The Dreams in the Witch House: And Other Weird Stories
Author: H. P. Lovecraft
Date: 2000-01-01 05:00:00+00:00
Keywords: Gothic; Fiction; Fantasy; Lovecraftian; Horror; Science Fiction; Cthulhu Mythos; Classics; Short Stories; Weird Fiction
Description: "The dreams were wholly beyond the pale of sanity . . . " Plagued by insane nightmare visions, Walter Gilman seeks help in Miskatonic University's infamous library of forbidden books, where, in the pages of Abdul Alhazred's dreaded Necronomicon , he finds terrible hints that seem to connect his own studies in advanced mathematics with the fantastic legends of elder magic. The Dreams in the Witch House , gathered together here with more than twenty other tales of terror, exemplifies H. P. Lovecraft's primacy among twentieth-century American horror writers. This volume is a companion to the othe
Publisher: Penguin Publishing Group

Table of Contents

Title Page
Copyright Page
Introduction

POLARIS
THE DOOM THAT CAME TO SARNATH
THE TERRIBLE OLD MAN
THE TREE
THE CATS OF ULTHAR
FROM BEYOND
THE NAMELESS CITY
THE MOON-BOG
THE OTHER GODS
HYPNOS
THE LURKING FEAR
THE UNNAMABLE
THE SHUNNED HOUSE
THE HORROR AT RED HOOK
IN THE VAULT
THE STRANGE HIGH HOUSE IN THE MIST
THE DREAM-QUEST OF UNKNOWN KADATH
THE SILVER KEY
THROUGH THE GATES OF THE SILVER KEY
THE DREAMS IN THE WITCH HOUSE
THE SHADOW OUT OF TIME

Explanatory Notes

FOR THE BEST IN PAPERBACKS, LOOK FOR THE

THE DREAMS IN THE WITCH HOUSE AND OTHER WEIRD STORIES

H. P. LOVECRAFT was born in 1890 in Providence, Rhode Island, where he lived most of his life. Frequent illnesses in his youth disrupted his schooling, but Lovecraft gained wide knowledge of many subjects through independent reading and study. He wrote many essays and poems early in his career, but gradually focused on the writing of horror stories, after the advent in 1923 of the pulp magazine Weird Tales, to which he contributed most of his fiction. His relatively small corpus of fiction—three short novels and about sixty short stories—has nevertheless exercised a wide influence on subsequent work in the field, and he is regarded as the leading twentieth-century American author of supernatural fiction. H. P. Lovecraft died in Providence in 1937.

S. T. JOSHI is a freelance writer and editor. He had edited Penguin Twentieth-Century Classics editions of H. P. Lovecraft’s The Call of Cthulhu and Other Weird Stories (1999) and The Thing on the Doorstep and Other Weird Stories (2001); Algernon Blackwood’s Ancient Sorceries and Other Strange Stories (2002); and Lord Dunsany’s In the Land of Time and Other Fantasy Tales (2004). Among his critical and biographical studies are The Weird Tale (1990); Lord Dunsany: Master of the Anglo-Irish Imagination (1995); H. P. Lovecraft: A Life (1996); and The Modern Weird Tale (2001). He has also edited works by Ambrose Bierce, Arthur Machen, and H. L. Mencken, and is compiling a three-volume Encyclopedia of Supernatural Literature. He lives with his wife in Seattle, Washington.

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First published in Penguin Books 2004

Selection, introduction and notes copyright © S. T. Joshi, 2004

All rights reserved

The stories in this volume are .

LIBRARY OF CONGRESS CATALOGING IN PUBLICATION DATA

Lovecraft, H. P. (Howard Phillips), 1890-1937.
The dreams in the witch house and other weird stories / H.P. Lovecraft ; edited with an
introduction and notes by S.T. Joshi
p. cm.
Contents: Polaris—The terrible old man—The tree—The cats of Ulthar—From beyond—
The nameless city—The moon-bog—The other gods—Hypnos—The lurking fear—The unnameable—
The shunned house—The horror at Red Hook—In the vault—The strange high house in the mist—
The dream-quest of unknown Kadath—The silver key—Through the gates of the silver key.

eISBN : 978-1-440-61874-1

1. Fantasy fiction, American. 2. Horror tales, American.
3. Supernatural—Fiction. I. Joshi, S. T., 1958- II. Title.
PS3523.O833A6 2004
813’.52—dc22 2003068904

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Introduction

Half a century ago the Swiss scholar Peter Penzoldt stated that Lovecraft was “too well read.” By this he meant that, in his estimation, Lovecraft “was influenced by so many authors that one is often at a loss to decide what is really Lovecraft and what some half-conscious memory of the books he has read.”[1] Although this pronouncement was uttered by Lovecraft himself in one of his recurrent moods of excessive humility—“There are my ‘Poe’ pieces & my ‘Dunsany’ pieces—but alas—where are any Lovecraft pieces?”[2]—it is a considerable exaggeration. First, like the best creative artists from Shakespeare to Handel, Lovecraft almost always improved on what he borrowed or, at any rate, so thoroughly filtered it through his own aesthetic lens as to make it unmistakably Lovecraftian. Second, some apparent influences are coincidental—as in Lovecraft’s remarkable anticipation of the style of Lord Dunsany in “Polaris” (1918), a year before he read Dunsany, or in his exhibition of enormous stretches of cosmic history in “The Shadow out of Time” (1934-35), several months before he read the greatest exponent of this type of science fiction, Olaf Stapledon. Indeed, Lovecraft would not have responded so enthusiastically to Dunsany, Stapledon, and other writers had his own temperament not been independently inclined in their direction.

The wealth of documentary evidence that surrounds Lovecraft—thousands of revelatory letters, dozens of memoirs by friends and colleagues, and, most significant in this context, a catalogue of his personal library, recording about a thousand of the fifteen hundred books he owned[3]—makes the task of hunting down literary influences something akin to shooting fish in a barrel. Had we not known the contents of his library (especially a list he himself distributed to correspondents in the 1930s, “Weird &c. Items in Library of H. P. Lovecraft”), we would never know that the obscure weird novel Lazarus (1925) by Henri Béraud had played a role in the conceptualization of “The Shadow out of Time”: Lovecraft never mentions it in any extant correspondence, as he mentions so many other works he read over a lifetime of diligent reading. Many more such influences are probably still waiting to be discovered; recall that Lovecraft read the entire run of the pulp magazine Weird Tales from its inception to his death in March 1937, along with other pulps such as Strange Tales, Amazing Stories, and even the egregious Ghost Stories—whose only virtue, as he rightly put it, was “the proof it affords that a magazine can be worse” than Weird Tales.[4] The almost maniacal wishful thinking that led Lovecraft to hope for some kind of genuine “kick” in the horror and science fiction pulps makes one suspect that much of the impetus for his own writing came from his increasing inability to find satisfactory weird literature already in existence. As he pungently remarked, “Someone ought to go over the cheap magazines and pick out story-germs which have been ruined by popular treatment; then getting the authors’ permission and actually writing the stories.”[5]

Lovecraft rightly recognized that the leading influences on his work were Poe (his “God of Fiction,”[6] whom he had been reading since the age of eight), Dunsany (whom he thrillingly encountered in 1919), Arthur Machen (read in 1923), and Algernon Blackwood (first read, without enthusiasm, in 1920, then with much greater enjoyment in 1924). Poe’s influence was so pervasive that, aside from individual tales such as “The Tomb” (1917) and “The Outsider” (1921), it is difficult to specify any “Poe” stories in Lovecraft’s oeuvre; in reality, the whole of his fictional output is Poe-esque, and in some senses he spent much of his life attempting to escape from, or at least to internalize, the Poe influence. As late as 1930 he remarked: “Since Poe affected me most of all horror-writers, I can never feel that a tale starts out right unless it has something of his manner.”[7] Conversely, Lovecraft read Machen and Blackwood at a late enough stage in his own literary career that blatant imitation was also not to be looked for. To be sure, “The Dunwich Horror” (1928) owes more than a little to Machen’s similar tale of the hideous offspring of human and god, “The Great God Pan,” and Lovecraft surprisingly remarks that “Cool Air” (which one would think a transparent imitation of Poe’s “Facts in the Case of M. Valdemar”) was inspired more by Machen’s “Novel of the White Powder” than by the Poe story.[8] As for Blackwood, any demonstrable influence is even more nebulous; to say that, for example, “The Colour out of Space” (1927) expresses a type of cosmic menace similar to that of Blackwood’s imperishable “The Willows” is only to note broad affinities rather than concrete influence.

With the great Irish fantasist Lord Dunsany, however, matters are quite different. In this case, Lovecraft’s ecstatic reading of Dunsany inspired a spate of conscious imitations that did not cease, in some fashion or other, until he exorcised the influence with The Dream-Quest of Unknown Kadath (1926-27). But even here, Lovecraft’s stubborn independence as a writer continues to crop up even when he believes himself to be most imitative. “The White Ship” (1919), he notes, is “in part influenced by my new Dunsanian studies.”[9] “In part” is exactly on target: if the surface influence of this tale is Dunsany’s great fantasy odyssey, “Idle Days on the Yann,” then we must counter with the fact that Dunsany himself never wrote an allegorical fantasy of the sort that Lovecraft produced in “The White Ship.” “The Tree” (1921) is casually referred to as Dunsanian, but Dunsany rarely set a tale in ancient Greece, and the kernel of this tale, too, as with “Polaris,” turns out to have been conceived a year before Lovecraft read Dunsany.

Nevertheless, it could well be asserted that Lovecraft would not have written his dozen or so “Dunsanian fantasies” had he not been energized by Dunsany’s example. Lovecraft came to that conclusion himself, although it took him some time to reach it. In 1923 he contrasted the influences of Machen and Dunsany on his own temperament:

Dunsany is closer to my own personality and understanding. Machen has an hysterical intensity which I neither experience nor understand—a seriousness which is a philosophical limitation. But Dunsany is myself, plus an art and cultivation infinitely greater. His cosmic realm is the realm in which I live; his distant, emotionless vistas of the beauty of moonlight on quaint and ancient roofs are the vistas I know and cherish.[10]

But seven years later he felt differently:

What I do not think I shall use much in future is the Dunsanian pseudo-poetic vein—not because I don’t admire it, but because I don’t think it is natural to me. The fact that I used it only sparingly before reading Dunsany, but immediately began to overwork it upon so doing, gives me a strong suspicion of its artificiality so far as I am concerned.[11]

And yet, as Robert M. Price has demonstrated,[12] the Dunsanian influence extends well beyond those tales that are obviously “Dunsanian” in point of style or subject matter. To be sure, that distinctively exotic, otherworldly fantasy that Dunsany made his own exercised a powerful hold on Lovecraft—in a sense, it was an antidote to the grim supernatural realism that he imbibed from Poe, and in a perverse sense began the process of freeing Lovecraft from the oppressive weight of Poe’s influence—but Lovecraft himself recognized that Dunsany’s work was of such a character that it could exert its aura well beyond such tales as “The Doom That Came to Sarnath” (1919) or “The Other Gods” (1921). “The Nameless City” (1921) was in part influenced by a single phrase in Dunsany—“the unreverberate blackness of the abyss.” “The Terrible Old Man” (1920), although emphatically set in the imaginary topography of New England that would be one of Lovecraft’s unique contributions to literature, may nonetheless owe its deliberately naïve moral message to the half-parodic fables in Dunsany’s The Book of Wonder (1912).

What, then, do we make of The Dream-Quest of Unknown Kadath? Lovecraft himself felt it to be “my swan-song as a Dunsanian fantaisiste.”[13] But it could well be said that that short novel is neither Dunsanian nor non-Dunsanian, but rather anti-Dunsanian. In his 1922 lecture “Lord Dunsany and His Work,” Lovecraft summarized what he believed Dunsany represented in modern culture. Maintaining that modern advances in science had rendered many previous aesthetic stances—specifically, what he called romanticism, by which he meant Victorian sentimentality of the Dickens or Frances Hodgson Burnett sort—obsolescent, he felt that Dunsany had adopted a viable alternative in his imaginary-world fantasy:

It is then that we shall worship afresh the music and colour of divine language, and take an Epicurean delight in those combinations of ideas that we know to be artificial. Not that we can resume a serious attitude toward emotion—there is too much intellect abroad for that—but we can revel in the Dresden-china Arcadia of an author who will play with the old ideas, atmospheres, types, situations, and lighting effects in a deft pictorial way; a way tinged with affectionate reminiscence as for fallen gods, yet never departing from a cosmic and gently satirical realisation of the true microscopic insignificance of the man-puppets and their petty relations to one another.[14]

As an analysis of Dunsany this is not entirely off the mark; but Lovecraft’s 1930 comment, in which he definitively renounces Dunsany’s influence on him, suggests that he no longer felt that the “Dresden-china” otherworldliness of Dunsany’s early tales was something that evoked a genuine echo in his own temperament. By this time Lovecraft had declared himself a “prose realist,”[15] and he was no longer inclined to seek his aesthetic nourishment in Pegāna. In particular, the Dream-Quest, written after Lovecraft had spent two horrific years in New York in a failed marriage and away from his beloved Providence, Rhode Island, was manifestly a testament to the depth of his intellectual, emotional, and cultural ties to New England. “Like Antaeus of old, my strength depends on repeated contact with the soil of the Mother Earth that bore me,” he wrote in 1927.[16] That he would choose to emphasize this point in a novel written in a full-blown Dunsanian prose idiom, as well as taking place in a fantastic dream world of his protagonist Randolph Carter’s imagination, seems as pronounced a repudiation of Dunsany—or, rather, what Lovecraft took Dunsany to be—as could be imagined.

The Dream-Quest also raises the issue of the aesthetic status of the serial character. Lovecraft, in speaking of another series, “Herbert West—Reanimator” (1921-22), disparaged the entire procedure: “Now this is manifestly inartistic. To write to order, and to drag one figure through a series of artificial episodes, involves the violation of all that spontaneity and singleness of impression which should characterise short story work.”[17] It becomes evident, however, that Lovecraft had no intention at the outset of involving Randolph Carter in a succession of adventures, both in the dream world and in the real world, when he wrote “The Statement of Randolph Carter” in 1919. That story, as is well known, was a literal transcript of one of Lovecraft’s dreams, with himself in the role played by Carter in the story. This would seem to make it obvious that Carter, in the five tales that feature him, is simply a stand-in for Lovecraft—were it not for the plain fact that the stories, written over a fourteen-year period, are all highly divergent in tone, theme, mood, and style, and that Carter himself is almost unrecognizably different from one story to the next. The timorous sidekick of 1919 metamorphoses into the cynical, world-weary horror writer who in “The Unnamable” (1923) delivers a veritable treatise on the theory and practice of weird fiction in no way dissimilar in substance from what Lovecraft had written earlier in the In Defence of Dagon essays of 1921 and would write again in the epochal “Supernatural Horror in Literature” (1927). Because Carter’s first name is not mentioned in this story, many readers and critics have failed to notice that this is in fact a component of what might (perhaps misleadingly) be called the “Randolph Carter cycle.”

