Off the Wall at Callahan's
Author: Spider Robinson
Date: 1994-01-01 08:00:00+00:00
Keywords: Fiction; General; Science Fiction; Science Fiction Fantasy; Fantasy; Humor
Description: All the best lines from the Saloon at the far-out edge of space-time!Off the Wall at Callahan's is a collection of epigrams, maxims, proverbs, observations, eye-watering puns, and original song lyrics distilled from the first five volumes of the Callahan's Place series (from Callahan's Crosstime Saloon to Lady Slings the Booze). After the original Callahan's Place was destroyed, all of these gems were painstakingly deciphered from blown-up old photos of the wall behind the bar, where Callahan let his customers scrawl graffiti in place of the usual mirror. So technically, every word is "off the
Publisher: Macmillan

Books by Spider Robinson

TELEMPATH

CALLAHAN’S CROSSTIME SALOON*

STARDANCE (collaboration with Jeanne Robinson)

ANTINOMY

THE BEST OF ALL POSSIBLE WORLDS

TIME TRAVELERS STRICTLY CASH*

MINDKILLER

MELANCHOLY ELEPHANTS

NIGHT OF POWER

CALLAHAN’S SECRET*

CALLAHAN AND COMPANY (omnibus)

TIME PRESSURE

CALLAHAN’S LADY

COPYRIGHT VIOLATION

TRUE MINDS

STARSEED (collaboration with Jeanne Robinson)

KILL THE EDITOR

LADY SLINGS THE BOOZE

THE CALLAHAN TOUCH

*FORTHCOMING FROM TOR BOOKS

Copyright

This is a work of fiction. All the characters and events portrayed in this book are fictitious, and any resemblance to real people or events is purely coincidental.

OFF THE WALL AT CALLAHAN’S

Copyright © 1981, 1989, 1994 by Spider Robinson

All rights reserved, including the right to reproduce this book, or portions thereof, in any form.

This book is printed on acid-free paper.

A Tor Book
Published by Tom Doherty Associates, Inc.
175 Fifth Avenue
New York, N.Y. 10010

Tor ® is a registered trademark of Tom Doherty Associates, Inc.

Design by Lynn Newmark
Interior illustrations by Phil Foglio
Edited by James Frenkel

Library of Congress Cataloging-in-Publication Data

Robinson, Spider.
Off the wall at Callahan’s / Spider Robinson.
p. cm.
“A Tom Doherty Associates Book.”
ISBN 0-312-85661-X
1. Bars (Drinking establishments)—Fiction. I. Title.
PS3568.03156038     1994
813'.54—dc20

93-43229
CIP

First edition: March 1994

Printed in the United States of America

0 9 8 7 6 5 4 3 2 1

Dedication

This one is for
my friend and agent
Eleanor Wood,
sine qua honest work,
with love, and thanks
for the idea…

and for
Captain Lazarus Long,
who established the precedent…

and most of all, of course,
for Jeanne,
sine qua nihil…

Contents

Foreword

Graffiti

Puns (I)

Puns (II)

Songs

Dramatis Personae

Foreword

Wall Flowers

A) Begin reading here if you’re not familiar with Callahan’s Place [if you are, feel free to skip down to B)]:

Callahan’s Place, the now-vanished tavern in Suffolk County, New York, owned and operated by Michael Callahan (a.k.a. Justin of Harmony), was an unusual establishment in many respects.

(Understatement of the millennium!)

Among the many peculiarities of that merriest of oases:

Aliens, cyborgs, transvestites, talking dogs, telekinetics, telepaths, clairvoyants, immortals, Intergalactic Traveling Salesmen, time travelers, vampires, victims of severe Tourette’s syndrome, and even editors, were all made welcome there, from time to time.

Patrons were encouraged to smash their glass in the big fireplace after drinking—so long as they were willing to propose a toast first, naming the reason they felt like smashing a glass. Exercising this prerogative doubled the price of your drink…to a dollar. (Mike got a bulk rate on glasses.)

Punning, and competition therein, were encouraged—nay, actively abetted—by Callahan, himself a hopeless and utterly shameless paronomasiac.

Privacy was defended by force: any patron heard to ask snoopy questions of another patron was customarily blackjacked by Fast Eddie the piano player and dumped in the alley.

But perhaps the most remarkable and most important thing about Callahan’s Place was the converse of the last paragraph: any customer who displayed any desire to discuss his or her troubles received the instant and undivided attention of not merely the bartender but everyone in the room.

Consequently, a plethora of interesting stories ended up getting told in Callahan’s. All those presently known to me have been set down in the three volumes CALLAHAN’S CROSSTIME SALOON, TIME TRAVELERS STRICTLY CASH, and CALLAHAN’S SECRET (all currently in print in Ace paperback), and collected in the omnibus CALLAHAN AND COMPANY (Phantasia Press hardcover; contact Alex Berman, Phantasia Press, 5536 Crispin Way, West Bloomfield, Michigan 48033, for details).

Regrettably, the last of these stories, “The Mick of Time,” involved the utter and final destruction of Callahan’s Place, a few minutes before midnight on New Year’s Eve, 1984/5…

B) Begin reading here if you already know Callahan’s:

But although it is gone, gone for good, echoes of Callahan’s Place linger on.

For one thing, there is a related cycle of stories having to do with Mike Callahan’s wife, Lady Sally McGee, and the fabulous bordello she once operated in Brooklyn, Lady Sally’s House—a House of healthy repute, and like her husband’s tavern, an equal-opportunity enjoyer. (Also, sadly, gone now.) Two bookfuls of these stories currently exist: CALLAHAN’S LADY, and LADY SLINGS THE BOOZE (I did warn you about the puns…)

For another, a book is now available called THE CALLAHAN TOUCH, concerning Mary’s Place, the remarkable tavern opened elsewhere in Suffolk County by Jake Stonebender (folksinger, guitar-player, songwriter, and narrator of all the Callahan stories) after the obliteration of Callahan’s Place.

And of course, there is this book, which represents my own desperate attempt to feed the voracious maw of ongoing Callahan Mania.

You see, another oddity of Callahan’s saloon was that Mike Callahan kept no mirror behind his bar. The wall above the gallery of bottles—known as “The Wall,” to distinguish it from the other three—was bare and featureless…save for decades of graffiti, inscribed there by Callahan himself. Any time he heard something that struck him spoken in his bar, it was Mike’s custom to grab a Magic Marker and preserve it for posterity on The Wall. Many a newcomer found him- or herself so fascinated by this distillation of over forty years of good conversation that they ended up sitting there all night, reading and drinking and reading and drinking. (Most of Callahan’s customs had more than one purpose…but all of them seemed to end up putting money in his pockets. Not a stupid man.)

And one day I remembered that Wall, and saw a way to get out from under a nagging problem…

Look: transcribing Jake Stonebender’s yarns about Callahan’s Place into polished and compelling prose has been putting bread on my table and music in my headphones for just short of twenty years now. Nobody misses The Place more than me. Ever since “The Mick of Time,” the last Callahan story, was published in Analog Science Fact/Science Fiction Magazine in 1985, I have been reduced to thinking up stories of my own, an onerous task. Trust me: if I knew any more Callahan stories, I’d find time to set them down on paper. If I could find a way to get more, I would; I have tapped every source, shaken every tree, pursued every avenue.

Yet not a week has gone by—in six years!—without at least a few plaintive letters from readers asking when I’m going to publish some more Callahan’s Place stuff. People keep sidling up to me at conventions, on the streets, in public washrooms…imploring me to publish something else—anything else—with the word “Callahan” in the title.

I do not like to disappoint readers; they are in too good a position to redress perceived slights. So I cudgeled my brains. (I do this so often that I have had my cranium fitted with a removable screw-top, to facilitate cudgeling.) Among other things, I relived in memory—over and over again—every moment I had ever personally spent in that caravanserai of compassion. And finally one day as I was idly forward-scanning through all the mental videotape, I happened to notice a flashbulb go off…

I knew that many photographs had been taken in Callahan’s Place—hell, two of my most treasured possessions are framed 8×10 glossies of myself at The Place (one jamming with Fast Eddie and Jake; the other standing at the bar with Mike Callahan’s arm around me; both photos autographed by the participants). I knew at least half a dozen people likely to keep a scrapbook of such photos. In many of those pix, I reasoned, The Wall must be visible…

So I made a lot of phone calls, and I paid a lot of postage, and I made a lot of expensive trips to the East Coast…

…and then I sealed myself in my office with about a googolplex of snapshots of Callahan’s Place, a magnifying glass, a Macintosh II typewriter, a stereo, a case of Old Bushmill’s and two pounds of Celebes Kalossi coffee…

…and after only a million years of pain and eyestrain, I had painstakingly reconstructed something like 50 percent of the wit and wisdom recorded by Michael Callahan and imprudently stored by him on a medium inadequate to withstand a nuclear fireball. You hold it in your hands.

A large and aromatic bouquet of Wall flowers: flowers plucked from off The Wall at Callahan’s Place…*

Yes, there was more written on The Wall than you’ll find in this book—but I don’t see what I can do about it unless and until more photographs surface. (If you have any, contact me c/o the publisher.)

Yes, I admit that the epigrams, maxims, perorations and pithy thayingth contained herein do lose something from not being scrawled in Callahan’s inimitable (thank God!) handwriting—but not one of those photos was clear and crisp enough to reproduce well in book format.

