. If she bumped something, she
fussed a little and went about her business. We padded
corners and secured rugs and moved bric-a-brac out of reach
and tried our best to

HILL TOWNS / 51
treat her as a normal child. She was light-years ahead of us
in that respect.

Because she had never known sight, she did not seem to
sense dangers she could not see; we had to watch her there.

Her other senses were awesome. Even before she received
special schooling, she could read her way around her world
with her ears and nose and fingertips. She talked early and
volubly, and her memory was phenomenal. Corinne told us
her IQ—“if that idiocy matters to you”—was probably aston-
ishing.

“She doesn’t have to live with limits,” Corinne said, early
on. “With her intelligence and temperament, she can prob-
ably have almost any sort of life she wants. Do almost any-
thing, go almost anywhere. There are special schools to help
her live just about as normally as any other child. I’ve looked
into them—”

“She’s going to stay here,” Joe said. “We’re going to teach
her. Later on she’ll have tutors for the things she needs. I’ve
already been in touch with the National Institute for the

Blind; they’ve sent literature. When the time comes, she’ll
have everything she needs—”

“She needs the real world, Joe,” Corinne said.

“This is her real world,” he said. “There’s nothing she needs
that she can’t have here. Who wouldn’t love growing up in
this place? Nobody’s going to think of her as a blind kid
here.”

“She is a blind kid,” Corinne said. “She needs to go through
and past that. So do you two. You can’t keep her locked
away in a tower all her life. What happens when she wants
something she can’t get up here? What happens when she
marries and her husband lives somewhere else…if you all
ever let anyone near enough to marry her? What happens
when you die, or do you plan on not doing that? Did you
ever read The Secret Garden?”

52 / ANNE RIVERS SIDDONS

They came as close to quarreling over Lacey as they ever
did over anything. After that talk Joe simply would not speak
of her to Corinne. And she stopped bringing the matter up.

Lacey stayed on the Mountain with us, in our little house
and walled garden, and was taught Braille and simple coping
skills by a young tutor who came each day from off the

Mountain. She managed her schoolwork with ease and joy
and played contentedly in her nursery or our garden with
the children of friends and faculty, who came each afternoon
and weekend, and had toys and pets and her radio and
phonograph. She loved listening to television.

Joe and I spent virtually all our free time with her; I remem-
ber those early years as the years when the Mountain began
to come to us. We did not go out, but we did not lack for
companionship, and neither did she. She was a pretty,
puckish child, small and rounded, like my mother, but with

Joe’s thick fair hair. And the beautiful, light-spilling blue eyes
were riveting. You literally forgot they saw nothing when
she fixed them on you, following the sound of your voice.

Her laughter rang like chimes. Everyone who met her fell in
love with her. Somehow, we managed not to spoil her. I
really think her own sunniness and enormous curiosity saw
to that.

“I forget for hours and sometimes days at a time that she
can’t see,” Joe used to say, and I agreed. I was proud and
grateful for managing to fashion a world for our child that
made sight virtually unnecessary. I was happy in those days,
no less happy than I have been in our later ones. It seemed
to me that all the value and beauty in the world lay here in
microcosm.

I never looked far ahead. For a long time, I saw no need
to.

When she was ten, Joe and I began to plan the house

HILL TOWNS / 53
we wanted to live in for the rest of our lives. We’d been
talking about it for years, and we’d finally bought a lot. It
was the back four acres of an old estate on the very lip of
the Steep, thick with first-growth hardwoods and dogwood
and laurel and rhododendron, sweeping level and sweet up
to the granite outcropping that guarded the land from the
air. It had belonged to the first patrician general who had
retreated to the Mountain after the “late unpleasantness,” to
lick his wounds and form a mountain fastness where sons
of the Confederacy might learn in their turn the precise things
that led their fathers into war. The last of his line had died,
and Joe had his bid in to the estate lawyers indecently soon
after the service at All Souls. There were much higher bids,
but they came from off the Mountain, and I suppose the
trustees saw their duty clear. We had an architect friend
translate our ideas into drawings, and on the night we sat
down with him to review them, Lacey sat with us, her head
against Joe’s knee. We paid little heed to her. She often sat
like that when we had friends over. She seldom interrupted.

More often than not, she was off in her own world, the one
behind her eyes where we could never follow. She stayed
there a lot.

Philip talked of how the new rooms would look, and how
we might live in them, and how he thought the furniture and
artifacts of our lives might fit there. He talked of the air and
sun and space and the magnificent panorama of flatland and
foothills that the site commanded, of how it would come
right into the house to be a part of it as the stones and mortar
and oak beams were. He talked of how space and air were
a design element, how the walls themselves would seem to
open endlessly to sun and rain and the turn of the seasons.

“I see it as a house without boundaries,” he said. “As

54 / ANNE RIVERS SIDDONS
a place where you won’t know where you leave off and the
woods and sky start. This is a nice starter house, kids, but
these little rooms are like living in shoe boxes. Like a little
rabbit warren. Tacky. The house I’m going to build for you
will be like living in the woods, with the trees for a roof and
all the world for a garden.”

Lacey began to scream. Within seconds she was hysterical
and so near breathlessness we finally had to call the pediat-
rician. It was only after an injection of sedative and much
holding and rocking that we got words out of her.

Lacey was afraid she would fall out of her new house into
thin air. And Philip’s words about the only house she knew
had devastated her.

“That’s not how they are!” she said of the rooms he had
described as shoe boxes, rabbit warrens. “It’s not! This house
is beautiful! I hate the new house! I won’t live there! I won’t
leave here!”

It was the first time I realized that the world Lacey had
built for herself behind her eyes was far grander, more
beautiful, than anything on the earth could be. That when
we said “house,” Lacey saw something wonderful, splendid,
unimaginable to us. How not? What had she for comparis-
on?

And it was the first time I saw clearly what we were doing
to her, Joe and I, by keeping her on the Mountain, away
from the rest of the world.

I went to see Corinne Parker the next morning. By that
fall, Lacey was enrolled in the long-term children’s rehabilit-
ation program at the Cleveland Sight Center. When she went
away in September to learn to live in the world, Joe went
with her, of course, not me. Corinne had said that was best,
and so had the people at the center.

HILL TOWNS / 55

“She’s already afraid,” Corinne said. “It’s inevitable, with
her intuition, that she’ll catch your fear of leaving, and not
understand it, and think she’s going into danger out there.

Let Joe take her alone. She understands he has a job and
can’t stay with her, and it’ll be easier for her to let him go.

Don’t cry, Cat. This is best and it’s high time. Her real life
starts now.”

But I did cry. Not only for my child, my child of the silver
eyes who in her blindness saw palaces and unicorns and
wonders and now must learn to see only reality, but for Joe,
who lived in an agony of love for her and must now leave
her to the ministrations of strangers—and for me. I would
miss her as I would miss my hands or the beat of my own
heart, and I would fear for her each moment that passed.

I hated knowing that no small part of my tears fell in
simple gratitude that it had not, after all, been asked of me
to leave the Mountain. But I did know it.

It was the right thing, of course. Lacey learned prodi-
giously. She ate learning as if it were food and she starving;
she embraced the world, with all its stenches and grime and
dangers and meannesses and all its simple glories, as she
would a lover. She had the tools: the clicker that helped her
by its resonances to gauge depths and positions; the white
cane; the myriad tricks, such as cooking by sound and posi-
tioning food in clock positions around her plate; the com-
puter on which she could access the entire world of words
and print out whatever she chose in Braille. And the wonder-
ful dogs, with whom she could walk almost as easily in the
world as the sighted. The first, named Luke after Luke Sky-
walker, lies now in the garden of the new house that she did,
after all, come to love, under her favorite red maple. The
next, a loving black Lab named Joe after her father, is with
her

56 / ANNE RIVERS SIDDONS
at Berkeley and will go with her through her graduate work
in the rehabilitation of other visually impaired people at

Western Michigan University, in Kalamazoo.

Joe teased her about Kalamazoo when she told us her
plans for grad school.

“Kalamazoo? Why do you want to go to school in Kala-
mazoo? It sounds like a bad Borscht Belt routine.”

I knew he had hoped she would come back to the Moun-
tain and Trinity for grad school, though of course he would
not say so to her. But he was proud, too, that she wanted
to spend her life working with other blind people. Trinity
could not help her there.

“Well, so what?” She grinned. “What do we care, Joe and

I? I can’t see Kalamazoo and he can’t spell it.”

Joe had stayed with us in the house on the Steep when

Lacey went to Europe, and though he was polite and well-
mannered and accommodating to Joe and me, I knew his
heart was traveling with Lacey. His big head turned often
toward the door she had vanished through when she left
him, and when he heard, long before I did, the tap of her
cane as she made her way up the front walk with Joe after
he met her at the Atlanta airport, he gave a great bark as full
of joy as any sound I have ever heard. He had never barked
before, not for us.

Yes, it was the right thing I did all those years ago. Lacey
was all but out in the world, and it was the world of her
choosing, and Joe and I were in the house of our dreams in
the world of our choosing, he the department head he wanted
to be, with a deanship and who knew what waiting beyond
that, I with all I had ever wanted already within my grasp
and the world off the Mountain, if I chose, at my fingertips.

I reached up and touched the nose of the woman in the
mirror.

HILL TOWNS / 57

“Nothing is different, not really,” I said to her. She did not
look entirely convinced. Her eyes were shadowy with doubt.

“No, really,” I said to her. “It’s the same world, yours and

Joe’s. Absolutely the same one it always has been. Maybe it
just doesn’t shine quite so much now; maybe the world off
the Mountain has tarnished it a little. But it’s the same. So
are you. So is he.”

And I bit my lips to redden them, a trick I had learned
reading Gone With the Wind when I was eleven, and went
back to my party.

Colin Gerard was Joe’s protégé. He had been Joe’s favorite
student through all four years as an undergraduate, the star
of Joe’s small seminars and survey courses, the chosen one,
the heir apparent. Most professors at Trinity have them.

Colin was from an old Richmond family, its lineage thick
with bishops and generals and academicians, at least three
of whom had been at Trinity before him. He slipped as easily
into the world on the Mountain as if he had been born there.

His specialty was the Fugitives, and Joe still talked about his
thesis on Allen Tate now, long after Colin had finished grad
school and become Joe’s graduate assistant.

I knew Colin planned to stay at Trinity forever, barring
some unimaginable unforeseen calamity. He was the sort of
young man who, to me, seemed genetically programmed for
the Mountain: handsome in a mussed, fine-boned way,
graceful with the kind of shambling indolence that goes well
with dusty black academic gowns, funny in the mordant self-
deprecating way that is so admired up here, a varsity track
man, president of his fraternity and coxswain of his crew,
an accomplished

58 / ANNE RIVERS SIDDONS
drinker of bourbon, bright to near brilliance. He held almost
every office for which he ran, and almost every honor Trinity
had to offer, and I think there is a lot of money in his family.

Old money. When I think of the words “Golden Boy,” I think
of Colin Gerard. How on earth he had come to be so besot-
ted with Maria Facaros Condon from Newark, New Jersey,
was a source of much speculation and enjoyable gossip at

Trinity. Colin, the consensus has it, could do better.

Maria came to Trinity on a full scholarship to study polit-
ical science and met Colin during her freshman year, when
he was a junior. There is no explaining chemistry; she is dark
and dumpy and short and wild-haired, so large-breasted as
to be a campus joke and so quiet that until she began to
come to our parties with Colin I had never heard her say a
single word. She said few even then. She is awesomely smart;
her grades, undiluted with extracurricular activities, outshone
even Colin’s, and she sailed through graduate school so
easily that people still talk of it at the Faculty Club; and she
is considered the best of Trinity’s young instructors. She
cares little for clothes and wears no makeup, and though she
has a sweet, rather medieval face and a really beautiful low,
rich voice, she is remarkable for very little except her mind
and her breasts. Colin absolutely adores her. Steam practic-
ally comes off him when he is with her, and off her with him,
and they manage somehow always to be touching each other.

It is either uncomfortable or amusing to be around them to-
gether, depending on your point of view. How can he? the
campus says over and over. It would be like keeping your
own cow.

No one is crass enough to say she is common, of course,
but the word somehow lingers in the air when she is in a
group.

HILL TOWNS / 59

I like her, and I like Colin better for loving her. I have
never managed to warm up to him all the way. Maria Con-
don is, I realized finally, me, only in a different skin. An
outsider.

“Because she’s no competition, basically,” I said once to

Joe when he asked for the thousandth time why I thought

Colin so adored her. “He’s a thousand times prettier than
she is. Look what he gets: all boobs and food and bed and
adoration forever, plus a mind he can show off whenever
anybody gets too snotty about her. And best of all, she’s a
pie in Mama’s eye. Can you see Lucy Semmes Gerard intro-
ducing her around to the post-Junior League crowd in Rich-
mond? Don’t knock Maria, Joe. I like her enormously. She’s
me, you know.”

“What are you talking about?” he protested. “You’ve al-
ways been—elegant, a sprite, really lovely. A little Greek
boy, an Athenian at Plato’s school. You are, even now. She’s
an Athens saloonkeeper’s daughter.”

“Sicilian, maybe. Don’t be precious, darling. It doesn’t
become you. What do you care, as long as Colin is happy?

And is he ever happy! I think they’d better get married im-
mediately, before they get any happier. Would you like to
ask them if they’d like to be married in our garden? I know
he loves it, and it would probably get him off the hook with
his mama.”

But tonight Colin had announced that he and Maria had
decided to be married in Rome, in Michelangelo’s beautiful

Piazza del Campidoglio, over the coming Fourth of July.

And, he said, grinning around the room, there was going to
be a dinner the night before in Trastevere to which we were
all invited, if we could manage it. Given by Sam Forrest, in
his rooftop garden. We were all invited to that, too.

There was a soft explosion of sound, as near to a

60 / ANNE RIVERS SIDDONS
babble of excitement as we get on the Mountain. Sam For-
rest! An American expatriate living in Italy for years, a
painter of such renown and charm that hardly a glossy inter-
national magazine managed an issue without some mention
of him and his beautiful Italian wife, Ada, of their legendary
parties and his extravagant showings and openings. His huge
canvases, flaming with bawdy color and a kind of elegant
savagery, hung in every important museum in the world and
most large private collections. The whole world knew about
his affairs and his feuds and his brawls and his periods of
reclusion, when he locked himself into his studio or retreated
to a borrowed one and painted as if possessed by devils for
months at a time, seeing no one, emerging thin and depleted
with another show’s worth of work. Somehow he did not
repeat himself and had not, so far, faltered in his trajectory.

His talent was immense and real. The life he led with Ada

Forrest was exactly, he said over and over in the magazines
and newspapers, the sort of life an artist should lead. Neither
of them asked anything of the other or minded what the
other did. And what they, together and separately, did was
as famous as his paintings. Sam Forrest. Sam Forrest with
this young graduate assistant and his bovine child from Ne-
wark, New Jersey?

“Did you win the wedding in a Top Forty contest?” Hays

Bennett said.

“Actually, Hays, he’s family,” Colin said. His smile was
creamy with satisfaction.

“Family. I see,” Hays said. “Your mother’s or your fath-
er’s?”

“Well…Maria’s, really. He’s her uncle or something. By
marriage. He’s married to her mother’s cousin, I believe.

The family who still live in Florence.”

HILL TOWNS / 61

“Naples, Colin,” Maria said in her smoky voice. She smiled
at him indulgently. “The Mezzogiorno. It’s not at all the same
thing.”

“Well, wherever,” Colin said. “Isn’t that something? Even

I didn’t know, and then she hands me this letter from him….”

We all looked at Maria. She dropped her eyes.

“It sounds like bragging,” she muttered.

“So, anyway, you’re all invited,” Colin crowed. “And right
now, before God and man and this assemblage, Maria and

I want to issue a formal invitation to Joe and Cat to come
with us and be our attendants and drive with us through

Tuscany. Go on our honeymoon with us. Is that tacky, or
what? How about it, Joe? Show us the Italy of literature. Be
our cicerone.”

The group fell silent. Joe did not speak. I felt Hays’s eyes
on me.

“Let’s do it,” I said, my heart bucking like a wild thing
under my silk shirt. “Let’s just…do it!”

“Ah, God, I’d love to, but we couldn’t,” Joe said. “Cat
couldn’t….”

“Oh, yes,” Corinne Parker said. “Cat could.”

“Could you?” Joe looked at me. Everything that was un-
said, had always been unsaid, shimmered in the air between
us. I could not read his eyes. They were, still, the eyes of the
stranger who had spoken earlier.

“Yes,” I said.

“Then,” Joe said, smiling, “we will. And on your head be
it.”

4

EVEN BEFORE WE LEFT—WEEKS BEFORE, IN FACT—THE
world on the Mountain turned strange. Everything
seemed too bright and vivid; I felt, as I went about
making preparations for the trip, that the air around me was
perpetually lit by unseen strobe lights.

“Do you feel like we’re making a movie about getting ready
to go to Italy?” I said to Joe.

“Nope,” he said. “I feel like we’re already there. Nothing
has felt this real in a long time as this trip.”

He had been listening to Italian language cassettes for
several weeks, and studying guidebooks, and reading prodi-
giously about the cities we would be visiting. Books on the
hill towns of Tuscany, on Etruscan history and art, on food
and customs and architecture littered his study and the big
room over-looking the Steep in which we practically lived.

He was already fluent in the idiomatic Italian of the cassettes
and peppered his conversation with phrases he liked.

62

HILL TOWNS / 63

“Buon giorno, Catti. Ho fame. Quando che colazione? Fac-
ciamoci un bicchiere. Dove sono i gabinetto?”

“Good morning,” I would reply. “Breakfast is never unless
you feel like cooking it. And it’s about twelve hours too early
for a drink. And you damn well know where the toilet is.

Joe, do you realize that virtually everything you’ve learned
so far has to do with eating and drinking or the elimination
of same?”

“I have my priorities,” he said. “OK, how about spogliati?”

“If it’s not about food or shit, I’m game,” I said.

“It means, take off your clothes,” he said, leering.

“They do that in Italy?” I said, peeling my nightgown off
slowly to the rhythm of an imaginary bump and grind.

“Why else do you think they close the shops from noon
to four? Ah, Cat, you’ll have every man in Italy pinching
you. Look at you. Like a little willow tree, and blond all over
except for those wicked black eyes—”

“Basta,” I said huskily into his neck. “I’ll show you priorit-
ies.”

We made love a great deal in those days just before we
left. I still don’t know why. It was not the slow, deep, honey-
thick love of our settled married life but the intense, fevered,
searching love we had made when we were first learning
each other’s bodies. We did it many places we had forsaken
since the first prodigal flush of total license: the kitchen table,
the rug before the fire in the big room, the garden, the bath.

Joe seemed to me insatiable, and I felt nearly so. It was as if
we sought to imprint one another’s bodies, inside and out,
on our minds and hearts and visceras. It felt as if we had a
time limit to do so. It felt as if we were going to be parted
and wanted to be sure we did not forget each other….

64 / ANNE RIVERS SIDDONS

“We really ought to cut this out for a little while. We’ll be
jet-lagged before we ever see the jet,” I said, a few days before
we left. We were lying on the sofa under the window wall
that faced the Steep and the blue summer air beyond it. We
were stark naked and sheened with sweat, and guests were
due sooner than I liked to contemplate. Colin and Maria
were coming for a last American supper; they were leaving
the next morning, to try and wade through some of the
seemingly impenetrable red tape that surrounds foreign
marriages in Italy. Corinne was coming too. I had Tuscan
bean soup simmering, and as near as I could devise to the
crusty dark bread of Italy baking in the oven.

“I just want to make sure that when some strutting Roman
stud comes on to you, you’ll remember me and sneer in his
face,” Joe said.

“I can’t imagine ever wanting to do this with anyone but
you,” I said honestly, feeling swift, inexplicable tears sting
my eyes. I hugged him hard. I thought once more how totally
wonderful his attenuated body felt under my hands, each
long, subtly defined muscle sliding beneath the pads of my
fingers, oiled with our mutual sweat. I thought that any
other body, especially a dark, stubby, tightly packed one,
would make me physically ill. I loved all of Joe: mind, heart,
soul, spirit, flaws, eccentricities, but it was his body and his
beautiful narrow, carved face that weakened my knees and
thickened my tongue. I had often wondered what would
happen if he were to be altered in some essential way: a bad
accident or a wasting, disfiguring illness. Could I still feel
this simple, joyous lust for him that had lasted all the years
of our marriage? I thought I could now, but it would take
effort, and perhaps closed eyes….

“I’m not programmed to run off with Italians, unless

HILL TOWNS / 65
they happen to look like Ichabod Crane,” I said, running my
fingertips down his back to where the cleft in his narrow
buttocks started. “No, don’t, really. If we don’t get dressed

Corinne will come in and turn the hose on us.”

I think Joe was almost totally happy in those last few days.

He whistled, he sang in the shower, he broke into small silly
dance steps when he went about his daily business. He filled
notebooks with things he wanted us to do and see in each
city and kept a separate list of places to eat and drink. Almost
everyone we knew on the Mountain had been to Italy at one
time or another, and everyone had suggestions. Joe listened
avidly, and jotted and noted and culled his lists, and cheer-
fully ignored the jibes of his more traveled colleagues when
they made indulgent references to innocents abroad and ugly

Americans. Joe was neither innocent nor ugly and knew it.

In his mind, I believe he had already conquered Italy as surely
as he had the Mountain, from the moment he knew for sure
that we were going. The stranger who had taunted me,
however lightly, on the night of our spring party, was gone,
and the man I had loved and known for more than twenty
years was back, and then some.

It was I who was the stranger.

“I don’t feel like myself,” I said to Corinne in the kitchen
that night. “I don’t feel excited, I don’t feel connected, I don’t
even feel frightened. Last year I couldn’t even go to Atlanta,
and here I am going all over Italy, and I haven’t even had
to take a pill. I pinch myself a dozen times a day just to see
if I’m real, or if this is a movie I’m watching, or a dream.

That’s how it feels. Just…unreal. Is this recovery or some
kind of new breakdown I don’t even know about yet?”

66 / ANNE RIVERS SIDDONS

“You tell me. It’s your psyche,” Corinne said, tearing off
a crust from a warm loaf. “Mmm. Good. Neither one, prob-
ably. Probably just a new kind of defense your subconscious
sent up, like a flare, when it caught on that you were going
about as far off the Mountain as you could get. Go with it.

It’s the smartest part of you. I brought you a little ammuni-
tion, by the way.”

She fished in the pocket of her cardigan and brought out
several slips of paper and stuck them into my apron pocket,
my hands being slicked with olive oil and wine vinegar.

“Thanks. What are they?”

“The names of decent English-speaking shrinks in each city
you’re going to. And some spare prescriptions for generic
tranquilizers. Also my phone number at the Cape. I’ll be
there most of the time you’re in Italy.”

I looked at her. She was smiling, but I could see she was
serious.

“Joe can take care of me, if it should come to that,” I said.

“I’m not going to be alone at any point. But thanks anyway.”

“You ought to have your own resources, Cat, even if they’re
pills and shrinks,” Corinne said. She was no longer smiling.

“But Joe—”

“So Joe gets hit by a Fiat. What then?”

Through the calm white snowfall of unreality the old
panic coiled and struck like a snake, then faded swiftly.

“Then I take the whole bottle of pills and call everybody,”

I said waspishly. “I can’t go through Italy zonked, Rinnie.”

“I’d rather you went through it zonked than be frozen to
some hotel room,” she said. “Take the stuff and don’t argue.

If you don’t need it, fine. Italy’s beauti

HILL TOWNS / 67
ful, Cat. It’s really extraordinary; in one way or another, it’s
where we all came from. Don’t miss any of it. It ought to be
yours alone, not just yours and Joe’s.”

“Have you been?”

She smiled and paused.

“I’ve been,” she said. She said it in such a way that I did
not ask when or with whom. Italy meant something to

Corinne. I thought suddenly how well I knew her—and how
little.

“So,” I said. “What should I pack?”

“Toilet paper and antiperspirant.” She grinned. “And leave
all those sweaters and shawls here. I’ve seen your suitcases.

Rome and Florence will be ovens, and Venice will be a steam
bath.”

“It’s funny, but when I think of this trip, I don’t even think
about Rome and Florence and Venice,” I said. “I mean, I
know we’re going there first, but what I see in my mind is
the hill towns. The Tuscan hill villages. Up there in the
shadow of those old walls, you’d want sweaters and shawls.”

I heard Joe at the living room door greeting Colin and

Maria. I dried my hands and Corinne snatched a last bite of
bread and we turned toward the living room.

“When you get back, Cat,” she said over her shoulder,

“we’re going to have to talk about those hill towns. We
never did, not specifically. I’m hoping once you’ve been
through Tuscany you’ll see that a fortress on a hill isn’t
anything special; it’s just a place like any other place.”

“I never said it wasn’t,” I said, the panic nibbling and then
fading.

“Yes, you did,” she said. “In a thousand different ways.”

68 / ANNE RIVERS SIDDONS

About an hour into a thick, heavy sleep, after a barely
touched steak dinner and an unwatched movie, I woke with
the heart-pounding sense of a missed appointment and looked
around the silent, darkened cabin of the huge jet. People
slept slumped in their seats or twisted against bulkheads and
partners’ shoulders, as Joe was twisted against mine, his fair
head half buried in the little paper pillow the flight attendant
had issued us, along with the stale-smelling airline blankets.

I believed almost everyone slept. I had the strong feeling that

I alone was awake in the plane. It was one of the loneliest
feelings I ever remember having, but I did not want to waken

Joe. I sat and tasted the sensation, to see what would come.

Not much did. Soon even the chilly loneliness retreated
somewhere inside me, and I could feel and hear only the
slight elemental buzz in my veins and ears of the double dose
of tranquilizer I had swallowed as we left the Mountain. It
had been sufficient to see me incredibly through the maze
of freeways around Atlanta, the great teeming, echoing maw
of Hartsfield International, the endless wait in the Interna-
tional Departures lounge, and finally the boarding of the

Delta flight that would deposit us, some nine hours later, on
another continent.

“You OK?” Joe would ask me at one juncture or another.

He wore chinos and an oxford-cloth shirt the color of his
eyes and carried an old blue blazer over his shoulder with a
paperback of Dante in the pocket. Unlike almost everyone
else on our flight, he carried no hand baggage, not even our
camera; I had that. He looked as if he had left for Europe
many times before; he looked fifteen years younger; he looked
wonderful. I had seen more than one pair of female eyes
among our

HILL TOWNS / 69
fellow passengers look at him and then look again, longer.

“I’m great,” I would say, smiling through the lovely deep
surge of my sedated blood.

“You look great,” he said. “You look like the prettiest girl
in college, on her way to Europe for her senior trip. You
certainly don’t look like an old married lady who just got
humped on the living room sofa not six hours ago and is
coked out of her skull on tranquilizers.”

“Yeah, well. You want to try the humping again in another
six hours? Did you ever hear of the Mile High Club?” I felt
one eye blink away from giggling endlessly and insanely.

“Your six hours are up,” I whispered now to Joe, but he
did not stir. I reached into the pocket on the seat back in
front of me and pulled out the itinerary I had stuck there and
looked at it again. In the dim greenish light, the printed col-
umns looked suddenly absurd, totally unbelievable. It seemed
in that instant such a huge thing we were doing, and on the
strength of such tenuous bonds. How was it that all those
fragile promises made all those weeks ago, between the airline
and the hotels and us, could possibly be strong enough to
guide and sustain us on this immense journey? A four-thou-
sand-mile bridge of words across an endless sea….

After the movie ended, the flight attendant told us to leave
down the shades that had shut out the summer twilight, so
the breaking day would not disturb the sleepers among us.

We were outrunning the very night on this journey and
would meet the dawn just off Land’s End, on the coast of

Britain. It seemed so strange, just a nod to the darkness, and
then the new day….

I tried to sit very still and empty my mind for whatever
would come. I knew I had slept very little, and my

70 / ANNE RIVERS SIDDONS
circadian rhythms were being savaged, and by all rights I
would feel the legendary effects of jet lag soon. But at that
moment I felt nothing except the purling of the drug past my
wrist pulses and a kind of huge, calm waiting. In an hour or
so, about 5 A.M. on my reset watch, the cracks beneath the
opaque shades began to lighten and I knew that, below us,

Cornwall would soon be waking. I lifted a corner of the
shade and peered out but saw only clouds, thick and even
as whipped cream on a vast pie, beneath us. I had the fancy
that if I could see the earth beneath the cloud layer, I would
see, far below, the tiny tribal fires of the first dark little Celts
to come out of the rock caves into the air of England.

Then all of a sudden everyone was awake and stretching
and rubbing grainy eyes and straightening rumpled clothing,
and the flight attendants were handing round a hasty break-
fast of cold croissants and coffee, and people were queuing
up at the lavatories. Hurry, we must all hurry; we were over

Germany; we were within tower range of the Munich airport;
fasten your seat belts and return your tray tables to the up-
right position….

The intercom made a frying, crackling sound, and the pilot
came on. There was, he said, a line of rather violent thunder-
storms coming across the Alps into Munich, and we were
going to circle for a bit. Things would, he said, be a little
turbulent, but there was nothing to worry about, just a little
rough air. Before he finished speaking, we hit it.

Since I had never been on a plane before, I had nothing
with which to compare the next ten minutes. But Joe talked
of the experience for a very long time afterward. The plane
seemed to yaw and stall; it would drop sickeningly, then be
tossed horizontally, then drop and

HILL TOWNS / 71
buck and yaw again. Some of the drops seemed endless, and
people stopped gasping and exclaiming and fell deadly silent.

Soon, at each great lurch there would be stifled screams, and

I heard sobs of fear all around me. I clutched Joe’s arm and
shut my eyes and braced my feet against the seat in front. I
realized, even in the midst of the worst tossing, that it was
not death in a crash I was afraid of—even then, this seemed
simply unbelievable—but that the atavistic fear of falling
would waken the other primal fear that lay at the pit of my
being, which therapy and drugs had driven back, and call it
out again.

We fell abruptly out of the clouds into slanting rain, and
red earth and small round green hillocks, like women’s
breasts, rose up rapidly to meet us. Indeed, we seemed almost
upon them. The plane roared and rose steeply and then
leveled off and began a slower descent. Behind us, the last
line of jagged Alps was fast disappearing in the rain, and the
earth beneath us looked like a page from a storybook. The
wet red fields and black-green forests and foothills of Bavaria
were studded with neat round stacks of hay and tiled roofs
that should have had storks clustered on them, and on a
winding road immediately below us a farmer drove a wagon
piled high with hay and pulled by two white oxen. The inter-
com crackled again, and the unseen pilot told us, laconically,
that he had not been able to outrun the storm or get above
it and the Munich tower had talked us down.

The entire plane erupted into applause. “Welcome to Mu-
nich,” Joe said. “From here on, it’s downhill all the way.”

72 / ANNE RIVERS SIDDONS

There is almost no way to prepare a first-time visitor for

Rome if he has come via Germany. There is probably no
way to prepare a first-timer for Rome anyway, but Germany
is the wadding and shot that makes of the trip over the Alps
a blast from a cannon. After a cool, gray, rain-washed, and
fatigue-smoothed day and night in Munich, landing at Fi-
umicino was like being spewed out into the maw of a vol-
cano. Soothed by the remote majesty of the Austrian Alps
and an excellent bottle of Orvieto Classico on our noon Al-
italia flight from Munich, I literally stumbled and half fell
into the roaring, jostling airport in Rome. Only Joe’s hand
on the back of my blazer and the press of passengers ahead
saved me.

Maybe it was a good thing, my abrupt initiation into Italy.

I think if I had arrived at a normal pace, seeing and smelling
and listening as I came, I would have literally drowned in
the old fear. Leonardo Da Vinci Airport is an unceasing
twenty-four-hour assault on the senses. But I was well into
it and heading for the baggage area in a ragged double line
of passengers before I got myself together. Joe was firmly at
my back, his hand a vise on my elbow, and the tweed back
of the man in front of me was as solid and comforting as a
mountain. The fear slunk back into its lair. I took a deep
breath and looked around.

“Why is it so dark?” I said to Joe. They were the first words

I spoke on Italian soil.

The great space of the airport was not only dim, it was
stifling hot. Straining to see, I turned in a circle, half sensing
and half seeing the shifting masses of people all around us.

The murk was nearly impenetrable. Something felt very
wrong; the hair on the back of my neck began to tighten at
its roots. Others in the crowd

HILL TOWNS / 73
were looking around too, and the buzz of uneasy conversa-
tion swelled.

“Holy shit,” Joe half whispered in my ear. “There are ma-
chine guns all over the place. That guy on the balcony has
one trained on us.”

I looked up. On the gallery overlooking the main level
where we were a whip-thin young guard in a tightly tailored
uniform stood, a sleekly evil machine gun held at waist level
in a loose firing position. I stared into his dark face, and it
seemed to me that he stared into mine for a long moment.

Neither of us moved. I did not want to take a deep breath.

Slowly, as if they were figures in a negative bathed in devel-
oping fluid, other armed guards materialized on the balcony.

All had guns fixed on the crowds below. None moved.

“Joe, what is this?” I said in an airless whisper.

“I don’t know. Nothing, probably. The goddamn nerve of
those guys.”

He turned quickly and made to leave the line and approach
a guard standing against a pillar not far away from us. I had
not seen him, but once I did, I saw many others, all armed
and grim and very still. It reminded me, insanely, of those

“Can you spot the wild animals in this drawing?” puzzles in
children’s magazines. Machine guns and guards were sud-
denly everywhere.

At Joe’s movement, the guard nearest us took one step
forward and brought the gun to firing position and aimed it
at Joe. He said nothing and his face did not change. Joe
stopped.

In the murmur of the crowd I caught one word, “terrorista,”

and my heart all but stopped. Dear God, had there been a
bomb threat, or was some unspeakable act of political terror-
ism even now under way? I thought of the newspaper pho-
tographs I had seen of slain women

74 / ANNE RIVERS SIDDONS
and children in Mediterranean banks and railway terminals
and other public locations; I thought of Aldo Moro’s pitiful
bloody body in the trunk of a car on a Roman street; I
thought of my blind child, an orphan….

Joe heard it too and pulled his Italian phrase book out of
his pocket and began thumbing it rapidly. Wildly, I wondered
what the Italian was for “bomb.”

Then, up and down the line, we heard a word we did not
know but that seemed to put our fellow passengers from

Munich at ease: “Sciopero, sciopero.”

The line relaxed, and we heard snorts of disgust and one
or two bursts of weary laughter.

“Mi scusi,” Joe said to the tweedy man ahead of me. “Che
cosa significa…ah, sciopero?”

Joe has a sort of combined Ivy League and southern drawl.

It gives a languid, cultivated elegance to his speech. All at
once I seemed to hear it for the first time. It rendered his

Italian virtually unintelligible, even to me, who had been
listening to it for weeks. The large man turned and stared at
him in perplexity.

“Why the guns?” I said slowly, hefting an imaginary one
to my waist.

“Oh,” he said, in what must be pure Brooklynese, or per-
haps New Jersey. “It’s another fucking strike. The electricity
this time, probably just the substation that controls this part
of Rome, or maybe just the airport. It’ll be over in an hour
at the most; they save the longer ones for weekends. There’s
one of some kind about every fifteen minutes; last night the
buses were out for three hours, and last weekends the air
traffic controllers got pissed and quit for a day. We’re lucky
this is just the electricity. They’re on auxiliary now, and at
least the taxis and buses will still be running. It’s deep shit
when the taxis stop. The Uzis are just because the lights are

HILL TOWNS / 75
out and you never know when that happens in Italy. I
wouldn’t make any quick moves, though.”

“Thank you,” I said, faint with relief.

“Don’t mention it,” he said, turning away.

Joe crammed his phrase book back in his pocket and said
nothing.

By the time we cleared immigration and were handed back
our passports the twilit murk still lingered, and we made our
way down the stilled escalator to the lowest level, where our
baggage was said to be, as if it were a staircase. I could see
the parking lot and bus lanes outside, shimmering in a blaze
of white sun. It looked as if it should be cool in the dimness
of the terminal, but it wasn’t. My stockings and underwear
were damp with sweat, and my skirt and shirt stuck to me.

Joe had his blue blazer draped over his arm. His fair hair
and mustache were darkened with sweat, and he kept blink-
ing. Salt drops must be trickling into his eyes and creeping
behind his contact lenses.

“A shower is going to feel like heaven,” I said.

“Now aren’t you sorry about what you called the poor old

Cavalieri Hilton?” Joe said, grinning. “At least you can be
sure a Hilton will have a shower. And air-conditioning.”

“If the sciopero hasn’t got it,” I said, and he grimaced. Then
his face cleared.

“There’s always the pool.”

“Ah, yes, the pool,” I said. “The one and only reason we
came over four thousand miles to the very heart of Rome to
stay in a Hilton Hotel.”

The Cavalieri Hilton International Roma had been Maria’s
idea. Or, rather, her mother’s celebrated distant cousin Ada

Forrest’s idea. Ada had written that perhaps the American
friends of Maria and Colin would like to

76 / ANNE RIVERS SIDDONS
stay at a hotel with a pool; Americans often did, and she
was very fond of the Cavalieri Hilton. It was, she said, just
above the Forrests’ flat in Trastevere, on a lovely hill, and

Ada and Sam always enjoyed swimming in its pool when
friends stayed there. There was a lovely restaurant too, with
a breathtaking view of Rome; she could recommend the
restaurant highly. She and Sam had had many memorable
meals there. In light of this transatlantic endorsement, and
in view of the fact that Joe and I would be accepting the

Forrests’ hospitality several times, it seemed churlish not to
stay at a hotel in whose pool and restaurant we could recip-
rocate. But…a Hilton? I had envisioned something small
and vine-shaded and ancient, with wooden shutters and
peeling plaster walls, overlooking a piazza with a fountain,
surrounded by the cobbles and roof gardens and statuary of
old Rome.

“We’ll have all that in Venice and Florence and Tuscany,”

Joe said. “Maybe it’s a good idea to ease our way into Italy
in a Hilton.”

Stumbling beside him through the gloom toward the bay
for the Alitalia bags, sweat running and mouth foul with heat
and tension, I thought he might be right.

When we reached our bay, there were no bags on the
motionless carousel. They had been piled to one side, and
there were not many of them. We waded into the small pile,
along with the other stragglers from our flight, and eventually
captured my one large bag and two small totes. Joe reached
for his, frowned, and straightened up.

“That’s not my bag,” he said. “It’s just like mine, but it
doesn’t have my identification tag on it, or that scratch on
the side.”

We looked again, but his bag was not there.

HILL TOWNS / 77

“Oh, good Christ,” he said tiredly. It was obvious what
had happened. Someone with a suitcase identical to his had
mistaken Joe’s for his own and taken it home. Or taken it
somewhere, at any rate. Joe poked at the bag, but there were
no longer any identifying tags on the outside by which we
might trace the owner and reclaim our things. I thought of
the rooftop rehearsal dinner at the Forrests’ we would be
attending in less than four hours, and of my own two best
dresses, which I had tucked into Joe’s suitcase at the last
minute. I did not think we would be going to Colin and

Maria’s party, or meeting Sam Forrest for the first time, in
the clothes we had planned to wear for the occasion.

We dragged the strange bag over to the baggage master’s
cubicle. He was very cordial and very sorry for our inconveni-
ence, and very anxious to be helpful, and properly annoyed
at inconsiderate people who snatched bags without verifying
their identification. He spoke very good English. He accepted
the American bills Joe pressed into his hand with gratitude
and sweetness and said that the minute, the very instant, the
other bag was returned, he would personally notify us at
the—ah, the Cavalieri Hilton, was it? A fine hotel; many

Americans stayed there; the concierge was a friend of
his—and we could come and claim it. And ah, he was sorry,
he was desolate, but he could not open the bag and see if
there was any identification inside. It was against the rules.

The owner could sue if his bag was opened without his per-
mission. He, Guido, could lose his job. Che posso fare? What
could he do?

“But I don’t have any other clothes except the ones I have
on,” Joe said incredulously, as if he was just registering that
fact. “I don’t even have any clean underwear. And I have to
go to a very important party tonight.”

78 / ANNE RIVERS SIDDONS

The baggage master was stricken. But then his brown
simian face brightened. There were very fine shops in the

Cavalieri Hilton, he said, shops that were accustomed to

American gentlemen and their requirements. He was sure

Joe could be fitted with something suitably elegant for an
evening party.

“You go to Ortini’s, in the lobby, and tell them Guido said
to fix you up,” he said, beaming, with the air of one who has
solved an enormous problem. “I send many Americans to

Ortini.”

“One for every bag that turns up missing,” Joe said under
his breath. He gave Guido another dollar.

Guido gave Joe a handful of forms and disappeared.

The two of us, with phrase book and dictionary, spent
nearly an hour completing the forms. When we took them
back to the baggage master’s cubicle, Guido had disappeared
and a very thin, bored young blond woman with ebony eyes
and roots put down a movie magazine, took the forms,
glanced at them, and tossed them in a drawer.

“I’m only going to be in Rome for a few days,” Joe said
clearly and slowly, his neck swelling and reddening. “I have
got to have that bag before I leave. Guido said he would
take care of it.”

“Then he will,” the young woman said in accented English.

“Guido gone home, but he take care of it tomorrow or next
day, whenever he get back.”

“What happens if the guy who took my bag brings it back
and Guido’s not here? Will you be here?”

The young woman looked at him as if he had lost his
mind. It was clear that no one in her experience had ever
brought a bag back. I felt a sudden weary certainty that if
we fell upon the bag identical to Joe’s and ripped it open we
would find dreary, ill-made clothes far past

HILL TOWNS / 79
their first youth; no one in their right mind would return the
good Brooks Brothers slacks and jackets, the Ralph Lauren
polos and thick, creamy oxford-cloth shirts Joe had brought.

Or the two dresses of mine. They were by far the prettiest
and most expensive dresses I had ever owned, or probably
ever would.

Of course the bag wouldn’t be coming back.

“Tomorrow is my day off,” said the young woman. “But
if you want to come back here, the bag will be over there.”

She gestured toward the carousel, which still sat, motionless
and barren, in the gloom. “If the guy bring it back, I mean.”

“Never mind, I’ll get this straightened out at the hotel, or
maybe the embassy,” Joe said furiously, and whirled and
walked away. Behind him, the girl shrugged.

“Che posso fare?” she said, and picked up her magazine.

We took my bags through customs without incident.

Outside, the sun was slanting lower off the ranks of farting
buses and snarled taxis. It seemed that every horn on every
vehicle in Rome was there, and blaring. I looked at my
watch. Nearly four. The party began at seven, and we had
no idea where it was, except somewhere in Trastevere. We
were to call Colin and Maria at the Forrests’ when we got
in, and they would give us directions.

“Joe, wait,” I called after him, as he snatched up my bag-
gage and strode toward the cab stand.

“What?” It was a sharp bark.

I felt a surge of sharp irritation, followed by a slower,
deeper tide of hurt. Joe very seldom snapped at me. And I
was just as tired and hot and exasperated as he was, and
nibbled ragged by the tiny teeth of the not-quite-quelled fear
to boot; he knew that. But the two flushes

80 / ANNE RIVERS SIDDONS
faded. I might not have a pretty dress to wear to the party,
but I had clean clothes, enough of them to last me through

Italy. Joe had nothing.

“I’m sorry,” I said, catching up to him, “but we’re going
to have to cash a traveler’s check before we can even get a
cab. Don’t you remember, you said we’d do it here? Your
book says there’s a booth by the doors to the taxi stand.”

We looked. There was indeed a booth for the changing
of currency and the cashing of traveler’s checks. One booth,
with one attendant in it.

As we started over, a massive black-clad nun herding a
phalanx of Asian schoolgirls descended upon it and began
an involved operation in which each child, giggling, went
shyly up to the window in turn and presented a handful of
documents and stood back, finger in rosy little mouth, as
the attendant examined each documents with the steely
scrutiny of a Siberian border guard. I felt tears spring into
my gritty eyes and heard Joe say something swift and horrible
under his breath.

I counted.

There were thirty-two of the Asian children.

When we reached the pavement outside at last, it was five-
thirty, and the first fresh breath of the air of the Eternal City
smote my face and neck like the belch of a blast furnace.

Wordlessly, we crawled into the first cab in the line and Joe
said, “Hotel Cavalieri Hilton, per favore.”

“I don’ go up there,” the driver said, not looking around,
not even looking up from the exquisite buffing he was giving
his fingernails.

“Up where?”

“Up there. Up the mountain,” the driver said, gesturing
contemptuously.

HILL TOWNS / 81

Joe fished in his pocket and thrust a handful of bills
through the Plexiglas shield that ostensibly protected the
driver from the barbarian likes of us. I could not see what
they were, but the digits were not single ones.

The driver grunted, pocketed the bills, clashed the taxi into
gear, and we roared out into the river of traffic toward Rome.

I remember everything about my first glimpse of it, and
nothing. The careening, squealing, honking, shouting,
pounding, brake-screeching trip took fully an hour and three-
quarters, and I got no single clear vision of Rome in all of
it. Later we learned that Leo—the name of our driver, posted
on the filthy Plexiglas that separated us; Joe said he was sure
it was an alias—had without doubt taken us via as long a
route as possible. I don’t doubt that. Romans can smell
vulnerability on stranieri as wolves can blood. And then, of
course, we had hit the villainous Roman evening rush hour
head on. And Monte Mario is a long way from Fiumicino.

About as far, in fact, as it is possible to get and still be in

Rome. But still, it is a long time to spend in a car and not
remember one clear scene, one heart-stilled vista, one breath-
snatching frozen moment.

But impressions were another matter. After all this time,
and after all the country we have traveled since that first day,
when I think or hear the word “Italy” it is this suicidal ride
in a battered, shrieking, evil-smelling cab that floods my mind
and heart. Nearly two hours of apocalyptic traffic and stifling
heat and exhaust fumes and cursing; of darting motorbikes
and massed street corners full of dark, lounging men and
vivid women in stiletto heels; of gestures and music and
laughter and screams; of balconies and roofs spilling vines
and flowers and Cinzano umbrellas in street cafés, and wide
tree

82 / ANNE RIVERS SIDDONS
lined avenues and dark, narrow cobbled streets leading back
into unimaginable caves of shadow; of a flashing view of the
dark Tiber between its concrete banks (“But it’s a culvert,

Joe!”), and grimy pockmarked saints lining a bridge, and a
looming apparition that was Castel Sant’ Angelo; of beetling
walls of brick so ancient they were scarcely recognizable,
and medieval piazzas flashing past and giving way to shops
and greengrocers and pharmacies and pizzerias; and, finally,
of a twisting ascent up a suburban mountain that might have
been a hill in California or Oregon, except that when I turned
my head to look back, the entire old city lay below me spread
out on its hills, brown and umber and copper and alabaster
and cream and russet, bathed in a clear gray-gold light that
seemed to spring out of the very earth and air. And in the
middle of it all rose the great luminous dome of Saint Peter’s.

I began to cry. Oh, Italy. The first time I ever came down
off my mountain, and it was to this!

Joe laid his arm around my shoulder and patted me, and

I knew he was praying that I was not beginning some sort
of terrible, escalating attack of the panic. His hand was heavy
and lethargic, and I knew he was past dealing with hysteria.

I reached up and squeezed it, to show him it was not the
fear. But I did not know what it was, only that I could not
seem to stop crying until the taxi squalled around a final
hairpin turn, and shot through an enormous open gate into
a vast parking lot, and screeched to a rocking stop under the
porte cochere of the Cavalieri Hilton International. I stopped
then and began to hiccup and then to giggle.

“Does Donald Trump know about this?” I choked.

“It looks pretty goddamned good to me,” Joe said, and
jerked himself out of the taxi and began to scrabble

HILL TOWNS / 83
furiously in his coat pocket for his wallet. A shower of
crumpled bills and a spray of silver coins shot out at the feet
of the uniformed doorman who had just that moment mater-
ialized. He and the taxi driver pounced on the booty. Joe
turned red and then deadly white. I fled into the haven of
the huge, ornate, glacial lobby and sank into an amber velvet
banquette, trying desperately to force back the insane giggles.

I was dirty and hot and jet-lagged and strung tight as a violin
bow, with the fear trying to push its way up into my chest
and throat past the laughter, and at that moment I was as
profoundly grateful to old Conrad Hilton and his dream of
air-conditioned grandiosity as I have ever been to anyone in
my life.

“If they live just below our hotel, they must live in a tree,”

Joe muttered half an hour later. “Ada Forrest obviously suffers
from depth-perception deficit.” We were in another taxi,
winding back down the mountain road we had just caromed
up, but this time we rode in soft, cold silence. The doorman,
obviously impressed with Joe as a source of endless American
largesse, had hailed and rejected two or three cabs from the
line at the bottom of the parking lot before selecting this new
air-conditioned one. Its driver had not cursed or gestured or
banged the side of his vehicle once. Indeed, he had not even
spoken. When Joe had said, “Via della Lungara in Trastevere,
per favore,” he had merely looked back impassively. Joe
produced the piece of paper on which he had, at Colin’s
suggestion, written Sam and Ada Forrest’s address and their
directions, and the driver had stared at it with an equal lack
of affect. The doorman strode over and took the paper from
the driver and studied it, and then said

84 / ANNE RIVERS SIDDONS
to Joe, “You are sure? The old city. It is not such a good spot
for Americans. Not so much of the night life.”

“It’s a private home,” Joe said. “We are going to a party
there. Un ricevimento.”

“Ah,” said the doorman. “A party.” And he nodded wisely.

He leaned into the taxi and spat out a rapid command to
the driver, who nodded and closed the window. We glided
away down the mountain in the lowering dusk as if in a
gondola, sealed away from Rome in new vinyl and steel and
chill air. For the first time since we had reached the airport
in Munich that morning, we relaxed and took deep breaths.

At the end of this ride would be lights and festivity and love,
and faces we knew, and language we spoke. There would be
food and drink and laughter. Colin’s voice on the telephone
was jubilant and assured, somehow different, somehow
very…Italian. Maria’s was vibrant and full of something I
had not heard before, a kind of teasing sensuality, a small,
very feminine something.

“It’s so beautiful you won’t believe it, Joe,” she said. “Like
a fairy tale. And I can’t wait for you to meet Sam. He says
tell you to tell the driver to look for the lamppost with the
wreath of white flowers on it; it’s the third door down from
that, on the left. The street numbers are all worn off on this
block. Oh, I’m going to give you such a hug! Hurry up!”

“I think Maria’s been into the vino,” Joe said, hanging up
the telephone. It sat on a pretty blond wood desk overlooking
our balcony, which did not, after all, overlook all of Rome,
but instead commanded the back parking lot and a line of
low hills and a kind of mesa in the distance, upon which sat
what I took to be a hydroelectric plant. The room we had
reserved had been “I regret, occupato” when we arrived, and
rather than wait

HILL TOWNS / 85
for another on the front to be made up, a process that would,
the contrite little man at the desk said, take three hours, we
accepted this one and a reduction in our bill. After buying

Joe pajamas and two form-fitting shirts of some silky material
in the appallingly priced men’s shop off the marble lobby,
we showered and left immediately for Trastevere. I wore a
flowered cotton sundress more suited to a morning in Florida
than an engagement party, but I did not care. Joe, in the
stylish Roman shirt, did.

“I feel I should have on a stretch satin Speed bikini under
my pants,” he said.

“It will probably come to that. I can’t imagine where we’re
going to find Brooks Brothers oxford boxers,” I said, smiling
at him. Joe hated the new shirt. He looked as unlike Joe

Gaillard as it was possible to look in it, foreign and rakish
and showily handsome. I started to say something about
gold chains and chest hair but thought better of it.

We could not see much of the panorama of Rome on the
ride down the mountain. The sky had deepened to violet,
but few lights had come on yet, or perhaps Rome did not
light up at night like an American city. Some few pinpricks
dotted the plain below, strung like a necklace, and a pepper-
ing marked the suburbs we glided through, but the neon
signs had not been lit. Only the white ghost of a fingernail
moon hung in the sky, far to the west of us. It was impossible
to tell where we were in relation to anything at all. Somehow,
we did not speak much.

We reached the bottom of the mountain and turned, and
passed through a neighborhood I thought I recognized from
the trip up, filled with newish apartment buildings and shops
and outdoor cafés and teeming crowds on foot and in the
stubby little cars that Romans

86 / ANNE RIVERS SIDDONS
seemed to aim at one another like ballistic weapons. Fiats
and Vespas darted everywhere like bright shoals of fish. It
all looked gay and friendly and somehow very real, and I
wished fleetingly that Sam and Ada lived here or in a neigh-
borhood like this one. The lights bloomed as we passed, and
colored signs glowed like Christmas lights, and lamps in
windows and candles on rooftop tables shone.

But then we were out of it, and across a bridge that I knew

I had not seen before, and very soon into another world en-
tirely. I knew from the narrow twisting streets, and the
crumbling plaster houses leaning over them, and the dim
piazzas and the tall shuttered windows that we were in a
very old part of Rome.

“Trastevere?” I said to Joe. I said it, for some reason, in a
whisper.

“I hope so,” he replied in the same low tone. “Somehow I
don’t think we’re in Kansas anymore.”

I had read of the celebrated piazzas and churches and
fountains of Trastevere. I had looked forward to the crowds
of working men and women in the caffés and bars, the
pizzerias and markets, the rich life of the streets in this oldest
neighborhood where the descendants of the first Romans
were said to live. But the streets we inched through in our
big cold car were mostly dark, and the occasional streetlight
seemed dim and gray, as if it lacked essential oxygen. I saw
few people on the streets and few lights behind the shuttered
windows. This was not a place for which I felt any human
ken.

The driver swung the car through an arched gate and into
an even narrower, darker street paralleled by a foot-bridge.

I knew the Tiber must run just beyond it but could see and
hear nothing. Far down, at a crosswalk,

HILL TOWNS / 87
there were a few pale lights, and people walking past the
intersection, but this street was bordered only by tall old
houses, pocked and stained by what must be centuries of
weather and shuttered dark. There was literally no one about,
not even one of the famous high-hipped feral cats of Rome.

The driver slowed and stopped, Joe and I looked at each
other.

When we did not get out, he did, and came around and
opened the door on my side, and reached in and gave me
his hand. I took it and got out into the warm, soft air. I
would not have dreamed of refusing. Joe got out on his side
too. There was a little ambient sound, but it seemed to come
from far away, not from the dark houses around us. I could
not believe we were in a place of living people.

“Via della Lungara?” Joe said. His voice echoed thinly in
the silence. “Number twenty? Venti?”

The driver nodded. We looked. We saw no numbers.

The driver nodded again. Climbing out we saw, on the
lamppost at the corner, dimly, a small wreath of white
flowers. Well, then, this must be right, Maria had said to
look for the wreath….

Joe paid the driver and he rolled silently away down the
ancient street, his tires bumping softly on the cobbles. He
still had not said a word. At the corner his brake lights flared
red, and then the car was gone. We stood looking after it.

It might have been a mirage.

“Well,” Joe said briskly. “Third door on the left. Let’s go.”

He took my hand and we picked our way down the crazed
and cobbled old street, peering into doorways. They were
all solid wood and looked as old as the earth itself, and all
were dark, and all were as inevitably closed as if they had
been nailed shut. We came to the

88 / ANNE RIVERS SIDDONS
third one, as dead and sealed and dark as the rest. Joe raised
his hand to knock and then let it fall.

“Was it third,” he said, “or fourth?”

I looked at him; in the gloom I could not see him clearly,
but he did not look at all like Joe, not at all. Not his silvery
hair, or his mustache, or the narrow Italian shirt, or the neat
hands—none of him was Joe. I looked around me. The street
slept in its darkness, dreamed in its vast, thick oldness,
seemed poached in silence. The houses were so close together

I could scarcely see any sky, not even the skeletal moon.

“I don’t know which one it was,” I said, and the old fear
and the afternoon’s tears surged back up into my throat, cold
and thick. I pressed my knuckles hard against my mouth. I
knew in a moment I was going to begin to sob with terror.

The third door on the left flew open, and yellow light
streamed out into the street and over us, and a man’s deep
voice, rich with the music of my own South, called, “Come
in this house!”

And I ran straight into the outstretched arms of Sam For-
rest as a small animal might into its burrow, or a child to
home.

5

THAT NIGHT I GOT DRUNK WITH SAM FORREST. IF

IT HAD been any other night, and any other place,
it would have been an evening I remembered with
radiant shame for the rest of my life. Sam Forrest? The
painter whose luminously barbaric early works had so excited
me in my art history classes, the late-century icon who was
now, as Truman Capote once said of himself, famous for
being famous? Drunk, within two hours of meeting him, on
his own supremely beautiful Roman rooftop? Drunk and
singing “Stars Fell on Alabama”? Oh, Cat.

But at the time it seemed entirely the thing to do, the only
thing to do; and it still does. I believe Sam Forrest saved my
life that night. I don’t say it lightly. If he had wanted me to
sit on a bench and drink fusel oil with him, I would have
done it gratefully. It was that or, perhaps, jump over his
balcony into the dark below, the fear riding me down like a
succubus.

The first thing I noticed about him after he drew me
through the old door into the dim courtyard behind it

89

90 / ANNE RIVERS SIDDONS
was that he was much larger than he seemed in his photo-
graphs and a great deal more vivid. I knew him from all his
photos in the media, but I was not prepared for the sheer
redness of him. He was a massive man, heavy through the
shoulders and belly, with arms and legs like the trunks of
small trees and hands that seemed as large and perfectly
modeled as Michelangelo’s sculptures. He wore a wrinkled
white silk shirt open nearly to his waist, and chinos like Joe
wore at home, only seemingly made for a giant. He was
beltless, and the pants rode low on his hips. Somehow I did
not think the open shirt was an affectation like the few I had
seen so far in Rome; two of its buttons were missing, and
no chain of any kind gleamed in the mat of silver-frosted hair
on his chest. I thought, rather, that Sam Forrest was an es-
sentially sloppy man and liked him for it. It made me feel at
home; it made bolting through his door into his arms a bit
less embarrassing. He smelled of thin raw gin and acrid cig-
arette smoke and ripe, powerful sweat, three smells I had
literally never smelled on a man before. No man I knew on
the Mountain smoked cigarettes or drank gin, and if they
sweated they washed it off almost before it dried. I realized
it was all of a piece with the rest of him and I liked it, even
as my nose wrinkled metaphorically. I knew Joe would
comment on the smell at some time or another, and the
knowledge made me slightly and obscurely annoyed.

“I have your View of Gahanna; it was the first signed print

I ever bought,” I babbled, looking dizzily up at him. “I’m

Catherine Compton. God, I mean Gaillard. Did anyone ever
tell you you look like Errol Flynn? I mean, if he were big-
ger….”

My voice trailed off, and I felt heat rising from my chest
to my hairline.

HILL TOWNS / 91

“Shit,” I said.

Sam Forrest laughed, a great wind of sound.

“As a matter of fact, somebody once wrote I looked like
an Errol Flynn balloon in the Macy’s Thanksgiving Parade,”

he said. It was as thick a drawl as ever I heard at home, al-
most an affected sound, except you knew instinctively that

Sam Forrest would not bother to affect such a small thing.

Large things, almost certainly, but not small ones.

“I’m Joe Gaillard, the man who accompanied Cat Compton
to Rome, to paraphrase another celebrated redhead,” Joe
said, holding out his hand. His voice was his “school” one,
cool and amused.

“I figured,” Sam said. “Maria said to look for a man who
was the spittin’ image of Ashley Wilkes in seersucker. In this
neighborhood that could only be you. Minus the seersucker,
of course.”

His eyes were small and very bright blue and nearly buried
in a network of fine crinkles, as if he laughed a great deal.

His shaggy eyebrows were, like his head and chest hair, the
red of rusted steel, with gray under it. He was all over
freckles, freckles so dense they ran together across the bridge
of his thin hawk’s nose, as if he were wearing a copper mask.

Even his thin lips were bordered with freckles. There were
freckles on his hands and arms, too. His hair was thick and
grizzled, as if it had once been curly but was now merely
frizzed, and he wore it tied back in a ponytail. There was a
gold hoop in one ear. What did that mean? Had someone
told me it was an ensign of homosexuality or merely a chic
thing among the young? He looked like a huge roaring pirate,
a modern Barbarossa. There was no way this great red man
was gay. Virility boiled off him as thick as the sweat. The
blue chips of eyes took in Joe’s shirt with

92 / ANNE RIVERS SIDDONS
good humor and even sympathy, but I heard the stiffness in

Joe’s voice as he said, “It would be seersucker if I had my
choice. Some fool took my bag at the airport. I had to buy
what I could find at the hotel.”

“Well, you know what they say,” Sam Forrest said, turning.

“When in Rome…. Come on up. The party’s just getting
going, and Colin and Maria are fairly twitching to see you
two. Been twitching ever since they got here, come to that.

My God, I think he’s finally just going to lose it and sling
her down on the table and have at it before the night gets
much older. Steam’s practically coming off him. What’d you
do back in Tennessee, keep a fire hose trained on ’em at all
times?”

We followed him through the dimly lit courtyard, where
a dry fountain that looked centuries old held a browning
palm tree and bicycles leaned in a sweating stone archway.

I felt a startling and absurd impulse to step out of my shoes,
saunter barefoot and hipshot, smack chewing gum, laugh
deep in my throat. I pulled the front of my sundress higher
and smoothed back my hair, which had gone frowzily wild
in the humid heat. When had it gotten so hot? I did not re-
member this kind of heat before.

“Well, back home it just somehow never arose,” Joe said
in the darkness behind me. “If you’ll pardon the expression.

The steam was mostly off her. I think I recall considerable
speculation as to what precisely Colin saw in her. I mean,
she’s not exactly Gina Lollobrigida….”

I cringed. I actually felt my eyes screw shut and my mouth
make a silent grimace. What on earth had gotten into Joe?

Did he think Sam Forrest was somehow maligning his
protégé? And since when had he thought of Maria in terms
of her sexuality? I knew he was as genuinely fond of her as

I was, admiring as I did her

HILL TOWNS / 93
sweetness and devotion to Colin and her awesome intellect.

Gina Lollobrigida indeed. How long had it been since Joe
had seen her in a movie, or since she had even made one?

Sam Forrest said, not looking back, “Maria has obviously
suffered a sea change into something rich and strange. I think
every guy at the party has a pretty clear idea what young

Leslie Howard sees in her. Nice young woman on top of
that. She obviously does not take after her second cousin
once removed, or whatever Ada is to her. Must be the Tuscan
side of the family coming out. Ada’s from deep in the

Mezzogiorno, though she claims Florence. Here’s the elevat-
or. Watch your extremities, you two. It’ll shut on you. See
those X marks on the wall? One for every Roman pecker
this sucker has snatched.”

I snorted with laughter and Joe said something unintelli-
gible under his breath, and the door shut, and Sam thumbed
buttons, and we lurched upward. For what seemed endless
minutes we stood pressed close together in the tiny, dingy
cell, in the pale-urine light from the single ornate fixture and
the complex smells of cooking and sour carpeting and Sam

Forrest and generations of other Romans who had risen and
fallen here. And then we ground to a stop, and the doors
squealed open, and we stepped out into the midst of the
party on Sam’s rooftop.

I gasped. It was just so beautiful. I have never seen any-
thing so lovely, so exotic, so totally beyond expectation as
that candlelit rooftop in Rome on the first night I was there.

I don’t expect I ever will again. My life at home was rich in
beauty, and I was no mean mistress of it, not an unsophist-
icated woman if a narrowly defined one. But I had no context
for this, no standard by which

94 / ANNE RIVERS SIDDONS
to measure it. It was an enchantment woven of apt, sweetly
fitted, uncontrived skeins: the flowers were loose summer
bouquets jammed into vases and pottery jars; the candles
were set simply in unmatched sticks, saucers, and hurricanes;
the small tables were scarred and weathered to a lovely dark-
silver patina by their summers on this roof; the night was
the deep, soft, midnight blue of a Roman July; the air smelled
sweetly of the strange vines that rioted everywhere, and of
all the lives lived around and below us, and of fruit and bread
and wine; music spilled like liquid from a little radio sitting
on the wide parapet: Vivaldi. People laughed and talked
quietly. And all around, like the sea seen from its bottom,

Rome, floodlit and glowing and pulsing and humming and
burning. Saint Peter’s dome, and lines of cypress and um-
brella pines black against the deep blue. Almost directly
above us, columns gleamed on the long crest of a hill, uplit,
fantastic among the dark pines.

Sam Forrest turned around and smiled at us. He pointed
to the hill.

“Janiculum,” he said. “Saint Peter was crucified up there.

Beyond it is the Aventine. It’s one of the big Seven.”

A long shudder ran through the core of me, so profound
as to be almost sexual. What must it be, to live every day of
your life in the presence of these monuments to events that
divided time for the entire world? How could a life lived
here dare be trivial? I reached back and took Joe’s hand and
pressed it. He pressed back.