When Lovecraft sat down in the fall of 1926 to write the Dream-Quest, he may in one sense have consciously looked back to his unfinished novel “Azathoth,” of which he wrote no more than five hundred words in 1922. That fragment begins ponderously: “When age fell upon the world, and wonder went out of the minds of men; . . . there was a man who travelled out of life on a quest into the spaces whither the world’s dreams had fled.”[18] This is, surely, the Dream-Quest writ small, or so it would seem—but when Carter, seeking his “sunset city” of wonder and glory, finds it not in dreamland but in the memories of his very real upbringing in New England, we find “Azathoth” turned on its head. It is also eminently obvious that Lovecraft had planned out the Dream-Quest in his mind before he had proceeded very far in the writing of it (in contrast to August Derleth’s claim that “its general looseness suggests that Lovecraft initially at least had no very clear plan for it”[19]); for, contrary to his usual practice, he wrote another work, “The Silver Key” (1926), before completing the novel, and that story manifestly involves Carter in adventures subsequent to those related in the Dream-Quest. “The Silver Key” reveals an autobiographical significance far more than any of the other Randolph Carter stories, although its opening segment—when Carter engages in a succession of intellectual and aesthetic activities (bohemianism, religion, novel writing, diabolism) to relieve his devastating ennui—is clearly symbolic or even allegorical.

Carter completes his transformation in “Through the Gates of the Silver Key” (1932-33), a collaboration foisted upon an unwilling Lovecraft by his new friend E. Hoffmann Price. The sequel as Price had originally written it, titled “The Lord of Illusion,” is a textbook example of the follies a pulp hack can perpetrate when dealing with material entirely beyond his limited capacities. Price, more accustomed to aiming his writing for the lofty pages of Spicy Mystery Stories, makes Carter alternately an implausible pulp action hero and the recipient of tedious schoolroom didacticism. With this unpromising material, Lovecraft—too gentlemanly either to turn down the job altogether or to depart very extensively from Price’s original conceptions—did the best he could, but the result is still unsatisfactory.

“The Shadow out of Time,” one of the last and perhaps the greatest of Lovecraft’s cosmic narratives, is a tissue of literary influences large and small; but by this time Lovecraft was well beyond writing simple pastiche, and this monumental novella remains thoroughly Lovecraftian from beginning to end. It is in reference to this work in particular that great care must be taken in ascertaining viable literary influences. Some scholars of science fiction have carelessly asserted that the tale is indebted either to H. G. Wells’s The Time Machine (1895) or to the work of Olaf Stapledon. Lovecraft did indeed read the Wells novel in 1924, remarking laconically in a postcard that it was “pretty good”;[20] but the similarities in the two works are of the most general sort, and no convincing case of literary influence can be made. As for Stapledon, Lovecraft read Last and First Men (1930) only in August 193 5,[21] months after completing “The Shadow out of Time.” In truth, the influences on the novella all affect merely surface details: the amnesia motif comes from Béraud’s Lazarus; the use of personality exchange comes from two works—Barry Pain’s An Exchange of Souls (1911) and H. B. Drake’s The Shadowy Thing (1925)—not to mention from Lovecraft’s own previous tale “The Thing on the Doorstep” (1933).

For in truth, “The Shadow out of Time” is a kind of exorcism of some of the most profound, poignant, and deep-seated emotions in Lovecraft’s temperament. In “Notes on Writing Weird Fiction” (1933) he stated bluntly: “The reason why time plays a great part in so many of my tales is that this element looms up in my mind as the most profoundly dramatic and grimly terrible thing in the universe. Conflict with time seems to me the most potent and fruitful theme in all human expression.”[22] As a little boy of four and a half, Lovecraft was simultaneously appalled and thrilled when he saw a newspaper with the dateline January 1, 1895:

To me the symbol 1894 had represented an eternity—the eternity of the present as distinguished from such things as 1066 or 1492 or 1642 or 1776—& the idea of personally outliving that eternity was absorbingly impressive to me, even though I had fully realised, in an abstract way, that I would do so . . . I shall never forget the sensation I derived from the idea of moving through time (if forward, why not backward?) which that ’95 date-line gave me.[23]

For the rest of his life Lovecraft attempted to re-create the sensation he had derived from that moment, and “The Shadow out of Time” is the pinnacle of those attempts.

Lovecraft had devised the kernel of the idea—“to have a modern man discover, among documents exhumed from some prehistoric buried city, a mouldering papyrus of parchment written in English, & in his own handwriting”[24]—as early as 1930. Another central conception—mind-exchange over time—had been conceived around 1932.[25] It is important to stress this point because the only other work that could have influenced this facet of the plot—not a novel or story, but the film Berkeley Square (1933)—dates to a year later. Lovecraft saw Berkeley Square, adapted from a play by John Balderston, in the fall of 1933. The film involved a modern man, Peter Standish, whose psyche temporarily inhabits the body of his eighteenth-century ancestor and namesake—a notion Lovecraft had himself used, after a fashion, in the unpublished The Case of Charles Dexter Ward (1927). Lovecraft, however, correctly detected several problems with the execution of the idea: (1) Where was the mind or personality of the eighteenth-century Peter Standish when the twentieth-century Peter Standish was occupying his body? (2) How could the eighteenth-century Peter’s diary, written in part while the twentieth-century Peter was occupying his body, not take cognizance of the fact? Lovecraft, well aware that such paradoxes frequently adhere to time-travel tales, solved them by envisioning an exact personality transfer between the possessing mind (in this case, an alien entity from millions of years in the past) and the captive mind, which is thrown back into the body of its possessor.

“The Shadow out of Time,” then, is in one sense Lovecraft’s attempt to execute properly an idea he felt had not been utilized to maximum effectiveness. In this he was not consciously seeking to surpass his predecessors, but the end result is that in many cases his tales do cast their influences into the shade. As Lovecraft’s literary career advanced and he began surpassing not only the cramped and formulaic conventions of the horror pulps but even the expansive bounds of previous weird fiction, he became less and less susceptible to the kind of idolatrous rapture that he experienced when reading Dunsany or Machen. One by one his great literary idols were reduced from demigods to flawed human beings; toward the end of his life Lovecraft, now himself the master of a distinctively cosmic brand of science-fictional horror, could deliver the following verdict: “What I miss in Machen, [M. R.] James, Dunsany, de la Mare, Shiel, and even Blackwood and Poe, is a sense of the cosmic. Dunsany—though he seldom adopts the darker and more serious approach—is the most cosmic of them all, but he gets only a little way.”[26] However inferior he may have felt to these literary titans, he may have sensed that in at least one particular he was their equal, or even their superior.

And yet, it is important to note that the influences affecting Lovecraft’s work came not only from the prodigal quantities of weird fiction that he read over a lifetime but from mainstream fiction, standard histories, philosophical works, newspaper and encyclopedia articles, and virtually any other printed documents that came to his hand. Who can forget his wry comment that “Facts Concerning the Late Arthur Jermyn and His Family” (1920) was triggered by his reading of Sherwood Anderson’s brashly modernist Winesburg, Ohio (1919), whose “tame backstairs gossip”[27] so fatigued him that he felt he could do much better on the theme of skeletons in closets? “Beyond the Wall of Sleep” (1919) was inspired by a newspaper article in the New York Tribune. Both “The Shunned House” (1924) and The Case of Charles Dexter Ward owe much to Lovecraft’s lifelong absorption of the history of his native Providence—this was the man, let us recall, who as a youth read the entire run of the Providence Gazette and Country-Journal (1762-1825) at the Providence Public Library, and who spent days in the genealogical reading room of the New York Public Library reading a dry historical treatise—Gertrude Selwyn Kimball’s Providence in Colonial Times (1912)—as a means of mentally dwelling in his hometown in the midst of an uncongenial megalopolis. Lovecraft put the Encyclopaedia Britannica to good use in such tales as “The Nameless City,” “The Horror at Red Hook” (1925), and “The Shadow out of Time.” It sometimes seems as if almost any document that passed in front of Lovecraft’s eyes became fodder for the weird fiction that emerged from his imagination.

Lovecraft was, of course, far from being a housebound book-worm, his own self-deprecatory remarks to the contrary notwithstanding. Every scrap of time he could spare from his immense correspondence and the thankless job of literary revision, every penny that did not go toward his criminally frugal meals, his no doubt extensive postal expenses, and other mundanities, was spent in travel up and down the eastern seaboard, from Quebec to Key West. Without the vital impressions gained from these tireless expeditions, the literary works that Lovecraft read would perhaps never have become transmogrified into his horror tales. It is because Lovecraft was both a man of the library and a man of the outdoors, a man who could be enraptured by a sunset as well as by a story, poem, or novel, that his writing retains its throbbing sense of reality even when treating the most outré events and scenarios. Much of the work of Lovecraft’s contemporaries and colleagues smells too much or too little of the study; Lovecraft himself seems to have struck just the right note, drawing upon the best that his predecessors in weird fiction had to offer but also invigorating the form by his own life experience and his own quest for imaginative liberation. Lovecraft’s achievement, accordingly, is the achievement of a writer who pays full tribute to his illustrious antecedents, but who does so by expanding upon their conceptions in such a way as to make them his own. And so, to answer that lugubrious query Lovecraft rhetorically put to himself, we can be confident that, for all his “Poe” stories and his “Dunsany” stories, every one of his stories is a Lovecraft story.

Suggestions for Further Reading

PRIMARY

Lovecraft’s tales, essays, poems, and letters have appeared in many editions, beginning with The Outsider and Others (1939). However, only certain recent editions can claim textual accuracy; other editions (including almost all current paperback editions in the United States and the United Kingdom) contain numerous textual and typographical errors. I first prepared corrected texts of Lovecraft’s fiction and “revisions” for publication in four volumes by Arkham House (Sauk City, WI): The Dunwich Horror and Others (1984); At the Mountains of Madness and Other Novels (1985); Dagon and Other Macabre Tales (1986); and The Horror in the Museum and Other Revisions (1989). Most of the contents of the first three volumes are now contained in the three Penguin editions I have edited, comprising this volume and its two predecessors, The Call of Cthulhu and Other Weird Stories (1999) and The Thing on the Doorstep and Other Weird Stories (2001). For other annotated editions, see The Annotated H. P. Lovecraft (Dell, 1997), More Annotated H. P. Lovecraft (Dell, 1999), and From the Pest Zone: The New York Stories (Hippocampus Press, 2003).

Lovecraft’s poetry has now been definitively gathered in my edition of The Ancient Track: Complete Poetical Works (Night Shade Books, 2001), superseding all previous editions.

Lovecraft’s Collected Essays, a five-volume annotated edition prepared under my editorship, is scheduled to begin publication from Hippocampus Press in 2004. A large selection of essays (not annotated, however) can be found in my edition of Miscellaneous Writings (Arkham House, 1995). David E. Schultz’s edition of Lovecraft’s Commonplace Book (Necronomicon Press, 1987; rev. ed. forthcoming from Hippocampus Press) is a model of scholarship.

The major edition of Lovecraft’s letters is Selected Letters (Arkham House, 1965-76; 5 vols.), edited by August Derleth, Donald Wandrei, and James Turner. This edition, however, is not annotated or indexed, contains numerous textual errors, and presents nearly all letters in various degrees of abridgment. More recent, annotated editions of letters, published by Necronomicon Press, include Letters to Henry Kuttner (1990); Letters to Richard F. Searight (1992); Letters to Robert Bloch (1993); and Letters to Samuel Loveman and Vincent Starrett (1994). Mysteries of Time and Spirit: Letters of H. P. Lovecraft and Donald Wandrei (Night Shade Books, 2002) represents the first occasion when both sides of a correspondence with Lovecraft have been published. A volume of Letters from New York is forthcoming from Night Shade Books in 2004. See also Lovecraft’s Letters to Alfred Galpin (Hippocampus Press, 2003). All these volumes have been edited by David E. Schultz and me; we have also prepared an edition of Lovecraft’s Lord of a Visible World: An Autobiography in Letters (Athens: Ohio University Press, 2000).

SECONDARY

Since about 1975, the literature on Lovecraft has been immense. Most biographical and critical work prior to that time is of little value, having been written largely by amateurs with little access to the full range of documentary evidence on Lovecraft (exceptions include the work of Fritz Leiber, Matthew H. Onderdonk, and George T. Wetzel). The following presents only a selection of the leading volumes on Lovecraft; see the notes for citations of additional articles.

A useful reference work containing an abundance of information on Lovecraft’s life, work, colleagues, and other subjects is An H. P. Lovecraft Encyclopedia by S. T. Joshi and David E. Schultz (Greenwood Press, 2001; reprinted, Hippocampus Press, 2004).

The standard bibliography is my H. P. Lovecraft and Lovecraft Criticism: An Annotated Bibliography (Kent, OH: Kent State University Press, 1981; reprinted, Wildside Press, 2003). A supplement, co-compiled by L. D. Blackmore and me and covering the years 1980-84, was issued by Necronomicon Press in 1985. The books in Lovecraft’s library have been tallied in my Lovecraft’s Library: A Catalogue (Necronomicon Press, 1980; rev. ed. Hippocampus Press, 2002).

My H. P. Lovecraft: A Life (Necronomicon Press, 1996) is the most exhaustive biographical treatment. Many of Lovecraft’s colleagues have written memoirs of varying value; these have now been collected by Peter Cannon in Lovecraft Remembered (Arkham House, 1998). Some further memoirs can be found in my slim collection Caverns Measureless to Man: 18 Memoirs of Lovecraft (Necronomicon Press, 1996).

A selection of the best of the earlier criticism on Lovecraft can be found in my anthology H. P. Lovecraft: Four Decades of Criticism (Ohio University Press, 1980). A substantial anthology of early and recent criticism is Discovering H. P. Lovecraft, edited by Darrell Schweitzer (Starmont House, 1987; rev. ed. Wildside Press, 2001). Other recent critical treatments, on a wide variety of topics, can be found in An Epicure in the Terrible: A Centennial Anthology of Essays in Honor of H. P. Lovecraft, edited by David E. Schultz and me (Rutherford, NJ: Fairleigh Dickinson University Press, 1991), and in A Century Less a Dream: Selected Criticism on H. P. Lovecraft, edited by Scott Connors (Wildside Press, 2002). Some of the better monographs and collections of essays on Lovecraft are as follows:

Timo Airaksinen, The Philosophy of H. P. Lovecraft: The Route to Horror (Peter Lang, 1999), chiefly concerned with Lovecraft’s use of language.

Donald R. Burleson, H. P. Lovecraft: A Critical Study (Greenwood Press, 1983), a sound general study.

Donald R. Burleson, Lovecraft: Disturbing the Universe (University Press of Kentucky, 1990), a challenging deconstructionist approach to Lovecraft.