Yes, some of these quotations, and all of the longer puns, have already appeared in variant form in diverse Callahan’s or Lady Sally stories. For one thing—as in so many aspects of science fiction—there is precedent for this from Robert A. Heinlein: every word of his book THE NOTEBOOKS OF LAZARUS LONG appears in his previous novel TIME ENOUGH FOR LOVE, yet both books perennially jockey for position on Berkley Books’ list of All-Time Best-Selling Titles. For another thing, in recent years people have been quoting some of these maxims and puns to me, unaware that I hold copyright, so it’s time to set the record straight. (One reader informs me that she has been sending out Christmas cards containing the Yule Gibbons pun for years now—presumably in an effort to shorten her Christmas-card list.)

Besides, a great many of these quotes, and all the shorter atrocities, appear here for the first time.

And I have included lagniappe. Along with sayings from The Wall, I have included the lyrics to several of the songs that Jake and Fast Eddie used to play on Fireside Fillmore Nights, the ones that got the most requests during my tenure there. While only one or two of these songs actually appeared on The Wall, all of them frequently echoed from it, and from the other three walls. Several of these are recorded here for the first time; I’ve transcribed most of them from tapes in my possession, and can certify the accuracy of the lyrics.

And as if that weren’t enough, I have taken special trouble to isolate the most potentially lethal quotes from off The Wall—the puns!—in a separate, labeled section of their own, for your sanitary protection.

Wisdom, laughter, and song—here you have Callahan’s Place in a nutshell…

I know: it’s not the same as having more Callahan stories. But it’s something, and the best I can presently offer you. Half of why one went to Callahan’s Place was for the companionship, the camaraderie, the merriment and melancholy, and the stories that got told, and I wish I had more of that for you, I do.

But the other half of why I used to go there was the consistently good conversation. Interesting things got said there a lot, because Callahan’s custom of requiring a toast put his customers into the habit of distilling their (very!) varied experiences and insights into crystallized form. As the late, immortal Theodore Sturgeon used to say, “If it’s really basic, it’s simple.” And you can’t have too much of that kind of stuff.

It is my fond hope that in consideration of all this, readers will take pity on me, cut me some slack, and not write me any more letters asking for more Callahan’s Place stuff for a while.

I promise, anything I hear, you’ll hear. Okay?

—

Spider Robinson

Vancouver, British Columbia

29 November 1991

C) Begin reading here if you’re the kind of reader who always skips the Foreword.

*True story: in 1973 I had the privilege and pleasure of meeting the late great Alfred Bester. Much could be written about that meeting, for Alfie in person was the original One-Man Chinese Firedrill—but what is relevant here is that at one point he asked me what I was working on, and I said I was putting together a collection of Callahan’s bar stories but couldn’t think of a good title. Eyes flashing, Alfie excused himself, went to the washroom and returned less than two minutes later with a neatly typed list of over two dozen terrific titles. Among them were CALLAHAN’S CROSSTIME SALOON, TIME TRAVELERS STRICTLY CASH, CALLAHAN’S SECRET…and yes, by God, OFF THE WALL AT CALLAHAN’S.

I am now a firm believer in time travel…

Thanks yet again, Alfie, wherever you are!

Graffiti

Graffiti

Off The Wall
at Callahan’s Place

Callahan’s Law: Shared pain is lessened; shared joy is increased.

Lady Sally’s Law: Shared despair is squared; shared hope is cubed (or better: Raised to the power of infinity?).

Writing is not necessarily something to be ashamed of. But do it in private, and wash your hands afterward.

—Woodrow W. Smith

A person should live forever, or die trying.

—Mike Callahan

Most joints, the barkeep listens to your troubles…but we happen to love this one so much that we all share his load.

—Jake Stonebender

We raise hopes, here…until they’re old enough to fend for themselves.

—Mike

The church is near
But the road is icy.
The tavern is far
But I will walk carefully.

—Ukrainian proverb,
quoted by Charlie Daniels

Funny men are better lovers.
They know about pain.

—Josie Bauer

The average human in the best of circumstances spends a hell of a lot of attention and energy on monitoring the body’s thousand and one aches and pains and twinges and other sudden, small alarms. At least as much energy and time goes into constantly combing the environment for immediate dangers or enemies. And as much again is spent on worry about impending or chronic problems, the struggle to stay afloat, the need to be loved, and the underlying awareness of mortality.

No wonder we’re all so grumpy so much of the time…

—Joe Quigley

One man’s meat is another man’s person.

—Lady Sally McGee

If you can’t have fun here, it’s your own damn fault.

—Mike

There’s nothing in the human heart or mind, no place no matter how twisted or secret, that can’t be endured—if you have someone to share it with.

—Jake

“This game’s over, man! You gotta move your Boss or Rocky’s gonna lay a subpoenie on him; then his Torpedo is gonna smoke your Old Lady, and all your Heavies’ll be doin’ time—except for maybe your Mouthpiece, but Rocky’s Sheriff got him put in the corner—you got nothin’ left but Punks and Junkies: you’re through, Jimmy.”

—Angel Martin to Jim Rockford,
commenting on a chess game, in the Rockford Files episode “Chicken Little is a Little Chicken” by Stephen J. Cannell.

For a predator, a wrong guess can be preferable to a slow one.

—Jake

Context is everything.
Breast-feeding is beneficial for nearly all infants—but for an elderly cardiac patient, it can be fatal…

—Samuel Webster, M.D.

All-purpose toast:
“To all the ones who weren’t as lucky.”

—Mike

“Rupture” occurs when you think you are in the middle of a conversation with someone…and suddenly discover that you’ve merely been making noises at each other, that there is a previously unsuspected chasm between you.

—Chip Delany

Never wake up a cop by dropping a .45 on the pavement next to him.

—Joe

If you’ve got a hurt and I’ve got a hurt and we share them, some crazy how-or-other, we each end up with less than half a hurt apiece.

—Jake

Everybody’s got roots in the past—but they’s all got roots in the future, too.

—Fast Eddie Costigan

Joy always equals pain in the long run.

—Mike

Joy is the product of the pain that has gone before it, and vice versa.

—Rachel

Femaleness and maleness are halves of a spectrum, a curve on which you can graph humanity and get a hell of a lot of overlap in the middle. Some disparage these so-called in-betweeners, but the true freaks are the ones stuck way out on either end of the curve, their sexuality unalloyed by any of its complementary ingredient. These poor perverts often carve wide paths through the world, driven as they are by untempered engines, inspiring the awe due mighty forces out of control.

—Maureen (last name unknown)

Suicide isn’t just a cop-out; it’s a rip-off.

—Jake

AUTHOR’S NOTE: this quote was inscribed on The Wall a full decade before the debate over one’s Right To Die got going. I’ve checked with Jake, and he confirms that the choice by a terminal patient to terminate his or her anguish does not, in his opinion, constitute “suicide.”

There is so much yammer-yammer on the air and in print these days that nobody could keep up with it, much less remember it. I mean, look at Richard Nixon’s “rehabilitation.” There’s always somebody who didn’t get the word.

—Joe

The most important step in mapmaking is to throw out all the old maps you have in the glove compartment. Forget all the reports of earlier explorers. You can’t discover America if you keep shying away from the edge of the world. And if you do find it, you’ll waste years asking to be taken to Kublai Khan.

—Priscilla (last name unknown)

Cheering someone up is a little like breast-feeding, or good sex:
mutually satisfactory.

—Jake

Pregnant women aren’t sick.

—Doc Webster

We’ve got a world in which physical miracles are commonplace—and nobody’s happy. We’ve got what it takes to feed all the billions of us—and half of us are starving. You can show a dozen guys murdering each other on TV, but you can’t ever show two people making love. A naked blade is reckoned less obscene than a naked woman. Isn’t it about time we started trying to get a handle on love, from any and all directions?

—Jake

Get it right, you’re a star. Get it half-right, you’re a gas giant.

—Joe

“Champagne is a barometer of happiness. There is a sort of morosity everywhere.”

—Yves Bernard, chairman of Moët & Chandon, commenting on poor sales

Be a rapturist—the backward of a terrorist. Commit random acts of senseless kindness, whenever possible.

—Jake

The delusion that one’s sexual pattern is the Only Right Way To Be is probably the single most common sexual-psychosis syndrome of this era, and it is virtually almost always the victim’s fault. You cannot acquire this delusion by observation of reality.

—Lady Sally

A shrink’s office from which laughter is not heard as often as tears ought to shut down.

—Jake

Never been to a shrink. What could be sillier than a priest who doesn’t believe in the soul?

—Stephen Gaskin

Where I come from, anyone who says “Excuse me” is a human being.

—Joe

Sometimes I think I must have a Guardian Idiot. A little invisible spirit just behind my shoulder, looking out for me…only he’s an imbecile.

—Jake

Old age is not for sissies.

—Larry Van Cott

It is usually better to not pull a gun than to screw it up.

—Mike

The only kind of payment that always guarantees a handsome return is paying attention.

—Lady Sally

It’s amazing how much mature wisdom resembles being too tired.

—Commodore Aaron Sheffield

People who wear glasses are lucky; we have stars on rainy nights.

—Jake

If you can’t cut the mustard,
you can always lick the jar.

—Mary

Improving morale is simultaneously one of the noblest and most intelligently selfish things a person can do.
Degrading morale is simultaneously one of the sleaziest and most stupidly self-destructive things a person can do.
Guess which pays better?

—Long-Drink McGonnigle

I must have missed something:
if a guy has truly absolute power, then what could you possibly corrupt him with?
Acton got it backward: what engenders corruption is paranoia, the perception of inadequate power. Absolute power renders you absolutely immune to corruption.