A woman detached herself from the crowd and came to-
ward us. At first I thought she was an albino, she was so
pale. Her face and hair were almost the same pearled white,
and she wore white, too, a pair of wonderfully

HILL TOWNS / 95
cut white silk culottes and a silk shirt open to her waist and
knotted there. She was not tall, but she was very thin and
so she looked somehow long, all of a swallow, a spill of
milk. There were big, chunky baroque pearls at her throat
and ears, and her mouth was a slash of scarlet in all the
gleaming whiteness. My dazzled eyes first registered freakish-
ness, a kind of monstrousness, something out of Fellini. But
by the time she reached us I saw she was very beautiful. Her
features were perfect, if bleached, and her silky white hair,
loose and long on her shoulders, was stunning. Her eyes
were the blue of snow light, as far from the live-coal blue of

Sam Forrest’s as it was possible for the color blue to be. Her
hand, when she wrapped my own with it, was long and firm,
and so warm as to be almost hot, but dry. How could there
be fire in that marble tomb of a body? How did it come
about, the union of the snow woman and the fire man?

“I’m Ada Forrest,” she said. “Welcome to Rome and to
our party. We’ve been hearing all about you.”

There was no trace of any accent in her light voice.

She leaned over and kissed me, first one cheek and then
the other in the Roman fashion. Her face was hot; her breath
stirred warm against my cheek. She smelled of something
clear and dark and slightly bitter, as foreign to me as she
herself.

“My dear Joe,” she said, and moved past me to Joe and
kissed him too.

“It is entirely my pleasure to meet you,” Joe said, still in
the cool school voice. I knew he was as dazzled by Ada

Forrest as I was. The voice Joe uses with women is normally
warm and slightly teasing. I think he is as unconscious of it
as he is of the air around him.

Ada drew us toward the group on the roof. Before they
turned to greet us I looked at them: almost every

96 / ANNE RIVERS SIDDONS
woman there wore something silken and ankle-brushing, like

Ada’s pants, or so short as to show leg far up the thigh, and
tight, in hectic scarlet or black or white. The men wore eleg-
antly tailored light jackets over open-collared shirts, and
pants that were cut narrow or in the deeply pleated European
manner. Everybody held stemmed glasses, and many smoked.

Shoes were invariably pointed and burnished. No one wore
pastel flowered sundresses and sandals, and no one except

Sam Forrest wore chinos. And Joe, of course. I, who had
never cared what I wore because I had never doubted it was
right, felt a crippling callowness, a painfully inappropriate
youngness. I felt, I thought, exactly like what I was: a middle-
aged woman in a teenager’s dress. I wanted to shout at the
group, I have grown-up clothes too, but some Roman idiot
stole them! Still behind me, Joe muttered, “La dolce vita,”

and I knew he felt as ill at ease as I did.

Then Maria burst out of the group and ran and threw her
arms around us, and Colin was there, pounding indiscrimin-
ately on our backs and hugging us over Maria’s small body,
and the shell of discomfort broke, and warmth and gaiety
flowed over us, and we moved into the body of the party.

I still do not have a sense of everyone we met that night.

I never saw most of them again. They were, I surmised, Sam
and Ada Forrest’s closest friends, the ones you would invite
to celebrate the rituals of life with you. I knew the Forrests
had never met Maria and of course not Colin, but I assumed
the Italian sense of family ran deep, and Ada Forrest kept
up with her kin in American and had regular news of her
cousin’s child, the bright one, the one who was marrying
the extraordinary young Southerner. It was, I thought, a
lovely gesture to invite

HILL TOWNS / 97
them to come to Rome and start their life together there—and
to pay for most of the trip. I thought perhaps Ada Facaros
missed her cousin, Maria’s mother, and wanted to renew the
old ties of blood and kinship. I was touched that so famous
an international couple as she and Sam would want to do
something as simple and graceful as introduce their young
kinswoman to their friends and ask them to share the celeb-
ration of her new life’s beginning. It was a sweet, somehow
comforting thing to do. We did it at home, on the Mountain.

But the people Joe and I met that night were not like the
people back home on the Mountain. They were not, with a
few exceptions, like any people I had ever met.

Before I left home I had envisioned this party and seen in
my mind a sort of idealized gathering of international artists,
the European art community at its best. I anticipated intense
talk of works in progress, names I knew from the pages of
art magazines, a smattering of austere Italian academics.

But, except for Ada Forrest and one dark, languid young
second wife of a documentary film producer, none were

Italian. We met Englishmen and one or two Orientals and
one Finn, towheaded and long-faced and very funny. And
we met many Americans. Of them, almost all were Southern-
ers. That should have put me at ease, as Sam Forrest’s accent
had when he first spoke, but somehow it did not. They were
not of my South; none came out of our academic world.

There were two or three other artists in various media, con-
siderably more who worked “in film,” seven or eight who
did things in television, a few who said they were “in busi-
ness” and smiled as if I should know what business that might
be, a tall man from Mississippi who said he played tennis,
journalists, and a scattering of writers whose

98 / ANNE RIVERS SIDDONS
names and works I did not know. I could tell from Joe’s face,
intensely interested and composed, that he did not either. I
felt shame and a deep disorientation for both of us. It was
our business to know writers.

It seemed to me that the people we met who identified
themselves with a profession were mostly men. The women
either had no outside work or did not speak of it. Some were
introduced as so-and-so’s wife, but many others were intro-
duced only by their names. They were all ages, from Maria’s
to perhaps a decade older than Joe and Sam Forrest, whom

I knew to be in his early fifties. Not all were beautiful or even
pretty, by any standard I knew, but almost all of them were
stylish and virtually all were arresting. It was more than dress
or bearing. It lay, somehow, in their manner. By no means
did all the women on Sam and Ada Forrest’s rooftop seem
especially happy or animated, but all seemed secure in the
knowledge that they belonged, in every atom of their beings,
exactly where they were.

The essential gulf between them and me seemed written
in neon in the humid air. Rightness seemed to seep out of
their very pores, just as otherness did mine. I wondered,
feeling with despair the fear start to warm and quicken again,
if we on the Mountain ever seemed this way to visitors and
newcomers. If we did, we should be ashamed of ourselves.

This was as alien and discomforting a feeling as I had ever
had. It seemed far deeper, more fundamental than being a
stranger at a party. It was plain that few people knew or
sensed it, and in my escalating anxiety and self-consciousness

I did not believe that any would have cared if they had. Even

Maria and Colin, once they had hugged us and introduced
us around the group, drifted off, two young people utterly
strange to me, twined around each other as

HILL TOWNS / 99
though no indulgent eyes followed them. They kissed a great
deal, and once I saw Colin lift Maria’s damp hair aside to
whisper in her ear and put his tongue into it. I turned almost
desperately to Joe.

“Let’s get a drink,” I said, and my voice sounded high and
artificial in my own ears.

The bar was set up in a corner of the rooftop garden that
overlooked the dark street below. Sam Forrest steered us
there and asked us what we would like, but before we could
answer the young man who said he played tennis snatched
his arm and drew him into a group at the end of the white-
clothed table, and a babble of talk and laughter started up.

Sam gave us a “be right back” wave of his hand and melted
into the group. I looked around brightly. No one was looking
at us. I gave Joe a brilliant smile that I could feel in my cheek
muscles.

“What can I get you?” the young bartender, who looked
like someone’s son or nephew, said.

“Bourbon and water,” I said, and he looked embarrassed.

“I don’t think we’ve got any,” he said. “There’s some
scotch, though. And some brandy.”

“Make it brandy,” I said. “Over ice.”

“And you, sir?”

“Campari and soda,” Joe said.

I simply stared at him. Joe always drinks bourbon. Always.

“When in Rome,” he said, looking with a great show of
interest around the rooftop. His arm was loosely around my
shoulder, and I could feel the sweat in the palm of his hand.

I thought it sprang from more than the thick, hot night air.

Nothing about Joe was different from what it usually was;
he was as tall and stooped-slender and loose-jointed as ever,
and his face, in the

100 / ANNE RIVERS SIDDONS
soft, wavering light from the hurricane lamps on the bar,
was still narrow and deeply carved and handsome. But I
could feel the unease in him. It was as if, underneath the
surface of a placid long-known pool, an unaccountable
maelstrom had suddenly started up. I had literally never felt
deep uncertainty in Joe before, not even during my therapy;

I felt as though a tree or a boulder had suddenly revealed its
dense, swarming atoms to the naked eye. Tiny, bright spears
of terror spurted up my wrists, and my face tingled numbly.

I swallowed my brandy in a gulp and handed the glass
back for a refill.

“Christ, Cat,” Joe said under his voice. “Somehow this
doesn’t seem the perfect place to get drunk.”

I drank down the second brandy, and the fear receded a
little.

“Just don’t leave me,” I whispered to Joe, who was still
sipping his Campari and soda and scanning the rooftop. “I
know we’re going to have to go mingle, but please don’t
leave me.”

“I won’t,” he said, and smiled, and more of the strangeness
shrank back. “But go easy on the brandy. I don’t want to
have to fight Sam Forrest or that tennis player for your
honor.”

“Since when did you ever have to?” I said, stung.

“Just joking, Cat. Lighten up. I’m not going to leave you.”

But he did. In a few minutes the main body of the party,
which was clustered around the buffet table at the other end
of the roof garden, parted, and Colin Gerard called out of
it, “Hey, Joe! Come tell these ignoramuses what Trastevere’s
greatest poet said about the Trasteverinos!”

Joe smiled, and let his arm drop from around my

HILL TOWNS / 101
shoulders, and walked away from me toward the group. I
took a step after him and then stopped. I could not seem to
make my feet move.

“Would you like another brandy, ma’am?” the young
bartender said.

“Yes, thank you.”

He poured it and I sipped, grateful for the fire that flowed
into my stomach. It was a very empty stomach. Neither Joe
nor I had eaten since lunch on the Alitalia flight, eons ago.

From across the roof, and as if from very far away, I heard

Joe’s lazy school voice saying, “Well, if my memory serves,

Carl Alberto Salustri, otherwise known as Trilussa, said:

“‘ Don’t wanna work, I don’t, so what the Hell?

I’m not cut out for it, and work’s a bore.

Don’t wanna work, I don’t, need I say more?

Or can I save my breath and take a spell?’”

Joe paused and looked around at the group, who looked
mildly back at him. He laughed, a small dry sound, and

Colin laughed too. But no one else did.

Joe said, “Another of your literati, an expatriate like
yourselves, said of it, ‘It’s as good a place as any to wait for
the end of the world.’ I think that was in Fellini’s Roma.”

Colin laughed again, but no one else did. Joe had found
a book at home called A Literary Companion to Rome and
had memorized countless epigrams written by travelers over
the centuries about the city. He tossed them off constantly
to Colin, who loved them. I did too. I loved knowing what
other travelers had found for themselves here. It was like
having, instead of one set of

102 / ANNE RIVERS SIDDONS
senses, many. I had heard the bits that Joe quoted tonight
many times before.

“I believe it was Gore Vidal who said it,” Joe added into
the silence. No one responded.

My heart squeezed with anguish for my husband, my
beautiful, brilliant husband, drowning in his pedantry like a
fish in air on this hateful roof. I thought I would go to him
and put my hand in his and say, simply, I believe we’ll go
home now. And we would do just that. Maybe we would go
all the way home, Joe and me together, as we had done be-
fore. I would do it as soon as I finished my brandy.

“Did he really say that?” one of the women said, a tall
blonde in a short black leather skirt. “It doesn’t sound like

Gore. I play tennis with him when he’s in Rome. I’ll ask
him.”

I stared at her. Sweat beaded her face and ran down her
smooth brown legs. Well, really, leather in July, in this fur-
nace of a city. I thought it would be a great pleasure to slap
her sweaty, supercilious face. Joe could handle her, though;
one soft drawled sentence would cut her down to proper
size. I had heard him do it over and over again. I had never
known anyone Joe couldn’t handle with his wit and his
school voice.

“Maybe it wasn’t Vidal,” Joe said, not in his school voice,
and smiled, and shrugged. The smile looked as though it
had been cut into his face with broken glass.

“I don’t think it could have been,” the woman said, and
turned back to the group. I banged the glass down on the
bar and started toward Joe. At that moment Ada Forrest
came as smoothly out of the shadows behind the buffet table
as a white shark and took his arm and bore him over to the
other side of the roof, where a bank of potted trees with tiny
white lights in them made a

HILL TOWNS / 103
bower, and low wooden chairs stood. She stood beside him,
her white head just level with his chin, her arm linked with
his, and pointed to something down below and whispered
into his ear. I saw him throw his head back and laugh, and
she laughed too, a rich sound, like tawny port. They turned
away from the stone parapet and I moved toward them,
grateful to Ada Forrest, grateful to hear the all-rightness in
my husband’s laugh. But they sank into two of the chairs
that faced the city and began to talk. I could not hear what
they said. They did not look back at me.

I stopped and went back to the bar and picked up my drink
and looked around. No one was looking at me. I took my
drink over to a carved stone bench that sat against the para-
pet, in the shadow of a great, gnarled old vine…wisteria, I
thought numbly; it must be a real show in the spring. I leaned
my forearms on the parapet. Here I was in deep shadow,
from the vine and the warm terra-cotta side of a little rooftop
structure that housed, perhaps, a sink and refrigerator and
toilet, or maybe garden tools and pots.

The parapet overlooked the back of the house. A great
black hill rose behind it, and there was a dark medieval-ap-
pearing structure crowning it. Between the backs of the old
row houses and the beginning of the hill was a vast ditch or
ravine, thick with overgrowth on its lips, inky black in its
depths. I stared into it. All of a sudden the blackness looked
sweet, seductive, cool, endlessly soft. The fear erupted from
the deepest core of me and flooded me like a firestorm, filling
me up to the ends of my hair shafts, to the ends of my fingers
and toes, to the backs of my tight-pressed lips. I had never
felt such sucking terror before, not even in the worst of my
times off the Mountain. Not ever….

104 / ANNE RIVERS SIDDONS

I closed my eyes. I felt the brandy glass fall from my sud-
denly dead fingers and tinkle on the edge of the parapet, but

I never did hear the shards hit the bottom of the black ravine.

Perhaps there was no bottom to it. I felt myself sway; the
rooftop rolled greasily beneath my feet.

Someone put a hand on my shoulder. Not Joe, it was not

Joe’s touch. I could not seem to open my eyes.

“I would be extremely pleased if you would do me the
honor of sitting here on this bench with me and getting
drunk,” Sam Forrest said. I opened my eyes then. He bulked
up huge beside me, teeth and eyes gleaming in the green
gloom of the vine shadow, smelling rankly and wonderfully
of sweat and the earth. He had two glasses in one hand and
a bottle of bourbon in the other.

“I keep a bottle in reserve for very special occasions,” he
said. “Not many people have the innate class to ask for it. I
was glad to hear you did. Neat or with water? I don’t think
there’s an ice cube in all of Italy tonight, but I’ll look—”

“Neat,” I said. My voice sounded normal; how could it? I
thought in simple wonder.

He poured two glasses of the bourbon, a lovely, warm,
living amber, and gave me one, and clinked his glass to mine.

My hand shook only slightly.

“Here’s to the start of a beautiful friendship,” he said.

He drank his bourbon down quickly and so did I. Without
asking he filled both our glasses and sat down heavily on
the carved bench and patted the seat beside him. Warmed
from throat to stomach with the whiskey, I sat. Neither of
us spoke for a small time; I sipped and looked around the
rooftop, my lips buzzing numbly, wondering what on earth

I would find to say to Sam Forrest that would keep him by
my side…for my mind was blank and white except for a
fierce desire not to be

HILL TOWNS / 105
alone on this roof any longer. It occurred to me that Ada

Forrest might have seen me standing here and sent him to
rescue me; I could imagine the light, languid voice saying,

“Oh, for God’s sake, Sam, go over there and talk to her.

Nobody else is going to, and it’s obvious she’s not going to
mingle. It’s what you get, asking people you don’t know to
these damned parties.”

I might have felt embarrassed nearly to death by this im-
age, except by that time the whiskey had done its work and

I felt removed from everything around me, as if I stood be-
hind a pane of warm, clean glass. I will say whatever it takes
to keep him here, I thought. I will be so cute and clever he’ll
want to stay all night. Joe will have to come find me sooner
or later, and then we can go home. I wonder why I never
thought of drinking before. It’s better than Valium by a long
shot.

In the shadow I could feel Sam Forrest looking at me; I
could feel the impress of his eyes on the side of my face. I
turned to him and smiled. It was, I fancied, a wise smile, a
sophisticated one.

“Tell me what you’re working on now,” I said.

He laughed.

“Right now I’m working on a hangover,” he said. “Aside
from that, absolutely nothing. Nulla. Niente. I haven’t hit a
lick at a snake since this time last year. I thought I’d have it
in gear by this spring, but I didn’t, and now it’s summer and
nobody can work in Rome in the summer for all the tourists
and the visitors dropping in to see what you’re working on
now.”

Even the whiskey did not dim the flame of mortification
that burned in my chest and cheeks. I knew he could read
its ensigns there. Of course, he must hate the crowds of
people who came to his door here; they must, like Joe and
me, seem literally to drop in on him from

106 / ANNE RIVERS SIDDONS
the skies, people drawn by his charisma, his celebrity, his
consummate art….

“We should have thought of that,” I said formally. “Of
course you can’t work. Listen, Sam, please don’t feel you
have to stay here and talk to me. I’m fine; I’m having a lovely
time looking at your wonderful view. Joe and I will have to
run in a minute; it’s going to take years, practically, to get
back to our hotel….”

He reached over and covered my hand with his. Only then
did I realize how cold I was, despite the still, thick heat. His
hand felt like a fire-warmed mitten.

“I didn’t mean you, Cat,” he said. “No, come on, look at
me. I’m sorry. Christ, somebody should sew my mouth shut.

I only growled at you because I haven’t been able to work
for a year and it’s nobody’s fault but my own and it scares
me and makes me madder than shit. I wouldn’t be working
if you and everybody else in Rome left me alone for the rest
of my life, and I’m here drinking bourbon with you because
there’s nowhere else on this goddamned roof I’d rather be.

You and Joe don’t have to run in a minute because Ada isn’t
going to let go of him till it thunders. Don’t you worry about

Joe. He’s going to be just fine.”

I looked across the rooftop to the group around the bar.

Everyone fluttered there like luminous moths around the
flame that was Ada Forrest in her burning white. On one
side of her, Colin and Maria stood arm in arm, laughing.

Maria wore a brightly printed cotton skirt to her ankles and
a white blouse pulled low on her brown shoulders; even
from here I could see the great shelf of her breasts and the
cleavage between them. She looked somehow oceanic, an
archetypal figure, fecundity written in every line and curve.

Her hair was wild on her shoulders and fell over one black
eye. I thought of

HILL TOWNS / 107
the Willendorf Venus and felt awe and incredulity at the
transformation. Colin, beside her, seemed somehow dimin-
ished, even in the low-buttoned Italian shirt and narrow
pants. It was as if the heat and the thick night had sucked
some of the vitality out of his burnished golden hair and
blunted, somehow, his fine, narrow English features.

On the other side of Ada, his arm still linked through hers,

Joe laughed and lifted his glass and said something to the
crowd around them, and everyone laughed in response.

Glasses clicked and Maria ran over and kissed Joe on the
cheek, and Ada gave his arm a little squeeze.

I thought that Joe was, indeed, going to be just fine.

“We may get home by morning, at the rate he’s going,” I
said, trying out a little laugh that ended in a hiccup. “Oh,
lord. Excuse me.”

“Where are you staying?” Sam said.

“At the Cavalieri Hilton. Up there somewhere. I’d never
get there by myself.”

He laughed too.

“Do I perhaps detect the fine hand of my wife in your ac-
commodations? I’m right, aren’t I? Nobody would think to
stay there unless Ada put a bug in their ear. I think she’s on
the payroll.”

“It’s not a bad hotel,” I said. “It’s really sort of pretty.”

“It’s an awful hotel.” He grinned. “But it is much beloved
of rich Americans, and Ada likes to hang around the pool.

She looks fantastic in a bikini, for an old broad, and I think
she believes that if we lie around there long enough I’ll get
lots of commissions from my rich compatriots, maybe to do
a mural in a mall in Kansas City or a heroic statue for a state-
of-the-art cat-food plant in Scranton.”

108 / ANNE RIVERS SIDDONS

“Do you take commissions?” I said, uncomfortable with
the talk about Ada.

“Hell, yes,” he said. “Right now I’d take a commission to
do the catfood plant in a minute, if I thought it would get
me off dead center.”

“Do you work here at home?” I asked.

“No, I’ve got a studio in a house off the Campo Fiori. It’s
a long walk, but I like the flowers. I’ll take you to see it while
you’re here, if you’d like to.”

“I would,” I said, and drank some more bourbon. Sam

Forrest was very easy to talk to. I couldn’t remember why I
had thought he would not be. I thought I could talk to him
about anything.

“Do you have children?” I said, startling myself. I had not
been thinking of children, not consciously.

“Not with Ada,” he said. “But yes, I have a son. Terry. He
lives in Tuscaloosa, Alabama; runs two or three Ford agencies
near there. He’s around…let’s see, thirty-two or -three now.

Has a pretty little blond wife and two pretty little blond kids.

I’m a grandfather. Actually.”

“How on earth did he end up in Tuscaloosa, Alabama?”

I said.

“Well, I met his mother when I was in graduate school at

’Bama, and then I stayed on and taught in the art department,
and we got married and he was born, and one thing led to
another and his mother and I divorced and she stayed on,
and…so has he. It’s hard for a certain kind of Southerner to
leave home. Like cheerleaders and Ford salesmen.”

I turned my head to look at him. The words were tinged
with bitterness, but there was nothing in his barbaric red
face but lazy humor and a kind of half-lidded enjoyment.

HILL TOWNS / 109

“She was a cheerleader?”

“She was. Prettiest girl at ’Bama that year. Like to dazzled
me right out of my mind. Stars fell on Alabama, like the song
says.”

That amused me. I began to sing, softly, “We lived our
little drama, we kissed in a field of white, and stars fell on

Alabama…last night.”

He chimed in on the last line, in a good voice, tenor,
smoky with bourbon. The group at the bar turned to look
at us, smiled, and turned away.

“But you didn’t stay,” I said. “May I have some more
bourbon?”

“Here you go; hold your glass steady. No. I didn’t. I started
to grow and change and she didn’t, and I just got to where

I had painted everything there was to paint around Tusca-
loosa, Alabama. So I finally moved on. I think, on the main,
she was right relieved.”

“And the rest is history.”

“The rest, as they say, is history.”

From behind us, far up the hill, a voice wailed out of the
darkness, a high, long tremolo. The lament of a lost soul. It
died away in a kind of sobbing.

“What was that?” I said, my flesh creeping with chill. I
turned and looked up but could only see the dark bulk of
the huge building high above us, and above that the sky, full
of stars.

“That was one of the good denizens of Regina Coeli,” he
said, getting up and going to the parapet and leaning his
forearms on it. I followed, staggering slightly.

“Every now and then one of them gives voice. It’s the Ro-
man version of urban coyotes. The gentleman says he wants
a lawyer. It’s usually that or a woman. If it weren’t dark you
could see the guards prowling on the walls with Uzis. Gives
a lot of tone to the neighborhood.”

110 / ANNE RIVERS SIDDONS

I shivered. “That was…demonic. Poor people. I hardly
even noticed the prison, way up there.”

“Well, in a way it’s not so much worse than its neighbor,”

he said. “See that roof over there, just below it? The two-
level roof?”

I looked, searching the jumble of tiles and vines and TV
antennas that lay below the parapet. I saw the roof he meant.

The top level was dark, but the lower one was still lit.

Through small, deep old windows I could see figures working
at a table in what must be a kitchen.

“It’s a retirement home for priests and nuns,” Sam said.

“The priests get the top level. They sit around all day drinking
vino and eating the meals that the poor little retired nuns
down on the lower level lug up stairs six or seven times a
day. Rear back in their chairs in their long-awaited retirement,
while wizened little old women in long black habits wash
their holy clothes and cook and clean for them. That’s their
retirement. They’ll be up half the night; they are every night.

Spiritus sanctus.”

“What a…strange place this is,” I said, feeling the
strangeness profoundly but knowing the words were
massively inadequate.

“It is,” he said. “It is indeed a strange goddamn place. I
don’t know why I stay. It’s impossible for a sane person to
live here, and it costs more than anywhere else in Europe,
and the inflation rate is out the kazoo, and the unemployment
figures are through the ceiling, and they’ll steal the fillings
out of your back molars if they get a chance, and it’s dirty,
and it’s loud, and the traffic is lethal, and the country is flat
broke, and there is an extremely high possibility of getting
bombed or kneecapped whenever you go to the corner
market.”

“But.”

HILL TOWNS / 111

“Yeah. But. It’s so goddamned beautiful it stops my heart
just to stick my head out on the street every morning. Any
patch of wall on any street looks like a painting; the layers
go back to…God, the Renaissance. Medieval times. Every
time they dig a hole in the street to build a new hotel or a

McDonald’s, they hit columns or a ruin out of classical times.

The worst hovel in Rome has flowers and filigree and all
those wonderful browns and golds. ‘Pear-brown Rome,’

Keats called it. It’s Valhalla for an artist. Even artists who
aren’t working.”

“You’ll be working again soon,” I said, certain it was so.

I felt as if I had known this man for half my life.

“Maybe I will,” he said. “Maybe I will.”

“I like it that you’re a Southerner,” I said. “It takes some
of the curse off your being so famous. It makes you easy to
talk to. Of course, being drunk makes it easy too. I’d be
tongue-tied with terror if I weren’t drunk and you weren’t a

Southerner.”

He laughed and patted my shoulder.

“Nothing but Southerners here tonight,” he said.

“Why is that?” I said. “Why are all your friends Southern-
ers? Where are all the Italian counts and race drivers and

French couturiers and international artists? Where are the
rich coke dealers?”

“You disappointed? Well, for one thing, Southerners make
great expatriates. The very best. Attractive, mannerly, inter-
esting, at home wherever they end up. You know why that
is, Cat?”

I thought he must be pretty drunk too. His voice was thick,
and his eyes were owlish.

“Because Southerners instinctively sink deep roots wherever
they go?” I said.

“Not bad. But the real reason is that Southerners instinct-
ively understand the delicate politics of deca

112 / ANNE RIVERS SIDDONS
dence, and most places you’d really want to go and live are
decadent.”

“Define decadent,” I said ponderously.

“It’s that,” he said, gesturing up at the dark shape of Regina

Coeli.

“Those poor souls?” I felt the southern liberal’s mandatory
indignance.

“No. That you didn’t even hear them. That you didn’t even
know it was up there.”

“I think that’s specious,” I said, slurring it.

“Well, Cat from Tennessee,” Sam Forrest said, “we are all
of us nothing if not that. It’s the only way to live here.”

I said nothing, only looked out over the rooftops of Tras-
tevere and felt the alcohol singing in my blood. It seemed
totally unbelievable that I was here, on this rooftop in old

Rome, having this conversation with one of the most celeb-
rated artists of my time.

“I don’t know which is better,” I said. “Being here now or
remembering it later.”

He laughed, and then he said, “What are you afraid of,

Cat?”

I turned to him, the word nothing on my lips, and then I
said, “I’m afraid of everything. I’m afraid of almost everything
in the world that isn’t on the Mountain at home, and I’ve
been afraid since I was five years old.”

“Tell me,” he said. And we sat back down on the bench
and drank more bourbon, and I did. I told him all of it. It
took quite a long time.

When I stopped talking, he was silent for a space, and
then he said, “I would have liked to meet your parents. They
had a certain personal style that speaks to me.”

HILL TOWNS / 113

“I know it’s funny,” I said, smiling but feeling obscurely
diminished by his words. “You’d have to be a rock or a tree
not to find it funny.”

“I don’t think it’s funny,” Sam said. “I meant that. Listen,

Cat, you mustn’t be afraid of Rome. It’s just too rich; there’s
too much you need to get here. All that out there…all that
architecture, that…geometry, the sheer physics of it. God…it
could blow your mind away, if you could really take it in.

You must do that. You must take it all in. I’ll bet it could
heal you.”

“All that geometry and physics scares the hell out of me,”

I said. “Where’s the soul and spirit in geometry and physics?

Where’s the people?”

“Well, there’s an awful lot of God sprinkled around out
there. All those saints and angels and churches. Saint Peter’s.

I think God was invented to cut physics down to size, but if
you ask me, he hasn’t succeeded in Rome.”

“No,” I said. “God was invented to make physics bearable.”

He looked at me for a time in the darkness, a small smile
curving the thin bronze lips up. In the vine shadow he looked

Etruscan, ancient, mythic. Even the scrofulous ponytail was
a part of it.

“I’d like to do two things while you’re in Rome, Cat

Gaillard,” he said. “I’d like to show you my Rome. And I’d
like to draw you. Your face is all over the city, you know.

It’s on practically every pagan artifact here and a few select

Christian ones. It’s amazing, really. Will you let me do that?”

“I don’t know about the drawing,” I said. “After tonight

I’m going to have such a hangover I won’t be drawable for
ten years. But I’d like to see your Rome. Can Joe come too?”

114 / ANNE RIVERS SIDDONS

“Sure,” he said. “We’ll do it before you leave for…where?

Where do you go next? Am I right in thinking that you and

Joe are going with these randy children on their honey-
moon?”

“Yep. Isn’t that shameless? From here to Venice, and then
to Florence, and then to the hill towns….”

“Ah, yes,” he said. “The hill towns. Get Cat back up into
her hills, whence cometh her help. Well, we’ll do it the day
before you go, maybe. I’ll let you know. Meanwhile…have
another drink.”

We did. We had several more. At some point in the
evening we began to sing again. “Stars fell on Alabama,” we
wailed into the soft night over Rome, and far above us floated
down, as if in reply, “Vorrei una dama! Vorrei una dama!”

“Me too, my man,” Sam yelled back.

It must have been very late when Joe, still attached to Ada

Forrest’s arm, came to claim me and take me home. All of
a sudden I realized that we were among the last people left
on the Forrests’ roof. It should have bothered me, but by
then nothing did.

“We lived our little drama,” I warbled, lurching into Joe
and holding on.

“A coach for you, Cinderella,” he said, grinning at me with
very little humor. We creaked and bumped back down in
the little elevator with Sam and Maria and Colin, to hail a
taxi. But there were none about, and when we finally phoned,
from the Forrests’ beautiful white painting-starred living
room, it was to be told that there was, alas, a sciopero among
the taxi drivers of Rome, and so Sam Forrest ended up
driving us, badly, all the way up Monte Mario in a disreput-
able, belching old car of Finnish origin, and I slept all the
way.

6

ON MY FIRST MORNING IN ROME I SLEPT LATE. IT

WAS not good sleep; I tossed and licked dry lips
and buried my head deep under the covers to
escape the stale chill of the air-conditioning and the spearlike
shards of white light from the window wall facing the hydro-
electric plant. When I first woke, at dawn, I had a savage
headache, one I knew would border on the unendurable if

I moved. My stomach roiled. I had never felt anything like
this before, but I knew it was a formidable hangover, and
my only hope was to lapse again into the heavy unconscious-
ness that had taken me down the instant I hit the bed the
night before. Before I did, I remembered the night on the
roof above Trastevere, and the bourbon and Sam Forrest
and the tipsy singing, and winced. Even that hurt. I willed
myself back into sleep. When I woke again it was 11 A.M.,
and Joe was shaking me by the shoulder and holding coffee
to my nose. I thought for a moment that the dark, thick smell
would make me throw up.

115

116 / ANNE RIVERS SIDDONS

“Good morning, Signora Fellini,” Joe said, setting the coffee
on the bedside table and sitting down on the edge of the
bed. He ruffled my hair. I grimaced with the pain of his touch
and sat up. My eyelids seemed glued together and my mouth
full of flannel. I was profoundly, powerfully thirsty, but not
for the caustic Roman coffee.

“Is there any water?” I croaked.

“There’s some acqua minerale but no ice,” he said. I heard
sloshing and fizzing, and reached out blindly for the glass,
and downed the mineral water in a gulp. It careened around
my stomach and threatened for a moment to bounce right
back up. I remembered I had eaten none of Ada Forrest’s
beautiful buffet the evening before.

“Can you die of this?” I said.

“Not in Rome,” Joe said. “If last night was any example,
half the Eternal City feels this way when they wake up. I’ve
got a tad of hangover myself.”

“No wonder they can’t balance their budget,” I said, and
sat up and squinted blearily at him while I waited for the
room to stop spinning.

He laughed and took away the glass and brought the coffee
back, and with it a small plate with a hard roll and a wedge
of soft cheese. He did not look as if he had a hangover. He
looked…astonishing. He wore white shorts that he might
play tennis in except that they were too tight and too short,
and a sleeveless T-shirt striped in wide bands of red, green,
and white that fit him like an undershirt, and rubber shower
clogs. I stared. I had never seen Joe Gaillard in anything re-
motely resembling this costume, not even his underwear. He
never wore undershirts, and his boxer underpants were cut
much fuller and longer than those shorts. He looked so ut-
terly alien to the man I had lived with for twenty-three years

HILL TOWNS / 117
that I had no idea whether the costume suited him. It prob-
ably did. He was still long-muscled and slender, and tanned
from tennis, and the hair on his arms and legs was dark gold,
untouched by the silver that threaded his hair and mustache.

Yes, his new clothes were undoubtedly becoming. But it was
still like waking up to a stranger in my bedroom.

He looked down at himself and shrugged.

“Well, it was all they had in the famous Ortini’s that fit
me; everything over here is cut for tiny little snake-hipped
guys. I sent the other stuff to be washed and bought some
pants for tonight. The clothes I had on yesterday could stand
by themselves. Come on, Cat, stop staring at me as if I had
on a dress. Everybody out by the pool is wearing stuff like
this, or worse. Had you rather I bought myself a bikini?”

“I’d rather you got your bag back,” I said, getting up and
walking on wavering legs to the bathroom. “I feel like I’ve
waked up in a strange bedroom with Casanova. I’m glad
you’re speaking to me, though. I hope everybody else is.

Lord, my head. How do drunks stand the next morning?

Have you already been down to the pool?”

“Yep. It’s nice; it’s probably the only relatively cool spot
in Italy. Don’t worry about last night. You were cute,” he
said indulgently, and I looked back at him over my shoulder.

Joe had never in his entire life called me cute. I would not
have thought the word was in his vocabulary. Was he teasing
me? Had I behaved so disgracefully he was resorting to sar-
casm? He had never done that with me, either. But I saw
nothing in his face save amusement and affection. I went
into the astounding bathroom, an octagonal cave of tawny
marble except for the wall of mirrors over the vanity counter,
and

118 / ANNE RIVERS SIDDONS
crawled under the shower and turned it on as hot and hard
as I could bear it. When I came out I felt better.

He was holding out a small handful of cloth, when I came
back into the bedroom, and grinning.

“Before you say no, just try it,” he said. “You’ll look terrific.

Everybody at the pool is wearing one. Ada has one on. So
does Maria, before God. Sam too, if you can believe it. If

Maria and Sam Forrest can wear bikinis, you can too. The
signorina who sold it to me swears she sold one just like it
to Julia Roberts not long ago.”

I took the cloth and held it out before me. It was indeed
a bikini, a black one, two scraps of silky cloth that would
not have made an adequate dust rag.

“Ada and Sam are here? At the pool? I thought we were
on our own till the wedding this afternoon. Did I invite
them? Joe, I can not wear this thing. I have spider veins. I’m
pale as a ghost. All my ribs show. You were sweet to think
of it, but I really don’t want to swim.”

“I invited them last night,” he said. “Ada went on and on
about how hot it was, and how wonderful it would be to get
wet and cool, and I knew we were going to have to reciproc-
ate sometime, and this way we’ll get an evening to ourselves
tomorrow night. We’re going to swim and have drinks and
some lunch”—he laughed at my face—“or rather you can
have Pellegrino and some lunch and we’ll have the drinks,
and then everybody’s going to go home and change for the
wedding, and we’ll all meet at the Campidoglio at five. Come
on. Put this on and come on down; I’ve got to get back. We
are hosting a very fancy party this morning. You know who
else is down there?”

“John Paul the Second?” I said acidly. I did not feel like
chatting brightly with Sam and Ada Forrest, and I was not
about to put on the ridiculous bikini and parade

HILL TOWNS / 119
around the Samuel Goldwyn swimming pool I had seen the
evening before, and I liked neither my husband’s costume
nor his indulgent tone of voice. Least of all I liked myself. I
had spent precious hours of my time in Rome in drugged
sleep and caused Joe to speak to me as one would to an er-
rant child, and it put our relationship onto a skewed and
sliding kind of footing I would not have imagined possible.

“In a manner of speaking,” Joe said. “Yolanda Whitney,
the pope of the hearthside—or is it popess? In the more than
considerable flesh, which is spilling out of the smallest bikini

I ever saw. You’ll make her look like one of her own hand-
quilted ottomans. She’s in Rome to shoot a show on adapt-
ing Italian crafts to the average midwestern home or some-
thing. Apparently the Forrests have known her forever. A
three-year-old could see she’s got the hots for Sam. Appar-
ently it’s a rather generic effect among women.”

He leered showily at me, and I knew he was not entirely
happy with the time I had spent at Sam Forrest’s side the
night before. Well, tough. I would not have spent any time
at all with Sam if Joe had not allowed Ada to tow him away
without so much as a backward look.

“Perfect.” I groaned. “All this and Yolanda Whitney too.

Be still my heart.”

Yolanda Whitney was the kind of super-celebrity that only

American television can spawn, the sort who celebrates both

America and television itself. She had started out with a
column on crafts and country decorating in a supermarket
women’s magazine, hit the talk show circuit, and proved
astoundingly popular showing viewers how they could make
rustic artifacts and bibelots from materials at hand. She made
cornshuck dolls and

120 / ANNE RIVERS SIDDONS
centerpieces, dried-flower swags and garlands and banners;
she painted driftwood and gilded gourds and lacquered au-
tumn leaves and wild berries and turned ordinary ranch
houses and condominiums from coast to coast into seasonal
wonderlands straight out of nineteenth-century rural Ver-
mont. Because of Yolanda Whitney, every third American
home had a quilt stand, a warming pan, whiskey barrels full
of herbs, dried flowers hanging all over the kitchen, and pa-
per bags full of sand and candles along the driveway at

Christmas. She had her own magazine now, too, but it was
her television show that kept her before the eyes of America.

I had seen her a number of times, neatly curved and crisply
aproned and bubbling with enthusiasm, her cheeks rosy with
health, her shining brown hair in a coronet of braids around
her pretty head.

“I’ll bet she smells like pine cones and salt dough all the
time,” I had said grumpily to Joe one recent Christmastime,
watching her whip up a northern woodland fantasy of a
holiday centerpiece.

I thought now I would rather be beaten with wire whisks
than go down to that Esther Williams pool and sit and listen
to Yolanda Whitney burble about macramé and decoupage.

How on earth had the Forrests come to know her?

“You go on,” I said. “I’ll be down in a little while. Yolanda

Whitney. Shit.”

“Cheer up. Maybe she’ll tell you how to make a centerpiece
of gilded squirrel turds,” Joe said. He made a face and went
out the door, and I let my towel fall to the floor and turned
away from the mirror over the desk and put on the bikini. It
felt infinitely more naked than nakedness, and I moved into
position in front of the mirror and closed my eyes. Then I
opened them. In the

HILL TOWNS / 121
shadowless light of the white and beige room I saw a tall
woman, more thin than slender, skin all over a kind of bluish
white in the fluorescence, every bruise and broken capillary
and scar and discoloration glowing lividly, double line of
ribs looking like an old-fashioned wash-board, hipbones and
knees and elbows as sharply knobbed as the bole of a young
tree. I sucked in my small stomach and threw my shoulders
and head back and smiled. The bikini flattened my already
small breasts against my rib cage and rode sharply up into
my crotch. My hair looked white in the artificial light, a wild
cap of short cotton-candy curls atop a narrow face with too
many hollows and far too many teeth. I snatched up a lipstick
and scrawled red across my mouth.

Like somebody stole the third-year med school skeleton
and put lipstick and a bikini on it, I thought furiously, and
shucked out of the thing and put on the sundress I had worn
last night and sprayed myself all over with Sung and went
out, slamming the door behind me. I left the bikini in a
wadded ball in the middle of the floor.

Got any more terrific ideas, Joe Gaillard?

The great marble lobby was dim and nearly empty, so that
going out onto the pool terrace beyond was like walking out
into the desert from a cave. All I could see at first was the
azure lozenge of water, the bright primary colors of the
market umbrellas around it, and a great void of radiant white
light where the vast panorama of Rome should have been.

I pulled sunglasses out of my pocket and put them on and
stood for a moment, letting my eyes adapt. Slowly the scene
around the pool came into focus, double lines of chaises fa-
cing the water on which lay bodies showing a great deal of
oiled brown skin and little else, umbrella tables with wrought-
iron chairs also full of nearly naked people,

122 / ANNE RIVERS SIDDONS
tiers of tables being set for luncheon by beautiful young men
in hotel livery, pots of cypresses and flowers, several bars
with awnings and stools doing a brisk business, the ubiquit-
ous flowering vines everywhere. Beyond, Rome emerged
from a haze of white heat, palely, flatly. It looked like a badly
faded drop cloth, all dimension bled out of it by the fierce
sun. It was still and very hot and seemed no time at all. Even
the sound of American rock from several huge boom boxes
beside lounges around the pool was muffled and tinny. The
weight of the sun on my head was punishing, and I could
not seem to get a deep breath. The pool was largely empty,
and the water looked wonderful. I thought what it would be
like to dive into it and idle along the bottom, how everything
would look, sun-shot and wavering and blue, only the silvery
spume of my blown-out breath disturbing the deep coolness.

For a moment I regretted the crumpled bikini on the floor
of my room, but only for a moment.

I heard someone calling my name and turned and saw my
group at the far end of the pool, with Maria standing and
waving at me, and walked toward them along the scorching
concrete apron, feeling as though I were wading through wet
cement, feeling on my drooping, reedlike whiteness the
scornful dark eyes of every sleek, naked brown person I
passed. I got a confused impression of much dark, wet chest
hair, tangled gold chains, coconut-smelling oil, green eye
shadow, and about a million brown breasts glittering with
droplets of pool water or sweat. By the time I reached the
umbrella table and the cluster of lounges they had staked
out, I was running with sweat myself and pounding with
hangover.

“I really don’t know how I am going to do this,” I

HILL TOWNS / 123
said aloud, but very softly. “Morning, everybody,” I said in
a stronger voice. “Is it always this hot in Rome?”

A babble of voices answered me:

Joe saying, “Ta- da! She is risen! But where’s your new
bathing suit?”

Sam Forrest saying, “Morning, muffin. You look altogether
better than you have a right to.”

Maria saying, “Come sit and talk to us, we didn’t get a
chance to last night, I’m so glad you’re here, this is divine.”

Maria Condon saying “divine”? Maria in a bikini?

Colin saying, “Cat! Go back and put your bikini on! It’s
cruel to get everybody’s fleshly hopes up and then back out!”

Colin Gerard, talking to me of bikinis and fleshly hopes?

Ada Forrest saying, in her spilled-honey voice, “Pay no
attention to this herd of goats. You’re smart to stay out of
the water. This sun would cook that lovely white skin like
pork in half an hour.”

Ada Forrest, gleaming like a pearl in her own whiteness
as she lay full under the fist of the sun, her mouth and bikini
strokes of scarlet, not a drop of sweat on her translucent
skin, the white globes of her breasts and her carved waist
and stomach untinged by the pink of the cooking pork she
predicted for me. Her glorious white mane of hair was
wrapped in a scarlet towel, and her ice-blue eyes hidden by
huge black sunglasses. She looked unreal, phantasmagoric,
almost uncanny, among the fleshy brown bodies around the
pool.

I dropped into a chair beside Maria and hugged her as she
leaned over to kiss me. A thick smell came off her, of sweat
and sun oil and something I thought could only be semen.

Joe had been right, Maria in her red-flowered bikini was
overpowering: brown, glistening

124 / ANNE RIVERS SIDDONS
flesh spilling everywhere, the great bobbling breasts barely
contained, all of her the firm, healthy consistency of sun-hot
rubber. Her smile was wide and joyous, and she almost
laughed aloud in her happiness. I squeezed her hard in a
surge of pure love. Maria on this day reduced everything to
its simplest and most elemental form; her glowing flesh and
barely sated sensuality made nuance and cynicism almost
obscene.

“I hope you are always as happy as you are right this
minute,” I whispered to her, and she hugged me back.

“See Rome and die.” She laughed.

“God, I hope not,” Colin said from one of the lounge
chairs. He wore American swim trunks, faded tartan that
hung low on his slim hips. They were what all young Trinit-
arians wore on the Mountain, but here they looked callow,
provincial, wrong. He seemed to know it. He had rolled
them as high as they would go on his beautiful brown ath-
lete’s legs and sat so that the muscles in the carved torso
played whenever he moved. He was thickly oiled and wore
black glasses like Ada’s. He could not seem to keep his eyes
off Maria.

Sam Forrest should have looked obscene in the small blue
bikini that was almost hidden under the bulge of his belly,
but somehow he did not. He was massive, copper-gold all
over with freckles and furred with bronze hair, hard and
shining as amber or marble. I thought of some great pagan
colossus or, for some reason, of Ozymandias. He wore a
towel draped over his head, and sunglasses, and he was
drinking a glass of red wine and picking grapes from a plate
and popping them into his mouth. All that was missing was
the satyr’s ears and hooves and the pipes.

Beside him, Joe in his new Italian leisure clothes looked
pale and almost fussy, the classic comic English

HILL TOWNS / 125
man on holiday in the Mediterranean, complaining because
they had wine but no tea. I felt shamed and mean-spirited
for even thinking such a thing and wished he would move
away from Sam and sit somewhere else. But the only other
empty place was beside Ada, and I realized I did not want
him to sit there, either. Where, I wondered, was the fabled

Yolanda Whitney?

As if in answer to the thought a woman heaved herself out
of the pool and came over to us and slumped down into the
chair next to Ada, snorting and shaking bright drops of water
everywhere.

“Damn, Yolie, you’re worse than a wet dog,” Sam said
mildly, and Ada tossed her a towel without comment, and
the woman dried herself energetically with it and dropped
it on the cement beside the lounge.

“Meet our friend Yolanda Whitney,” Ada said, and the
woman squinted up at me. “Yolie, this is Catherine Gaillard,

Maria and Colin’s friend from America. You’ve already met

Joe.”

Yolanda Whitney’s eyes did not sparkle now. They were
flat and dark, like pebbles or marbles. Her hair was not
wound around her head in glistening braids but leaped about
her face in wet spirals, like Medusa’s. She seemed much larger
than she did on television, fat, even; her flesh was tanned
deep mahogany, but there was an unhealthy bluish tinge
under it, and it was slack and peppered with yellowing
bruises. The color in her face was hectic: sunburn, not natural
rosiness. She did not look at all healthy. She looked wrecked,
downright dissipated, years older than I had thought from
her television show. The sweet smell of alcohol came off her
in waves, and my stomach contracted at it. I could scarcely
believe this was the same woman who taught the world to
make cornshuck dolls.

126 / ANNE RIVERS SIDDONS

“Ah, yes,” she said. Her voice was deep and thick, as if she
had a cold. “Cat. I’ve been hearing about you.”

“It’s a pleasure to meet you,” I said. “I’ve enjoyed your
show.”

“How nice,” she said. “Are you crafty, Cat? I’ll just bet you
are.”

She said it in such an unmistakably spiteful tone that I
could think of nothing to reply. What was the matter with
this woman? Everyone looked at her, and Ada murmured,

“Charming,” and Sam said, from behind the sketchbook he
had picked up, “Put a lid on it, Yolie. It’s way too early.”

Her face went white under the sunburn and then dull red,
and she turned her back on us elaborately and walked off
toward the bar.

“On the contrary, I’d say it was way too late,” I heard her
say as she went away.

“Has my deodorant failed me?” I said, heat crawling up
my neck into my face. I said it as lightly as I could. I sat back
down in my chair beside Maria, grateful for the shade of the
umbrella and the shelter of my sunglasses, poised for flight.

I was not going to sit beside this awful pool and let this awful
woman take potshots at me.

“I apologize for her,” Sam said. “She’s had some very bad
news from her agent. The network isn’t picking up her show
next year, and they’re going to have to start scrambling
around to find her a new one. They will; she’s too good not
to. But uncertainty makes her crazy, and she’s had too much
to drink. She’s taking it out on the new gal on the block. If
she does it again I’ll swat her.”

Ada said, “We’ve known her since she was the new girl
on the block herself. Sam met her at a party at the embassy
the first time she was in Rome and brought her

HILL TOWNS / 127
home; she’d lost her passport and most of her money, and
her hotel had kicked her out. She was a pretty thing then;

Sam did her portrait. It’s still in our collection. She stayed
with us for a while, before she went back and started the
column for that silly magazine. I’m sure she’s already sorry
she snapped at you, Cat. She’ll tell you herself when she gets
back.”

And she did. Yolanda Whitney came back carrying some-
thing tall and garnished with fruit in a frosted glass, sipping
on it, and put her hand on my shoulder and said, “I’m sorry.

I’ve got a foul temper and a worse mouth. I’ve been hearing
all morning how you look like a Raphael, or was it a Le-
onardo, Joe? And that kind of makes you mean when you
look like a Bosch.”

She smiled, but she was looking at Sam Forrest, and I re-
membered what Joe had said. It was true. Something hungry
and hopeless looked out of her opaque eyes when they fell
on Sam. I wondered if he knew.

“Not like Bosch. More like Vermeer. Big difference,” he
said, grinning up at her. I saw, incredulously, that he was
beginning a series of pencil studies of me and felt my face
flame even hotter. He did not attempt to hide them, but I
could not see them upside down and did not want to crane
my neck. Yolanda Whitney, herself one of his subjects long
ago. What else had she been to him? I wondered. Could she
possibly think I was anything to him save a subject for his
pencil, or would be? Dear God, I was already so sick of the
thick, clotting nuance everywhere I turned in this old city.

“Sam, darling,” Ada said. “Why don’t you put the sketch-
book away? Poor Cat doesn’t want to sit there all afternoon
with you doing that; you can’t have any idea how it makes
one feel. Like a bug under a magnifying glass.”

128 / ANNE RIVERS SIDDONS

“You feel like a bug, Cat?” Sam said, not raising his eyes
from the pad. His pencil flew.

“Yes,” I said shortly. “Or rather, like Mickey Mouse on one
of those ‘Draw Me’ matchbook covers.”

He laughed and threw the sketchbook aside.

“That’s enough for now, anyway,” he said. “Got a good
start. Does anybody want another drink? I’ll go.”

We sat beside the pool until nearly two o’clock, talking
desultorily, sipping drinks, sweating, nibbling at sandwiches.

Ada put wet cotton balls over her eyes and slept in the sun,
or appeared to. Sam stretched out on his stomach and did
sleep; I heard soft snores rising from his hidden face.

Yolanda Whitney drank quietly and stared off over the pool
down onto Rome, poaching in its heat miasma. Colin and

Maria stayed in the pool, bobbling at the edge, holding on
to the side with their hands, their bodies pressed closely to-
gether. They kissed and nibbled on each other and murmured
into one another’s ears, and once, when I looked over at
them, I could have sworn they were making love underwater.

There was little else it could have been. Their faces were
blind and emptied out, and their mouths were slightly opened
as if they could not get air. No one else seemed to notice.

“Is there some law about that?” I murmured to Joe, who
was slumped beside me in a chair reading USA Today. He
looked over at them and grinned.

“Not in Rome,” he said, and went on reading.

Finally, at a little after two, we left the pool to go and dress
for Colin and Maria’s wedding. Just before we passed under
the arch that led back into the hotel lobby, I stopped and
looked back. For some reason the heat haze that had lain
over the city beyond the pool apron had lifted for a moment,
and Rome looked once more

HILL TOWNS / 129
like something out of an enchantment, a sorcerer’s spell,
clear and rich and shining in its own light.

I turned to Sam Forrest, who stood beside me, looking at
it too.

“It’s all in the light, isn’t it?” I said.

“Yep,” he said. “Light is everything. It always has been.”

They were married at six o’clock in the evening in the Palazzo
dei Conservatori on the Campidoglio, on Capitoline Hill,
the smallest and to me most resonant of Rome’s celebrated

Seven. On this ancient outcropping overlooking both the

Forum and the great sweep of the Vatican, the religious and
political life of the city has been conducted since its birth.

The long night of the Middle Ages did not entirely quench
that life, and it had its own renascence when Michelangelo
designed the exquisite small square that crowns it still. Today,
when Romans shrug and say they can’t fight city hall (“Che
posso fare?”), this is where they mean. Sam told me the
complex was designed to turn its back on pagan Rome, lying
beneath the bulk of the Capitoline to the southeast, and face

Saint Peter’s, to the northwest. But it did not seem to me,
when Joe and I had climbed the Cordonata, and walked to
the back of the square, and looked down on the broken col-
umns and arches and temples of the Forum shimmering en-
igmatically in their stillness, that the ecclesiastical shunning
had done much good. The little bowl of antiquity shimmered
and burned with life, no less than the square above it.

“Yow,” I said softly. “Eternal is right. It does major things
to your stomach and heart, doesn’t it?”

Joe was silent, his arm loosely around my waist. I leaned
my head onto his shoulder.

130 / ANNE RIVERS SIDDONS

“What are you thinking?”

“That it was worth everything to come here and see this
with you. Oh, Cat, please don’t be afraid to go off the

Mountain anymore. Think what might be ahead of us if you
can. I didn’t miss it while you couldn’t, but now…would
you have wanted never to see this?”

I wouldn’t have if I couldn’t have, I thought, but to him

I said, “I wouldn’t have missed a minute of it. It’s like an
explosion in your brain. It could change your life. But

Joe…it’s still hard. It’s still hard. Don’t leave me alone again.

Keep me on the hills and stay with me.”

I said it lightly, but my voice trembled.

“I’m not going to leave you,” he said, but his voice was
abstracted, and he was looking around him with a hunger
that seemed almost furious, ravenous. Unease put soft fingers
in my throat. He was only now tasting the world he had
abjured for me, and I did not think he would be content to
stay above it again. He was Joe and he would be content to
stay above it again. He was Joe and he would try, if I asked
him, but he would not be content. Tears stung in my nose
and I turned away from ancient Rome—unlike me, wholly
unvanquished still.

“Let’s go get some coffee,” I said. “I saw a little outdoor
place at the bottom of the steps. We’ve got some time yet.”

We went back across the piazza. It hummed with noise
and life despite the oppressive heat. Families strolled in the
fading light, tourists pointed and posed and snapped their
cameras, dark-suited men and white-bloused women scurried
back and forth carrying sheaves of important-looking docu-
menti, children shrieked and laughed and clambered over
the fountain and the two granite lions guarding the base of
the great staircase. The light, that had been white and flat
all afternoon, had by some alchemy turned rich and clear
and golden, full of

HILL TOWNS / 131
complex depths and planes and slants. I thought of what

Sam had said earlier: “Light is everything. It always has been.”

This light was not like any I had seen on the Mountain, lovely
as that often was. You would not mistake this for anything
but the light of Rome. I imagined, smiling at the fancy, that
it was the light itself that had turned the city to umber, am-
ber, and gold.

Everywhere, young couples were waiting to be married or
just had been. Some, in long chaste white and sober black,
were toiling up and down the staircase of severe, medieval

Santa Maria d’Aracoeli, flanking the Cordonata. They would,

I knew, be bound by the iron bonds that only the Roman

Catholic Church can forge. The others were destined, like

Maria and Colin, for civil services in the Conservatori. Some
were as properly gowned and tuxedoed as their counterparts
heading for sacraments and sanctity, but others wore cos-
tumes of great variety and exuberance. I saw gowns from
the chokingly expensive shops around the Piazza di Spagna,
silk jackets from Armani and Versace, miniskirts of satin and
leather, long dresses obviously made by loving hands and
some by indifferent ones, cottons and silks and even one that
seemed largely cobbled together of feathers. Each couple
moved in a phalanx of laughing, shouting, jostling friends
and relatives. The coffee shops and caffès around the base
of the Campidoglio were clogged with noisy wedding parties
drinking everything from acqua minerale to raw red wine.

Wine predominated. Two couples stand out in my mind still;

Joe took photos of both. They are, somehow, simply Rome
to me.

One was a pair of a heartbreaking youngness, she dressed
in unfashionably cut white with a meager veil and he in a
too-large greenish tuxedo that must have seen many such
family occasions, standing below the

132 / ANNE RIVERS SIDDONS
brow of the hill in the Forum, arms around each other,
dwarfed by the columns that shone in the evening sunlight,
smiling up at their party, who were standing behind Joe and
me. It was, I suppose, the juxtaposition of all that hopefulness
and sheer youngness, that all-suffusing living love, with the
implacable bones of the dead empire, that sent the tears
coursing hotly down my cheeks. I wanted terribly, in that
moment, to know that nothing would corrode them, change
them, diminish them. Poor Roman children, there seemed
little in their lives that would not.

The other couple held court in the flyspecked, dusty little
caffè where we finally found a seat. They were older, but
their entourage was no less jubilant, no less loving. The
groom wore truly splendid white tie and tails, and his bride,
dusky and handsome with her flashing white eyes and teeth
and black hair cut modishly short on her neck, wore a skin-
tight, strapless, short gown of scarlet satin with long gloves,
high heels, and pillbox to match. She looked to be at least
seven months pregnant.

She felt us looking at her and turned, flashed me a smile
and lifted her glass of wine to me, and called, “Voianche!

Congratulizioni!”

I smiled perplexedly at her and lifted my glass in return,
and Joe pulled out his phrase book and thumbed it and began
to laugh.

“She either thinks you’re pregnant too, or about to be
married, or maybe both,” he said, and I looked down at
myself and grinned.

“She thinks we’re a cute little old bride and groom,” I said,
looking at the great bouquet of lilies and baby’s breath I
held. I had wanted to give Maria something to wear at her
wedding, something borrowed or blue, per

HILL TOWNS / 133
haps, but Ada had outfitted her with a wonderful ecrusilk
suit from Armani, and she was to wear Colin’s martyred
mother’s pearls. Mrs. Gerard had taken to her bed from
prostration and could not attend her son’s pagan civil wed-
ding, but sent in her stead the triple strand of matched pearls
that had graced the throats of Gerard brides since before the

“late unpleasantness.” Maria had her own mother’s blue
garter and her sister’s borrowed linen handkerchief.

“Then let me give you your flowers,” I said, remembering
the elaborate florist shop in the hotel, and she had said she
would love that, and I sat cradling them in the caffè, masses
of luminous small lilies in the colors of the light and earth
of Rome.

“Grazie!” I called to the scarlet bride, and Joe grinned and
nodded and made a gesture I could not see over my head
that set the male guests in the party roaring with laughter.

“Whatever that was, you better watch it or you won’t be
doing it again in your lifetime.” I smiled at him. Somehow

I felt, just then, like a bride myself, tremulous and breath-
held with excitement.

“I plan to be doing it in about seven hours, or sooner if
we can slip away from the famous wedding dinner,” he said.

I saw them then, Maria in her chic ecru and Colin correct
in a dark summer-weight suit, running hand in hand toward
the Cordonata, with Sam behind them, still in chinos and a
vast, flapping blue blazer and Ada looking like a lit candle
in peach silk. Behind everyone, cinched into a smart yellow
suit, hair once again shining in its braids, Yolanda Whitney
clattered along on very high heels. Even from this distance
she looked altogether restored to her twenty-four-inch-screen
self, pretty

134 / ANNE RIVERS SIDDONS
and winsome and celebratory, everyone’s favorite young
aunt, the good witch come to bless the union.

Everyone’s entitled to one bad day, I thought, feeling guilty
about my dislike for her that afternoon, which had bordered
on disgust. I wasn’t any prize myself last night.

Sam caught sight of us and waved a massive arm. He had
stuck a white flower in his grizzled red ponytail. The earring
flashed in the last light of the sun.

“Let the games begin!” he called, and we all linked arms
and ran the rest of the way up the Cordonata to the wedding
of Maria and Colin.

Everyone remembers something different about it. I remem-
ber the dusty splendor of the old vault-ceilinged gilt-and-red
room, spindly gold and red velvet chairs set about the walls
except for the four in front of the magistrate’s high carved
desk where Maria and Colin sat, and with Sam and Ada as
witnesses. And I remember the magistrate himself, in his
robes, with a face out of The Garden of the Finzi-Continis,
impassively smoking a malodorous cigarette while we waited
for the Italian translator. Mostly, I remember Maria’s face
as she became Mrs. Colin Gerard, a bonfire of joy. And I
remember I thought I would cry but did not.

Joe says he remembers mostly how dim and hot it was;
the lights and air-conditioning were not working, whether
from simple defect or sciopero no one knew. And he remem-
bers that Ada Forrest wept, and he found that strange.

Sam said what he remembered mostly was his own first
wedding, in the tiny living room of a justice of the peace in

Elkton, Maryland, that smelled of cat urine and throbbed
with recorded wedding music and the sobs of his cheerleader
bride, who missed her mama and daddy.

HILL TOWNS / 135

“And,” he said, “I thought how much I’d like to paint that
magistrate, with the cigarette hanging out of his mouth and
the Hush Puppies sticking out under his robe. I think I’d call
it SPQR.”

Maria remembers the surprising liberality of the Italian
civil ceremony, with its emphasis on honoring each other,
and the unexpected tenderness of the charge to honor each
child of their union according to its own talents and identity.

“I remember,” Colin said, “that I’ve never had to pee so
badly in my life. I thought I was going to have to run down
to the Forum and do it behind a column.”

“I remember thinking how wonderful it would be to remem-
ber being married in Rome,” Yolanda Whitney said. “It would
be the one thing you could never lose to the community
property laws. Not, of course, that you darling children will
ever have to worry about that.”

And she smiled her television smile at the new Mr. and

Mrs. Gerard.

Afterward, while we milled about in the portico of the

Conservatori, waiting while Joe and Ada Forrest snapped
pictures of the newlyweds, Sam and Yolanda and I strolled
again down toward the parapet that overlooked imperial

Rome. He linked his arms with ours and we walked aim-
lessly, sapped with heat. He stopped and gestured toward a
great carved door, closed now, that led into one of the mu-
seum rooms.

“There’s a bronze tablet in there, a very small one, that
says, simply, BRIT. It’s the first time in the history of the
world, as far as anyone knows, that the word for ‘England’

or ‘English’ was written down.”

I felt the tears I did not shed for Maria and Colin gather
in my eyes and spill over my bottom lashes onto my cheeks.

I looked away from Sam and Yolanda.

136 / ANNE RIVERS SIDDONS

He saw, though.

“I know,” he said. “It just takes the top of your head off
for some reason, doesn’t it?”

“It doesn’t mine,” Yolanda Whitney said. “I can’t stand
the bloody sanctimonious English.”

Ada told us that night at dinner, making a little joke of it,
that Yolanda’s only marriage, failed scarcely a year after the
ceremony, had been to an English anchorman of great charm
and even greater fecklessness. He had abruptly decided to
move back to England and live with his mum in her rambling
old house in Padstow and write a book on terns. He had
never understood why Yolanda had refused to go with him.

“How many people have asked you if you’ve left no tern
unstoned?” Joe asked Yolanda when Ada told the story. He
was obviously pleased with the pun. I thought it was funny
too.

“You’re the four hundred and twenty-seventh,” Yolanda
said.

Sam gave the wedding dinner for Colin and Maria at a small
trattoria just off the Piazza della Rotonda. We sat at a long
table set with pink linen and vases of great salmon daisies
and lit with white candles in flickering hurricanes, under a
canopy directly on one of the narrow streets that lead into
the piazza, separated from the clamoring stream of foot traffic
only by a line of small trees in pots. It was the first time,
really, that Joe and I had been out in the midst of Rome,
swallowed up in its jostling, hooting, honking throngs. It
had been crowded up on the Campidoglio, but we had been
above the maw of the city there, and later, in the hectic blur
of the Piazza Venezia, Sam had miraculously hailed a taxi
before

HILL TOWNS / 137
there was time for the teeming clot of people and motor
scooters and automobiles to close in around me. Now,
though, I was awash in Rome, drowning in it. I sat with my
back to the narrow street, but every prickling inch of my neck
and shoulders and back was aware that, perhaps three feet
behind me, a torrent of alien humanity poured by. It was all

I could do to keep from constantly swiveling my head from
side to side to see what was coming, to keep from bolting
out of my chair and dashing inside the dark low-ceilinged
confines of the restaurant as a wild animal might into a cave.

There were bottles of red and white wine already on the
table, and I gulped mine down and refilled the glass before
anyone else had even tasted theirs. Desolately, I wondered,
feeling the alcohol’s comforting hot track down into my
stomach, if I was going to have to get drunk again in order
to be able to sit at this table and celebrate the union of Maria
and Colin. On my left, Joe turned to look at me, smiling a
little, but I read the warning clearly in his eyes: Don’t do
that again, Cat, for God’s sake; enough is enough. He turned
back to Ada Forrest. Over the gagging fear, hurt and embar-
rassment flamed. I knew everyone else had read his eyes too.

Across from me, between Maria and Yolanda, Sam studied
me for a moment and then said, “Change places with me,

Cat. You can’t see the Pantheon from where you are, and
that’s the major reason anybody comes to Rome—or should
be.”