Peter Cannon, H. P. Lovecraft (Twayne, 1989), another good general study.

S. T. Joshi, H. P. Lovecraft: The Decline of the West (Starmont House, 1990; rpt. Wildside Press, 2000), a study of Lovecraft’s philosophical thought.

S. T. Joshi, A Subtler Magick: The Writings and Philosophy of H. P. Lovecraft (Borgo Press, 1996; rpt. Wildside Press, 1999), a general study.

S. T. Joshi, A Dreamer and a Visionary: H. P. Lovecraft and His Time (Liverpool University Press, 2001), a radical condensation and reworking of H. P. Lovecraft: A Life.

Maurice Lévy, Lovecraft: A Study in the Fantastic, translated by S. T. Joshi (Wayne State University Press, 1988), a revision of a Ph.D. dissertation for the Sorbonne and perhaps still the finest critical study of Lovecraft.

Steven J. Mariconda, On the Emergence of “Cthulhu” and Other Observations (Necronomicon Press, 1996), a collection of Mariconda’s penetrating articles on Lovecraft.

Dirk W. Mosig, Mosig at Last: A Psychologist Looks at Lovecraft (Necronomicon Press, 1997), a collection of articles by a pioneering scholar in Lovecraft studies.

Robert M. Price, H. P. Lovecraft and the Cthulhu Mythos (Starmont House, 1990), a collection of articles on the “Cthulhu Mythos” as developed by Lovecraft and other writers.

Barton L. St. Armand, The Roots of Horror in the Fiction of H. P. Lovecraft (Dragon Press, 1997), a penetrating study of “The Rats in the Walls.”

Barton L. St. Armand, H. P. Lovecraft: New England Decadent (Silver Scarab Press, 1979), an analysis of the melding of Puritanism and Decadence in Lovecraft’s thought and work.

Lovecraft Studies (Necronomicon Press) is the leading forum for scholarly treatments of Lovecraft. Past and current issues can be consulted at the Necronomicon Press Web site (www.necropress.com).

A Note on the Texts

Although the texts in this edition are similar to those found in my Arkham House editions of Lovecraft’s tales (1984-86), they have been recollated from manuscripts and early printed sources, with the result that several additional errors have now been corrected. In particular, the text of “Hypnos” is derived from a newly discovered typescript (in private hands), and the text of “The Shadow out of Time” is derived from Lovecraft’s recently unearthed autograph manuscript.

POLARIS

Into the north window of my chamber glows the Pole Star with uncanny light. All through the long hellish hours of blackness it shines there. And in the autumn of the year, when the winds from the north curse and whine, and the red-leaved trees of the swamp mutter things to one another in the small hours of the morning under the horned waning moon, I sit by the casement and watch that star. Down from the heights reels the glittering Cassiopeia as the hours wear on, while Charles’ Wain[1] lumbers up from behind the vapour-soaked swamp trees that sway in the night-wind. Just before dawn Arcturus winks ruddily from above the cemetery on the low hillock, and Coma Berenices[2] shimmers weirdly afar off in the mysterious east; but still the Pole Star leers down from the same place in the black vault, winking hideously like an insane watching eye which strives to convey some strange message, yet recalls nothing save that it once had a message to convey. Sometimes, when it is cloudy, I can sleep.

Well do I remember the night of the great Aurora, when over the swamp played the shocking coruscations of the deamon-light. After the beams came clouds, and then I slept.

And it was under a horned waning moon that I saw the city for the first time. Still and somnolent did it lie, on a strange plateau in a hollow betwixt strange peaks. Of ghastly marble were its walls and its towers, its columns, domes, and pavements. In the marble streets were marble pillars, the upper parts of which were carven into the images of grave bearded men. The air was warm and stirred not. And overhead, scarce ten degrees from the zenith, glowed that watching Pole Star. Long did I gaze on the city, but the day came not. When the red Aldebaran,[3] which blinked low in the sky but never set, had crawled a quarter of the way around the horizon, I saw light and motion in the houses and the streets. Forms strangely robed, but at once noble and familiar, walked abroad, and under the horned waning moon men talked wisdom in a tongue which I understood, though it was unlike any language I had ever known. And when the red Aldebaran had crawled more than half way around the horizon, there were again darkness and silence.

When I awaked, I was not as I had been. Upon my memory was graven the vision of the city, and within my soul had arisen another and vaguer recollection, of whose nature I was not then certain. Thereafter, on the cloudy nights when I could sleep, I saw the city often; sometimes under that horned waning moon, and sometimes under the hot yellow rays of a sun which did not set, but which wheeled low around the horizon. And on the clear nights the Pole Star leered as never before.

Gradually I came to wonder what might be my place in that city on the strange plateau betwixt strange peaks. At first content to view the scene as an all-observant uncorporeal presence, I now desired to define my relation to it, and to speak my mind amongst the grave men who conversed each day in the public squares. I said to myself, “This is no dream, for by what means can I prove the greater reality of that other life in the house of stone and brick south of the sinister swamp and the cemetery on the low hillock, where the Pole Star peers into my north window each night?”[4]

One night as I listened to the discourse in the large square containing many statues, I felt a change; and perceived that I had at last a bodily form. Nor was I a stranger in the streets of Olathoë,[5] which lies on the plateau of Sarkis, betwixt the peaks Noton and Kadiphonek. It was my friend Alos who spoke, and his speech was one that pleased my soul, for it was the speech of a true man and patriot. That night had the news come of Daikos’ fall, and of the advance of the Inutos; squat, hellish, yellow fiends who five years ago had appeared out of the unknown west to ravage the confines of our kingdom, and finally to besiege our towns. Having taken the fortified places at the foot of the mountains, their way now lay open to the plateau, unless every citizen could resist with the strength of ten men. For the squat creatures were mighty in the arts of war, and knew not the scruples of honour which held back our tall, grey-eyed men of Lomar from ruthless conquest.

Alos, my friend, was commander of all the forces on the plateau, and in him lay the last hope of our country. On this occasion he spoke of the perils to be faced, and exhorted the men of Olathoë, bravest of the Lomarians, to sustain the traditions of their ancestors, who when forced to move southward from Zobna before the advance of the great ice-sheet (even as our descendants must some day flee from the land of Lomar), valiantly and victoriously swept aside the hairy, long-armed, cannibal Gnophkehs[6] that stood in their way. To me Alos denied a warrior’s part, for I was feeble and given to strange faintings when subjected to stress and hardships. But my eyes were the keenest in the city, despite the long hours I gave each day to the study of the Pnakotic manuscripts[7] and the wisdom of the Zobnarian Fathers; so my friend, desiring not to doom me to inaction, rewarded me with that duty which was second to nothing in importance. To the watch-tower of Thapnen he sent me, there to serve as the eyes of our army. Should the Inutos attempt to gain the citadel by the narrow pass behind the peak Noton, and thereby surprise the garrison, I was to give the signal of fire which would warn the waiting soldiers and save the town from immediate disaster.

Alone I mounted the tower, for every man of stout body was needed in the passes below. My brain was sore dazed with excitement and fatigue, for I had not slept in many days; yet was my purpose firm, for I loved my native land of Lomar, and the marble city of Olathoë that lies betwixt the peaks of Noton and Kadiphonek.

But as I stood in the tower’s topmost chamber, I beheld the horned waning moon, red and sinister, quivering through the vapours that hovered over the distant valley of Banof. And through an opening in the roof glittered the pale Pole Star, fluttering as if alive, and leering like a fiend and tempter. Methought its spirit whispered evil counsel, soothing me to traitorous somnolence with a damnable rhythmical promise which it repeated over and over:

“Slumber, watcher, till the spheres
Six and twenty thousand years
Have revolv’d, and I return
To the spot where now I burn.
Other stars anon shall rise
To the axis of the skies;
Stars that soothe and stars that bless
With a sweet forgetfulness:
Only when my round is o’er
Shall the past disturb thy door.”

Vainly did I struggle with my drowsiness, seeking to connect these strange words with some lore of the skies which I had learnt from the Pnakotic manuscripts. My head, heavy and reeling, drooped to my breast, and when next I looked up it was in a dream; with the Pole Star grinning at me through a window from over the horrible swaying trees of a dream-swamp. And I am still dreaming.

In my shame and despair I sometimes scream frantically, begging the dream-creatures around me to waken me ere the Inutos steal up the pass behind the peak Noton and take the citadel by surprise; but these creatures are daemons, for they laugh at me and tell me I am not dreaming. They mock me whilst I sleep, and whilst the squat yellow foe may be creeping silently upon us. I have failed in my duty and betrayed the marble city of Olathoë; I have proved false to Alos, my friend and commander. But still these shadows of my dream deride me. They say there is no land of Lomar, save in my nocturnal imaginings; that in those realms where the Pole Star shines high and red Aldebaran crawls low around the horizon, there has been naught save ice and snow for thousands of years, and never a man save squat yellow creatures, blighted by the cold, whom they call “Esquimaux”.[8]

And as I writhe in my guilty agony, frantic to save the city whose peril every moment grows, and vainly striving to shake off this unnatural dream of a house of stone and brick south of a sinister swamp and a cemetery on a low hillock; the Pole Star, evil and monstrous, leers down from the black vault, winking hideously like an insane watching eye which strives to convey some strange message, yet recalls nothing save that it once had a message to convey.

THE DOOM THAT CAME TO SARNATH

There is in the land of Mnar[1] a vast still lake that is fed by no stream and out of which no stream flows. Ten thousand years ago there stood by its shore the mighty city of Sarnath, but Sarnath stands there no more.

It is told that in the immemorial years when the world was young, before ever the men of Sarnath came to the land of Mnar, another city stood beside the lake; the grey stone city of Ib, which was old as the lake itself, and peopled with beings not pleasing to behold. Very odd and ugly were these beings, as indeed are most beings of a world yet inchoate and rudely fashioned. It is written on the brick cylinders of Kadatheron[2] that the beings of Ib were in hue as green as the lake and the mists that rise above it; that they had bulging eyes, pouting, flabby lips, and curious ears, and were without voice. It is also written that they descended one night from the moon in a mist; they and the vast still lake and grey stone city Ib. However this may be, it is certain that they worshipped a sea-green stone idol chiselled in the likeness of Bokrug, the great water-lizard; before which they danced horribly when the moon was gibbous. And it is written in the papyrus of Ilarnek, that they one day discovered fire, and thereafter kindled flames on many ceremonial occasions. But not much is written of these beings, because they lived in very ancient times, and man is young, and knows but little of the very ancient living things.

After many aeons men came to the land of Mnar; dark shepherd folk with their fleecy flocks, who built Thraa, Ilarnek, and Kadatheron on the winding river Ai. And certain tribes, more hardy than the rest, pushed on to the border of the lake and built Sarnath at a spot where precious metals were found in the earth.

Not far from the grey city of Ib did the wandering tribes lay the first stones of Sarnath, and at the beings of Ib they marvelled greatly. But with their marvelling was mixed hate, for they thought it not meet that beings of such aspect should walk about the world of men at dusk. Nor did they like the strange sculptures upon the grey monoliths of Ib, for those sculptures were terrible with great antiquity. Why the beings and the sculptures lingered so late in the world, even until the coming of men, none can tell; unless it was because the land of Mnar is very still, and remote from most other lands both of waking and of dream.

As the men of Sarnath beheld more of the beings of Ib their hate grew, and it was not less because they found the beings weak, and soft as jelly to the touch of stones and spears and arrows. So one day the young warriors, the slingers and the spearmen and the bowmen, marched against Ib and slew all the inhabitants thereof, pushing the queer bodies into the lake with long spears, because they did not wish to touch them. And because they did not like the grey sculptured monoliths of Ib they cast these also into the lake; wondering from the greatness of the labour how ever the stones were brought from afar, as they must have been, since there is naught like them in all the land of Mnar or in the lands adjacent.

Thus of the very ancient city of Ib was nothing spared save the sea-green stone idol chiselled in the likeness of Bokrug, the water-lizard. This the young warriors took back with them to Sarnath as a symbol of conquest over the old gods and beings of Ib, and a sign of leadership in Mnar. But on the night after it was set up in the temple a terrible thing must have happened, for weird lights were seen over the lake, and in the morning the people found the idol gone, and the high-priest Taran-Ish lying dead, as from some fear unspeakable. And before he died, Taran-Ish had scrawled upon the altar of chrysolite with coarse shaky strokes the sign of DOOM.

After Taran-Ish there were many high-priests in Sarnath, but never was the sea-green stone idol found. And many centuries came and went, wherein Sarnath prospered exceedingly, so that only priests and old women remembered what Taran-Ish had scrawled upon the altar of chrysolite. Betwixt Sarnath and city of Ilarnek arose a caravan route, and the precious metals from the earth were exchanged for other metals and rare cloths and jewels and books and tools for artificers and all things of luxury that are known to the people who dwell along the winding river Ai and beyond. So Sarnath waxed mighty and learned and beautiful, and sent forth conquering armies to subdue the neighbouring cities; and in time there sate upon a throne in Sarnath the kings of all the land of Mnar and of many lands adjacent.

The wonder of the world and the pride of all mankind was Sarnath the magnificent. Of polished desert-quarried marble were its walls, in height 300 cubits and breadth 75, so that chariots might pass each other as men drave them along the top. For full 500 stadia did they run, being open only on the side toward the lake; where a green stone sea-wall kept back the waves that rose oddly once a year at the festival of the destroying of Ib. In Sarnath were fifty streets from the lake to the gates of the caravans, and fifty more intersecting them. With onyx were they paved, save those whereon the horses and camels and elephants trod, which were paved with granite. And the gates of Sarnath were as many as the landward ends of the streets, each of bronze, and flanked by the figures of lions and elephants carven from some stone no longer known among men. The houses of Sarnath were of glazed brick and chalcedony, each having its walled garden and crystal lakelet. With strange art were they builded, for no other city had houses like them; and travellers from Thraa and Ilarnek and Kadatheron marvelled at the shining domes wherewith they were surmounted.

But more marvellous still were the palaces and the temples, and the gardens made by Zokkar the olden king. There were many palaces, the least of which were mightier than any in Thraa or Ilarnek or Kadatheron. So high were they that one within might sometimes fancy himself beneath only the sky; yet when lighted with torches dipt in the oil of Dothur their walls shewed vast paintings of kings and armies, of splendour at once inspiring and stupefying to the beholder. Many were the pillars of the palaces, all of tinted marble, and carven into designs of surpassing beauty. And in most of the palaces the floors were mosaics of beryl and lapis-lazuli and sardonyx and carbuncle and other choice materials, so disposed that the beholder might fancy himself walking over beds of the rarest flowers. And there were likewise fountains, which cast scented waters about in pleasing jets arranged with cunning art. Outshining all others was the palace of the kings of Mnar and of the lands adjacent. On a pair of golden crouching lions rested the throne, many steps above the gleaming floor. And it was wrought of one piece of ivory, though no man lives who knows whence so vast a piece could have come.[3] In that palace there were also many galleries, and many amphitheatres where lions and men and elephants battled at the pleasure of the kings. Sometimes the amphitheatres were flooded with water conveyed from the lake in mighty aqueducts, and then were enacted stirring sea-fights, or combats betwixt swimmers and deadly marine things.