—Mike

I like fashion—and Porsches, and Rolexes—all that stuff!
How nice of the morons and drones to wear uniforms, so one can avoid them…

—Long-Drink

Popular myth to the contrary, drink is not really a good drug for pain. That is, it can numb physical pain, but will not blunt the edge of sorrow; it can help that latter only by making it easier for a man to curse or weep.
But alcohol is great for happiness: it can actually intensify joy.

—Jake

Hip humor: cruelty pretending to be fun.

—Mike

In our society, big lush women and small slight men go through life wrapped around a softball-sized chunk of pain; it breaks some, and makes others magnificent.

—Jake

Still I persist in wondering whether folly must always be our nemesis.

—Edgar Pangborn

Tyranny has its place.
Universal freedom would deny my right to restrict Jeffrey Dahmer’s recreational and dietary habits.

—Doc Webster

Over the years, I have come to learn that if you get a chance to turn anger into laughter, that will be a good thing to do.

—Jake

It claims to be fully automatic, but actually you have to push this little button here.

—Gentleman John Kilian

Long-Drink McGonnigle’s Tip for Masturbators:
Sit on your hand first, until it goes numb.
Then it’ll feel like someone else’s hand…

The only real perversions are nymphomania, satyriasis and celibacy…but even they should be permitted for members of a free society. The only sex-related acts I would proscribe—for reasons of public health—are those involving former food or former people, and lying about the state of one’s venereal health or contraceptive status.

—Lady Sally

Logic is a way of going wrong with confidence.

—Stinky Kettering

A truce between the sexes? Are you out of your goddam mind? What else is there to distract us all from onrushing death? Television?

—Jake

Art takes whatever—and as long as—it takes.

—Lady Sally

Certain kinds of shit are quite palatable, with a little necessity sprinkled on them.

—Joe

What you put your attention on prospers.

—Stephen Gaskin

Sexual intercourse vests no property rights.

—Jake

Perhaps I could stand loneliness if I were not so useless; perhaps I could stand uselessness if I were not so lonely.

—Mickey Finn

“You don’t even know if our species are sexually compatible.”
“The hell I don’t. I can see fingers and a tongue from here; anything else is gravy.”

—exchange between Mickey (an alien cyborg) and Mary

Sometimes, just naming your burden helps.

—Mike

Writing is a simple trick: all you have to do is sit and stare at a blank piece of paper, until beads of blood form on your forehead…

—Larry Van Cott

There are places on the skull where even a gentle rap will reliably drop a man—but the back of the skull bone is not one of them. Try it yourself. Borrow a blackjack from your mother and sap a random sample of ten guys, as hard as you like. I’ll bet you fifty bucks not more than four of them go down.

—Joe

So many men seem to have the idea that what women secretly want most of all (no matter what we say, or even believe ourselves) is a powerful and remorseless engine of flesh impersonally hammering away at us without pause for hours at a time. They become upset with themselves if they cannot deliver this silly commodity. I don’t mean that on the one occasion in my life when it actually happened to me, it was an unpleasant experience, exactly. (Until I tried to get up and walk the next day.) It’s just that maybe once in a lifetime is plenty. And I’ve never seen that guy since, don’t much care if I do.
I mean, you could buy a machine to do that. They exist. And women don’t buy them. Neither do gay men.

—Maureen

There are two kinds of people in the world:
those who think people can be subdivided into as few as two categories, and those who know better.

—Doc Webster

From an ergonomic engineering standpoint, the only pardonable object in the typical human bathroom is the towel rack.

—Mickey

I’ve tried my hand at matchmaking a few times, and learned that you should approach it like walking into a chemistry lab and mixing two unidentified beakers of chemicals: you might luck into a stable compound, or you might blow your hands off.

—Jake

Usually if you’ve got the guilts, it’s because you did a disservice to someone or something you care about. So what you want to do is go and do a service for someone or something you care about.

—Jake

It doesn’t have to be the same someone. It’s best, but sometimes the guilt is nonspecific and it can’t be. And sometimes it’s too late. That doesn’t matter so much. The point is just to release the pressure—equal and opposite reaction. Slow and steady, ideally. What I’m aiming for myself is to achieve balance, equilibrium, about half an hour before I die.

—Merry Moore’s codicil

You can love only your equals or inferiors—with your superiors, compassion is the best you can do. And it’s pretty damn good.

—Mary Callahan-Finn

Some memories you don’t want to put words on…because that would change them.
Suppose, for instance, you gave a savage a helicopter ride. The experience would be rich and vivid for him. If, on his return to his village, he told friends he had been in a little cave of ice that flew like a bird, at first his memories would still be true, and different from what he said—but the more times he told or rethought the story, the more “helicopter” would become “flying ice cave”…which, after all, is a lesser thing.
By naming the inexpressible, you lose it.

—Edison Ripsborn

Why does a man try to comb hair over a bald spot? Is he afraid you’ll fail to notice he’s a jerk?

—Maureen

The Nazz had them pretty eyes. He wanted everybody to see out His eyes so they could see how pretty it was.

—Dick Buckley, speaking of Jesus of Nazareth

Vengeance is counterproductive.
Not to mention the fact that it gets your soul all sticky.

—Lady Sally

When I say that she played with me, for the first time in my life I mean that the way a little kid would mean it. She played with me, like a kid might play with another kid who had been whacked on the head recently and needed some diversion. Well, if this was a sane culture, I mean, and kids were allowed to have sex with each other as part of playing, like God intended.

—Joe

Art with contempt in it is always sour.

—Lady Sally

If it’s sloppy, eat it over the sink.

—Tommy Robbins

Now I remember where I know you from. I looked up “ugly” in the dictionary and they had a picture of you.

—Long-Drink to Doc Webster

So isn’t it a pity when we common people chatter of those mysteries to which I have referred, that we use for such a delicate and complicated matter such a very short and ordinary word?

—Anonymous

We were not making love, we were fucking. Nothing wrong with that; just not enough right with it.

—Maureen

I’ve been in hospitals. They take away your pants. Then they hurt you and starve you and expose you to disease. Then they bill you. A lot.

—Joe

All humans—without exception—want to love. No organic or emotional or psychological damage can remove that need. Humans can survive, albeit in pain, without being loved—but lock a man in a dungeon and he will find an ant to love, or try to. The sociopath, who feels no emotions, wishes he could love, and is driven mad by his impotence.

—Mickey

If you are feebleminded enough to want to believe in good and bad joss, the Constitution so entitles you—but have the decency not to try and spread the virus.

—Lady Sally

“Why do men want to leave right afterward so often? When they could be cuddling and being held?”
“Sometimes because the intensity of the relief, the depth of their gratitude, makes them feel small or out of control. Sometimes because in their secret miseducated hearts they believe they’ve done something disgusting to you, and are glad of it, and so are ashamed. And sometimes just because they were doing something when the dread compulsion came over them, and now they want to get back to whatever it was.”

—exchange between Mary and Phillip
(last name unknown)

Skills are the flowers you get if you water your talent bush enough.

—Arethusa

I don’t know why it should be worse to die without time for pain or regrets…but to me, it is. I’m not looking forward to dying—but I’ve spent a lifetime getting ready for it, and I don’t want it stolen from me.

—Joe

“Remember what I told you, kid: life is a shitstorm—and when it’s raining shit, the best umbrella you can buy is art.”

—Pedro Carmichael to Martin Looder, in the film Tune In Tomorrow, written by William Boyd.

Try to live your life as though one distant day, your descendants will develop time-travel and cloning skills, and come back to resurrect everyone that ever lived who wasn’t a jerk or a creep.
Maybe at the end, when your whole life passes before your eyes, it’s a high-speed data dump.
Endeavor to see that it makes you seem worth the trouble of reviving. Try to be the kind of guest they’ll want at The Last Great, Never-Ending Party At The End Of Time.
It could happen, right?
Do you know of a better shot at immortality?

—Sam Meade

God gave women buttocks because sooner or later they have to walk away from us, and at least this way there’s some consolation.

—Joe

Don’t belittle yourself. If it truly needs doing, let someone else do it. There’ll be no shortage of volunteers.

—Lady Sally

What shall it profit a man if he gaineth the whole world, yet he hath no allowable deductions?

—Mike

Any man is willing to believe that he was the best you’ve ever had. He knew it all the time.

—Maureen

One can dismiss out of hand any so-called religion that puts out death threats on satirists. It is self-evident that God enjoys rough humor.

—Gentleman John Killian

Death to anyone wearing a turbine.

—racist graffito spotted in Surrey,
British Columbia, by Mickey Finn…
the only person on Earth
who fits the description

It’s damned odd: the fight-or-flight adrenal rush is supposed to be the evolutionary heritage of millions of years of success in surviving crises…and just about every time it’s ever happened to me, it ruined my judgment or my coordination or both.

—Jake

In a world like this, a freak is no bad thing to be. They proved that back in the Sixties.

—Arethusa

There are few things on earth as dangerous as a liberal vigilante.

—Joe

Darling, all men think about rape, at least once in their lives. Women have an inexhaustible supply of something we’ve got to have, more precious to us than heroin…and most of you rank the business as pleasant enough, but significantly less important than food, shopping or talking about feelings. Or you go to great lengths to seem like you do—because that’s your correct biological strategy. But some of you charge all the market will bear, in one coin or another, and all of you award the prize, when you do, for what seem to us like arbitrary and baffling reasons. Our single most urgent need—and the best we can hope for is to get lucky. We’re all descended from two millions years of rapists, every race and tribe of us, and we wouldn’t be human if we didn’t sometimes fantasize about just knocking you down and taking it. The truly astonishing thing is how seldom we do. I can only speculate that most of us must love you a lot.