He got up, shouting to his friend, the waiter Fredo, to
bring more wine and some bread. I got out of my seat and
moved around the table on legs that threatened to collapse
under me. I had put on a white linen shirtwaist in deference
to the sacramental nature of the occasion, forgetting that

Maria and Colin were being married in a

138 / ANNE RIVERS SIDDONS
civil ceremony, and it was wet now with the sharp sweat of
fear and the thick night, and drying on my body in corruga-
tions. The hair at my nape and forehead was soaked too. I
steadied myself against the table and dropped into Sam’s
chair and murmured, “Thank you.” Somehow I could not
look into his copper hawk’s face.

He laid his hand on the top of my head for a moment and
then went around and sat in my abandoned chair. With the
wall at my back, solid stone nearly a foot’s thickness and
perhaps centuries old, the fear shrank back into its kennel
and I took a long shuddering breath and let it out and looked
around me.

“Now,” I whispered. “Now.”

And as if in obedience, Rome turned slowly and ponder-
ously, as upon some ancient fulcrum, and settled into place,
and the enchantment began.

I will never forget the few hours we sat there in that caffè
off the Piazza della Rotonda. As bad as the fear had been a
few minutes before, and despite everything that came after,
that meal has still about it the patina of a perfect thing. The
bulk of the Pantheon against the clear green evening sky
darkened as full night fell, and the floodlights came on and
cast it up for us like the very seat of all the gods that it was.

From where I sat I could see only the portico, with its
powerful, perfectly proportioned columns and the frieze with
the shallow triangle above it; seen above the line of potted
trees, it seemed to grow out of a small forest. It was, indeed,
very beautiful, profoundly compelling. Was it because it was
simply so very old, had stood so long, had seen so much?

No, there was more…. Real power poured out of it into the
night, into the old square. The crowd there, families and
drug dealers and prostitutes and pimps and the very young
and the very old and the strong and the dying and

HILL TOWNS / 139
lovers and pickpockets and tourists from Kansas and Khat-
mandu and Romans from all neighborhoods, milled and
shouted and quarreled and ate and drank and laughed, and
each one was touched by the power of Hadrian’s great temple
to all the gods of his world.

I took another deep breath and closed my eyes. When I
opened them Sam was looking at me across the table.

“You OK?”

I smiled and made a circle with my thumb and forefinger:

OK. He grinned. Behind me, Fredo, with a platter of anti-
pasti, snorted and then began to laugh aloud, and the waiters
following him with plates of pasta and more wine did too.

Soon we were all laughing. I did not know what was so
funny, but it seemed a lovely thing to do, to sit on a side
street in Rome under the benison of the glorious living Pan-
theon and laugh with joy.

We ate enormously and drank a great deal of wine. Sam
and Joe made toasts, and we drank some more. And ate
some more. It was the first time I had ever had the wonderful,
huge, meaty porcini mushrooms, both delicate and as sub-
stantial as steaks, simply brushed with oil and roasted. I
could have eaten them forever. All the waiters and the owner
knew Sam, and everyone came to clap him on the back and
to congratulate Maria and Colin, and the owner sent compli-
mentary house grappa when, finally, the meal was over. We
lingered on, sipping its sweet, thick fire. I did not want to
leave the candlelit table and plunge back into the river of
people outside the caffè; now, far after midnight, it had
swollen to an ocean. No one else seemed to want to leave
either.

I looked around the table. In the flickering light of the
guttering candles, we all looked…Roman. Leaning forward
across the table, his fierce face uplit by candle

140 / ANNE RIVERS SIDDONS
light, Sam might have been a Barberini. Maria, entwined
with Colin and kissing him, dewed with sweat and grappa,
could be a Roman girl of any time, celebrating her green
young body on a summer night. Ada, still and somehow fe-
line and secret in her beautiful silk, and Yolanda Whitney,
once again dissolved with wine, might have been creatures
of Fellini.

“We knew her when she was just a little Irish girl from

South Boston on a scholarship tour of Rome,” Sam had said.

“When she was Annie Laurie O’Reilly.” And below the tele-
vision persona I could see, now, the round little Irish face
and snub, sweet nose. But over that…oh, yes, definitely

Fellini. Exalted by the night and the wine, I thought, Isn’t
that fitting? How good of Rome, to take us all in and make
us hers….

Only Joe and Colin did not look Roman. Even in the
shadow of the Pantheon, even in the light of the candles and
kissed with the shine of olive oil, they looked immutably

American. Colin looked like an overdressed young expense
account traveler who suddenly found himself entwined with
a ripe Latin girl, and Joe looked, simply, bored.

How could he? I thought, and remembered it was the face

Joe wore when he felt profoundly uncomfortable and out of
place, and I had seldom seen it because I could count the
times he had felt that way in my presence on the fingers of
one hand.

“Should we be getting back?” I said. “We’re going to have
to get a taxi, and it’s awfully late.”

That broke the spine of the evening. Colin and Maria, who
were staying in a small hotel nearby, hugged everyone and
drifted away, their bodies so closely fitted together they
seemed glued, all of a piece. They called their goodbyes back
to us and melted into

HILL TOWNS / 141
the body of the crowd that showed no sign of abating. Sam
and Ada went into the kitchen to thank the owner, and Joe
and I stood awkwardly on the pavement with Yolanda

Whitney, waiting for them. Yolanda had said she would
walk to the Hassler, where she was staying, but it was clear
to me that she was in no shape to walk anywhere. She
lurched and giggled and held on to Joe, and when Sam and

Ada came back, Sam and Joe flanked her and took both arms,
and we made our way over to the Via del Corso. With the
same legerdemain he had displayed earlier in the Piazza

Venezia, Sam held up his hand and a taxi cut out of the
clamorous pack and veered over to the curb, and he put Joe
and me and Yolanda into it.

“Drop her off and take it back to the Hilton,” he said. “If
we can’t get another one we’ll just walk. Maybe we’ll stop
in a neighborhood bar and finish getting drunk.”

He leered grandly, and Ada grimaced, but she took his
arm and squeezed it. I thought, curiously, that in the hours

I had been with them I had never before seen her touch him,
or him her.

I looked back, as we shot out into the traffic, and saw that
they stood close together, his head bent far down to hers,
as she said something into his ear.

“Sweet nothings,” Yolanda said in a strange, strangled
voice, and I saw she was looking back at them too.

When we got to the Hassler she was so boneless and dis-
oriented that Joe had to walk her to her room. I waited in
the back of the cab for what seemed an interminable length
of time, smiling stiffly every time the driver caught my eye
in his mirror, irrationally afraid he would grow tired of
waiting and simply dump me on the pavement and roar
away. Well, maybe we could get a room at the Hassler for
the night. But he would proba

142 / ANNE RIVERS SIDDONS
bly stay, after all. The meter was running; the fare would be
astronomical.

It was almost half an hour later that Joe finally came out
of the front door, and I was so relieved to see him that it
was not until he got into the cab and slammed the door that

I noticed he was literally smeared with lipstick, as if he had
been drinking blood, and his fair hair hung in his eyes. There
was lipstick on the collar of his silk shirt, too.

“Good Lord, Joe,” I said, and stopped.

“Don’t ask,” he said, making a face of deep disgust. “I’ll
tell you later, but just don’t ask right now. I thought that
woman was going to rape me in the hall outside her room.

Christ, how absolutely and appallingly sloppy.”

He was silent, except for curt directions to the driver, who
did not seem ever to have heard of Monte Mario or the

Cavalieri Hilton Hotel, but in the dark I could sense that
some interior motor in him had started up.

For the first time in my entire life I said to Joe, when he
turned to me in bed that night, “Sweetie, I have got the
mother of all headaches.”

And I did.

7

WE MET SAM THE NEXT MORNING IN THE PIAZZA

Navona, to start the Sam Forrest Special and

Particular Walking Tour of Rome. It was not
yet eight, and the great oval square was pearled with soft
light. The caffés and market stalls were just opening, and
only a few people were about: children playing some sort of
game with a ball and a stick around the looming Bernini
fountain in the center, old men drinking cappuccino at out-
door tables, a handful of people in business clothes coming
out of the old houses around the piazza, two or three hand-
somely dressed women walking dogs. It was quiet except for
the liquid purl of the fountain. No automobile or bus traffic
marred the cobbled piazza, though the low roar of Rome’s
morning rush hour was escalating all around us.

Sam was waiting for us at Tre Scalini, where he had said
he would be. He was drinking coffee and reading a newspa-
per, and even in repose, even dwarfed by the heroic scope
of the huge baroque space, he drew the eye.

143

144 / ANNE RIVERS SIDDONS

Partly it was because of his costume: he wore blue jeans
faded nearly white and cut off at the knees, strings hanging
in fringes around his massive, red-furred calves, and a denim
work shirt faded nearly as pale, open to the waist and knotted
there. His chest looked like the pelt of a great red bear. A
battered straw hat of the sort I associate with southern
plantation owners rode low on his forehead, seeming to sit
atop the iron-red hedges of his eyebrows. His ponytail hung
down his back, and a cigarette stuck out of his mouth at the
angle of Winston Churchill’s cigar. His bare ankles rose out
of gigantic, dirty running shoes. I burst out laughing with
pleasure at the sight of him. He looked utterly ridiculous and
somehow just right.

“Now don’t you feel better about your clothes?” I said to

Joe. He was dressed in the chinos he had worn to Rome,
and the striped sleeveless tank top he had worn around the
pool yesterday. His oxford-cloth shirt had not come back
from the hotel laundry as had been promised, and the only
other one he had was wadded up on the floor of our bath-
room, scarlet with the stigmata of Yolanda Whitney’s lipstick.

He wore dark socks and polished loafers because he had no
other shoes, and was as unhappy about the whole thing as

I have ever seen him. I have never thought Joe a vain man,
but he has always dressed in a way that seemed as indigenous
to Trinity and the Mountain as the laurel and dogwood in
its spring woods, and incongruity is unthinkable to him. This
morning he looked incongruous. Handsome, with his long
tanned arms and chest already gleaming with a light patina
of sweat, but incongruous.

He grunted. He had not particularly wanted to come with
me this morning, saying he’d just as soon spend the time
seeing Baedeker’s Rome and not Sam Forrest’s, but he had
come, nevertheless, when I begged him.

HILL TOWNS / 145

“Please,” I had said. “I just can’t do this without you; it’s
too much; there are too many people. And it’s too late to
back out, and besides, how many people in the world can
say Sam Forrest showed them Rome?”

So he came along. I knew no matter how annoyed he was
at me—and I could tell that my headache last night had dis-
turbed and unsettled him—he would not leave me to brave
the throngs in the streets of Rome without him. I knew also
that the prospect of tossing off the tidbit about Sam in the

Faculty Club was not without power.

I squeezed his arm now and said into his ear, “You have
better legs,” and he smiled reluctantly, and we crossed the
piazza toward Sam’s table.

He grinned his huge white grin, and kissed me on both
cheeks, and gave Joe a hug around his shoulders.

“Coffee first, before anything,” he said, and gestured for
the waiter. The waiter smiled and called something, ending
with Sam’s name.

“Do you know every waiter in Rome?” I said.

“Most of them,” he said. “I made a concentrated effort
when I first got here. People think power is being invited to
use the Vatican Library, but the ultimate power is knowing
the most waiters. Well, did you get Yolanda home without
an international incident?”

“No problem,” Joe said, just as I said, “Well, it was more
of a domestic incident.”

We looked at each other. Sam laughed.

“Put the make on you, did she, Joe? I should have warned
you. Past a certain blood alcohol level Yolie gets snuggly.

It’s not necessarily a problem depending on the snuglee, but

I wouldn’t have let you in for it if I’d been thinking. Your
first day in Rome is tough enough.”

“She was fine,” Joe said crisply, and I simply stared at

146 / ANNE RIVERS SIDDONS
him. “But I’d hardly call it hardship duty if she had put the
make on me, as you put it.”

Sam shrugged, still smiling.

“Definitely not that,” he said. “OK, this is going to be a
foot tour, and I’m going to walk your asses off. We need to
make time. It’s going to be hotter than hell by noon. Joe,
the top of you is fine, but we might think about stopping
and getting you some walking shoes somewhere. Cat, you’re
just right. That dress will keep the sun off you and reflect
heat, and you’ve got on crepe soles. Good. Y’ll about ready?”

We gulped our coffee.

“Am I OK for churches and stuff?” Joe said, studying his
bare arms and chest. “This is literally all I had. Cat didn’t
wash the shirt I had on last night.”

“Ain’t you got no han’s, boy?” Sam grinned at him over
his shoulder.

“What?”

“When I was growing up in Demopolis, Alabama, we had
a black woman who worked for us, and every time I acted
like a little white prince and whined for her to do something
for me, she said, ‘Ain’t you got no han’s, boy?’ Even now I
wash my own underwear if I’m out. Ada thinks I’m a femin-
ist, but it’s the early influence of that old martinet in Demo-
polis.”

Joe flushed.

“I’m not blaming Cat,” he said. “Of course she doesn’t
have to wash my shirts. We both just forgot last night.”

“Maybe your bag will come today,” I said, feeling sorry
for him even as I stifled the impulse to grin broadly. I did,
in fact, wash Joe’s clothes on occasion. I was sure he would
wash mine, if I were the one who was out of the house all
day. It had always seemed more a matter of logistics than
policy.

HILL TOWNS / 147

“I still don’t know why you wanted me to wear this,” I
said to Sam, looking down in distaste. When he had called
early that morning, he had asked me to wear the white linen

I had had on last night. It was even more wrinkled for the
night it had spent on the floor beside the bed, where I had
dropped it when I shucked out of it.

“Humor me,” he said. “I’ll show you before the tour’s
over.”

“It is just a trifle worse for wear,” Joe said, and I knew he
was still smarting over the matter of the unlaundered shirt.

“Well, who cares?” I said, trotting off behind Sam. “I’m
sure not apt to run into anybody we know.”

He took us first into the interior of the Pantheon. I felt a
lump rising in my throat before my eyes even accustomed
themselves to the cool dimness. Something about the sweet
amplitude of space that swept up to the top of the great dome
dropped a deep, abiding sense of calm, of refuge, down on
me. I thought I would never be afraid here. The marble of
its interior was radiant and lovely.

“It’s the color a gypsy’s flesh ought to be,” I said.

“Yes, it is, isn’t it?” Sam said.

He pointed to the aperture in the top of the dome.

“It was to let the smoke from the burnt offerings out, but
there’s a legend that the devil made it trying to escape when
it was consecrated as a Christian church. I’ve been in here
when it was raining; it’s a wonderful thing to see, then. Just
this column of radiant rain, coming straight down. It looks
as if you could climb it.”

“The proportions are stunning, aren’t they?” Joe said.

“Pure classical geometry,” Sam said. “The diameter of the
dome is exactly equal to the height of the walls. Who said
mathematics wasn’t art?”

148 / ANNE RIVERS SIDDONS

“God and geometry again.” I smiled.

“Like I said. All over Rome.”

From there we dogtrotted over to the austere little church
that served Rome’s French colony. The three great Caravag-
gios in the Chapel of Saint Matthew bloomed into their rich,
deep light when Sam fed a coin into the machine, and Joe
and I simply stood mute and stared. I had never seen light
like that before. The darkness of light, I thought, the power
of dark light…. My eyes stung once more.

Sam saw the tears on my face.

“Are you going to cry all over Rome?”

“Looks like it,” I said. “Are you going to be embarrassed
if I do?”

“No. I’m intrigued. None of the women I know have cried
in twenty years.”

“I’m embarrassed,” Joe said. “Pretty soon you’re going to
be falling down in a swoon. The Stendhal effect.”

But he put his arm around my shoulder.

We walked for what seemed a very long way, through
twisted, narrow streets, dodging across wide, traffic-choked
thoroughfares. The sun beat down relentlessly. Sam trotted
easily over the killing cobblestones. My feet were sore and
burning, even in thick crepe soles, and behind me Joe was
beginning to limp. I turned back and saw that he was pale
and literally drenched in sweat. Joe played tennis four or five
times a week, and was perhaps fifty pounds lighter than Sam

Forrest, but he was not used to the heat and the cobbles and
the constant, hammering noise of Rome.

“We need to slow down,” I called to Sam. “You’re going
to lose two ugly Americans if we don’t.”

He was contrite. He led us around a corner and onto the

Via Condotti.

HILL TOWNS / 149

“We’ll make a pit stop at the Café Greco,” he said. “I was
planning to do it in a little while, anyway. I forget what these
streets can do to you if you aren’t used to them. You’ll like
this one, Joe; it’s where the foreign literati hung out. Byron
and Goethe and that crowd. Buffalo Bill too, if I’m not mis-
taken. Oldest coffeehouse in Rome. I can recommend the
caffé granita.”

Joe and I both headed for the restrooms. In the dim light
of the old mirror I peered at myself. My face looked greenish
and wavery, and my hair stood around my head in damp
ringlets. The white linen was so wrinkled by this time that
it clung to me like a damp, discarded towel. I seemed for a
moment a woman drowned. I did what I could with my hair
and put on new lipstick and went back to our tiny marble
table. Smartly dressed women carrying bags from Gucci and

Armani watched me, or I thought they did. Joe was already
at the table with Sam, and they were talking intently. Or
rather, Joe was talking and Sam was listening. He listened
as he did everything else, with his whole person. When Sam

Forrest focused on you, you were impaled on his interest,
bled yourself for him. I saw gratification in every line of Joe’s
body. I thought that, on the main, few people except me had
paid much attention to Joe on this trip.

“What are you two talking about?” I said, slipping back
into my seat and taking a long sip of the caffé granita, rich
and cold and life-giving.

“Faulkner,” Sam said. “I didn’t know shit about him until

Joe started telling me. You know artists don’t read. Now I’m
going to go back and read everything he ever wrote. It’s
probably going to take me the rest of my life. Jesus, nobody
ever told me about him before. That’s like me. I grew up like
that, in places like that, with those people.”

150 / ANNE RIVERS SIDDONS

“Most of us did, one way or another, even if we’re not
southern,” Joe said. “That’s the point. In a way Faulkner’s
like a painter. Everything’s in layers. Everything’s impression-
istic. Everything comes right out of the felt part of life. Or
anyway”—and he looked a little embarrassed—“I’ve always
thought painting must be like that. The most felt of all the
arts. The most…directly connected to the primal things.”

Sam looked at him with interest.

“It is,” he said. “Good man. Not that there’s not a kind
of…grid of intellect and form laid over it, but underneath
it’s all felt. Or what’s been seen is translated into felt. Let’s
get out of here before I discover there’s a formal theory be-
hind my work—such as there is of it lately—and get flown
with myself.”

Joe laughed and they walked out together ahead of me,
two men who suddenly liked each other, if only for a small
space of time. Two men who met on a common field of ex-
pertise. Trudging back out into the whitening heat of mid-
morning, I felt oddly abandoned. Sam was, by God, my
discovery.

“Y’ll are bonded as hell,” I called ahead to them. “You
going to squat in the middle of the street and beat drums?”

Sam laughed and reached an arm back to me, and Joe did
too, and we walked together, the three of us, up to a plain
brown church on a promontory over the Via Veneto where,

Sam said, we were going to see death, Roman-style.

It was a nondescript building, and I could not tell if it was
very old. Above the street that I associated with Fellini and
fashion and attractive decadence, it was an island of quiet,
almost cool in the throbbing white sun. Lord, how much
hotter could it get? I pulled my wet

HILL TOWNS / 151
linen away from me and fanned myself with my hands. Joe
was looking pinched and white again, and there were pink
splotches on the tops of his shoulders and along his collar-
bones. Sam, under the disreputable hat, was no more and
no less red than he ever was.

A monk in a plain brown habit sat at a small ticket station
in the vestibule and took contributions. There was no fee,
but Sam handed him a fistful of paper. I still could not de-
cipher the notes; it seemed to me the smaller the denomina-
tion, the larger the note. I found some American dollars and
gave them to the monk, who smiled and handed me a
pamphlet and nodded but did not speak.

“Thank you, father,” I said, and blushed. I knew how, I
realized, to address priests and bishops and even archbishops
of the Anglican persuasion, but I did not know what you
called a Catholic monk. Surely not “brother.”

“Brother, can you spare a dime?” I said under my breath,
and Sam, who had heard me, threw his ridiculous head back
and laughed.

“Not here,” he said. “The dimes come from the likes of
you, Miss Cat. He’s taken a vow of poverty, though like most
of the clergy in Rome, he does pretty well despite it. They’re

Capuchins. Cappuccino is named after the brown of their
robes. He could speak to you if he had to, but most of them
have taken a vow of silence. It’s probably why their order
has lasted so long. Come on. You may hate this, but I don’t
think so. Children and other savages seem to like it.”

“Which am I?”

“Take your pick.”

We went inside and passed down into a long dim corridor
and down a flight of stairs into the crypt. On one side was
a simple, rough plaster wall, striated with the

152 / ANNE RIVERS SIDDONS
beauty that all old plaster in Rome glows with. On the other
side were bones. Cubicle after cubicle, cell after cell, of bones.

Human bones. Bones that formed intricate friezes and mosa-
ics, bones that formed the entire walls of cells and small
rooms, bones that made chandeliers and furniture and dec-
orative panels. There were patterns to them; Sam said that
most of the chandeliers were formed of sacrums and verteb-
rae, and the pillars of some of the chambers were made of
long bones: thighs, arms. A few niches held skeletons, small
or large; obviously whole corpses had been interred here.

“If you were particularly rich, you could have yourself or
your children’s skeletons put here for all eternity,” Sam said.

“There are a couple of children from the great old families,
the devout ones. I bring everybody here. Kids inevitably ad-
ore it. But I’ve known more than one adult to just hit the
floor. The monks are used to it. They have a modern first
aid station across the piazza there. Look at the plaque.”

It was small and easily missed. I did not know what the

Italian meant.

“‘As we are now, so shall ye be,’” Sam translated.

I stood in that place of bones and laughed. It was too
much, it was too awful. Maybe it was wonderful. I could not
tell. Part of me was appalled, but a greater part was oddly
comforted. This place did not ignore death but put it right
in your face. From there you could shudder and go out to
lunch.

I turned to Joe and then turned away. I could see that he
was profoundly disturbed.

“You going to be OK?” Sam said.

“Yes,” I said. “The bones are really very lovely, aren’t they?

That rich, shining brown. Pear-brown Rome. Boy, it gets
into everything, doesn’t it?”

HILL TOWNS / 153

Back out in the sunlight again, I unfolded the pamphlet
the monk had given me and looked at it. It was a poem, ex-
ecrably written, from the point of view of an aborted baby
to its mother. Death and forgiveness seemed to be the main
thrusts of it. I crumpled it up in repugnance.

“It’s antiabortion propaganda,” I said. “Ugh. How can
they, in that place? It’s a little Golgotha. They’re death en-
gineers themselves, but they still try to lay that trip on wo-
men.”

“God and physics,” Sam said mildly, and we went on out
into the heat of noon.

We trudged, sweating, through streets that seemed to me
to be devoted largely to couture shopping. I could not ima-
gine who would want to brave this fearsome, living heat to
buy clothing, but a great many chic women whose national-
ities I could not fathom seemed to be doing so, most with
huge Vuitton bags, clicking in and out of small, austere shops
with the hip-swaying gait that predominated here, exagger-
ated by heels so high I could not even imagine walking in
them. My own feet, cradled as they were in crepe rubber,
were still sore and burning. I seemed to feel the impress of
every cobblestone we had trod on their bottoms. Sam, well
ahead of us in his steady dogtrot, was running sweat on every
bare surface, but his colossal legs ground along as if powered
by pistons, and the straw hat still rode at a jaunty angle. At
my side I could hear Joe breathing heavily, and I looked at
him worriedly. He was not speaking much now—had not,
since we left the grisly hospitality of the Capuchins—but I
did not know if the malaise was one of flesh or spirit. His
silence bothered me. Usually, if Joe was slightly unsettled
about something, he made a joke of it. If it was more than
a slight discomfort, he simply asked that it be stopped.

154 / ANNE RIVERS SIDDONS

We crossed a dingy modern street whose traffic, for sheer
artistry of mayhem, matched that of the Piazza Venezia, and
all at once I heard water. Not the plinking splash of the many
little fountains we had passed but a deep cool cascade,
proper water, running wild. Nothing had ever sounded quite
so wonderful to me at that moment. We came into a small,
nondescript little piazza and I saw it precisely as I had in
innumerable magazine pages, in many technicolor movies:

the Fontana di Trevi, the Trevi Fountain, its streamlets
bounding joyously over its artfully artless boulders and
spuming great Neptune with its exuberance. An extraordi-
nary, playful, baroque, excessive fancy in the middle of one
of the most cramped, even banal, little piazzas I had ever
seen. I wanted more than anything in my life, just then, to
simply step into it and lie down among the glittering coins.

“Oh, Joe, do you remember the song ‘Three Coins in the

Fountain’? It was popular when I was a little kid. I thought
it was the most romantic song in the world. Wasn’t it in a
movie?”

“The only movie I remember about it was Fellini,” Sam
said, fishing in his pockets. “When Mastroianni and Ekberg
are about to have at it in the fountain and the water goes off
and his pecker goes down, not to put too fine a point on it.

At least, I’ve always been sure that’s what the symbolism
insinuated. Here, turn around, both of you, and throw a
coin in over your shoulder. Make sure you come back to

Rome.”

“Maybe I’ll pass,” Joe muttered under his breath, as we
shouldered our way through the crowds from the tour buses.

I smiled at him.

“Just say to yourself, ‘Make it October,’” I said, and he
smiled back, a stretched ghost of his old full smile, and we
tossed our coins.

HILL TOWNS / 155

We made our way along the Corso and back up the Via

Condotti to the Spanish Steps, so clogged with people pho-
tographing other people and vendors of every imaginable
object and teenagers jostling and crowing and lunging that
we could hardly see the monumental staircase itself. Sam
pointed out the house where Keats lived and died and asked
if we’d like to go in.

“Another time,” I said, frankly worried about Joe now. He
was as pale as a wraith and nearly hobbling. Sam seemed
to notice for the first time.

“Christ, I’ve nearly killed you,” he said. “If you don’t come
down with Roman Foot on top of heat prostration it’ll be a
miracle. Can you make it to the top? The Hassler has a good
bar; we’ll get a drink and then we can get you some decent
walking shoes and take a cab back to the studio. We’ll save
the Ghetto and old Aldo Mori for another trip. You should
have spoken up. Don’t let assholes run you into the ground
before you have your second wind.”

“I’m fine,” Joe said thinly. I wanted to shake him; he was
obviously very far from fine. “I think I will get a drink,
though, and see if there are any decent men’s shops around
here. I can’t spend the rest of my time in Italy in this getup;

I look like a male stripper. I want you all to go on, though.

I know there was more you wanted Cat to see, and I know
she wants to see it. I’ll meet you back at your studio for lunch
in…what? An hour and a half?”

“No, I’ll go shopping with you,” I began. “You don’t look
so good; I’m afraid—”

“Cat, I really want to be by myself for a little while,” he
said, in a low, fast voice, and I stopped. I could think of
nothing to say. Joe had never before told me he did not want
my company. My eyes stung.

156 / ANNE RIVERS SIDDONS

“But you don’t know where the studio is,” I said, hating
myself for going on.

“I’ll bet, if I ask him nicely, Sam will tell me, and I’ll tell
a taxi driver, and he’ll take me there,” Joe said, with such
soft sarcasm that I turned away and studied the bulk of

Trinità dei Monti at the top of the hill, almost black against
the furious blue-white of the sky.

“Sounds like a good plan,” Sam said, taking my arm.

“Come on, Cat. Cut the guy some slack. He can get a cab in
a second at the Hassler. There’s only one other thing I really
wanted you to see, and then we’ll all go have lunch. Ada’s
bringing it from home, and Colin and Maria are coming.

Well, as a matter of fact, Joe, so is Yolanda; I forgot. Why
don’t you buzz her room and see if she’s ready when you’ve
finished shopping, and you can ride down together? She
knows where it is. That is, if you can stand her, after last
night.”

“Be glad to,” Joe said. “See you guys later.”

And he turned away from us and climbed the Spanish

Steps without looking back, striding purposefully, as if not
to show that his feet were in agony and his legs rubbery with
heat. I looked after him.

“He’s okay,” Sam said, tugging gently on my arm. “Don’t
hover. He’s a big boy. He’ll do better by himself for a while:

get his bearings and set his own pace. Maybe have an adven-
ture all by himself, one somebody else didn’t plan. Let him
find his own Rome.”

I turned away from the steps and followed Sam back into
the piazza. I felt desolate, diminished. How had I offended

Joe? It had happened so seldom, this shortness of his, that

I literally had no idea. And Yolanda Whitney; I was not sure

I liked the idea of that at all.

“I didn’t know Colin and Maria and Yolanda were joining
us,” I said neutrally, climbing into the cab he hailed.

HILL TOWNS / 157

“Yolie called early this morning and asked if we were going
to see you; said she wanted me to relay her apologies for
being a harlot last night. I told her to come to lunch and tell
you herself. Ada said since it was shaping up into a party
she’d call Colin and Maria, and we could eat up the rest of
the buffet from the other night. Don’t worry about Yolanda,

Cat. You have no cause to.”

“I wasn’t,” I said, my face hot.

“Yeah, you were.”

He gave the driver an address on Via XX Settembre.

“Where are we going?” I asked, profoundly grateful to be
off my feet and in a dim, soft interior, even hurtling suicidally
through Rome.

“Church,” Sam said. “Santa Maria della Vittoria. It’s as
baroque as a baboon’s butt, and what I’m going to show
you is a Bernini, not my favorite sculptor. His feet’s too big,
as the old song says, among other things. But this one is
something else. I have a special reason to show it to you.

You’ll see.”

Inside the church, the contrast between the burning day
and the rich gray, brown, and mauve marble served to blind
me for a moment. I let Sam guide me, sensing people all
about me but somehow not feeling the neck-prickling, pre-
liminary seeping of the fear. My eyes gradually accustomed
themselves, and when they did we were standing before a
little chapel at the back of the church. A small dome just
above it let a clear golden light down through an opening;
motes danced in it, and I was reminded, by its iridescent
solidarity, of the column of light in the Pantheon and of my
fancy that I could climb it. The light fell full on a sculpture,
and I caught my breath when I looked at it. Then I shut my
eyes involuntarily.

“A not uncommon impulse,” Sam said, watching me.

158 / ANNE RIVERS SIDDONS

“The Ecstasy of Saint Teresa. Bernini’s ideas of sacred ecstasy
and rapture got him into not a little hot water. The head is
one of the finest things ever to come from a chisel, I think,
and who knows, it may be the most perfect expression of

Divine Love ever wrought by man. Eleanor Clark said the
smile of the angel who’s getting ready to run her through
with his arrow is one of the best in all the world’s sculpture.

Of course, one President de Brosses of France said, that ‘If
this is Divine Love, I know all about it.’”

I opened my eyes and stared at the saint in her intricately
wrought, disheveled robes. There was no doubting the pas-
sion; there was so much passion in her blind, naked face, so
much transport and abandon, such sheer physical hunger
and completion, both at once, that I felt a wave of heat
spread slowly through me from the pit of my stomach. The
statue was powerfully beautiful and powerfully erotic.

“My God,” I whispered. “It’s the absolute essence of—”

“Isn’t it?” Sam said. “Makes you wonder what the precise
difference between sacred and profane love is. A great
conundrum, the one at the very heart of Christianity. I
maintain there never has been any difference; that all ecstasy
is sensual, and all sensuality ecstatic. It’s only our minds that
divide it, with not a little help from Mother Church. It’s one
reason I rank Catholicism right along with Nazism as a
source of exquisitely murderous damage.”

I did not answer. I continued to stare at the saint, impaled
on her passion. There was something, something….

On the other side of Saint Teresa, in the gloom, a little
nun knelt. I had not noticed her because she

HILL TOWNS / 159
crouched so low, and her robes were almost the precise dark
of the chiaroscuro of shadow in the chapel. Now I stared at
her. I could tell at once she was not of a Roman order but
from one of the rural provinces, perhaps in the Mezzogiorno.

I don’t quite know how I knew, but I did. It was there in the
roughness of the fabric of her habit, the plain shiny-scrubbed
face, the raw red hands that were clasped before her, their
knuckles swollen with hard work. I thought she was probably
quite young, for there were no lines in her face, and her lips,
parted, were still soft and formless, almost a child’s lips. Her
eyes were closed, and tears made silver snails’ tracks down
her cheeks, and on her face was a flame of such pure yearning
and devotion that I averted my head.

I want that, I thought, simply and wholly. I want to feel
that.

Sam took my elbow and walked me around the other side
of the statue, a little space away from the kneeling nun.

“I damn the church that promises that little girl what she
thinks she’s being promised,” he said. His tone was soft, but
he almost spat the words.

“I was just thinking I wanted it for myself,” I said. “That
certainty. That…payoff, which shakes your whole soul. How
do you know she isn’t going to get it? How do you know
she doesn’t already have it?”

He made a small sound of contempt.

“I’ll take the physics, the geometry,” he said. “I think you
had it wrong, Cat. I think physics was invented to make God
bearable.”

We stood in silence for a while, looking at Saint Teresa.

Then he said, “What else do you notice about it?”

“I don’t know what you want me to see,” I said

160 / ANNE RIVERS SIDDONS
uncertainly. “Something about the technique itself? Some-
thing about the marble?”

“Look at the face. Look at the way the light falls on the
planes of the cheeks and the forehead; look at the nose; look
at the chin. Look at the wrinkles in the robe. Look at the
mouth….”

I saw then. In a way more inherent than actual, perhaps,
but undeniably: it was my face. My face, over the wrinkled
white linen I wore now. My face, my face in ecstasy….

My face as only one person on earth had ever seen it. How
had Sam Forrest known?

“I want to go now,” I said numbly.

“Don’t feel strange about it, Cat,” Sam said. “I told you
your face was all over Rome. You have that sort of narrow

Renaissance look to you; this is just one of several sculptures

I could show you right now, this afternoon, that look like
you. You’ll see a lot more of them in Florence….”

“But you picked this one to show me. Why did you do
that, Sam?”

After quite a long time, he said, “I don’t know. I really
don’t. But I do know I meant no innuendo. I hope you’ll
believe that.”

And somehow I did.

We were almost to the Campo Fiori, with the light of
midafternoon beginning to slant more gently outside the
windows of the taxi, before I remembered that I had not
once, in all that long morning on the streets of Rome, been
afraid.

Sam’s studio was the top floor of a narrow, flaking russet
house in the Via del Pellegrino, just off the Campo

HILL TOWNS / 161

Fiori. The produce and market stalls were empty in the

Campo as the taxi coasted through it, and the litter and
garbage were astonishing; Sam said it was a pity we didn’t
catch it before one-thirty or so, when it was full of color and
life. His own winding street seemed to sleep, too. We made
our way up a steep, twisting staircase whose iron railing
cascaded with blooming creeper and stopped on a small
landing crowded with terracotta pots full of flowers. An
enormous ginger cat slept in the shade of the largest one. It
lifted its scarred thug’s head at our footfall, stretched hugely,
and reassembled itself back into sleep.

“Is that your cat?” I said. “He looks just like you.”

“I guess he is,” Sam said. “I never formally acquired him,
but so far I haven’t evicted him, either. He likes the three
squares and the soft bed I provide him, but he hates my
work.”

“Does he have a name?”

“Brutta,” he said. “‘Ugly.’ For some reason the little old
lady downstairs adores him and feeds him lavishly when I’m
not here. She calls him ‘ bel pezzo d’uomo.’ Roughly trans-
lated, I think it means hunk. There’s no accounting for
tastes.”

The door opened and Ada Forrest stood there, silvery and
translucent, in wide black gauze palazzo pants and a loose
gauze top. Her hair was tied off her neck with a black scarf,
and the only color about her was the slash of crimson on
her mobile mouth and a red-striped-ticking cook’s apron.

She kissed me on both cheeks, a light swift peck, and touched

Sam on his bare chest.

“Perfect timing,” she said. “Joe and Colin just got through
lugging the last hamper up the stairs. Did you have a good
morning? I hope you did; you nearly killed Joe.”

162 / ANNE RIVERS SIDDONS

I looked past her into the studio, searching for my hus-
band. It was an enormous room, painted white and flooded
with light from a wall of casement windows overlooking an
inner courtyard and twin skylights. The floor was so
splotched and splattered with paint that it seemed a purpose-
ful stipple. Shelves on the three other walls held racks of
canvases and stacked supplies, and an alcove half sheltered
by a magnificent Chinese screen contained a deep metal sink
and a small stove and, I thought, perhaps a toilet. A small,
rusted compact refrigerator sat on the floor under the sink,
and a butcher-block table crisscrossed with many years of
knife hatchings held an array of covered dishes and crockery.

There were no paintings on the walls, and none in evidence
anywhere. An easel stood under one of the windows, but it
held nothing. On the deep window ledge a portable phono-
graph poured out Palestrina, and a big raffia tray held glasses
and several bottles of wine. Down at the far end of the studio
was a big potbellied iron stove with rump-sprung chairs and
a studio couch ranged around it, and there Joe sat, his long
legs extended out before him, feet propped on a big leather
hassock, drinking wine. He was saying something to Yolanda

Whitney, who sat across from him drinking what looked like
mineral water with a slice of lime, and she was laughing.

Colin and Maria lay tangled on the couch, sipping wine and
picking at each other with languid fingers. Everyone and
everything in the room looked airy, light, lazy, enormously
inviting.

“So this is what goes on behind all those shuttered win-
dows from noon to four,” I said. “Joe looks as though he’s
made a miraculous recovery.”

“We’ve been rubbing his fevered brow”—Maria
giggled—“and dropping grapes in his mouth.” She glowed

HILL TOWNS / 163
in a red sundress. I had never seen her wear red at home on
the Mountain.

“Remarkable restorative powers, grapes,” Joe said, smiling
at me over his shoulder. He wore a soft new sage-green shirt
with the little Lauren polo insignia on it and brilliant white
running shoes with the Nike swoosh. His golden flush was
back, and his hair had damp comb tracks in it, and he looked
carved of golden ice, cool and remote. Somehow, for the
first time, he seemed to fit into Rome, or at least in this
austere Roman room of light and space. Across from him,

Yolanda wore starched blue-and-white striped chambray and
sneakers and had pulled her hair into a ponytail and tied it
with blue grosgrain. Her face seemed as clean-scrubbed as
the little nun’s in the church we had just left, except for a
touch of pink lipstick, and there were amber horn-rimmed
glasses on her short, snub nose. She looked about eighteen,
and as crisply clean as Joe, and just as unmistakably Americ-
an. Or rather, I thought a trifle uncharitably, Irish. I could
see Ada Forrest had been right when she said Yolanda was
a pretty thing when she first came to Rome. That’s what she
looked now: an only slightly worn pretty thing.

She got up and came to me and said, in a low, chastened
voice, “I want to apologize to you again. I can’t drink, and

I know it, and I’m not going to, anymore, and that’s that. If
you’ll forgive that ghastly business last night, I promise I’ll
leave your nice husband alone. I’d like to have you both for
friends.”

What could one say to that? I said what anyone
would—“Please don’t think any more about it; friends we
shall be”—thinking that perhaps without the liquor she’d
make an attractive acquaintance after all, if not a friend. What
did I have to lose? We were leaving Rome

164 / ANNE RIVERS SIDDONS
that night. It was as unlikely that the celebrated Yolanda

Whitney would seek us out back in the States as it was that

Sam Forrest would, when our time together was over. It
seemed likely, rather, that she, like Sam, had a charismatic
force of personality that made friends of everyone who came
within her orbit. It was, I thought, part of the definition of
celebrity.

“So where did you go when you left me?” Joe said, pouring
out wine for me.

I hesitated.

“Santa Maria della Vittoria,” Sam said, tossing his hat onto
a chair. He slicked his thick bush of wiry red-gray hair off
his face with both big hands. In the white light of his lair,
he looked more than ever like a ruddy falcon, a red raptor
poised against white rock. His eyes were bright blue in the
wash of light.

“Ah,” Yolanda said, looking obliquely up at him. “Saint

Teresa.”

“Yep.”

Ada looked at Sam and then at me, cocking her white head
to one side in interest.

“Yes,” she said slowly. “I see. A good choice. Sam has good
instincts. Well, people, let’s eat this fine lunch I lugged over
here through that damned furnace outside. And then I have
a little surprise for Colin and Maria.”

Despite the heat, we ate enormously. Sweet Roman mel-
ons, the sort we simply don’t have in America; I still do not
know what they are called. Tiny, cold grilled chickens with
olive oil and rosemary and lemon juice and cracked pepper.

Wonderful blood-red tomatoes on fresh arugula, topped with
creamy buffalo mozzarella and deep blue-green basil leaves.

Cold tortellini with shaved parmigiana. Crusty, chewy bread
and more oil.

HILL TOWNS / 165

Much wine. I never had another meal in Italy that was as
simply and wholly satisfying.

When we had finished, Ada pulled a clean cloth off a
platter and held it out for our inspection. We gasped, and
then, as one, began to laugh. Two giant yellow onions and
a thick, red, rolled column of prosciutto lay on the white
platter, forming as perfect a set of testicles and a penis as I
had ever thought to see.

“Signora Silvestri from downstairs brought it up when she
heard I was hosting newlyweds here.” Ada grinned. “She
says it’s an old custom from her home village, near Siri, in

Calabria. The bride and groom must each have a bite of
everything on the platter, and then…I forget what then. But
you get the idea.”

“If you don’t you’re dead from the neck down,” Colin said.

“What a set. Do you feel shortchanged, ’Ria?”

“Not so far,” she said, reaching for his crotch as he twisted
away, laughing. “But then I haven’t tasted Signora Silvestri’s
yet.”

Red flooded my face and neck and I turned away, angry
with myself and yet unwilling to hear any more such talk
from Colin or Maria. What was the matter with me? The
platter was funny, earthily, sweetly funny. It had been offered
in good spirits and good faith. I did not think I was a prude.

Maybe, after the orgasmic Saint Teresa, it was just too much.

Too much sensuality on the one hand, too much God on
the other. I was suddenly very tired.

Ada and Yolanda began gathering up the lunch things,
and Joe and Colin made reluctant noises about leaving.

“I think,” Sam Forrest said lazily into the room at large,

“that I would like to paint Cat, and I’m asking your formal
permission to do it, Joe. If you’ll let her stay

166 / ANNE RIVERS SIDDONS
and sit for a little while this afternoon, I promise I’ll have
her back in time for dinner. If she doesn’t mind, of course.”

“Oh, Cat, how wonderful, a Sam Forrest portrait of you!”

Maria cried.

“Darling, that’s a splendid idea,” Ada Forrest said. “She’s
just right, isn’t she? I thought so when I first saw her. Do
say you will, Cat!”

“Well, of course,” Yolanda said. “Cat, you’re truly blessed
among women. He’s only done two or three other por-
traits—that I know of, of course.”

Hers, I remembered, had been one of them.

I looked at Joe. He looked at me and then away.

“I don’t see how you can do a portrait in one afternoon,”

he said, “but it’s up to Cat. It would be quite an honor, of
course.”

I knew he hated the idea.

“I don’t think—” I began, but Ada cut me off.

“You really must,” she said. “Yolanda’s right, he’s done
only a very, very few, and they’re enormously valuable, if I
do say so. The others are in museums, but I can send you
photos of them when you get back home. Trust me, they’re
lovely, not like anything else he does. Oh, Cat, do! It won’t
take long; he’ll do a few sketches and take some Polaroids
for color and lighting and that will be it. I’ll take the rest of
us somewhere fun while you sit, shall I, and then we’ll all
have dinner at that marvelous rooftop restaurant at the

Cavalieri, our treat. It has the best view in Rome. And we’ll
drop you at the station by ten. You’ll have time to spare.”

I looked at Sam.

“I wish you would,” he said quietly. “It would please me
no end.”

I realized that in the short time I had known him and

HILL TOWNS / 167
been in his company, I had completely forgotten that he was
one of the foremost artists of his time. This was Sam Forrest
who was asking, almost pleading, to paint me.

“Of course I will,” I said. “I’d be enormously honored.”

When the others had left, chattering about where they
would spend the rest of the afternoon—except Joe, who said
little but “Be good and look pretty”—Sam settled me in a
chair in front of the window wall and sat on a stool with a
pad of paper and a fistful of oil pastels and began a series of
swift sketches. At first I felt stiff and self-conscious, but he
kept up a stream of his drawled nonsense, telling scurrilous
stories about the various people he had met in Rome, and
soon I was laughing and at ease. He made sketch after sketch
and tore them off and tossed them into a pile and took sev-
eral Polaroids from all angles, none that he offered to let me
see. And he talked, and I laughed.

“There’s none of your work here, and I didn’t see any in
your apartment,” I said. “Why is that?”

“Most of it’s in collections or museums or being shown
somewhere. I don’t know. It doesn’t seem important to me
to keep it around. When a painting is done, it’s over for me.

The point of it is the doing, I guess. And like I said, I haven’t
done anything for…a long time.”

He told me another story, this one about the Catholic

Church, so vitriolically funny that, even though I laughed, I
said, “You really do hate the church, don’t you?”

“I really do,” he said.

“Why? If I may ask?”

“You may. I’m not sure I can answer, but you may ask.

Well…let’s see. I think it’s because it asks so impossibly
much of its servants. Always, always the one

168 / ANNE RIVERS SIDDONS
thing that cannot be parted with, that’s what the church
wants.”

“You mean, like giving up your life for it, dying for it?”

“No. I mean giving up what you literally cannot exist
without.”

He stopped sketching and looked at me.

“Would you give up your sight for your child, Cat?” he
asked.

I opened my mouth to say that of course I would, but then

I closed it. I looked away from him.

“I know I’m supposed to say yes, I would give up my sight
for hers,” I said in a small, thin voice. “And I have said that,
always. But I’ve always known, deep down, that I wouldn’t.

I would give my life for her in a second, but I could not give
her my sight. Not that. Not a life without sight. And I’ve al-
ways been so ashamed. I’ve been terribly ashamed.”

I felt tears sting my nose and eyes and threw my head back
angrily and closed my eyes against them.

“There,” Sam said, scribbling furiously. “Hold that. Just
that. OK. Now. Listen, Cat. I cannot even imagine what a
life without sight would be for you. The worst, worst thing
ever, never being able to see what was coming at you, feeling
like you do. Worse than death, of course. And that’s what
the church would ask of you. Don’t cry, sweetie. Ah, shit,

I’m sorry.”

I scrubbed my eyes fiercely, wondering why it was im-
possible to lie to him. Perhaps because he understood. He
knew, and no one else ever had, no one but Joe. How to lie
to a man like that?

“I couldn’t give up mine either,” he said. “And of course,
that’s what the church would ask of me. Fortunately, my
child doesn’t need my sight—”

HILL TOWNS / 169

“What does he need from you? What doesn’t he have that
you could give him?”

“Me,” he said.

“And you can’t give him that?”

“No. He hates my guts, worse than his mother does, even,
and I’m bored to death with him. I can’t give him me, and

I suppose that’s what he has always needed, even if he thinks
he doesn’t. The fact is, Miss Cat, none of us are willing, in
our deepest hearts, to give up the vital, die-without, gut things
for our children. Nothing but our lives. That’s the easy part.”

“That’s hard stuff, Sam,” I said, but somehow the words
comforted me.

“About the only thing I really try very hard not to do is
lie,” Sam Forrest said.

On the way back to the Cavalieri Hilton in the cab Sam
called for me, I had another bad attack of the fear. I was
bumping along in relative quiet, having lucked into another
of Rome’s rare air-conditioned taxis with a marginally sane
driver; I was leaning back against the seat and thinking of
the past few hours I had spent in Sam’s studio while he
sketched furiously. My mind was slack, cooled. And then it
flew at me like a rattler uncoiling and struck deep into my
throat. I shut my eyes and clenched my fists against it, trying
to draw fast, shallow breaths through my nose. I clamped
my mouth shut lest I cry out, a thing I have always done
when the fear strikes suddenly and monstrously, but I need
not have bothered. I could not have spoken; the poison had
paralyzed my throat.

I think it was so bad because I had not felt it for a day or
so, and I had been in circumstances in which I could

170 / ANNE RIVERS SIDDONS
surely have expected to: on foot in the great open piazzas of

Rome, literally drowning in a surf of people. But I had not
been alone then. Joe had been with me. And Sam.

When I felt the taxi start up the winding road that led up

Monte Mario, some of the paralyzing terror faded, and by
the time we reached the gates of the Hilton I was able to
open my eyes and wipe the cold sweat off my face and push
the clammy hair off my forehead.

“Grazie,” I croaked to the driver when he opened my door.

Sam had paid him back in the Campo Fiori. All that remained
for me to do was flee to the vast, quiet chill of the lobby,
and I did. As I went in through the heavy glass doors, the
thought stabbed me: I had, because of my tight-shut eyes,
missed the incredible panorama of Rome from the mountain.

I would not see it again. We would leave by train, at mid-
night. I was surprised at the desolation I felt at the thought.

What had this place meant to me but fear and disorientation?

But I knew there had been more. There had been exalta-
tion, too, and laughter, the beginning of something else. But

I could not name that yet.

And then I remembered: Sam and Ada were having us to
dinner at the rooftop restaurant before our train left, and I
would see Rome again from there. See Sam and Ada once
more, and Yolanda Whitney. I felt a small frisson of real
pleasure. Strangers they had all been to me two days ago
and, essentially, still were; I would not see them again after
tonight. But for a small, intense time, they had been my
community in this place. My tribe, my pack. Out of all these
noisome, alien people, they had been my people. The huge
and ancient and somehow terrible meaning of the word

“community”

HILL TOWNS / 171
burst over me, stopping me dead in my flight to the elevator.

It was everything; it was life.

I smiled at myself in the elevator’s mirrored sides on the
soundless rush up. I’m seeing my crowd for dinner tonight,

I said silently to the rumpled woman with the too-large eyes
who looked back at me.

When I reached the room, Maria Gerard opened the door
almost before I got my key into the lock. She was still in the
wrinkled red sundress she had worn at lunch, and her round
face was pale and worried.

“What is it?” I said, looking past her into the room. It was
dim with the kind of hot dimness a room gets when merci-
lessly white-hot light outside is shuttered out, though the air-
conditioning was nearly cold. The room seemed to be full
of people. I blinked, to accustom my eyes to the gloom.

Colin lay on the sofa, his foot pillowed on the arm. His
ankle was bound in an Ace bandage, and his bare toes looked
fish-white in the gloom. A pair of crutches was propped
against the desk, and he had a washcloth over his eyes. On
one side of the bed Joe was propped up against pillows with
his shirt off. There were towels on his bare chest, and another
washcloth on his forehead. Ada Forrest sat on the other side
of the bed with a bowl of ice on the night table beside her.

The television set was on, but the volume was turned off;

Mr. Ed, insane in this place even without the dubbed Italian,
flickered in the gloom. Somehow a talking horse was no
stranger than this stricken group in my room in the Cavalieri

Hilton.

“Everything’s OK, or will be,” Maria said hastily, before I
could draw breath with which to speak. My face must have
been terrible, with the dregs of the ride’s sick fear still on it
and the new alarm just blooming there.

172 / ANNE RIVERS SIDDONS

“My God, what happened to Joe? What’s wrong with

Colin? Was there an accident?”

I could see it, somehow; the taxi and the other car flying
together in a glittering shower of glass and a scream of rent
metal; people shrieking and babbling; the blatting klaxon of
the European emergency vehicles that I hated so….

“Not unless you call two grown-up little boys showing off
and almost killing themselves an accident,” Maria said, and

I heard the anger in her voice then, below the fading fear. I
went across the room and sat down on Joe’s side of the bed
and simply looked at him. He looked back, tried to smile,
and closed his eyes. I thought there was more aversion to
meeting my gaze than weakness in it. I looked at Ada Forrest.

“Is somebody going to tell me about it?” I said.

She shook her sleek silver head ruefully and smiled. She
was cool and perfectly ordered in her black gauze.

“Everybody wanted to go to the Baths and the Catacombs
and the Circus Maximus,” she said, “so we got a cab and
went to the Circus first. It was terribly hot; I can’t remember

Rome like this many times. I thought then we probably ought
not be doing it. When we got to the Circus, there was prac-
tically nobody around, and we went out onto the field, or
whatever you call it, and Joe and Colin—they were just
teasing, really….” She paused.

“Joe gave a magnificent salute to the crowd and yelled

‘ Morituri te salutamus!’ and Colin said ‘I dare you!’ and they
looked at each other and took off around the track in a
footrace,” Maria finished. “Isn’t that cute? Isn’t it adorable?

In a hundred-plus-degree heat? It’s a very good thing Colin
fell and sprained his ankle; otherwise Joe would be dead of
heat stroke or heart failure. I

HILL TOWNS / 173
thought he was, for a while. We’ve just gotten back from the
hospital. See Rome and die.”

“Oh, honey,” I said to Joe, and he just shook his head,
eyes still closed.

I touched his cheek. It was cold and clammy. But his chest,
under my hand, rose and fell tranquilly. I looked up at Ada.

“How bad is it?”

“Not so very, I don’t think,” she said, smiling her enigmatic
little half smile. “I took them to Salvator Mundi, in the Jan-
iculum. It’s the one Sam and I know best. It’s staffed by a
lovely order of Irish nuns, very kind and matter-of-fact. They
got us a doctor straight-away, and he gave Joe some fluids
in his arm and X-rayed Colin’s ankle. Joe will be fine in a
few hours, if he stays quiet and keeps drinking water and
juice. Colin has a pretty nasty sprain. He’s going to have to
stay off it as much as possible for the next day or two. After
that, he’s to use the crutches and keep the walking to a
minimum. No permanent damage, though.”

“Well, thank God for that,” I said, trying not to think of
the days of driving and walking ahead. What would we do
now?

“Oh, yes,” Maria said, still angry. “He’ll be well in time
for the summer Olympics. Maybe even in time to sprain the
other ankle in Tuscany.”

“I’ve said I was sorry a thousand times,” Colin said weakly
from under his washcloth. “I don’t know what else you want
me to say. Yes, it was stupid. Yes, it fucks up the rest of the
trip, unless you and Cat want to carry me through Venice
and Florence and Tuscany. No, I don’t know yet what we’re
going to do, but if you’ll lay off me until the pain medicine
takes effect, I’ll try to make some plans. It really hurts like a
sonofabitch.”

174 / ANNE RIVERS SIDDONS

His voice was querulous, like a child in need of adult
sympathy but getting none. I saw a quick sheen of tears
spring into Maria’s eyes. She went over to the windows and
pulled the curtains aside and stood looking out at the fading
day. I patted Joe’s chest and got up and went over to stand
beside her.

“Don’t worry about it, love,” I said. “If worse comes to
worst, we’ll just stay in Rome until he can get around better.

He can rest and you can look after him and you and I and

Joe can see all the things we were going to miss—”

“I don’t think I could stand another night at that hotel,”

Maria quavered. “Cat, you simply cannot imagine how hot
it is. We’ve been pulling our mattresses up on the roof and
sleeping there….”

“Well, then, we’ll move you up here,” I said. “It may be

Disney World, but one thing it is, is cool. And we can swim.”

“We couldn’t begin to afford it.” She would not be comfor-
ted.

“Nice try, but no cigar,” Joe said. His voice was thin and
bored. “I’ve already called down about staying on. They
can’t even accommodate us past tonight, much less Maria
and Colin. July, you know. Tourist season. They are desolate,
but che posso fare?”

“Shit,” I said. “Joe, how could you?” I said it softly, but

Joe heard.

“I am extremely sorry to have discommoded you, Cat,” he
said, in the same weary drawl. “Perhaps if you had been with
us you might have exercised your well-known restraint and
common sense and prevented our schoolboy excesses. But
you were having your portrait done, I believe. Or was it your
nails?”

I looked at him, speechless, and he flushed.

HILL TOWNS / 175

“I’m sorry,” he said. “I’ve really been feeling awful. It was
pretty frightening. I couldn’t breathe.”

So have I been feeling awful, I thought. So could I not
breathe. So have I been pretty frightened. Enough to have
just flat died of it, OK, Joe? But you know that, of course.

You’re the one who promised to look out for me while we
were here.

I did not say it, though. Of course I didn’t. I don’t whine
at Joe as a rule. And he must, indeed, have felt awful and
been frightened. He could well have died out there under
the fist of that terrible sun, died in an ancient white-bleached
arena in Rome, all those miles from the Mountain, from
me….

“We’ll work something out,” I said. “We have a late
checkout. Let’s order something to eat, and something cool
to drink, and talk about it.”

“Listen,” Ada Forrest said. “I’ve taken an awful liberty, but
see what you think about this. I called Sam a minute ago
from downstairs, and he thinks it’s a splendid idea. We’d
like to come with you. We’d really like to do that. He can
spell Joe driving, and with another man we can manage Colin
with no problem at all, and we both know Venice and

Florence and Tuscany; we can show you some things you
might miss otherwise and introduce you to some people
you’d enjoy. And it would give Sam a chance to work on

Cat’s portrait in a much fuller, more leisurely way. He’s really
excited about that. Will you let us do it? He’s packing for
both of us now, and we’ll meet you at the station. You four
can order up from room service. It’s quite good.”

We were all silent for a bit. I could not take it in….

“Of course, we won’t be at all offended if you’d rather
not,” Ada said. “We can put you up at home if

176 / ANNE RIVERS SIDDONS
need be, though I’m not sure how comfortable you’d be.

Just say the word, and I’ll call Sam back—”

“Oh, Ada,” Maria breathed. “You’re every bit the angel

Mama said you were.”

“It would be the answer to a prayer,” I said. My heart lifted.

“It’s an awful imposition, I know, but if you really would—”

“It’s out of the question,” Joe said briskly. His face was
pink now. “We couldn’t possibly impose on you further. I
can handle the driving with no problem; it’s an automatic
shift. I can read international road signs. Thanks, Ada, but—”

“No buts about it,” Colin said. “We accept. Joe, you’ve
never driven the Autostrada. There’s no speed limit; you get
these huge Lancias and Lamborghinis bombing by you at a
hundred and twenty miles an hour. It’s horrifying. Not to
mention trying to navigate Florence in July, or some of the
roads in Tuscany. Or, my God, Siena. We can’t go unless
it’s this way.”

“The car won’t hold us all,” Joe said tightly. “It’s a little

Opel; it’s all I could get on short notice.”

“Well, if it will help, Yolanda has said she’d come with
us,” Ada said. “She’s already called Hertz in Venice. They
can get her another car; there was a cancellation. She knows
the area. She’s driven it many times. And she wants to come.

CNN picked up her show, and she’s celebrating. She’s going
to be much better company now. We’ll go in a caravan; Sam
and I used to do it with friends when we were very young.

It’ll be like that again.”

“That might work,” Joe said.

“It will work,” Maria caroled. “And it will be such fun,
like…like a college trip or something. How can I ever thank
you?”

HILL TOWNS / 177

She rushed over to Ada Forrest and hugged her hard. Ada
smiled and hugged her back.

“By having a lovely life,” she said, and I liked her as much
in that instant as I ever have.

Late that night, after a not-so-bad room service dinner, Joe
and Maria and Colin and I sat on a baggage cart at the

Stazione Termini. It was nearly midnight, but there was no
sight of Sam and Ada and none of Yolanda Whitney. Maria
had gone back in a taxi and collected their luggage, and it
was piled on the wagon with mine. We had, with the help
of doormen and taxi drivers and pain pills and lavish tips,
gotten Colin to the station and to the proper gate, and he
half sat, half lay on the wagon, the bandaged foot elevated,
his face white with pain but his spirits high with a forbidden
combination of painkiller and wine. There was no sign of
our train to Venice. It was to be, a porter said, considerably
late. Che posso fare?

A station attendant was just posting the train’s arrival on
the platform board when we saw Sam and Ada sprinting
toward us carrying light nylon hand luggage and a huge
straw tote. Yolanda was with them, a porter following her
with a large handsome Vuitton suitcase and two totes. She
wore a long cotton skirt and espadrilles and carried a bottle
of mineral water, as did Sam and Ada. Ada wore the same
loose, floating black gauze, and Sam wore blue jeans and a
shirt knotted at his waist, and the straw plantation hat
jammed over his eyes. His ponytail was flying. I could have
wept and laughed at the same time, with relief and simple
joy at the sight of them. Here they were, my community.

“Here come the marines,” I said.

178 / ANNE RIVERS SIDDONS

“Everybody ready?” Sam bellowed.

I made an OK sign with my thumb and forefinger again,
and Sam grinned hugely, and Joe and Colin collapsed into
giggles like children. Behind Yolanda, her porter scowled
darkly.

Maria and I looked from Joe to Colin.

“Will you tell us what’s so funny about that?” I said.

“When we get home,” Joe said, almost strangling on
laughter, “then, dear Cat, I will tell you. But not before.”

Still frowning, Yolanda’s porter dumped her bags on the
platform, gave me an affronted glare, and marched away.

Joe and Sam wrestled the bags aboard the train and then
half carried Colin on. They found the Gerards’ compartment
and settled them in and then found ours for us.

“Sleep well,” Ada Forrest said. “I’ve always loved sleeping
on trains. And this is a nice, clean new one.”

“We will,” I said, and kissed her on both cheeks, as I was
learning to do. “There’s no way to say thank you, but I intend
to find one before this trip is over.”

“Letting Sam do the portrait is thanks enough,” she said.

Sam hugged me and Joe indiscriminately. He smelled as
he had on the first night I met him, of sweat and gin.

“A, don’t drink the water,” he said. “Get some mineral
water from the attendant. Brush your teeth in it, even. The
other stuff is just for flushing. B, leave a call for an hour be-
fore we get in. It’s a madhouse when you come into Venice.

The guy will make you some first-rate espresso in the morning
if you tip him enormously tonight. It’s worth it. C, sleep
well. Or whatever. Everything is better on a train.”

He winked at Joe and kissed me on the forehead, and he
and Ada went off down the corridor toward their

HILL TOWNS / 179
own compartment. The train was beginning to move, slowly.

By the time we got the luggage wedged into our tiny cubicle
and pulled down the overhead bunk, it was swaying and
clicking along through the anonymous suburbs northeast of

Rome.

We washed our faces, and brushed our teeth with mineral
water the smiling, well-tipped porter brought, and struggled
out of our clothes. I knew there was no hope of finding my
nightgown in the piled-up luggage; we literally had to crawl
over it, naked, to get into our bunks. Joe came into the lower
one with me, and we lay close together, sandwiched in on
both sides, rocking through darkness that was lit in brief,
flying intervals as we ghosted through small stations and out
into the darkness again. Joe reached over me and pulled
down the shade.

“We’d never forgive ourselves if we didn’t,” he said.

“No,” I said, reaching up to pull him down over me. His
naked back was smooth and very warm, almost hot. The
compartment was cool, though. It was very dark for a long
time, and in the dark we might have been anywhere at all,
except that the deep rushing-rocking of the train took us with
it, deeper and harder and faster than we ever went on the

Mountain. If I had not been pressed down so hard by the
weight of Joe’s body I might have arched completely up off
the bunk at the finish. I felt my head snap back, and my
mouth open, and I tasted the sweat and salt of the side of
his neck, and bit it not so gently. He cried out with more
than release when I did, and I think I tasted, along with the
salt of his skin, the salt-sweet of his blood.

“A Roman fuck is not your ordinary fuck,” he whispered
later, when his breathing slowed.

“No,” I said, still quivering all over.

180 / ANNE RIVERS SIDDONS

Much later, after he had struggled into the top bunk and

I knew by the sound of his breathing that he slept, I reached
over and let the shade up again and lay washed in moonlight,
watching trees and hills and occasional old buildings and
the arches of old, old, vine-covered bridges and culverts flash
past and over me. The clack and sway of the train got into
my blood, and I felt my breathing slide into the rhythm of
the train. Just before I slid after it into sleep, I felt a sudden
surge of fierce joy, the kind you seldom feel after childhood.

Ahead of us lay Venice, safe on its island, safe in its lagoon.

After that, Florence, the first of the hill towns. And after

Florence, the hill towns themselves, the tall old hill towns
of Tuscany. Safe, safe….

And all around me, my people, my community. Joe.

And Sam Forrest.

8

WE CAME INTO VENICE AT DAWN, BUT AS SAM

HAD SAID, it was all of a frenzied hour before
we had gotten ourselves off the train—Colin
in a fireman’s carry made by Joe and Sam’s crossed arms,
furious and hurting—and found our luggage. The morning
was still and thick and gray. Even before we reached the
quay, trotting alongside the mechanized baggage cart that
bore our belongings and a sulky, flinching Colin, even before
we left the gunmetal shadows of the station, we knew we
were in the immense presence of water. Light danced its
water dance on the metal roof of the baggage shed; we heard,
instead of the blat of automobiles, the chugging and splashing
of water traffic; we felt on our skin the slightly sticky slipcover
of salt air; we smelled—a stronger, darker note under the
complex rank exhalation of Venice in the summer—the sea.