Lofty and amazing were the seventeen tower-like temples of Sarnath, fashioned of a bright multi-coloured stone not known elsewhere. A full thousand cubits high stood the greatest among them, wherein the high-priests dwelt with a magnificence scarce less than that of the kings. On the ground were halls as vast and splendid as those of the palaces; where gathered throngs in worship of Zo-Kalar and Tamash and Lobon, the chief gods of Sarnath, whose incense-enveloped shrines were as the thrones of monarchs. Not like the eikons of other gods were those of Zo-Kalar and Tamash and Lobon, for so close to life were they that one might swear the graceful bearded gods themselves sate on the ivory thrones.[4] And up unending steps of shining zircon was the tower-chamber, wherefrom the high-priests looked out over the city and the plains and the lake by day; and at the cryptic moon and significant stars and planets, and their reflections in the lake, by night. Here was done the very secret and ancient rite in detestation of Bokrug, the water-lizard, and here rested the altar of chrysolite which bore the DOOM-scrawl of Taran-Ish.

Wonderful likewise were the gardens made by Zokkar the olden king. In the centre of Sarnath they lay, covering a great space and encircled by a high wall. And they were surmounted by a mighty dome of glass, through which shone the sun and moon and stars and planets when it was clear, and from which were hung fulgent images of the sun and moon and stars and planets when it was not clear. In summer the gardens were cooled with fresh odorous breezes skilfully wafted by fans, and in winter they were heated with concealed fires, so that in those gardens it was always spring. There ran little streams over bright pebbles, dividing meads of green and gardens of many hues, and spanned by a multitude of bridges. Many were the waterfalls in their courses, and many were the lilied lakelets into which they expanded. Over the streams and lakelets rode white swans, whilst the music of rare birds chimed in with the melody of the waters. In ordered terraces rose the green banks, adorned here and there with bowers of vines and sweet blossoms, and seats and benches of marble and porphyry. And there were many small shrines and temples where one might rest or pray to small gods.

Each year there was celebrated in Sarnath the feast of the destroying of Ib, at which time wine, song, dancing, and merriment of every kind abounded. Great honours were then paid to the shades of those who had annihilated the odd ancient beings, and the memory of those beings and of their elder gods was derided by dancers and lutanists crowned with roses from the gardens of Zokkar. And the kings would look out over the lake and curse the bones of the dead that lay beneath it. At first the high-priests liked not these festivals, for there had descended amongst them queer tales of how the sea-green eikon had vanished, and how Taran-Ish had died from fear and left a warning. And they said that from their high tower they sometimes saw lights beneath the waters of the lake. But as many years passed without calamity even the priests laughed and cursed and joined in the orgies of the feasters. Indeed, had they not themselves, in their high tower, often performed the very ancient and secret rite in detestation of Bokrug, the water-lizard? And a thousand years of riches and delight passed over Sarnath, wonder of the world and pride of all mankind.

Gorgeous beyond thought was the feast of the thousandth year of the destroying of Ib. For a decade had it been talked of in the land of Mnar, and as it drew nigh there came to Sarnath on horses and camels and elephants men from Thraa, Ilarnek, and Kadatheron, and all the cities of Mnar and the lands beyond. Before the marble walls on the appointed night were pitched the pavilions of princes and the tents of travellers, and all the shore resounded with the songs of happy revellers. Within his banquet-hall reclined Nargis-Hei, the king, drunken with ancient wine from the vaults of conquered Pnath,[5] and surrounded by feasting nobles and hurrying slaves. There were eaten many strange delicacies at that feast; peacocks from the isles of Nariel in the Middle Ocean, young goats from the distant hills of Implan, heels of camels from the Bnazic desert,[6] nuts and spices from Cydathrian groves, and pearls from wave-washed Mtal dissolved in the vinegar of Thraa. Of sauces there were an untold number, prepared by the subtlest cooks in all Mnar, and suited to the palate of every feaster. But most prized of all the viands were the great fishes from the lake, each of vast size, and served up on golden platters set with rubies and diamonds.

Whilst the king and his nobles feasted within the palace, and viewed the crowning dish as it awaited them on golden platters, others feasted elsewhere. In the tower of the great temple the priests held revels, and in pavilions without the walls the princes of neighbouring lands made merry. And it was the high-priest Gnai-Kah who first saw the shadows that descended from the gibbous moon into the lake, and the damnable green mists that arose from the lake to meet the moon and to shroud in a sinister haze the towers and the domes of fated Sarnath. Thereafter those in the towers and without the walls beheld strange lights on the water, and saw that the grey rock Akurion, which was wont to rear high above it near the shore, was almost submerged. And fear grew vaguely yet swiftly, so that the princes of Ilarnek and of far Rokol took down and folded their tents and pavilions and departed for the river Ai, though they scarce knew the reason for their departing.

Then, close to the hour of midnight, all the bronze gates of Sarnath burst open and emptied forth a frenzied throng that blackened the plain, so that all the visiting princes and travellers fled away in fright. For on the faces of this throng was writ a madness born of horror unendurable, and on their tongues were words so terrible that no hearer paused for proof. Men whose eyes were wild with fear shrieked aloud of the sight within the king’s banquet-hall, where through the windows were seen no longer the forms of Nargis-Hei and his nobles and slaves, but a horde of indescribably green voiceless things with bulging eyes, pouting, flabby lips, and curious ears; things which danced horribly, bearing in their paws golden platters set with rubies and diamonds containing uncouth flames. And the princes and travellers, as they fled from the doomed city of Sarnath on horses and camels and elephants, looked again upon the mist-begetting lake and saw the grey rock Akurion was quite submerged.

Through all the land of Mnar and the lands adjacent spread the tales of those who had fled from Sarnath, and caravans sought that accursed city and its precious metals no more. It was long ere any traveller went thither, and even then only the brave and adventurous young men of distant Falona dared make the journey; adventurous young men of yellow hair and blue eyes, who are no kin to the men of Mnar. These men indeed went to the lake to view Sarnath; but though they found the vast still lake itself, and the grey rock Akurion which rears high above it near the shore, they beheld not the wonder of the world and pride of all mankind. Where once had risen walls of 300 cubits and towers yet higher, now stretched only the marshy shore, and where once had dwelt fifty millions of men now crawled only the detestable green water-lizard. Not even the mines of precious metal remained, for DOOM had come to Sarnath.

But half buried in the rushes was spied a curious green idol of stone; an exceedingly ancient idol coated with seaweed and chiselled in the likeness of Bokrug, the great water-lizard. That idol, enshrined in the high temple at Ilarnek, was subsequently worshipped beneath the gibbous moon throughout the land of Mnar.

THE TERRIBLE OLD MAN

It was the design of Angelo Ricci and Joe Czanek and Manuel Silva to call on the Terrible Old Man. This old man dwells all alone in a very ancient house on Water Street near the sea, and is reputed to be both exceedingly rich and exceedingly feeble; which forms a situation very attractive to men of the profession of Messrs. Ricci, Czanek, and Silva, for that profession was nothing less dignified than robbery.

The inhabitants of Kingsport say and think many things about the Terrible Old Man which generally keep him safe from the attention of gentlemen like Mr. Ricci and his colleagues, despite the almost certain fact that he hides a fortune of indefinite magnitude somewhere about his musty and venerable abode. He is, in truth, a very strange person, believed to have been a captain of East India clipper ships in his day; so old that no one can remember when he was young, and so taciturn that few know his real name. Among the gnarled trees in the front yard of his aged and neglected place he maintains a strange collection of large stones, oddly grouped and painted so that they resemble the idols in some obscure Eastern temple. This collection frightens away most of the small boys who love to taunt the Terrible Old Man about his long white hair and beard, or to break the small-paned windows of his dwelling with wicked missiles; but there are other things which frighten the older and more curious folk who sometimes steal up to the house to peer in through the dusty panes. These folk say that on a table in a bare room on the ground floor are many peculiar bottles, in each a small piece of lead suspended pendulum-wise from a string. And they say that the Terrible Old Man talks to these bottles, addressing them by such names as Jack, Scar-Face, Long Tom, Spanish Joe, Peters, and Mate Ellis, and that whenever he speaks to a bottle the little lead pendulum within makes certain definite vibrations as if in answer. Those who have watched the tall, lean, Terrible Old Man in these peculiar conversations, do not watch him again. But Angelo Ricci and Joe Czanek and Manuel Silva were not of Kingsport blood; they were of that new and heterogeneous alien stock which lies outside the charmed circle of New England life and traditions, and they saw in the Terrible Old Man merely a tottering, almost helpless greybeard, who could not walk without the aid of his knotted cane, and whose thin, weak hands shook pitifully. They were really quite sorry in their way for the lonely, unpopular old fellow, whom everybody shunned, and at whom all the dogs barked singularly. But business is business, and to a robber whose soul is in his profession, there is a lure and a challenge about a very old and very feeble man who had no account at the bank, and who pays for his few necessities at the village store with Spanish gold and silver minted two centuries ago.

Messrs. Ricci, Czanek, and Silva selected the night of April 11th for their call. Mr. Ricci and Mr. Silva were to interview the poor old gentleman, whilst Mr. Czanek waited for them and their presumable metallic burden with a covered motor-car in Ship Street, by the gate in the tall rear wall of their host’s grounds. Desire to avoid needless explanations in case of unexpected police intrusions prompted these plans for a quiet and unostentatious departure.

As prearranged, the three adventurers started out separately in order to prevent any evil-minded suspicions afterward. Messrs. Ricci and Silva met in Water Street by the old man’s front gate, and although they did not like the way the moon shone down upon the painted stones through the budding branches of the gnarled trees, they had more important things to think about than mere idle superstition. They feared it might be unpleasant work making the Terrible Old Man loquacious concerning his hoarded gold and silver, for aged sea-captains are notably stubborn and perverse. Still, he was very old and very feeble, and there were two visitors. Messrs. Ricci and Silva were experienced in the art of making unwilling persons voluble, and the screams of a weak and exceptionally venerable man can be easily muffled. So they moved up to the one lighted window and heard the Terrible Old Man talking childishly to his bottles with pendulums. Then they donned masks and knocked politely at the weather-stained oaken door.

Waiting seemed very long to Mr. Czanek as he fidgeted restlessly in the covered motor-car by the Terrible Old Man’s back gate in Ship Street. He was more than ordinarily tender-hearted, and he did not like the hideous screams he had heard in the ancient house just after the hour appointed for the deed. Had he not told his colleagues to be as gentle as possible with the pathetic old sea-captain? Very nervously he watched that narrow oaken gate in the high and ivy-clad stone wall. Frequently he consulted his watch, and wondered at the delay. Had the old man died before revealing where his treasure was hidden, and had a thorough search become necessary? Mr. Czanek did not like to wait so long in the dark in such a place. Then he sensed a soft tread or tapping on the walk inside the gate, heard a gentle fumbling at the rusty latch, and saw the narrow, heavy door swing inward. And in the pallid glow of the single dim street-lamp he strained his eyes to see what his colleagues had brought out of that sinister house which loomed so close behind. But when he looked, he did not see what he had expected; for his colleagues were not there at all, but only the Terrible Old Man leaning quietly on his knotted cane and smiling hideously. Mr. Czanek had never before noticed the colour of that man’s eyes; now he saw that they were yellow.

Little things make considerable excitement in little towns, which is the reason that Kingsport people talked all that spring and summer about the three unidentifiable bodies, horribly slashed as with many cutlasses, and horribly mangled as by the tread of many cruel boot-heels, which the tide washed in. And some people even spoke of things as trivial as the deserted motor-car found in Ship Street, or certain especially inhuman cries, probably of a stray animal or migratory bird, heard in the night by wakeful citizens. But in this idle village gossip the Terrible Old Man took no interest at all. He was by nature reserved, and when one is aged and feeble one’s reserve is doubly strong. Besides, so ancient a sea-captain must have witnessed scores of things much more stirring in the far-off days of his unremembered youth.

THE TREE

“Fata viam invenient.”[1]

On a verdant slope of Mount Maenalus, in Arcadia,[2] there stands an olive grove about the ruins of a villa. Close by is a tomb, once beautiful with the sublimest sculptures, but now fallen into as great decay as the house. At one end of that tomb, its curious roots displacing the time-stained blocks of Pentelic marble,[3] grows an unnaturally large olive tree of oddly repellent shape; so like to some grotesque man, or death-distorted body of a man, that the country folk fear to pass it at night when the moon shines faintly through the crooked boughs. Mount Maenalus is a chosen haunt of dreaded Pan,[4] whose queer companions are many, and simple swains believe that the tree must have some hideous kinship to these weird Panisci; but an old bee-keeper who lives in the neighbouring cottage told me a different story.

Many years ago, when the hillside villa was new and resplendent, there dwelt within it the two sculptors Kalos and Musides.[5] From Lydia to Neapolis[6] the beauty of their work was praised, and none dared say that the one excelled the other in skill. The Hermes of Kalos stood in a marble shrine in Corinth, and the Pallas of Musides surmounted a pillar in Athens, near the Parthenon. All men paid homage to Kalos and Musides, and marvelled that no shadow of artistic jealousy cooled the warmth of their brotherly friendship.

But though Kalos and Musides dwelt in unbroken harmony, their natures were not alike. Whilst Musides revelled by night amidst the urban gaieties of Tegea, Kalos would remain at home; stealing away from the sight of his slaves into the cool recesses of the olive grove. There he would meditate upon the visions that filled his mind, and there devise the forms of beauty which later became immortal in breathing marble. Idle folk, indeed, said that Kalos conversed with the spirits of the grove, and that his statues were but images of the fauns and dryads he met there—for he patterned his work after no living model.

So famous were Kalos and Musides, that none wondered when the Tyrant of Syracuse[7] sent to them deputies to speak of the costly statue of Tyché[8] which he had planned for his city. Of great size and cunning workmanship must the statue be, for it was to form a wonder of nations and a goal of travellers. Exalted beyond thought would be he whose work should gain acceptance, and for this honour Kalos and Musides were invited to compete. Their brotherly love was well known, and the crafty Tyrant surmised that each, instead of concealing his work from the other, would offer aid and advice; this charity producing two images of unheard-of beauty, the lovelier of which would eclipse even the dreams of poets.

With joy the sculptors hailed the Tyrant’s offer, so that in the days that followed their slaves heard the ceaseless blows of chisels. Not from each other did Kalos and Musides conceal their work, but the sight was for them alone. Saving theirs, no eyes beheld the two divine figures released by skilful blows from the rough blocks that had imprisoned them since the world began.