—Mike to Lady Sally

It’s hard to strike a balance between keeping an open mind and being a sucker. But you have to try…

—Joe

Religions only look different if you get ’em from a retailer. If you go to a wholesaler, you’ll find they all get it from the same distributor.

—Stephen Gaskin

If you’re raped, don’t charge the bastard with rape. Charge him with indecent exposure. It is much easier to get a conviction for that charge than for rape. The defense is not allowed to ask anything about your sexual history or how you were dressed at the time. Forensic evidence is unnecessary. The total public embarrassment to you is cut more than in half. What’s the guy going to do, leap up in court and say, “It’s a filthy lie, Your Honor. I raped that bitch!”? In many states, a man convicted of indecent exposure will actually draw more prison time than a rapist. And weenie-waggers do harder time than anybody but a short-eyes—in fact, the scheme sort of incorporates the Law of Talion.
An eye for an eye…

—Mary

Anger is fear with an attitude.

—Mike

A fantasy is not even a wish, much less an act. There is no such thing as a culpable or shameful fantasy.

—Lady Sally

I like my flattery plausible.

—Arethusa

Everything in your body is connected to everything else. If you doubt it, have ear surgery, and then wiggle your big toe.

—Doc Webster

Memories are the only real treasures a man has.

—Joe

“Straighten me, Nazz…
’cause I’m ready.”

—Father Newman
quoting Dick Buckley’s famous rap
about the Nazz(arene)

Every time I hear someone put the word “mere” in front of the word “semantics,” I bite my tongue hard and remind myself that I too am greatly ignorant.

—Phillip

There aren’t many things a man can do as noble as passing up a chance to show how smart he is.

—Joe

Do not waste your fear on the mighty. Cowards make the deadliest opponents—and pacifists never fight fair: they can’t—and the worst thing about terrorists is how weak they are: so weak that they have to be monstrous to accomplish anything.

—Lady Sally

The distance between one and a hundred is nothing compared to the distance between zero and one.

—Joe

There’s nothing wrong with wanting wars to stop—but the moment a pacifist uses any weapon but calm speech, he’s a hypocrite. If he’s willing to kill, he’s a psychotic.

—Lady Sally

“Thunder is good, thunder is impressive, but it’s lightning that does the work.”

—Mark Twain to Nikola Tesla

The best nonprescription analgesic is laughter.
Maybe analgesic is the wrong word. If you laugh hard when you’re post-op, you hurt like hell. You just don’t give a damn. Hard to understand how a painful experience can leave you feeling better, but there it is.
Sharing the laughter makes it even better…

—Josie

You can learn as much about someone from watching them belly-laugh as you can from making love with them.

—Joe

Wrinkles are your combat ribbons. Wear them proudly!

—Shorty Steinitz

A writer’s real occupational hazard is carpal tunnel vision.

—Jake

When something scares you shitless, you can go back up inside your head and hide. But when the thing that scares you comes from inside your head, you…well, you go to a place that isn’t a place, erasing your footsteps behind you. And somebody’s got to come in after you…

—Paul MacDonald

Short of accident or hypnosis, self-abuse is logically impossible.

—Doc Webster

The thing to do with a silly remark is to fail to hear it.

—Zebadiah J. Carter

Some delusions are necessary.
Or do you know of a rational reason for living?
(You say you do? I won’t argue: your delusion is necessary.)

—Jake

Pessimism may be a realistic way of looking at life…but who can live with that much realism?

—Jake

The human race has few (if any) problems that couldn’t be solved by massive wealth. And we’re literally surrounded by it, like a fly in amber. Now if we only had brains…

—Ben Bova

The worst misunderstandings are the unspoken ones.

—Slippery Joe Maser

The expression “lowest common denominator,” when spoken outside the context of mathematics, is usually being misused. If used to connote contempt for something popular, it is certainly being misused. The speaker is both ignorant and elitist.
The phrase does not imply that that the commonest denominator is always the lowest.

—Dr. Jacob Burroughs

Sneering at something is an admission of failure. You are claiming superior talent or insight…but declining to use it. The best way to sneer at something, if you must, is to improve or outdo it.

—Shorty

Erections are certainly useful in pleasing a woman, but I’ve never understood why so many people seem to think they’re essential. Sure, they’re flattering—but a man who doesn’t have an erection and still wants to make love to me, now that’s flattering.

—Arethusa

“Na mai kharundi, kai chi khal tut,”
or, translated from the Romany,
“Do not scratch where it does not itch.”

—Gypsy proverb

To approach telepathy, you start with empathy and crank that up as high as you can.

—Jake

Never carry a grapefruit.

—Lazarus Long

Why do we build refrigerators that spill money on the floor? And ovens that spill money on the ceiling? And sit them side by side, a heat-maker and a heat-loser, unconnected?

—Jim/Paul MacDonald

The customer need not always come first. Enjoy yourself: it’s contagious.

—standard advice of Lady Sally
to apprentice artists at her brothel

I’d rather have a bottle in front of me than a frontal lobotomy.

—Tom Waits

A classic vicious circle: you don’t love yourself enough, so you treat yourself so badly that it’s hard for you to love yourself…
Be good to yourself. Maybe the idea will catch on…

—Les Glueham and Merry Moore
(“The Cheerful Charlies”)

Triads have a very short shelf life—unless all three members are ambisexual. For a heterosexual species with two sexes, odd numbers are unstable. If a commodity is scarce, competition for it will ensue.
Triads are interesting as hell—while they last. But so is a chimney fire…

—Lady Sally

Kindness beats honesty, every time.
But think it through—and make sure you’re being honest with yourself…

—Mike

You got it, buddy: the large print giveth, and the small print taketh away…

—Tom Waits

“Man alone cannot know himself. The container cannot contain itself.”
“I do not understand what you mean. Do not all containers contain themselves? If not, what does contain them?”

—exchange between Long-Drink and Mickey

Antiabortionists fail to carry their philosophy to its logical culmination: Stamp Out Menstruation! End the Slaughter of Millions! (And try to ensure that the ratio of females to males runs several trillion to one, so that every sperm can fulfill God’s Plan for it as well.)

—Mike

Have you ever wondered how those missionaries communicated the idea of the so-called missionary position to the Indians? How did they come to have the vocabulary? It had to be show and tell, right? “Now, never do this…or this…and especially not this…”

—Jake

Among the most common thoughts that ever passed through a human brain:
“That doesn’t apply to me.”
“It’s not fair.”
“Not again.”
“I wasn’t ready.”
“I might have known.”
“Make it not have happened.”
“This can’t be happening.”
“I have a right.” (Or, “I know my rights.”)
Note that they are all incorrect or semantically null.

—Doc Webster

God damn it, you didn’t write it on a “word processor”! Or even a “computer.” What it is, is a goddam typewriter—a machine for turning fingerstrokes on a keyboard into ink symbols on a piece of paper. (Okay, yours can also be used as a computer when you’re not writing—my old Royal manual can be used as a nutcracker, or a paperweight, or a murder weapon.) The silicon revolution did not change that process—from the user’s point of view—much more than did the electric typewriter, it merely streamlined the error-correction process. When it’s being used to make words appear on a page, it’s a typewriter.
To speak of your “word processor” is like referring to your car as an “exothermically powered, myocontrolled matter transporter.” The only purpose of the term is to cue your listeners that you can afford to use a computer as a typewriter, and all it really tells them is that you’re insecure enough to worry that people might think you still use one of those old-fashioned things to type on.

—Mike

And “electronic typewriter” is silly in the other direction: what it means is a computer so stupid that all you can do with it is type…

—Susan Maser

Love is an active verb. It’s not an abstraction or a conceptual idea. You have to perform an action to show that it’s really real.
Enlightenment is not so much making it to Never-Never Land through the secret passageway. It’s more like getting off your tail and doing something…

—Stephen Gaskin

Concerning whores: anyone who thinks it immoral or exploitive or dishonest to “pay a person to pretend to care about you” has obviously never flown first-class…or gone to a psychiatrist, or a hairdresser, or eaten in a restaurant…or talked to a bartender they don’t know.

—Mike

Politically-correct euphemisms are for the differently-brained.

—Tanya Latimer

Librarians are the secret masters of the world. They control information.  Don’t ever piss one off.

—Jake

Glad; sad; mad. What else is there?

—Long-Drink

Think of some miraculous thing. Any wonderful object, okay? The moment there are two of them, one is second-rate. Once there are three, one is mediocre and one is the worst.
Comparison sometimes kills wonder…

—Jake

Prostitutes function rather like priests for people who feel more comfortable confessing their sins while naked.

—Father Newman

One of the silliest preoccupations of man is the notion that it makes some kind of sense to divide whole categories of people up into one winner and a whole bunch of losers or also-rans. What poor sick compulsive first infected us all with that virus? And how?

—Doc Webster

“If I let them live rent-free in my head, they’ll tear it up.”

—black man on CBS Nightwatch,
on his reaction to black women
who bitterly criticize him
for having married a white woman.

You can’t eat half a piece of shit.

—Mike

I think that there is only one church, and your membership button in it is your belly button.

—Stephen Gaskin

It sounds so simple, but it’s so hard to do:
To laugh when the joke’s on you…

—tagline for an uncompleted song by Jake

People who hang up on your answering machine without leaving any message—not even an apology for wasting your attention—are the most cowardly of pickpockets.

—Long-Drink

Fellow movie fans, I’m very sorry, but there is nothing you can do with a normal car to make it blow up. At most, you might start it burning. Falling off a cliff won’t make a car blow up. Only a dissatisfied business rival or a stunt coordinator can do that. Pity the hundreds of spinal cases every year who were pulled from non-burning wrecks by movie fans afraid of the “inevitable” explosion.