We had been talking worriedly, while we waited for our
baggage, of what to do about Colin. Venice, with its hun-
dreds of tiny high-arched bridges, its twisting, nar

181

182 / ANNE RIVERS SIDDONS
row calles, its solid throngs of summer tourists and absence
of automobile transport, is no place for the handicapped.

Colin insisted he could walk, leaning on Sam and Joe, but
his forehead was sheened with cold sweat, and his face was
pinched and shrunken under its gold-leaf tan. Pain had aged
and enfeebled him, and I thought that this, the first real
helplessness of his remembered life, had frightened him. He
said almost nothing and shook off Maria’s worried fingers.

I knew he was going to be difficult to help. Perhaps we could
tip our boatman heavily to help carry him to our hotel in the

Campo La Fenice. It was, Sam said, about a five-minute walk
from the San Marco landing stage if we took the Number

One vaporetto, the one we’d planned to take. Sam and Ada
both said it was by far the best and cheapest way to see the

Grand Canal for the first time. It was the worst sort of folly,
they said, to hire a gondola for a trip from the train station
to San Marco.

“You’d have to skip dinner for the rest of your trip,” Sam
said. “They’re the modern Italian equivalent of highway
robbery.”

I could not imagine that Sam and Ada Forrest worried
unduly about money, but it was nice of them to think of

Maria and Colin’s newlywed budget. Or, for that matter,
our academic one. Trinity paid its department heads hand-
somely, but we were not, I knew, in the Forrests’ bracket.

Far from it.

Ada whispered something to Sam and he nodded, and she
went in search of a telephone and came back in a few minutes
smiling.

“The Europa and Regina is making up the living room of
our suite into a bedroom for Sam and me,” she said. “It’s
directly on the Canal Grande, no walking at all. And they’re
sending the launch for us. This way

HILL TOWNS / 183

Colin and Maria can have our bedroom where we can look
after them, and Yolie can take their room at the Fenice. I’m
sure the one they found for her last night is a broom closet.

This will be better all the way round. That is, if you lovebirds
don’t mind sharing a bath. It won’t be bad; Sam takes very
few.”

Sam grinned evilly at her.

“Oh, God, we can’t take your bedroom, Ada.” Colin
groaned. “You didn’t come to Venice to share a bathroom
and wait on me. Where would Sam paint Cat?”

“The rooms are absolutely huge,” she said. “Even the bed-
rooms have sitting areas, and everything overlooks the canal.

The light is lovely. Sam can set up his easel by one of the
windows and we’ll still have enough room for a ball. I’m
not going to take no for an answer on this, darling. You
simply cannot manage the Fenice right now. You can lie on
the chaise by the window and see all the Venice that’s worth
seeing, and order gorgeous things from room service, and
by the time we leave you’ll be able to walk much better.

You’ll be all ready for Florence. It’s the only thing that makes
sense.”

“I hate the fuck out of this,” Colin said.

“What a perfectly gracious thing to say to Ada,” Maria said
tightly. Her skirt and blouse were badly crumpled, and there
were yellowish circles under her dark eyes. I thought of the
minuscule bunks on the overnight train and suspected that
the second night of Maria Gerard’s married life had not been
what she might have wished it to be. She had doubtlessly
slept in her clothes, if she had slept at all. I imagined that
she sat up all night, wedged into the lower bunk with Colin’s
injured foot propped in her lap, trying to buffer him against
the sways and jostles of the train. At the very best, she might
have dozed a little. No transcendent fly

184 / ANNE RIVERS SIDDONS
ing, racketing love for her, as there had been for Joe and me.

I did not blame her for the irritation in her husky voice. Colin
injured and helpless did not, for some reason, elicit compas-
sion.

“It’s OK,” Ada said, smiling her little cat’s smile. She wore
sea-green cotton today, in a pattern of polished swirls; it
seemed to catch and throw back the sea stipple on the shed’s
ceiling. Her hair was tied high off her slender neck, and the
green fabric turned her eyes the color of ice in arctic seas.

Everything about Ada Forrest was cool on this thick morning.

“Well,” Yolanda Whitney said cheerfully, “I accept the offer
of your old room at the Fenice, because I know the kind of

‘emergency accommodation’ they keep vacant, so you’ve got
no choice. Don’t be a butt, Colin. Give your bride a break.

The Europa’s got the best view in Venice, and they’ll look
after you like you’re Michael Jackson. You wouldn’t do half
that well at the dear old Fenice.”

Maria smiled at her gratefully, and Sam gave her a small
hug.

“Come on,” he said to Colin. “For you I’ll bathe once a
day. Rest of the time you won’t know we’re there. Souls of
discretion, we’ll be.”

“Better do it, sport,” Joe said. “You don’t want to get on
the bad side of these ladies.”

“There’s no way we can afford that hotel,” Colin said ob-
durately. “It was one of the ones we looked at when we
planned the trip. Christ, we couldn’t even manage one
night—”

“The room is courtesy of us,” Ada said. “Consider it a
wedding present. After all, it’s already arranged; it isn’t
costing anyone anything.”

“No. You’ve done too much for us. From now on I

HILL TOWNS / 185
pay my way,” Colin said, and I thought it might actually be
possible to dislike him if this side of him presented itself very
often. But of course it didn’t; I had never seen it in all the
years I had known him on the Mountain. Pain and disap-
pointment, that’s what it was. Not the Colin I knew at all.

“Colin,” Ada said patiently, but with a very slight edge in
her voice, “we are paying nothing for either room. The suite
is gratis because Sam is…because Sam is Sam Forrest. We
have stayed there often before, and the manager is an old
friend. He owns one of Sam’s earliest Italian works. I don’t
like to make a thing of this, but if it will ease your Yankee
conscience I will tell you it is a matter of some pride to our
friend, having Sam Forrest stay at his hotel. We would feel
churlish trying to pay him for our accommodations; we
stopped trying long ago. So you are not putting anyone out
and you owe no one anything, and here is the hotel launch.

Let’s by all means get into it and get you settled and get a
decent breakfast. I think we’ll all feel better then.”

I was liking her more and more.

“Then thank you, Sam and Ada,” Colin mumbled, not
meeting their eyes. “Thank you again.”

He did not say anything else as the boatman and Sam and

Joe propped him tenderly in the smart hotel launch, and he
did not speak for the entire length of the Grand Canal. For
once I could not fault him. One’s first view of it, coming out
of the shadowy cave of the baggage shed on a mist-pearled
early morning, literally stops the breath. We were well away
and passing slowly between lacy Gothic loggias and striped
mooring poles, past small, secret canals winding into shad-
ows and who knew what else, past the fairy-tale palazzi in
their

186 / ANNE RIVERS SIDDONS
stained dress of soft, crumbling red and blue and pink and
gold and white, past blade-prowed gondolas and barges and
blundering vaporetti and sleek, low-rumbling private motor
craft, before anyone said anything at all.

“Oh, my,” I said softly, on an indrawn breath. “Oh, my
goodness….”

Venice remains to me now what it was that first morning:

a city shimmering in midair, somewhere between sky and
water. Atlantis risen. It is all movement and mirrors, illusion,
mist, radiance, dapple and dance and diffusion. I never knew
where I was in Venice, and I never knew with certainty which
was the real city, the city of stone and flesh, and which the
watery twin. The people I met in the dark calles were, I fan-
cied, more often than not ghosts, and I am quite sure that
many of the ghosts of Venice I took for real people, and
nodded as we passed, and was nodded to in turn. Its
opalescent beauty remains for me phantasmagorical and
sucking, death at the bottom of it all, life at the bottom of
the death. Who knows which Venice is real, or if any of it
is? It dances in the air of its lagoon; it decays in the dark
green of its water, it dies and is reborn hourly as the fantastic
light changes. It is rich with treasures that were born else-
where, with the plunder of a hundred kings and centuries;
it seems to own none of itself but clings to each new eye and
heart that is drawn down the great artery to its own heart as
if to fashion for itself more sustaining flesh. I loved it; almost
to my last day there, I did.

I truly believe Joe hated it. I still am not quite sure why. I
think I know: Venice robs you of yourself and hands you
back changed. But I still am not sure. It could be that it was
because I loved it. We began to change in earnest, Joe and

I, on that first slow ride down the Canal

HILL TOWNS / 187

Grande. Or perhaps it was simply that we began to be-
come…us.

Just before we passed under the Rialto Bridge we met a
procession of black gondolas, trimmed sparingly with gold
and moving infinitely slowly. Dark-clad men and women
with black scarves and shawls over their heads followed in
their gondolas the lead one, where a coffin and an oblong
of flowers reposed alone except for the gondolier. A funeral;
of course it was. How strange, I thought, to go to your last
rest on water, as you had come from that first one. It seemed
fitting, somehow natural. Our boatman took off his livery
cap, and Ada Forrest made a discreet sign of the cross. Sam
shook his red head in something like disgust. Joe gazed at
the procession raptly. I knew what he would say before he
said it.

“Death in Venice,” he said. “Perfect. Thomas Mann couldn’t
have done better; are you sure you didn’t set it up for us,

Sam?”

“Glad you like it,” Sam said. “But it’s none of my doing.

I’d just chunk the poor bastard into the canal, like they do
the dogs and cats. Thomas Mann obviously never had to
pay for a funeral flotilla; these gondolas will set the family
back whatever inheritance Uncle Aldo or whoever left. They
will do it, though. I never heard of anybody going to San

Michele permanently in a vaporetto.”

“Where’s San Michele?” Yolanda asked. She had her thick
chestnut hair loose today on her shoulders, even though the
gray stillness was already oppressive, and wore a low-cut
yellow cotton dress and sandals. I thought she was looking
prettier and younger each day I spent with her. Her eyes
were clear; she had obviously stuck to the mineral water she
still carried with her.

188 / ANNE RIVERS SIDDONS

“The funeral island,” Sam said. “The cemetery island. It’s
where them as can afford it have crypts, and them as can’t
go into a common grave after twelve years. Proper field of
bones, it is; like they grow death there. Doesn’t matter who
you are, either; if you don’t pay you don’t stay. Twelve years
and zip.”

“God,” Joe said. “That’s barbaric. Why? What about the

English and Americans who’re buried here? Aren’t there
quite a few? Didn’t Ezra Pound die here, and…somebody
else, I forget who? Do they dump the foreigners too?”

“Nope. There’s a separate Protestant section that doesn’t
get the heave-ho unless there’s Acqua alta—high water. Then,
of course, everybody floats right on out. The reason for the
twelve years is that there simply isn’t enough land on San

Michele, or anywhere else in Venice, to hold the dead of all
those centuries. There’s a separate Isle of Bones out past

Torcello if San Michele isn’t Gothic enough for you.”

“Who else is there that we’d know?” Maria said, fascinated.

“Well, Wagner and Browning and Diaghilev, for starters.

There’s something nice about Diaghilev, in the Orthodox

Church section. For as long as anybody remembers there’s
been a ballet slipper left on his grave, with flowers in it.

When the old one finally rots, a new one appears. Nobody
seems to know who brings them.”

“What a lovely thing,” I said, the enchantment growing.

“To go across the lagoon in a gondola to your grave, to have
someone leave a ballet slipper on it. No wonder you hear so
much about death and beauty in the same breath here.”

It seemed to me that every small canal we passed was
arched over with high, curved bridges. Venice seemed to

HILL TOWNS / 189
be strung with them, like spiderwebs of lacy stone. The sight
of them made me uneasy. I felt gooseflesh on my bare arms
and rubbed them with my hands, even as the sun broke free
of the mist and hung in the sky like the white thumb print
of a moon.

Joe saw my gesture.

“Bridges, bridges everywhere,” he said lightly. “Cat will go
out of her skull.”

Anger bit me like a stinging insect. I did not answer, but

Sam did.

“Well, there’s this little saint, Saint Zita, I think,” he said.

“She’s the patron saint of those who must cross bridges. I’ll
get Cat one of her medals as soon as we land. She and Saint

Zita will waltz right over every bridge in Venice.”

He looked levelly at Joe. He wore dark sunglasses this
morning, and I could not see the piercing blue eyes. He re-
minded me of a hawk in its hunting hood, thin blade of nose
and slash of mouth, coppery face. The earring shone dully.

The ponytail was shoved up under the straw hat; it gave him
a different look altogether. Florence; I thought he looked far
more a piece of Florence than this aqueous, ephemeral place.

Savonarola’s Florence.

Joe looked straight back at him. “You do that,” he said.

And then, “Christ, look at that! Jesus! Does every toilet in

Venice flush right into the Grand Canal?”

I looked, then looked quickly away. At the mouth of a tiny
canal the bloated body of a small black-and-white dog
bobbed among a cluster of what could only be human excre-
ment. The sleek, evil head of a water rat bobbed in the midst
of it, nibbling. A powerful stench followed the sight by a
breath.

“Well, you know, Joe, death and beauty,” Sam For

190 / ANNE RIVERS SIDDONS
rest drawled. “You said it yourself. Oscar Wilde said riding
in a gondola was like riding in a coffin through a sewer. I’d
think you of all people would dig it. You know, Gothic de-
cay? Faulkner?”

“Faulkner didn’t shit in his water,” Joe said tightly. I
thought dismally that things were not going to go well for
us in Venice.

“How do you know?” Sam said, smiling murderously, as
only Southerners really seem to know how to do. I thought
he was angry with Joe for his remark about me and the
bridges; the thought pleased me obscurely but troubled me,
too. I did not want these two men circling around me stiff-
legged, like male dogs.

“Where in Venice did Thomas Mann die? I mean, his
character?” I said quickly to Joe.

“On the Lido. A beach. Outside the lagoon, I think,” Joe
said, diverted. “It’s one of the places I’m going to take you,

Cat. I’ve always wanted to see it.”

“I can tell you right now you won’t like it,” Sam said
equably. “It’s wall to wall with hotels and condos, and the
beach is so full of fat bellies in bikinis and tiny tots peeing
in the water it might as well be Coney Island. Looks a lot
like it, too. You’d have a hard time finding any kind of liter-
ary death there, except maybe sun-stroke. But don’t let me
discourage you.”

“I won’t,” Joe said in his school voice. “It has not escaped
my notice that we always end up going to the places you
want to go, but you by no means discourage me. Cat and I
are going this afternoon.”

“Joe, I’m sitting—” I began, and bit my tongue. “But I do
want to see it. If you’ll wait until tomorrow morning—”

“I’m going today,” he said. “You come or not, as you wish.”

But in the end he did not go that afternoon. By the

HILL TOWNS / 191
time we had decanted Colin and Maria onto the private
landing platform of the Europa and Regina, followed by Sam
and Ada and the luggage, the sky had darkened again, and
by the time we had followed Yolanda through the maze of
calles and alleyways back to the Campo San Fantin and the

Campo La Fenice, just beyond it, and found the small, pretty,
vine-grown Fenice et des Artistes Hotel, great warm spatters
of rain had begun to fall. So Ada Forrest, carrying a huge

Europa and Regina umbrella, called that afternoon for Joe
and Yolanda and they went off to the Accademia, and I
waited, stung and lonely, for Sam to come and fetch me to
go and sit for him again, this time in the fabled light of

Venice.

“I was going to give you lunch in our room at the hotel,”

Sam said, herding me through the bumping throngs in the

Campo La Fenice under a huge hotel umbrella identical to
the one Ada had brought; I wondered if the Europa kept a
closetful of them. “But I think we’ll stop in at Florian’s and
get a bite. When I left, the sounds coming from the newly-
weds’ room were not exactly conducive to dining. I’ve heard
a lot in my day, but I don’t think I’ve ever heard anything
quite like that.”

“Is his leg bad, do you think?” I said, and then realized
what he meant and said, “Shit.”

He laughed. “If it was, he wasn’t feeling it then. It’s prob-
ably broken in six places by now. I always heard, back home,
about the catamounts screaming in the swamp, though
nobody I knew ever heard one. But I think I did this morning.

Good thing I wasn’t trying to paint you. I’d have ended up
jumping your bones. That little gal is going to get us all
thrown out of there.”

192 / ANNE RIVERS SIDDONS

I felt the red heat start up my neck from my chest. I
thought of them, the two of them, naked in the rain light on
a great canopied bed, thrashing, screaming out their joy. I
thought of last night, on the train. I thought of Sam’s long,
deft hands….

I trotted with him under the umbrella, up and down again,
and only when we were past it realized that I had crossed a
bridge surrounded on all sides by people and not felt the
fear. I grinned, half in exasperation and half in triumph. It
was dark and close under the umbrella, and I could see little
of Venice but lovely peeling walls—and legs. Thousands of
legs and feet, hurrying in the rain. It seemed as if we walked
a long time, the warm, musky smell of him thick in my nos-
trils, and finally I said, “Where is Florian’s?”

“Here,” he said, and led me between two pillars in a long
dark portico of some sort, and lifted the umbrella from us,
and we were in the Piazza San Marco. Saint Mark’s Square.

I did what I had become accustomed to doing when
overwhelmed in Italy: I pressed my fist to my mouth and
whispered, “Oh, God,” and started to cry. I felt the tears rise,
flood my eyes, cling to my bottom lashes—and then, instead,

I laughed. It was a kind of hiccup, a reflux of pure joy. The

Piazza San Marco was, and is, the kind of space that elicits
joy. Even in the rain. Even inundated with the worst of its
tourist floods, in July at lunchtime. Even when the man you
have loved always is angry at you, and has gone away with
two pretty women who are the absolute antithesis of you.

Even then.

We walked along the covered gallery on the right, my eyes
refusing to embrace the great baroque-domed Basilica and
the Campanile and Doge’s Palace but sweeping them,
averting, then coming back, as if in flirtation. I

HILL TOWNS / 193
could not seem to stare squarely at them. Later, later, I would
come here and simply sit and let them register, but not now;
it was too much. The stones of the piazza glistened in the
rain, but there were still knots of tourists grouped about it,
flinging food to the flocks of pigeons whose wings made a
continual dry, snapping noise in the thick air, and everywhere
cameras aimed, clicked; minicams whirred. The hundreds of
small chairs and tables that forged out into the glorious space
like promontories were empty, though, and old waiters in
black, white-aproned, were folding some of them and taking
them inside. Sam turned me through a door and into a vast,
dim space of dark paneling and apple-green walls and smoky
old mirrors. We found a tiny table and sat down on gilded
chairs. The room was not crowded but contrived to feel, to
me, thronged with people, most of whom were staring at us.

Sam took off the disreputable, damp-splotched hat and
raked his fingers through his rowdy, steel-wool hair. In the
mirror opposite I saw a red giant, disheveled, barbaric, and
a thin woman with eyes like black pools and damp, fair hair
pasted in circlets on her cheeks. A waif of a woman, a men-
dicant. Was that us? Surely they would put us out of this
elegant place. Here came the waiter to do it now….

“Buon giorno, Signor Forrest,” the fine-featured old man
said. He might have been one of the Doges, he had the black
eyes and the proud prow of chin and nose. “You’ll be
lunching? Signora.” And he nodded to me.

“Buon giorno,” Sam said pleasantly. “Yes, we will. Let’s
start with a Bellini for the signora and a gin for me. Then
we’ll decide.”

The old Doge nodded and went away, and I looked up at

Sam.

194 / ANNE RIVERS SIDDONS

“Not here too,” I said.

He laughed. It was like firing a cannon in a small chapel.

Heads turned; I heard one or two voices whispering, “Forrest.

The painter. You know.”

“Who’s she? Not his wife.”

“I don’t know.”

“I had my Venetian period several years ago,” he said. “We
spent a lot of time here. Everybody comes to Florian’s several
times a day, and since none of the waiters ever seem to quit
or die or get fired, a few of them remember me. I tip well.

And I always came inside. Most people sit outside.”

The Bellini came and was ambrosial. We ordered two
more drinks.

“I don’t remember seeing anything of yours from Venice,”

I said. “Where are they?”

“I didn’t show them,” Sam said. “I guess I worked here off
and on for a year and a half; we had an apartment at the

Europa. I thought the light was the most glorious stuff I had
ever seen; I thought I was going to be the one to really show
the world what Venetian light is about. Forget Titian and

Tintoretto and Constable and Sargent and Whistler. Sam

Forrest’s Venice was going to be hotter than catshit. But I
couldn’t paint it. Never could get it. Whatever I painted by

Venetian light turned into nineteenth-century German post-
cards. I finally realized that what I’m about is solidity. Planes,
angles, lines, splashes, masses— globs, as Ada says. I can’t
catch the diffuse, oblique stuff. It makes an ass of me, and I
of it. Most of the work from that time is in a warehouse in

Rome.”

“Do you mind?”

“Naw. Tell you the truth, I’ve never cared that much for

Venice. Something here makes me want to circle the

HILL TOWNS / 195
wagons and hunker down. Besides, I think this time may be
different. I’ve got a good feeling about this portrait of you.

I think you and I together may crack this damned fool’s-gold
light.”

I said nothing, feeling shy and pleased.

We ate a delicate soup of creamed mussels with saffron
and a plate of tiny fried spider crabs, and drank white wine.

Florian’s, Sam told me, was the oldest café in Italy; it and
its rival across the piazza, Quadri, had once been spoils of
war. During the Austrian occupation of 1814-16, Quadri
became a favorite of the Austrians, and most Venetians
shunned it and patronized Florian’s. Many old Venetian
families still held to the practice.

“Ada likes Quadri,” he said, grinning. “But then Ada likes
all things Germanic. Ada would like to be a Hapsburg.

Sometimes, when we were here, we’d have breakfast at the
same time in different camps and wave spitefully at each
other. I never could abide the Germans, and she can’t resist
them. The old boot-in-the-face thing.”

“The way you talk about Ada is shameful,” I said, only
half teasing. “She keeps your slothful life spinning like a top.

What on earth would you do without her? What would any
of us have done, on this trip? She’s been kindness itself.”

“I know,” he said. “I ought to lay off her. You’re right; I
truly could not exist without Ada. I’d dissolve in a pool of
sheer entropy in a week. She runs my life like a Swiss watch;
she’s decorative as hell and good company to boot. She
rarely bores me. I hate the kind of man who calls a woman
a good sport, but she really is. I can’t think who else would
put up with me.”

“You make her sound like a camp counselor,” I said.

“What’s in all of this Sam Forresthood for Ada?”

196 / ANNE RIVERS SIDDONS

He grinned widely, the grin of a red wolf.

“Mrs. Sam Forresthood,” he said.

“You arrogant ass,” I said, laughing. “Maybe you’re lucky
to be Mr. Ada Forrest.”

“Maybe,” he said. “You ready to go do some painting?

Damn this rain. It never rains in Venice in July.”

Ada and Sam Forrest’s suite at the Europa and Regina was
all she had said it would be. The little alleyway that had led
off toward the hotel’s plain, small campo from the main
route to the piazza had been dark and empty and glistening
in the after-lunch lull, and the campo itself deserted, and the
entrance unprepossessing. But inside, the hotel had the thick-
carpeted, wax-shining amplitude of all good private spaces
everywhere, and the second-floor foyer that opened into the

Forrests’ two great rooms was large, with dully shining tile
and a fine old chandelier. Beyond it, the sitting room that
was now the Forrests’ bedroom, by virtue of the austere
white-draped bed that had been moved into an alcove, was
enormous. Dark antique furniture sat like islands on the ex-
panse of gleaming Italian tile, and deep jeweltoned oriental
rugs shone in the rain-gloom. The windows and French doors
that led onto the terrace overlooking the Grand Canal were
open, and sheer white curtains billowed back into the room,
looking like blown mist. The walls and high ceilings were
white. Everything danced with the reflected light from the
canal; it was like being underwater. The room was awash in
flowers in floor pots and tubs, in bouquets, in single crystal
bud vases. A great basket of fruit and cheese, still ribboned
and cellophaned, sat on a coffee table before a long sofa.

HILL TOWNS / 197

“Lord,” I said. “There must be something to this Sam For-
resthood business.”

“Ada has a way with concierges,” he said. “There was
champagne, too, but I took it in to the newlyweds before I
left to pick you up. Hoping, to tell you the truth, that it would
knock them out for a spell. Want some fruit? Peel you a
grape?”

“No, thanks,” I said, feeling suddenly shy about being in
a hotel bedroom with Sam Forrest, even this most unboudoir-
ish one. The bed in which, presumably, he and Ada would
sleep was undisturbed and piled high with pillows, its
hangings drawn around it like mosquito netting. It was
possible to think of it as just another massive piece of fur-
niture. Almost.

“Let me go check on Romeo and Juliet,” he said, vanishing
into the bathroom that joined the rooms. In a moment he
returned, grinning.

“Asleep. The spoon position. Great possibilities for the
handicapped.”

Sam had his easel set up in front of one of the windows
and had moved a big overstuffed armchair opposite it for
me. The block of canvas that sat on the easel was not large,
perhaps sixteen inches square. His pastels and a scurrilous-
looking palette sat on a gilt table he had drawn up beside
the easel. A thick monogrammed hotel towel covered
everything.

“Would it be impossibly bourgeois of me to wonder if oil
paint comes out of hotel towels, or do you just steal them?”

I said.

“I don’t worry about them anymore,” he said, holding a
brush in his teeth while he fiddled with the blowing curtain
at the window. “The first time the manager raised a stink

Ada told him he could probably make a fortune selling them
as Sam Forrest originals. I don’t

198 / ANNE RIVERS SIDDONS
know if he did, or does, but he hasn’t hassled me anymore.

Shit. This was right the first time. I think I like the light dif-
fused through the curtain. Sit over there and let’s see what
it does to your face.”

“May I look at your view first? It’s apt to be the only time

I see the Grand Canal out a hotel window.”

We went onto the terrace, and I leaned my forearms on
the padded cushion the hotel had placed on the balcony
railing for just such pursuits and drank in the panorama of
afternoon on the ancient fabled waterway. Just across,
seemingly so close that you could see into its windows, a
great white dome glowed in the shifting mist. It sat just at
the point where the Grand Canal widened out into the basin
of St. Mark and dominated the entire sweep of water and
land. Its façade was baroque, a bulbous flower of grandness
among all the lacy pointed arches and linear façades.

“What is it?” I asked.

“Santa Maria della Salute,” Sam said, still around the
mouthful of brush. “The plague church. Built in the seven-
teenth century as a little thank-you to Mary, who’s said to
have stopped an outbreak of plague. Not, however, before
about a third of the city corked off. Come on back in, Cat,

I don’t want to miss this light; the rain and fog lifting is doing
nice stuff. Pull your blouse down off your shoulders and lean
your head back some—”

“Sam…”

He walked over to me and gave my sleeveless scoopnecked
blouse a good yank off my shoulders, laid a length of fine,
silky linen across them, and draped it. His face was very
close to mine, and his hands were warm on my bare skin,
but both eyes and hands were totally absorbed in their
business; I felt I might have been anyone, a mannequin. I
was grateful for his absorption. I

HILL TOWNS / 199
hoped he did not notice the flush spreading over my chest
and up my neck. My face felt very hot. It was not until the
session was over that I realized he had draped me with one
of Ada Forrest’s nightgowns. At least, I presumed it to be

Ada’s.

He painted in silence for a while, whistling soundlessly
between his teeth, stepping back and staring, moving forward
again to slash a line here or there, stepping back again. The
third or fourth of the malodorous Italian cigarettes he smoked
was just sizzling itself out in a pool of thick umber paint on
his palette when I said plaintively, “Can I move?”

He shook his head, as if coming out of water, and laid
down the brush.

“Sorry,” he said, rescuing the cigarette. “Actually, you can
move whenever you want to. This is more interpretive than
literal. But go on and stretch. Want something to drink?”

“Maybe some mineral water.”

He gave me some from a bottle on the bar set up on a
beautiful old painted console and poured himself a tumbler
of raw gin. He drank it without ice, as I had seen him do
before.

“I didn’t like what Joe said to you this morning, about the
bridges,” he said abruptly. “I think it was a prick’s thing to
say. I wondered why you took it.”

I was surprised and disoriented.

“I…because all it meant was he was feeling out of sorts
with himself, feeling that he was—oh, losing himself, not
knowing who he was or who I was,” I said. “You know how
it is with Venice.”

“Tell me how it is with Venice,” he said, looking at me.

“I know I’m not telling you anything you don’t know,

200 / ANNE RIVERS SIDDONS
as many times as you’ve been here,” I said. “And I don’t want
you to think I don’t like it. I absolutely love it. It casts a spell.

But there’s something, Sam. Something…it isn’t the bridges,

Joe knows that. It’s that…nothing is what it seems. You sense
it instantly. And maybe nobody is who they seem, either, at
least not while they’re here. That’s what he was feeling. He
just picked up on the bridges because…”

“Because he saw a chance to humiliate his wife a little in
front of a select group of her friends?”

“No. Not at all. Nobody else knows about the bridge; Joe
doesn’t know I…I didn’t tell him I’d told you about it. He
wouldn’t have told anybody himself.”

“I would not take any bets on that, Miz Compton Gaillard,”

Sam said. “You ready to get back to work?”

“What are you saying? That he’s told somebody?”

“I’m saying my dear wife has a way of getting the most
astonishing things out of people and sharing them with
others,” he said, grinning. “Can you tip your head back a
little more? You have a nice arch to your neck.”

“You’re absolutely wrong if you think he told Ada or
anybody else.”

I tipped my head back, looking up at the ceiling. He was
silent, working fast.

“How did you meet Ada?” I said presently.

“I literally picked her up on the Spanish Steps,” he said.

“It was the middle sixties and I’d just come to Rome to paint
and find myself and all that shit, and I’d had one New York
show with good reviews and was fuller of shit than a

Christmas goose, and I’d been through every girl who
switched her pretty ass up and down the Spanish Steps.

Painted some of them and went to bed with all of them. And
then one day there she was, in her little black miniskirt and
high heels and white

HILL TOWNS / 201
gloves, for God’s sake, and with her hair the color of a
raven’s wing except for one white streak, carrying a big bunch
of iris she’d just bought. There was a crowd of greasers three
deep around her, and she was trying to get through them
and go on up the steps, and I waded in there and got her by
the arm and took her to the Hassler to tea. That’s what she
wanted, tea. She’d just come up from some flyspecked little
village outside Naples and found a job as a secretary to an
importer of men’s hats…this when JFK had made hats obsol-
ete all over the world. She’d never been away from home.

First I took her to bed, and then I painted her, and then I
painted her some more, and by that time I was beginning to
realize how much smoother my life ran with her around
so…I married her. On the whole, I haven’t been sorry. She
truly does think I’m an authentic genius, you know. And she
has a way of making other people think that way. She’s been
the best investment I ever made, over the years. Ada…en-
ables. She makes a great many things possible.”

“Do you love her?”

“I don’t not love her,” Sam Forrest said. “It’s not a thing

I think about much anymore. I need her, I guess. Isn’t it the
same thing?”

“Robert Frost said something I’ve always liked about only
when love and need are one,” I said, not liking the life, the
world, of Sam and Ada Forrest that I extrapolated from his
words.

“Do you love Joe?” he said.

“Well, of course I do,” I said. “I love him very much.”

“But you don’t need him.”

“That more than anything,” I said.

“No, you don’t. But you don’t know you don’t, yet. I think
he knows it, though. Or he wouldn’t need to

202 / ANNE RIVERS SIDDONS
remind you of your fears, of what cripples you. What do you
do at home, Cat? How do you spend your days? What did
you study in school?”

“Art history,” I said. “And I was good at it. I was set to be
a research assistant to the head of the department at Trinity.

I could have taught anywhere after that.”

“If you could have left your mountain. But of course, you
couldn’t, and then you had your blind child, and then when
she was launched, you had your garden and you had Joe’s
career—”

“You make it sound like I’ve never done anything for my-
self,” I said, angry. “But I’ve had a wonderful life. I’ve had
just what I wanted. We live a good life, Joe and I, a beautiful
one.”

“And has he encouraged you to leave this beautiful life?

Has he wanted anything all your own for you?”

“He’s wanted what I wanted. What we have, that’s what
we’ve wanted.”

“Are you happy, Cat?”

“Yes,” I said fiercely. “I’m very, very happy,” and began to
cry.

He put down his brush and came over and held me against
him, very gently. He rested his chin on my head. I smelled
gin and sweat and paint: Sam.

“I want you to have something of your own, Cat, so he
can’t do that to you again, that with the bridges—what he
did this morning. I didn’t mean to make you cry. I have a
shit-awful habit of poking my nose into things that don’t and
never will concern me. You’re a lovely woman and I want
a lot for you. That’s all. Go home. This is enough for now.

Put on something pretty. We’ll take you to Harry’s, you and

Joe and Yolie. I was saving it for the last night, but maybe
we all need it more now.”

HILL TOWNS / 203

“You don’t have to,” I said, sniffling, but not moving out
of his arms.

“Yeah, I do,” Sam said.

At seven o’clock that evening, Yolanda Whitney and I walked
from the Fenice to Harry’s Bar on the Calle Vallaresso. Joe
had said he would meet us there a little later; he had come
in very late from his afternoon with Yolanda and Ada at the

Accademia and wanted a nap and a bath. The rain had
stopped and the heat was back with us, and he was flushed
with it, and so voluble that I thought perhaps he might have
a touch of fever, or heatstroke. But he felt cool to my touch,
and brushed off my fretting with a swift kiss on the forehead
and a pat on the behind, and then collapsed full length on
the bed.

“Go on with Yolie at seven,” he mumbled. “She came back
early, said she had an appointment. I think she has a boy-
friend here. Ada and I had a drink afterward at the most
marvelous place, a workingman’s bar, a thousand miles back
in real Venice. I’ll take you before we leave; it’s not the kind
of place tourists go. I’ll see you at Harry’s by eight. You
won’t be ready to eat before then, anyway.”

“All right,” I said, standing in the doorway of our darkened
bedroom looking at him. He lay with his back to me. He
was naked to the waist, and the darker-gold whorls at the
crown of his head stirred in the wind from the sluggish ceiling
fan. His smooth torso was misted over with sweat. I felt hot
too, in my black sleeveless silk. After the two dresses that
had vanished with Joe’s luggage, it was the most formal thing

I had brought, and some-how I felt like dressing up a little
tonight. But now it seemed too much. My pantyhose were
already damp. I

204 / ANNE RIVERS SIDDONS
turned away to go out the door. I would have a drink in the
lobby while I waited for Yolanda.

“Cat?”

“Yes?”

“How’d the painting go this afternoon? I almost forgot.”

His voice was thick with sleep.

“Fine,” I said, and shut the door.

Yolanda came down into the little garden, where I was
sipping white wine, at a quarter to seven. She looked crisp
and young, in yellow linen and citrine earrings that almost
brushed her tanned shoulders, and she smelled wonderfully
of something both flowery and bitter at the same time, like

Venice itself. She kissed me on both cheeks and I returned
the gesture, and all of a sudden we grinned at each other like
school friends, or cousins. Two pretty, if not so young, wo-
men, all dressed up and alone in Venice, with somewhere
wonderful to go. Not for the first time I thought it might
have been fun to grow up in a large family, to have a sister.

“Where’s Joe?” she said, taking a bite of one of the little
sandwiches I’d ordered and then not wanted.

“Sleeping off the Titians and the Tintorettos and whatever

Ada fed him at some marvelous, authentic little workingman’s
bar that surpasses all the wonders of the Accademia,” I said.

I probably sounded spiteful and jealous, and then I knew
somehow she would not think so or, if she did, would under-
stand. I had a clear and powerful thought: She is on my side.

But I did not know in what. I laughed aloud, and she did
too.

“Well, she takes a bit of sleeping off, does Ada. But a per-
fect hostess. You must admit that. The veritable Perle Mesta
of Venice.”

We walked out into the swirl of pedestrian traffic in

HILL TOWNS / 205
the campo and were immediately swallowed up in the street
life of evening Venice. On every street corner, from every
doorway, men young and old called after us, made as if to
follow us, kissed their fingertips and made gestures I was
just as glad I did not understand, trotted along behind us
baying and snorting and howling. I don’t know why I had
not noticed this sort of attention earlier; I had been warned,
back on the Mountain, that being blond and fair I would
attract a great deal of amorous adulation in Italy. But it had
not really happened before tonight. Of course, I had mostly
been in groups, and moreover in groups that included Joe
and Colin and Sam Forrest. I did not think many Italian men
would be eager to contend with a great, shambling red pirate
with a ponytail.

At first it was funny, and Yolanda took my arm and told
me to ignore and enjoy it, and we laughed and shook our
heads and the would-be suitors retreated, holding hands to
mock-stricken breasts. But one group of three dark, older,
unsmiling men did not seem so theatrically amusing and
persisted in following closely behind us. We were almost to

Harry’s when I thought I felt a hand brush my buttocks, and

I reddened and quickened my step, and then Yolanda whirled
and spat something furiously at the group and I knew she
had been fondled too.

One of the men said something equally low and fast back
at her, and she planted her small high-heeled pumps apart
and put her hands on her hips and shouted, “Va a farti
frattere, stronzo! Va fan culo! Mis lasci in pace! Chiamo la
polizia!”

When the men did not retreat, she smiled a slow sly smile
and put her arm around me and squeezed. Then she kissed
me on the mouth. Loudly.

206 / ANNE RIVERS SIDDONS

The men wheeled abruptly and slunk away, muttering in
disgust.

“What was all that about?” I said, laughing a little, but
with my heart pounding faster than I liked. I wanted to wipe
my mouth with the back of my hand but did not.

“Well, one of them grabbed my ass, and I told him to keep
his filthy hands to himself, and he intimated that we were
prostitutes and could expect no better, and I told him to go
fuck himself and leave us alone or I would call the police.

And then I indicated that we were lesbians. That always
works when nothing else does. It’s funny; you’d think there
was nothing else does. It’s funny; you’d think there was
nothing too depraved for Venice, but the idea of lesbians
absolutely revolts Italian men. A direct disparagement of
their manhood, I think. They all suffer from gallismo. Roos-
terism.”

I laughed so hard I bent at the waist, holding my arms
across my stomach. She began to laugh too. We were still
standing there, just outside Harry’s famous bar, laughing
helplessly and holding on to each other, when Sam and Ada
and Maria found us.

“It must be good,” Ada Forrest said, smiling. She wore
black, as I did, but managed, I thought, to look more the
contessa than the prostituta.

Sam simply shoved his hands into his blazer pockets,
rocked back and forth in the filthy, sockless running shoes
that seemed to be his only footwear, and grinned affection-
ately at us. Even Maria smiled; I say even, because otherwise
she was the picture of misery. Her face was pale and her
nose and eyes were red and swollen as if she had been crying.

“Yolie has just saved us from a fate worse than death,” I
gasped, and told them about the exchange. By the time I
reached the bit about the lesbians, Maria was laughing along
with the rest of us. When the others went

HILL TOWNS / 207
ahead into Harry’s, I hung back and put my arm around her.

“What is it, sweetie?” I said. “Colin feeling bad? You feel-
ing just a little bit housebound?”

“We had an awful fight,” she said in a low, rapid voice. “I
said I’d like to go out with you all just this once, just to see

Harry’s, because I’ve heard so much about it, Hemingway
and all, and I’d come home real early and bring him back
something wonderful, and stay in with him the entire rest of
the time we’re here, and he blew up at me. He said by all
means to go; he’d see if he could tap out a message to room
service with his cane, and I said not to be silly, I’d get
something for him before I left, and he said it had been his
impression that I’d said something recently about in sickness
and in health, and I said I just wanted to go to Harry’s Bar
for one damn hour and what was the matter with him, and
he said maybe his mother had been right all along! Oh,

Cat…that hurt! That really hurt!”

She began to cry again, and I found a tissue and wiped
her face and gave her my compact and lipstick.

“Dearest love, it’s just a fight. Your first; now you don’t
have to worry about having it later. It’s like getting the first
scratch on a new car. He’s angry because he can’t move
around and feels foolish because he knows he brought it on
himself, and it probably still hurts, and he’s bored, and he
wants to see Venice too. And it’s hot. And he knows he’s
keeping you from seeing everything you wanted to see on
your honeymoon, and that makes him even madder. He
loves you and he thinks he’s spoiled things for you and that
makes him mean.”

“You’d think it would make him just the opposite. He’s
never been…mean before. But that thing about his mother—”

208 / ANNE RIVERS SIDDONS

“He’s lost control. It’s different for men than for us when
that happens, I think,” I said. I saw all at once that this was
true. Wasn’t it what Corinne had been saying? I needed to
think about this….

“You think so really?”

“I know so really,” I said, giving her a little hug.

When we went upstairs to join the others at the big table
by the window overlooking the Grand Canal, she was smiling
again.

Sam Forrest’s lips shaped the word Thanks to me, silently.

I smiled and made the small OK circle with thumb and
forefinger. Around us, early diners stopped their talking and
sipping and stared, and the dark-suited, distinguished man
who had been talking with Sam stood erect and frowned
ever so slightly.

Sam leaned toward me and said, in a low voice, “Cat, ob-
viously no one else is going to tell you, so I will. A joke’s a
joke, but enough is enough. In Italy, when you do that,
you’re calling someone an asshole. It’s what the sign means:

asshole. If you really want to be effective, you follow it by
hissing, ‘ Stronzo!” You have, my darling girl, called half of

Italy an asshole by now, and I for one do not want to have
to fight Signor Cipriani or some other equally distinguished
personage for you.”

The blood actually drained from my face, and I thought
for a moment I might faint. Joe. Joe knew. Why had Joe not
told me? Why had he simply laughed…and not told me?

“I truly didn’t know,” I whispered, tears starting in my
eyes.

“Of course you didn’t,” Ada Forrest said, and patted my
arm. “Joe should have told you by now.”

“Wonder why he wouldn’t,” Sam said equably.

“Wonder why who wouldn’t what?”

HILL TOWNS / 209

Joe came up to the table, looking rested and scrubbed and
handsome in his newly cleaned blazer and chinos and the
soft green shirt he’d bought in Rome.

“We were just wondering why you didn’t want to tell me
what it meant when I made that adorable little circle sign,”

I said. “The one that means asshole.”

He laughed.

“I know, I should have. But you were so cute, Cat; you’re
such a…a lady, I guess, and there you were, the madonna
of the Mountain, calling all those people—well. I’m sorry.

Christ. You didn’t do it again, did you?”

“Only to Sam,” I said.

“Oh, well.” Joe grinned at Sam conspiratorially. Sam was
studying the wine list. He did not look up.

“Let me recommend the risotto primavera,” Ada Forrest
said. “It is absolutely superb.”

It was. The entire dinner was wonderful. You think of

Harry’s, perhaps, as a tourist place, but the upstairs dining
room served some of the best food we had in Italy, and the
service was silken and impeccable. The other diners were
quiet and attractive, and somewhere between the risotto and
the veal chop I forgave Joe and slid into the light, lovely
fabric of the night. The only jarring note was a small child,
a little English boy of perhaps seven, with a perfectly tailored,
miniature Eton jacket and a chipmunk overbite, who kept
playing to his fair, cool mother and eyeing his even fairer,
chillier father with the metallic eye of a budding Oedipus.

His voice was that shrill, upper-class British tremolo that
grates abominably and can pierce concrete and steel, and he
kept piping things like, “Doddy is being naughty tonight,
isn’t he, Mummy? Doddy isn’t at all nice to us.” And, “It’s
too bad Doddy is too big to sit in Mummy’s lap because I’ll
bet he wants to, but only I can do that,”

210 / ANNE RIVERS SIDDONS
and he climbed into his mother’s ample lap, resting his cheek
against her considerable sunburnt cleavage. His father, face
frozen into neutrality, did not lift his eyes from his fritto
misto, and his mother only brushed the thick hair off the
boy’s avid face and said in nearly the same little trill, “Sit
down and be a little man, Derek, darling, do. Doddy isn’t
going to want to take us anywhere nice again if you can’t
behave.”

“Doddy would love to take the little bastard out beyond

Torcello somewhere and drown him,” Sam said under his
breath. “Mummy probably gets more from little Derek darling
than she does from Doddy. On the whole, my sympathies
are in Doddy’s camp entirely. Christ, the English upper class
and their little tots. See what you missed, Yolie? That could
be you, pushing some horny little bugger off you while your
old man read up on terns.”

Yolanda lifted her head and looked squarely at Sam.

“How fortunate for me that I missed it all,” she said. I
looked at her; what was in her voice? Did anyone else hear
it? Did I imagine it? Sam dropped his eyes, and everyone
else went on eating.

You are really halfway out of your mind tonight, I said to
myself. This place will have you singing with the mermaids
if you don’t get a grip on yourself.

It was quite late when we finished dinner, and on the way
back toward the Campo La Fenice Sam stopped at a flower
kiosk and bought bouquets for me, Ada, Yolanda, and Maria.

Small nosegays, really, picked that morning and past their
prime. But they were pretty, and it felt a very fine thing, to
walk slowly through the nighttime alleyways of Venice carry-
ing flowers.

At the apex of one of the high-arched little bridges over a
tiny canal, back in the dark quiet maze of tiny

HILL TOWNS / 211
calles that bordered the campos of San Fantin and La Fenice,
we stopped and leaned on the railing and looked down.

Around us, on other streets, we could hear conversation and
foot traffic and see lights, but this particularly tiny bridge
and the canal beneath it were very quiet. One or two lone
lights shone, high up in old windows, but they gave little il-
lumination, only pinpricks in the thick velvet darkness. Below
us the water was green and black, swirling. We could hear
it slapping at stones of doorways. It was like being in a
dream, vivid and palpable, but without ambient sound. Mist
hung in the curves and bends of the canal and crawled up
doorways. None of us spoke.

“Look,” Yolie whispered, and around a curve in the canal
came a large silent gondola, and behind it another. We could
hear the gondoliers singing softly then, sounding bored and
ready to go home: “O Sole Mio.” An American Italian song,

I thought, Neapolitan, a tourist song. It did not belong in
this dark oriental fairy tale.

There were three couples in each gondola. All women. All
late-middle-aged stout women with “done” American hair
and print drip-dry traveling dresses. They sat quietly, hands
folded, looking half rapt and half scared. Widows, I thought.

Widows from some nice service club or Sunday school class
in the Midwest, come to Venice in safe numbers, lost in black-
green water, being sung to by bored men who would laugh
at them when they decanted them, finally, at their budget
hotel near the train station.

Still, in the utter quiet and near darkness, the scene had
an enchantment about it. I hoped the women felt it, too. It
was all, really, that they would take home with them from

La Serenissima. The Serene City.

“Give me your flowers,” Sam whispered, and I

212 / ANNE RIVERS SIDDONS
handed them to him, and he made a little sound as the
second gondola drifted directly under us. The women looked
up.

“Bellissima,” Sam called down softly, and threw the flowers
into the lap of one of the women. She caught it, her mouth
open in a perfect O.

“Thank you,” she called from under the bridge as the
gondola vanished. Then it reappeared. We stood for a mo-
ment longer, looking after them. They were talking softly,
excitedly, among themselves and looking back and waving.

I wondered if they had recognized Sam but thought probably
they had not. It was enough this way. They would retell this
story for years: about the night in Venice when flowers fell
from a dark bridge into their gondola.

“That was a lovely thing to do,” I said.

“It really was, darling,” Ada Forrest said, and took Sam’s
arm.

“It was,” Joe said. “I bet it was the first time anybody gave
her flowers since the mister passed.”

He put his arm around me lightly, and I looked down into
the green water and saw us all there, my crowd, my com-
munity, my husband, me. I would have been hard pressed,
at that moment, to say which of us was real.

9

WE MET AT FLORIAN’S THE NEXT MORNING FOR

CAPPUCCINO and brioche and to decide what
to do with ourselves. Somehow we had all
contrived to avoid the subject last night; no one seemed to
want to break the beautiful, fragile skin of the scene on the
bridge. And I think we all knew there would be discord this
morning. The heat that the mist and rain had held at bay
had finally straggled in from Rome, and even before nine
the humidity was stunning, a palpable thing. Neither Joe nor

I had slept well. I had lain awake very late and felt and heard
him tossing. When we finally woke, heavy and damp and
slow, we did no more than exchange our ritual morning
conversation. Neither of us mentioned the Lido, but it hung
between us, white and burning as if we were already there.

I knew he was not going to give it up. And I knew I simply
could not go.

There was a message for us when we went past the desk,
from Yolanda: Have some crafty business over on

213

214 / ANNE RIVERS SIDDONS

Burano. See you for lunch and, if not, for dinner. Leave mes-
sage where. XXX, Yolie.

“What’s on Burano in the way of crafts that would interest

Yolie?” I said to Sam and Ada, who were waiting at a table
outside Florian’s. I almost wanted to shake them both: Sam
looked as roaringly vital as ever in the shredded cutoffs and
shirttail-flapping blue denim, the dreadful hat riding high on
his red forehead, and Ada, in her trademark cotton gauze,
looked like a woman carved of ice. No tossing in damp sheets
for them; the Regina and Europa had efficient air-condition-
ing hidden behind its billowing white drapes.

“Lacemaking,” Ada said. “Almost every woman on the is-
land does it, and it’s exquisite. There are seven stitches in

Burano and Venetian point lace, and each woman specializes
in one, so every piece gets passed around until it’s finished.

A tablecloth center will take about a month. I can’t imagine

Yolie trying to get her viewers to make lace, though. It takes
years to learn. Whole generations of young girls ruin their
eyesight doing it—”

She broke off and looked at Sam, who was laughing.

“I imagine Yolie’s trying her hand more at making
whoopee than lace,” he said. “The simple fishermen of Bur-
ano are notably potent and ardent. An American woman
with a nice solid ass and no squint could get laid by eleven,
have the best vongole in the lagoon for lunch, and be back
in time for tea.”

“If you mean she’s going over there to pick up a man, you
should be ashamed of yourself,” I said to Sam. “You should
have seen her last night when those three creeps came on to
us outside Harry’s. They’re probably halfway to Rome by
now.”

“Yolie wants to be the one to choose,” Sam said.

HILL TOWNS / 215

“Don’t worry about her, Cat. She’s been cruising ever since
we’ve known her. She’s smart and careful; nothing’s going
to happen to her and she won’t catch anything. Yolie has
more condoms in her wallet than I did when I was fifteen.

She just likes to screw. Nothing wrong with that.”

I didn’t know what to say, so I said nothing.

“I’ll say there isn’t,” Joe said. “Speaking of which, have the
newlyweds patched it up? I gathered there was trouble in

Tahiti last night.”

“Gauging from the sounds coming from behind the nuptial
door, I’d say they have,” Sam said. “Lord God, I hope they
wear the edge off before long. I don’t know how much more

I can take.”

“You didn’t hear a thing. You were asleep before your
head hit the pillow last night,” Ada said, smiling reprovingly
at him. So, I thought, they didn’t make love. And banished
the thought almost before it formed. But it seemed to me
suddenly, sitting there in the thick morning heat of Venice,
that everybody in this entire lagoon seemed to be screwing
everybody else all the time.

“Well, I wish Yolie had told me she was going,” Ada said.

“I wanted to get Maria and Colin a piece of lace, perhaps a
tablecloth. It’s much less expensive on Burano than here.

Maybe we could go ourselves; would you like to see it, Cat?

The little town is very picturesque, and the seafood is really
wonderful.”

I thought of the squinting children, the near-blinded girls.

“I hoped maybe to take a look at Saint Mark’s this morn-
ing, Ada,” I said. “It’s the one thing I don’t want to miss,
and it seems awfully hot for much else.”

“I,” Joe said pleasantly, “am going to the Lido. Who

216 / ANNE RIVERS SIDDONS
ever wants to come with me, meet me at the landing stage
in an hour.”

He did not look at me.

“Then you shall surely fry,” Ada said, smiling, “but I’ll
come with you. Our hotel launch will take us for free. Come
by for me, and we’ll leave from there. Cat? Sam?”

“This morning’s my date with Saint Lucy,” Sam said. “Cat,
if you want to come along, I’ll trot you through Saint Mark’s
when we’re done. I warn you, Saint Lucy lives in an utterly
undistinguished church at the end of the most execrable street
in Venice, but I make it a point to drop in on the little lady
whenever I’m here.”

“Who’s Saint Lucy?” I said. I could not imagine Sam, with
his scalding contempt for the Catholic Church, visiting any
saint at all.

“Saint Lucy was a young lady of Syracuse who, when an
unwelcome suitor praised her beautiful eyes, plucked them
right out rather than tempt him further. The Venetian Cru-
saders liberated her body from Constantinople and brought
her here, and her mortal remains lie in state above the
donations box in the Church of San Geremia, which has
never had anything to do with her at all. She had her own
church here for a while, but the railroad authorities kicked
her out of that in the mid-nineteenth century. Her sight was
miraculously restored, and she’s become the patron saint of
eyesight and, by virtue of truly Venetian logic, artists. I guess
she’s my only superstition. The cash box has a prayer written
on it: Saint Lucy, protect my eyes. I always toss her a wad of
lire. Can’t hurt.”

“Is it really her?” I said. “I mean, is it her…bones or what?”

“Well, she’s pretty desiccated, but yep, it’s her,” Sam said,
his wolf’s grin widening. “Come on. I’ll show you.”

HILL TOWNS / 217

I was about to say that perhaps I’d go on over to the Lido
with Joe and Ada after all when Ada said, “Sam, really. Cat
doesn’t want to go look at Saint Lucy. Don’t press her. It
would have to be painful.”

“Why?” Sam said. I thought he was honestly puzzled.

“Oh, for goodness’ sake. Because of her daughter. Really,
darling, sometimes your sensitivity rather misses the mark.”

There was a trace of real annoyance in Ada’s voice.

“Oh, God, I’m sorry, Cat,” Sam said swiftly. “I just didn’t
think. Let me show you Saint Mark’s. I’ll do Saint Lucy to-
morrow—”

“Don’t be silly,” I said. “I’d love to see her. I’m not sensit-
ive about Lacey’s blindness, Ada; she’s gotten us all way
past that.”

“Too bad saints can’t work retroactively,” Joe said. “Maybe
we could pool our lire and lift the curse off Lacey in utero,
as it were. Or the German measles, or whatever.”

I felt myself go still and cold. “Nobody ever really knew
what caused it, Joe,” I said. “You know that. There was no
evidence I had German measles. Sometimes you just…don’t
know.”

“I once thought it was that fear of yours that marked her
somehow,” he said, as pleasantly as he might be saying it
was a fine day. “Cat was afraid of almost everything back
then, when she was pregnant with Lacey. Of course, I know
logically that couldn’t be. But sometimes it would be nice to
have the kind of faith that believed miracles were possible.

Or could find reasons for things. Don’t you think?”

And he smiled around at us, the warm white smile made
whiter by the deepening tan of his face and the sun-bleaching
of his mustache, and I felt run through

218 / ANNE RIVERS SIDDONS
with the pain of his words—and a following freezing anger.

“Well, I’m not afraid anymore,” I said. “Not of anything.

Let’s get going, Sam. I’ll meet you in the Europa lobby in
ten minutes. I want to get a sun hat.”

I got up and walked away across the sunny stones of the
piazza of Saint Mark. Already the flocks of tourists and pi-
geons were gathering. Behind me, Joe called, “Cat?”

“No,” I said, and walked on.

Sam and I had been walking for a few minutes in silence,
elbowing our way through the listless, heat-clotted crowds
moving like a great, slow tide toward the Rialto Bridge, when
he said, “It’s because I’m painting you, isn’t it? He wasn’t
taking potshots at you when we first met. It started with the
painting. What does he think, that I’m screwing you on the
side? We should stop right now.”

“No,” I said. “We’re not going to stop the painting. Not
unless you want to for a real reason. Like being finished, or
deciding it isn’t working. It started when he lost his clothes,
or—I don’t know, Sam, it started when Italy got out of con-
trol and he couldn’t make it work right. Joe’s always been
on top of his world. Always. He was punishing me today
because I wouldn’t go to the Lido with him. I’ve never not
done what Joe wanted to do before. It isn’t that I obey him;
it’s that we’ve always wanted the same things. But now, over
here…it’s like we were identical twins, who’d always been
told we were just alike and part of the same flesh, and then
we woke up one day and found we were very separate
people. We’re surprised and hurt and angry. I’m really very

HILL TOWNS / 219
mad at him, because what he said hurt a lot, but I also know
he didn’t mean it. And he knows beyond any doubt that
you’re not…screwing me on the side. So let’s drop it.”

“Consider it dropped,” Sam said. “But he’d be wise not to
be so sure of you. If he thinks other men don’t think about
that when they look at you, he’s out of his mind.”

I felt heat in my face and chest and low down, in the pit
of my stomach. I pulled the brim of the sun hat I’d bought
down over my face. On my right in a tiny shop, one of many
crammed into an arcade, I saw an array of medals, dusty on
black velvet. I thought they were religious ones; I recognized

Saint Mark’s winged lion and the disenfranchised but still
popular Saint Christopher.

“You promised me a bridge-crossing medal,” I said. “Here’s
your chance.”

“So I did,” he said, and went in and conducted an earnest,
crooning conversation in ridiculous Alabama-accented Italian
with the shopkeeper, an old woman so bent she looked like
a dwarf. I thought of the terrible child dwarf in Daphne du

Maurier’s Don’t Look Now and pulled at Sam’s arm in instinct-
ive revulsion, but the thin woman turned to me with a smile
so purely sweet and benevolent that I smiled back.

“Santa Zita,” she said, and proffered a small dimly stamped
oblong medal on a pewter-colored chain. I could make out
no particular features at all on the medal, but I smiled back
at her and said, “Grazie.” Sam pressed lire into her hands
and lifted off my hat and dropped the chain over my head.

The medal fell into the small hollow between my damp
breasts, just out of sight under the neck of my blouse. It felt
icy cold there, and heavy, and somehow wonderful.

220 / ANNE RIVERS SIDDONS

The old woman patted my arm.

“Sicuro,” she said. “Safe.”

“Yes. Si. Grazie,” I said and, to Sam, “Bring on the
bridges.”

“I think we’ll get the vaporetto at the Rialto,” he said. “It’s
just too damned hot and crowded to walk anymore. I wish

I could offer you the Europa’s launch, but I don’t think it
goes anywhere near the Lista. And besides, Ada has most
appropriately turned it into Cleopatra’s barge for the duration
of her stay.”

“Does that make Joe Mark Antony?” I said, and began to
laugh. We were still laughing when the Number One vapor-
etto wallowed up to the landing stage and we got on for the
ride to the Campo San Geremia. I don’t know why. It was
not particularly funny.

Sam was right about the Lista di Spagna and the church
of San Geremia. The street was a carnival affair, a haven for
day-trippers who would go no farther into Venice than this
tawdry midway, and the church had little to recommend it
but the tattered little mummy behind the altar and a beautiful
old campanile, twelfth century, Sam said, and one of the
oldest left in the city. Still, I was glad I had come, glad to
leave my lire for Saint Lucy, glad in some profound interior
way that felt oddly and irrationally like the paying of a very
old debt.

“I think,” I said to Sam, getting on the vaporetto for the
trip back to San Marco and the splendors of the waiting Ba-
silica, “that I might have made an amazingly good Catholic.

The Graham Greene kind.”

“God forbid,” he said, but he asked for no explanation and

I gave him none.

After the Lista di Spagna and San Geremia, the typical
dogtrot Sam Forrest tour of San Marco and the Palazzo

Ducale was like being shaken inside a kaleido

HILL TOWNS / 221
scope of gold and gemstones and satin and light. I had no
sense that this great republic had ever had serious concourse
with reality; nothing with this sort of wealth and fantasy in
its national treasury was truly of earth. Air, perhaps; water,
certainly. But hardly of the earth. Even its totems were fant-
astical creatures: winged lions, dragons, unicorns, chimeras,
mermaids, serpents, sea monsters. It did not seem to matter
so much, when you were in the midst of it, that most of the
literal and figurative jewels of Venice were booty, spoils,
plunder from a dozen cultures and civilizations. Here they
had found their true spiritual home, halfway between water
and sky.

“What did you like best?” Sam said, as we trotted toward
the Europa and Regina, where we had agreed to meet Joe
and Ada for lunch. We were late, and I could barely keep
up with his long stride.

“Oh, the horses,” I said. “I loved the horses. They
were—well, you know, I think lovable is the word. Like good
carousel horses, that like giving pleasure.”

We went through the dark cave of the Europa’s lobby, I
pausing in front of a mirror like a deep, wavy pool to push
the wet strands of hair off my forehead and bite my lips,

Scarlett style, and then we went out onto one of the terraces
that fronted the white glitter of the Grand Canal. It was so
bright, after the dimness of the lobby, that for a moment I
could not see, and then I did see them. Joe and Ada sat under
an umbrella at the far corner of the terrace, their heads to-
gether, talking without smiles, and I thought, It was a bad
morning. He’s disappointed with the Lido and angry with
himself for insisting.

I don’t know how I knew it, but I did.

When we got closer, I saw that his face and arms and

222 / ANNE RIVERS SIDDONS
the V of his open shirt were scarlet with sunburn, and even

Ada Forrest’s seemingly impervious white satin skin was
washed with plum color. She had pulled her white gauze
peasant blouse off her shoulders and tied up her silvery hair,
and I looked at Sam and winced silently. It was the sort of
sunburn that spoke of serious pain later. Ada did not seem
to notice it; she talked quickly and earnestly. Soothing.

Smoothing.

Sam did not return my look. He was staring without ex-
pression at his wife. At her shoulders, to be exact. I looked
again. On the backs of her upper arms, just above the line
of the white blouse, were the distinct white prints of fingers,
just fading from her burnt skin. Fingers that had pressed and
held. I knew they could not have been her own.

“Miss a lot if you’re late to lunch in Venice,” Sam said.

We ate cold soup in near silence. It was not a day for
lunching alfresco; even under the umbrella in that choice
corner of the Europa’s terrace, the heat was as palpably
present as an unwanted guest. There was no wind, and the
glare off the Grand Canal smote the eyes like tiny glittering
knives. I could think of little to say that I knew would not
anger Joe. Everything that came to mind smacked of I-told-
you-so. I spooned up soup that I did not want and did not
look at Ada’s bare arms, though the fingerprints had long
since faded. I thought, though, that it would be a long time
before those white stigmata faded from my mind. On the

Mountain I would have teased Joe about it and gotten a soft,
laughing, perfectly natural explanation. I could not do that
here. I knew the unexplained fingerprints would slide into
the

HILL TOWNS / 223
stew of festering strangeness that seemed to be overlaying
us like amber.

We should not have come, I thought. Not to Venice, and
probably not to Italy.

When the waiter took away the soup plates and brought
the cold lobster, Joe seemed to make an effort to shake off
his mood. He smiled at me, a thin, stretched smile, and said,

“You were right to pass on the Lido, Cat. It was godawful.

Wall-to-wall people, and not a decent stretch of beach to
swim from unless you paid a fortune to rent a beach hut at
one of the hotels. The water at the public beaches is a sewer,
and the Grand Hotel des Bains is an old whore. From now
on I’ll trust your instincts.”

“But you got a lot of sun,” I said. “You must have finally
found a good spot to swim. Lord, Ada, I hope you’ve got
something to put on your back and shoulders.”

Joe made a small disgusted sound, and Ada laughed rue-
fully.

“We got the sun walking from the vaporetto stop over to
the beach. It took twenty minutes. We couldn’t get a taxi,
and the hotels won’t send a car for you unless you’re staying
there. I’d forgotten about that. I’m afraid the Lido fiasco is
as much my fault as anybody’s. I should have checked about
the hotels and the taxis. I’ve never gone over in July before.”

“It’s none of your doing,” Joe said. “It’s all mine. God, the
traffic! And the Germans. I think they deport German felons
to the Lido in July.”

I couldn’t resist it.

“I thought Aschenbach was a German,” I said.

He looked at me with his light eyes. The laughter that
would have crinkled them back at Trinity was not there.

224 / ANNE RIVERS SIDDONS

“Thomas Mann evidently knew a better class of German,”

he said.

“And even that one died,” Sam said equably, attacking his
lobster with gusto. “Was it plague or sunstroke?”

“General stupidity, I think,” Joe said. His school voice was
back. I knew he loved Death in Venice and taught it in some
of his small seminars as an allegory of the corruption and
death of art when the world comes in upon it. I wondered
if Sam Forrest had read it or merely heard of it; I wondered
what he made of it if he had. He was as much in the world
as any artist I could think of, but unlike Aschenbach’s his
art seemed to surge and boom with health and vitality. The
thought struck me that perhaps Sam should not stay too long
in Venice. Maybe none of us should.

“You know,” I said, “I wonder if maybe we shouldn’t just
pack up the newlyweds and go on over to Florence tomor-
row. We’d only lose one day of Venice, and in this heat I
can’t imagine anyone doing any serious sightseeing. It’s
bound to be cooler in the hills. Or whoever wanted to stay
on could come with Yolie in her car. I just think Joe and Ada
ought to stay out of the sun, get up into the hills—”

“Aren’t you having a good time in Venice, Cat?” Joe said.

“I was,” I said, looking straight at him. He of all people
should know whether or not I was having a good time; he,
who could read me like a long-loved book. “I was, until
today.”

He flushed under the sunburn, and I knew he was remem-
bering what he had said at breakfast, about my fear and

Lacey’s blindness. I knew, too, that he was sorry, and was
probably thinking of a way to let me know without apologiz-
ing before other people. But he would not apologize now.