At night, as of yore, Musides sought the banquet halls of Tegea whilst Kalos wandered alone in the olive grove. But as time passed, men observed a want of gaiety in the once sparkling Musides. It was strange, they said amongst themselves, that depression should thus seize one with so great a chance to win art’s loftiest reward. Many months passed, yet in the sour face of Musides came nothing of the sharp expectancy which the situation should arouse.

Then one day Musides spoke of the illness of Kalos, after which none marvelled again at his sadness, since the sculptors’ attachment was known to be deep and sacred. Subsequently many went to visit Kalos, and indeed noticed the pallor of his face; but there was about him a happy serenity which made his glance more magical than the glance of Musides—who was clearly distracted with anxiety, and who pushed aside all the slaves in his eagerness to feed and wait upon his friend with his own hands. Hidden behind heavy curtains stood the two unfinished figures of Tyché, little touched of late by the sick man and his faithful attendant.

As Kalos grew inexplicably weaker and weaker despite the ministrations of puzzled physicians and of his assiduous friend, he desired to be carried often to the grove which he so loved. There he would ask to be left alone, as if wishing to speak with unseen things. Musides ever granted his requests, though his eyes filled with visible tears at the thought that Kalos should care more for the fauns and the dryads than for him. At last the end drew near, and Kalos discoursed of things beyond this life. Musides, weeping, promised him a sepulchre more lovely than the tomb of Mausolus;[9] but Kalos bade him speak no more of marble glories. Only one wish now haunted the mind of the dying man; that twigs from certain olive trees in the grove be buried by his resting-place—close to his head. And one night, sitting alone in the darkness of the olive grove, Kalos died.

Beautiful beyond words was the marble sepulchre which stricken Musides carved for his beloved friend. None but Kalos himself could have fashioned such bas-reliefs, wherein were displayed all the splendours of Elysium. Nor did Musides fail to bury close to Kalos’ head the olive twigs from the grove.

As the first violence of Musides’ grief gave place to resignation, he laboured with diligence upon his figure of Tyché. All honour was now his, since the Tyrant of Syracuse would have the work of none save him or Kalos. His task proved a vent for his emotion, and he toiled more steadily each day, shunning the gaieties he once had relished. Meanwhile his evenings were spent beside the tomb of his friend, where a young olive tree had sprung up near the sleeper’s head. So swift was the growth of this tree, and so strange was its form, that all who beheld it exclaimed in surprise; and Musides seemed at once fascinated and repelled.

Three years after the death of Kalos, Musides despatched a messenger to the Tyrant, and it was whispered in the agora at Tegea that the mighty statue was finished. By this time the tree by the tomb had attained amazing proportions, exceeding all other trees of its kind, and sending out a singularly heavy branch above the apartment in which Musides laboured. As many visitors came to view the prodigious tree, as to admire the art of the sculptor, so that Musides was seldom alone. But he did not mind his multitude of guests; indeed, he seemed to dread being alone now that his absorbing work was done. The bleak mountain wind, sighing through the olive grove and the tomb-tree, had an uncanny way of forming vaguely articulate sounds.

The sky was dark on the evening that the Tyrant’s emissaries came to Tegea. It was definitely known that they had come to bear away the great image of Tyché and bring eternal honour to Musides, so their reception by the proxenoi[10] was of great warmth. As the night wore on, a violent storm of wind broke over the crest of Maenalus, and the men from far Syracuse were glad that they rested snugly in the town. They talked of their illustrious Tyrant, and of the splendour of his capital; and exulted in the glory of the statue which Musides had wrought for him. And then the men of Tegea spoke of the goodness of Musides, and of his heavy grief for his friend; and how not even the coming laurels of art could console him in the absence of Kalos, who might have worn those laurels instead. Of the tree which grew by the tomb, near the head of Kalos, they also spoke. The wind shrieked more horribly, and both the Syracusans and the Arcadians prayed to Aiolos.[11]

In the sunshine of the morning the proxenoi led the Tyrant’s messengers up the slope to the abode of the sculptor, but the night-wind had done strange things. Slaves’ cries ascended from a scene of desolation, and no more amidst the olive grove rose the gleaming colonnades of that vast hall wherein Musides had dreamed and toiled. Lone and shaken mourned the humble courts and the lower walls, for upon the sumptuous greater peristyle had fallen squarely the heavy overhanging bough of the strange new tree, reducing the stately poem in marble with odd completeness to a mound of unsightly ruins. Strangers and Tegeans stood aghast, looking from the wreckage to the great, sinister tree whose aspect was so weirdly human and whose roots reached so queerly into the sculptured sepulchre of Kalos. And their fear and dismay increased when they searched the fallen apartment; for of the gentle Musides, and of the marvellously fashioned image of Tyché, no trace could be discovered. Amidst such stupendous ruin only chaos dwelt, and the representative of two cities left disappointed; Syracusans that they had no statue to bear home, Tegeans that they had no artist to crown. However, the Syracusans obtained after a while a very splendid statue in Athens, and the Tegeans consoled themselves by erecting in the agora a marble temple commemorating the gifts, virtues, and brotherly piety of Musides.

But the olive grove still stands, as does the tree growing out of the tomb of Kalos, and the old bee-keeper told me that sometimes the boughs whisper to one another in the night-wind, saying over and over again, “Oδα! Oδα!—I know! I know!”

THE CATS OF ULTHAR

It is said that in Ulthar,[1] which lies beyond the river Skai, no man may kill a cat; and this I can verily believe as I gaze upon him who sitteth purring before the fire. For the cat is cryptic, and close to strange things which men cannot see. He is the soul of antique Aegyptus, and bearer of tales from forgotten cities in Meroë and Ophir.[2] He is the kin of the jungle’s lords, and heir to the secrets of hoary and sinister Africa. The Sphinx is his cousin, and he speaks her language; but he is more ancient than the Sphinx, and remembers that which she hath forgotten.[3]

In Ulthar, before ever the burgesses forbade the killing of cats, there dwelt an old cotter and his wife who delighted to trap and slay the cats of their neighbours. Why they did this I know not; save that many hate the voice of the cat in the night, and take it ill that cats should run stealthily about yards and gardens at twilight. But whatever the reason, this old man and woman took pleasure in trapping and slaying every cat which came near to their hovel; and from some of the sounds heard after dark, many villagers fancied that the manner of slaying was exceedingly peculiar. But the villagers did not discuss such things with the old man and his wife; because of the habitual expression on the withered faces of the two, and because their cottage was so small and so darkly hidden under spreading oaks at the back of a neglected yard. In truth, much as the owners of cats hated these odd folk, they feared them more; and instead of berating them as brutal assassins, merely took care that no cherished pet or mouser should stray toward the remote hovel under the dark trees. When through some unavoidable oversight a cat was missed, and sounds heard after dark, the loser would lament impotently; or console himself by thanking Fate that it was not one of his children who had thus vanished. For the people of Ulthar were simple, and knew not whence it is all cats first came.

One day a caravan of strange wanderers from the South entered the narrow cobbled streets of Ulthar.[4] Dark wanderers they were, and unlike the other roving folk who passed through the village twice every year. In the market-place they told fortunes for silver, and bought gay beads from the merchants. What was the land of these wanderers none could tell; but it was seen that they were given to strange prayers, and that they had painted on the sides of their wagons strange figures with human bodies and the heads of cats, hawks, rams, and lions. And the leader of the caravan wore a head-dress with two horns and a curious disc betwixt the horns.

There was in this singular caravan a little boy with no father or mother, but only a tiny black kitten to cherish. The plague had not been kind to him, yet had left him this small furry thing to mitigate his sorrow; and when one is very young, one can find great relief in the lively antics of a black kitten.[5] So the boy whom the dark people called Menes[6] smiled more often than he wept as he sate playing with his graceful kitten on the steps of an oddly painted wagon.

On the third morning of the wanderers’ stay in Ulthar, Menes could not find his kitten; and as he sobbed aloud in the market-place certain villagers told him of the old man and his wife, and of sounds heard in the night. And when he heard these things his sobbing gave place to meditation, and finally to prayer. He stretched out his arms toward the sun and prayed in a tongue no villager could understand; though indeed the villagers did not try very hard to understand, since their attention was mostly taken up by the sky and the odd shapes the clouds were assuming. It was very peculiar, but as the little boy uttered his petition there seemed to form overhead the shadowy, nebulous figures of exotic things; of hybrid creatures crowned with horn-flanked discs. Nature is full of such illusions to impress the imaginative.

That night the wanderers left Ulthar, and were never seen again. And the householders were troubled when they noticed that in all the village there was not a cat to be found. From each hearth the familiar cat had vanished; cats large and small, black, grey, striped, yellow, and white. Old Kranon, the burgomaster, swore that the dark folk had taken the cats away in revenge for the killing of Menes’ kitten; and cursed the caravan and the little boy. But Nith, the lean notary, declared that the old cotter and his wife were more likely persons to suspect; for their hatred of cats was notorious and increasingly bold. Still, no one durst complain to the sinister couple; even when little Atal,[7] the innkeeper’s son, vowed that he had at twilight seen all the cats of Ulthar in that accursed yard under the trees, pacing very slowly and solemnly in a circle around the cottage, two abreast, as if in performance of some unheard-of rite of beasts. The villagers did not know how much to believe from so small a boy; and though they feared that the evil pair had charmed the cats to their death, they preferred not to chide the old cotter till they met him outside his dark and repellent yard.

So Ulthar went to sleep in vain anger; and when the people awaked at dawn—behold! every cat was back at his accustomed hearth! Large and small, black, grey, striped, yellow, and white, none was missing. Very sleek and fat did the cats appear, and sonorous with purring content. The citizens talked with one another of the affair, and marvelled not a little. Old Kranon again insisted that it was the dark folk who had taken them, since cats did not return alive from the cottage of the ancient man and his wife. But all agreed on one thing: that the refusal of all the cats to eat their portions of meat or drink their saucers of milk was exceedingly curious. And for two whole days the sleek, lazy cats of Ulthar would touch no food, but only doze by the fire or in the sun.

It was fully a week before the villagers noticed that no lights were appearing at dusk in the windows of the cottage under the trees. Then the lean Nith remarked that no one had seen the old man or his wife since the night the cats were away. In another week the burgomaster decided to overcome his fears and call at the strangely silent dwelling as a matter of duty, though in so doing he was careful to take with him Shang the blacksmith and Thul the cutter of stone as witnesses. And when they had broken down the frail door they found only this: two cleanly picked human skeletons on the earthen floor, and a number of singular beetles crawling in the shadowy corners.

There was subsequently much talk among the burgesses of Ulthar. Zath, the coroner, disputed at length with Nith, the lean notary; and Kranon and Shang and Thul were overwhelmed with question. Even little Atal, the innkeeper’s son, was closely questioned and given a sweetmeat as reward. They talked of the old cotter and his wife, of the caravan of dark wanderers, of small Menes and his black kitten, of the prayer of Menes and of the sky during that prayer, of the doings of the cats on the night the caravan left, and of what was later found in the cottage under the dark trees in the repellent yard.

And in the end the burgesses passed that remarkable law which is told of by traders in Hatheg and discussed by travelers in Nir;[8] namely, that in Ulthar no man may kill a cat.

FROM BEYOND

Horrible beyond conception was the change which had taken place in my best friend, Crawford Tillinghast. I had not seen him since that day, two months and a half before, when he had told me toward what goal his physical and metaphysical researches were leading; when he had answered my awed and almost frightened remonstrances by driving me from his laboratory and his house in a burst of fanatical rage. I had known that he now remained mostly shut in the attic laboratory with that accursed electrical machine, eating little and excluding even the servants, but I had not thought that a brief period of ten weeks could so alter and disfigure any human creature. It is not pleasant to see a stout man suddenly grown thin, and it is even worse when the baggy skin becomes yellowed or greyed, the eyes sunken, circled, and uncannily glowing, the forehead veined and corrugated, and the hands tremulous and twitching. And if added to this there be a repellent unkemptness; a wild disorder of dress, a bushiness of dark hair white at the roots, and an unchecked growth of pure white beard on a face once clean-shaven, the cumulative effect is quite shocking.1 But such was the aspect of Crawford Tillinghast on the night his half-coherent message brought me to his door after my weeks of exile; such the spectre that trembled as it admitted me, candle in hand, and glanced furtively over its shoulder as if fearful of unseen things in the ancient, lonely house set back from Benevolent Street.2

That Crawford Tillinghast should ever have studied science and philosophy was a mistake. These things should be left to the frigid and impersonal investigator, for they offer two equally tragic alternatives to the man of feeling and action; despair if he fail in his quest, and terrors unutterable and unimaginable if he succeed. Tillinghast had once been the prey of failure, solitary and melancholy; but now I knew, with nauseating fears of my own, that he was the prey of success. I had indeed warned him ten weeks before, when he burst forth with his tale of what he felt himself about to discover. He had been flushed and excited then, talking in a high and unnatural, though always pedantic, voice.3

“What do we know,” he had said, “of the world and the universe about us? Our means of receiving impressions are absurdly few, and our notions of surrounding objects infinitely narrow. We see things only as we are constructed to see them, and can gain no idea of their absolute nature. With five feeble senses we pretend to comprehend the boundlessly complex cosmos, yet other beings with a wider, stronger, or different range of senses might not only see very differently the things we see, but might see and study whole worlds of matter, energy, and life which lie close at hand yet can never be detected with the senses we have. I have always believed that such strange, inaccessible worlds exist at our very elbows, and now I believe I have found a way to break down the barriers. I am not joking. Within twenty-four hours that machine near the table will generate waves acting on unrecognised sense-organs that exist in us as atrophied or rudimentary vestiges. Those waves will open up to us many vistas unknown to man, and several unknown to anything we consider organic life. We shall see that at which dogs howl in the dark, and that at which cats prick up their ears after midnight. We shall see these things, and other things which no breathing creature has yet seen. We shall overleap time, space, and dimensions, and without bodily motion peer to the bottom of creation.”

When Tillinghast said these things I remonstrated, for I knew him well enough to be frightened rather than amused; but he was a fanatic, and drove me from the house. Now he was no less a fanatic, but his desire to speak had conquered his resentment, and he had written me imperatively in a hand I could scarcely recognise. As I entered the abode of the friend so suddenly metamorphosed to a shivering gargoyle, I became infected with the terror which seemed stalking in all the shadows. The words and beliefs expressed ten weeks before seemed bodied forth in the darkness beyond the small circle of candle light, and I sickened at the hollow, altered voice of my host. I wished the servants were about, and did not like it when he said they had all left three days previously. It seemed strange that old Gregory, at least, should desert his master without telling as tried a friend as I. It was he who had given me all the information I had of Tillinghast after I was repulsed in rage.

Yet I soon subordinated all my fears to my growing curiosity and fascination. Just what Crawford Tillinghast now wished of me I could only guess, but that he had some stupendous secret or discovery to impart, I could not doubt. Before I had protested at his unnatural pryings into the unthinkable; now that he had evidently succeeded to some degree I almost shared his spirit, terrible though the cost of victory appeared. Up through the dark emptiness of the house I followed the bobbing candle in the hand of this shaking parody on man. The electricity seemed to be turned off, and when I asked my guide he said it was for a definite reason.