—Noah Gonzalez
bomb-disposal technician

The pessimist sees only the darkness of the tunnel.
The optimist sees only the tiny point of light in the distance.
The realist knows that light is probably an oncoming train…

—Long-Drink

You are the people.
You are this season’s people—There are no other people this season.
If you blow it, it’s blown.

—Stephen Gaskin

Meyer’s Law: In any emotional dilemma, the thing you should do is the one that’s hardest.

—John D. MacDonald

Looked at a certain way, people are essentially wish-generators, with no “off” switch, and they’re dangerous when armed.  We can’t help brimming with wishes…and most of them would kill us or worse if they ever came true.

—Mike

Ask the next question. Keep on asking questions and don’t stop, and sooner or later you’ll be asking intelligent ones. If you live long enough.

—Theodore Sturgeon

When I think of how different, how bleak and desolate my life could have been if I hadn’t happened to pay attention, a decade and a half ago, to the drunken ramblings of a broken-down fellow folksinger named Jake, lab-quality freon drips into my veins.

—Spider Robinson, from the
Foreword, CALLAHAN AND COMPANY

In some ways, it’s nice that memory is so plastic and transient.  You play differently when you know there’s tape rolling.

—Jake

Please consider yourself, now and henceforth, and no matter what anyone else ever asks of you, free to do any damned thing you want that doesn’t hurt someone else unnecessarily.

—Lady Sally McGee

Puns (I)

Puns (I)

Set Pieces from
Punday Nights…

WARNING: the following pages contain material that may be deemed objectionable by more sensitive readers.  Reader discretion is advised.  Responsibility for any and all physical or psychological damage resulting from continued reading is hereby specifically repudiated. PROCEED AT YOUR OWN RISK; do not read further while driving, riding in any conveyance, or operating heavy machinery. “Here be stynkers…”

One day a planet is discovered out Antares way whose sole inhabitant is an enormous humanoid, three miles high and made of granite. At first it is mistaken for an immense statue left by some vanished race of giants, for it squats motionless on a yellow plain, exhibiting no outward sign of life. It has legs, but it never rises to walk on them. It has a mouth, but never eats or speaks. It has what appears to be a perfectly functional brain, the size of a condominium, but the organ lies dormant, electrochemical activity at a standstill. Yet it lives.

This puzzles the hell out of the scientists, who try everything they can think of to get some sign of life from the behemoth—in vain. It just squats, motionless and seemingly thoughtless, until one day a xenobiologist, frustrated beyond endurance, screams, “How could evolution give legs, mouth and brain to a creature that doesn’t use them?”

It happens that he’s the first one to ask a direct question in the thing’s presence. It rises with a thunderous rumble to its full height, scattering the clouds, thinks for a second, booms, “IT COULDN’T,” and squats down again.

“Migod,” exclaims the xenobiologist, “of course! It only stands to reason!”

—Long-Drink McGonnigle

Did you boys ever hear of the planet where the inhabitants were mobile flowers? Remarkably similar to Earthly blossoms, but they had feet and human intelligence. The whole planet was ruled by a king called Richard the Artichoke-Heart, and one day at a court orgy his eye was caught by Fuchsia, a pale-eyed perennial. Her beauty was so great that it almost made up for her stupidity.

Refusing to believe the ancient principle that beauty times brains equals a constant, the smitten monarch engaged royal tutors of all sorts for Fuchsia, to no avail. All failed to capture the attention of the witless concubine, whose only apparent interest was in gathering pollen. At last the embarrassed Richard gave up and had Rotenone slipped into her soup.

As he exclaimed to his prime minister later that night, “I can lead a horticulture, but I can’t make her think!”

—Doc Webster

(According to Jake Stonebender, Fuchsia had a child before she died—and dark rumor suggests that Richard, a notoriously forward-thinking ruler, spent his declining years riding the Waif of the Fuchsia.)

One night the conversation turned to Richard Adams’s book SHARDIK, about an ancient empire ruled by an enormous, semimythical bear. This triggered Doc Webster:

The only way to become a knight in Shardik’s empire was to apply for a personal interview with the bear. This had its drawbacks. If he liked your audition, you were knighted on the spot—but if you failed, Lord Shardik was quite likely to club your head off your shoulders with one mighty paw.

Even so, there were many applicants—for the peasantry were poor, and if a candidate failed for knighthood, his family received, by way of booby-prize, a valuable sheepdog from the Royal Kennels.

This consoled them, for truly it is written:

“For the mourning after a terrible knight, nothing beats the dog of the bear that hit you.”

If you’re under 35, and not passionately interested in health food, this one may go over your head. If so, count your blessings.

Until very recently, a tribe of killer monkeys lived undetected beneath Greenwich Village.

To some extent it was not surprising that they escaped notice for so long. They had extremely odd sleeping habits, hibernating for 364 days out of every year (365 in leap years) and emerging from the caverns of the Village sewers only on Christmas Day.

Even so, one might have thought they could hardly help but cause talk, since they tended when awake to be enormous, ferocious, carnivorous, and extremely hungry. Yet in Greenwich Village, of all places on Earth, they went unnoticed until last year, when they were finally destroyed.

Everyone knows that Yule Gibbons ate only nuts and fruits…

—Ralph Von Wau Wau

I commanded a submarine in Her Majesty’s Navy during the last World War, and had at least one secret mission. The famous spy Harry Lime, the celebrated Third Man, had developed a sudden and severe case of astigmatism—and many of his espionage activities forbade dependence on spectacles. At that time only one visionary in the world was working on the development of a practical contact lens: a specialist at Sir Walter Reed Hospital in America. I was ordered to convey Lime there in utmost secrecy, then fetch him home again.

Lime was an excellent actor, of course, but I began to suspect that there was nothing at all wrong with his vision. I learned that he had an old girlfriend who lived twenty miles from the hospital. So I called him into my cabin.

“I can’t prove a thing against you,” I said, “but I’m ordering you to go directly from the sub, Lime, to the Reed oculist.”

—Gentleman John Killian

The toilet tanks on commercial airliners often leak. This results in the formation of deposits of blue ice on the fuselage. The ice is composed of feces, urine, and blue-liquid disinfectant.

Now: occasionally, when a plane must descend very rapidly from a great height, as in the Rockies, chunks of blue ice ranging up to two hundred pounds can—and do—break off and shell the countryside. I have seen a UPI wirephoto of an apartment in Denver that was demolished by a fifty-pound chunk of blue ice. (The airline bought the occupants a house. Neither was hurt…and for a while—until it began to melt—they were actually grateful for the coolness the bolus provided. It was summer, you see, and the impact had destroyed their electric fan…)

So even if you live where there are no strategic military targets, you can still be attacked by an icy B.M…

—Al Phee

Puns (II)

Puns (II)

Spontaneous Conversational
Eructations, Mercifully Brief

NOTE: as these are mostly unattributed, blame cannot, at this late date, be positively assessed. But it is safe to assume that better than half of them were perpetrated by Doc Webster.

We were going to explore the Kama Sutra…but at the last moment her Kama turned into a period…

Be he never so humble, there’s no police like Holmes.

—Bill White

The success of a pun is in the oy of the beholder.

Got a date with the doctor who did my vasectomy. She believes in reaping what she sews.

The Buddhist hamburger joint: they’ll make you one with everything.

The hackers’ burger joint: you can have chips with it.

The junkies’ hot-dog stand: they’ll sell you one with the works.

I know you’d like to screw like a bunny—but I just washed my thing, and I can’t do a hare with it.

Bulimia is one of those subjects which can only be discussed ad nauseam.

He acquitted himself well at the trial.
Regrettably, the jury did not follow his example…

(He was blamed for something he didn’t do. He didn’t wear gloves…)

He learned about sex by trial and error. Now they’ve got him on trial for one or two of those errors…

—Ronny Corbett

Name a cowboy hero you can’t even call by his first name without going insane.

”!eriW ,yeH“ ,og ot evah uoy ,eman yb mih llac ot os—”ocsicnarF naS ,nidalaP eriW“ :drac sih no ereht thgir os syas ti—”eriW“ si eman tsrif siH .LEVART LLIW ,NUG EVAH morf ,nidalaP :REWSNA

The shortest distance between two puns is a straightline.

—David Gerrold

Songs

Songs

From the repertoire of Jake Stonebender and Fast Eddie Costigan, as performed on Fireside Fillmore Nights at Callahan’s Place—

Those unattributed must be assumed to have been written by Jake and Eddie.