HILL TOWNS / 225

“Too bad,” he said. “Maybe you ought to go on ahead;

I’m sure the bride and groom will be happy to see another
set of walls. Maybe Sam will drive you, or Yolie. But Ada
and I are meeting some people for lunch tomorrow that I’d
like to know, so I’ll be staying.”

We all looked at him. Ada and I? He flushed again.

“Actually, we’re all invited,” Ada said, looking from Sam
to me. “I thought I remembered that David and Verna Car-
digan were going to be here sometime in July, so I called the

Gritti, and they’re there and have asked us all to lunch tomor-
row. I accepted because I thought you’d like to see her again,
darling”—she smiled at Sam—“and because he said he’d like
to finance a new show for you in London if you’ve got
something going. I said I thought you did, or would have,
soon.”

She turned to me.

“David and Verna Cardigan. Lord and Lady Cardigan, if
you insist, though they certainly don’t. Passionate Sam For-
rest collectors and investors; he painted Verna years ago and

David liked it so much he gave Sam one of the most success-
ful shows he ever had, in London, with the portrait as a
centerpiece. I told him Sam was painting you, and they’re
dying to meet the original of the new Forrest. As I told you,
there are very few in the world. Verna’s is my favorite of

Sam’s portraits, but of course I haven’t seen yours yet, and

I’ll bet you haven’t either. Nobody sees them till they’re fin-
ished. So…of course we won’t bully you if you really do
want to go on to Florence, but I wish you’d stay and meet
them. They’re really very nice. And you know, I thought how
unusual it would be, to have you and Yolie and Verna all
together, three Sam Forrest portrait women, in the flesh. The

English papers would just love it. Of course

226 / ANNE RIVERS SIDDONS

Sam isn’t going to let me call them, but it would be extraor-
dinary, just the same.”

I looked at Sam, who grinned and said, “Extraordinary is
right,” and then at Joe. Joe smiled at me; I thought he had
to force it, but it was a smile, so I smiled back.

“You could dine out on it for years on the Mountain, Cat,”

he said, and I knew he wanted very much for me to stay and
meet Lord and Lady Cardigan, and be exclaimed over by
them as the centerpiece of Sam’s new London show, and
would not be overly aggrieved if the English press did indeed
get word of it.

Who on earth are we turning into, Joe? I thought, and
said, “Of course, then. It was nice of them to ask us. I just
thought the two of you looked so sunburned and uncomfort-
able—”

“I’ll send Joe home with a jar of some wonderful stuff I
get in Rome that will take the fire right out of him,” Ada
said. “That and a nap will do it. I plan to spend all afternoon
at a very discreet little salon off the Campo San Angelo.

There’s a little girl there who will work all kinds of magic
on me. There won’t be a trace of red when we have lunch
with the Cardigans. Or tonight, for that matter. Sam and I
are going to take you and Joe and Yolie, if anybody can find
her, to that little place Joe and I had lunch yesterday. What
did you call it, Joe? The underbelly of Venice? It’s not that,
by a long shot, but it does have an interesting atmosphere,
one you haven’t seen before, Cat, and the food is wonderful.

We’ll have to eat early; it closes at eight. But we can find
something fun to do after. Maybe Vino Vino, back in your
neck of the woods near the Fenice.”

“Well,” I said. “Looks like we’re all set.”

“Looks like it,” Sam said.

HILL TOWNS / 227

Soon afterward we left the terrace, Sam and I to go upstairs
for another painting session, Joe to go back to the hotel and
restore himself with sleep and Ada’s unguent, Ada to her
secret spa. I was nearly limp with exhaustion by then. I could
not quite think why. Nothing had happened, really, at that
luncheon under the umbrella by the Canal Grande, and yet,
in some subterranean manner, a great deal had.

When we got to Sam and Ada’s suite we opened the far
bathroom door very quietly and looked in on Colin and

Maria. They lay loosely entwined on the great tester bed,
fast asleep, a light plissé coverlet drawn up over them. The
air-conditioner hummed full blast, and the ceiling fan spun
heavily. The bedside radio purred light rock into the big dim
room, and a room service tray on a gilt console held the re-
mains of lunch, with three empty wine bottles. Sam closed
the far door and locked the other one, which led into his and

Ada’s room.

“I’d say they’d made up and are out for the count,” he said.

“They should resurface sometime before midnight.”

I went to my chair and sat down. He moved to his position
behind the easel and uncovered the painting and stood for
a moment, staring at it. He picked up a brush, then put it
down and went and stood for a moment before the French
doors, looking out into the blazing canal. His hands were
shoved into his pockets, and he rocked back and forth on
the big running shoes. The ponytail switched back and forth
across the broad, sweat-stained back of his work shirt. I felt
the prowling tension in him from where I sat.

“Is something wrong?” I asked. “With the light, or some-
thing?”

“No. I mean, yes, the light’s too bright, but I can fix

228 / ANNE RIVERS SIDDONS
that. It’s not anything, except that—Cat, please don’t think
there’s anything…going on…between Ada and Joe. There
isn’t. I can promise you I would know if there were.”

“I didn’t think that,” I said, but I thought, That’s what you
were thinking, isn’t it? Or at least wondering. “They’re to-
gether so much, is all,” I said. “And he’s been so annoyed
with me, or whatever it is that’s eating him. I didn’t mean
to imply that Ada would—”

“Ada might,” he said, not turning back to me. But I could
hear the smile in his voice. “Ada in fact has, upon occasion.

But this is not one of them. I know her like I know myself;

I know when she’s being helpful and when she’s…interested.

What she’s doing now is trying to keep Joe occupied while
you’re sitting for me. It’s very important to Ada that I should
be painting again. She gets distinctly nervous when I hit a
long dry spell. So you can rest easy on that score, unless you
think Joe has the hots for her.”

“I don’t think he has the hots for her, as you so elegantly
put it,” I snapped. “But I think he may think he does. Joe and

I haven’t ever…there’s never been anybody else for either of
us, not since we met. And everything’s so strange now, and
he’s thrown with her so much, and she’s so very beautiful.

I guess I really don’t know what I think.”

“You ain’t exactly chopped liver, kid,” Sam said, turning
around and picking up his brush. “He’s crazy about you; a
fool could see that. He wouldn’t be so angry at you if he
wasn’t. But he needs to clean up his act. He’d be a fool to
drive you away.”

“I don’t think he could do that….”

“Any of us can drive anyone else of us away, Cat,” he said.

“It doesn’t do to take people for granted.”

HILL TOWNS / 229

“It seems to me you take Ada for granted a good bit of the
time,” I said.

“On the contrary,” he said. “I may not show it, but I am
aware at all times of what Ada wants and needs. They are
not always the same thing, but I am never unaware of them.

Have you and Joe really never had anybody else?”

“No,” I said. “We really never have. I mean, I never have
ever, and he hasn’t since we met. I guess I don’t really know
about before then, for him. Is that really so very strange?

You sound as though you think we ought to be in the Guin-
ness Book of Records.”

He laughed softly.

“In my world, you ought. No, I was just thinking…there’s
a quality about you, something in your face. It hasn’t been
there in the other women I’ve painted, or wanted to paint.

I don’t think innocence is the right word, but there’s some-
thing…like a new snowfall. Essentially still untouched. I was
wondering why I was so drawn to that at this point in my
life.”

I did not like the direction in which this conversation was
sliding.

“Maybe you’re looking for a clean slate. Maybe you need
to turn over a new leaf. Maybe it’s easier to paint…untouched
faces. Less annoying character to have to fool with.”

“Don’t get prickly with me,” he said, beginning to paint.

“I didn’t say you lacked character. And you’re not easier to
paint. I think…you’re the hardest portrait I ever tried.”

I sat silent for a time then. He painted furiously, restlessly,
paced about, changed to a palette knife, worked fast with
that. At some point I closed my eyes and leaned my head
against the chair’s back. I hadn’t meant

230 / ANNE RIVERS SIDDONS
to, but I felt myself drifting away, drifting. I was simply so
tired….

I’m not sure what time the sounds began. I know that
when they disturbed my light sleep, or whatever it was, the
stabbing white had gone out of the light, and the water
stipple on the ceiling was slower. I lifted my head, my neck
stiff, and cocked it to one side, listening. I had never heard
anything like the sounds before, and yet I knew them….

Sam had stopped painting and stood still, looking toward
the closed bathroom doors.

“What on earth?” I said, turning toward the escalating
sounds, and then I knew. Thrust and thump, thrust and
thump, the quickening creak of springs, a high, thin keening,
a lower moaning that grew and grew, sharp, muffled
words—yes, yes, yes, my God yes!—a kind of dark crooning,
a long hoarse cry, a pure high scream that rose and rose and
rose and finally choked sharply off, as if cut by a knife. And
then silence.

I had heard it all before: in a small dark room in a tiny
house on a mountain half a world away, in the back of an
old car, and, one last time, in the back seat of a car on the
verge of a bridge swinging high over a rocky creek.

I put my hands over my ears and shut my eyes and rocked
myself back and forth in the chair. After a moment, Sam
came over and gently pulled my hands away.

“Why does that frighten you so?”

He was leaning closely over me. I could not look up at
him.

“That’s how it sounded…that’s what they were doing,
that’s how they sounded. My parents. I remember hearing
that all the time until I was five. That’s how it sounded on
the night they…the night they…”

HILL TOWNS / 231

“But doing it doesn’t frighten you, Cat. I don’t understand.

I mean, you and Joe, you do that…don’t you?”

“Yes,” I said, thinking I was going to cry again. I was very
weary of crying. “We do that. We do that all the time. But
that sound…I don’t make that sound…”

“What sound do you make, Cat?” he said. His voice was
so low that I could hardly hear it. I could feel his breath on
my face, though.

“None,” I whispered. “I don’t make any sound. I never
have. I can’t. I try, I make the motions, but no sound
comes…Joe calls it the silent death….”

“Because if you make a sound, you can’t hear danger
coming. That’s it, isn’t it? If you make the noise of love, that
love will kill you?”

“Yes.”

He put his arms around me and pulled me to my feet. He
bent his head down to mine, and I lifted my mouth up to
his, and he kissed me, long and sweetly and softly, and then
not softly anymore. Hard, warm, hot—his hands moved
down my back and around and up to my breasts and then
all over me, and I gave him back touch for touch, eyes still
closed, blinded, breath-spent. Strange, his hands were so
large, his mouth so hard without the softening brush of a
mustache. His body was so very big. I could not get all of
him into my arms, as I could Joe. Strange, strange….

When he finally took his arms away he was breathing as
though he had been running, hard, and I could only stand
staring at him, gasping like a fish pulled onto land. If I had
not held to the back of the chair, I think my legs would have
collapsed me onto the floor.

“Cat,” Sam said hoarsely, “I promise you now that before
you leave Italy you will make a very joyful noise,

232 / ANNE RIVERS SIDDONS
and it will be with me, and it will be a very far thing from
killing you. But not now.”

“This shouldn’t have happened,” I whispered. “I didn’t
mean for this to happen. We can’t…we can’t be together
anymore. The painting will have to stop.”

“The painting can’t stop,” he said, and he smiled at me, a
very sweet smile, a normal Sam smile. “But I promise you,
too, that I won’t touch you again until you ask me. And Cat,
you will ask.”

“I’ll sit for you, if I have your promise,” I said. “But not
for a day or two. We need some time off, both of us. And

Sam, I will not ask.”

“Oh, yes,” he said, “you will.”

When I got back to the Fenice, there was a note from Joe
saying he and Ada and Yolanda had gone on to Do Spade,
in San Polo, and for me to ask Sam to bring me. Don’t come
alone, Joe wrote, you’ll never find it. You can’t handle it alone.

Sam knows where it is. Come with him.

In a pig’s ass I will, I said to myself, still shaking slightly,
still running sweat, still feeling the imprint of Sam’s hands
on my body and my own arms hard around him. In a pig’s
ass will I ask him. And I went up to Joe’s and my room, as
dim and neat now as if no one had ever been in it, and
stripped off my clothes and took a very long shower. And
then I dressed and went downstairs and asked the desk clerk
to draw me a map to Do Spade, in San Polo.

He was the one I liked, a slim, blue-eyed young man who
looked like an American college student doing his summer
abroad, except that his English, though good, was formal
and heavily accented. He had heard Joe call

HILL TOWNS / 233
me Cat, and now referred to me, shyly and with a smile to
show that he meant no disrespect, as Signora Gatta. When

I asked for Do Spade, he looked at me in surprise.

“Signora Gatta goes prowling tonight,” he said. “Are you
sure it is Do Spade that you want?”

“I’m sure. Can I walk it from here?”

“You can walk it in—oh, perhaps twenty minutes or so,”

he said slowly, “but I wish that you would not. It is
oscuro…hard to find. There is no sign, and it is not the best
part of Venice for signoras. Not even gatti. You do not go
alone?”

“No,” I lied briskly. “I’m meeting someone who’ll go with
me, but I wanted to be sure of it. I’ve heard it’s very good,
very…real Venice.”

“What is the real Venice?” he said. “Do Spade, it is a place
for the—what? The porters and merchants around the Rialto.

A local place for workers. They are good men, most, but
they are not used to seeing pretty gatti coming alone.”

“Thank you for being concerned, Alvise, but I won’t be
alone.” I smiled, and took the map he had drawn, and went
out into the last of the afternoon sunlight in the Campo

Fenice. All at once I wished we were meeting there, at the

Taverna; it looked gay and friendly in the slanting light, as
familiar to me, now, as home. My place.

And then my skin prickled and my heart gave the pro-
found, half-forgotten wringing twist that meant the fear had
woken in its kennel and put its head out. I stopped, stood
still for a moment. Then I turned and went back into the

Fenice.

“Forgot something.” I smiled brilliantly at Alvise, and ran
up the stairs rather than waiting for the elderly elevator, and
rummaged in my bag until I found the nearly

234 / ANNE RIVERS SIDDONS
full vial of Valium, and took two. Then I picked up Sam’s
little pewter medal from the dressing table and dropped it
over my head. Saint Zita came to rest once more, heavily,
coldly, between my breasts. It made an oval lump under my
striped jersey, but I did not care. It was as comforting as…a
touch.

“Sicuro,” I whispered to myself in the mirror. “Safe.”

And this time I strode swiftly and purposefully through
the campo and into the maze of small alleys that would take
me to the Teatro Rossini, in the Campo Manin, the first of
the landmarks Alvise’s map told me to look for. I did not
did look back until I knew that the Campo La Fenice was
lost to me. Then I slowed and looked about me.

The tiny calle in which I walked looked identical to the
ones around the Fenice and San Fantin and the ones Sam
and I had passed through on the way to San Geremia.

Miniature arched bridges, winding green canals, peeling soft
red and blue and pink walls leaning close overhead, tiny
campielli opening out for seemingly no reason at all, the in-
evitable covered wellhead centering each. Some of the alleys
led nowhere, and some seemed to lead back to where—I
thought—I had just walked. There were people all around
me, but few carried cameras; I was not of them anymore. I
had read something Henry James had written about “a nar-
row canal in the heart of the city—a patch of green water
and a surface of pink wall…a great shabby façade of Gothic
windows and balconies—balconies on which dirty clothes
hang and under which a cavernous-looking doorway opens
from a low flight of slimy watersteps. It is very hot and still,
the canal has a queer smell, and the whole place is enchant-
ing.”

Yes. It was enchanting. It was not the Venice I had

HILL TOWNS / 235
seen so far, but it was still Venice, and enchanting indeed in
the dying light. Enchanting in the old, original sense of the
word: a place of magic, sorcery, incantation, witchery. A
place that changed its shape and nature and with it, yours:

enchanting. The hair on the back of my damp neck prickled.

I nodded stiffly to most of the people I passed, and some
nodded back but others only stared, stared at the leggy blond

American woman with the haircut of a boy, wandering alone
through their calles and over their bridges. Several groups
of men called after me, and one or two made as if to follow
me, but I glared at them as Yolanda had taught me, and they
faded away. Only their laughter followed me.

Where was the Campo Manin, the Teatro Rossini? I
stopped in a tiny, silent campiello and studied Alvise’s map.

It was empty, barren, hot, and dim, but there was something
in the shadows around the blank, closed doorsteps, shapes
shifting, moving…cats. I looked harder. Many cats, slipping
through the shadows, watching me, crouching patiently be-
fore bowls that had been put out for them. Not precisely
feral, then, if not house pets, either: these cats were lean and
wary but not starved. There were many bowls. The people
of this other Venice cared for them, they were kind, they
would not—had I been about to think it?—harm me.

Just around this corner and over a bridge should be the

Campo Manin, and here it was. Not thronged with tourists
and dinner-goers, as the Campo nearer San Marco were, but
full of people strolling, talking, carrying bundles, sitting at
scuffed plastic tables outside tiny caffés. Neighborhood
people. Home people. I took a deep breath and felt my heart
slow. The map worked. Next, beyond another warren of the
calles and canals, the

236 / ANNE RIVERS SIDDONS

Fondaco di Tedeschi, where the main post office was, hard
by the Rialto Bridge. I had been there, with Sam. My spoor
was still on it.

And after that, simply across the Rialto straight down the

Ruga degli Orefici to the Ruga Vecchio San Giovanni, and

I would see the sign of the little Do Mori bar, and if I walked
straight past it, there would be the few tables and chairs that
belonged to Do Spade. It had no sign, but they would be
there waiting for me. Joe and Yolanda and Ada and Sam.

I could do this.

I smiled at everyone around me, my heart beating high
with success and only the scuttled remnants of the fear, and
sailed out of the Campo Manin and back into the heart of
this other Venice.

And into the dark. It was a dark that was more than the
sudden dying of the light, which happens on the eastern rim
of lands that touch the seas. East: I had forgotten just how
very far east we were here. But it was more than that. It was
a darkness of places where people have, for centuries, kept
to their houses after nightfall, and those houses were high
and close together and with only narrow slashes of windows,
so that there was no light from them, only oblongs of lesser
darkness. It was a darkness of old water, that moved in and
out each day over doorsteps and around foundations and
sometimes, in the winter acqua alta, over campos and
courtyards, and always under the bridges, old themselves.

Old water, green and silent and always moving; wherever I
went on the old, glistening cobbled alleys and calles, over
the countless high bridges, I heard it, moving with me. The
dark water of Venice, that night, was like the surf of my own
blood. My footsteps rang over and around it, and finally
with it. Blood and water, running

HILL TOWNS / 237
together. Up and over this bridge and that, down this alley
and that, into this dead, lunar campo and that, back out,
into another calle, over another bridge….

Where was the post office, the Rialto Bridge, the lights,
the people of Venice? I could hear them, off on other streets,
always just out of sight; I could see, not light but the diffusion
in the sky, thickening now with fog, where light shone below.

But I could not find any of it.

I was lost.

I was lost. All right, stop and take a deep breath and hold

Alvise’s scrawled map up to the pale night-light in the little
greengrocer’s, long closed now. Breathe in and out, slowly.

And again. You are not lost. No one is lost in Venice; how
can one be lost on a small island? Who said that to be lost
in Venice is to be found? There are people all around you;
you can hear their voices. Go to one of the places where they
are and ask the way. Some one will point you there.

Don’t be afraid.

I am afraid. I am lost and my heart is going to stop, it will
attack me; no one will find me; the wrong people will find
me; someone is going to find me and hurt me. I must be very
quiet. I must hear it coming.

I stood beside the tiny light in the closed shop and leaned
against the stone wall. I breathed in and out, in and out, as

Corinne had taught me, and presently I looked again at the
map. I could see so clearly the route one must take to the

Fondaco di Tedeschi: so simple. But I had missed it some-
how, and now I did not know how to get back on one of
the map’s penciled streets because I did not know where I
was.

I heard footsteps, several of them, brisk and firm and
confident; they seemed just one calle over. There must be a
bridge down this alley; there was always a bridge. If

238 / ANNE RIVERS SIDDONS

I crossed it I would find the walkers, and I would walk with
them, or just behind them, as if I was going where they were.

It must be to some place of lights and people. The steps were
so sure….

I hurried down the alley and found the bridge and crossed
it and ran straight into them—four men who did not look
like husbands and fathers going home to dinner or to a bar
or a video arcade. Not at all. They stopped, a quartet of
darkness, across the street, barring my way.

“Scusi,” I said, and my voice trembled. “Where is the… dove
il…I need to find the post office….”

They smiled. They smiled and looked at one another, and
then at me, and began to make that simpleminded crooning

I had thought was so funny when I first heard it with

Yolanda. The kissing of fingertips, the motions in the air
with the hands, and the guttural words that I did not under-
stand but knew in my cold blood. And they began to walk
toward me, very slowly.

“I want you to tell me where the post office is this instant,”

I said, in a high, silly voice. “If you don’t I will call the po-
lice.”

Call the police because four men will not tell you where
the post office is?

I had the absurd notion that I would simply sit down on
the cobbles and laugh like a madwoman, but then I said,

“Oh, never mind, I’ll find it myself,” and turned, and walked
very fast back down the way I had come, to the steps that
led up the little bridge. Behind me I could hear them coming
fast, almost running.

I began to run. I ran over the bridge and down the other
side, and down a winding calle beside still another canal,
and ahead, sensed space, an opening. I ran for it as hard as

I could, without pretense and without hope. I knew I could
not outrun them.

HILL TOWNS / 239

I reached the opening: another dark campo, this time with
a small plain church in it, and a covered wellhead, and dark
houses all around, but nothing else. Dead end. No way out.

I turned to the men behind me.

“Va a farti frattere, stronzi!” I screamed. “Va fan culo!” I
went at them with my fingers curved into claws, my eyes
screwed shut, and my mouth wide open. I must have seemed
a madwoman. Far up, in two or three of the houses, pale
lights bloomed. The men stopped, backed up, muttered
among themselves, turned around, and sauntered out of the
campo, laughing. They did not look back. I went over and
sat down on the steps of the little church. Soon the lights in
the houses went off again.

I sat there for what seemed a very long time. I did not look
about me or consult my map. I only sat there. I had no idea
what time it was. Surely, at Do Spade, they had missed me
by now. Someone would be looking for me; someone would
go back to the Fenice, and Alvise would tell them about the
map, and they would begin to retrace it. Perhaps I had only
to sit here and they would come for me. When I saw it in
my mind, it was Sam Forrest I saw. I saw him come around
the corner of the alleyway into the campo, and I heard him
say, “For God’s sake, Cat, where have you been?”

There was another sound. A thin, wavering, strangling
sort of sound, a kind of tiny gagging.

I looked toward it, in the shadow of a big terracotta pot
with a dead plant of some sort in it, by the door of one of
the dark houses. It was a cat. A cat crouched low, its head
hanging almost to the cobbles: wheezing, struggling for
breath, very sick. The cat was very sick; I knew it was dying.

I thought, simply, This is more than anyone should have to
bear, and got up to go away from

240 / ANNE RIVERS SIDDONS
there, to leave the campo, to begin my hopeless journey
through the streets again.

And saw the others.

All around the dying cat, other cats were ranged, utterly
silent and still, in a circle. Dark, they seemed, and large, and
sharply made, sharply carved in the thin light from the foggy
sky. They sat or crouched, and they waited. The terrible
choking went on, faltered, stopped. Began again. I ran. I
thought that if I was still in that campo when the sound fi-
nally died, what came after would send me beyond reason
forever.

I ran for a long time, and when I had to stop, my sides
knife-stitched and my throat aching with spent breath, black
motes dancing in front of my eyes, I was at a street corner
where a few people were gathered. I heard still others, not
far away. I looked and then began to run, a sob of joy in my
throat. Just ahead of me, leaning against a gray wall, his
head bent down to the person in front of him, was Joe. I
could only see his back, a slender, slouching back in his
blazer, and the gilt of his hair, but it was Joe; it was there in
the way he held his head, the way he put his hands out to
the person with him….

I stumbled and nearly fell and caught myself against his
shoulder.

“Oh, God, I’m so glad to see you!” I cried, and he turned
around.

Lipstick, running crazily up from the long mouth and under
the large nose, thick green eye shadow on the drooping eyes,
so sad, so sad…rouge like plague spots, like pestilence, on
coarse-pored cheeks. We stared at each other.

I began to cry and ran past him and around a corner—and
was in the elegantly lit, sweetly shadowed

HILL TOWNS / 241

Campo La Fenice. There were the dear green vines on the
little pillars of my hotel, and there the crowds of well-dressed,
strolling people, and there the Teatro Bar, with people like
me, people I know, eating and drinking and laughing. And
in the midst of them, Sam Forrest, at a table on the fringe of
the space, staring straight across the campo at me. Beside
him sat Yolanda Whitney. They had been drinking beer, and
when they saw me they got up hastily and trotted across the
campo, and I stood still and let them come to me.

It was Sam who caught and held me, smoothing back my
hair, rocking me gently back and forth, back and forth. And

Sam who sat me down and washed the tears and sweat off
my face with a napkin dipped in mineral water and listened
as I said, “I thought I could find you all, but I got lost. I
couldn’t…I saw a cat die, Sam. And…I think some others
ate it….”

His face twisted and he said, fiercely, “Goddamn them for
going off and leaving you. And damn you, Cat, for not calling
me. We’ve been looking for you for two hours….”

“Joe,” I said. I was amazed at how, now, my voice was
cool and even. “Is Joe here?”

It was Yolanda who spoke then. She put her arms around
me and said, “They’re waiting at Vino Vino. They thought
you might think to go there. We…Sam and I…went out
looking. Don’t worry about them. I’m sure as hell not going
to. Right now I’m taking you up and putting you straight to
bed. Sam can go tell them you’re safe. If he wants to.”

“I may,” he said, “and then again, I may not. Sleep well,

Cat lady. See you at lunch tomorrow with their fucking lord
and ladyships. Ah, sweet Jesus.”

242 / ANNE RIVERS SIDDONS

He kissed me on the cheek and shambled off toward San

Marco. Yolanda led me into the Fenice, her arm firm and
warm around me, and up to our dark room, and shucked
me out of my clothes and pulled the coverlet up. She did not
turn on the light, but she started the ceiling fan.

“Sleep late,” she said. “And then, about ten, you and I are
going to have a long breakfast and then go shopping and
bleed Joe Gaillard’s American Express card bone dry. Don’t
even think we’re not.”

“Thanks, Yolie,” I whispered, and wanted to say more, but
sleep and the fan’s wash took me down like an undertow. I
have no idea when Joe came in. I did not stir until after nine
the next morning, and by then he was gone again.

10

THERE WAS A NOTE. I PICKED IT UP FROM AMID THE

CLUTTER on the bureau top. Perhaps Joe and I
would simply go on communicating via notes for
the rest of the trip.

Have gone over to the hotel with Ada to help her and Maria
get Colin up and dressed. He insists on coming to lunch. See
you there. By the way, where were you last night? We waited
and waited. Love, J.

We waited and waited. Love, J. I crumpled the note up and
threw it into the wastebasket.

“What’s this we stuff, paleface?” I said aloud, and then
snapped my lips shut as I felt tears well and sting feebly. No
more tears. I was not going to cry anymore. In any case, I
did not think there were many more tears left. There seemed
to be a vast, cool, dead space inside me. I would operate out
of that and go through the remaining days, and then we
would go home.

When I thought the word, no picture came.

I showered and dressed, feeling as stiff and frail as if

243

244 / ANNE RIVERS SIDDONS

I had been beaten or was in a wreck of some sort. It was still
very hot, and the sun had burned most of the color out of
the canal and sky. I thought I would have some coffee, and
then perhaps a plan for the morning would present itself. It
seemed important to have one. It was nearly ten when I went
downstairs.

The desk clerk—the day clerk, not Alvise—told me that

Signora Whitney was waiting for me in the garden, and I
remembered then that Yolanda had said we’d have breakfast
and then go shopping. Why not? It would pass the time.

And then, when I saw Joe again, there would be people
about, and I would not have to ask him the huge thing that
hung in the air between us.

Why didn’t you look for me last night?

And I would not have to see in his eyes the answer. I could
not imagine one that would serve.

Yolie was there at a table, drinking caffè lungo and poring
over a list of some sort. She was in a white linen blouse,
sheer gathered skirt, and sandals, her hair tied up in a
ponytail, sunglasses pushed atop her head. She looked about
fifteen. Her face was scrubbed and shining, her eyes clear.

It struck me she had looked younger and healthier each day
we had been with her, after those first two in Rome, and I
remembered she had drunk nothing stronger than mineral
water since then. Rome had obviously been an aberration,
a kink of some sort. Tension and anger over the dropped
program, the despair of a woman making her way alone in
a fast, hard profession. She looked as appealing and whole-
some this morning as she did on her television programs,
and I liked her a great deal more than I had ever thought I
might.

She looked up and smiled, and I smiled back. It was a

HILL TOWNS / 245
stiff, small smile, but it made me feel a little better. I could
function, then.

“Ready to do some serious Joe Gaillard bashing?” she said.

“You mean shopping?”

I busied myself with the menu so I would not have to look
at her. I did not want to talk about last night; what happened
was too large and intense for chatter. It felt shameful, as if I
had done something so irrevocable and embarrassing that
everyone would remember it about me forever after, even
though they might not wish to. Maybe it was like that to be
a drunk.

“Shopping, dishing, bitching, whichever way you like,”

she said, pouring coffee for me. “He was an asshole last night,
and so was Ada. I told him so too. And I’m going to tell her
when I see her.”

“You saw him this morning?”

“I sat out here until he came by on his way to go help Ada
with Colin, as he so carefully explained his errand of mercy.

And I asked him as nicely as you please how you were this
morning, and he said he didn’t know; you were dead to the
world when he got in last night, and he hadn’t wanted to
wake you. So I let him have it.”

“Lord, Yolie, what did you say?”

“That you’d gotten lost way back in that section over near
the Rialto where nobody in their right mind goes after dark,
and practically walked yourself to death trying the find the
restaurant, and a bunch of greasers cornered you and nearly
raped you, and you ran into all kinds of other gruesome
things, and what in hell did he think he was doing, sitting
over there drinking wine with Ada Forrest while you were
lost in Venice and Sam and I were out of our minds trying
to find you? And that I wouldn’t leave my worst enemy to
try and find that

246 / ANNE RIVERS SIDDONS
damned bar by themselves and it had been my impression
that you were his wife, not his enemy, though lately you
couldn’t prove it by any of us. And—”

“Oh, God,” I breathed. “You didn’t. Oh, Yolie, I was going
to handle it. I…there was no real harm done.”

“No?” she said. “You were shaking and crying and white
as a sheet—I thought you were going to faint—but there was
no harm done? Cat, listen, it may be none of my business,
but it’s pretty obvious that you…that there’s some sort of
emotional thing going on with you, or has been. You handle
it well, but I’ve seen the little tremors in the hands, and the
sweats, and the pills in your bag. I know the signs. I’ve been
there myself. I think you’re much better, and you may be
nearly well, but you don’t let someone who’s fragile,
who’s…healing…go into that kind of jeopardy. Not know-
ingly. And he can’t say he didn’t know.”

“Well, he didn’t know I was going to try to do it by my-
self,” I said. “He said in his note for me to call Sam and go
with him.”

My own words sounded reasonable to me, calm and sane.

Perhaps I had overreacted; maybe he had not, after all, been
careless with me.

“But you didn’t.”

“No. I fooled around until it was so late I knew he’d have
left himself, and…well, really, I wanted to see if I could do
it. It seemed simple, and it was still light. I thought an idiot
could do it, and I was tired of always being—unable to do
things by myself. I’m not a child and I’m not stupid. But I
couldn’t do it. I guess…I’m not ready yet. Maybe I’m not
going to be. I feel like such a coward!”

She leaned over and put her hand over mine.

“Listen,” she said. “I know what you’ve had is agora

HILL TOWNS / 247
phobia. And I know you’ve been in therapy and gotten strong
enough to come all the way over here, after not being able
even to leave your town for your entire life. You think that’s
cowardly? You think what you did to those creeps last night
was cowardly? Christ, Cat, you turned around and stood
up to them, and ran them right out of that campo, and told
them to go fuck themselves to boot. As Winston Churchill
said, ‘Some chicken!’”

We stared at each other, and then we began to laugh. The
awfulness of the night before took a sly, sliding skew in my
mind and became darkly funny, a thing to remember and
laugh about later, a story to tell and retell for many years. I
wanted to reach across the table and hug her, gather up the
sleek brown solidarity of her in my arms and squeeze as hard
as I could.

“You taught me everything I know,” I said. “Thanks for
more than you’ll probably ever dream. What did Joe say
when you told him?”

“He said he was sorry, he had no idea,” Yolanda said.

“And to give him his due, I think he really was. He was quite
shaken. He was going to go back up and see about you, but

I told him no dice, to hand over his Amex card and go ahead
and minister to the newlyweds. And to take you somewhere
wonderful tonight all by yourselves, and start treating you
like you deserve, and let Sam take his own damned wife to
dinner. He said he would.”

I felt dizzy. I could not imagine anyone talking to Joe like
that. It was not that his presence forbade it, it was simply
that he had never done anything to prompt such words. It
seemed impossible that it would come up. He had never
been anything but cherishing to me.

But we had, I thought, been in a place for some days now
where the old rules simply did not hold. Suddenly I

248 / ANNE RIVERS SIDDONS
wanted to run, literally run, over to the Europa and Regina
and take my husband by the arm and pull him out of there
and take him home. Just…take him home.

“Why couldn’t Sam help Ada and Maria with Colin?” I
said, and heard my own peevishness in my ears.

“He was going over to Torcello this morning,” Yolie said.

“He goes at least once every time they come to Venice.

Nothing stops him. If Ada couldn’t have gotten Joe, she’d
just have had to work it out. It’s not as cold-blooded as it
sounds; he knows she could manage.”

“What’s on Torcello?” I said.

“I’m not sure. It’s a kind of pilgrimage, or something. I
know he has a friend over there, an artist, and he takes Sam
over to San Francesco del Deserto in his boat. There’s an
old Franciscan monastery there, and it’s very peaceful and
beautiful, full of birds and cypresses and wonderful plants,
a kind of botanical specimen garden. But that’s all there is.

Maybe eight or nine monks at most. He’s told me that he
goes but not why, and I don’t think he ever takes anybody
with him. I think Sam has a place in every city, a kind of
bolt-hole, a retreat, that he goes when things get messy or
complicated or overwhelming. Especially if he’s painting or
is about to start one of his frenzies of work. He’s absolutely
single-minded about not letting anything get in the way of
that. So he has places he retreats to. It’s my bet, too, that he
didn’t want to mess with Joe and Ada this morning. He was
really steamed at both of them last night for leaving you.”

I felt myself redden.

“I absolutely hate being the cause of…turmoil. Discord,”

I said. “I wish he didn’t feel he had to hide from all this. I
wish nobody felt they had to handle me. I’m tired of it.”

HILL TOWNS / 249

“Sam doesn’t feel he has to do anything,” Yolanda said.

“He does what he wants. That’s the only thing I hope you’ll
remember about him, Cat. Sam does what he wants to do.

And needs to do.”

“That sounds pretty cold-blooded,” I said. “Like he’s arrog-
ant or uncaring or something. But he’s not; he’s as caring a
man as I’ve ever met. And why do you say you hope I’ll re-
member it?”

I was tired, suddenly, of skating around things. If she
wanted to tell me something about Sam Forrest, let her do
it. If she thought anything about me and Sam Forrest, let me
hear it.

“There are people like us and everybody else,” she said
slowly, “and there are people like Sam. There are…geniuses,

I guess. They aren’t like other people. Some things have
gotten left out. You might not notice it for a long time;
they’re usually warmer and more charming than anybody
else you’ll ever meet. But eventually you’ll see that the things
most people value just…aren’t there. Some of them, anyway.

What they have instead is that enormous force, that focus,
that energy, that sheer talent. It’s enough, as long as you
know. But some people…vulnerable people, gentle
people…always seem to get hurt around them. That’s what

I wanted you to remember.”

“Are you trying to tell me something else, Yolie?” I said.

My face burned.

“Nope,” she said. “Just that. Come on. You ready to shop
till we drop?”

I got up and followed her slowly out of the garden of the

Fenice et des Artistes and into the little campo beyond it,
toward San Marco. The heat was a weight that pressed down
on me, and I felt as though I were moving along the bottom
of the sea, slowed and dreamy

250 / ANNE RIVERS SIDDONS
and surreal. It did not matter. It was not worth pursuing.

Who knew what she meant? Hadn’t we decided, Joe and I,
that she had been in love with him once and might still be?

I did not want to know what her purpose was in talking so
of Sam Forrest, and I was going to let it slip from my mind
like a thick ribbon of oil, sliding into the sea around us. I
liked her and I felt better and it was my last day in Venice.

Enough.

As we crossed the great piazza from the dark shade of the
loggias around it, heading for the shops, I thought of some-
thing.

“When did Joe tell you I had agoraphobia?” I said. “I don’t
mind your knowing; it’s true. I’m just a little surprised that
he’d tell you.”

“He didn’t,” she said. “Ada did. Way back in Rome.”

I said nothing, only walked beside her in the white
brightness, the air full of the wind of wings around us. She
knew, then. Ada Forrest knew of my crippling fear, and still
she let my husband go with her to Do Spade without me.

And if she knew, who told her, Sam or Joe?

I did not know which prospect bothered me more. So I
let them both go, too, go with the other dark ribbon curling
into the blue water, and followed Yolie on in brightness.

We did, indeed, shop until we dropped. By noon our arms
were laden with packages, clouds of tissue, beautiful
marbleized papers tied with string and ribbons. I, who dis-
liked shopping and seldom fancied, on first glance, anything

I saw in shops and stores around the Mountain, fell in love
with nearly everything I saw that morning. I was literally
drunk on things. I have a good

HILL TOWNS / 251
eye, I think, for quality, but that morning all the spoils and
baubles of Venice enchanted me, and Yolanda had to steer
me away from the dross and toward the gold. I would have
bought indiscriminately. As it was, we found treasures and
bought enough of them so I would, I knew, literally gag
when the bills came in on the Mountain, next month. But it
did not seem to me that that would ever happen, and so we
foraged on.

I bought a beautiful lace tablecloth and napkins for Maria
and Colin, and goblets and pitchers and other glass fantasies
for people on the Mountain and for Joe and me and had
them sent, and I bought a glorious silk paisley ascot for Sam,
laughing to think of it over his matted red chest, and perfume
in an exquisite crystal decanter for Ada, and a scarf like sun
on butterfly wings for Yolie, and a dress of a silvery green
for myself, a simple column of silk that looked like poured
green honey on me, strange and lovely. I thought I would
wear it to our royal lunch. In a shop far back on the other
side of the piazza, one that advertised itself as an outfitter
for English gentlemen, I snatched up things for Joe I would
never on earth have bought for him in America: shirts of Sea

Island cotton so fine they felt and draped like tissue silk, as-
cots, a gorgeous off-white silk slub jacket that was as light
as voile, a black silk T-shirt, a panama hat with a black rib-
bon band. And a soft, silvery Mandarina Duck bag to carry
them all home in.

“Charge it, please,” I said, over and over, in the thick,
dreaming voice of a drunk ordering one more round, and
clerks who looked like dukes and duchesses smiled and said,

“Si, signora,” and hastened off to wrap my purchases in gold
and silver.

“You are,” Yolanda said as we ambled back toward the

Fenice with our arms heaped high, sweating and

252 / ANNE RIVERS SIDDONS
sated, “as apt a pupil as I’ve ever had. I could have you in
bankruptcy court in a week.”

“You can’t take it with you,” I said.

When I got back to our room, staggering under my load
of plunder, Joe was there, stretched out on the bed with his
arms crossed behind his head, sipping wine. He looked at
me, not quite smiling.

“Hey,” he said. “I was afraid I’d missed you. And I’m not
going to do that again. Come here and give me a kiss and
tell me you shoplifted all that. And then I’ll start telling you
how shitty I feel about last night. It’s going to take a long
time.”

I dumped the packages on the bed and ran around to his
side and dove onto the bed and on top of him, pinning him
down.

“I’m so glad to see you,” I said.

We lay there lazily until well after one, the thumping over-
head fan cooling our damp naked bodies, our legs loosely
entwined. I felt distanced from everything around me except

Joe; I knew we must and undoubtedly would talk soon, but

I was reluctant to speak. It was enough simply to be. There
had been little of simplicity in our lives in the past week, and

I was fiercely reluctant to let it go now. We had not spoken
since we made love.

“We probably ought to get up,” Joe said finally, leaning
over to bite my shoulder gently. “I’m not sure how permiss-
ible it is to be late for a lunch with royalty.”

“They’re not royalty,” I said, tracing the sharp crag of his
hipbone with my fingertips. “He’s not even a real lord. It’s
a lifetime peerage. He got it for being such an enthusiastic
supporter of the arts in Britain, which means he dropped a
wad or two to sponsor people like

HILL TOWNS / 253

Sam Forrest. He’s a Scot from Glasgow who made his first
billion in plastics and she’s German: East German, actually.

An actress, or was. He met her when she was nineteen; she’d
just gotten to London and was beginning to get little parts
here and there. She was sort of a cause célèbre, I gather;
she’d come over the wall when she was sixteen. Literally
over it, on her hands and knees. She’s supposed to still have
scars from the barbed wire on her legs and hands. I think
she was a great beauty. He’s much older.”

“Where on earth did you hear all that?” he said, stretching
hugely. I could hear the bones of his spine and hips and
knees pop, in sequence. I smiled. It was a sound I always
associated with Joe.

“Yolie. She told me this morning. She said Sam was de-
termined to paint her before he even met her. He’d heard
about her and was just knocked out with her courage. It was

Ada who arranged a meeting, when she and Sam were in

London not long after they married. He asked Verna if he
could paint her before an hour was up, Yolie said, and the
rest is…you know.”

“History. It’s a good thing she was a beauty; what would
he have done if she’d been plainer than knock-wurst?”

“Painted her anyway, I imagine. Yolie says he was so
smitten with the idea of her that he couldn’t have seen her
plain. He painted her as a Valkyrie, you know. With the
spear and the fire and all. It sounds like the worst of the

German romantics—Hitler weeping at Wagner—but Yolie
says it’s stunning. It’s in that horribly chic little expressionist
gallery near the Tate. Only on loan from Lord Cardigan,
though. His name is Orkney, by the way.”

He began to laugh.

254 / ANNE RIVERS SIDDONS

“Jesus. As in Isles? Sir Orkney Cardigan. What does she
call him, Ork?”

“She calls him David, fool. Orkney is a middle name or
something. Wait’ll you hear what he calls her.”

“My breath is bated.”

“Dump. For dumpling. Yolie says she’d put up with it too,
for four billion dollars—but only for that.”

“There’s little our fair Yolanda doesn’t know, is there?” he
said. “Or tell.”

I knew from the carefully neutral tone of his voice that

Yolanda’s scolding this morning had nettled him. Joe hates
being lectured.

“I brought you a surprise,” I said. “Some surprises, rather.

They’re in those biggest boxes over there. You can take them
back if you hate them, but you need clothes so badly, and
these are perfect for Italy. You don’t have to wear them again
until we come back.”

He got up and opened the boxes and lifted out the things

I’d bought that morning, smiling quizzically as he held them
up, one by one. The blinds were slatted against the blinding
glare outside, and light fell in stripes across the long, angular
length of him. I thought again what a beautiful body he had
still, and how wonderful it felt under my hands. The thought
flashed quick and bright, like a flashbulb, of another body:

thick, powerful, damp with sweat. I shook it away. I rolled
off the bed and hurried over to the hatbox on the chaise,
and pulled out the pale panama fedora and clapped it on his
head.

“Voilà! Instant Italian. Oh, Joe, you look just like a young,
skinny Marcello Mastroianni!”

He walked, still naked, to the pier glass in the corner and
looked at himself. He cocked his head this way and that and
pulled the hat low over his eyes. He turned to me, grinning.

HILL TOWNS / 255

“It’s ridiculous. Who wears this stuff?”

But I could tell he liked himself in the hat. He did not take
it off.

“People who lunch with Lord and Lady Cardigan on the

Gritti terrace, or whatever,” I said.

“I’d be booed off the Mountain.”

“Who cares? You’re not on the Mountain now. Wear it
to lunch, will you? Just for me?”

“Just for you, I’ll wear it all,” he said. Then he came over
and took both my hands and sat me down on the edge of
the bed and sat himself, facing me.

“Yolie gave me holy hell this morning,” he said, “and she
should have. I had no idea you’d been through such a bad
time last night; I’m sorry, baby. I thought you’d just decided
not to come. I truly didn’t think you’d try it alone, but that’s
no excuse. I’ve left you by yourself way too much on this
trip. I’m not going to do it again. You’ve done wonderfully
well over here, so well I forget what you’ve come through,
how bad it was for you all those years. Shit, I haven’t even
told you, have I? That I’m proud of you? But you’re not up
to things like last night, and I’m not going to let you go it
alone again. I’m going to take much better care of you. If
you’ll forgive me?”

They were the words I’d wanted to hear, and they should
have made me feel like Cat with Joe again, cherished and
safe. Instead, I bristled inside, very slightly.

“I did OK by myself, considering,” I said. “Did Yolie tell
you I ran off a bunch of thugs who were going to rape me
or worse in some deserted little campo? Went at them with
my nails and told them to go fuck themselves?”

He laughed and hugged me to him briefly. The hat tipped
off his head and tumbled onto the floor, and he got up and
retrieved it.

“You probably insulted the very life out of a bunch of

256 / ANNE RIVERS SIDDONS
good blue-collar husbands and fathers on their way home
from a little bocce,” he said. “My God, Cat, I’d love to have
seen that! My good little kitten, her tail all fuzzed up and
spitting, yelling Italian dirty words at the butcher and the
baker and the glassmaker.”

“They were going to hurt me, Joe,” I said.

“Oh, honey—”

“They were. You weren’t there. I know they were.”

“Well, they shan’t get a chance, because I’m not going to
let you go off by yourself again,” he said soothingly, and
began to collect his luncheon outfit from among the things

I’d bought him. I sat for a little space of time, looking at the
naked back of him, feeling inexplicably out of sorts, and then

I got up and showered and dressed.

He wore the hat with his beloved chinos, the black silk T-
shirt, the creamy jacket with the sleeves rolled up, and a red
ascot. He rolled another of the ascots thin and tied it around
his waist. He had had his good Brooks Brothers loafers
polished to a dull shine, and he wore them without socks.

His ankles were slender and tanned and strong. He looked,
literally, like no one I’d ever seen before, theatrical and for-
eign and incredibly handsome, film-star handsome. His face
had darkened from the days in the fierce sun of Italy, and
his mustache was lighter, spun gilt against his face. His teeth
flashed. You could not see the blue eyes under the brim of
the hat.

“My Lord,” I said. “Marcello Mastroianni in Miami Vice.

Just look at you! You’ll be beating women off you in the
streets.”

He studied himself again in the mirror, laughed, and turned
to me.

“That’s a great dress,” he said. “Did you get it today? Turn
around and let me see.”

HILL TOWNS / 257

I turned slowly before him, like a mannequin.

“It only needs one more thing,” he said, grinning at me.

“What?”

“Take your bra off, Cat. You don’t need it anyway. That
dress was made to kind of slide over little nipples.”

“Joe!”

“Will you try it? For me? If I can wear all this stuff to
please you, can’t you just shuck a bra you never did need to
please me?”

“I’d feel like a call girl,” I said, my face hot. “What on earth
do you think you’re doing, pimping for me? I’m not going
to lunch with Lord and Lady whoever and half of Venice
with my tits showing!”

“You can get away with it precisely because you look like
a Florentine angel and not a call girl,” he said. “Very few
women could, but you can. Come on, Cat. Dare you.”

“This is absolutely perverted,” I said. “You’d hide your face
if any woman we know on the Mountain came to lunch with
her tits hanging out. Me especially.”

“As you say, we’re not on the Mountain now,” he said. “I
just thought since I was going to go native, you might like
to try.”

I went into the bathroom and took off my bra and
smoothed the silver-green jersey dress down over my body
and looked at myself in the mirror. He was right. The silky
stuff of the dress just skimmed my nipples and hips and
stomach, like a tunic; the effect was insouciant and erotic,
in a careless sort of way, and very young. I took off the ear-
rings and pearls I’d put on with it, and stripped off the
pantyhose, and slid my feet back into the cobwebby high-
heeled sandals I’d bought that morning. That was right, just
dress and shoes and skin. I went back out into the bedroom
and stood there, hipshot, while he examined me.

258 / ANNE RIVERS SIDDONS

“Wow,” he said softly. “I think maybe you better go put
your underwear back on. You didn’t take off your panties
too, did you?”

“Jesus, Joe! Of course not! But I’m damned well not going
to put the bra back on. You started this, you can live with
it. Come on, we’re late already.”

We were. By the time we reached the Gritti terrace the
others had gathered under one of the ubiquitous market
umbrellas. This table, like the one at Sam and Ada’s hotel,
occupied a choice situation in the corner of the vast floating
structure, separated from the glitter of the Grand Canal only
by large pots of flowering trees and shrubs. It was, I thought,
stepping onto the slightly heaving floor, like being on a giant
raft; it felt oddly festive, gay, and carefree.

“Like Huck and Tom, running away on the river,” I said
to Joe as he took my arm to steady me.

“Well,” he said, “here goes nothing,” and we walked over
to join our party.

Sam and Ada sat together, something I had never seen
them do, with their backs to the dancing canal, Sam in the
disreputable blazer and a sweat-splotched shirt and blue
jeans, the plantation hat resting almost on the tip of his nose.

Ada wore a red linen sheath that bared her incandescent
shoulders and an enormous red straw hat that left only her
sunglasses, her red mouth, and the loose fall of the silver
hair on her neck showing. It was a spectacular effect. I saw
eyes all over the terrace go to the group again and again,
though whether drawn by Ada or by Sam Forrest I could
not tell. I remembered anew that his face was internationally
known by those who followed the art and celebrity scene,
but then I thought that even if you did not know who he
was, you would have to look at him. He drew the eye like a
wild

HILL TOWNS / 259
animal, or wildfire. He stood when we approached, looked

Joe and me both up and down, and grinned.

“Holy shit,” he drawled. “We have been visited by the haut
monde, no two ways about it.”

I thought his eyes stayed a bit longer on me, and blushed,
and put on my dark sunglasses. From behind their comforting
shade, I saw him nod, very slightly.

To their right, on a padded wooden bench that ran along
the railing on that side of the terrace, Maria Gerard sat, and
beside her, his leg stretched out full length on the bench,

Colin Gerard half sat, half lay. He was noticeably thinner,
and his golden tan had gone mustard-yellow and was flaking
over his high cheekbones, but he was smiling widely, and
there was color in his face, two hectic circles of it on each
cheek, like theatrical makeup. It should have made him look
healthier, but somehow it did not. I thought he did not look
well at all. His hair was lank and needed cutting, and there
were deep saffron circles under his eyes. All at once I was
worried about him, quite worried. He looked as if he had
been literally eaten away by the pain of his injury.

And Maria. Maria was a pasty shadow of the buxom,
joyous young woman whose marriage we had celebrated not
a week earlier. She, too, had lost her high color and the shine
that had sat upon her like the bloom on a grape. Her unruly
dark hair had been dragged straight back and tied low on
the neck, like a European peasant woman’s, and she had not
bothered to put on lipstick. Or perhaps, I thought, watching
her chew distractedly on her lower lip, she had eaten it off.

Maria had never been one to make herself up, but she did
wear lipstick. Without it she looked sallow and used; in a
black knit dress and black shoes and stockings that I had not
seen before, she seemed to me a foreshadowing of the

260 / ANNE RIVERS SIDDONS
middle-aged woman she might, with ill luck, become. Even
as she looked up to greet us, she glanced obliquely at Colin.

Worried, I thought. She’s worried too. We really ought to
get him to a doctor.

Yolanda was not present.

Across from Maria and Colin, on Sam and Ada’s right,
sat the two people we had come to meet. Even without intro-
ductions, you would have known Verna Cardigan for what
she was: an Eastern European woman of once-great beauty,
now enormously wealthy. Lord Cardigan, beside her, could
have been any frail old man taking the sun like an ancient
turtle at any grand European hotel. It was Verna who was
unmistakably herself and no one else.

She was not beautiful now, but she was monumentally
handsome, and I thought perhaps that was all she had ever
been. But in her first youth she must have been truly spectac-
ular. There was something about her, even now at fifty or
thereabouts, that was monumental, like a pagan colossus.

Like…yes, like Sam Forrest. Lord, I thought, what a matched
pair they must have been in those early London days, when
he was painting her. I wondered if he had kissed her too, on
an afternoon of dancing light, and what had come after that.

I looked around the table smiling a polite, social smile while

I waited to be introduced, thinking there were indeed three

Sam Forrest portraits on this deck over the water of Venice,
and wondering if he had kissed us all, and more.

I had gone a long way yesterday, I thought, a long dis-
tance, measured in more than miles. I did not think I would
come entirely back from it.

“Hello,” I said, walking over to Verna Cardigan and putting
out my hand. “I’m Catherine Gaillard. It was lovely of you
to ask us to join you.”

HILL TOWNS / 261

“Yes,” she said in a deep, cigarette-rasped voice. “I wanted
to meet you. So you are Sam’s Cat. His eye has not left him,

I see.”

She tilted her head and looked at me intently and smiled.

Her teeth were long and square, slightly yellowed with
nicotine, and her lipstick was a startling candy pink, thick
and chalky, the kind we had worn in the seventies. Her eyes
were hidden behind huge dark glasses, but crinkles fanned
out from their corners when she smiled. Her chin was large
and square, her nose was aquiline, and her forehead was
high and slightly domed. She wore her straw-blond hair in
a chin-length straight bob. It fell over one eye like Marlene

Dietrich’s had. Her skin was olive, sallow with old tan and
leathery, and she wore no makeup that I could see except
the lipstick. She was lined like fine old glove leather, and
there were creases in her face and neck and jowls, and there
was no hint that she cared at all. She took off the glasses,
and her eyes were the strange dark-lashed yellow of a wolf’s.

This woman was a Valkyrie, without doubt. Sam’s vision
had been true.

“This is my husband, David, who has also been so anxious
to meet you,” she said. “He thinks perhaps Sam needs a tiny
little kick from the muse and hoped you would administer
it. See, David, she is lovely. He has not done anyone like
her before. I think there will be a new show soon, yes?”

She just missed saying, Ja, and I could hear the millenni-
ums of undiluted Aryan German in her voice. Her simple
surety, the sense of self, was almost frightening. Well, it was
what they had always had, wasn’t it, those purest of Ger-
mans?

David, Lord Cardigan, held up a tiny face like a monkey’s,
or a very old papier-mâché mask, and smiled with

262 / ANNE RIVERS SIDDONS
his thin lips pressed together. He did not wear sunglasses,
and his eyes were almost colorless, opaque and milky. But

I thought they had been blue, and his hair sandy, like a
proper Scot’s. Remnants of it were pasted over his mottled
skull like strands of seaweed. He had liver spots and tissue-
paper wrinkles, and the closed-mouth smile somehow held
great charm. It was impossible not to smile back.

“Lovely, yes,” he said in a cracked, chiming voice. “A Bot-
ticelli in her green, like she has just come in with the spring.

La Primavera. Or were you thinking della Francesa, Sam?

There is that too.”

“Bernini, perhaps,” Ada said, smiling her red smile.

The Cardigans were silent, studying me, and then they
smiled and nodded together.

“One can’t see it at first, but then…oh, yes. Quite stun-
ning,” said Verna Cardigan.

“I shall lobby very hard to finance this show, Sam,” Lord

Cardigan piped.

Sam grinned lazily.

“I think she’d prefer you thought of her as Cat Gaillard,”

he said. “Wouldn’t you, Cat?”

“That would be nice,” I said. I was intrigued with the

Cardigans, but I was childishly annoyed too. I did not like
being studied and cataloged, and I did not wish to be dis-
missed as simply Sam Forrest’s new painting. I could not
have said why I cared what Lord and Lady Cardigan thought
of me; they were so obviously the people I had thought I
would meet in his orbit when we first came to Rome, the
international artsy set. And I surely would not see them again
after today. But I did care.

“Of course,” David Cardigan said. “Of course you are a
woman in your own right, my dear, and no doubt a gifted
one; all of Sam’s portraits are of distinguished

HILL TOWNS / 263
women. Verna, and our dear Yolanda, and Ada, such a
manager and hostess she is. What is your area of expertise?

Don’t tell me you race motorcars.”

“She takes exquisite care of me,” Joe said, stepping forward
and bending over Verna Cardigan’s large, shapely hand.

Diamonds flashed massively in the sun. I looked at him in-
credulously; surely he was not going to kiss her hand?

“She’s a great gardener,” Sam said. “Her garden is famous
all over the place back home. And an art historian.”

“Then you will love Florence,” Verna Cardigan said. “The
wonderful art, and the Boboli Gardens, and of course the
gardens in Fiesole, and the Medici villa at Poggio, and I Tatti,
though I think that is private now…. Well, and so this is

Professor Joe. Mm-hmm. What a wonderful hat. I think I
will take it home with me, and you with it.”

She cocked her head and deepened her smile, and dia-
monds and precious stones flashed all over her: at her ears,
throat, wrists, on her fingers. I thought meanly that if Joe
planned on kissing her flesh, he’d have to hunt for a bare
spot.

I smiled gratefully at Sam and mouthed, Thank you, and

Joe laughed and dropped Verna’s hand in her lap and said,

“Ready when you are, Lady Cardigan,” and shook Lord

Cardigan’s hand firmly.

“I’m delighted to meet you, sir. Thank you for having us
to lunch.”

“It is entirely my pleasure,” Lord Cardigan said, and then,
to the group at large, “Don’t you think we might have a wee
nip more, now that everyone’s here? Except Yolanda. Where
is that lass?”

It’s like he forgets he’s a Scot, and then remembers

264 / ANNE RIVERS SIDDONS
and throws in a Highlandism or two, I thought. He’s really
more European than any of us.

“Hell, yes, let’s have several more wee nips,” Sam said.

“Yolie asked me to give you her profound regrets. She had
sudden and urgent business over on Burano. This is a
working holiday for her, you know.”

I laughed aloud, and Lord Cardigan raised his wizened
paw for the waiter, and the afternoon flowed on.

It’s odd about times like that luncheon, when strangers
come together in a strange place to do such intimate things
as eating and drinking together. There is no context for them,
and so, like amoebas, they form their own, make their own
shapes by simply flowing in to fill the natural hollows and
emptinesses. People behave in ways that are as strange to
them and those who know them as if they were actors. Per-
haps it’s because the other strangers present have no concep-
tion of them, and they are free, for once, to choose their
roles. On that swaying, dipping, dreamlike raft terrace, under
that relentless sun, amid that dancing glitter of foul green
water, we became, for that small capsule of time, other people
entirely.

Ada became a child, a pretty one, winsome and giggling.

She touched people lightly with her long fingers; she patted
knees and let her hands linger on other hands, and clapped
them together in glee and said over and over, “Tell Verna
and David about that, Sam,” and “Oh, Joe, do tell everybody
what you said on the Lido!”

And under her capricious urging, Joe did indeed tell what
he had said on the Lido, making of it something wry and
drawling and understated, so very English I half expected
him to say at the end of each sentence, “Don’tcha know?”

He was English all afternoon. He sat there under the shade
of the umbrella, lounging grace

HILL TOWNS / 265
fully, his bare ankle crossed on his knee, the hat riding low
over one blue eye, and tossed off Lesley Howard one-liners
until I thought Colin and Maria at least, who knew him so
well, would jeer him off the terrace. For myself, I would wait
until we got back to the Fenice and could read his mood
better, but then I planned to tease him unmercifully. It was
what I would have done at home, on the Mountain.

But Colin did not jeer him. Colin became the other half
of this fedoraed, sockless English county duet and fed lines
back to him, Cary Grant playing Brat Farrar, or maybe Mi-
chael Redgrave, just back in his shot-up Spitfire, wisecracking
as he bled to death in the cockpit with his damp-eyed, stiff-
lipped crew.

They were so utterly alien to me, and yet really so attractive
and funny, that I could only sit and stare and drink. We all
did that. Lord Cardigan kept the drinks coming and Joe and

Colin kept the Empire bit going and I sat and drank and
drank and drank, and did not get drunk, only more and more
paralyzed. Sometime about the third Bellini, I realized that

Joe and Colin were being who they were at home, on the

Mountain, only carrying it to the ultimate, logical degree.

Or they were being who they would love to be and dared
not: British to the core. Upper-class, Oxbridgian, donnish,
foppish, utterly English. It was what Trinity was all about:

training you to be British and then insisting instead that you
be Southern. It must be a great relief to Joe and Colin finally
to come out of the closet. They never would have dared to,
at home.

I licked peach nectar off my lips and realized I would forget
this startling insight as soon as I sobered up a little and, on
the main, was glad.

Maria became waspish, a Sicilian fishwife. She tossed

266 / ANNE RIVERS SIDDONS
her head, pouted, shook her foot, spilled wine down the
front of her dowdy black dress, whined and carped and once
or twice shouted shrilly at Colin.

“Look at him, jumping around over there, showing off and
acting like Sir Laurence Olivier,” she said to the group at
large. “He hasn’t moved in three days without moaning and
groaning, and God forbid I should want to put my head out
of the room for three seconds. He’s in such pain we can’t
even go down to the dining room, but all of a sudden he’s
ready to run the four-forty. Colin! For God’s sake, sit down
and quit posing! If you sprain something else I’m not going
to wait on you another second!”

“Easy, old girl,” Colin drawled, winking at Joe and Lord

Cardigan. “Don’t get your knickers in an uproar.”

They laughed heartily, the three of them. Maria’s brown
eyes filled with tears, and she took a deep breath to shout
something I knew she would regret. I didn’t blame her; I
wanted to smack Colin myself. There was nothing of the
golden boy about him now.

I reached over and took her arm.

“Don’t, love,” I said softly. “It’s something in the air, and
it’s going to have to wear off, like malaria. If you can be
noble about it now you can lord it over him for the rest of
his natural life.”

She looked at me. I did not know this woman.

“Sometimes I hate him,” she said. She did not bother to
lower her voice.

Sam became utterly silent, a sphinx. He did not say anoth-
er word until we had eaten our lunch, he who dominated
every gathering with his good-natured roars, his drawling,
mercilessly funny patter, the sheer, physical fact of him. He
pulled the hat farther down over his face, until his eyes were
utterly obscured, and sank his

HILL TOWNS / 267
chin onto his chest, and slumped motionless in the sun.

Perhaps he slept.

I thought of Yolanda’s words that morning: “Sam has a
place in every city that he goes when things get messy or
complicated or overwhelming.” Perhaps he had places inside
himself he went, too, when things did not please him and
he could not retreat physically. Perhaps he was there now.

I did not blame him, but the thought made me feel oddly
lonely.

After we had finished lunch, the waiter brought espresso
and coffee and we lingered on. I was hot and depleted and
inert, and longed for a nap in a dim room, and Maria and

Sam were silent. But still Joe and Colin nattered on, and

David and Verna Cardigan still applauded and encouraged
them.

“You two, you are wonderful,” Verna Cardigan said. “I’ll
take you both home with me. Joe, would you really trust
your Cat to Sam?” Her tight linen dress had ridden up over
her knees, and I could see, then, the cross-hatching of tiny
white scars on them, dead white against the dingy tan. Well,
so what if she was a genuine heroine? Heroines could behave
as smackably as anyone else. I hoped Sam was listening.

It’s me he’s painting now, lady, I thought. You don’t like
that, do you?

“Cat’s a big girl,” Joe said, smiling his new, slow white
smile at Verna Cardigan. “She does what she pleases. The
painting seems to be doing her a world of good.”

“Ah, ha! Sam is good, all right!” Lady Cardigan cried
archly.

“Dump, you’re being a bad girl now,” Lord Cardigan said
fondly. “I can’t take you anywhere these days.”

“I think,” I said, putting aside my coffee and begin

268 / ANNE RIVERS SIDDONS
ning to rise, “that we’ve kept Lord and Lady Cardigan out
in this sun far too long. It’s surely time everyone had a rest.”

There were protests, but Maria rose too, and Sam came
out from under his hat, got to his feet, and stretched. Just at
that moment, a scurry and puff of wind found its way under
the umbrella, set the napkins aswirl, died away, and gusted
again, stronger. Then it began to blow in earnest. It was
steady and dry, and felt absolutely wonderful. Around the
terrace, people shifted and stretched and seemed to revive.

“That feels heavenly,” I said, holding my bare arms out to
the wind. It seemed to dry the perspiration off them in
seconds.

“Sirocco. Comes across from Africa,” Sam said. “It may
feel good now, but wait a day or two. We’ll probably all
have killed one another. The Sicilians call it the murder wind.

It’s supposed to drive people to bodily mayhem.”

“I’ll worry about that tomorrow,” I said. “Right now I love
it.”

Lord Cardigan produced a small camera from somewhere.

“Must have a wee photo or two, to remember this fine day
by,” he said. “I want to have the first photo of Catherine

Gaillard, before she becomes immortal.”

I shook my head, laughing, but he insisted, and so I let
him snap me, and then me and Sam, and then all of us to-
gether.

“This’ll show up in the authorized biography of Sam For-
rest someday,” Joe said. I knew he meant it, and loved being
in it.

“Now,” David Cardigan said, “somebody take one with
me in it. Joe, how about it?”