“It would be too much . . . I would not dare,” he continued to mutter. I especially noted his new habit of muttering, for it was not like him to talk to himself. We entered the laboratory in the attic, and I observed that detestable electrical machine, glowing with a sickly, sinister, violet luminosity. It was connected with a powerful chemical battery, but seemed to be receiving no current; for I recalled that in its experimental stage it had sputtered and purred when in action. In reply to my question Tillinghast mumbled that this permanent glow was not electrical in any sense that I could understand.

He now seated me near the machine, so that it was on my right, and turned a switch somewhere below the crowning cluster of glass bulbs. The usual sputtering began, turned to a whine, and terminated in a drone so soft as to suggest a return to silence. Meanwhile the luminosity increased, waned again, then assumed a pale, outré colour or blend of colours which I could neither place nor describe. Tillinghast had been watching me, and noted my puzzled expression.

“Do you know what that is?” he whispered. “That is ultra-violet.” He chuckled oddly at my surprise. “You thought ultra-violet was invisible, and so it is—but you can see that and many other invisible things now.4

“Listen to me! The waves from that thing are waking a thousand sleeping senses in us; senses which we inherit from aeons of evolution from the state of detached electrons to the state of organic humanity. I have seen truth, and I intend to shew it to you. Do you wonder how it will seem? I will tell you.” Here Tillinghast seated himself directly opposite me, blowing out his candle and staring hideously into my eyes. “Your existing sense-organs—ears first, I think—will pick up many of the impressions, for they are closely connected with the dormant organs. Then there will be others. You have heard of the pineal gland?5 I laugh at the shallow endocrinologist, fellow-dupe and fellow-parvenu of the Freudian.6 That gland is the great sense-organ of organs—I have found out. It is like sight in the end, and transmits visual pictures to the brain. If you are normal, that is the way you ought to get most of it . . . I mean get most of the evidence from beyond.”

I looked about the immense attic room with the sloping south wall, dimly lit by rays which the every-day eye cannot see. The far corners were all shadows, and the whole place took on a hazy unreality which obscured its nature and invited the imagination to symbolism and phantasm. During the interval that Tillinghast was silent I fancied myself in some vast and incredible temple of long-dead gods; some vague edifice of innumerable black stone columns reaching up from a floor of damp slabs to a cloudy height beyond the range of my vision. The picture was very vivid for a while, but gradually gave way to a more horrible conception; that of utter, absolute solitude in infinite, sightless, soundless space. There seemed to be a void, and nothing more, and I felt a childish fear which prompted me to draw from my hip pocket the revolver I always carried after dark since the night I was held up in East Providence.7 Then, from the farthermost regions of remoteness, the sound softly glided into existence. It was infinitely faint, subtly vibrant, and unmistakably musical, but held a quality of surpassing wildness which made its impact feel like a delicate torture of my whole body. I felt sensations like those one feels when accidentally scratching ground glass. Simultaneously there developed something like a cold draught, which apparently swept past me from the direction of the distant sound. As I waited breathlessly I perceived that both sound and wind were increasing; the effect being to give me an odd notion of myself as tied to a pair of rails in the path of a gigantic approaching locomotive. I began to speak to Tillinghast, and as I did so all the unusual impressions abruptly vanished. I saw only the man, the glowing machine, and the dim apartment. Tillinghast was grinning repulsively at the revolver which I had almost unconsciously drawn, but from his expression I was sure he had seen and heard as much as I, if not a great deal more. I whispered what I had experienced, and he bade me to remain as quiet and receptive as possible.

“Don’t move,” he cautioned, “for in these rays we are able to be seen as well as to see. I told you the servants left, but I didn’t tell you how. It was that thick-witted housekeeper—she turned on the lights downstairs after I had warned her not to, and the wires picked up sympathetic vibrations. It must have been frightful—I could hear the screams up here in spite of all I was seeing and hearing from another direction, and later it was rather awful to find those empty heaps of clothes around the house. Mrs. Updike’s 8 clothes were close to the front hall switch—that’s how I know she did it. It got them all. But so long as we don’t move we’re fairly safe. Remember we’re dealing with a hideous world in which we are practically helpless. . . . Keep still!”

The combined shock of the revelation and of the abrupt command gave me a kind of paralysis, and in my terror my mind again opened to the impressions coming from what Tillinghast called “beyond”. I was now in a vortex of sound and motion, with confused pictures before my eyes. I saw the blurred outlines of the room, but from some point in space there seemed to be pouring a seething column of unrecognisable shapes or clouds, penetrating the solid roof at a point ahead and to the right of me. Then I glimpsed the temple-like effect again, but this time the pillars reached up into an aërial ocean of light, which sent down one blinding beam along the path of the cloudy column I had seen before. After that the scene was almost wholly kaleidoscopic, and in the jumble of sights, sounds, and unidentified sense-impressions I felt that I was about to dissolve or in some way lose the solid form. One definite flash I shall always remember. I seemed for an instant to behold a patch of strange night sky filled with shining, revolving spheres, and as it receded I saw that the glowing suns formed a constellation or galaxy of settled shape; this shape being the distorted face of Crawford Tillinghast. At another time I felt the huge animate things brushing past me and occasionally walking or drifting through my supposedly solid body, and thought I saw Tillinghast look at them as though his better trained senses could catch them visually. I recalled what he had said of the pineal gland, and wondered what he saw with this preternatural eye.9

Suddenly I myself became possessed of a kind of augmented sight. Over and above the luminous and shadowy chaos arose a picture which, though vague, held the elements of consistency and permanence. It was indeed somewhat familiar, for the unusual part was superimposed upon the usual terrestrial scene much as a cinema view may be thrown upon the painted curtain of a theatre. I saw the attic laboratory, the electrical machine, and the unsightly form of Tillinghast opposite me; but of all the space unoccupied by familiar material objects not one particle was vacant. Indescribable shapes both alive and otherwise were mixed in disgusting disarray, and close to every known thing were whole worlds of alien, unknown entities. It likewise seemed that all the known things entered into the composition of other unknown things, and vice versa. Foremost among the living objects were great inky, jellyfish monstrosities which flabbily quivered in harmony with the vibrations from the machine. They were present in loathsome profusion, and I saw to my horror that they overlapped; that they were semi-fluid and capable of passing through one another and through what we know as solids. These things were never still, but seemed ever floating about with some malignant purpose. Sometimes they appeared to devour one another, the attacker launching itself at its victim and instantaneously obliterating the latter from sight. Shudderingly I felt that I knew what had obliterated the unfortunate servants, and could not exclude the things from my mind as I strove to observe other properties of the newly visible world that lies unseen around us. But Tillinghast had been watching me, and was speaking.

“You see them? You see them? You see the things that float and flop about you and through you every moment of your life? You see the creatures that form what men call the pure air and the blue sky? Have I not succeeded in breaking down the barrier; have I not shewn you worlds that no other living men have seen?” I heard him scream through the horrible chaos, and looked at the wild face thrust so offensively close to mine. His eyes were pits of flame, and they glared at me with what I now saw was overwhelming hatred. The machine droned detestably.

“You think those floundering things wiped out the servants? Fool, they are harmless! But the servants are gone, aren’t they? You tried to stop me; you discouraged me when I needed every drop of encouragement I could get; you were afraid of the cosmic truth, you damned coward, but now I’ve got you! What swept up the servants? What made them scream so loud? . . . Don’t know, eh? You’ll know soon enough! Look at me—listen to what I say—do you suppose there are really any such things as time and magnitude? Do you fancy there are such things as form or matter? I tell you, I have struck depths that your little brain can’t picture! I have seen beyond the bounds of infinity and drawn down daemons from the stars. . . . I have harnessed the shadows that stride from world to world to sow death and madness. . . . Space belongs to me, do you hear? Things are hunting me now—the things that devour and dissolve—but I know how to elude them. It is you they will get, as they got the servants. Stirring, dear sir? I told you it was dangerous to move. I have saved you so far by telling you to keep still—saved you to see more sights and to listen to me. If you had moved, they would have been at you long ago. Don’t worry, they won’t hurt you. They didn’t hurt the servants—it was seeing that made the poor devils scream so. My pets are not pretty, for they come out of places where aesthetic standards are—very different. Disintegration is quite painless, I assure you—but I want you to see them. I almost saw them, but I knew how to stop. You are not curious? I always knew you were no scientist! Trembling, eh? Trembling with anxiety to see the ultimate things I have discovered? Why don’t you move, then? Tired? Well, don’t worry, my friend, for they are coming. . . . Look! Look, curse you, look! . . . It’s just over your left shoulder. . . .”

What remains to be told is very brief, and may be familiar to you from the newspaper accounts. The police heard a shot in the old Tillinghast house and found us there—Tillinghast dead and me unconscious. They arrested me because the revolver was in my hand, but released me in three hours, after they found it was apoplexy which had finished Tillinghast and saw that my shot had been directed at the noxious machine which now lay hopelessly shattered on the laboratory floor. I did not tell very much of what I had seen, for I feared the coroner would be sceptical; but from the evasive outline I did give, the doctor told me that I had undoubtedly been hypnotised by the vindictive and homicidal madman.

I wish I could believe that doctor. It would help my shaky nerves if I could dismiss what I now have to think of the air and the sky about and above me. I never feel alone or comfortable, and a hideous sense of pursuit sometimes comes chillingly on me when I am weary. What prevents me from believing the doctor is this one simple fact—that the police never found the bodies of those servants whom they say Crawford Tillinghast murdered.

THE NAMELESS CITY

When I drew nigh the nameless city I knew it was accursed. I was travelling in a parched and terrible valley under the moon, and afar I saw it protruding uncannily above the sands as parts of a corpse may protrude from an ill-made grave. Fear spoke from the age-worn stones of this hoary survivor of the deluge, this great-grandmother of the eldest pyramid; and a viewless aura repelled me and bade me retreat from antique and sinister secrets that no man should see, and no man else had ever dared to see.

Remote in the desert of Araby lies the nameless city, crumbling and inarticulate, its low walls nearly hidden by the sands of uncounted ages. It must have been thus before the first stones of Memphis were laid, and while the bricks of Babylon were yet unbaked. [1] There is no legend so old as to give it a name, or to recall that it was ever alive; but it is told of in whispers around campfires and muttered about by grandams in the tents of sheiks, so that all the tribes shun it without wholly knowing why. It was of this place that Abdul Alhazred the mad poet dreamed on the night before he sang his unexplainable couplet:

“That is not dead which can eternal lie,
And with strange aeons even death may die.”[2]

I should have known that the Arabs had good reason for shunning the nameless city, the city told of in strange tales but seen by no living man, yet I defied them and went into the untrodden waste with my camel. I alone have seen it, and that is why no other face bears such hideous lines of fear as mine; why no other man shivers so horribly when the night-wind rattles the windows. When I came upon it in the ghastly stillness of unending sleep it looked at me, chilly from the rays of a cold moon amidst the desert’s heat. And as I returned its look I forgot my triumph at finding it, and stopped still with my camel to wait for the dawn.

For hours I waited, till the east grew grey and the stars faded, and the grey turned to roseal light edged with gold. I heard a moaning and saw a storm of sand stirring among the antique stones though the sky was clear and the vast reaches of the desert still. Then suddenly above the desert’s far rim came the blazing edge of the sun, seen though the tiny sandstorm which was passing away, and in my fevered state I fancied that from some remote depth there came a crash of musical metal to hail the fiery disc as Memnon hails it from the banks of the Nile.[3] My ears rang and my imagination seethed as I led my camel slowly across the sand to that unvocal stone place; that place too old for Egypt and Meroë to remember; that place which I alone of living men had seen.

In and out amongst the shapeless foundations of houses and palaces I wandered, finding never a carving or inscription to tell of those men, if men they were, who built the city and dwelt therein so long ago. The antiquity of the spot was unwholesome, and I longed to encounter some sign or device to prove that the city was indeed fashioned by mankind. There were certain proportions and dimensions in the ruins which I did not like. I had with me many tools, and dug much within the walls of the obliterated edifices; but progress was slow, and nothing significant was revealed. When night and the moon returned I felt a chill wind which brought new fear, so that I did not dare to remain in the city. And as I went outside the antique walls to sleep, a small sighing sandstorm gathered behind me, blowing over the grey stones though the moon was bright and most of the desert still.

I awaked just at dawn from a pageant of horrible dreams, my ears ringing as from some metallic peal. I saw the sun peering redly through the last gusts of a little sandstorm that hovered over the nameless city, and marked the quietness of the rest of the landscape. Once more I ventured within those brooding ruins that swelled beneath the sand like an ogre under a coverlet, and again dug vainly for relics of the forgotten race. At noon I rested, and in the afternoon I spent much time tracing the walls, and the bygone streets, and the outlines of the nearly vanished buildings. I saw that the city had been mighty indeed, and wondered at the sources of its greatness. To myself I pictured all the splendours of an age so distant that Chaldaea could not recall it, and thought of Sarnath the Doomed, that stood in the land of Mnar when mankind was young, and of Ib, that was carven of grey stone before mankind existed.[4]

All at once I came upon a place where the bed-rock rose stark through the sand and formed a low cliff; and here I saw with joy what seemed to promise further traces of the antediluvian people. Hewn rudely on the face of the cliff were the unmistakable facades of several small, squat rock houses or temples; whose interiors might preserve many secrets of ages too remote for calculation, though sandstorms had long since effaced any carvings which may have been outside.

Very low and sand-choked were all of the dark apertures near me, but I cleared one with my spade and crawled through it, carrying a torch to reveal whatever mysteries it might hold. When I was inside I saw that the cavern was indeed a temple, and beheld plain signs of the race that had lived and worshipped before the desert was a desert. Primitive altars, pillars, and niches, all curiously low, were not absent; and though I saw no sculptures nor frescoes, there were many singular stones clearly shaped into symbols by artificial means. The lowness of the chiselled chamber was very strange, for I could hardly more than kneel upright; but the area was so great that my torch shewed only part at a time. I shuddered oddly in some of the far corners; for certain altars and stones suggested forgotten rites of terrible, revolting, and inexplicable nature, and made me wonder what manner of men could have made and frequented such a temple. When I had seen all that the place contained, I crawled out again, avid to find what the other temples might yield.

Night had now approached, yet the tangible things I had seen made curiosity stronger than fear, so that I did not flee from the long moon-cast shadows that had daunted me when first I saw the nameless city. In the twilight I cleared another aperture and with a new torch crawled into it, finding more vague stones and symbols, though nothing more definite than the other temple had contained. The room was just as low, but much less broad, ending in a very narrow passage crowded with obscure and cryptical shrines. About these shrines I was prying when the noise of a wind and of my camel outside broke through the stillness and drew me forth to see what could have frightened the beast.