The Drunkard’s Song

A swell and wealthy relative of mine had up and died

And I got a hundred thousand from the will

So a friend and I decided to convert this into liquid form

The better our esophagi to fill

So we started in the city, had a drink in every shitty

Little ginmill, which is really quite a few

Then a cabbie up in Harlem took us clean across the river

Into Brooklyn, where he joined us in a brew

We was weavin’ just a trifle as we pulled into Astoria

At eighty miles an hour, in reverse

But it was nothin’ to the weavin’ that we did as we was leavin’

And from time to time it got a little worse

Well, there’s nothing like drinkin’ up a windfall

We was drunker than a monkey with a skinful

So goddam drunk it was sinful—and I think I ain’t sober yet

We was feelin’ mighty fine as we crossed the city line

Suckin’ whiskey and a-whistlin’ at the girls

But the next saloon we try, a fella wants to black my eye

’Cause he doesn’t like my shaggy hippy curls

So then a fist come out of orbit, knocked me clear across the floor

But I was fairly drunk and didn’t really care

And I was sorta disappointed when the coppers hit the joint

As I was makin’ my rebuttal, with a chair

Ah, but the coppers come a cropper, ’cause I made it to the crapper

And departed by a ventilator shaft

Met my buddies in the alley as they slipped out through the galley

And we ran and ran and laughed and laughed and laughed

Well, there’s nothing like drinkin’ up a windfall

We was drunker than a monkey with a skinful

So goddam drunk it was sinful—and I think I ain’t sober yet

Halfway out of Levittown, we got our second wind

In a dump so down and out I had to laugh

So I had another mug, and my friend another jug

And the hack another pitcher and a half

When we got to Suffolk County, we were goin’ into overdrive

The word had spread, and crowds began to form

We drank our way from Jericho along 110 to Merrick Road

A-boozin’ and a-singin’ up a storm

I lost my buddy and the cabbie in the middle of the Hamptons

We was drunker than it’s possible to be

But there finally came a time I didn’t have another dime

I sat on Montauk Point and wept into the sea

Well, there’s nothing like drinkin’ up a windfall

We was drunker than a monkey with a skinful

So goddam drunk it was sinful—and I think I ain’t sober yet

Afterglow

(Iris’s Song)
by
Teodor Vysotsky

Tending to tension by conscious intent,
declining declension, disdaining dissent;
into the dementia dimension we’re sent:

we are our content, and we are content.

Incandescent invention and blessed event,
tumescent distention, tumultuous descent:

our bone of convention again being spent,

I am your contents, and I am content
to be living…to be trying…to be crying…to be dying…(I want)

to be giving…to be making…to be breaking…to be taking
all you have…

Assuming Ascension, Assumption, assent,
all of our nonsense is finally non-sent—
with honorable mention for whatever we meant…

You are my content, and I am content.

Time-Travel Blues

You’ve heard of every kind of blues there is, I hear you say?

Well, I’m leavin’ here tomorrow…and I just got back today

I got the time-travel blues, look at the mess I’m in

I’m sad for what the past will be…and what the future hasn’t been

I longed to know the future, like the Oracle of Delphi

And then this cat knocked on my door: Goddam, it was myself! I
got the time-travel blues, since I met myself comin’ in;

I’d tell you all about it…but where the hell do I begin?

He said that I was going to invent a time machine—

That is to say, I told me, if you follow what I mean.

I said, “I’m no inventor, man: I’ll never ever get it.”

But he said, “Copy this one, and we both can share the credit!”

I cranked it up, it blew right up, and then and there I died.

I wonder who that joker was, and why the bastard lied…

Got the time-travel blues: one of my life’s most awful shocks

Now I could use a doctor: in fact, I need a paradox

If I am dead, my murderer can’t logically exist

But here I am in pieces, and I’m really gettin’ pissed

I got the time-travel blues—it’s only natural, bein’ dead

To want to think that time is really only in your head

Spice

And when I’ve just assuaged your lust

By flicker-light of telly

I love to lie between your thighs

My cheek upon your belly

To smell you and to feel you

And to hear your small intestine

And know that this is perfect bliss

Just as it was predestined

In the hour that my death draws near

And I wonder what my life was for

It’ll be the afterglows

With your fragrance in my nose

I’ll remember and relive once more

And now I rest, caress your breast

And sail in satiation

On the oceanic motion

Of your rhythmic respiration

And now my lips and fingertips

Are flavored sweet and sour

For I have nipped and fully sipped

My favorite furry flower

In the hour that my death draws near

And I wonder what my life was for

It’ll be the afterglows

With your fragrance in my nose

I’ll remember and relive once more

I know in time I’ll have to climb

Up next to you for sleep

With no regret, but not just yet

This moment let me keep

And suddenly it comes to me

—how glorious and dumb!—

I had so much fun making love

I plain forgot to come…

Please, Dr. Frankenstein

I’ve walked a thousand miles in an effort to retain ya

And I didn’t come for charity: I fully plan on payin ya

But I’ve been so depressive, guess I’m ready for some mania

That’s why I’ve traveled all this way to gloomy Transylvania, singin:

Please, Dr. Frankenstein, won’t you try and bring me back to life?

Cause I truly have been grievin since I got “Goodbye, I’m leavin” from my wife

I’m slowly goin nuts because the memory of her cuts me like a knife

Please, Dr. Frankenstein, won’t you try and bring me back to life?

I cannot seem to find my pulse; my temperature is down

And I can tell I smell like hell, the way that people frown

I feel like rigor mortis, all I do is lay around

You gotta help me, Frankenstein, I’m halfway in the ground (I’m beggin)

Please, Dr. Frankenstein, I am up for any kind of change

Spent evenings in this coffin just a little bit too often, and it’s strange

Please don’t consider me more than some flesh for you and Igor to arrange

Please, Dr. Frankenstein, I am up for any kind of change

I’ll stagger like the victim of a wreck

I’ll wear those funny bolt-things in my neck

I’d love to be in stitches—what the heck

Do you need cash, or will you take a check?

I’m not afraid of what you’ll do—I’m immunized to pain

Cause everything I ever had has bubbled down the drain

Make me the Pride of Frankenstein and I will not complain

Just strap me down and let me have a transplant of the brain: I need it

Please, Dr. Frankenstein, won’t you try and raise me from the dead?

My heart is barely beatin since I caught the woman cheatin in our bed

My entire world’s a coffin and it doesn’t get me off, an like I said

Please, Dr. Frankenstein, won’t you try and raise me from the dead?

Come to My Bedside

by
Zaccur Bishop

Come to my bedside and let there be sharing

Uncounterfeitable sign of your caring

Take off the clothes of your body and mind

Bring me your nakedness; help me in mine…

Help me believe that I’m worthy of trust

Bring me a love that includes honest lust

Warmth is for fire; fire is for burning

Love is for bringing an ending to yearning…

For I love you in a hundred ways, and not for this alone

But your lovin’ is the sweetest lovin’ I have ever known

Come to my bedside and let there be giving

Licking and laughing and loving and living

Sing me a song that has never been sung

Dance at the end of my fingers and tongue

Take me inside you and bring up your knees

Wrap me up tight in your thighs and then squeeze

Or if you feel like it, you get on top

Love me however you please, but please…don’t stop

For I love you in a hundred ways, and not for this alone

But your lovin’ is the sweetest lovin’ I have ever known

I know just what you’re thinking of:

There’s more to love than making love

There’s much more to the flower than the bloom

But every time we meet in bed

I find myself inside your head

Even as I’m entering your womb

So come to my bedside and let there be loving

Twisting and moaning and thrusting and shoving

I will be gentle; you know that I can

For you I’ll endeavor to be quite a singular man…

Here’s my identity, stamped on my genes

Take this my offering: know what it means

Let us become what we started to be

On that long-ago night when you first came with me…

O, lady! I love you in a hundred ways, and not for this alone

But your lovin’ is the sweetest lovin’ I have ever known

Out of Your Way

You went out of your way to make sure I’d love you

And now you say be patient for a while

You went out of your way to be just as nice as you could be

Until I fell, and then you modified your style

You say you’re somebody else’s slave…I suppose we all got our crosses

But I ain’t nobody’s slave and I figure it’s time I cut my losses

You could end up mine some way, but baby, until that day

I’m goin’ out of your way by a country mile

You went out of your way to make sure that I’d need you

You taught me the significance of need

And I went out of my way to show you who I am and how I fell

Which is for me a thing remarkable indeed

You got a lotta laughs inside, but I’m afraid that’s where they’re keepin’

You got a lotta tears there too, and I reckon you’re much more fond of weepin’

You could end up mine, it’s so—but baby, until I know

I’m goin’ out of your way with all due speed

You went out of your way to make sure that I’d want you

With your eyes as much as with your knowing hands

But you’ll never be happy at all until you want to

And till I don’t want to be makin’ long-term plans

They’ve already dealt the hand: I’ll either win it or else I won’t

You understand how I feel and you either want me or else you don’t

Take as long as you need to decide—but baby, I got my pride

And I’m goin’ out of your way while I still can

—oh, can’t you see?

You ain’t no use to me like this: there ain’t enough of you left to miss

Why don’t you come out of your way, just one more time, with me?

Hardon You

I know my constant horniness gets hardon you

Sometimes it seems I’m always in the mood

If that is so, I truly beg your pardon, too

It wasn’t my intention to be rude

My love is like my horniness, in that it never quits,

But I’d love you if you didn’t have those tits

Men have only got the one thing on their mind

It gets so repetitious it’s a crime

Somebody said a hard man is good to find

As long as you don’t find him every goddam time

You are not only something that I lust for, that I hunt

I would love you if you didn’t have a cunt

I’m neurotically erotic, with a taste for the exotic

And your body is hypnotic when it’s next to me

I’m dementedly attentive, and in need of no incentive

But you know you represent much more than sex to me…

You know that I was horny for you from the start

And that’s the way it’s always gonna be

But you ought to know your sexiness is just a part

Of the value you will always have for me

It may have been what caught my eye: it isn’t why I stick

I would love you if I didn’t have a dick.