HILL TOWNS / 269

“Yes, do,” Verna Cardigan cried. “You look like a photo-
grapher for Le Monde or Town and Country. The famous
photojournalist, snapping our picture.”

Joe grinned and got up and took the camera and squinted
into it.

“Turn around and face the water,” he said. “It’s not going
to come out with your backs to the sun.”

He walked around us, lining us up, squinting judicially,
stepping back, arranging us again. I thought he was fully
into his new role as photographer to the famous. Joe had
seen Blowup four times.

“Come in closer together,” he said, his eye pressed to the
viewer. “I can’t get you all in. No, it’s still not enough. Wait
a minute—”

He stepped backward, once and then twice.

“Joe!” I shouted.

He waved at me to be quiet, stepped back again, and went
straight down into the Grand Canal. For an instant, only his
hat bobbed on the oily water. I gasped, unable to say a word.

No one else did, either. Only when Joe shot up out of the
water, his eyes closed, spitting and flailing, did anyone move
or speak.

“Oh, God, darling!” I cried, and started for him.

Sam Forrest began to laugh.

It did not help at all that it was Sam’s great bare arms that
fished Joe out of the water as if he had been a child.

Not at all.

Much later that afternoon, just at dusk, Joe and I sat at a
small table outside Florian’s, having a caffè granita. The air
was cool and dry, like wine after the sluggish stew of the
past few days. The sirocco blew and blew. The great piazza
was full of people, strolling, drinking, eating. The

270 / ANNE RIVERS SIDDONS
light was clear and blue-edged. A few tables over, the small
string quartet was sawing away.

“I did it my way,” they tremoloed, and then segued into

“Those little-town blues…”

“Napoleon called it the finest drawing room in Europe,” I
said to Joe.

“He should know,” Joe said.

He was very quiet. He had been quiet since he came out
of his long hot shower in our room. He had scrubbed himself
until he was raw and red, and I thought once that I had heard
him vomiting. But I had said nothing. On our way home,
trudging the endless alleyways, people regarding him curi-
ously as he squelched along, I had said, “Darling, it matters
less than nothing,” and he had said, in a low, hopeless voice,

“Cat, please. Just don’t talk.” So I had not.

I had slept for a while, and I thought he had. Around six
he’d said, “Get dressed. I promised you dinner out, and
dinner out, you shall have.”

“We don’t have to. I’d truly just as soon get something
here—”

“No,” he said. “I want to. Just us. We’ll have a drink at

Florian’s and then just walk somewhere and find something
we like and stop.”

And so we had come out into the twilight of our last night
in Venice, he in shorts because he had nothing else dry, I in
pants and a striped shirt. He had given the chinos to the
hotel valet to wash and press but had told them simply to
keep the rest of the things.

“They won’t dry in time,” he said to the valet, but I knew
he did not want to see them again.

He seemed calm, abstracted, not really upset, but some
essential fire had been drowned in that thick green water. I
knew he hated the thought of it; filthy, he had

HILL TOWNS / 271
called it. Full of excrement and dead things. My heart hurt
with pity for him.

I touched his hand.

“We really should get you a typhoid shot or something,”

I said.

“Ada knows a doctor in Florence; she said she’d call him
when we got there,” he said dispiritedly. “She thinks he’ll
probably come to the hotel.”

“I’m surprised she didn’t just pull out a hypodermic with
the proper antidote and tell you to drop trou right there on
the Gritti terrace,” I said meanly. Ada would, of course, know
a doctor in Florence who would come to the hotel.

Joe laughed, unwillingly, and I felt better.

“I’m sorry you didn’t get to see Saint Mark’s and all,” I
said.

“I’m not,” he said. “I’m sick of Venice. Nothing is what it
seems. They even stole their saint.”

“Joe,” I said suddenly, “do you want to go home? We
could. We could fly from Florence to Rome and then straight
home.”

He picked up my hand and traced the lines in my palm
with his forefinger. Then he looked up at me.

“Do you?”

“Maybe so,” I said. “It wouldn’t be a disgrace. Maybe all
this is just…not us. Maybe what we are is what we are at
home; maybe that’s our best talent. It’s an honorable way
to live; it’s a wonderful way to live. So what if it isn’t Sam’s
way, or Ada’s? They couldn’t live our way.”

“I love you, Cat,” he said, so softly I almost did not hear
him.

“I love you too.”

Then he raised his head and looked past me, and

272 / ANNE RIVERS SIDDONS
something came into his face, a hectic, glittering thing, and

I turned and followed his gaze and saw Sam and Ada Forrest
coming across the piazza toward us, with David and Verna

Cardigan in tow. I saw it go in his eyes, knew the instant I
lost him.

“Speak of the devil and he shall appear,” Joe shouted gen-
ially, rising from his seat. “Sit ye doon, lasses and laddies.

Name your poison.”

11

HE CAUGHT A COLD. OF COURSE HE DID. JOE,

WHO PLAYS tennis on the Mountain in January
without his warm-up suit, who dashes all over
the Trinity campus during cold spring rains in a sodden,
flapping gown without an umbrella, caught a virulent cold
from the waters of the Canal Grande and was very sick from
it and other things all the way to, and nearly through,

Florence. I was quite worried about him for a while, and I
think the doctor Ada Forrest knew in Florence, who did in-
deed come to the hotel, was too.

“The water of Venice is bad,” he said, and gave Joe injec-
tions for many things, among them hepatitis, tetanus, and
something “for the febbre…the fever.”

I heard the coughing start the night before we left, a dry,
tight sound that I recognized, with dread, from his infrequent
respiratory illnesses and Lacey’s frequent childhood ones. I
got up and gave him aspirin and found him shivering and
turned off the overhead fan. As I was getting back into bed,
he said from beneath the muffling

273

274 / ANNE RIVERS SIDDONS
covers, “Could you close the windows? The wind hurts my
skin.”

I lay there for the rest of the night, running sweat and
thinking that if we had gone back to the hotel after dinner
and summoned a doctor, as Ada and I had wanted to do,
instead of going on to Harry’s Bar with Sam and the Car-
digans, as Joe had insisted upon, we might have forestalled
some of what I knew lay ahead. Joe seldom gets sick, but
when he does, it is a baroque sickness, florid and full-blown.

If he had had medication and a long night’s rest, instead of
many Bellinis and a great deal of food and many brandies
after that, long into the night, we might have been spared
this. But somehow I did not really believe it. The bile that
boiled in Joe that night was as much the byproduct of his
crushed and humiliated spirit as of the canal water. It was
going to come out no matter what. He spent his last night
in Venice trying to atone, with drinks and food and clev-
erness, for the foolishness that had plunged him into the
water. And he was brilliantly funny and handsome and utterly
charming to Lord and Lady Cardigan alike. I truly believe
that by the time we finally parted in the Piazza San Marco
they had quite forgotten the mishap, and he had forgiven
them for witnessing it.

I did not think he would ever forgive the rest of us. Espe-
cially Sam. Not for laughing—I could hear that damned
braying laugh underwater—and not for rescuing him.

I called Ada Forrest early the next morning and told her
he was ill and I thought we should get a doctor.

“I’ll be right there,” she said, and hung up before I could
dissuade her. Joe still slept heavily, tossing and coughing,
wet with sweat but shivering. I ordered coffee and was sitting
at the desk, sipping it and trying to think

HILL TOWNS / 275
what to do, when she tapped softly at the door. I let her in,
tiptoeing so he would not waken, and she put her finger to
her lips and went silently over to the bed and looked down
at him. As if he sensed her presence there, he started and
woke.

“Not too good, hmmm?” she said, putting her long fingers
on his forehead.

“Not too bad,” he said, struggling to sit up. “Christ, I must
look like ten miles of bad road. What are you doing here,

Ada? Have I died? Is this heaven?”

“A long way from that,” she said, smiling. “You have a
dreadful cold. We’re thinking about getting a doctor for you
and maybe staying over another day. It’ll be a lot easier
traveling tomorrow when you feel better.”

“I don’t want to stay in Venice,” he said fretfully. “I want
to get out of this damned…miasma…and get up into the
hills. Do you know any doctors here?”

“No, but the Europa will know a good one. I’m sure he
would come.”

“Absolutely not,” Joe said, getting up out of bed and
stumping on tottering legs into the bathroom. He slammed
the door, but we could hear him clearly. “I’m going to

Florence this morning whether anybody else does or not.”

She rolled her pale eyes theatrically at me, one woman to
another, a testament to the monumental and eternal obstinacy
of men. It was a comforting gesture, for some reason, and I
grinned, even though I was very worried and annoyed at his
pigheadedness. I was annoyed at her too, obscurely, even
while I was grateful. If she had not come so early, Joe would
have finally let me talk him into staying in bed and having
a doctor. I knew he would. He was grandstanding for Ada

Forrest.

I wondered if she got up early to put on her makeup

276 / ANNE RIVERS SIDDONS
or simply slept in it. Even at this hour, after little sleep, she
looked flawlessly put together and polished, silvery hair
sleeked straight back and lacquered, red mouth fresh, crisp
white shirt tucked into linen pants, soft Italian flats on her
narrow feet. She was perfectly dressed for a day of motor
travel. She’s got a ticket to ride, does Ada, I thought.

“Your wish is our command,” she called to Joe through
the bathroom door.

And so we set out for Florence, the six of us and Yolanda

Whitney, in a caravan of two cars, pinned to the flat, straight
road by the relentless sun of the Veneto, buffeted all the way
by the sirocco out of Africa. The murder wind.

Ada arranged us.

“There must be someone who knows the road in each car,”

she said, as the Europa and Regina’s launch wallowed along
the Grand Canal toward the Hertz agency at the station. Joe
sat dumbly, his face blank and thick with misery, on the back
bench seat next to Colin, whose foot was buffered with pil-
lows. Sam half stood, half sat, his face under the hat brim
turned toward the beautiful stained palazzos we passed. He
said little; it was impossible to tell what he was thinking.

Gone away inside himself again. This heaving procession of
illness and mayhem must be overwhelming to him. He had
thought to come with us simply to relax and paint. What a
great bother we’ve been to the Forrests, I thought bleakly.

“I will go with Colin and Maria in the station wagon, and

Joe will come with us,” Ada said. “That way there will be
room for Colin and Joe both to stretch out, and Maria and

I can take turns with the car. I can dose the patients too.”

She smiled. “I have the first-aid kit.

HILL TOWNS / 277

“Sam will go with Yolie and Cat,” she went on. “He’s a
terrible driver, but he knows the roads like the back of his
hand, and he’s a formidable presence, just in case.”

She smiled at him. He gave her a slight, mocking bow.

“I ordered box lunches for us because there’s really not a
decent place to eat between here and Florence. We can stop
somewhere and picnic. We’ll need to stretch, anyway. They
look wonderful; cold chicken and brioches, and cheeses and
a little salad, and lots of wine.”

“You think of everything,” Maria said. “What would we
have done without you on this trip?”

She looked as if she had not slept in days. When had she
lost so much weight? I thought she and Colin both looked
as if they were dwindling away. The hills, I thought. We
need to get up into the hills. The wind blew and blew. It did
not seem to cool this morning as it had done the afternoon
before. It parched you, tightened your face into a mask,
picked at your hair with its fingers, sang in your ears. A dry
sirocco, Sam had said when we boarded the launch. No rain
in it.

“Thank God for that,” I said.

But by noon I would have welcomed the rain. Our battered

Opel compact had no air-conditioning, and the wind that
buffeted us through the open windows was as hot as the
breath of a blast furnace. Moreover, the car’s radio fell out
on the feet of the passenger in front whenever the glove
compartment was opened, dangling by red plastic wires, and
there was a rhythmic grinding deep in the car’s bowels that
spoke of hopeless stalling in some lunar sun-parched moun-
tain pass farther on. The glare from the road was blinding,
and though we were not yet on the Autostrada, cars whipped
by us on

278 / ANNE RIVERS SIDDONS
the left at such high speeds that they left the Opel rocking in
their wake. Yolanda drove steadily and well, but she did not
talk much, and Sam, in the back seat, was fathoms deep in
his sketchbook. I could hear the furious scribble, mile after
mile. Once, when I looked back to say something to him,
he was so utterly absorbed that I turned back without open-
ing my mouth. Sweat ran down his face and his shirt was
wet, but I didn’t think he noticed. I wondered what he was
sketching. Not, surely, the back of my head. Ahead of us,
the neat silver-blue station wagon swam steadily on, wavering
like a minnow in the undulations of heat from the road.

Hot. Dear God, it was hot!

We moved onto the Autostrada. The Veneto, the flat, hu-
mid plain that is Venice’s home region, is cupped loosely
between the Italian Alps and the Appenines. On a clear day

I suppose it is possible to see both ranges; Yolie says so. But
on this day we could make out only the Appenines, seemingly
so far away as to be unattainable, lying cloudlike on the
southern horizon in a strange, colorless, opaque radiance. I
spent a long time staring at them, wondering why they were
so hard to see. The immediate landscape off A13, the Auto-
strada, was bleached in pale sun. But all around us, the ho-
rizon was nebulous, ghostlike, wavering. Presently Yolie
noticed my puzzlement and said, “The afa. Back home we
call it smog. We’re in a bowl; nothing much gets out. You’ve
got exhaust fumes, all the factories and chicken processing
plants, all the insecticides, everybody’s b.o. and garlic
breath…it’s all here. It can’t go anywhere. Add the humidity
to it and it’s like living on Three Mile Island. I wouldn’t live
in the Veneto for a million dollars. But on the other side of
the mountains it’ll be cool and clear as a bell.”

HILL TOWNS / 279

I found my breath sticking in my chest for a time after that,
but soon even the impulse to breathe shallowly faded, and

I laid my head back against the seat and wiped sweat off my
face and neck and looked at the mountains. Please, I thought
dully, over and over. Please. Let us get to the mountains.

Just let us get there….

Just outside Ferrara, Ada flashed her turn light and gestured
toward a wide place on the freeway verge, where a clump of
willows spoke of water of some sort and there was what I
took to be a rest area. One or two other cars were parked
near it, but at first I saw no people. There seemed to be
shade, though. Yolanda pulled in behind the station wagon
and we got out stiffly into the monstrous heat, to have our
lunch.

There was water, a small fetid trickle of it in a concrete
drainage ditch, but it was enough to spawn a canopy of
sheltering willows, and under these, along the banks, tufts
of grass struggled to grow in hard-packed earth. Down at
one end of the area a few picnic tables were occupied by
families, and there were wire trash containers, largely ig-
nored, set about, and a bunkerlike concrete structure labeled

GABINETTI. Ada indicated a place at the other end, with no
tables but deeper shade and a thicker growth of grass, and
she and Maria and Sam set about unloading hampers and a
cooler and blankets and a picnic cloth. I would not have
been surprised to see flowers in a Venetian glass vase, but
none appeared. Yolanda spread the road map out on the
steaming hood of the Opel, and I went to see about Joe.

He lay stretched out on the back seat of the wagon, his
head resting on a small traveling pillow, covered lightly with
one of Ada’s beautiful shawls. The wagon was air-condi-
tioned, and the lingering chill of it puckered my wet skin.

Joe’s eyes were shut, but he opened

280 / ANNE RIVERS SIDDONS
them when I opened the back door. Despite the chill, his
face was flushed, and when I laid my hand on his forehead
it was damp and hot. The crease of his neck was damp, too.

He was shivering slightly.

“Hey,” he croaked. “Are we there?”

“No. Lunch stop. Want some cold chicken and wine?”

“Christ, no. Nothing. Except maybe some Pellegrino over
ice. Ada’s got some of both. How far are we? I’ve got to get
to a doctor. This feels like more than a cold.”

“Not too far.” But I knew we had many miles to go yet,
hours. “Let me bring you just a little something,” I said. “You
haven’t eaten since last night. That can’t help. And I have
some aspirin in my purse—”

“No. I don’t want anything. Ada’s got some stuff that
makes me feel a little better. Would you get her for me?”

“Joe, I can—”

“Cat, don’t hover, please. I can’t handle it. Would you just
call Ada?”

I turned and walked away, shutting the door carefully be-
hind me. My face burned, and there was a hard, painful lump
in my throat.

“Joe would like to see you,” I said to Ada Forrest. “He
wants some more of whatever you’re giving him, and some
mineral water over ice. I think he looks awful. I wonder if
maybe we shouldn’t try to find a doctor somewhere. What’s
the next big town, Bologna?”

She got up smoothly from the grass where she was kneel-
ing, setting out lunches and wine.

“Oh, he’ll be fine until we get into Florence,” she said. “I’m
giving him antibiotics along with aspirin. It might not hurt
to sponge him off a little with ice water, though. I’ll be right
back.”

“Ada,” I said, “I appreciate it, but I can sponge him

HILL TOWNS / 281
off. You go ahead and give him your magic bullet, but after
that I will sponge him off.”

She smiled and inclined her head.

“There’s a clean washcloth in that plastic bag inside the
cooler,” she said. “And some ice water in the thermos. I’ll be
back in a minute.”

And she went off across the matted ghost of grass, lithe
and silent-footed in her soft moccasins, her back straight and
her shirt unsplotched. I stared at the earth, embarrassment
humming in my ears. I had sounded like a jealous fishwife.

Maria and Colin and Yolanda looked at one another and
then away. Sam stuck a lazy finger into his glass and flicked
a spray of cold white wine at me. It felt wonderful on my
hot face.

“Come sit down and leave the succoring to the Angel of

Mercy,” he said, grinning evilly. “She’s in seventh heaven
and he’s plumb out of it. Everybody wins.”

“He looks pretty sick to me,” I said, as neutrally as I could.

“This drive is no picnic,” Colin said faintly. He was lying
on the grass with his head in Maria’s lap, his eyes closed,
bandaged foot extended. She was holding a wineglass for
him to sip from and looking down at him with no expression
at all.

“Poor baby,” Yolanda said, not looking up from her map.

“Looks like a job for the Misericordia,” Sam drawled in an
unctuous announcer’s voice. Yolanda giggled.

“What’s the Misericordia?” I said, more to divert attention
from myself than from interest.

“Probably the oldest public ambulance service in the world.

Started in Florence. Members wear robes and hoods with
slits, so nobody can recognize who’s who,

282 / ANNE RIVERS SIDDONS
and they carry the dead and dying to hospitals, free of charge.

Volunteers can be garbagemen or royalty; everybody’s sworn
to anonymity. They go in procession, absolutely silent, with
the red cross of mercy banner at their head. They wear black
now, but in the Middle Ages it was red. Red robes, for the
red death. That’s what they used to call the plague. A bell
tolls—or, nowadays, a phone rings—and all over Florence
men get up from whatever they’re doing and just leave
without a word. And pretty soon you see them, coming down
the street. I saw them right after the flood, in ’sixty-six. It
was pretty impressive, all that water and darkness, and these
guys all in black, with the red cross going before them,
without a sound.”

“What were you doing here during the flood?” Maria
asked.

“Helping mop up, like everybody else.”

I thought of it, solemn ranks of red going two by two down
tortuous, narrow old medieval streets, torches flickering,
gowns brushing cobbles, otherwise silence….

“I think I’d absolutely die of terror if I were hurt and looked
up and saw that coming at me,” I said.

Sam looked at me with interest.

“Why?”

“I don’t know. It would be like the very angels of death
coming for you, two by two, the splashes of red like blood
and the hoods like executioners, and the damp glistening on
the old gray stones, and just…silence….”

He stared at me. His eyes seemed to be turned inward.

“Yeah,” he said slowly. “I can see that. Yeah.”

“I think,” Yolanda said, “that I smell the imminent birth
of a painting.”

HILL TOWNS / 283

“Might not make a bad one at that,” Sam said. He looked
past us, seeing…what? Nothing we could see.

I felt oddly gratified, but somehow uneasy too. What was
it he saw, when his eyes went away from you like that?

Ada came back.

“He’s feeling some better and doesn’t want to be sponged
off,” she said. “I think he’s gone to sleep. But I believe I’ll
just take Yolie’s car and run back to that telephone we
passed—it’s hardly a mile—and call on ahead for the doctor
to meet us at the hotel. It’ll save time, and he can look at

Colin’s ankle at the same time. It’s hurting him more than
it should by now.”

Colin murmured something and closed his eyes. I thought

I might have heard Maria snort, very softly, but I was not
sure.

“Let me go with you; you shouldn’t have to do all this by
yourself,” I said.

“No, eat your lunch. Yolie’s probably going to make you
drive some now, unless she’s lost her mind and asked Sam,
and you’ll need some food in you. It’s a haul on in to

Florence. I can rest. Maria’s taking over for me.”

She got up and Yolanda tossed her the keys, and she got
into the Opel and slid it smartly out into the stream of traffic
booming by. I did not think she even looked back. The
thought of driving in that hurtling maelstrom made me al-
most physically sick.

The food the Europa and Regina had packed was very
good. Even in the heat the cold, sweet chicken and crisp
salad and icy wine tasted wonderful. We had almost finished
when Ada came back.

“Have any luck?” Sam said.

“He’ll be there when we get in,” she said, smoothing

284 / ANNE RIVERS SIDDONS
her silver hair back. “And listen, everybody, see what you
think about this: I know you four”—she nodded at me and

Colin and Maria—“are staying at the Croce di Malta. Now,

I have absolutely nothing against it; it’s a quirky, wonderful
old hotel, but it’s right on a main artery from the station into
the heart of the city, and it has no air-conditioning and no
window glass, only shutters. The noise is going to be
hideous, and the heat and grit and dust worse, and nobody
will get any rest. So I called our hotel, the Villa Carol, up in
the hills just above Oltarno, and they’ve found rooms for
you. Signor Guiducci there knows Sam too, from way back.

We always stay there. It’s very old and lovely and small, and
has a garden and a pool and wonderful unobtrusive service,
and it’s going to be fifteen degrees cooler. I promise Signor

Guiducci will make his rates comparable, and they have a
jitney to take you into Florence, free, whenever you want to
go. I really think everybody will be much better off up there,
but of course if you think—”

“I think you’re an angel,” Colin said. “I accept. I accept for
us all. Let’s go there this instant.”

She looked at me, smiling obliquely.

“Cat?”

“Of course. We’d be truly grateful,” I said. How could I
not? She was right. The Villa Carol would be infinitely better
for Joe.

“It’ll be easier for you and Sam too,” she said. “For the
painting.”

“Yes.”

I opened the door of the station wagon on the way back
to our car and leaned in and brushed Joe’s cheek with my
lips. He felt much cooler but did not stir.

“See you in Florence,” I whispered.

HILL TOWNS / 285

When I got back to the Opel, Yolie was back in the driver’s
seat, and Sam was in the front passenger seat beside her.

“It’s my turn,” I said, my heart pounding rapidly. “Fair’s
fair.”

“It is, and that’s what I’m being,” she said. “I know you
were up with Joe all night, and I like to drive. If I get tired

I’ll enlist Sam. How much worse can he be than everybody
else on the road?”

“Try me and see,” Sam said agreeably. He looked back at
me. “Everything OK?”

“I think so. He seems cooler, and he’s sleeping.”

“I meant with you,” he said.

“Oh, sure,” I said. “Everything’s fine.”

But it wasn’t. I was worried about Joe, and his abruptness
had hurt my feelings badly, and I hated his growing depend-
ence on Ada and my seeming inability to help him or even
engage him, and I did not want to stay in Ada Forrest’s villa
in the hills, with garden and swimming pool and perfect
unobtrusive service. I wanted us to be by ourselves, Joe and
me, if we still could. And there was something, something
about Sam….

We had driven almost an hour, into and through the steely
haze around Bologna, before I let myself put a name to the
feeling. I was disappointed at his preoccupation, hurt and
diminished by the distance he had put between us. Whatever
the cause of his abstraction, I had to admit I missed the
prickling tension, the almost tactile connection, that had
grown between us since we met. Missed the prospect of
whatever his kiss had promised….

The realization appalled me, and I stretched out as best I
could on the Opel’s back seat and tried to sleep. Ahead of
us, not seeming to be closer, still half drowned in frizzling
gray heat, the mountains shimmered.

286 / ANNE RIVERS SIDDONS

Please, let us get up there, into the mountains….

If we can just get to the mountains….

For a long time I lay awake, feeling the swaying motion
of the road under my head and crossed arms, hearing the
rush of the big Lancias and Mercedes-Benzes and BMWs
around us, feeling the monotonous vibration of the Opel,
feeling hot wind on my face and arms. I thought desolately
that I would never sleep, but finally I drifted into that kind
of half-drowsing, half-waking state you reach when you try
to sleep in a car, when the road noise gets louder and louder
in your ears, and then fades away, and then hums in again.

I don’t know how long I lay there, drifting and snapping
back, drifting and snapping. At one point, I thought I heard

Yolanda and Sam talking in the front seat.

“…do it again,” I thought she said. “How can you?”

“It’s really working now,” he replied, or I thought he did.

“I hope to God it’s worth it,” Yolanda’s voice said, blend-
ing into the singsong of the tires and the road under my
cheek.

What’s worth it? I remember wanting to say, and thought

I would sit and see if we were any nearer to the spectral
succor of the mountains. Oh, the mountains….

But then the road roar grew louder in my ears, and the
drone of their voices faded, and when I woke up we were
through the Appenines, and through Florence, and pulling
into the gates of the Villa Carol, which were of stone so old
they were blunted and burnished like satin, and topped with
winged bronze lions that looked just as old, and Sam was
saying, “Wake up, Cat. Christ, you look like you’ve been
whupped through hell with a buzzard gut.”

HILL TOWNS / 287

Ada’s doctor, a slender, pale Florentine with rimless wire
spectacles whom she called Giampolo, was waiting in the
cool tapestry-hung lobby of the Villa Carol when we got
there. He had taken the liberty, he said, of checking us in;

Carlo Guiducci was an old friend. We could go straight up
to our rooms, and he would come with us and see to the
two American gentlemen. The porter would bring our lug-
gage. Then he really had to run; Leonora had guests coming.

He knew Sam and Ada would understand.

“Perfectly,” Ada said, rising to kiss him on both cheeks.

He went ahead up the curving stair with his worn medical
bag in his hand. She followed. The rest of us came up in an
ornate scrolled-iron elevator with a liveried attendant. It
creaked and shimmied and seemed to take forever.

The Villa Carol remains one of the loveliest places I have
ever seen. It is a three-story Romanesque structure with pale
honey-colored stucco walls and the ubiquitous red-tiled roof
of Florence, tall, wide, green-shuttered windows, and a
graceful curving staircase. It was built, Ada said, in the late
fifteenth century. It sits in a cool green park planted with the
formal green-black cypresses I so love, full of secret grottoes
and small gardens and fountains, broken statuary, stone
paths bordered with herbs and flowers, and a long covered
loggia flanking a glittering blue pool. The rooms on one side
and the back overlook the pool and a terrace with umbrella
tables and chairs. The air is fresh and sweet, the scent of sun-
warmed flowers and basil and thyme drifts everywhere, bees
hum in the picking gardens. The whole affair overlooks

Florence from its hill. I still do not know why I disliked it
on sight, except to think, It will make a lovely setting for

Ada.

288 / ANNE RIVERS SIDDONS

Ada’s Giampolo was waiting for Joe and me in a large
tiled room with luminous faded frescoes on the wall, a tall,
narrow canopied bed piled high with white cutwork pillows,
dark old armoires and chairs and a desk, and a sitting area
in an alcove with a small sofa and a chaise. A velvet-padded
window seat overlooked the gardens and pool, and a small
balcony off the French doors held wrought-iron chairs and
a tiny table. It was a wonderful room; its cool dimness
reached out for me as I followed Joe into it. How lovely it
would be to have a bath and sink into that tall Viking ship
of a bed. I could tell from the doorway that it had feather
mattresses piled one upon another.

It also looked as though it would hold only one person
comfortably. Italians, I thought sourly, especially the well-
born ones, must be accustomed to sleeping on their backs,
side by side in decorous repose, like effigies on a tomb. I
foresaw either a rollaway bed for me or three nights spent
on the small alcove couch.

The doctor listened to Joe’s heart and took his temperature
and blood pressure, heard his story, pronounced his judg-
ment on the water of Venice, and gave him several injections.

He also left a vial of pills.

“As much rest and sleep as possible,” he said. “I will tele-
phone in the morning.”

“Thank you,” I said.

“It is nothing.”

Colin was not so lucky. The impassive doctor poked and
prodded, clicked his tongue, shook his head, and pronounced
the ankle fractured instead of sprained.

“It should have been seen to immediately and set in a cast,”

he said disapprovingly. “No wonder he has the pain. I would
not be surprised if there was damage.”

He left with Colin and Maria in the back seat of his

HILL TOWNS / 289
large black Lancia, saying he would drop him off at the small
hospital near Bellosguardo, where he had privileges. His
colleagues there would set the ankle and give Colin medica-
tion for the pain. He would be well taken care of. “This time”

hung in the air.

“It is no trouble,” he said to a grateful, trembling Maria.

“I live nearby. Perhaps Ada and Sam will call for him?”

And so Colin went and was ministered unto, and came
back in perhaps an hour properly cast and medicated, saying
the pain was better already. Joe had been dosed and put to
bed and was sleeping, and I sat with Sam and Ada in the
garden near the pool, sipping whiskey and trying to absorb
the profound, expensive peace of the Tuscan twilight. Maria
had remained with Colin. Yolanda was staying at a small
pensione in Oltarno, where she always stayed in Florence.

She knew the proprietors well, she said, and was eager to
see them again.

“I’ll join you for dinner once or twice, and maybe we’ll do
some gardens, Cat,” she had said, sliding the Opel away
from the Villa Carol’s portico. “But I really do want to see

Freddo and Cari. They’re family by now. And they say they
have a surprise for me.”

She grinned and was gone.

“I wonder what the surprise is,” I said after she had gone,
more to fill the void of quiet that had fallen than from real
curiosity.

“I wonder who it is,” Sam said.

“You have a wicked mind,” Ada said. “Now what we must
all do is simply be still and rest.”

It was what we did for nearly the entire remainder of our
stay. We rested.

Or rather, Ada and Maria and I rested. Joe slept. All

290 / ANNE RIVERS SIDDONS
through the first and second day he slept heavily, waked to
eat blindly and have a quick shower, then slept again. I sat
with him the first morning, but after that I was driven from
the room by sheer ennui and the fear of waking him. I staked
out a table and bench at the end of the garden, shaded by a
thickly vined arbor, and sat there in the forenoons, had my
lunch there alone or with Maria and Ada by the pool, sat for

Sam in the afternoons, had dinner with Joe, and sat silently
in the alcove or on the balcony, trying to read, until bedtime.

I slept, badly, on the sofa in the alcove. Somehow I did not
want to ask for a rollaway bed, not in this seat of some un-
remembered Florentine noble. I felt suspended in amber,
stopped in time. I was restless but did not want to take the
jitney into Florence. I did not know what I wanted and could
seem to make no move to break the spell of the slow, sunny
days in the Villa Carol. I was waiting, I thought, but I did
not know for what.

Maria spent mornings and evenings with Colin, but she
swam and sunned in the afternoon with Ada, and after the
first day Colin joined them by the pool. You could see that
the pain was gone. Even with the cumbersome cast and the
crutches, he moved nearly as lithely as he had before, and I
often heard his voice in the afternoon, as I sat on the chair

Sam had set up for me by the windows in his and Ada’s
room, crowing and teasing, full of strength and his old un-
touched, easy foolishness. When I glanced out the window

I saw them, Colin and Maria browning in the sun, glistening
with sun oil and droplets of water, laughing as they had
laughed by the pool at the Hilton in Rome. Colin, I thought,
was himself again, but Maria was not. She was happy again,
once more the sensuous Latin creature she had been when
we got to Rome, and yet not quite the same. There

HILL TOWNS / 291
was something older about her now, entirely a woman, the
girl all gone.

You will have to grow up to her quickly, Colin, I thought,
surprising myself. Or you will lose her.

Ada oiled herself and lay under the sun on a lounge or
swam lazily in the turquoise water. It was not crowded be-
cause the Villa Carol kept only twenty or so guests at a time,
and during the day most of them were in Florence. The ones
who were at poolside looked often at Ada Forrest, alabaster
in her black bikini and her scarlet mouth. After luncheon she
disappeared. I do not know where she went; not to her room.

Sam and I were there.

He was painting furiously now, largely silently. He was
as withdrawn as he had been on the trip from Venice, but
there was a new electricity about him. He fairly crackled with
it. Oh, he talked with me, and joked, as he had before, but

I did not think his heart was fully in it, and we did not talk
deeply again, or long, as we had before. He worked on my
portrait in the afternoons; I do not know what he worked
on in the mornings, but I knew he was laboring at something.

Ada said so, and I could see the piles of sketches and tissue
overlays scattered all over the room, along with his clothes.

He was losing the flush of sun he had gotten in Venice, and
there were strain marks around his blue eyes and his mobile
mouth, and the coppery freckles stood out more masklike
than ever. His Brillo brush of hair was wild, uncombed, and
badly in need of cutting. He could also have used a bath.

He looked like a man possessed.

On the second afternoon I got up to go and give Joe his
three o’clock pill, as I had done on the first day. I heard Ada
calling me and looked out at the pool. She was waving up
at me.

292 / ANNE RIVERS SIDDONS

“Don’t stop,” she called. “I’ll go up and give him his
medicine. It’s on the bedside table, isn’t it?”

“Yes,” I called back. “But it won’t take me long.”

“Go on with the portrait. Don’t break the momentum. I’ll
sit with him for a while. I need to get out of this sun, any-
way.”

“Let her,” Sam muttered from behind his easel. He had a
brush between his teeth and was working with a palette knife,
slashing hard and rhythmically.

“Sam, I’m the one who should be taking care of him,” I
said.

“Any idiot can give a man a pill,” he said. “Only you can
sit for this portrait. Come on, Cat. We’re getting near the
end. It’s going to be just goddamned wonderful.”

I sat back down. He had not commented on the portrait
before.

“I’m anxious to see it,” I said. “It’s going to be interesting
to see how you see me.”

I was fishing and knew it. I wanted the old effortless un-
derstanding between us back, the sense of specialness, the
total weight of his attention. I wanted it on me, not on the
woman of the canvas.

“How I see you is not the point,” he said. “How I see you
would probably scare the shit out of you or embarrass you.

This painting is about something else that’s in you. Some-
thing that the paint sees, and the canvas, and the brush.

Sometimes it doesn’t have a goddamned thing to do with
the way I see.”

“Well, what do you think? Two more days, three?”

“Can’t tell. I’ll probably wind it up in Siena. Well before
we go on from there. What is it, you getting tired or bored?

God, you must be.”

“No,” I said. “Really, I’m not. But I haven’t seen anything
at all of Florence yet.”

HILL TOWNS / 293

“Well, you didn’t really come to Italy to see the sights, did
you?” he said. I could hear the knife scurry on and then stop.

I thought he was listening to his own words and for mine.

“How do you mean?”

“I mean, you came to be with the newlyweds and all that.

I think. Maybe it wasn’t what I meant.”

“I guess you’re right,” I said in a low voice. “I didn’t really
come to Italy to see the sights.”

He was still for a moment and then resumed his work.

After a few minutes, I knew he was lost to me again.

Toward the end of the session, when the light was slanting
lower and I was tiring, a great mass of silver-white cloud,
like back-lit alabaster, sailed over the sun, and the light in
the room turned odd and luminous.

“God, that’s wonderful!” he cried. “Hold that, just like
that. God, please let that cloud stay….”

He worked frantically, humming to himself, muttering
tonelessly under his breath, jumping back from the canvas,
lunging forward again. He paced about, fiddling with the
shutters, touching me abstractedly in small pats, moving my
neck and arms and head with swift, light fingers. He dove
at the canvas again, painted some more, darted out to touch
my hair, close my lids with his thumb. I sat very still, let him
move me about like a doll, my breath high and shallow in
my throat.

He bent and kissed me lightly and softly on the mouth
and then sprinted back to the easel. I did not think he was
even aware of doing it, but then he put his head around the
canvas.

“Did I really do that?” he asked.

“You did. Who did you think I was?”

“I knew who you were,” he said. “I always know that.”

294 / ANNE RIVERS SIDDONS

“You couldn’t have proved it by that piddling little kiss,”

I said, wishing that I could bite off my tongue.

He walked slowly over to me and stood there, his hands
on his hips.

“You asking, Cat?”

“No….”

“You don’t want to put it off too long,” he said, and went
back to work.

Just then the sun came flaming out from behind the marble
cloud, and after a few more minutes we stopped for the day.

That night Joe coughed dryly and monotonously until
nearly dawn. I took the pillows from the sofa and a blanket
and slept on the balcony.

Joe was still asleep when I started down to breakfast the next
morning, but when I touched his face it was cool and dry,
and it seemed to me that his breathing was deeper and fuller
than it had been for several days. Just as I was pulling the
door shut behind me, he called sleepily, “Cat? Where you
going?”

I went back into the room.

“Down to breakfast. I thought you were asleep. How do
you feel?”

“I think I’m better,” he said. He stretched, long and hard.

“God, every muscle in my body is sore. Are you coming back
up?”

“I will if you want me to. But I thought not; you coughed
all night long. Maybe you ought to sleep some more.”

“Well, maybe I will. But first I’m going to take a long
shower and shave. I can smell and taste me. And then I’m
going to order some breakfast. Real breakfast, not a

HILL TOWNS / 295
goddamned caffè lungo and a hard roll. Then I’ll sleep a little
more. Maybe I’ll get up for lunch; will you have it with me?”

“Of course,” I said, smoothing back the lank hair on his
forehead. It looked darker, sunless. His face was pale and
gold-stubbled. “But let’s have it up here. Maybe, if you feel
like it, you can come down for dinner. You don’t want to
push too hard with the drive to Siena coming up tomorrow.

Meanwhile, I’ll ask them to bring you something breakfasty
to eat.”

“I’m sorry about this,” he said, looking up at me. “I don’t
even remember getting here; I’m going to miss Florence
completely. Have you seen even a scrap of it?”

“I think I might go down this morning,” I said. “Maria said
she wanted to do a fast lap around the Uffizi. I haven’t
missed it, Joe. I’ve seen the entire city spread out below us
every day and every night, and to tell you the truth, it’s been
good to just stop for a day or two. Everybody was tired. This
way we’ll be fresh for Tuscany. We can always come back
to Florence; Ada says this isn’t the time to see it anyway. It’s
wall-to-wall students and tour buses now. And hot.”

“How’s Ada?” he said. “The last thing I really remember
is Ada stuffing pills down my throat in the back seat of the
car. How’s everybody? How’s Colin? How’s the portrait
coming?”

“It’s getting down to the wire,” I said. “Sam says it should
be done by the time we leave Siena. Everybody’s fine. Colin’s
ankle was fractured, not sprained. It’s in a cast and he feels
much better. Yolie I don’t know about. She’s staying some-
where in the old section with a boy toy presented to her by
her loving landlords. Or that’s what Sam says, anyway. She’ll
meet us here in the morning. You haven’t missed much.”

296 / ANNE RIVERS SIDDONS

“I’ve missed you,” he said, and drew my hand to his mouth
and kissed the palm.

“I’ve missed you too,” I said, my eyes filling.

Everyone was at breakfast on the terrace except Sam. Ada
said he was working on the portrait’s background.

“It’s no use even trying to talk to him when he’s this close
to finishing,” she said. “I don’t envy you, Cat. I’ll just have
them toss some raw meat in to him. I plan to stay well out
of his way all day.”

“Want to come with us to the Uffizi?”

“Oh, no,” Colin said. “She’s promised to play seven-card
stud with me this morning. If I can’t go down to Florence,
at least I can win all Ada’s money.”

“Don’t be piggy, baby,” Maria said indulgently. “Ada’s
done nothing but hang around here and dose sick people
for two days. Give her a break. Maybe she’d like a breather
from the halt and the lame.”

“It’s not a lot of fun to be stuck up here while everybody
else is off seeing Florence,” he said sulkily. He was in plaid
madras shorts this morning, with a freshly ironed oxford
shirt and a scuffed Topsider on his bare brown foot. His face
and arms and legs gleamed redgold with fresh sun, his
chiseled face was flushed bronze, and his hair gleamed. Ex-
cept for the cast ankle, he was as perfect as one of the statues
we would see in the Loggia dei Lanzi this morning. He
seemed untouched by pain or much else, new-minted. The
thought slunk guiltily through my mind that at home, on the

Mountain, he would have seemed a young god, immortal.

Here, in this rich old country, he seemed merely barely fin-
ished.

Do be careful, Colin and Maria, I thought. You really
should go home.

“I don’t mind staying; I want to,” Ada Forrest said.

HILL TOWNS / 297

She wore white slacks and a pale peach T-shirt almost the
color of her skin and looked like a piece of fruit at the abso-
lute shimmering zenith of its ripeness. “I hate Florence in the
summer. I’ll stay and pass out the morning medications.

Doesn’t Joe get a pill about midmorning?”

“He can take it himself,” I said. “He’s much better. I’m
going to send him up breakfast and then he’s going back to
sleep, and will probably have dinner with us. Don’t bother,

Ada.”

“It’s no bother,” she said.

The Villa Carol’s smart van dropped us, at Maria’s request,
at the Oltarno entrance to the Ponte Vecchio, and we walked
across it slowly, past the dim, fabulous small jewelry shops
on either side, like Aladdin’s caves, past the vendors and
portrait artists and sidewalk performers. It was like going to
a circus, a medieval one. We were caught fast in the slow-
swimming shoals of tourists and Florentines. The bridge
smelled of dust and close-packed people and the good, fishy,
river-water stink of the Arno below, and simply of great, dry,
shadowy age. I felt a prickle of the old bridge fear, a warning
curl, like a subterranean growl from a waking dog, and I
walked lightly and breathed shallowly, waiting to see what
the fear would become. I took Maria’s arm, more out of a
need for the feel of familiar flesh than to steady either of us.

But the fear remained at a low simmer, giving a kind of
preternatural seeing to my eyes, a clarity to the teeming
dimness of the bridge. I remembered reading somewhere
that in times of stress, the pupil dilates so that as much light
as possible will be let in, so that nothing dangerous will re-
main unseen. It served me well on the Ponte Vecchio. I be-
lieve I saw things that morning, details, bits of richness, that
perhaps the others did

298 / ANNE RIVERS SIDDONS
not. After a few minutes I began to revel in it. I still remember
that walk.

“It’s really wonderful, isn’t it?” I said gratefully to Maria.

“It is,” she breathed. “It’s incredible. I’m so glad we got
away.”

I thought she had been going to add “by ourselves,” but
she did not.

I stopped at a shop and bought things: a signet ring for

Joe that I knew he would not wear on the Mountain, a pair
of lovely, austere, dull-silver candlesticks for Corinne, a heavy
gold cuff bracelet with bas-relief lions and unicorns on it for

Lacey. She would love the matte satin feel of it, and the fine
detail of the animals, and it would look beautiful on her
slender arm. I had a sudden sharp vision of her standing just
here, as I knew she had stood three summers ago. She would
have smelled the smells, tasted the dust and river thickness,
heard the complex symphony of sounds, felt the cobbles
beneath her feet and the presence of many people all around
her. There was little she would have missed. She would have
perceived the bridge in a crystal wholeness that few sighted
people did. The thought made me suddenly and fiercely glad.

I missed her, in that instant, as you miss a newly amputated
limb.

For the first time, I know that you are truly not handi-
capped, my darling, I said to her silently, across the enorm-
ous gulf of miles. I wish I had known that from the begin-
ning. It would have been much easier on you.

We dodged through the traffic hurtling along the embank-
ment and walked diagonally across the Piazza Pesce into the

Uffizi Gallery and into a world made of flesh and shadow
and light. It literally stopped the breath.

HILL TOWNS / 299

We were totally silent as we walked through the great
crowded salons. Few other people spoke, either.

It was the most unrelievedly sensuous two hours I have
ever spent. I knew that many, perhaps most, of the paintings
here had a religious genesis, either Christian or pagan, but
it was the sheer, living presence of naked flesh that took my
breath. I thought that if I had been in an actual place among
so much nakedness, among even so much ideally beautiful
nakedness, the impact would not have been the same. It was
the insight, the vision of all those long-dead eyes that brought
this flesh so powerfully, so particularly, so—to me—erotically
alive. This was, I realized perhaps for the first time, what the
artist’s eye was. It was pure focus; it was a funnel, a powerful
prism, that shut out all extranei and gave to the subject its
staggering immediacy. Flesh in these paintings was flesh you
felt on your own, with nothing between: a baby’s sweet pliant
flesh, as in the early madonnas of Cimabue, Duccio, and

Giotto. The warm, damp flesh of the young and unearthly,
as in the ripe, pearled Botticellis, the Primavera and the Birth
of Venus. The overtly and rankly female flesh of di Credi’s

Venus. The pale, secular flesh of the Medici portraits, the
frankly and skin-prickingly erotic self-explored flesh of Titian’s

Venus of Urbino. The bursting, palpable flesh of Michelan-
gelo’s Holy Family. My skin crawled, cried out for touch.

We did not speak until we were out of the Uffizi.

“Wow,” Maria said. “I wonder how many babies have been
conceived after a trip to the Uffizi?”

“I wonder how much of the exalted Stendhal syndrome
was just an extreme case of horniness?” I replied. “Although

I doubt you’re supposed to react this way. Or admit it, rather.

Do you think there’s something wrong with us?”

300 / ANNE RIVERS SIDDONS

“Nothing”—Maria smiled creamily—“that a nice, long nap
back at the Villa Carol wouldn’t cure. My God, Cat, you’re
actually blushing.”

“I am not.” I laughed but knew that I was.

I wondered what she would have thought if I had said,

Whose room at the Villa Carol?

We had thought to linger among the sculptures in the

Loggia dei Lanzi, but we had lost time in the gallery, and
the driver was meeting us up in the Piazza della Signoria at
noon. It was eleven now, and we were both powerfully
thirsty. So we hurried through it toward one of the outdoor
caffès. Even so, it was inescapably more of the same: flesh,
naked and palpable, somehow even more so than the paint-
ings. This was secret flesh bared to the air and sun of the
world, flesh that could be touched, that cried out to be
handled. Bandinrelli’s bulbous Hercules, that Cellini had
compared to “an old sack of melons.” Ammanati’s Neptune

Fountain, that the sculptor himself piously declared later to
be an incitement to licentiousness. Giambologna’s Rape of
the Sabine Women, leaving no doubt at all as to who was
doing what to whom. Donatello’s impassive and somehow
profoundly corrupt Judith and Holofernes, nearby.

And Michelangelo’s David. Even when we sat down at
last for caffè granita, our eyes went to the David, again and
again.

“It’s no wonder the Medici coat of arms has balls on it,”

Maria said, sitting in deep shade but stretching her legs out
to the sun. They were brown now, sleek, newly shaved and
lotioned. Her toes, in sandals, were bare and polished.

I laughed. “You seem to have noticed everything.”

“How could you not? There are balls everywhere in

Florence. Every guild sign and palace and church and

HILL TOWNS / 301
shield and escutcheon in this place has balls on it. Not, of
course, to mention every statue. Didn’t you have that course
on Florentine iconography in Art History?”

“No. We were still violently Episcopal in my day.”

“You just want to reach up there and bounce that little
bundle in your hand, don’t you?” she said, looking up at the

David.

“Do,” I said, feeling my chest redden. “I’ll enjoy explaining
to Colin why you’re in the Firenze pokey.”

We sipped our drinks in silence. Then she said, “Do you
feel as if you’re changing, Cat? Over here?”

“How do you mean?” I did not want to talk about this.

“You. You and Joe. Me. Colin. I feel like I’m on some
runaway train or something, and everything that’s familiar
to me is receding at the speed of light. I feel terribly out of
control.”

It was so exactly how I had felt in Italy that I wanted to
grasp her hand in relief, babble, pour it out. But I sensed
that she was reaching for reassurance, the young woman to
the older one. Almost daughter to mother. I wished I could
have said, as she needed, Everything will be all right. You’re
imagining things. But I could not. She was changing, had
changed, before our eyes. I did not think she was in control.

I knew I was not.

“I think foreign travel does change things,” I said slowly
and carefully. “I think anything that’s so profoundly different
alters your view of the world. But I don’t think it changes
people into someone they’ve never been before. I think rather
that it adds to them. You’re you, only more so.”

I could tell by her face that she did not believe me; it was
not what she meant. I did not blame her. I didn’t believe it
either.

302 / ANNE RIVERS SIDDONS

I reached over and put my hand on hers.

“Sweetie, go easy on yourself. Go easy on Colin. Look at
what’s happening; you’re still so very young, both of you.

You’re not who you’re ultimately going to be. You’ll change
a dozen times in your lives. You’ve just gotten married and
you’ve just come to Europe for the first time, and he’s been
seriously hurt a long way from home, and you’ve been
thrown with people you don’t know, people who live very
differently from the way you have. No wonder things feel
strange. How could they not? We should have let you come
alone, Joe and I, and I think Ada and Sam should have butted
out too. You’ve had no chance at all to get to know each
other.”

“We had those years back home to do that,” she said
doubtfully, but I could tell she was thinking about it.

“Not as married people, not as a formal couple. It’s differ-
ent.”

“But you and Joe have changed—” she said, and fell silent.

I felt my breath go high and thin.

“Not dramatically, I didn’t mean that,” she said hastily.

“Not in any bad way. You’re just not the same over here as
you were back home. You seem…more solitary than I ever
thought you were, more adventurous. You’d never have gone
off by yourself at home like you did in Venice, or at least I
guess you wouldn’t have…we really never saw you except
with Joe. It’s a nice difference. It’s not just you; he’s different
too. Of course, he’s been sick, too…. I’m babbling.” She fell
silent.

“You are. It’s the heat. Drink up.”

“The only one who hasn’t changed is Colin,” she said in
a low voice. She looked up at me under her lashes. I knew
we were at the heart of it.

HILL TOWNS / 303

“He hasn’t had much chance to,” I said lightly. “He hasn’t
seen anything since he got married but the inside of hotel
rooms.”

I wasn’t going any further with this.

But her face cleared, and she said, “He really hasn’t, has
he?” and I knew I would not have to.

We finished our drinks and looked around for the van
driver, but did not see the smart maroon livery among the
throngs in the piazza.

“What do you think of Ada?” Maria said.

I will not do this, I thought.

“I think we’d still be sitting on the curb in Rome, trying
to get to Venice, if it hadn’t been for her,” I said.

“She isn’t what I thought she’d be,” Maria said. “She’s not
like the others I know in Mother’s family. We’re such a loud-
mouthed tribe, the Italian half. We argue and yell and cry
and make scenes. She’s out of another place entirely. An

Italian Stepford wife or something. Only a million times
smarter. I’m grateful to her down to the soles of my feet,
don’t think I’m not, but somehow I wish she’d go home and
let us do it by ourselves now, just the four of us. It’s like she
has this big agenda, but nobody knows what it is.”

“Sam would be like a beetle on its back if she went home,”

I said lightly. This lumpy, unworldly child missed nothing.

“I wish she’d take him with her,” Maria said with sudden
vehemence. “He’s charming and a genius and I know I’m
lucky to have him in the family, but he…he sucks all the air
of a room when he’s in it.”

“He does, doesn’t he?” I smiled.

“Does it bother you—you know, when he’s painting?

When you’re alone with him?”

Her cheeks reddened, and she looked down at her

304 / ANNE RIVERS SIDDONS
glass. I felt light-headed. It was obvious she thought there
was something between Sam and me, or could be.

“No,” I said. “He’s very easy to be with. Totally absorbed
in what he’s doing.”

“He certainly doesn’t pay much attention to Ada,” Maria
said. “It must be hard for her. She doesn’t seem to have
anything much of her own. She must miss that. I wonder
how she makes up for it.”

I saw, suddenly, where this was going. I held up my hand
for the waiter and at the same time saw the van driver
standing at the edge of the piazza, scanning the crowd. I
stood and waved.

“Over here,” I cried.

On our way back to the villa we spoke only of paintings
and statuary and of the things we had bought on the Ponte

Vecchio. I knew we would not have this conversation again.

I would see to it.

When I got to our room, I softened my steps and eased
the door open, in case Joe was sleeping. But he was not. He
stood at the French doors onto the balcony, his back to the
room, in only his pajama bottoms. The rush from the over-
head fan stirred his hair, which I could tell was newly washed
even in the dimness, even from where I stood. It lifted and
fell silkily with the wind. His narrow torso looked pale and
thinner, so that his ribs made shadowy stripes against the
skin. He was looking straight out into the garden, over the
pool.

Ada Forrest stood in the circle of his left arm. Her head
was tipped toward him, and the silver hair, loose today, fell
against his shoulder. She was, I thought, not so tall as I was.

When I stood there my head was level with his nose. Hers
reached only to his chin. I thought at

HILL TOWNS / 305
first that she too was naked to the waist, but it was only the
pale peach jersey that she wore. They did not move, and I
did not. I did not breathe, either.

Then Joe bent his head down to her, and she lifted hers,
and he kissed her. I moved then. The air around me rang
and shivered as if there had been a huge silent concussion
in the empty hallway, a blast. I ran on tiptoes through it and
up the staircase at the end of the hallway to Sam and Ada’s
room and knocked on the door.

Sam answered it in a ratty blue terry-cloth robe, wet all
over, barefoot. He blinked at me in the dimness.

“What’s the matter?”

“Nothing, I just forgot my key and I…there’s nobody in
the room. I thought you might walk down to lunch with me,
if you’re going, but you don’t usually, do you? It was a stu-
pid idea; I’ll just get the clerk to let me in….”

He pulled me into the room and sat me down on an alcove
sofa identical to mine except that it was covered with strewn
clothing and sheets of an Italian newspaper and the remains
of his breakfast on a room-service tray. He dumped the
clothes on the floor to make a place for me.

“What’s the matter, really? Are you sick?”

“No, I swear I’m not. I ran up the stairs, is all. And it’s
hotter than hell, and I didn’t have any breakfast, and Maria
and I went to the Uffizi, and it was crowded as all get out—”

“Ah,” he said. “Stendhal. Let’s order some lunch up here
and have some wine with it, and you can sit for a while, if
you will, and then I’ll let you go take a nap till dinner. We’re
going to eat in the garden. Yolie’s com

306 / ANNE RIVERS SIDDONS
ing. I gather from her tone of voice her rooster has flown
the coop.”

“Oh, I’m sorry,” I said, and clamped my mouth shut. I
knew if I talked anymore I would begin to cry. Poor Yolie.

Her man had gone. She must feel as if she had a cold sword
blade through her very guts. I did.

He phoned down for lunch, one hip resting on the desk,
staring at me as he talked. The room was full of crumpled
paper from his sketch block, as it had been the day before,
and the rich, pungent smell of fresh oil paint hung thick in
the air. His palette was uncovered. He had been working on
my portrait. As Ada had said.

I concentrated fiercely on talking lightly and normally and
eating my lunch and drinking the wine that came with it. I
thought I did it well. I felt totally removed from this room,
from this place; I felt as if I watched myself from behind a
pane of glass. My ears still rang, and my lips felt numb, but
all in all I thought I did very well indeed. I could even laugh
at Sam’s foolishness. I could even make some small teasing
sallies myself. But it was better when he was quiet, when he
worked. When he did, with the same restless, prowling in-
tensity as the past two days, I could lay my head back against
the seat and close my eyes. Then it felt as if I were floating
in a bubble, far above the earth.

He worked in silence for a long time, and I drifted in my
bubble, thinking only that I would find some way to keep it
around me, intact, and that way I would get through the
night, and the day after it, and the days after that. Perhaps

I could even keep it whole across the Atlantic and up the

Mountain.

After that, I could not see.

I think I must have dozed, because when Sam said, “Well,
look who’s back in the land of the living,” I

HILL TOWNS / 307
started violently and shot to my feet, heart pounding in my
ears. His voice had seemed to boom in the air like cannon
shot.

He stood on the balcony looking down at the pool, and

I went to look too. Maria and Colin and Joe sat in chairs at
the umbrella table where our group always sat, sipping drinks
and laughing at Ada, who was doing a sinuous, absurd little
dance on the burning terra-cotta of the pool apron. She wore
her black bikini and had her silver mane pulled over her face,
and a scarlet hibiscus thrust between her teeth. She should
have looked ridiculous, but she looked exotic and wonderful
and all but naked, a pagan eater of red flesh. Joe called
something to her through cupped hands, and she laughed
and tossed her hair back and rushed at him and planted a
long kiss square on his mouth and went back to her dancing.

Colin and Maria laughed and cheered and clapped.

“That should make him all well,” Sam said laconically, and
then turned and looked at me.

“Is that what’s bothering you? Your distinguished husband
and my charming wife?” I shook my head, but he said, “I
believe it is.”

“No.”

“I hope not. It means less than zero. I mean really less
than nothing. Ada does that. Some women shop and some
do volunteer work; Ada kisses men. Each according to their
talents.”

My husband doesn’t kiss women, I thought. Or didn’t.

And this kiss is not like that other one.

Aloud, I said lightly, “I don’t mind. Why should I? Joe’s
wife kisses Ada’s husband. Or had you forgotten?”

“Not hardly,” Sam said, looking at me without smiling.

“Not so’s you’d notice.”

308 / ANNE RIVERS SIDDONS

“Maybe,” I said, the ringing in my ears escalating until it
seemed to roar in my head, “Ada’s husband ought to do it
again. Just to make sure he remembers how.”

He stepped back into the room and opened his arms to
me and I went into them, and raised my face, and closed my
eyes. When he kissed me this time, when his mouth moved
to my throat and then to my breast, when he pulled me so
hard into the curve of his body that I could feel the heat of
him through his clothes and through mine, I did not pull
away. I pressed him against me so tightly I could feel my
nails go into his flesh through the shirt. Explain that to Ada,

I thought dizzily. Something deep inside me, which had been
clenched and chilled ever since we got to Italy, heated and
softened and opened. I heard a sound start in my throat.

Against my breast, his mouth answered me.

The phone rang.

I froze. He did not move either.

“Let it ring,” he murmured hoarsely.

But the moment was gone, broken. Finally he moved away
from me and went to the desk and picked the phone up,
pushing the wiry tangle of copper hair off his neck. I stood
looking out into the garden, seeing but not registering that

Ada was back in her chair and everyone was talking normally
now. Presently I felt, rather than saw, Sam behind me.

“Yolie, wanting to know what time,” he said. His voice
was still thick and hoarse. “She’s a regular ball-breaker, is

Yolie. Well, Cat. Saved by the bell. Unless you were asking?”

I turned to him and put my hands on his shoulders and
smiled. Somehow things were better now. I could

HILL TOWNS / 309
not have said why, except that the savage, shocking pain
was gone. I felt equal to anything.

“Not yet,” I said. “Not quite yet.”

“Ask soon, Cat.”

“I will,” I said. “I will.”

The session was over and we both knew it. I gathered up
my packages and started to the door. I did not care, now,
whether Joe was in our room or not. I could handle it either
way. I had a formidable weapon. I could effect it with one
word: now.

He walked with me to the door.

“I forgot to ask you,” he said. “What did you see? What
did you like best?”

I started to laugh.

“Balls,” I said. “I saw balls.”

I was still laughing as I reached the staircase. Behind me,

I heard him start to laugh, too.

Our last dinner in Florence did not quite jell. The food was
wonderful, and we drank a great deal of wine before and
during dinner and had brandy and grappa after, but there
was still a lingering feeling of unease and disorder. I could
have accounted for it if I thought Joe knew I had seen him
with Ada in our room, but I knew he had not. And I knew

I was handling myself flawlessly. You can always tell when
you are doing something well.

Joe had been asleep when I got back to our room, and I
had bathed and changed into the green dress I had bought
in Venice and gone down to the little library off the lounge
to read until dinnertime. He did not appear until we were
all seated at the table on the loggia, in the vine-shrouded
arbor where I had sometimes sat during

310 / ANNE RIVERS SIDDONS
the days. In the flickering light from the hurricanes he looked
very thin, and there were still shadows under his blue eyes,
but his narrow face was washed with new color, and the
silky fall of his hair seemed lighter, sunbleached. There was
a kind of interior hum about him, a motor running softly
and strongly somewhere inside. It was the way he had been
with me in the early days of our marriage, when he and I
both had known that we would soon make love. I felt a kind
of weary, bitchy amusement when he sat down next to me
and slipped his arm around me. His hand slid back and forth
on my bare back, under the dress. Now, at the evening’s
end, his fingers traced my shoulder blades and ran lightly
up and down my spine. Save it, bubba, I know who lit that
fire, I thought. I smiled at him.

“You look good,” he said into my ear. “You really look
pretty tonight, Cat. You must have had an awfully good time
at the museum this morning.”

I turned my face into his neck and bit his earlobe delicately
and quite hard. I felt him flinch slightly.

“Fabulous,” I said. “Maria and I saw more naked balls than
at a marine boot camp. Marble, of course.”

“Did you, now,” Joe said. Across the table, Sam laughed.

I looked at him. I had not done that much this evening. Our
eyes met and held, and I turned away.

“What a pity they were marble,” Yolanda said.

“Isn’t it,” Maria said from across the table.

There were round pink spots on her cheekbones, and her
eyes glittered. Beside her, Colin tossed back brandy and did
not look at her. He had said little all evening; Maria had
chattered.

They’ve had another fight, I thought. We are not going
to survive this trip. None of us are.

Yolanda was drinking quite a bit, for the first time

HILL TOWNS / 311
that I knew of since that awful night in Rome when Joe had
physically carried her into the Hassler. She was not at all
drunk now, though, simply quieter than usual, and somehow
very sharply focused. Her face had a full, suffused look to it,
and her mouth seemed swollen, and there was an unmistak-
able fading hickey on her neck. When she had first appeared
at the table, Sam had grinned at her and said, “Christ, Yolie,
you look like you been rode hard and put up wet.”

“I have,” she said, grinning fiercely back at him. “Don’t
you wish it had been you?” To the rest of us, she said, “I’ve
missed you guys. What’s been going on in Eden?”

“Sam is nearly done with Cat,” Ada said, smiling across
the table at me, shimmering in silky white. “And Colin is in
a cast but out of pain, and Joe is much better. Maria and Cat
went to the Uffizi this morning. Other than that, we’ve been
very quiet. We’ve stayed pretty close to home.”

“Sounds like a veritable barrel of monkeys,” Yolie said. “In
case you were thinking of asking, I’ve stuck pretty close to
home, too, at least until this morning, at which time the
lovely and talented young Cosimo got his feelings hurt and
went home to his mama. She’s going to get the shock of her
life. He’s definitely wind-broke, as Sam would say.”

“I bet he is,” Sam said.

Every one of us at this table is in some kind of state over
sex, I thought suddenly. I am so goddamned sick of sex and
innuendo and nuance I could vomit.

At the end of the meal, when we were sitting and drinking
grappa, putting off getting up and going to our rooms, Joe
said, “I did a smart thing. I went off and left all our travelers’

checks in the safe at the Fenice. You guys are going to have
to pay up till we get to Siena.”

312 / ANNE RIVERS SIDDONS

For some reason it infuriated me.

“Damn it, Joe,” I said tightly. “When did you discover that
wondrous feat?”

“When I got up to take a bath this morning.”

He looked at me in slight confusion. His brows puckered
in annoyance; I was not generally sarcastic with Joe.

“I wish you’d told me. American Express is right past the

Ponte Vecchio, on the Via Guicciardini. Maria and I were
right there.”

“You were already gone, Cat,” he said coolly. “It doesn’t
matter. There’s bound to be an office in Siena.”

He looked at Ada and raised his eyebrows questioningly.

“There is,” she said. “It’s up near the big banks. I know
exactly where. I’d be glad to run down tomorrow afternoon
and get them for you. You ought not stand in line for hours,
and it usually takes that in a small office like Siena.”

“I can get them,” he said. “I feel fine now. Really.”

“Maybe we could all go get them,” I said.

“I have an even better idea,” Yolie said. “Cat, why don’t
you stay behind for another day and get them here in the
morning, and then we can see some gardens and maybe the

Pitti tomorrow afternoon, and I’ll show you my Florence.

You can have half of my bed; it’s absolutely huge, and I
promise they’ll change the sheets. We’ll drive over to Siena
the next morning and meet the others. It’s only forty miles.”

“Well, you know, maybe I might,” I said slowly. I thought
of a slow, sunny day, full of gardens and secret old streets
and a long dinner in some tiny dark restaurant in a lost part
of the city, and laughter. Easiness and laughter.

HILL TOWNS / 313

Joe put his hand on my shoulder.

“I don’t think that’s a good idea at all,” he said. “I don’t
think Cat can handle that by herself.”

I turned to look at him. He stared impassively back at me.

“Yes, I can,” I said.

“Cat, I want to do about another hour tomorrow after-
noon,” Sam said. “We’re getting awfully close now.”

I looked at him across the table. In the candlelight his face,
too, looked closed, almost unknown. The anger flared again,
surprising me.

“Sam, really,” Ada said. “Cat needs some time to herself.

You’ve had sole custody of her almost every afternoon.”

“I really need her now,” he said.

“No, you don’t,” Yolanda said briskly. “You’re spoiled.

What’s one day? Cat hasn’t had much time just for herself
this trip.”