The moon was gleaming vividly over the primeval ruins, lighting a dense cloud of sand that seemed blown by a strong but decreasing wind from some point along the cliff ahead of me. I knew it was this chilly, sandy wind which had disturbed the camel, and was about to lead him to a place of better shelter when I chanced to glance up and saw that there was no wind atop the cliff. This astonished me and made me fearful again, but I immediately recalled the sudden local winds I had seen and heard before at sunrise and sunset, and judged it was a normal thing. I decided that it came from some rock fissure leading to a cave, and watched the troubled sand to trace it to its source; soon perceiving that it came from the black orifice of a temple a long distance south of me, almost out of sight. Against the choking sand-cloud I plodded toward this temple, which as I neared it loomed larger than the rest, and shewed a doorway far less clogged with caked sand. I would have entered had not the terrific force of the icy wind almost quenched my torch. It poured madly out of the dark door, sighing uncannily as it ruffled the sand and spread about the weird ruins. Soon it grew fainter and the sand grew more and more still, till finally all was at rest again; but a presence seemed stalking among the spectral stones of the city, and when I glanced at the moon it seemed to quiver as though mirrored in unquiet waters. I was more afraid than I could explain, but not enough to dull my thirst for wonder; so as soon as the wind was quite gone I crossed into the dark chamber from which it had come.

This temple, as I had fancied from the outside, was larger than either of those I had visited before; and was presumably a natural cavern, since it bore winds from some region beyond. Here I could stand quite upright, but saw that the stones and altars were as low as those in the other temples. On the walls and roof I beheld for the first time some traces of the pictorial art of the ancient race, curious curling streaks of paint that had almost faded or crumbled away; and on two of the altars I saw with rising excitement a maze of well-fashioned curvilinear carvings. As I held my torch aloft it seemed to me that the shape of the roof was too regular to be natural, and I wondered what the prehistoric cutters of stone had first worked upon. Their engineering skill must have been vast.

Then a brighter flare of the fantastic flame shewed me that for which I had been seeking, the opening to those remoter abysses whence the sudden wind had blown; and I grew faint when I saw that it was a small and plainly artificial door chiselled in the solid rock. I thrust my torch within, beholding a black tunnel with the roof arching low over a rough flight of very small, numerous, and steeply descending steps. I shall always see those steps in my dreams, for I came to learn what they meant. At the time I hardly knew whether to call them steps or mere foot-holds in a precipitous descent. My mind was whirling with mad thoughts, and the words and warnings of Arab prophets seemed to float across the desert from the lands that men know to the nameless city that men dare not know. Yet I hesitated only a moment before advancing through the portal and commencing to climb cautiously down the steep passage, feet first, as though on a ladder.

It is only in the terrible phantasms of drugs or delirium that any other man can have had such a descent as mine. The narrow passage led infinitely down like some hideous haunted well, and the torch I held above my head could not light the unknown depths toward which I was crawling. I lost track of the hours and forgot to consult my watch, though I was frightened when I thought of the distance I must be traversing. There were changes of direction and of steepness, and once I came to a long, low, level passage where I had to wriggle feet first along the rocky floor, holding my torch at arm’s length beyond my head. The place was not high enough for kneeling. After that were more of the steep steps, and I was still scrambling down interminably when my failing torch died out. I do not think I noticed it at the time, for when I did notice it I was still holding it high above me as if it were ablaze. I was quite unbalanced with that instinct for the strange and unknown which has made me a wanderer upon earth and a haunter of far, ancient, and forbidden places.

In the darkness there flashed before my mind fragments of my cherished treasury of daemoniac lore; sentences from Alhazred the mad Arab, paragraphs from the apocryphal nightmares of Damascius, and infamous lines from the delirious Image du Monde of Gauthier de Metz.[5] I repeated queer extracts, and muttered of Afrasiab and the daemons that floated with him down the Oxus;[6] later chanting over and over again a phrase from one of Lord Dunsany’s tales—“the unreverberate blackness of the abyss.” Once when the descent grew amazingly steep I recited something in sing-song from Thomas Moore until I feared to recite more:

“A reservoir of darkness, black
As witches’ cauldrons are, when fill’d
With moon-drugs in th’ eclipse distill’d.
Leaning to look if foot might pass
Down thro’ that chasm, I saw, beneath,
As far as vision could explore,
The jetty sides as smooth as glass,
Looking as if just varnish’d o’er
With the dark pitch the Sea of Death
Throws out upon its slimy shore.”[7]

Time had quite ceased to exist when my feet again felt a level floor, and I found myself in a place slightly higher than the rooms in the two smaller temples now so incalculably far above my head. I could not quite stand, but could kneel upright, and in the dark I shuffled and crept hither and thither at random. I soon knew that I was in a narrow passage whose walls were lined with cases of wood having glass fronts. As in that Palaeozoic and abysmal place I felt of such things as polished wood and glass I shuddered at the possible implications. The cases were apparently ranged along each side of the passage at regular intervals, and were oblong and horizontal, hideously like coffins in shape and size. When I tried to move two or three for further examination, I found they were firmly fastened.

I saw that the passage was a long one, so floundered ahead rapidly in a creeping run that would have seemed horrible had any eye watched me in the blackness; crossing from side to side occasionally to feel of my surroundings and be sure the walls and rows of cases still stretched on. Man is so used to thinking visually that I almost forgot the darkness and pictured the endless corridor of wood and glass in its low-studded monotony as though I saw it. And then in a moment of indescribable emotion I did see it.

Just when my fancy merged into real sight I cannot tell; but there came a gradual glow ahead, and all at once I knew that I saw the dim outlines of the corridor and the cases, revealed by some unknown subterranean phosphorescence. For a little while all was exactly as I had imagined it, since the glow was very faint; but as I mechanically kept on stumbling ahead into the stronger light I realised that my fancy had been but feeble. This hall was no relic of crudity like the temples in the city above, but a monument of the most magnificent and exotic art. Rich, vivid, and daringly fantastic designs and pictures formed a continuous scheme of mural painting whose lines and colours were beyond description. The cases were of a strange golden wood, with fronts of exquisite glass, and contained the mummified forms of creatures outreaching in grotesqueness the most chaotic dreams of man.

To convey any idea of these monstrosities is impossible. They were of the reptile kind, with body lines suggesting sometimes the crocodile, sometimes the seal, but more often nothing of which either the naturalist or the palaeontologist ever heard. In size they approximated a small man, and their fore legs bore delicate and evidently flexible feet curiously like human hands and fingers. But strangest of all were their heads, which presented a contour violating all known biological principles. To nothing can such things be well compared—in one flash I thought of comparisons as varied as the cat, the bulldog, the mythic Satyr, and the human being. Not Jove himself had so colossal and protuberant a forehead, yet the horns and the noselessness and the alligator-like jaw placed the things outside all established categories. I debated for a time on the reality of the mummies, half suspecting they were artificial idols; but soon decided they were indeed some palaeogean species which had lived when the nameless city was alive. To crown their grotesqueness, most of them were gorgeously enrobed in the costliest of fabrics, and lavishly laden with ornaments of gold, jewels, and unknown shining metals.

The importance of these crawling creatures must have been vast, for they held first place among the wild designs on the frescoed walls and ceiling. With matchless skill had the artist drawn them in a world of their own, wherein they had cities and gardens fashioned to suit their dimensions; and I could not but think that their pictured history was allegorical, perhaps shewing the progress of the race that worshipped them. These creatures, I said to myself, were to the men of the nameless city what the she-wolf was to Rome, or some totem-beast is to a tribe of Indians.

Holding this view, I thought I could trace roughly a wonderful epic of the nameless city; the tale of a mighty sea-coast metropolis that ruled the world before Africa rose out of the waves, and of its struggles as the sea shrank away, and the desert crept into the fertile valley that held it. I saw its wars and triumphs, its troubles and defeats, and afterward its terrible fight against the desert when thousands of its people—here represented in allegory by the grotesque reptiles—were driven to chisel their way down through the rocks in some marvellous manner to another world whereof their prophets had told them. It was all vividly weird and realistic, and its connexion with the awesome descent I had made was unmistakable. I even recognised the passages.

As I crept along the corridor toward the brighter light I saw later stages of the painted epic—the leave-taking of the race that had dwelt in the nameless city and the valley around for ten million years; the race whose souls shrank from quitting scenes their bodies had known so long, where they had settled as nomads in the earth’s youth, hewing in the virgin rock those primal shrines at which they never ceased to worship. Now that the light was better I studied the pictures more closely, and, remembering that the strange reptiles must represent the unknown men, pondered upon the customs of the nameless city. Many things were peculiar and inexplicable. The civilisation, which included a written alphabet, had seemingly risen to a higher order than those immeasurably later civilisations of Egypt and Chaldaea, yet there were curious omissions. I could, for example, find no pictures to represent deaths or funeral customs, save such as were related to wars, violence, and plagues; and I wondered at the reticence shewn concerning natural death. It was as though an ideal of earthly immortality had been fostered as a cheering illusion.

Still nearer the end of the passage were painted scenes of the utmost picturesqueness and extravagance; contrasted views of the nameless city in its desertion and growing ruin, and of the strange new realm or paradise to which the race had hewed its way through the stone. In these views the city and the desert valley were shewn always by moonlight, a golden nimbus hovering over the fallen walls and half revealing the splendid perfection of former times, shewn spectrally and elusively by the artist. The paradisal scenes were almost too extravagant to be believed; portraying a hidden world of eternal day filled with glorious cities and ethereal hills and valleys. At the very last I thought I saw signs of an artistic anticlimax. The paintings were less skilful, and much more bizarre than even the wildest of the earlier scenes. They seemed to record a slow decadence of the ancient stock, coupled with a growing ferocity toward the outside world from which it was driven by the desert. The forms of the people—always represented by the sacred reptiles—appeared to be gradually wasting away, though their spirit as shewn hovering about the ruins by moonlight gained in proportion. Emaciated priests, displayed as reptiles in ornate robes, cursed the upper air and all who breathed it; and one terrible final scene shewed a primitive-looking man, perhaps a pioneer of ancient Irem, the City of Pillars, torn to pieces by members of the elder race. I remembered how the Arabs fear the nameless city, and was glad that beyond this place the grey walls and ceiling were bare.

As I viewed the pageant of mural history I had approached very closely the end of the low-ceiled hall, and was aware of a great gate through which came all of the illuminating phosphorescence. Creeping up to it, I cried aloud in transcendent amazement at what lay beyond; for instead of other and brighter chambers there was only an illimitable void of uniform radiance, such as one might fancy when gazing down from the peak of Mount Everest upon a sea of sunlit mist. Behind me was a passage so cramped that I could not stand upright in it; before me was an infinity of subterranean effulgence.

Reaching down from the passage into the abyss was the head of a steep flight of steps—small numerous steps like those of the black passages I had traversed—but after a few feet the glowing vapours concealed everything. Swung back open against the left-hand wall of the passage was a massive door of brass, incredibly thick and decorated with fantastic bas-reliefs, which could if closed shut the whole inner world of light away from the vaults and passages of rock. I looked at the steps, and for the nonce dared not try them. I touched the open brass door, and could not move it. Then I sank prone to the stone floor, my mind aflame with prodigious reflections which not even a death-like exhaustion could banish.

As I lay still with closed eyes, free to ponder, many things I had lightly noted in the frescoes came back to me with new and terrible significance—scenes representing the nameless city in its heyday, the vegetation of the valley around it, and the distant lands with which its merchants traded. The allegory of the crawling creatures puzzled me by its universal prominence, and I wondered that it should be so closely followed in a pictured history of such importance. In the frescoes the nameless city had been shewn in proportions fitted to the reptiles. I wondered what its real proportions and magnificence had been, and reflected a moment on certain oddities I had noticed in the ruins. I thought curiously of the lowness of the primal temples and of the underground corridor, which were doubtless hewn thus out of deference to the reptile deities there honoured; though it perforce reduced the worshippers to crawling. Perhaps the very rites had involved a crawling in imitation of the creatures. No religious theory, however, could easily explain why the level passage in that awesome descent should be as low as the temples—or lower, since one could not even kneel in it. As I thought of the crawling creatures, whose hideous mummified forms were so close to me, I felt a new throb of fear. Mental associations are curious, and I shrank from the idea that except for the poor primitive man torn to pieces in the last painting, mine was the only human form amidst the many relics and symbols of primordial life.

But as always in my strange and roving existence, wonder soon drove out fear; for the luminous abyss and what it might contain presented a problem worthy of the greatest explorer. That a weird world of mystery lay far down that flight of peculiarly small steps I could not doubt, and I hoped to find there those human memorials which the painted corridor had failed to give. The frescoes had pictured unbelievable cities, hills, and valleys in this lower realm, and my fancy dwelt on the rich and colossal ruins that awaited me.

My fears, indeed, concerned the past rather than the future. Not even the physical horror of my position in that cramped corridor of dead reptiles and antediluvian frescoes, miles below the world I knew and faced by another world of eerie light and mist, could match the lethal dread I felt at the abysmal antiquity of the scene and its soul. An ancientness so vast that measurement is feeble seemed to leer down from the primal stones and rock-hewn temples in the nameless city, while the very latest of the astounding maps in the frescoes shewed oceans and continents that man has forgotten, with only here and there some vaguely familiar outline. Of what could have happened in the geological aeons since the paintings ceased and the death-hating race resentfully succumbed to decay, no man might say. Life had once teemed in these caverns and in the luminous realm beyond; now I was alone with vivid relics, and I trembled to think of the countless ages through which these relics had kept a silent and deserted vigil.

Suddenly there came another burst of that acute fear which had intermittently seized me ever since I first saw the terrible valley and the nameless city under a cold moon, and despite my exhaustion I found myself starting frantically to a sitting posture and gazing back along the black corridor toward the tunnels that rose to the outer world. My sensations were much like those which had made me shun the nameless city at night, and were as inexplicable as they were poignant. In another moment, however, I received a still greater shock in the form of a definite sound—the first which had broken the utter silence of these tomb-like depths. It was a deep, low moaning, as of a distant throng of condemned spirits, and came from the direction in which I was staring. Its volume rapidly grew, till soon it reverberated frightfully through the low passage, and at the same time I became conscious of an increasing draught of cold air, likewise flowing from the tunnels and the city above. The touch of this air seemed to restore my balance, for I instantly recalled the sudden gusts which had risen around the mouth of the abyss each sunset and sunrise, one of which had indeed served to reveal the hidden tunnels to me. I looked at my watch and saw that sunrise was near, so braced myself to resist the gale which was sweeping down to its cavern home as it had swept forth at evening. My fear again waned low, since a natural phenomenon tends to dispel broodings over the unknown.