Mountain Lady

(Jeanne’s Song)
by
Spider Robinson

Mountain Lady, sing for me: your singing makes me glad to be alive

Mountain Lady, give to me your lovin’, for it helps me to survive

Mountain Lady, stay with me, and let me drink your beauty with my eyes

I want you to lay with me, and be there in the morning when I rise

You give me what I need, and you need what I can give

Like you, I live for loving, and like me, you love to live

I swear I’ll make you happy if there’s any way I can

And if you will be my Mountain Lady, I will be your man…

Mountain Lady, smile for me: your smile is like the rising of the sun

Wait a little while for me—I’m coming back as fast as I can run

Mountain Lady, talk with me, for talking is essential to our growth

I want you to walk with me through all the days remaining to us both

You give me what I need, and you need what I can give

Like you, I live for loving, and like me, you love to live

I swear I’ll make you happy if there’s any way I can

And if you will be my Mountain Lady, I will be your man…

Mountain Lady, dance for me,

Your dancing takes my breath away, you know…

Save that loving glance for me—I love it when you let your loving show

Mountain Lady, give to me a kind of love I’ve never had before

I want you to live with me: I cannot live without you anymore…

You give me what I need, and you need what I can give

Like you, I live for loving, and like me, you love to live

My love is deep and stronger than a river running wild

I want to be your lover, and the father of your child…

Dramatis Personae

I believe in my heart of hearts—and in my brain of brains, for that matter—that an epigram should be like a good son-in-law: completely self-supporting. If it needs footnotes, it’s not an epigram. My old friend and esteemed editor Jim Frenkel, however (like clams, he’s better esteemed than eschewed), is certain you will find the epigrams in this book more enjoyable if you know a little something about their speakers. And he is quite keen that you enjoy yourself, since he has overpaid me so outrageously for this volume and wants to be sure you’ll give copies to all your friends for Christmas. Who could argue with that? Well…me, for one.

My feeling is that if you finish this book curious to know more about the people whose wit and wisdom hold its covers apart, the sensible thing for me to do would be to just refer you to the six available volumes in which they appear at much greater length, and hope you take the bait.

But in all fairness, I have to admit that might not be the most sensible thing for Jim to do, as none of those six books is published by this house just now. (Although Jim was the editor who bought the first Callahan book…and was working for Tom Doherty at the time! Life is strange.) [Editor’s note: At presstime, this has been corrected. Tor has just bought the first three Callahan books and the next Mary’s Place book, CALLAHAN’S LEGACY.] Therefore I bow to his editorial insight, marketing savvy and phenomenal endurance in argument.

Here, then, are as few words as I can get away with concerning all the wonderful people you’ve heard quoted: (The descriptions in italics are quoted, and sometimes misquoted, from Chris McCubbin’s excellent text for the CALLAHAN’S CROSSTIME SALOON role-playing game, available from Steve Jackson Games, Inc. of Austin, Texas.)

MIKE CALLAHAN: He built his bar in Suffolk County, in the image of countless other roadside Irish taverns in the New York area…a serene and reassuring presence, he always kept his place merry. He looked like a big dumb Irishman, but it was impossible to talk to Callahan for more than a few minutes without realizing that he was a man of unusual depth, wisdom and sensitivity…from Big Beef McCaffrey, who tried to shortchange him, to the Mafia flunky who tried to scare him into renting a jukebox, anybody who tried to put the muscle on Callahan got the same treatment—a free trip to the parking lot, and probably a broken bone to remember it by. He smoked big cheap cigars that he lit with non-safety matches. His reverence for human dignity, privacy and liberty verged on the religious. He never mentioned his subjective age. It is assumed that he’s about the same age as his wife, who is well into her third century. Mike was born centuries from now, in a place (possibly a planet) called Harmony. Since it has taken me several books to even outline his mission in this ficton (a technical term for a space-time locus), I won’t attempt it here. CALLAHAN’S SECRET has the best summary, I think. Suffice it to say, he is a good guy.

LADY SALLY MCGEE: Lady Sally was Callahan’s spouse and counterpart in a battle across time. She opened her famous brothel, Lady Sally’s House, in Brooklyn at the height of WWII, when such enterprises were tolerated…By the time the war was over, she had so many influential friends that there was no question of closing her place down. A tiny, trim redhead who spoke in a patently phony British accent, Lady Sally was not an incredible beauty. It was not her features, but her manner that accounted for her astonishing sexual appeal. She considered sex an art, and studied it extensively. Her employees were called “artists” (not “prostitutes,” and never “whores” or “hookers”). Her artists were paid a regular salary plus room and board and allowed to keep any (optional) tips. Her clients paid according to their means. Her artists were of all seven sexes, and she catered to all sexual preferences except the dangerously violent. Her Ladyship is much tougher than she looks, and has fewer scruples than her husband about killing evil people.

MARY CALLAHAN (now Mary Callahan-Finn): The only (known) child of Mike Callahan and Lady Sally, Mary was born and raised on Harmony. When she reached adulthood, she began working for her mother, and despite what some would call a weight problem, soon established a reputation as one of the most professional and popular artists at Lady Sally’s House. After a few years, she transferred to working literally behind the scenes, as her mother’s chief of security. Where she got her training as a blacksmith is unknown. She is a cheerful woman with a tremendous capacity for fun and no tolerance for evasions or self-delusions. I do not think Mary has a weight problem (I think very few women have a weight problem—although a lot of them have a big jerk problem), and neither does Jake Stonebender. She had a (very) brief affair with him, once, but is now married to:

MICKEY FINN: Alien cyborg, 6’11½”, 600 lbs; apparent age 40… Finn is the only survivor of a race exterminated centuries ago and far away by star-traveling monsters. They filled him with enslaving machinery and made him a scout. The very first Callahan story, “The Guy With The Eyes” (reprinted in CALLAHAN’S CROSSTIME SALOON), concerns the night he walked into Mike’s Place and announced that his job required him to sterilize Earth, and he felt just terrible about it. The response of Callahan’s patrons was to sympathize: they got him drunk. Which, happily, shorted out the machinery that made him a slave. He spent the next decade or so learning how to be human (he spent some years as a farmer), but has since left Earth with his new bride, Mary.

JAKE STONEBENDER: Narrator of the Callahan’s Place and Mary’s Place stories. (And my financial arrangement with him is our business, okay?) A likable, lanky man with shoulder-length hair and a beard. If he doesn’t watch himself, he can get a bit strident about his liberal politics. A gifted folksinger, he loves his guitar Lady Macbeth like family. While Jake doesn’t have the most brilliant mind at Callahan’s, he may well have the quickest. He certainly saved everyone there, and likely the whole planet as well, through his quick actions on the Night of the Cockroach… Jake used to have a wife and daughter, until he decided he could fix his own brakes. After their deaths, he tried suicide twice, and was fortunate enough to have his stomach pumped the second time by:

DOC WEBSTER: who prescribed for Jake a trip to Callahan’s Place, and not incidentally spared me a life of honest work. In many ways Sam “Doc” Webster is the leader of the gang, even more than Callahan himself. While Mike is the unmoving center around which the bar orbits, Doc Webster is usually the one out there pushing the other patrons to do things, have fun and keep The Place merry. An immense man, he is Callahan’s most profound drinker. He’s also an excellent physician, who once removed Shorty Steinitz’s appendix on Callahan’s bar-top. What most people remember about the Doc, though, is his immense, almost mythic joyousness. He could break up the Sphinx with a one-liner that was old when it was built. He is the all-time Punday Night champion.

LONG-DRINK MCGONNIGLE: The toughest and least charismatic of Callahan’s regulars, Long-Drink (he’s “one long drink of water,” 6’7”) is an indolent and independent man with a razor-sharp tongue and no time for nonsense—unless it’s amusing nonsense. In spite of his attitude problem, Long-Drink isn’t as shallow as he likes to pretend. He genuinely cares about people who are hurting—and not just his friends, either. He cried openly when Jake broke Lady Macbeth. I would have to say that Long-Drink’s sense of humor is the most primitive in the group. And I’m going to get him back some day…

FAST EDDIE COSTIGAN: Callahan’s bouncer and piano player. Born in Brooklyn, he met Callahan after the war, at Lady Sally’s, and accepted the piano chair in the bar Mike was just building out on Long Island. He resembles a badly shaven chimpanzee. As a bouncer, his technique is subtle and effective. He knows he’s not as clever as the other guys at the bar, and he’s comfortable with that. Still, he often surprises his friends with an unexpected insight or brings down the house with a quietly hilarious pun or wisecrack. It was he who found a way to make the broken Lady Macbeth well again. Eddie is the best damn piano man I ever hoid…uh, heard.

LES GLUEHAM & MERRY MOORE (a.k.a. The Cheerful Charlies): In the early ’70s, Les Moore and Merry Glueham were not happy people. As if their names weren’t bad enough, they were also each out of work. With nothing to lose, each called a guy named Flannery who cheered people up for a living—satisfaction guaranteed or your money back. It worked. Tom Flannery not only cheered Les and Merry up, but when he introduced them, they fell in love. Then he gave them jobs as his assistants. When they got married, Les and Merry swapped last names—it seemed to work better that way. Tom died a few months later, as he’d been expecting to, and Les and Merry kept the business going. Their business card reads, “HAVE FUN—WILL TRAVEL.”

NOAH GONZALEZ, SHORTY STEINITZ, SLIPPERY JOE, SUSIE and SUZIE MASER: regular patrons of Callahan’s Place. Noah used to work on the county bomb squad; Shorty is the worst driver alive; the Masers have been a triune marriage ever since Joe’s wives found out about each other. (It seems to serve him right.)

JIM/PAUL MACDONALD: telepathic half-brothers with a fused identity, who appear first in CALLAHAN’S CROSSTIME SALOON, and last in CALLAHAN’S SECRET. They sacrificed themselves to save the world from a cockroach.