“Do what you like, of course,” Joe said distantly. He moved
his hand from my shoulder. “Ada can get us settled in.”

There was a silence around the table. I could feel it rip-
pling, like water when you have tossed something heavy into
it. I looked across at Yolanda in the wavering light and
smiled. She smiled back.

“Let’s do it,” I said.

12

THEY LEFT EARLY THE NEXT MORNING FOR SIENA,

ADA at the wheel, Maria beside her, Sam alone on
the middle seat, already opening his sketchbook,

Joe and Colin on the back seat.

“Sick bay,” Sam said as they climbed into the back. Joe
looked at him sharply, but Sam only grinned benignly and
said to me, “You can still change your mind, Cat. No telling
what you’re going to miss.”

“That’s as good an argument as I ever heard for staying,”

I said. “Be careful, you all. We’ll see you tomorrow around
lunchtime. Wait for us.”

Joe looked at me through the open window. He seemed
much better; rest and the new coat of tan made him look
himself again. He had been fast asleep when I came out of
the bathroom the night before, and was nearly dressed when

I woke this morning. We had said little, but that had been
pleasant. I was relieved. I knew he had been genuinely angry
at me last night about staying over. I wasn’t sure why. It was
hard to

314

HILL TOWNS / 315
read Joe’s anger in this place. It was hard to read my own.

I knew he was still annoyed at me, though. He gave my
cheek only a swift, glancing kiss when he got into the car.

“Be very careful,” he said. “I still don’t like this.”

I put my hand lightly over his.

“It’s only a day,” I said.

I watched the station wagon out of sight down the curving
drive and then went out into the garden and sat down to
wait for Yolanda. It was early yet for the other guests, and

I had the terrace and the pool to myself. The sun had not
yet climbed over the line of cypresses at the far edge of the
garden, and the pool was perfectly still, a mirror giving back
terra-cotta urns and flowers, the sentinel fingers of the
cypresses, the sky still brushed with fingers of pink cloud,
but blue high up in its vault. There was no sound except
birdsong and occasionally, from the road far below, the ci-
cada buzzing of motorini. I took a deep breath and inhaled
thyme and the sweet scent of drying grass clippings and,
from somewhere nearby, the rich smell of fresh strong coffee.

I stretched my arms and legs as far as they would go and
closed my eyes and smiled. I was alone in Italy for almost
the first time. Alone in a place not the Mountain for only the
second time in my life. The first time, in Venice, I had been
sick with fear, ravaged by it. Here I was so happy as to be
almost giddy.

A waiter came and I ordered a pot of coffee and two cups.

I was nearly through my first one when Yolanda came out
through the French doors and toward me. She had her hair
in one fat, glossy braid down her back and wore a peasant
blouse pulled down on her brown shoulders and an ankle-
brushing skirt of a vivid print. The

316 / ANNE RIVERS SIDDONS
skirt had a slit far up her sleek thigh, though, I noticed with
amusement, and she had on espadrilles that tied at the ankle.

She looked like a peasant painting from the Mezzogiorno,
perhaps by Mantegna, lush, high-spirited, very young. I had
never known anyone whose looks could change as swiftly
as hers: worn, jaded, almost old when she had been excessive
or was sad; bursting with youth and health when all was
well with her. It struck me that I had no idea how old she
was. She could have been any age from the mid-thirties to
the mid-forties, depending on when one saw her. I knew she
had still been a student when Sam had painted her, but I did
not know exactly when that had been.

“Buon giorno,” she said, slipping into the opposite chair
and taking a deep gulp of the coffee. “Ready for Mother

Whitney’s Magical Mystery Tour? You look like Madeleine
this morning.”

I looked down at the navy shirtdress I had traveled in. It
was light, cool, impervious to dirt and wrinkles, and, with
its white-piped sailor collar, it did indeed look like the uni-
form of a French convent school. Especially beside Yolanda’s
gypsy cotton. I grimaced.

“I could slit the skirt to my waist and leave the top three
buttons unbuttoned. Then I’d look like Madeleine on a
bender.”

“Don’t bother. It’s a good combination, the sacred and
the profane. You can get us into churches and abbeys, and

I can get guys for us. It works out perfectly.”

I laughed aloud, joy rising like a geyser in my throat. The
day opened out before me, as rich and dense with possibility
and magic as if I were a child on her first away-from-home
adventure. In a way that was true. I had never, I realized,
done precisely this before: gone off on my own with a friend
for a spur-of-the-moment

HILL TOWNS / 317
totally unplanned lark. Lark. The word sounded in my ears
as if it would taste wonderful on the tongue, round and rich
like a bonbon.

“Lark,” I said aloud, rolling it in my mouth. “We are going
to have a lark.”

She grinned at me.

“Bet your fanny. Where’s your luggage?”

“Don’t have any. I put a fresh set of underwear and a
toothbrush in my bag. We aren’t going anywhere fancy, are
we?”

“Nope,” she said, laughing and getting up from her chair.

“In fact, you’re probably overdressed for where we’re going.

I do like a gal who can just throw in a pair of panties and
go.”

“Then let’s,” I said.

I threw a wad of lire down on the table and we went out
through the lobby to the Opel, arm in arm, like school friends
in the brightening day.

We did not, after all, go out into the countryside to look
at gardens. When Yolie dropped me off at American Express
on the Via Guicciardini, just shy of the Ponte Vecchio on the

Oltarno side, the line was out the door. Although it was
early, the sun was climbing and the sky whitening with heat,
and the throng inside the narrow office was already restless
and uncomfortable. People were fanning and rolling up
sleeves, unbuttoning shirts, and craning around to see what
was holding up their line. There were four work stations
open, and each one seemed to me to be hopelessly stalled,
clogged with God knew what effluvia of away-from-home
strife. Most of the whining, imploring, and then angry voices
were American. Most of the curt, indifferent ones were Italian.

Goddammit it, Joe, this is not at all funny. I wish I’d let
you mop up your own mess in Siena, I thought, as

318 / ANNE RIVERS SIDDONS
ten o’clock turned into eleven, and then crawled toward
noon. By twelve there were still four people ahead of me.

Each of them held enough documenti to precipitate individual
international monetary crises. None of the other lines looked
any better. Sweat ran down my back and soaked my bra,
and the hair at my nape and temples was sopping. You’d
think American Express would have caught on by now that
six out of twelve months in Florence were hot.

Yolie wandered in every now and then, looked over the
situation, and drifted back out, to browse along the Ponte

Vecchio or to run and move the car from the space she’d
found nearby to the big public lot in the Piazza del Carmine.

She stayed with me after that.

“It’s right near the place I’m taking you for dinner,” she
said, “and it’s just a minute or two from the hotel. After
you’re done here maybe we can walk around Oltarno, see
the Boboli and the Pitti if you’d like, and get some lunch.

Or the way this is going, we’ll do lunch first and then the
tour. I think the country villas are out.”

“I’m so sorry,” I said. “I should have let Joe go on and do
this in Siena. It’s a rotten substitute for breezes and scenery.”

Yolie stretched her arms high up over her head and arched
her back and let her head tip back until the braid brushed
her waist. Her brown breasts made as if to escape the white
cotton blouse. She let her arms fall and settled back beside
me, weight resting heavily on one leg, hand on hip. She
looked around the room, scanning the crowd slowly and
fully.

“Scenery’s not so bad in here,” she said.

I saw her eye had fallen on a young man standing at the
end of the line beside us. He looked to be college age

HILL TOWNS / 319
or a bit older, a tanned, dark-pelted, hulking young man with
peeling sunburn on his nose and the thick arms and big
hands of a linebacker. He did not seem to be with anyone
in the crowd, as the other young men and women generally
were; was not thumbing impatiently through papers or fid-
geting or craning his neck to see if his line was moving. You
could tell he was hot; his white T-shirt was wet, and the dark
mat of his chest hair showed through it, but he did not fan
himself or pull the shirt away from his body. He simply stood
there, like a statue or a tree or perhaps a placid, sun-stunned
bull. Waiting his turn. Looking back at Yolanda.

Yolanda smiled and the boy smiled back. He did not drop
his gaze or avert his head, as most strangers will when they
inadvertently smile at another stranger in a public place. He
simply looked at her, all of her, from her feet to her face,
and smiled. It was a smile to match the rest of him, thick
and slow and somehow battering. Her smile did not falter
either, and she did not look away. Volumes of things that I
thought were best left unsaid passed between them in the
humid air. I thought I could almost smell her.

“Yolie, really,” I said under my breath, and the line in front
of me moved up, and I saw that I was next after the man
ahead.

She broke the look and turned back to me, letting the smile
trail behind her like a thrown net.

“You’re right,” she said lazily. “By the time he gets his
business done I’ll be out of the mood. Pity. That was U.S.

Grade A Prime.”

She did not lower her voice. Someone behind us laughed.

My face burned. My turn came at last, and I got the duplicate
checks I had come for, and we made our way through the
crowd to the door. As we went out

320 / ANNE RIVERS SIDDONS
into the sweet, blinding air, she looked back and blew the
hulking young man a kiss.

“You’ll be lucky if he doesn’t batter the door down to-
night,” I said.

“I’ll be lucky if he does.”

“You are really incorrigible, you know it?”

“Not really. Just still horny. I didn’t get the motor turned
off before Cosimo the Beautiful cut for home.”

“Well, take a deep breath or a cold shower or something,
and let’s get some lunch. My treat. Pick somewhere wonder-
ful. It’s the least I can do after botching up your whole
morning.”

“It was yours too,” she said equably. “I don’t mind. I’ll see
gardens and villas for the next five days, in Tuscany. I won’t
be back here for at least a year, though. I’d much rather
spend this last day in my neck of the woods. It’s the best
part of Florence, even though there’s nary a villa or a swim-
ming pool in the lot of it.”

“Thank God,” I said. “Come on. Let’s walk.”

We walked in the deep, still heat to the Borgo San Jacopo,
turned left, and made our way through streets so narrow and
closely overhung with houses and shops that it was like
walking through a tunnel. The light here was a permanent
half-light, pierced by shafts of pale sun. Dust motes danced
in them. The yellow-walled old houses glowed, sulfurlike.

Yolie was right; I had not seen this Florence before. It was
a distinct neighborhood, a village; the sense of lives being
led, work being done all around you, was intense. People
walked the narrow cobbled streets, went in and out of shops
with baskets and string bags, called to one another, dodged
the marauding autos and vesparini that roared by so closely
their clothing billowed in the wind. Shopkeepers set their
wares out; tourists and housewives examined

HILL TOWNS / 321
them critically; children shrieked and scuffled; impassive
teenagers with boom boxes and earphones leaned on their

Vespas or the doorways of the old shops, or on each other,
their eyes hooded with contempt and coolness, many hun-
dreds of thousands of lire worth of supple dark leather on
their bodies. Old men sat in the sun in small street caffès
and argued or played board games.

One street over, the village disappeared abruptly and gave
way to extravagant palazzi and dim, rich antique shops
whose artful windows frankly intimidated me. I saw few
people in them, and those few were so relentlessly austere
and dark-clad I could not tell if they were customers or
dealers.

“If I had a billion dollars I’d still be afraid to go in one of
those shops and buy anything,” I said to Yolie. “I’m sure
they’d show me out for not having the right thing to wear.”

“Probably,” she said. “Salespeople in Florence are the rudest
in the world. They’d like you to think they’re aristocracy just
helping out a friend for the day. I don’t see how they ever
sell anything. But Americans buy that stuff by the ton. I think

Texans buy the most. Dallas women don’t seem to know
when they’re being snubbed.”

“How do you know all this stuff?”

“It’s my business to know stuff.” She grinned at me. “In
my line of work, the more you know, the safer you are. Stuff
is power.”

“It must be awfully tiring,” I said, meaning it. “To be always
keeping your antennae up.”

“You don’t know. That’s why I love coming to Italy;

Florence especially. This part of it, anyway. Down here
nobody cares what you know or don’t know. This neighbor-
hood is about seeing and tasting and feeling. It’s not

322 / ANNE RIVERS SIDDONS
as eerie as Venice or as overpowering as Rome, and it’s not
as relentlessly rustic as Tuscany. It’s still a city, but you can
let yourself slump here. And it’s good grazing, if you know
what I mean. You can meet interesting men without having
to fight them off until you find one you don’t want to fight
off. You couldn’t do that much of anywhere else in Italy.

Forget the Mezzogiorno; you’d be black and blue or raped
or worse in two hours if you went trolling like you can in

Oltarno.”

I looked at her as we ambled across the Borgo Tegolalo
toward the Piazza Santo Spirito. She was as round and sleek
and sinuous as a relaxed cat in the warm, close gloom.

“Aren’t you ever afraid something will happen to you?” I
said.

“Nope. I’m street smart and I’ve got great instincts. I wrote
the book on safe sex. I’m more afraid something won’t.”

It crossed my mind that she might really be pathological
in some way: a nymphomaniac, if anyone still used that sad,
innuendo-sodden old word. But then I thought not. She was
too successful; had carved out too lofty and seamless a career
for herself to be driven by pathology. What she had achieved
undoubtedly had taken enormous drive and singlemindedness
and determination, as well as talent. I put it out of my mind,
partly because it was enough, on this burnished day, to take
her as the funny and endearing companion that she was and
partly because coming into the piazza from the dusky tangle
of streets was like coming into a burst of pure light after a
long dull time in the dark.

At one end of the tree-lined oblong Brunelleschi’s great

Romanesque church sat, austere and classical, a remote and
beautiful white-carved sentinel presiding

HILL TOWNS / 323
over benches full of old people taking the sun, tangles of
children playing ball, and umbrella carts full of used clothing
and stray flowers left from the morning’s market. In the
center of the piazza lay an oblong defined by more old trees,
and in its center a fountain’s lazy play caught the sun in a
dazzle of refracted rainbows. More children splashed and
screamed here, and mothers and nannies chatted, half
watching them. All around the piazza more shuttered, an-
onymous palazzi stood, alternating with shops, a latteria,
and a gelateria. Some were half shuttered by the ubiquitous
corrugated metal shades that meant the long lunchtime siesta
was getting under way, but others were open, and business
in them was brisk.

Yolie steered me toward a trattoria at the opposite end
from the church. A few umbrella tables had been set out,
and most of these were empty.

“Manno has the best tribollita in Oltarno,” she said, sinking
into one of the chairs. I followed, gratefully.

“Is that the entrails of something, or do I want to know?”

“It’s bean soup. Did you think I was going to make you
eat intestines? Though that’s pretty much what they did
around here, or at least in San Frediano, where I’m staying.

It was where the tripe makers worked. They boiled it up in
huge vats and then delivered it early in the mornings all over
the city, in wheelbarrows. You can still get the best trippa
alla fiorentina around here. Maybe we’ll try some tonight.”

“Just don’t tell me beforehand,” I said. “Bean soup sounds
fine. God, I’ll bet it smelled something fierce around here
back then.”

“Probably not a lot worse than it does now, at least first
thing in the morning,” she said. “It’s a bad place for

324 / ANNE RIVERS SIDDONS
drugs, and before the street cleaners get here the smell of
vomit and God knows what else is potent. You have to step
over syringes, sometimes, and worse.”

“Lord, is it dangerous? It must be. This beautiful place
seems a million miles from that kind of thing,” I said, looking
around at the peaceful piazza in the sun that was just now
beginning to slant westward.

“For some reason it never has seemed dangerous to me,”

Yolie said. “Sad, maybe, and wasteful—all those poor thin
furtive kids, most of them foreigners, a good many of them

American, squatting on the church steps and smoking and
snorting and shooting up and sneaking around behind the
trees to fuck. I come here late at night sometimes because
the way they light the church is just so fantastic, like a set
for Tosca or something. There are always police and, for
some reason, soldiers. Nobody has ever bothered me.

Florence just isn’t the place for that.”

Manno came then, exclaiming over Yolie, kissing her
cheeks, bending over my hand to kiss it. He sent a carafe of
chilled white wine like a wind off a mountain, and we drank
it and another one before we ordered. When the bean soup
came we fell upon it like starving foundlings, mopping the
remains with Manno’s thick crusted bread, and then had two
or three glasses of vin santo. I had never thought I liked sweet
wine, but this was wonderful, with just enough of an after-
burn not to be cloying on the tongue.

It was quite late now. The heat was draining slowly out
of the day, and a small, teasing dry wind made its way
through the maze of streets into the square. It lifted the hair
off the back of my neck and riffled the lace-edged ruffles of

Yolie’s blouse. She stretched and looked at me.

HILL TOWNS / 325

“Do you really want to go to the Pitti and the Boboli? It’ll
be light for a long time….”

“What I really want to do is never move again,” I said.

“Let’s sit awhile and then go take a nap before dinner and
tell everybody we went.”

“I think we’re sisters who got separated at birth,” Yolanda
said. “Well, so tell me where you’re going from Siena. The
usual lap around Chianti-shire? There are some wonderful
gardens, though a lot of them aren’t the old Italian ones
anymore. English, mainly.”

“I’m not really sure,” I said. “Maria and Colin planned

Tuscany originally, but I think Ada has edited it. San

Gimignano, I know, and Montepulciano and Pienza. Colin
wanted to go over to Perugia and Assisi, but Ada is lobbying
for the coast. I know we’ll go back to Rome by way of Orvi-
eto.”

“Ada must have a new bikini.” Yolie grinned.

“Probably. They have some friends who have a place
somewhere around Elba. I’m hoping Colin wins. I really
don’t want to stay with anyone we don’t know. It’s hard
enough—”

I had been going to say, for no reason that I could think
of, “getting to know each other,” but thought how it would
sound, and said instead, “moving the ill and the maimed
around in hotels.”

She looked at me keenly but said nothing. She was, I knew,
going back to Rome from Siena, to sign her new contract
and collect her crafts research from the Hassler, and then to

New York. I thought suddenly that I would miss her a great
deal.

“Will you be glad to get home?” I said.

She smiled.

“New York isn’t home.”

“Where is?”

326 / ANNE RIVERS SIDDONS

“Nowhere, really. I have a tiny apartment in New York,
and a share of a little place up the Hudson Valley. But I
spend so much time traveling. The show is shot in LA, and

I’m there for two or three months at a time. I always thought
home might turn out to be here. Florence.”

I thought about that, thought how strange it would be to
say “home” and mean this small wedge of Oltarno. How
strange her life was, without a center, a core. How strange
it would be not to have that. A small pulse of anxiety began
to beat in my throat at the very thought of it. But maybe her
center was in herself. That would be something else entirely;
that would be real strength, real power, not to need home.

“Why here?” I said.

“Because there’s more of everything that appeals to me
here than anywhere else in the world.” She smiled, and the
smile left no doubt as to what she meant.

“Did you ever think about getting married again, settling
down?” I said. It did not seem awkward, now, to ask her.

“Not in a very long time. Not since I learned how to be
alone. Not when there’s so much good young stuff strutting
around. And the nice thing is, when one gets his feelings
hurt and flounces home to Mamma, like my dear late
lamented, there’s always another one right behind him. I
don’t kid myself that I’m always going to be young, but I’ll
probably always be rich, and that will help immensely.”

I laughed helplessly. Her words were hopelessly cynical,
of course, even corrupt, and I would have hated them from
almost anyone else. But she sat there so easily, so bright-eyed
and apple-cheeked, fitting so well and feeling so fine in her
tight skin, grinning with such frank enjoyment, that you could
only laugh. At the same time,

HILL TOWNS / 327

I wondered what sort of wife she would have made to
someone other than the bird-watching British anchorman,
what sort of mother. I realized she probably considered my
focus provincial in the extreme, but I had no other. The
wonder was that we did not antagonize each other, the very
worldly and the unworldly. But we did not. This had been
a lovely day. I thought she thought so too.

“What about you, what will you do when you get home?”

she said.

“Oh, I’ll…”

I paused. In my mind’s eye I saw my beautiful stone house
on the Steep; saw the bright air-flown rooms and the over-
flowing garden, dreaming in the sun of full summer, burning
with the wildfire of autumn. I saw our skyhung bedroom,

Joe’s and mine, and the kitchen, the house’s warm heart.

But I did not see anyone in it. I could not find myself there.

I could not see Joe.

“I’ll tackle the garden,” I said firmly. “It’s going to look
like a jungle. It’ll take a week or so to get things cleaned and
put away, and then Joe will have to think about classes this
fall, and we’ll see everybody, maybe have a dinner party and
make everybody look at our slides. And Lacey will be coming
home between semesters for two or three weeks, and that
will be heaven.”

“And after that?”

“After that we’ll just live, like we always do. Not everybody
has your kind of gypsy life, Yolie, wonderful as it is. We’ve
always lived very quietly. We will again.”

“Will you really? I wonder if you can,” she said seriously.

“Do you have any idea of the commotion that portrait is
going to attract, when Sam finally puts the

328 / ANNE RIVERS SIDDONS
new show together? You’ll have every newspaper and art
magazine in the world calling you.”

“I doubt that,” I said, unsettled by the idea. I had not
thought that far ahead. “Anyway, how do you know there’ll
be a new show? And if there is, surely it will be a year or
two away?”

“Oh, there’ll be a new show,” she said. “You could no
more stop it now than you could stop Niagara. But you’re
right not to worry about it. It shouldn’t change your life….”

Her voice trailed off, and I wondered suddenly if her life
had been changed, substantially altered, by having been one
of Sam’s subjects. Joe and I had thought at the beginning
that she had been in love with him and perhaps still was,
but I had long since discounted that. Their relationship was
simply too casual, too uncharged, so much the camaraderie
of old friends. Surely you could not bear to spend the time
she had spent this trip in the presence of someone you loved
but who did not love you. It would be too painful. Yolie’s
whole focus was immovably fixed on pain’s polar opposite.

We left the Piazza Santo Spirito and walked slowly back
to her small hotel off the Borgo San Frediano. We went by
way of the Via dell’ Ardiglioni, down the narrow street where

Filippo Lippi was born in 1406. The street did not seem to
me wide enough to admit automobiles, and indeed, in the
shadow of the tall, leaning old houses, the fifteenth century
seemed all around us. The noises of modern Florence were
so dim they did not intrude. When Yolie pointed out Lippi’s
house, number thirty, she was whispering.

We crossed the Piazza del Carmine, lying partly in the
shadow of the church of Santa Maria del Carmine, past the
car park where the dusty Opel sulked in the late

HILL TOWNS / 329
sun. I grinned at it, a familiar if sullen piece of this strange
old landscape. We turned into the Borgo Frediano and down
the little street, really an alley, that led to her hotel. It was
tiny and narrow, five stories tall, painted the same stained
yellow as the houses around it; the lobby was actually a dark
hall that spoke of tomato sauce and a general contempt for
deodorant and held a rusty little cage elevator. The Centrale,
it was called.

“Well, it’s central to the neighborhood, I guess,” Yolie
said, when I smiled at the name. We were wallowing our
way up in the elevator.

She manned the creaking old controls expertly, shimmying
it to a stop only inches before the top floor.

“This part of San Frediano is full of working-class people,”

she said. “They used to be the rag pickers and the tanners
and the tripe boilers, and they like to think they’re great
characters still, tough as alley cats, colorful as hell. They all
act like they’re in a bad fifties movie: film noir. But they’re
decent people, most of them, really pussycats. Once they
know you, they’re family. They’ve smartened the neighbor-
hood up a lot since I’ve been coming here. There are all kinds
of shops and bistros and quaintsy little places opening, and
we’re beginning to get the more adventurous tourists in here.

They’ve got places you can buy underwear that would make

Frederick’s of Hollywood look like Laura Ashley. You in the
market for some crotchless panties? I get all mine here.”

“I think I’ll pass,” I said. “Oh, this is charming.”

The elevator let us out in a bright tiled lounge filled with
plants, comfortable if slightly spavined old chairs and sofas,
and small tables and chairs. Many of these were occupied
by people drinking coffee or wine, and most of them called
out to Yolanda. Beyond the lounge

330 / ANNE RIVERS SIDDONS
was a roof garden teeming with flowers and plants, where
a few more people sat at tables drinking and admiring the
view of jumbled red-tiled roofs and the dome of San Fredi-
ano, and beyond it the slate-gray Arno and the tower of

Ognissanti on the far bank. There was a forest of telephone
wires and television aerials, and a spidery tangle of
clotheslines almost as far as the eye could see, but somehow
they seemed festive and endearing, a stage set. The unapolo-
getic, slightly raffish charm of the Centrale gathered you in
like strong, slightly sweaty arms. I felt peace flood me and
sighed gratefully.

Yolie’s room was large and high-ceilinged and starkly fur-
nished with a huge dark bed, freshly made up in white but
strewn with clothes. There was an armoire big enough to
sleep in, a table and chair by the French doors that led out
onto the roof, and a spidery bureau. The noise from the street
below was horrendous, but it did not bother me. It was, after
all, the evening rush hour. Later, I thought, it would be quiet;
it would be like sleeping in the prow of a ship, high over the

Arno. Yolie put her head out of the door and yelled some-
thing in rapid Italian to someone called Butti, and I went
into the tiny white bathroom and ran a bath in the huge
claw-footed old tub and climbed in. Presently she brought
me a glass of good red wine, so stoutly acidic it made my
tongue pucker, and I lay swishing tepid water around me
and sipping it and thinking nothing at all except that I was
happy. When I came out of the bath, wrapped in a huge,
thin old bath sheet, she was stretched out on the bed sipping
wine from a fresh bottle. The empty one sat on the table
beside her. A packed suitcase and a pair of overflowing

Vuitton totes stood beside the door into the hall.

“You’re all ready,” I said.

HILL TOWNS / 331

“I am ready for absolutely anything.”

We sat out on the roof terrace garden for a bit, finishing
the second bottle of wine. Night was falling fast; the rose
and gold light that had lain over Oltarno and the river was
turning dusky blue. A thin shaving of a white moon rose just
over the tower of Ognissanti, seemingly pinned there by the
spire. Below us, the street roar had abated a little, but I could
still hear spatterings of conversations over the grind of the
autos and motorini. The noise did not intrude, though.

“Want some more wine?” Yolie said presently, regarding
the empty bottle. We were both slumped far down in our
chairs, resting our feet on the low parapet around the roof.

“No. I’ll be drunk as a goat. I thought you’d given it up,
anyway.”

“The hard stuff, not wine. Wine never did bother me, for
some reason.”

I looked sidewise at her. She must be right. There were
spots of vivid pink on her cheeks, but her eyes were clear
and her smile and voice steady. She looked pretty and relaxed
in the dusk, and younger than ever.

“What I am,” I said, “is ravenous. I could eat a cow.”

“Maybe we will. Have you had bistecca alla fiorentina yet?

Steak from locally grown cattle brushed with olive oil and
pepper and grilled? It’s wonderful.”

“I didn’t mean literally,” I said. “I didn’t come to Italy to
eat steak. What are some other specialties besides steak and
tripe?”

“Wild hare, boar meat, larks, thrush—”

“And I thought the Tuscans were supposed to be the most
civilized of the Italians. Could we just go get some spaghetti
or something?”

We went down in the woozy elevator and turned left,

332 / ANNE RIVERS SIDDONS
walking deeper into the alley that led off the Borgo San Fre-
diano. Half a block down we turned left again, into a pas-
sageway so narrow and dark I did not at first recognize it as
a street. Here the cobbles gleamed with a greasy moisture
that you felt never entirely dried, for surely no sun or wind
could penetrate. The rooftops leaned so closely together
overhead that you could have stepped easily from one to
another, and the closed doors were of thick, damp, dark
wood. There seemed no street life here. There seemed no
life of any sort.

“Are you sure this is right?” I said, realizing only after I
had spoken that I was whispering.

“I’m sure. I come here all the time. It’s safe. It’s just dark.”

I stumbled behind her in the gloom, tripping on the slick,
uneven cobbles. Presently she stopped. I did too, but I saw
nothing.

“Here,” Yolie said, and disappeared down a narrow,
winding flight of stone stairs so dark I had not seen them. I
plunged down behind her, unwilling to be left alone in that
black alley for even a moment. I stood behind her in utter
darkness, hearing a deep metallic clang, and realized she was
banging on a door with a brass knocker. I could see neither.

The door opened then, and light spilled out into the
stairwell, and we went inside.

Afterward I could never remember the name of the restaur-
ant, and I still cannot. Perhaps Yolie never told me, or per-
haps it did not have a name. It seemed the kind of place that
would not, except to be called after the owner. I met him
almost immediately, or someone I took to be the owner: a
squat, thick bear of a man who came to hug Yolie and grunt
at me. She called him Taddo, or Tadeo, but she never did
tell me who he was.

HILL TOWNS / 333

I heard no other names that night, either. Yolie seemed to
know many of the people who sat and stood in the shadows,
drinking and dancing and kissing and perhaps other things,
and even eating, a few of them. But she called none of them
by name. I couldn’t have heard, anyway. The din was too
loud.

It was a cellar of some sort. The walls were a stained stucco
that had once been white, and the back one was actually dug
out of dirt and stone, the old earth of this place. There were
paintings or posters scattered about on the curving walls,
but the smoke was so thick and the paintings themselves so
grimed that I could not tell what they were. Groups of people
loomed up out of the murk like ships out of a heavy fog; they
were all intertwined with each other in Bosch-like knots, and
everyone seemed to be young. Heavy-metal rock reverberated
in the cavelike space, from a hidden record player or tape
deck, I thought. There was no room for a live band. We
pushed through the throng. Hands reached out to touch

Yolie: tweak her cheeks, slide across her shoulders perilously
close to her breasts, cup her buttocks under the skirt. They
were familiar touches in every way; she knew all of them and
jibed at them in Italian as she passed. Comments whose
tone, if not content, I recognized followed me as I plowed
along behind her, but no one touched me.

Taddo had kept a table for us in the very back, against the
earth and rock wall, and we slid into chairs. It was quieter
here, and there was a good view, if you could call it that, of
the entire long room and the standup bar that bisected the
far wall halfway down. This was three deep with young men.

All of them turned to look at us, slow, nearly insolent looks
that were like fingers on flesh. Yolie stared back at them, her
eyes measuring

334 / ANNE RIVERS SIDDONS
their flesh as they had done ours, her head cocked. Then she
blew a kiss to the crowd, calling out something guttural to
them, and they all laughed and turned back to their drinks.

“What did you tell them?” I asked brightly. I was almost
frightened of this place. I had seen nothing like it before.

“To go beat their own meat; I’d seen them all before and
we weren’t buying. Tonight.”

“God, you didn’t—”

“Not in those words, no. But I do know them all. I come
here a lot. Besides having the best pasta in Florence, it’s a
veritable supermarket.”

I felt a curl of distaste, just the faintest plume. Enough was
enough. I was tiring of her obsession with young men. I
wanted to eat a leisurely dinner and get a good night’s sleep
and be on the road to Siena early. I found I missed Joe quite
a lot. It struck me suddenly that this would be the first night

I had ever spent away from him, except for his rare trips out
of town for Trinity.

I looked at the bar full of young men and around the room
again. Except for two or three couples dancing in the middle
of the room, and one or two who seemed to be kissing in
dead earnest at tables at the other end, I saw no other wo-
men. Almost everyone in this place was male.

“It’s a supermarket, all right,” I said. “Where are all the
women?”

“Oh, they come and go,” she said. “Mostly they’re upstairs
right now.”

It dawned on me.

“My God, Yolie, this is a…a bordello!”

“Probably more of an old-fashioned ’ho’house,” she said,
grinning sidewise at me. “Don’t worry. Your virtue

HILL TOWNS / 335
is safe with me. I established a long time ago that I don’t
work here. I just shop. Where better? And like I said, the
pasta really is the best I’ve ever had.”

A waiter appeared with three bottles of wine. He poured
out for Yolie and me, into thick, chipped glasses. She tasted
and made a grimace of pleasure and nodded, and asked what
pasta the house had tonight.

“Salsiccia di cinghiale,” he said.

“Due,” Yolie said. “Più tardi.”

He nodded and went away, and she motioned for me to
taste the wine. I did. It was powerful, raw and thick. It
warmed me all the way down.

“Well,” she said, lifting her glass and clicking it to mine,

“to your night in a Florentine whorehouse. You can dine out
on it for years.”

I drained my glass and she refilled it. Suddenly all the
sinister darkness, the dampness, seemed to drain out of the
place and the night. It would make a wonderful story, I
thought. I knew I would tell it again and again on the

Mountain. It was the sort of thing Trinity loved. Joe would
laugh each time and be secretly envious that it had not
happened to him. Sooner or later the story would be trans-
muted so it had. No matter. I would tell it tomorrow night,
at dinner, in Siena.

Sam would love this night, I thought. I laughed aloud.

“Feeling better?” Yolie said, smiling at me across the table.

She was on her third glass of wine.

“I am,” I said. “I must have looked like Little Nell.”

“Nope. You look good, in fact, Cat. You look like a differ-
ent woman from the one I first met in Rome.”

I thought about that meeting. It was she who was a differ-
ent woman now, not I.

“Do I? I don’t feel different,” I said.

336 / ANNE RIVERS SIDDONS

“Oh, I’ll bet you do, if you think about it,” she said.

We finished the first bottle of wine and started on the
second. That one was nearly half gone before she spoke
again.

“How’s the portrait coming?”

“Nearly done,” I said. “Sam says he’ll probably finish it in

Siena.”

“Ah. And you haven’t seen it yet?”

“Nobody has.”

She laughed. “Ada has. You can bet your bottom.”

“She says not,” I said.

“That doesn’t mean anything. Ada says what needs to be
said. It’s why she’s aboard. She’s seen it, all right. She’s
peeked if he hasn’t shown it to her. It wouldn’t be hard. He
doesn’t hide his work.”

I looked at her more closely. Were the bright eyes just a
bit too bright; was her mouth a bit stiff, her words just the
slightest bit slurred? I couldn’t tell. My own face was flushed
and my lips felt larger than they should, and a little numb.

I should stop with the wine right now, I thought, but I did
not. I drank another glass. We were near the bottom of the
second bottle, now.

“You don’t like Ada, do you?” I said.

“No. You don’t either. Women never do.”

“Why don’t you?” I said. My own words felt thick. I
thought I should cut this conversation off right now, but I
didn’t want to.

“No,” Yolie said owlishly, “you first. Why don’t you? Is
she fucking Joe?”

“God! No!” I cried. I was profoundly shocked. At the bar,
heads turned to look at us.

She was silent, looking at me, smiling slightly. I felt my
face flame.

“Ah,” she said softly.

HILL TOWNS / 337

“No,” I said again. “She’s not fucking him. I don’t think.

But she’s kissing him. Or vice versa, or both. I saw them
yesterday, at lunch. Oh, what do I know? She could be;
they’ve had enough time….”

“Well, then, are you fucking Sam?”

Through the Chianti haze I felt a clear, sharp rush of anger.

“I certainly am not! Why would you think I’d…do that?”

“He does that when he’s doing portraits,” Yolie said matter-
of-factly, reaching for the last bottle. She spilled a little on
the rough wooden tabletop and touched her finger to it and
licked it. Then she looked at me.

“No reflection on you. It’s just that you’ve spent all that
time together, and you do seem terribly vulnerable. You did
from the first. That excites Sam. Not even a few kisses, Cat?

Not even tempted? He’s irresistible when the dam starts to
break. I know.”

“I don’t like the way this is going, Yolie,” I said, with as
much dignity as I could muster, around my thick tongue.

“Ah,” she said. “So there has been a little slap-and-tickle.

Thank God. I was afraid he was losing it this time, and you
were approaching sainthood. Well, then, you really can’t
blame Joe too much, can you?”

“It’s not at all the same thing! Not at all!”

“Oh?”

“No. I didn’t kiss Sam in the first place; he kissed me. And

I told him when he did that it couldn’t go any further.”

“But you kept sitting,” she said. “Did it go any further?”

I fell silent. It had, of course. At my request. But only be-
cause Joe…

338 / ANNE RIVERS SIDDONS

I felt tears start in my eyes. She put her hand over mine,
on the tabletop.

“Americans behave badly in Italy, Cat. All of us, in one
way or another. You ought to stop it now, though, before it
gets past the kissing. It will, sooner or later. Sooner, prob-
ably, if he’s nearly done with the portrait. He’ll hurt you.”

“Maybe I’ll hurt him,” I said pettishly.

“Oh, Cat, you can’t. I wish you could. There’s nothing
there to hurt. You know, when I first met him, I kept waiting
to see his dark side. Every genius has one, you know: the
wild rages, the romantic drunkenness, the black despair,
whatever. It’s part of the mystique, it comes with the territory.

It lends humanity to all that…extraordinariness.”

She stumbled on the word, badly. But she went on.

“But Sam doesn’t have a dark side. The other side of him
is just this flat, pure plane of focus and energy; it all goes
into the work. It’s one slick, straight, hard, shiny surface.

You couldn’t chip it with dynamite. There’s no way to hurt
him.”

I was angry now, really angry.

“You make him sound inhuman. He’s not. He’s the most
human man I’ve ever met. If you don’t know that, you never
really knew him.”

She stared at me, squinting a little, as if to focus on my
face.

“You planning on fucking him? If you are, you better
hurry. You’ve only got between now and the instant he fin-
ishes that painting. After that you’re history.”

I started to get up out of my chair. She put her hand out
and grasped my wrist. Her grip was strong.

“Stay,” she said. “I need to tell you something about Ada
and Sam. It’s for your own good, Cat. It really is.”

HILL TOWNS / 339

I sat back down, slowly, more because I realized I was not
sure how to get back to the hotel than to hear what she
would say. But I was curious too.

“Did you fuck him, Yolie?” I said, and thought simply to
myself, I don’t think I’ve ever used that word to anybody
but Joe in my life before tonight, and now I’m scattering it
like grass seed.

Yolie grinned widely.

“Did I ever. From the first day. All over the place. In taxis.

In doorways. On the Janiculum in broad daylight. In his
studio; he had a room somewhere in Trastevere, a great,
huge, shabby space with nothing in it but a table and a chair
and an easel, and these wonderful, heavy old brocade drapes
across a whole wall. We did it on the chair and the table
and managed to rip the drapes right off the wall. His landlady
ran him out for that. Of course, he was a lot younger then,
and I was still in college….”

Her voice trailed off, and the smile softened. Her eyes were
focused a long way away.

“You were in love with him, weren’t you?” I said quietly.

“Oh, yes. And for that time, he was in love with me. He
doesn’t fake that. He wouldn’t bother. But the minute the
painting was done, even before the paint was dry, it was
over. I became a sort of pet, one of Sam Forrest’s girls, a
family member. He keeps us, you know. It took me years to
get over him.”

You’re not over him yet, I thought. Aloud, I said, “Where
was Ada all this time?”

“Who knows? Shopping. Or bending over with her eye
to the keyhole. Anywhere. Nowhere. I used to worry about

Ada. She was terribly good to me; I really didn’t want to
hurt her. But later I came to see that she encour

340 / ANNE RIVERS SIDDONS
aged the whole thing. It was she who suggested the portrait,
she who asked me to stay with them. She threw us together,
literally.”

“That’s sick. It really is,” I said, my voice trembling.

“Hang on,” Yolie said, putting a hand on my arm and
getting up from her chair. “I have to go pee. I really do. I’ll
be right back. Don’t go, OK, Cat?”

“I won’t,” I said.

I sat looking down at the tabletop. It’s all spoiled, I
thought. Nothing will be the same after this; it can’t be. She’s
wrong about Sam, of course, but I wish I’d never heard that
stuff. I wish I’d gone on to Siena with them….

I wondered if I could get her to eat when she came back,
eat and sober up, so that we wouldn’t have to talk of it
anymore. Or even better, just to go back to the room and
go to sleep. Then I looked up, in the direction in which she
had gone, and I saw her, standing in the doorway to the
toilet, holding herself upright with one hand. The other was
on her hip. She was looking at a young man who stood at
the bar. I had not seen him before; he was tall and slender
and very pale in the gloom, and his glossy blue-black hair
grew down over his forehead in a point, like a medieval
jester’s cap. He stood sideways to the bar, so that he was in
profile to me, and he was looking straight at Yolanda across
the smoky room. His nose was a crag, a jut, a beak, his
mouth red and thin. He was smiling slightly, and his hand
rested lightly, casually, on an enormous erection. It strained
his pants, stood out like the prow of a Viking ship. I saw his
eyes drop to it and go back to Yolanda’s face. Her eyes fol-
lowed his, and held the taut cloth, and then climbed his body
to his face. She smiled in return.

I knew we would not be leaving.

HILL TOWNS / 341

She wobbled unsteadily back to our table and sat down,
still smiling at the young man. Then she turned to me.

“New boy on the block,” she said.

“Listen. Why don’t we take out our food and go back to
the room?” I said cheerfully. “We’ve both had too much
wine.”

“No. You listen. It’s important.”

She was serious now. I knew she was going to say what
she felt she had to, no matter what I said or did. Well, then,

I would listen, hear her out. Then, perhaps, she would agree
to leave.

“Shoot,” I said.

“Well, first, Ada wasn’t a secretary when he met her on
the Spanish Steps,” Yolie said. “She was a prostitute. Young,
alone, and far from home, gorgeous, scared to death, and
turning tricks like a house afire on the Spanish Steps because
she couldn’t afford an apartment. He was young and stupid
and he wanted to paint her and he did, and while he was
doing it he fell in love with her. For his pains she gave him
the clap. Gonorrhea. God knows how long she’d had it. For
some reason he didn’t show symptoms, not at first anyway.

By the time he did, and got to a doctor, the damage was
done. He’s been sterile ever since. Later he became impotent
for long periods of time. He’s always blamed her for that,
though the doctors told him it didn’t have anything to do
with the disease. She’s sterile too, of course. She had a hys-
terectomy not long afterward.

“I think they stayed together simply because she willed it.

Her will is incredible, a real force of nature. She literally
made herself over into the Ada you see now, glamorous, se-
rene, confident, capable of running his life and his work like
nobody else ever could. He’s

342 / ANNE RIVERS SIDDONS
the painter he is today because of her. When the impotence
started, he also started to get long dry spells when he just
couldn’t paint. There was just nothing there. Impotent in
every way. She cured the first one by getting Verna Cardigan
to sit for him. He fell in love with Verna, got it up in all ways,
and had the first really great show of his life. When I met
him at the embassy party and he brought me home to Ada,
he was in the middle of another drought. I cured that for
him, courtesy of Ada. The fertile spell I started outlasted me
for years, but he’d been dry for a long time until this summer.

Until you came along. I don’t have to tell you how simple

Ada has made it for Sam to paint you; she’s literally taken
charge of Joe so you could be alone with Sam. I’ve watched
her do it. She knows I have. She’d have done anything to
get him back on track, including kiss your husband or fuck
him if she needed to. They were getting low on money and

Sam wasn’t getting many calls from the art magazines any-
more. This new show will probably set them up for life.”

I stared at her.

“I’m not saying he doesn’t really feel something for you,”

Yolie said. “But you need to know that when he’s finished
your portrait he’s shot his wad. No more nookie. No more

Cat, unless you want to be a house pet. I’ve often wondered
if Ada doesn’t miss it. Who knows? Maybe she goes outside.

Maybe she gets all she needs from his subjects’ men. Maybe
she doesn’t need anything at all, except to be Mrs. Sam

Forrest. Sam thinks that.”

“How do you know this? Did he tell you?” I could barely
whisper. My ears rang and my head pounded.

“No. She did. Much later, over sherry at Doney’s, as cool
as a cucumber.”

HILL TOWNS / 343

“Why?”

“Who knows?” Yolie said. “I don’t. I don’t know who she
is, or what. If she thought telling me would ‘cure’ me of Sam,
she was right.”

Rage shook me.

“No, she wasn’t! You’re not anywhere near over him! If
you were, you’d never bother to tell me this; you’re jealous;
you want me to stop—”

I stopped, breath rasping in my throat, hearing my own
words over the babble of the bar as if listening to a stranger.

A mad stranger. I wanted to get up and run from the place,
but I did not think my legs would hold me up. He was not
like that, he could not be; none of this was true. She had
made it up, had asked me to stay over so she could tell me
this monstrousness, stop my being with him. I remembered
my first impression of her, drunk and belligerent, by the pool
in Rome. Across the table she looked like that now. Drunk,
anyway. Her face was slack and unfocused. Her lipstick ran
up the sides of her mouth.

But there was no malice in her eyes, and no anger. She
looked at me for a long space of time with something akin
to pity, and then she shrugged.

She turned her head toward the bar and made words with
her mouth, without a noise. Slowly she pulled the elasticized
neck of the peasant blouse down off her shoulders and bared
one large brown breast, and touched it with the tips of her
fingers. She smiled. Behind me, the bar exploded in noise:

catcalls, smacking of lips, laughter.

The rage nearly choked me. I scrambled to my feet.

“I’m not going to stay here and watch this,” I said furiously.

“I’m not going to listen to any more of this crap!”

344 / ANNE RIVERS SIDDONS

“Where you going, Cat?”

She was still looking at the young man at the bar and
smiling. She made a kiss with her mouth.

“Back to the room. Anywhere. This is disgusting.”

She shrugged, broke eye contact with the young man, and
fished the room key out of her purse. She handed it to me.

“I think I’ll stay awhile,” she said. “Let yourself in. Go on
to sleep. Don’t worry, I’ll be good as gold tomorrow. You’ll
see. Put it right out of your head.”

For a moment I did not move.

“Go on. You’ll be safe on the street. I won’t be long. This
should only take a few minutes….”

I took the key and turned and walked out of the restaurant.

As I passed the young man, I saw he had started across the
room toward her, bearing the erection before him like a battle
standard.

At the door, I heard her call, “Cat?” and stopped and
looked back. The boy was at the table now, leaning over
her. Over his shoulder, she smiled broadly at me.

“You better fuck him fast!”

She laughed. I ran out of the bar and up the steps, turned
right, turned right again, and was at the entrance to the

Centrale before I drew another deep breath. When I reached
the room I did not even turn on the light. I grabbed a half-
forgotten vial of the sleeping pills Corinne had sent with me
to Italy out of my purse, swallowed two with tap water,
shucked off my clothes, and crawled naked into the huge
white bed. From the street below the snarl and spit of traffic
went on unabated, but I did not hear it. I was asleep practic-
ally before my head touched the pillow.

HILL TOWNS / 345

I woke with the start of the early rush hour the next morning
and sat up groggily, tasting last night’s wine and the pills.

Yolanda was not there, and the other side of the bed had
not been slept in. I found a note, though, stuck on the
bathroom mirror with a Band-Aid:

Have decided to stay over awhile. Key to car is on chest
under your purse. Car is in the parking lot in the Piazza del

Carmine; you saw it yesterday. Right out of the hotel, first
left, you’ll see it. Map on back of note. Take the car and drive
on to Siena, and tell everybody I’ll catch up to them, or maybe

I’ll call. Love, Y.

I sat down heavily on the bathroom floor.

“I can’t drive to Siena by myself,” I whispered aloud. I
looked back down at the note. There was a postscript.

Yes, you can! it read.

I dropped my head down on my drawn-up knees and put
my hands over my face. The fear boiled up like a volcano
erupting, pure and terrible, stronger than it had ever been
on the Mountain or anywhere else. I began to cry and to
rock myself.

“Help me, Sam,” I whispered, rocking, rocking, “Help me,

Joe.”

Then: “I want my mother!”

The fear rose into my mouth and filled my eyes, ran out
to the ends of my fingers. It seemed to explode inside my
head, in a huge, white, soundless burst. I felt the reverbera-
tions in my chest, in my legs, in my teeth. Then it drained
away and icy anger flowed in behind it like an avalanche. I
shook with it, briefly, and then it steadied down into a silvery
shimmer, a cold, all-sustaining flame.

I got up and dressed and got the Opel from the lot in the

Piazza del Carmine and drove to Siena.

13

YOLANDA SENT ME THE OLD WAY. IT TOOK MUCH

LONGER because of the narrow, twisting roads.

Often I had to slow almost to a stop to grope my
way around a particularly sharp hairpin switchback, and
once I spent nearly an hour behind an ancient jury-rigged
truck laden with farm machinery so old it looked like a rust
pile. Passing was next to impossible. At first, shimmering
with anger and the brassy foretaste of triumph, I raged in-
wardly at her, adding this impossible route to the litany of
her sins that sang in my head. But soon I saw she had literally
given me the gift of Tuscany. I would have missed it on the

Autostrada, in the hot, howling wash of the huge cars and
trucks.

I came to Siena via the Chiantigiana, the eighteenth-century
wine route from Florence. I picked it up at the Piazza Ferruci,
following Yolie’s scrawled but surprisingly clear directions
from the Piazza del Carmine, hands and teeth clenched so
hard that the muscles there would ache for days after. I do
not think I drew a deep,

346

HILL TOWNS / 347
full breath until halfway there. Anger is a superb agent of
focus; I was so angry when I got into the car that I saw, as
if in a tunnel, only the streets and landmarks she had indic-
ated on her map. The shrieking maelstrom of traffic around
me in Oltarno might as well not have existed. I laid the map
on the seat beside me and turned where it said to turn, exited
where it said to exit, and saw with great and simple surprise
that I was indeed in the Piazza Ferruci. It is always a matter
of wonderment to me when maps work.

From there I picked up SS222 and bowled smoothly out
of Florence following the promised blue signs to Greve and

Siena. After Grassina, the countryside opened up and the
entire panorama of Tuscany lay before me, hill after dusky
blue-green hill, sweeping in rounded waves south to the ho-
rizon. I saw them clearly for the first time then, the cittì di
colli: the little cities on the hills. They crowned the soft peaks
like cubes of pale brown sugar, red-roofed, cypress-guarded.

Their thick towers reached into the sky, already bluer here
than in Florence or anywhere else in Italy I had seen. Each
town was separate unto itself and its hill; each was the same
as the next and yet profoundly not the same. Each was sur-
rounded with a great surf of cultivated land, land in patch-
works of green and gold and dusty pink, up to the very walls
of the towns. Around these, and around the lone farms and
villas that I saw on the nearer crags, the black cypresses stood
tall and the elegant umbrella pines leaned close.

“Oh,” I said aloud, into the warm wind that flowed into
the Opel’s window, bringing soft dusty earth and a dry
sweetness like straw in the sun. “Oh!”

Just past a great baroque villa I saw the sign that said I
was entering the Chianti Classico wine region. Just

348 / ANNE RIVERS SIDDONS
past that, the road took a spectacular turn and swept down
toward Greve. I saw the first of the great sunflower fields
there.

Somehow I had not read or heard about them. I saw with
the comforting sense of meeting old friends the low, tumbled
vines and the silvery gray groves of the olive trees, and the
dense emerald of the cornfields, even the pale gold of the
fields of sedge. But nothing had prepared me for the sun-
flowers. They were incredible, fantastic, impressionists’

fantasies: flaming Van Gogh suns with hearts of pure red-
orange fire. Acres of them swept away from the road, miles
of them. Lava pouring down the slopes, settling in the tender,
womanlike curves of the valleys, bisected by narrow road
ribbons of black-green cypress. I stopped the car for the first
time since the Piazza del Carmine and laid my head on the
steering wheel and wept.

I knew the tears came from several places, several levels
inside me. The top level was the pure, drowned shock of
beauty, classic Stendhal. I cried with joy for the sunflowers.

But there were other, deeper levels: Joe’s betrayal lay there,
and the sly ugliness of the story Yolanda had told me the
night before, and the sheer repugnance of her behavior with
the young man in the trattoria. Confusion and loss were
there too, and the exhaustion of the long days of travel and
the bleeding sense of myself leaking away, along with almost
everything else that was familiar to me. Deep, abiding anger
at Yolanda was there; I knew that would not leave me.

Loneliness for Joe was there, simple and childlike. Loneliness
for Sam Forrest, not at all simple, not at all childlike. And
above all, triumph was there. Mastery. Exultation that was
so fierce I could only weep with it. I was actually doing this
thing, making this drive, alone and

HILL TOWNS / 349
with competence. In another hour or so I would have done
it. At that moment there was virtually nothing in the world

I could imagine that I could not do.

I wept because I had never felt such strength before.

I wept because I was no longer afraid and knew I never
would be again, not with the great old fear. Not ever again
with that.

I wiped my eyes on the heel of my palm and put the Opel
into gear and drove on. I passed small cars coming in the
opposite direction, saw farmers and herdsmen in the fields,
families walking along the road. I waved to all of them, and
they all waved back. Handsome; they were handsome people.

I saw many blondes. On that transcendent morning I thought
them the most extraordinary people on earth, natural heirs
to the enigmatic Etruscans whose playful, beautiful art I so
loved. I felt a kind of kinship with them. I thought I under-
stood why they chose to stay here on these old hills, to go
into the cities outside Tuscany only with reluctance. Sam
had told me that Tuscans suffered almost to a man from
campanilisimo, intense loyalty to their own bell towers. I
had laughed, but it made great good sense to me now. This
spasmed old earth was safe. I felt the safety deep in my
bones, humming up out of the very earth, pouring into me
through the droning tires of the Opel. Other parts of Tuscany
and Umbria might be—were, in fact—wild and inhospitable,
but here, in the Chianti, there was a thick and indestructible
felting of permanence over the bones of the earth. The old
towns did not change. They were whole; they were not ag-
gregates. They had been born whole, planned whole. Noth-
ing was piecemeal, left to change. Each town had a purpose:

to protect, to nurture. Each mile of earth had one: to bear
fruit, to sustain. And the sheer beauty of the countryside

350 / ANNE RIVERS SIDDONS
was as much a part of the towns as their brick and mortar.

I remembered reading, before we had come, that an early

Tuscan pope had built a palace around a view, the first time
in European architecture anyone had thought to do that.

I turned left at Castellina, into the very green heart of the

Chianti district, passed through Radda and Gaiole, and swept
down upon Siena on SS408. By the time I reached the small
road that veered off into the hills just above Siena, where

Yolie’s map said the Villa di Falconi should be, I was
thrumming like a tuning fork with a kind of crazy rapture.

As the road climbed, I began to sing; I sang “La Marseillaise”

and “We Shall Overcome,” and “Waltzing Matilda.” I finished

“Waltzing Matilda” at the top of my lungs just as I swerved
the car in between the stone gateposts of the Villa di Falconi
and skidded it to a stop, spurting gravel.

It was a big, sprawling, honey-colored stucco building,
more rustic by far than the Villa Carol, rougher, not nearly
so old. I thought it might have been built in the last century,
perhaps for a prosperous farmer and his family; it had that
look of utilitarian sturdiness, of fruitful use. Weather had
softened its walls and bleached its roof tiles, and the dark
wood framing its deep-cut windows and the massive open
front door had gone silver. No nobility here, I thought with
satisfaction. Just generations of living in harmony with the
rhythms of the seasons and the earth. Before it lay a semi-
circle of raked gravel, and to each side I could see hedges
and fruit trees and gardens formally laid out, bisected by
brick paths and studded at intervals with huge terra-cotta
pots of lemon trees and roses and hibiscus. Stone benches
were set about, though at this hour of high sun no one rested
on them; I saw no one else about in the gardens.

HILL TOWNS / 351

The soft, warm wind smelled wonderful: I identified roses
and perhaps gardenias; light curls of lemon balm and thyme
and basil and other things pungent and peppery spoke of a
serious herb garden somewhere close by. I would love explor-
ing this garden, I thought. I would love spending hours
dreaming here in the sun, an old wall warm against my back.

I had thought I did not want to be sequestered outside yet
another city in yet another of Ada Forrest’s villas-with-pool,
but the Villa di Falconi was different. It put its arms about
you when you first entered, like a stout farm mother.

I’ll bet somebody told her that Saint Catherine was born
here, or something, I thought, and got out of the car and
walked toward the villa. Behind it a thick tangle of trees and
vegetation lay dark and cool and secret, and I could tell that
the earth behind fell sharply away. Stepping-stone paths led
away into the thickets and groves on either side. I went a
short way down one and saw that there was, indeed, a vast
gulf of space just beyond the small forest. In a clearing
between the shouldering cypresses I could just see, far across
a gullied red valley on a lower hill, the pale jumble of Siena
spilling downhill. The top of the great taffy-colored Torre
del Mangia reached into the sky, blue as the sea now with
the sun of early afternoon.

I shut my eyes and held my face up to the sun, felt its sweet
weight on my eyelids and cheekbones and lips, smiled
enormously, and went back up the path and into the lobby.

Inside, I was momentarily blinded by the cool darkness.

Then a small flagged lobby came into focus, and beyond it
a great lounge dominated by a stone fireplace, blackened
and empty, that I could easily have stood erect in. I thought
of winter nights, and wind, and roar

352 / ANNE RIVERS SIDDONS
ing flames; it reminded me powerfully, for just a moment,
of the Mountain. Deep, comfortably sagging sofas and
leather chairs were set about it, and small tables, and little
islands of rugs dotted the polished wood floor. At the other
end was a bar with stools and tables and chairs and a great
television set on its own table; it had the look of a suburban

American rumpus room in the 1950s and was empty. A
battered grand piano sat nearby. The long wall was all French
doors giving upon a wide terrace with more chairs and tables.

The terrace looked into empty blue space, the tops of the
trees below just bobbing over the low stone wall that bound
it. One or two people sat there, chatting and drinking, but
the overall impression was of cool, clean emptiness and ex-
pectant waiting. I thought most of the guests would be at
lunch, or having their siestas, and turned to the small win-
dowed cubicle in the lobby. A powerfully built man with a
jet-black crewcut and bluish jowls sat behind the open win-
dow, working at a computer.

“Buon giorno,” I said, and he lifted his head and looked at
me out of eyes the color of arctic ice, a strange opaque green.

“Si, signora?”

“Mi chiamo Caterina Gaillard,” I said clearly. “Mio marito
e’ qui—ah, here. Signor Gaillard?”

I had practiced it over and over on the drive: “My name
is Catherine Gaillard,” I would say confidently in fluid Italian.

“My husband is here, Mr. Gaillard. Where may I find him?”

But I could remember none of the Italian under the steady
green gaze. I had never seen a green-eyed Italian. For some
reason, it annoyed me.

“I have just come from Florence,” I said briskly. It

HILL TOWNS / 353
sounded wonderful, even in English, tossed in ever so casu-
ally. I have just come from Florence. Alone.

“Oh, yes, Mrs. Gaillard,” the man said in perfect English,
only slightly accented, and that in something heavy and
darkish, not at all Italian. “Your husband and his party are
on the pool terrace. I believe they are waiting luncheon for
you and the other signora. Is she…?”

He looked over my shoulder, out into the parking lot.

“She has been detained in Florence,” I said. “She will not
be joining us.”

“Ah. Then perhaps I may let her room? I have many people
anxious—”

“Please do,” I said, my cheeks burning with the implied
rebuke. Obviously, people who could not keep their reserva-
tions at the Villa di Falconi called well ahead to cancel.

“It was very sudden,” I added.

“Yes.”

The telephone shrilled, and he turned to answer it.

“Where is the pool terrace?” I said to the back of his head.

“Down the path,” he said with his back to me, gesturing
toward the door. “You can’t miss it.”

I stood for a moment, waiting for him to finish, but he
broke into a spate of fast guttural German—German, of
course—that sounded as if it would go on for a while.

“Scratch one tip, bubba,” I said under my breath, and went
back out into the garden. I looked at both paths, but neither
of them gave me a clue as to what lay at their ends. I
shrugged and took the one I had followed a little way earlier.

The old flagstones led through the underbrush on a fairly
level plane for a little while, and then down a flight of nar-
row, moss-slimed stone steps with no rail

354 / ANNE RIVERS SIDDONS
ings. After that the path was dirt and fell away steeply. The
trees and undergrowth leaned closer, until the sun was nearly
shut out, and the light was green and wavering, and the earth
smelled of damp, secret places. I heard small scurryings, and
once a sharp crashing as if something quite heavy was run-
ning away through the brush, and stopped for a moment.

What had I heard about Tuscan wildlife? Snakes, of course,
and squirrels and such, but…what else? Boar, I remembered.

They eat a lot of boar in Tuscany. But surely a boar would
make a great, blundering crash.

I went on a few steps, but more slowly. Surely no pool
terrace lay down this path. I put my head around a great
clump of rhododendron and saw a small clearing, a natural
glade, where shafts of sunlight fell in clear amber layers upon
bare, packed earth, and a little wind stirred. In the center of
the glade stood a ramshackle shed affair that looked as if it
might hold garden tools; beyond it, a great ravine, or gully,
yawned. I could not see the bottom of it. It was narrow,
though; it was spanned by a swinging rope bridge that looked
centuries old. My heart gave a queasy lurch, and I turned
away to go back the way I came. When I did, I saw the fal-
con.

It sat on a perch in a tall cylindrical cage made of rusted
iron, at the far side of the glade. The cage reached from the
floor of the glade into the bottom branches of the small tree
that arched over it. The door was bound shut with a leather
thong, but in any case the falcon could not have gotten free.

It was fastened to the perch by a slender leash affair of
leather that encircled one yellow foot like a manacle. The
falcon was the size of a large crow, feathered in sleek slate
gray, barred and spotted on its cream breast. It had a black
head, like a leather executioner’s hood, that curved under
its white

HILL TOWNS / 355
chin like sideburns. The yellow beak was powerful and
curved, and the claws were steelike, terrible. The bird looked
at me impassively with the cold yellow eyes of an executioner.

It looked totally wild there in the green gloom, even in the
cage; nothing about it spoke of captivity, of being broken to
the hand of man. But it was captive. It could not have spread
its long wings if it had wanted to. The cage was too narrow.

For some reason my chest burned with sorrow, and my
throat ached. I went nearer to the cage and put my finger
lightly on one of the rusted bars. The yellow eyes followed
me, but the falcon did not move.

“You’re very beautiful, aren’t you?” I said softly. “Who do
you belong to? Who takes care of you?”

The falcon lifted its wings very slightly and stirred on the
perch, then settled back into itself. It did not move again. I
stood staring at it for a long time, thinking nothing at all,
simply bathing myself in its wildness. There was a metal cup
of brackish water affixed to the cage beside the perch, but I
saw no sign of food. I looked back into the cold sulfur eyes
and turned away. Obscure guilt and pain pierced me like an
arrow.

When I reached the garden again I was almost running.

As I neared the bottom of the other path—this one flagged
all the way, and raked and mowed, and guarded by stout
wooden handrails—I heard the light sound of voices and
laughter, and splashing, and began to run again. I felt my
lips begin to tremble with laughter of my own, seeming
perilously near to tears. I heard Sam’s rich tenor and Ada’s
light, tinkling laugh.

I heard Joe, laughing.

I slowed my steps and smoothed my hair and bit my lips
to redden them and walked around the last curve in

356 / ANNE RIVERS SIDDONS
the path, and there they were, in wrought-iron chairs around
a white-clothed table, at the far end of an oval pool.

For a moment I stood still, simply looking at them. Sam
sat at the head of the table, telling a story. He was making
intricate patterns in the air with his big freckled hands, and
the sun dappling through the leaves laid flaming copper
pennies in his wiry hair. The awful planter’s hat lay on the
ground beside him. He wore a striped jersey over the bikini

I had seen him in at the pool in Rome, and some trick of the
light made his eyes flame and spark blue, even from a dis-
tance. I felt my mouth curve up. Hello, Sam, I said silently.

Ada sat beside him in a short red terry robe, another red
towel wrapped around her narrow head. Her eyes were
shielded by her big black glasses, and she was laughing. The
sound was like flutes.

On the other side of her, Joe leaned forward to say some-
thing back to Sam. He too was laughing, and his blond hair
fell down over his eyes. I could tell it was damp. He wore
his blue oxford-cloth shirt over his bathing trunks, and his
bare feet were brown. So were his long legs and his forearms,
brown with a haze of gold hair over them. For some reason,
his strong wrists and forearms brought the lump back into
my throat.

Sam looked up as if I had called his name and saw me.

For just an instant we were both perfectly still, looking into
each other’s eyes, and then he rose to his feet, singing loudly.

“There she is…Miss America!” Joe and Ada turned, too, and
got to their feet. Joe grinned and started toward me.

I ran across the pool’s apron and hugged him hard, bury-
ing my face in his shirt. It smelled of sun lotion and Joe,
warm.

HILL TOWNS / 357

He kissed me lightly and walked me back to the table, his
arm around my shoulders. Sam reached over and hugged
me, and Ada gave me her light kiss, cheek and cheek again,
smelling of her accustomed green, slightly bitter scent.

“We’d about given you all up,” Joe said, pulling out a chair
for me on the other side of the table and settling down beside
me. “Did you have a good time? Where’s Yolie?”

“Yolie had an appointment in Samarra or something,” I
said, grinning around at them. “She decided to stay on in

Florence.”

I watched it sink in around the table.

“Who drove you over here?” Joe said, honestly puzzled.

“Nobody,” I said, trying not to let the grin stretch my
mouth like a jack-o’-lantern’s. “I brought the car on over. I
don’t think she’s coming.”

There was a moment of silence, and then Sam said, “Did
you, by God.”

I looked across at him. He was not exactly smiling, but
his mouth was curved a little.

He watched me intently, his head slightly to one side. Then
he said, “I believe you did. Way to go, Cat!”

“You did? Did you really?” Joe could not seem to take in
what I had said.

“I really did,” I replied, watching the import of my trip fill
his eyes and face. He smiled at me, slowly and tentatively at
first, and then broadly. It was a delighted smile, but a little
wary, too, almost shy. I had not seen a smile of Joe’s pre-
cisely like it since the earliest days of our courtship. It made
him look absurdly young.

“Well, Cat,” he said. “Well, old kitten. God bless you.”

358 / ANNE RIVERS SIDDONS

He leaned over and gave me another kiss. I touched the
side of his face and leaned back in my chair.

Across from me, beside Sam, Ada gave me a long, meas-
uring look. Then she turned her head to Sam. The look that
passed between them was long, too, and opaque; I could
not read it. Then she looked back at me and smiled her three-
cornered little cat’s smile.

“Cat, dear, I think this calls for champagne,” she said, and
looked around.

As if summoned by a whistle that only dogs and waiters
can hear, a young man in black pants and bow tie and a
starched white shirt appeared at her side. Ada said something
to him in soft, rapid Italian, and he nodded and made a little
bow and went away.

“Now,” Ada said. “Tell us all about it. Tell about last night,
and how you happened to get stuck driving over here by
yourself—oh, Yolie, really; Sam, you’re going to have to talk
to her again. Tell how it was on the drive.”

Suddenly I was tired. Tired to the very marrow of my
bones and as light-headed with triumph as if I had already
had champagne, a lot of it. I found that I did not want to
talk about the drive; I only wanted the moment when they
knew I had done it, and I had had that. And I certainly did
not want to talk about the night before. Here, in the warm
sun of this sweet place, in the old silence, cupped in the
hands of the sheltering hills, last night seemed tawdry beyond
belief, Yolie herself tawdry, what she had told me both taw-
dry and simply and forever unbelievable. I knew I would not
tell them about it. Joe, maybe, later and in little detail. But
never Sam and Ada. Never Colin and Maria.

“Ada, you wouldn’t believe how uninteresting it all was,”

I said. “I promise, there’s just not anything to tell. Maybe,
later, when we run completely out of things to

HILL TOWNS / 359
talk about and are all glaring at each other. Right now I’d
much rather hear what you all did last night and this morn-
ing. Did you eat dinner somewhere wonderful? Have you
been into Siena yet? Where are Colin and Maria?”

“In reverse order,” Sam said, still looking at me intently,

“Colin and Maria are in their room, finishing up last night’s
fight. Or maybe starting on a fresh one. Or, if we’re extremely
blessed, screwing and making it all up. You should know
soon; they’re right next to you. If there’s silence, you can
assume there has not been a cessation of hostilities. If, on
the other hand, you hear a screech like the beginning of a

Sioux scalping party—”

“Sam,” Ada said mildly. He grinned.

“OK. Yes, we did eat somewhere nice last night, but not
as nice as we’re going to tonight. We’ve saved the best for
you. It’ll be your victory dinner. Maybe another kind of cel-
ebration, too. And yes, Ada and Joe and Maria went into

Siena this morning, to shop. I worked on the portrait’s
background. Colin, I believe, meditated in his room.”

“What did you buy?” I said to Joe. “Is Siena wonderful? I
can’t wait to see it.”

“It really is,” he said. “Very dark and severe, very…what?

Medieval. They never did get around to acknowledging the

Renaissance. I saved most of the good stuff for you. Ada and

Maria used me shamelessly as a beast of burden, staggering
up all those steep old streets under loads of chattel—”

“Most of which was yours,” Ada said. “Cat, you simply
will not believe what this man of yours bought.”

“What?” I looked from her to Joe. She began to laugh.

“Well, aside from a complete set of tableware—”

360 / ANNE RIVERS SIDDONS

“Dishes?” I said, looking at Joe. Would he really have
bought dishes without me present?

“If you don’t like them, I’ll take them back,” he said. “But
they’re really beautiful. Kind of blue and yellow and white,
very rough, very…natural. Ada says it’s one of the oldest

Siennese patterns. I thought they’d look great in the kitchen.”

“I can’t wait to see them,” I said, smiling tentatively. My
kitchen at home on the Mountain is green and cream and
terra-cotta.

“But wait, that’s not all.” Ada giggled. “He bought a holy-
water font!”

“A what?”

“A little white ceramic wall font, for a private home, you
know. Yellow and blue glaze with delicate scroll-work. It’s
really very pretty. But a holy-water font! Joe! He seems so…”

“…very Anglican,” I said, beginning to laugh too. “So very
like Mr. Chips. I know. I can just see it, the Rector of Justin,
with his own holy-water font. We’ll have to hide it in a little
niche when people come, like a priest’s hole.”

Joe looked at us, Ada and me, sitting in the sunlight,
laughing, and began to laugh himself. In a moment we were
all near hysterics. We laughed a long time.

“I thought it was, you know, to hold keys and stuff,” he
said, and we were off again, helplessly. This time we did not
stop until the young waiter, smiling at our foolishness,
brought the champagne.

We drank a lot of it that afternoon, three bottles, and had
more wine with our lunch. We laughed some more, and
talked of very little that mattered, and lingered there beside
the pool until the light began to slant low through the trees
and the little breeze stiffened into

HILL TOWNS / 361
a small cool wind. Finally Ada stretched and made as if to
get up.

“I believe I’ll go up,” she said. “I’m really pretty tired. You
three stay.”

I looked at her. I had never heard Ada admit tiredness.

But her voice was fragile, and she did indeed look tired,
somehow slackened, emptied out. I wondered if she was
coming down with Joe’s cold, just briefly, and then put the
thought away.

“Please go on,” I said. “We’ve all but worn you to a shred
this trip. Take a long nap.”

Sam glanced up at her. There was the look again, long,
unreadable.

“Do,” he said. “You’ve earned it.”

“You coming?”

“In a minute. I won’t disturb you, though,” he said. “I’m
going to do a little more on the portrait. Let’s meet in the
bar about six-thirty. Maybe I’ll have a surprise for everybody.”

“What?” I said.

“Well, now,” he said, looking at me with his big copper
head cocked. The hat rode low on his nose once more. “It
wouldn’t be a surprise if I told you, would it?”

We all got up, then, and went back up the path to the
villa, and up the curving staircase to our rooms. Joe’s and
mine was on one end of the top floor and looked straight
out across the valley to Siena on its hill below us. In the late
sun it seemed to float on radiant air, a mirage, a vision.

“This is beautiful,” I said. “I think this is my favorite place
so far.”

The room was large, carved out of heavy white plaster like
a peasant barn, plain, but washed with air and light. There
were no curtains, only shutters, and the rich

362 / ANNE RIVERS SIDDONS
smells of the garden floated in to us. The bathroom, though,
was luxurious, all warm bronze marble and chrome, with
piles of thick white towels and a whirlpool. Its window, too,
looked out over the valley and the town beyond. Pots of
geraniums sat about, and cakes of rosy, transparent glycerine
bath soaps. All of a sudden I wanted a long hot bath more
than anything I could think of.

When I came out of the bathroom, wrapped in one of the
great towels, Joe was lying on his back on one side of the
bed, looking at me. His face was serious.

“Are you sure you’re OK?” he said. “It’s just what I most
wanted not to happen, you to be left alone to get yourself
over here. She’s a damned menace, Yolanda is. I’m angry
as hell at her. I know there’s more to it than you’re saying—”

“I’m perfectly all right,” I said. “It was good for me. Can’t
you tell?”

“I guess I can’t. I’m not sure you can, either. Christ, Cat,
you’ve only been off by yourself once since we got married—I
mean when Corinne wasn’t monitoring you—in Venice, and
look what happened. It nearly destroyed you.”

I sat down on the other side of the bed and looked across
at him. “It wasn’t Venice or being alone that nearly destroyed
me,” I said carefully. It seemed very important that he under-
stand what I was saying. “It was the fear of those things that
did the damage. Joe. The fear of being alone, the fear of be-
ing lost, the fear of those things…there was nothing danger-
ous but my own fear. There never has been. And Joe…that’s
gone. The fear’s gone.”

He looked at me for a long time. He did not speak. His
eyes did, though.

HILL TOWNS / 363

How can we live without your fear? they said.

However we must, I said back to him with mine. Because

I will not live with it again.

Presently, and still without speaking, he reached over and
squeezed my hand and turned over and went to sleep. I lay
for a long time looking at his back, at the line of his ribs
under the brown skin, at the double cowlick at the crown of
his head.

I wish you had not kissed her, I thought. Maybe I have no
right to wish that, but I do. Or at least, I wish I had not seen
it. I don’t know how much it changes things.

In a little while I, too, fell into a light sleep, but it did not
last long, and it did not seem to relax me. When I awoke,
all at once and fully alert, I was still humming all over with
the odd, fine vibration that had ridden with me from

Florence. It was not anger, though that was still there, far
down below, the cold anger at Yolanda. And it was not all
the exultation of the vanquishing of the fear. It felt like
something else entirely, a breath-held thing, a kind of waiting.

It felt like champagne in my veins.

I tried to lie still but could not, and I did not want to wake

Joe yet. I got up and dressed quietly, pulling out the white
linen that Sam had favored when I sat for him. I had had it
laundered and ironed in Florence, and some unknown hands
had ironed it to crisp, silky perfection. It felt wonderful
against my body. I slipped into sandals and tiptoed to the
door, closed it softly behind me, and went downstairs.

I turned into the lounge, toward the bar, but I did not see
any of us there. While we napped it had been colonized by
a group of American men, and they were sitting and standing
around the piano, singing loudly while one

364 / ANNE RIVERS SIDDONS
of them pounded on it. There could be no doubt at all that
they were American. They were around Joe’s and Sam’s age,

I thought, perhaps just a bit younger, and most of them wore
what Joe and his peers on the Mountain call a “full Cleve-
land”: white belts and white buck oxfords, plaid pants, polo
shirts in pastel colors. It was not a compliment when Joe
said it.

There were seven or eight of them, and they were all sun-
burnt across their cheeks and noses. They were Southerners;
their accents were thick and slow, slightly slurred now by
what I assumed to be quite a lot of bourbon. Two empty
amber bottles and one half-full one stood on the round table
they had staked out, and most held half-full glasses in their
hands. They were just bawling out the last lines of “Go

Alabama, Crimson Tide,” when I came down, and they fin-
ished it as I stood in the doorway, yelling in unison, “Roll,

Tide!” This was followed by a series of yipping yelps and a
long, eerie cry I thought might be the Alabama version of a

Rebel yell. We had one on the Mountain, but it was rarely
used except at football games and fraternity parties, and in
any case it did not sound like this. One or two of them beat
on the piano with the flat of their hands. The piano player
struck up “Dixie,” and they joined in. I turned to go, but one
of them saw me.

“Whooo eeee!” he shouted. “Wait up, here! Who is this
muffin come puttin’ her head in our door?”

The song broke off and they all turned to grin at me. One
of them began “The Sweetheart of Sigma Chi,” and they all
took it up, advancing toward me as they sang. I took a step
to flee, but one of them caught me by the upper arm, and in
an instant they had surrounded me.

I stood there, face flaming, half laughing, half angry, as
they serenaded me. I could smell the gusts of bour

HILL TOWNS / 365
bon. I was not afraid, but I felt crowded and cornered and
embarrassed. They were so grossly out of context here that
they were almost obscene. But they were in high good hu-
mor, and I knew they meant me no harm. I let them finish
the song and then said, smiling, “I’m very flattered, but I
have to go now. My husband is waiting for me.”

They set up another chorus of yips at my accent.

“Could tell by lookin’ at her she was a Dixie belle, couldn’t
y’all?” bawled the one holding me by the arm. “What’s yo’

name, sweetheart? Where y’all from?”

The accent was exaggerated theatrically. I had to laugh.

They were so like the fraternity boys at Trinity on house-party
weekends, rowdy and ridiculous, even ill-mannered, but es-
sentially sweet, somehow very young, even with their
paunches and thinning hair and the fine lines around their
eyes.

“I’m Cat Gaillard from Montview, Tennessee, and I really
do have to go now,” I said. “Please go on with your singing.”

There were more howls of glee, more slappings of the pi-
ano. One of them said, “We are the 1964 pledge class of

Delta Kappa Epsilon, University of Alabama, at your service,

Miz Cat Gaillard, honey. Part of it, anyhow. We had a suite
at the Deke house together for four of the best years of our
lives. Our esteemed president here, Mr. Reggie Haynes, Es-
quire, of Talladega and now Birmingham, won him a trip
to Italy sellin’ Ford automobiles and asked us all to join him
for a little re union, just us Dekes, no ladies allowed. I ’spec
we’d make an exception for you, though!”

“Deke! Deke! Deke!” they bayed. I tried to tug my arm
away, but my captor did not let go. Then he did, looking
over my shoulder.

366 / ANNE RIVERS SIDDONS

Sam Forrest stood behind me, very close, looking mildly
at them. He wore the blue blazer and wrinkled seersucker
slacks and a white T-shirt stained with the faded stigmata of
red wine, sandals and no socks, and the filthy plantation hat.

It shaded his eyes, but I caught a glint of flame blue from
the shadows, and the gold earring flashed in the gloom. The
ponytail exploded from under the hat like a burst of Brillo.

I felt a spurt of laughter start up in my chest. He must have
looked like something escaped from an itinerant Italian circus,
towering there in the dim lounge.

He reached out and gently unhooked my arm from the
grasp of the Full Cleveland Deke, who let it go in silence.

“Y’all will perhaps excuse the lady,” he said in a slow, soft
drawl that sounded not at all like his normal voice. It was
flat and polite in the extreme, and somehow had murder in
it.

“Sure,” muttered my captor, stepping back a little. “No of-
fense. We just heard the accent and it reminded us of home.

Pretty lady, one of us in a strange country, you know. No
offense.”

“None taken.” I smiled at him, wanting suddenly to ease
his embarrassment, assuage his humiliation before his group.

They were all quiet.

“Sam, this is the 1964 Deke pledge class from ’Bama. You
might know some of them.”

“You go to ’Bama too?” one of them said tentatively. “You
in a lodge there?”

“I was way before your time,” Sam said affably. “Well. You
guys go on with your party. My wife and I are due some-
where.”

He turned me with his hand on my shoulder and walked
me out into the lobby. Behind me I heard sub

HILL TOWNS / 367
dued mutterings, and then, in a moment, the piano started
up again, and they began to sing. I heard the clink of glass
on glass and knew the remaining bourbon was making the
rounds.

“You really are a stronzo,” I said, half laughing, half
scowling up at him. “‘My wife and I are due somewhere,’

indeed. What did you think they were going to do, sing me
to death? That was no match.”

“I’m not real fond of my countrymen in groups,” he said
cheerfully. “They get loud and grabby and so goddamned
down home it makes me think I’m back in the Phi Delt party
room, throwing up after a football game on some little gal’s
new suede shoes. I went to considerable trouble to get away
from that. Now they’re importing it.”

“Well, you probably did me out of a drink, so why don’t
you buy me one on the terrace?” I said. “Joe’ll be down in a
little. I feel like bourbon, I think.”

“You can take the girl out of the South, but you
can’t—blah, blah, blah,” Sam said. “Find us a seat. I’ll ask
the manager to see if he can scare us up a waiter.”

“OK. Oh…wait. I want to ask him something myself,” I
said, and went with him up to the little window.

The green-eyed man nodded to us. His jaw was even bluer
now, in the twilight.

“Signora?”

“I wanted to ask you about the falcon,” I said. “I took the
wrong path this afternoon and blundered into his cage. Is
he yours? Do you ever let him out? He’s a beautiful thing.”

“He is a she,” the man said, and smiled. It changed his
face into something else entirely, an approachable face. “She
is a peregrine, a fairly young one. She is a

368 / ANNE RIVERS SIDDONS
hunting falcon. I trained her myself. She belongs to the
owner, but he is very old now and lives in Florence and does
not often come here. So I have taken her over. Her name is

Guinevere. She is the third Guinevere since I have been here;
there have always been falcons at the Falconi: hence our
name, you see. This was a hunting lodge in the last century,
and they hunted the peregrines here. She is a good hunter,
but she has not got a very good temper.”

He held up his arm so that the cuff of his jacket fell away,
and I saw a line of small, round white scars there, like a flight
of distant birds.

“She pecked you?” I said incredulously. I thought of that
cruel beak.

“No, these are from her feet. We do not call the feet of the
raptors claws. With her feet she impales and grasps her prey;
the foot is very strong. Only then does she eat them. It is my
fault. I flew her once without my arm guard. She had not
tried to impale me before. She is very smart. She knew I was
without the guard.”

“When do you hunt her?” Sam said. His blue eyes were
intent, and there was a half-smile on his mouth. I knew he
was taken with the idea of the falcon. I thought, not for the
first time, that he had a falcon’s face himself.

“Oh, I do not hunt her when there are people about,” the
manager said. “She is unstable, and I cannot be responsible.

And then she frightens people. She has a very, what do you
say—eerie call. It sounds quite inhuman out over the valley.

High and thin and ghostly: We-chew! We-chew! We-chew!

Not like a bird at all. I hunt her very early in the mornings,
before there is anyone about.”

“What does she take?” Sam said.

HILL TOWNS / 369

“Oh, rodents, big insects. Other birds. A rabbit, some-
times.”

I thought of it, the bird, very high up, a shadow flying si-
lently on the old red hills, and then the cry, and the swoop,
and the thin squeal of the victim, impaled. I shivered.

“It sounds very medieval,” I said. “I can just see her, out
there over that old valley and that old town. It must be as if
time had stopped in the Middle Ages.”

“Just so,” the manager said. “They have hunted falcons in

Siena since there was a city. I feel very much its oldness when

I hunt her.”

“What do you feed her?” I asked.

“Nothing. She must stay lean for the hunt, a little hungry.”

I felt again the swell of pity I had felt when I first found
the beautiful captive bird.

“Does she ever try to get away…just not come back?” I
said.

“Oh, no. She does not know about flying free. She has
never flown unless it was to return to the arm. For her it is
a part of flight, like the patterns.”

“Patterns?”

“They make patterns out over the hills and gullies. It seems
to be a natural thing for a falcon; in the wild they will do it.

They divide up their range in patterns and fly them, looking
down. I think it makes things clearer and simpler for them.”

“By God, I’d like to see that,” Sam said.

“I wish I could invite you to join us one morning, but I
dare not,” the manager said. “I cannot tell what she would
do. I cannot take the responsibility.”

“I quite understand,” Sam said. We walked away, he
looking off into the distance where the last sun glinted

370 / ANNE RIVERS SIDDONS
off the towers of Siena. I knew he was with the falcon in his
head, up there in the thin blue air, riding the thermals in her
ancient patterns. It made me want to hug him suddenly, as

I would a child. I wanted to give him the gift of the falcon’s
flight.

We went out onto the terrace beyond the lounge, nodding
to the Alabama Dekes, who lifted their glasses to us as we
passed. They began to sing once more after we had gone.

Joe and Colin and Maria were there, at a big table at one
end. The other tables were vacant.

“Did you see the tableful of Full Clevelands?” Joe said,
grinning, as we slid into our seats. He was drinking bourbon.

Colin and Maria sat side by side, bright social smiles painted
on their faces. So they had not patched up their quarrel yet.

They sipped wine and did not look at each other.

“Sure did. They were just fixing to drag Cat off to their
tent when I stepped in and saved her,” Sam said. “What is
it with the bourbon? Cat said she wanted it, too; y’all on
some kind of psychic wave length?”

“They say it happens to people who’ve been married a
long time,” Maria said brightly, and then flushed. I could
not imagine why and felt only a sort of fatigue. I did not
want to spend any more time trying to decipher nuances and
minister to frazzled brides.

“They put a move on you, Cat?” Joe said with amusement.

“Good ol’ home boys, they are. Introduced themselves, and
tried to give me the grip, and invited me to join them later
in what I gather will be a kind of Siennese nooky search.

After dinner, of course. Kept asking me where a guy was
supposed to get any in a town that didn’t have any places
to park. They’re going across Italy in an RV, I believe. Their
leader told me it had leopard

HILL TOWNS / 371
print upholstery and a big mattress in back. See what you
missed?”

“Be still, my heart,” I said.

“Christ,” Colin said virtuously. “The proverbial ugly

Americans. You all can castrate me if I turn out like that in
twenty years.”

Maria looked at him levelly and Joe and Sam laughed. He
looked so young and scrubbed and handsome in his blazer
and lightweight gray flannels, one leg cut to accommodate
his cast. So totally American. It took only a small leap of
imagination to clothe him in years and pounds and disap-
pointments. He would look, I thought, not unlike the

Alabama Dekes, if he had bad luck.

The waiter brought a bottle of bourbon and ice, and Sam
poured drinks for himself and Joe and me. We clinked glasses
and tipped our tumblers to Colin and Maria’s stemmed ones,
and Sam said, “To beginnings and endings.”

“What’s beginning?” I said. “What’s ending?”

“I don’t know about the beginnings,” he said. “I kind of
thought you did. After driving over here by yourself, I mean.

A whole new Cat, maybe. But the ending is the ending of
the painting. I decided this afternoon it was finished. No
more slaving over a hot easel, Cat. I thought I might unveil
it for you all before we went to dinner.”

“Sam!” I exclaimed. “Is it really? I thought you said—”

“Yeah, but I looked at it once more and realized it really
was done. I’ll just spoil it if I try to push it further. You game,
or would you rather not?”

I was silent. Suddenly I did not want to see the painting.

I did not want the days of sitting for him to be over. I was
not ready to give them up. To give him up.

372 / ANNE RIVERS SIDDONS

“Let’s see it, by all means,” Joe said. Maria and Colin
chimed in. Sam rose and went inside to get the painting. We
all sat still, looking at one another.

“Do you realize this is a historic moment?” Maria said.

“The unveiling of a new Sam Forrest painting, the centerpiece
of the world’s next great one-man show? And to think that
it’s you, Cat; imagine showing it to your children and
grandchildren.”

“Shit, Maria,” Colin said in a low voice, and I saw her re-
member about Lacey and flinch. I reached over and patted
her knee.

“She’ll know,” I said. “She’ll know as well as anyone else.

And I fully expect to have grandchildren, all of whom will
be mortally embarrassed that their grandmother is grinning
off the wall in some museum or collection.”

“How does it feel?” she said. “It must be a strange feeling,
to know that people all over the world will be looking at you
forever.”

“I don’t guess I’ve really thought about that,” I said slowly.

“It doesn’t feel any way at all; the famous part of it isn’t real
to me. I think it’s Sam who’ll be the talk of the international
arty set, not me. Nobody knows the name of people in por-
traits; they know them by the artist.”

“Yeah,” Colin said. “Like the Mona Lisa.”

Joe said nothing and poured another drink.

“Is this bothering you?” I said.

“No. I’m honored that he chose you. It feels funny,
thought. I just thought about all the people who’ll see it and
maybe wonder who you are, or were, and if you had a hus-
band or a boyfriend. I’m going to be Mr. Catherine Gaillard.”

“Don’t be an ass,” I said. “He’s not going to title it ‘Portrait
of Catherine Gaillard.’ Artists never do.”

HILL TOWNS / 373

“What would he call it, then?”

“I don’t know. ‘Woman in White Dress,’ maybe, or ‘Bored

Woman Beside Window.’ Ask him.”

“I will,” Joe said.

He drank off his bourbon and poured another, and I held
my glass out. My head was beginning to buzz pleasantly.

There was a knot of anxiety in the pit of my stomach, though.

I wished I had asked Sam not to bring the portrait down. I
should have seen it for the first time alone with him.

I drank off the bourbon.

Sam came back with an oblong wrapped in newspaper
and tied with string. Ada was not with him.

“Where’s Ada?” Joe said.

“Ada has taken one of her sleeping pills and gone to bed,”

Sam said. “She asked me to give you all her regrets. She’ll
be out like a light until morning. She was already snoring
when I went back up.”

“What’s the matter?” Joe said, and there was concern in
his voice. I did not like hearing it. “She isn’t sick, is she?”

I knew without knowing how that he was thinking of his
cold, and I dropped my eyes to the glass in my hand. The
anger nipped at me, far down.

“Nah, she does this occasionally, after she’s been going
on all burners for a while,” Sam said. “It’s like getting a facial
or something, I think. Part of her personal care routine. Her
way of dieting. She’ll be raring to go in the morning.”

“We’ll miss her tonight,” I said, and Sam grinned at me.

I knew he knew I did not mean it. I wondered what else he
knew about Ada on this trip, and if he cared. He gave no
indication of either.

“Well, then, here we go,” he said, and fumbled with the
string around the painting.

374 / ANNE RIVERS SIDDONS

“Ta- da!” Maria sang out.

Suddenly I wanted to get up and run.

Sam propped the painting up on the chair that Ada would
have taken and folded his arms and looked at us.

“Behold Cat,” he said.

There was a silence, and then two gasps. Then silence
again. I lifted my hand to my mouth and found that my lips
were parted; only then did I realize that one of the gasps had
been mine. I still do not know whose was the other. Maria’s,
probably.

It was me, no doubt about that. In meticulous brush-
strokes overlaid by bold slashes of impasto, my own face,
drowned in a diffused white light that you knew somehow
was the hot light of afternoon. My own face, head thrown
back, eyes shut, mouth open, neck corded with some force
that suffused it with pink; he had caught the way I blush
from my breasts up to perfection. Just my head and
shoulders…naked shoulders, sheened as if with sweat, with
only a suggestion of wrinkled white linen around them. Just
my head, with the hair at my nape and temples dewed like
the rest of my flesh, sheened with light and sweat.

Just my head and face, in such a sensual and explicit ec-
stasy that even as I recognized its genesis, Bernini’s Saint

Teresa, in the church in Rome, I felt the force of it in my
groin, in the pit of my stomach. I looked like the Bernini,
there was no doubt of that; his eye had been true.

It also looked like me and no one else, me at the precise
moment of climax, me in the act of love. Me, as no one in
the world had ever before seen me, except Joe Gaillard.

I could not get my breath. I could not move my eyes from
it.

HILL TOWNS / 375

“That’s the dress you’re wearing tonight, isn’t it?” Maria
said presently, in a high, silly voice.

Colin cleared his throat. “It’s a fine piece of work, Sam,”

he said judiciously. “Very powerful. Not at all derivative. It
transcends style and school. Not really Cat, of course, but
very evocative….” His voice trailed off. He looked down at
his hands.

I raised my eyes to Sam’s face. He was smiling faintly and
looking at me inquiringly. I did not think he saw anything
at all amiss with the painting. He was merely waiting to see
what I thought.

I looked over at Joe. His face was still and very pale. He
did not move his eyes from the painting.

“It’s modeled on a Bernini statue that we saw in Rome the
afternoon you didn’t come with us,” I said chattily to Joe.

“The day you and Colin had the footrace, remember? I wish
you’d seen it; it’s a remarkable likeness. Sam thought so at
the time. Ada did too; I remember that she agreed…. It’s
called Saint Teresa in Ecstasy.”

I stopped. Finally he moved his eyes to me. They were flat
and dark.

“Maybe he can call this one ‘Cat in Heat,’” Joe said, and
got up and walked away toward the lounge.

I got up and ran after him, my legs rubbery and trembling.

I stopped him with my hand on his arm. He turned and
looked at me. I will never forget that look. There seemed
nothing in it but a vast, cold distaste. He pulled his arm
away, but he stood without moving.

“It’s a thing he does, Joe,” I said. “You know he painted

Verna Cardigan as Brünhilde. I know when he first saw me
in Rome, he thought of the Saint Teresa…. Please don’t do
this. Please don’t spoil things. It’s…you know there wasn’t
anything—”

376 / ANNE RIVERS SIDDONS

“I know,” Joe said very clearly, “that he knows how my
wife looks when she’s getting fucked. That’s what I know.

And now the entire world is going to know it too. What is
it, Cat, you expect me to go to the big opening for it and
chomp shrimp on a toothpick and sip wine and say, ‘Yes,
indeedy, that’s my little wife, all right, coming like a house
afire’? Sure I will. Sure I will.”

“How can you say that? I have never in my life slept with
anybody but you! You know that! You know that!”

My voice cracked. I couldn’t get a deep breath.

Behind me Sam Forrest said, “Take it easy, Joe. Cat doesn’t
deserve this. If you want to yell at anybody, yell at me. It’s
exactly the pose of the Saint Teresa; don’t go accusing her
of anything until you’ve seen the statue. My God, man, what
do you think—”

“How did you know?” Joe spat at him in a voice I did not
know, had never heard. He did not look at Sam but at me.

“How else could you possibly know?”

“I’m a painter,” Sam said. “I paint what I see. She looks
for all the world like the Bernini Teresa; I saw it when I first
saw her, at our place in Rome. I’m sorry if you’re upset, but
if I were you, I wouldn’t go throwing accusations at Cat.

She’s done nothing wrong. Nothing. She might, in fact, want
to ask you about the time you’ve spent with my good wife!”

I went hot all over, felt sick. Please stop this, I thought
dully. Everybody please, please stop.

Joe’s face went even whiter, but he dropped his eyes from
my face. He turned away again and walked into the lounge.

Just beyond the doorway he looked back over his shoulder.

“Did you holler, Cat?” he said.

I turned away, blindly, and went back to my seat. I heard

Joe say something to the group of Dekes around

HILL TOWNS / 377
the piano, and heard them laugh and cheer, and when they
began to sing again, his rich tenor rose with them.

“Roll your leg over, oh, roll your leg over,” they sang. “Roll
your leg over the man in the moon.”

“I think maybe we’ll pass on dinner,” Maria said in a small
voice. She got up out of her chair and walked from the ter-
race. Colin looked at Sam and at me and then lifted his hands
and let them drop, silently, and followed her. His crutches
thumped loudly.

“Well,” Sam said presently. “How about another drink,

Saint Catherine of the sorrows?”

“Please,” I said, holding out my glass.

We drank our drinks in silence. I clenched mine very hard,
trying to stop the fine trembling that had begun again in my
stomach and now shook every part of me. It was like a tiny
engine; I did not think he could see it, but I could not stop.

I simply could not think of anything to say to him. I
thought I would like to sit here on this terrace, with the

Tuscan treetops at my feet and the little night wind tasting
of dust off the pink hills on my face, until everyone else had
gone away and night had fallen, and I could go back to my
room unseen. I knew I must talk Joe through this, but the
effort seemed so monumental it was ludicrous, as if I had
been asked to move a mountain unaided, empty a sea.

“Not a great night for art fans,” Sam said. He was slumped
down in his chair, his long legs extended straight out in front
of him, chewing ice. His eyes seemed very blue in the dusk.

“It’s a beautiful painting,” I said dully. “It really is. Please
don’t think I think it isn’t. But it…I guess I didn’t know you
were going to do that.”

“Didn’t you?” he said.

378 / ANNE RIVERS SIDDONS

I did not reply. Had I not known? I wasn’t sure, now.

“I’ll go in and talk to him in a minute,” he said. “Soon as
those assholes have gone. I can make him see what I was
doing, that you and I didn’t—well, whatever. I can probably
even make him like it, or think he does. I’ve done it before.

Christ, you should have heard David Cardigan when he first
saw what I’d done with Verna, and now he thinks he inven-
ted the portrait himself.”

“What did you do with Verna?” I said.

“Well, one of her tits sort of hangs out,” he said. “And they
were something to see in those days. Cantilevered, I guess
you’d say.”

I burst out laughing in spite of myself.

“What on earth am I going to do with you?” I said, near
tears. “What am I going to do with him?”

“I don’t know about with me. That’s up to you. I’m going
to go talk to him. Though I really ought to let him twist in
the wind awhile. I’m not real fond of what he said to you.

You ought not be, either.”

“Well, I’m not,” I said. “I hate what he said to me. He’s
never said anything like that before. But Sam, it’s been hard
on him, this trip. Back home he’s…I don’t know. So totally
in charge. So many people look up to him. He’s really good
at what he does. Over here, every time he turns around,
something happens to him. He falls in a canal. You pull him
out. You haven’t exactly made him look good, you know.”

“Goddammit, Cat, I haven’t tried to sabotage him,” he
said, frowning in annoyance. “Most of the time I haven’t
even been thinking about him. If he feels he’s been shown
up in Italy, the problem is his. Not mine. Not yours.”

“I know,” I said.

After the last drink, things did not look so bad. I felt

HILL TOWNS / 379
suddenly lazy and loose-jointed, indolent, powerful in an
odd and offhand kind of way. I stretched, and rolled my
head back until I heard vertebrae crackle, and said, “Well,
let’s finish this bottle and then we’ll both go talk to him. You
wrap the painting back up and take it upstairs, and we’ll take
him somewhere great for dinner and maybe get him a little
drunk. It won’t seem so bad to him in the morning. Joe
doesn’t hold grudges.”

We finished the inch or so left in the bottle. Sam reached
out and touched my cheek with one finger, very lightly. Just
that touch. I reached up and put my finger where his had
been.

“In a way I’m sorry the painting is done,” he said.

“So am I.”

“Maybe,” he said in a low voice, “I can go back and rework
some of it. I’d need you to sit again a few times….”

“Maybe you could,” I said. My own voice was husky. I
cleared my throat.

“Let’s see what happens,” Sam said. “Shall we? There’s a
lot of Tuscany left.”

“Let’s.”

He got up and gave me his hand and pulled me up. Then
he dropped my hand and we walked into the bar to talk to

Joe. It was full dark now. The lamps in the bar were lit, and
a small fire blazed in the huge fireplace, but there was no
one there. The Dekes had gone. Joe was gone too.

I looked at Sam and walked rapidly out to the desk. The
green-eyed man was not there. A heavy young woman with
improbably carmine hair piled up on her head was sorting
forms of some sort. She looked up, smiling courteously.

“The gentlemen in the bar, have they left?” I said.

380 / ANNE RIVERS SIDDONS

“Yes,” she said. Her accent was heavily Italian, the Italian
of the South. “They have go to Siena to eat and howell. They
gone in the big fan.”

“Howell?” I said stupidly.

She grinned and threw her head back and pantomimed a
wolf’s howl. I could just see the Dekes doing it.

“Ah…there was another gentleman with them, another

American, tall, blond, wearing a blue jacket. Did he go too?”

I said.

She just stared at me. I realized those words could have
described any one of the Dekes. I tried again.

“Gaillard. A Mr. Joe Gaillard.”

“Ah. Choe. You mizziz Choe? He leave you a note.”

I nodded. She handed it to me. It was sealed inside a Villa
di Falconi envelope. I opened it.

Going to travel a little with the Dekes, it read. Maybe I’ll
see you in the morning. Maybe I’ll see you in Rome. Maybe

I’ll see you in a gallery.

He had signed it with a large, looping J. The writing and
the signature were loose and sloppy. He was drunk, I
thought.

“What’s up?” Sam said. He was looking at me intently.

“Joe’s decided to join the Dekes and see the world,” I said,
and giggled. The giggle came out more like a hiccup. Perhaps
a sob.

“Jesus,” he said. “The asshole. Want to go down to Siena
and look for them? There are some pretty raunchy spots
down there, in the back alleys. Somebody will point them
toward one. It shouldn’t be any problem finding the RV.

There’re only one or two public lots where they could park
it.”

“No,” I said. “I don’t. What I want to do is go down

HILL TOWNS / 381
to Siena or somewhere and have a wonderful dinner and
then go somewhere and dance. Or something. Will you take
me to dinner?”

“I will,” he said. “And to something, too.”

“Can you dance, Sam?”

“Like a waltzing hippo. But I can something like there’s
no tomorrow.”

“Then,” I said, taking his arm, “let’s go something.”

“Your call, Cat,” he said.

14

WE NEVER DID EAT DINNER. I THINK I KNEW

WHEN WE set out in the Opel that we would
not. I had a powerful sense that another wo-
man entirely wore my skin that night, sat in the seat beside

Sam Forrest as he drove, barbarously, down the sinuous
road to Siena. This woman laughed as he skidded perilously
through curves, sprayed gravel on dizzying overhangs; this
woman laughed as oncoming cars veered out of the way of
the Opel, blatting their horns, their drivers mouthing silent
curses and shaking fists. This woman leaned her head far
back on the seat, stretched her arms, and arched her back
until the linen of her dress threatened to part over her breasts.

This woman clung to the arm of the man in the driver’s seat,
leaned her head over to bite his shoulder none too gently,
sang a little, hummed the rest of the way.

This woman had not come to eat dinner.

“What first?” Sam said, when he had rammed the Opel
into a narrow parking place in the lot beside the

382

HILL TOWNS / 383

Cathedral. The rest of the lot was full, but there was no RV
there. The old Catherine Gaillard would have gotten out of
the car trembling and ashen and asked for dinner, but the
woman who had pushed her far back and down danced out,
demanding drink.

“I want some more bourbon,” I said. “And then maybe
some more someplace else. Seedy places, Sam; dark. Can
you pub-crawl in Siena? That’s what I want to do. And then

I want to dance. Then, maybe, we’ll eat.”

He laughed.

“Not a lot of night life in Siena; it’s a clubby place. If folks
are going to let it rip, they usually do it in the clubs in their
contrada. But I’ll see what we can do. There are a couple of
little places down in the old town that might be seedy enough
for you. You up to some walking?”

“I’m up to anything. The question is, are you? I saw you
stagger getting out of the car.”

“So did you, me proud beauty. Wonder we both aren’t
crawling. Do you really think you ought to drink any more
hard stuff? Wine might be smarter.”

I whirled around and put my hands on his shoulders and
leaned up into his face.

“This is not a night for wine,” I said. And then I twirled
away, spinning on one foot so that the skirt of my dress
would bell out.

He caught me by the arm and looked down at me, smiling.

“And who have we here tonight?” he said.

“Catherine of Siena,” I said. “They’re going to talk about
her for a long time in this town. You are too.”

“I bet,” he said, and we plunged none too steadily down
into the spiderweb of narrow streets that led into the heart
of Siena.

384 / ANNE RIVERS SIDDONS

The old part of Siena huddles around the great open fan
of the Campo, jumbles of severe Gothic houses and palazzi
and shops, their plain brick walls studded by small shuttered
windows. They are set so close to the tortuous streets that
you must walk there; there seemed that night to be no side-
walks at all. But there were no automobiles either. None
could have circumnavigated the streets. They were too narrow
and too steep; often they gave up, and simply became flights
of shallow stairs, and then were transmuted into streets or
alleys again. The houses on either side shouldered into one
another, so that it was like walking between high, forbidding
walls. The overall feeling, I thought as I lurched along beside

Sam, clutching his arm and stumbling on the rough cobbles,
was of verticality and darkness. Shops were guarded with
corrugated iron. Windows were shuttered, and what little
light leaked through was pale and thin. And yet, even in the
darkness, Siena seemed to glow. The very stuff of the houses
did; they seemed to breathe out pale golds and yellows and
reds into the thick night; their tile roofs seemed to burn like
embers. There was a huge white moon; we had driven down
into the city bathed in its light. But it did not penetrate in
there. Roofs leaned too closely over the streets. Nevertheless,

Siena lay that night in its own glow.

“It’s like being in the heart of a banked fire,” I said once.

“Burnt sienna,” Sam said. “It’s the color of the earth around
here. It makes one of the best pigments for painting. I use a
lot of it; it’s the undercolor for a good bit of your portrait.

Most of the houses are built of it. There’s a saying; I think
it’s the motto of one of the districts: ‘It’s the red of the coral
that burns in my heart.’”

“I love that,” I said, squeezing his arm and stumbling.

HILL TOWNS / 385

He righted me. “I think that will be my motto for tonight.”

I giggled. “I’m going to be the coral that burns in your heart.

Watch out, or I’ll burn you up.”

“I think you would,” he said, and leaned over and kissed
the top of my head. I put my arms around his neck and kissed
him, fully and deeply, and then broke free of his tightening
arms and pulled him on down the alleyway.

“We haven’t even crawled one pub yet,” I said.

Behind me he made a sound that might have been laughter
or a soft groan.

He dogtrotted me down one dark old street and up anoth-
er; I had no sense at all of where we were. There were people
on the street, but not a great many. They all seemed to be
heading the same way we were: down. Back and forth, in
and out, but always and inexorably down. At last, breathing
hard and beginning to feel the spongy deadness of sobriety,

I said, “Dammit, Sam, we could just have brought a bottle
and sat in the car. Where are we going?”

“Here,” he said, and we broke out of the cobweb of alley-
ways into a great open space, bordered with uplit red towers
and graceful Gothic palazzi and houses. It seemed, after the
claustrophobic darkness, to be made of light. Lights blazed
in the symmetrical structures fringing it; lights picked out the
contours and details of the fine towers; light seemed to pour
upward from the very stones of the piazza toward the moon,
lying just above the great white-tipped bell tower. The Torre
del Mangia.

“Oh, God,” I breathed, blinking. “It’s the Campo, isn’t it?”

“It is. Now was that worth the hike, or what?”

“I never saw anything so brazenly dramatic,” I said.

386 / ANNE RIVERS SIDDONS

“It’s stunning. It’s almost scary. How could you ever relax
here? You’d have to sit up straight the whole time.”

“This is where people come to relax, though,” Sam said.

“This is the big civic playpen. Shops and caffès and restaur-
ants; in the daytime this is wall-to-wall people. And you
should see it during the Palio, the big medieval horse race.

It’s a circus. We missed it by a week. Watch your step; there
may be a few tokens from it still lying around. When your
eyes get accustomed you’ll see there’s plenty going on.”

They did, gradually. He was right. There were people
walking arm and arm across the great shell-shaped piazza,
people sitting in the outdoor caffès, people going in and out
of doors on the ground floor.

“Are we going to drink here? It’s awfully bright,” I said.

“We are going to eat first,” Sam said. “If I’m going to last
out a night of debauchery with Catherine of Siena, I’m going
to have to get something in my stomach, or you’ll end up
having to drive my inert carcass home. And we wouldn’t
want that.”

I scrubbed my face into his upper arm.

“No, we wouldn’t,” I said.

But in the end we did not. Sam headed for Il Campo, dir-
ectly on the piazza, but it was hopelessly jammed. A line
straggled out the door.

“I thought all doors opened for Sam Forrest,” I said. “Don’t
they know who they just snubbed?”

“All doors open for Ada Forrest,” Sam said. “I don’t have
anywhere near her clout.”

We tried a few other restaurants on the square, but all of
them were just as mobbed. In the end, Sam led me back into
the darkness, into the warren of alleyways

HILL TOWNS / 387
behind the Palazzo Pubblico. There, after another seemingly
endless stumbling trot through the darkness, we found a tiny
hole-in-the-wall of a place where only a few dark-clad men
sat silently at tables, drinking.

“Maybe they have sandwiches,” Sam said, sinking down
at one of the scarred tables in back, beside a rough-cut con-
crete wall. “Christ, it’s like Hitler’s bunker.”

“They have whiskey,” I said, seeing the bottles lined up
above the tiny, filthy bar. “That’s a good omen.”

“We are doomed,” Sam said. “On your head be it.”

A silent waiter brought a bottle of whiskey and thick,
filmed glasses to our table and went away. I don’t know
what sort it was. It was fiery and raw. I poured us both half
a tumbler full and lifted mine to him.

“To la dolce vita,” I said. “And lots of or something.”

“Or something,” he repeated solemnly, and we drank.

The evening seemed to dim out then, to soften, flicker,
snap back into focus, blur again. We drank the bottle of
whiskey and went somewhere else, a dark grotto full of quiet,
anonymous people, that might have been the first. We had
whiskey there, too. Somewhere in that place, or perhaps the
next one, there was a jukebox. I remember dragging Sam to
his feet, laughing, and dancing with him in a tiny dark space
next to it, surrounded by empty tables with their chairs tipped
over them. I think there were still people at the bar, but by
then I could not have been sure. I knew I had drunk enough
so that the Cat Gaillard I had been earlier that day would
be out cold, but this new woman was still on her feet. On
her feet, her body pressed hard against Sam Forrest’s, her
arms around his neck, her face pressed into it. This woman
nibbled his neck and kissed his face

388 / ANNE RIVERS SIDDONS
and held her mouth up to his and was kissed in return. This
woman was still swaying there with the big man when the
music ended and the dim lights flickered on.

Sam lifted his head and looked down at me owlishly; he
shook his head as if he were coming up out of water. I still
clung to him, drowning in the feel of his body against mine,
smeared and swollen with the kisses. He lifted my chin with
his hand.

“I think they want us to leave,” he said hoarsely. “What
now, Cat?”

“Now,” I said, letting my head fall back over his arm and
then snapping it up again, “now I’m asking.”

He was silent for a moment, and then he said thickly, “You
sure? A spite fuck is a sorry thing.”

“It ain’t spite when it’s willing,” I said.

“Then let’s go home.”

But when we reached the dark pavement outside, it was
obvious that neither of us could manage the long, black climb
back up to the parking lot beside the cathedral. We leaned
against each other for a moment, and then he said, “I’m going
to get the manager to call us a cab. We’ll never find one. We
can come back and get the car tomorrow, or get somebody
at the hotel to do it.”

“There’s no tomorrow,” I sang. “There’s just tonight.”

“Hold on,” he said, and went back into the bar.

When he came back out, I pulled him into the shadows
and kissed him again. We were still kissing when the taxi
driver came around the corner to fetch us, and we clung
tightly to each other as we stumbled after him to a street
where cars were able to navigate, and fell back into each
other’s arms in the back seat of the cab when the driver jerked
it into motion. By the time it stopped, on the gravel in front
of the darkened Villa di

HILL TOWNS / 389

Falconi, there was nothing in the world for me but sensation
and the feel of him, and the thick smell of his body and
breath.

After the taxi left we stood for a moment, looking up at
the sleeping villa. No lights showed, at least on the front.

My room and Joe’s was dark. So was Sam and Ada’s, on the
other end. I glanced into the parking lot across the road; no

RV towered there. It was the first time that night, I realized
murkily, that I had thought of Joe. The thought did not hold.

The semicircle of gravel gleamed ghostly white in the bright
moonlight. Sam looked down at me.

“It’s like standing in a floodlight. We can’t stay here. What
did you have in mind, Miss Cat?” he said. His tongue was
as thick as mine.

I hesitated. What did I have in mind? Now that I knew I
would make love with him, and soon, where had I thought
to set that love? I did not know.

“I guess my room and yours are out,” I said. “And the car
is back down there. What do you think?”

He took a deep breath.

“Christ, whatever’s closest…I’m not going to be able to
wait long.”

“I don’t know,” I said. And then I did.

“This is perfect,” I said, taking his hand. “This is absolutely
perfect. This spot was made for us.”

I pulled him behind me, around the side of the villa and
down into the tangled vegetation that lay behind it. Three
steps in and we were swallowed by profound blackness.

“My God, Cat, they’ll find our skeletons ten years from
now,” Sam whispered behind me. “We’re going to fall and
never land.”

But I knew we would not. The night and the moon

390 / ANNE RIVERS SIDDONS
light seemed to have seeped through my skin into my
bloodstream; darkness and wildness bore me up like invisible
hands. I felt surreally clear and focused and surefooted, a
creature of the night, a wild thing. I was not going to fall,
and I would not let him fall.

“Come on,” I whispered back to him. “You’re safe.”

He was. We both were. My feet felt the path through the
soles of my shoes; my eyes saw the shapes of trees and shrubs
and thorns as if they had been lit for me. I went down the
slick, overgrown path as if it had been a floodlit highway,
and he followed me, stumbling and grunting and flailing but
never falling. By the time we reached the clearing, I was
tingling all over with the night and what lay ahead; laughing,
manic with it.

“Voilà,” I said, and stepped into the little glen where the
falcon’s cage was.

The moonlight was so bright here it seemed solid; you
might simply climb it up into the sky, to the cold moon itself.

Maybe, I thought raptly, we’ll do that. After. After….

“Holy shit,” Sam breathed. He looked around the little
glen and then walked over to the falcon’s cage. We could
see her clearly in the white radiance. She sat still in her dully
shining gray, looking at us impassively out of her black hood
with the yellow headsman’s eyes. Sam put a finger into the
cage, slowly. She lifted her long wings silently, as far as she
could, and snaked her head low, but she did not move from
the perch. Slowly, as she had done before, she settled back
into herself, still looking at us.

“Holy shit,” Sam breathed again, to himself. “I want to
paint that.”

“Well,” I said. “Is this going to do?”

He looked at me, and then around the clearing.

HILL TOWNS / 391

“You mean, in that little shack there?”

“No. I mean right here. On the ground. Under the moon.

With her for a witness. Right here, Sam.”

He looked at me a little longer, smiling faintly, and then
walked over to the shed and jerked the creaking door open.

“I don’t want to go in there—”

“No.”

He leaned into the shed, and when he straightened back
up, he was holding a tattered blanket. He snapped it smartly
in the air, and the dust motes rode dizzily up the shafts of
moonlight.

“There’s a pillow too,” he said. “Somebody else has the
same idea, or had. You want the pillow?”

Silently, I shook my head. I looked at him.

He spread the blanket out on the floor of the glade and
stepped onto it and looked back at me.

“Then come here to me,” he said.

I started forward and then stopped.

“Wait,” I said. “Wait just a minute. Stay right there. I want
to do it this way.”

Smiling, he sat down cross-legged on the blanket.

“Like I said, Cat. You don’t want to wait too long.”

I ran across the glade and ducked into the little shed. It
was piled and jumbled and smelled of rotting cloth and dust
and something like dusty grain. I felt spiderwebs break across
my face, but they did not bother me on this night. On this
night I felt nothing but the steady, sweet hum of my own
blood and the print of his body still, against mine.

I unbuttoned the white linen and let it fall to my feet. I
unhooked my bra and let it fall; I stepped out of my panties,
out of my shoes. I closed my eyes for a moment, and then I
opened them, and ducked back out of the shed, and stood
before him in the moonlight.

392 / ANNE RIVERS SIDDONS

It seemed that I stood there a long time before he spoke.

The white bath of the moon was almost palpable on my
naked body; it was like being touched all over by millions
of tiny, prickling fingers. They almost burnt, but I could not
tell if it was a cold burning or a hot one. When he still did
not speak, I lifted my arms under the weight of the moon
and held them over my head and turned around, very slowly.

“Do I look like you thought I would?” I said. My voice
was caught deep in my throat.

“I knew how you would look,” he said, and his voice
caught too. “I knew when I started to paint you. How you
would look. How you…will be. I have seen you already; I
have had you already, a hundred times.”

I felt a flicker of flatness, of disappointment. I let my arms
fall.

“I hope the original lives up to the image,” I said.

“A hundred times over,” he breathed. “A thousand times
over. God, but you are beautiful! Come, Cat….”

He got up onto his knees and held out his arms to me. He
did want me; I saw that he did.

“Wait just once more,” I said, a new thought coming into
my mind. A fine thought, a wonderful thought. “Wait and
watch me. Watch me, Sam!”

“Jesus, Cat!” he said, and then, “OK, I’m watching.”

I turned and ran across the glade toward the little hanging
bridge. I think he only noticed it then.

“I hope you don’t have any therapeutic ideas about fucking
on that thing,” he said, and there was laughter close under
his words.

“No, now watch!”

“I’m watching.”

I stopped at the lip of the bridge, took a deep breath, and
ran onto it. It dipped and swayed sickeningly, and

HILL TOWNS / 393
my heart rose up in my throat, but I did not stop. I let my
run take me on out, into the very middle. Then I stopped
and looked down.

There was nothing below me but blackness. Nothing on
either side. Nothing in the air above me. Here, on this bridge
swinging over darkness, the moon’s fingers reached only the
very tips of the trees that made a canopy over whatever lay
below. I stood still and let my hands fall away from the damp
ropes on either side that served as the bridge’s only guard
rails. I closed my eyes. I did not hear water and did not sense
earth. The bridge might have spanned some essential chasm
that opened straight into the core of the planet.

I stood for quite a little time, listening to the deep, sweet
thrum of my blood past its pulse points, thinking of nothing
at all except the feeling of the thick night on my naked body.

Then I thought of his hands on it, and my blood quickened,
and I turned and ran off the bridge again and across the
glade to the blanket.

He lay on his side, eyes closed, chest rising and falling
serenely.

All of a sudden I was very tired and cold. I knelt beside
him and shook him, feeling a little night wind that I had not
known was there putting fingers all over me, into secret
crevices and folds, into my hair, on my lips.

“Wake up,” I whispered, shaking his shoulder. “Sam, wake
up!”

“Jus’ a minute,” he mumbled, not opening his eyes. “Jus’

got to rest a minute. Jus’ a little while. Then we’ll do it….”

“Sam, I’m cold.”

“C’mere,” he said, eyes still shut, reaching his arms out to
me.

394 / ANNE RIVERS SIDDONS

I stood for a moment more and then dropped down onto
the blanket and fitted myself into his arms. I was very cold.

I burrowed close to him, wriggling until the entire length of
me was pressed against him. He was very warm. I put my
face into the hollow of his neck, and he closed both arms
around me and wrapped me to him.

“Rest just a little while,” he whispered. The wind of it
stirred my hair.

“Just for a minute,” I said. I was warm all over now. “Just
for a minute.”

I closed my eyes….

When I opened them, the glade was ashen with the gray
that comes just before sunrise, and he was gone.

I sat up, blinking around the glade. He had laid his blue
jacket over me, and I held it close. There was cold dew in
the glade now. Everything seemed damp and cold and empty.

Perhaps he had gone into the shed, or over the bridge.

But I knew he had not. The very air around me was empty
of him. If he had been close, I would have known. I lay back
down on the blanket and pulled the jacket closer around me,
and curled up into a small ball on my side, and closed my
eyes again.

I do not think I lay there long, but I seemed to hear many
words. No pictures came with them, but the words were as
clear as if the people who said them lay next to me.

“Americans behave badly in Italy, Cat. All of us, in one
way or another,” Yolanda said.

And, “It’s all one slick, straight, hard, shiny surface. You
couldn’t chip it with dynamite.”

And, “I don’t have to tell you how simple Ada has made
it for Sam to paint you; she’s literally taken charge

HILL TOWNS / 395
of Joe so you could be alone with Sam. I’ve watched her do
it.”

And, from some earlier place, “Your vulnerability. That
excites Sam.”

But I had not been vulnerable last night.

And he had not, after all, made love to me.

“You better fuck him fast, Cat,” Yolanda had called to me
from the table of the restaurant in Florence.

I had, it seemed, waited too long. He had already made
his love, and that was to the woman on the canvas. The
woman in his arms last night had been the image.

Oh, yes, there would be a new show soon. He was burning
with it, throbbing with it.

I had thought the burning was for me.

I lay with my face pressed to the old earth of the hill and
knew I was not safe and never would be. And it did not
matter.

Presently I got to my feet, still clutching the jacket around
me, and looked again around the clearing. He had folded
my dress neatly and laid it at the edge of the blanket with
my shoes and underwear. I put them all on and smoothed
the dress and my wild hair. Across from me the falcon stirred
her great wings silently and cocked her head. But she made
no sound.

I went across the glade and opened the door to her cage.

I reached in and loosened the leather tie. Then I stepped
back and looked at her.

“Go on,” I whispered. “Go. No more cages for you. No
more.”

But she shrank back against the bars on the far side and
did not move.

“I don’t blame you,” I said. “It’s not what it’s cracked up
to be out here.”

396 / ANNE RIVERS SIDDONS

I started out of the glade, and then stopped, and turned,
and went onto the bridge again, to the very middle, and
looked down. The bridge itself lay in the thin first light, but
whatever lay below was still in darkness. I balled the blue
jacket up and held it out over the rope railing and let it fall.

I heard it tumbling through vegetation, but I did not hear it
hit. Then I went back and through the glade and up the path
toward the Villa di Falconi. I did not fasten the door to the
peregrine’s cage when I went.

When I came out onto the gravel semicircle, it was full
light, though still very early. A gardener pushed a wheelbar-
row along a brick path on the far side of the garden, and an
elderly man came out of the villa dressed in a warm-up suit
and jogging shoes and began to trot down the drive toward
the road to Siena, nodding to me as he went. But no one
spoke. I thought that, in my white dress, I might have looked
like an apparition sprung from the woods in the chilly dawn,
but not one, now, with the power to frighten.

There was no one about in the lobby, but from somewhere
just out of sight I heard the chink of china, and smelled coffee
brewing. The manager’s window was shuttered. I stopped
on the polished wooden floor just as a pool of sun spilled
over the line of the eastern trees outside, letting its fragile
warmth touch me. I stood still under it for a moment, as you
might under a warm shower. Then I turned and went softly
up the stairs.

All the doors on my floor were shut, and there was no
sound. I do not know what I had thought to hear. At my
own door I stopped, and reached into the pocket of my dress
for my key, but then saw that the door stood slightly ajar. I
pushed it open and went in, feeling absolutely nothing except
a great, simple desire for sleep.

HILL TOWNS / 397

Joe sat on the far side of the big bed, his head turned to-
ward the open window that commanded the distant skyline
of Siena. He still wore the oxford shirt and chinos he had
worn last night, but he was tieless, and the shirt was as
wrinkled as if he had picked it out of the dirty clothes
hamper. His hair fell over his eyes, and even from the door-
way I could see the glint of stubble on his jaw. He held the
telephone in his hand. He was not using it, simply holding
it.

He turned slowly to face me, and I saw that his eyes were
sunken in the blue hollows where they retreat when he has
had no sleep, and his face was dirty, actually striped with
dirt. He took a deep breath and let it out in a long, shudder-
ing sigh. His lips moved, but he said nothing, and then he
said, “Cat. Where have you been?”

His voice was old. Thin and weak, cracked, old.

I shook my head, looking at him.

“I’ve been out all night looking for you,” he said in his old,
old voice. “You weren’t here last night when I got back, and

I couldn’t raise anybody in Sam and Ada’s room, and Colin
and Maria didn’t know where you were, and the manager
didn’t. And the car was gone. I went back down to Siena
looking for you. I looked in every restaurant and bar and
joint and hole in the wall and back alley I could find; I had
a cabdriver with me, and he looked too. I was going out into
the hills around here this morning. I’ve just talked to the
police. They wanted me to come in and sign some stuff.

Some documenti.”

Incredibly, he smiled, but it did not hold. His mouth began
to shake and he closed it. He got up and walked to the win-
dow and put his hands on the sill, as if to rest his weight
there. With his back to me, still in the old

398 / ANNE RIVERS SIDDONS
eggshell voice, he said, “They’ve gone, you know. Sam and

Ada. Colin and Maria. Gone back to Rome in the station
wagon. I saw them as I was coming back in this morning.”

He stopped and I nodded, as if he could see me. Of course
they had gone. I had known that back in the glade. He was
not anywhere in the air of this place. Ada would get some
rest now. Her job was over; his was just beginning. That
was what the look that had passed between them at lunch
yesterday had said. He had even said it aloud to her: “You’ve
earned it.”

I still did not speak. I looked at Joe’s back.

“Cat,” he said finally. “You and Forrest. Did you…?”

“No,” I said. “No, we never did.”

He did not move, but his shoulders slumped.

Then he put his hands up to his face and rubbed his eyes,
and I saw that the right hand was wrapped in white, white
spotted with red. His handkerchief, I thought. I went a little
way into the room, near enough to see that the hand was
swollen, the flesh pouching redly around the sides of the
tight cloth.

“What did you do to your hand?” I said. It was my own
voice; how strange.

He still did not turn.

“I knocked him down,” he said.

“You knocked Sam Forrest down?”

“I asked him where you were. He wouldn’t tell me. He
said it was for you to decide if you wanted to tell me or not.

And…I knocked him down.”

His voice sounded queer and stifled; I had the wild thought
that he might be laughing.

“Wow,” I said. It sounded precisely as stupid as it was,
but I could think of nothing else to say.

HILL TOWNS / 399

He did laugh, then. He put his face back down into his
hands and laughed and laughed; his shoulders shook with
it. And then he took a deep, strangled breath, and I knew
he was crying, not laughing. Crying in a terrible and total
way I had never heard before; crying and trying not to.

“Please don’t,” I said softly. “Please don’t.”

“I thought you had gone,” he said. He could hardly speak.

“I thought you had just…gone. I’d have died if you had, Cat.

I wouldn’t blame you, but I’d have died.”

I went around the bed and put my hands on the back of
his shoulders and steered him to the bed. The sobbing did
not stop, and I did not look up into his face. I did not think
he would want me to do that. I sat him down on the bed
and pulled the covers back.

“Let’s sleep,” I said. “That’s what we both need, more than
anything. Come on, slip in here. We’ll both sleep. After that
we’ll talk.”

He said nothing more, but he did slide into the bed and
under the covers. Still in his pants and shirt, he rolled over
onto his side, as he did when he slept at home, away from
me. I pulled the covers up around his chin. I could still hear
his breath, still catching, still uncontrolled, as I went to the
window and closed the shutters. He did not sob again, but
he still did not breathe well.

I slid out of my dress and shoes and crept into the other
side of the bed. I lay looking up at the ceiling. Small bars of
sun, going from white to yellow now, danced there, cast up
through the shutters. They were hypnotic. I don’t know how
long I watched them. I could not seem to capture a thought,
so I simply lay, watching sun flickers.

After a long time Joe said, “What will happen now?”

400 / ANNE RIVERS SIDDONS

He did not turn to me.

“I don’t know,” I said.

Another pause, then: “Can we go home?”

“Whenever you like.”

“No…I mean, can we? Can we go home again?”

As I had on that morning in Florence, on the terrace by
the pool with Yolanda—had it only been two mornings
ago?—I thought of the stone house on the lip of the Steep.

I saw it again as I had then: saw the bright rooms washed
by the thin, clear air of the Mountain, one by one; saw my
garden with all its flowers blooming; saw scrubbed counters
and kitchen flagstones, shining softly; saw sofas indented by
years of our bodies, pillows that held the imprint of our
heads, newly vacuumed rugs that still held the tracks of our
feet.

I did not see us, though. Joe and I were not there. But then

I looked again, and there were our shadows. The two of us,
shadow Cat and shadow Joe, close together in the sun of the
living room, in the sun of the kitchen. We were there, then.

We were still there. I just could not see us.

“I think so,” I said.

He did not say any more. But in a moment he reached
over his shoulder with the bound hand and laid it on my
hip, and I covered it very lightly with mine. I left it there,
listening to his breathing. Pretty soon it slowed and
deepened, and his hand slackened and slid from under mine.

Joe has always gone softly down into sleep.

I felt my own sleep coming toward me then, felt the shape
of it out there, white and deep and vast as a glacier. With
my thoughts I reached out toward it, wanting that great,
softly hissing whiteness, wanting just that.

Before it reached me I heard the falcon. I knew

HILL TOWNS / 401
instantly what it was, that primal unearthly cry, high in the
air over the villa.

“We-chew,” she called. “We-chew, we-chew.”

I lay listening, eyes closed, mouth curved in a smile. I
heard her as she made her old immutable patterns, wove
them into the high, thin blue air, back and forth, back and
forth. The call receded and came back. Receded and came
back. I lay waiting.

Finally it did not come back. I listened as it climbed up
into the vault of the morning one last time, and then it faded
and faded and finally vanished. I could not hear it anymore.

But I thought that if I got up and went to the window and
leaned out and looked up, perhaps I might see her, just for
a moment, just for a heartbeat, a speck against the sun that
was only now brushing the tops of the city below us on the
hill.

About the Author

ANNE RIVERS SIDDONS’s bestselling novels include

Nora, Nora; Low Country; Up Island; Fault Line s;

Downtown; Hill Towns; Colony; Outer Banks; King’s

Oak; Peachtree Road; Homeplace; Fox’s Earth; The

House Next Door; and Heartbreak Hotel. She is also
the author of a work of nonfiction, John Chancellor

Makes Me Cry. She lives in Charleston, South Carolina.

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CRITICAL ACCLAIM FORANNE

RIVERS SIDDONS AND HILL TOWNS

“Another tour de force…. Anne Rivers

Siddons aficionados are in for another treat.”

San Antonio Express News

“All that intense sensuality in the intense

Italian sun keeps you turning the pages
and—as the last chapter looms—wishing you
could go on and on from town to town with
these charming, brilliant, out-of-control
people.”

Detroit Free Press

“[Siddons] creates a passel of characters her
fans will find reassuringly familiar, and then
sends them far out of ken—to Italy….

Siddons’s tried-and-true fans will be
pleased.”

Kirkus Reviews

“An affecting love story, a drama of
psychosocial tension, a tale of sexual

suspense… Hill Towns keeps revealing more
and more surprises right up to the end.”

Oxford Review

“Anne Rivers Siddons’s vibrant,
compassionate tone captures Italy’s powerful
effect.”

Entertainment Weekly

Books by

Anne Rivers Siddons

ISLANDS

NORA, NORA

LOW COUNTRY

UP ISLAND

FAULT LINES

DOWNTOWN

HILL TOWNS

COLONY

OUTER BANKS

KING’S OAK

PEACHTREE ROAD

HOMEPLACE

FOX’S EARTH

THE HOUSE NEXT DOOR

HEARTBREAK HOTEL

JOHN CHANCELLOR MAKES ME CRY

Copyright

This book is a work of fiction. Names, characters, places, and
incidents, are products of the author’s imagination or are used
fictitiously and are not to be construed as real. Any resemblance to
actual events, locales, organizations, or persons, living or dead, is
entirely coincidental.

HILL TOWNS. Copyright © 1993 by Anne Rivers Siddons. Ford. All
rights reserved under International and Pan-American Copyright

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