ARETHUSA QUIGLEY: surviving incarnation of a pair of telepathic twins. In contrast to the MacDonald brothers, these identical blonde sisters, raised by religious fanatics who denied the concept of twinhood, grew up with only a single public identity, which they took turns investing. The story of how they moved into a single skull together is told in LADY SLINGS THE BOOZE.

JOE QUIGLEY: former private dick from New York; now gone public. He’s married to Arethusa, and they worked together at Lady Sally’s House in its final year. I’ve always thought he’s a dead ringer for Dan Rather, myself, but he says he can’t see it.

JOSIE BAUER: one of Callahan’s best-loved regulars. A humor groupie, her unvarying custom was to offer to sleep with whoever won the Punday Night competition. Few winners, male or female, ever turned her down, or reported regret afterwards. Further deponent sayeth not.

RACHEL (last name unknown): 232 years old at the time she entered cryogenic suspension in 1973. Fast Eddie visits her every week. See CALLAHAN’S CROSSTIME SALOON for details.

MAUREEN: this is probably Maureen Hooker, former artist in the employ of Lady Sally McGee, currently free-lancing as a team with her husband Willard, a legendary confidence man now retired from the game. They fell in love in CALLAHAN’S LADY.

PRISCILLA (last name unknown): Lady Sally’s bouncer; sort of a female version of the Terminator—the friendly one, from the second film. Her heroic death is recounted in LADY SLINGS THE BOOZE; briefly, she died because she was bulletproof.

PHILLIP (last name unknown) and TIM (last name unknown): alumni of Lady Sally’s House; see CL and LSTB for details.

FATHER NEWMAN: a Catholic priest who hung out…uh…religiously at Lady Sally’s House. An organized and determined conspiracy of patrons, who attempted to nail down once and for all whether or not he ever actually availed himself of an artist’s services while there, disbanded with the question unresolved. I know, but I won’t tell you.

WOODROW W. SMITH, COMMODORE AARON SHEFFIELD and LAZARUS LONG: Yep. That guy. Very merry gent. For an explanation of how a fictional character could walk into a bar in real life, see THE NUMBER OF THE BEAST by Robert A. Heinlein.

STINKY KETTERING: all anyone remembers about this guy is that he probably came in with Lazarus Long.

ZEBADIAH J. CARTER, DR. JACOB BURROUGHS: see above note regarding W.W. Smith. It was believed at the time that these customers might be gay (despite the fact that their female companions were knockouts), since they were overheard using that word an inordinate number of times. The Heinlein novel cited above later explained the matter.

TOMMY ROBBINS: all I know is, the only surviving photo of him bears a remarkable resemblance to the guy who autographed my copy of EVEN COWGIRLS GET THE BLUES. Could be…

GENTLEMAN JOHN KILLIAN: his photo resembles the guy who autographed my copy of STAND ON ZANZIBAR.

LARRY VAN COTT: strongly resembles the guy who autographed my copy of RINGWORLD, down to the detail that he apparently never drank anything but Irish coffee at Callahan’s. The fact that said author writes a competing series of bar stories might account for the pseudonym…

CHIP DELANY: looks very much like the guy who autographed my copy of BABEL-17.

EDGAR PANGBORN: If this is indeed the Pangborn who wrote DAVY and “Angel’s Egg,” I could kick myself for missing him at Callahan’s. He’s not with us anymore, more’s the pity. Look him up in the library!

JOHN D. MACDONALD: again, if this was the author of the Travis McGee series and so many other fine books, I wish I’d bumped into him at Mike’s place; among other things, I always wanted to ask him what Meyer’s other name is, just to see how he’d answer…

TED STURGEON: no question, this is that Ted Sturgeon, one of the two best science fiction writers who ever lived. I brought him to Callahan’s myself. He was Punday Night champion for eight weeks running, a record exceeded only by Doc Webster himself—and gave seminars in Unlimited Inquiry (the symbol you’ll find with his quote (here) was part of his autograph, and stood for “Ask the Next Question…”), Marriages Involving Odd Numbers of Spouses, and Advanced Hugging. God bless you, Theodore, wherever you are.

ROBERT A. HEINLEIN: Ted’s only peer. If you don’t know who he is, you should be reading one of his books instead of this one.

DICK BUCKLEY: internal evidence—and mutual friend (and folk music legend) Ed McCurdy—suggest this may have been the late Lord Buckley (the Gasser! 1907-1960), the legendary American monologist who composed and declaimed free-verse tributes to his heroes in Hipster, a dialect created by black jazz musicians and later adopted and adapted by white jazz musicians, beatniks, hippies and other undesirables. C.P. Lee states that, like Louis Armstrong, His Lordship never performed without firing up a large pipe of marijuana first; unlike Pops, he did so onstage. Lee also claims that Buckley and an entourage once crashed a Sinatra concert at the Waikiki Sheraton, stark naked. (George Harrison’s song “Crackerbox Palace” was named for Lord Buckley’s home.) Though his frame be long stashed, His Lordship’s surviving records are well worth the trouble of seeking out.

TOM WAITS: yes, this would seem to be the well-known pop star, songwriter, actor and former jazz singer—who once gave me permission to quote his song “$29 and an Alligator Purse” in my novel MINDKILLER, in exchange for $29.00. (Guess he didn’t need a purse…)

STEPHEN GASKIN: a preacher and semiretired wizard, who taught classes on spirituality at the Family Dog back at the dawn of the Hippie Era, crossed the continent with a convoy of school buses, and eventually founded the most successful of the hippie communes, The Farm, in Summertown, Tennessee. (It’s still there—and so is he—but the last time I visited, they were pointedly ignoring each other.) At its peak, The Farm consisted of 1,000+ freaks on 1000+ acres, totally self-supporting and living in harmony with their rural neighbors. Their international disaster-relief arm, Plenty, was praised as a model by the Canadian government. Nowadays The Farm is a corporation: you own shares, or some such; and I’m not sure what happened to Plenty, since everyone I knew in it has quit.

I got no use for gurus and holy men. Irish whiskey works just fine for me. But I’m willing to punch the ticket of Stephen, and of one of his teachers, Shunryu Suzuki-roshi—because neither of them ever claimed to be any more than a guy who’d had a few minutes to think, and had noticed some interesting things.

One quick Stephen story that may make my point: he gets up from dinner one night in the early ’70s to answer the door. There stands an awestruck young man who says he’s just walked here from the Coast because he’s decided his mission in life is to follow Stephen around and record his every utterance for posterity, unobtrusively and at the lad’s own expense. Stephen gently closes the door in his face and returns to the table. “Who was that?” asks his wife, Ina May. “A temptation from the Evil One,” Stephen murmurs, and finishes his soyburger…

That’s my kind of preacher. Which is partly why I wrote the introduction to his latest book, HAIGHT-ASHBURY FLASHBACKS (Ronin Press 1992). To give you an idea, its original 1980 edition was titled AMAZING DOPE TALES.

CHARLIE DANIELS: one of my oldest and best friends in the world; directly responsible for my move to Canada in the ’70s; presently straightening spines and otherwise practicing chiro in Yarmouth, Nova Scotia. The Lucky Duck, who appears in the current book THE CALLAHAN TOUCH, bears a bit of a resemblance to Charlie. Less sarcastic, though…

ANONYMOUS: a Callahan’s regular so self-effacing that no one can recall much about him. Not even how he got that name, which I’m sure we must have asked. In fact, I’m not sure he isn’t still around Mary’s Place somewhere (the bar Jake opened up after Callahan’s Place was destroyed).

SAM MEADE: a passing folksinger who ended up in Nova Scotia.

EDISON RIPSBORN: nothing is known about this customer. Related to Pangborn somehow?

BEN BOVA: yes, the Ben Bova, multiple-award-winning writer, ex-editor (of Analog and Omni) and space enthusiast, and my oldest friend in this business. (Well, I knew Jim Frenkel first, but neither of us was in the business then.) He became a regular at Callahan’s shortly after I sold him the very first of Jake’s stories about it, in 1972…and he and Barbara are still seen in Mary’s Place today. But not often enough…

About the Author

Since he began writing professionally in 1972, Spider Robinson has won three Hugos, a Nebula, the John W. Campbell Award for Best New Writer, the E. E. (“Doc”) Smith Memorial Award (Skylark), the Pat Terry Memorial Award for Humorous Science Fiction, and Locus Awards for Best Novella and Best Critic. His book CALLAHAN’S CROSSTIME SALOON was named a Best Book for Young Adults by the American Library Association. His short work has appeared in magazines around the planet, from Analog to Xhurnal Izobretatel i Rationalizator (Inventor & Innovator Journal, Moscow), and his books are available in eight languages. Twelve of his seventeen books are still in print in the U.S. and Canada.

He was born in the Bronx in 1948, on three successive days (they had to handle him in sections), and holds a Bachelor’s degree in English.

He has been married for eighteen years to Jeanne Robinson, a modern-dance choreographer, former dancer, and teacher of both dance and the Alexander Technique; she was the founder of Nova Scotia’s Nova Dance Theatre, and its Artistic Director during its eight-year history. The Robinsons collaborated on the Hugo-, Nebula- and Locus-winning 1976 classic STARDANCE (Baen Books), which created the concept of zero-gravity dance, and on its 1991 sequel, STARSEED. (Jeanne was on NASA’s waiting list for a Space Shuttle seat, to try out zero-gee dance in practice—until the Challenger tragedy ended the Civilian In Space program.)

The Robinsons currently live in Vancouver, British Columbia.

Table of Contents

- Books by Spider Robinson
- Copyright
- Dedication
- Contents
- Foreword
- Graffiti
- Puns (I)
- Puns (II)
- Songs
- Dramatis Personae
- About the Author