More and more madly poured the shrieking, moaning night-wind into that gulf of the inner earth. I dropped prone again and clutched vainly at the floor for fear of being swept bodily through the open gate into the phosphorescent abyss. Such fury I had not expected, and as I grew aware of an actual slipping of my form toward the abyss I was beset by a thousand new terrors of apprehension and imagination. The malignancy of the blast awakened incredible fancies; once more I compared myself shudderingly to the only other human image in that frightful corridor, the man who was torn to pieces by the nameless race, for in the fiendish clawing of the swirling currents there seemed to abide a vindictive rage all the stronger because it was largely impotent. I think I screamed frantically near the last—I was almost mad—but if I did so my cries were lost in the hell-born babel of the howling wind-wraiths. I tried to crawl against the murderous invisible torrent, but I could not even hold my own as I was pushed slowly and inexorably toward the unknown world. Finally reason must have wholly snapped, for I fell to babbling over and over that unexplainable couplet of the mad Arab Alhazred, who dreamed of the nameless city:

“That is not dead which can eternal lie,
And with strange aeons even death may die.”

Only the grim brooding desert gods know what really took place—what indescribable struggles and scrambles in the dark I endured or what Abaddon[8] guided me back to life, where I must always remember and shiver in the night-wind till oblivion—or worse—claims me. Monstrous, unnatural, colossal, was the thing—too far beyond all the ideas of man to be believed except in the silent damnable small hours when one cannot sleep.

I have said that the fury of the rushing blast was infernal—cacodaemoniacal—and that its voices were hideous with the pent-up viciousness of desolate eternities. Presently those voices, while still chaotic before me, seemed to my beating brain to take articulate form behind me; and down there in the grave of unnumbered aeon-dead antiquities, leagues below the dawn-lit world of men, I heard the ghastly cursing and snarling of strange-tongued fiends. Turning, I saw outlined against the luminous aether of the abyss what could not be seen against the dusk of the corridor—a nightmare horde of rushing devils; hate-distorted, grotesquely panoplied, half-transparent; devils of a race no man might mistake—the crawling reptiles of the nameless city.

And as the wind died away I was plunged into the ghoul-peopled blackness of earth’s bowels; for behind the last of the creatures the great brazen door clanged shut with a deafening peal of metallic music whose reverberations swelled out to the distant world to hail the rising sun as Memnon hails it from the banks of the Nile.

THE MOON-BOG

Somewhere, to what remote and fearsome region I know not, Denys Barry has gone. I was with him the last night he lived among men, and heard his screams when the thing came to him; but all the peasants and police in County Meath[1] could never find him, or the others, though they searched long and far. And now I shudder when I hear the frogs piping in swamps, or see the moon in lonely places.

I had known Denys Barry well in America, where he had grown rich, and had congratulated him when he bought back the old castle by the bog at sleepy Kilderry.[2] It was from Kilderry that his father had come, and it was there that he wished to enjoy his wealth among ancestral scenes. Men of his blood had once ruled over Kilderry and built and dwelt in the castle, but those days were very remote, so that for generations the castle had been empty and decaying. After he went to Ireland Barry wrote me often, and told me how under his care the grey castle was rising tower by tower to its ancient splendour; how the ivy was climbing slowly over the restored walls as it had climbed so many centuries ago, and how the peasants blessed him for bringing back the old days with his gold from over the sea. But in time there came troubles, and the peasants ceased to bless him, and fled away instead as from a doom. And then he sent a letter and asked me to visit him, for he was lonely in the castle with no one to speak to save the new servants and labourers he had brought from the north.

The bog was the cause of all these troubles, as Barry told me the night I came to the castle. I had reached Kilderry in the summer sunset, as the gold of the sky lighted the green of the hills and groves and the blue of the bog, where on a far islet a strange olden ruin glistened spectrally. That sunset was very beautiful, but the peasants at Ballylough had warned me against it and said that Kilderry had become accursed, so that I almost shuddered to see the high turrets of the castle gilded with fire. Barry’s motor had met me at the Ballylough station,[3] for Kilderry is off the railway. The villagers had shunned the car and the driver from the north, but had whispered to me with pale faces when they saw I was going to Kilderry. And that night, after our reunion, Barry told me why.

The peasants had gone from Kilderry because Denys Barry was to drain the great bog. For all his love of Ireland, America had not left him untouched, and he hated the beautiful wasted space where peat might be cut and land opened up. The legends and superstitions of Kilderry did not move him, and he laughed when the peasants first refused to help, and then cursed him and went away to Ballylough with their few belongings as they saw his determination. In their place he sent for labourers from the north, and when the servants left he replaced them likewise.[4] But it was lonely among strangers, so Barry had asked me to come.

When I heard the fears which had driven the people from Kilderry I laughed as loudly as my friend had laughed, for these fears were of the vaguest, wildest, and most absurd character. They had to do with some preposterous legend of the bog, and of a grim guardian spirit that dwelt in the strange olden ruin on the far islet I had seen in the sunset. There were tales of dancing lights in the dark of the moon, and of chill winds when the night was warm; of wraiths in white hovering over the waters, and of an imagined city of stone deep down below the swampy surface. But foremost among the weird fancies, and alone in its absolute unanimity, was that of the curse awaiting him who should dare to touch or drain the vast reddish morass. There were secrets, said the peasants, which must not be uncovered; secrets that had lain hidden since the plague came to the children of Partholan in the fabulous years beyond history. In the Book of Invaders it is told that these sons of the Greeks were all buried at Tallaght, but old men in Kilderry said that one city was overlooked save by its patron moon-goddess; so that only the wooded hills buried it when the men of Nemed swept down from Scythia in their thirty ships.[5]

Such were the idle tales which had made the villagers leave Kilderry, and when I heard them I did not wonder that Denys Barry had refused to listen. He had, however, a great interest in antiquities; and proposed to explore the bog thoroughly when it was drained. The white ruins on the islet he had often visited, but though their age was plainly great, and their contour very little like that of most ruins in Ireland, they were too dilapidated to tell the days of their glory. Now the work of drainage was ready to begin, and the labourers from the north were soon to strip the forbidden bog of its green moss and red heather, and kill the tiny shell-paved streamlets and quiet blue pools fringed with rushes.

After Barry had told me these things I was very drowsy, for the travels of the day had been wearying and my host had talked late into the night. A manservant shewed me to my room, which was in a remote tower overlooking the village, and the plain at the edge of the bog, and the bog itself; so that I could see from my windows in the moonlight the silent roofs from which the peasants had fled and which now sheltered the labourers from the north, and too, the parish church with its antique spire, and far out across the brooding bog the remote olden ruin on the islet gleaming white and spectral. Just as I dropped to sleep I fancied I heard faint sounds from the distance; sounds that were wild and half musical, and stirred me with a weird excitement which coloured my dreams. But when I awaked next morning I felt it had all been a dream, for the visions I had seen were more wonderful than any sound of wild pipes in the night. Influenced by the legends that Barry had related, my mind had in slumber hovered around a stately city in a green valley, where marble streets and statues, villas and temples, carvings and inscriptions, all spoke in certain tones the glory that was Greece. When I told this dream to Barry we both laughed; but I laughed the louder, because he was perplexed about his labourers from the north. For the sixth time they had all overslept, waking very slowly and dazedly, and acting as if they had not rested, although they were known to have gone early to bed the night before.

That morning and afternoon I wandered alone through the sun-gilded village and talked now and then with idle labourers, for Barry was busy with the final plans for beginning his work of drainage. The labourers were not as happy as they might have been, for most of them seemed uneasy over some dream which they had had, yet which they tried in vain to remember. I told them of my dream, but they were not interested till I spoke of the weird sounds I thought I had heard. Then they looked oddly at me, and said that they seemed to remember weird sounds, too.

In the evening Barry dined with me and announced that he would begin the drainage in two days. I was glad, for although I disliked to see the moss and the heather and the little streams and lakes depart, I had a growing wish to discern the ancient secrets the deep-matted peat might hide. And that night my dreams of piping flutes and marble peristyles came to a sudden and disquieting end; for upon the city in the valley I saw a pestilence descend, and then a frightful avalanche of wooded slopes that covered the dead bodies in the streets and left unburied only the temple of Artemis on the high peak, where the aged moon-priestess Cleis[6] lay cold and silent with a crown of ivory on her silver head.

I have said that I awaked suddenly and in alarm. For some time I could not tell whether I was waking or sleeping, for the sound of flutes still rang shrilly in my ears; but when I saw on the floor the icy moonbeams and the outlines of a latticed Gothic window I decided I must be awake and in the castle at Kilderry. Then I heard a clock from some remote landing below strike the hour of two, and knew I was awake. Yet still there came that monotonous piping from afar; wild, weird airs that made me think of some dance of fauns on distant Maenalus.[7] It would not let me sleep, and in impatience I sprang up and paced the floor. Only by chance did I go to the north window and look out upon the silent village and the plain at the edge of the bog. I had no wish to gaze abroad, for I wanted to sleep; but the flutes tormented me, and I had to do or see something. How could I have suspected the thing I was to behold?

There in the moonlight that flooded the spacious plain was a spectacle which no mortal, having seen it, could ever forget. To the sound of reedy pipes that echoed over the bog there glided silently and eerily a mixed throng of swaying figures, reeling through such a revel as the Sicilians may have danced to Demeter in the old days under the harvest moon beside the Cyane.[8] The wide plain, the golden moonlight, the shadowy moving forms, and above all the shrill monotonous piping, produced an effect which almost paralysed me; yet I noted amidst my fear that half of these tireless, mechanical dancers were the labourers whom I had thought asleep, whilst the other half were strange airy beings in white, half indeterminate in nature, but suggesting pale wistful naiads from the haunted fountains of the bog. I do not know how long I gazed at this sight from the lonely turret window before I dropped suddenly in a dreamless swoon, out of which the high sun of morning aroused me.

My first impulse on awaking was to communicate all my fears and observations to Denys Barry, but as I saw the sunlight glowing through the latticed east window I became sure that there was no reality in what I thought I had seen. I am given to strange phantasms, yet am never weak enough to believe in them; so on this occasion contented myself with questioning the labourers, who slept very late and recalled nothing of the previous night save misty dreams of shrill sounds. This matter of the spectral piping harassed me greatly, and I wondered if the crickets of autumn had come before their time to vex the night and haunt the visions of men. Later in the day I watched Barry in the library poring over his plans for the great work which was to begin on the morrow, and for the first time felt a touch of the same kind of fear that had driven the peasants away. For some unknown reason I dreaded the thought of disturbing the ancient bog and its sunless secrets, and pictured terrible sights lying black under the unmeasured depth of age-old peat. That these secrets should be brought to light seemed injudicious, and I began to wish for an excuse to leave the castle and the village. I went so far as to talk casually to Barry on the subject, but did not dare continue after he gave his resounding laugh. So I was silent when the sun set fulgently over the far hills, and Kilderry blazed all red and gold in a flame that seemed a portent.

Whether the events of that night were of reality or illusion I shall never ascertain. Certainly they transcend anything we dream of in Nature and the universe; yet in no normal fashion can I explain those disappearances which were known to all men after it was over. I retired early and full of dread, and for a long time could not sleep in the uncanny silence of the tower. It was very dark, for although the sky was clear the moon was now well in the wane, and would not rise till the small hours. I thought as I lay there of Denys Barry, and of what would befall that bog when the day came, and found myself almost frantic with an impulse to rush out into the night, take Barry’s car, and drive madly to Ballylough out of the menaced lands. But before my fears could crystallise into action I had fallen asleep, and gazed in dreams upon the city in the valley, cold and dead under a shroud of hideous shadow.

Probably it was the shrill piping that awaked me, yet that piping was not what I noticed first when I opened my eyes. I was lying with my back to the east window overlooking the bog, where the waning moon would rise, and therefore expected to see light cast on the opposite wall before me; but I had not looked for such a sight as now appeared. Light indeed glowed on the panels ahead, but it was not any light that the moon gives. Terrible and piercing was the shaft of ruddy refulgence that streamed through the Gothic window, and the whole chamber was brilliant with a splendour intense and unearthly. My immediate actions were peculiar for such a situation, but it is only in tales that a man does the dramatic and foreseen thing. Instead of looking out across the bog toward the source of the new light, I kept my eyes from the window in panic fear, and clumsily drew on my clothing with some dazed idea of escape. I remember seizing my revolver and hat, but before it was over I had lost them both without firing the one or donning the other. After a time the fascination of the red radiance overcame my fright, and I crept to the east window and looked out whilst the maddening, incessant piping whined and reverberated through the castle and over all the village.

Over the bog was a deluge of flaring light, scarlet and sinister, and pouring from the strange olden ruin on the far islet. The aspect of that ruin I cannot describe—I must have been mad, for it seemed to rise majestic and undecayed, splendid and column-cinctured, the flame-reflecting marble of its entablature piercing the sky like the apex of a temple on a mountain-top. Flutes shrieked and drums began to beat,[9] and as I watched in awe and terror I thought I saw dark saltant forms silhouetted grotesquely against the vision of marble and effulgence. The effect was titanic—altogether unthinkable—and I might have stared indefinitely had not the sound of the piping seemed to grow stronger at my left. Trembling with terror oddly mixed with ecstasy I crossed the circular room to the north window from which I could see the village and the plain at the edge of the bog. There my eyes dilated again with a wild wonder as great as if I had not just turned from a scene beyond the pale of Nature, for on the ghastly red-litten plain was moving a procession of beings in such a manner as none ever saw before save in nightmares.

Half gliding, half floating in the air, the white-clad bog-wraiths were slowly retreating toward the still waters and the island ruin in fantastic formations suggesting some ancient and solemn ceremonial dance. Their waving translucent arms, guided by the detestable piping of those unseen flutes, beckoned in uncanny rhythm to a throng of lurching labourers who followed dog-like with blind, brainless, floundering steps as if dragged by a clumsy but resistless daemon-will. As the naiads neared the bog, without altering their course, a new line of stumbling stragglers zigzagged drunkenly out of the castle from some door far below my window, groped sightlessly across the courtyard and through the intervening bit of village, and joined the floundering column of labourers on the plain. Despite their distance below me I at once knew they were the servants brought from the north, for I recognised the ugly and unwieldy form of the cook, whose very absurd-ness had now become unutterably tragic. The flutes piped horribly, and again I heard the beating of the drums from the direction of the island ruin. Then silently and gracefully the naiads reached the water and melted one by one into the ancient bog; while the line of followers, never checking their speed, splashed awkwardly after them and vanished amidst a tiny vortex of unwholesome bubbles which I could barely see in the scarlet light. And as the last pathetic straggler, the fat cook, sank heavily out of sight in that sullen pool, the flutes and the drums grew silent, and the blinding red rays from the ruins snapped instantaneously out, leaving the village of doom lone and desolate in the wan beams of a new-risen moon.

My condition was now one of indescribable chaos. Not knowing whether I was mad or sane, sleeping or waking, I was saved only by a merciful numbness. I believe I did ridiculous things such as offering prayers to Artemis, Latona, Demeter, Persephone, and Plouton. All that I recalled of a classic youth came to my lips as the horrors of the situation roused my deepest superstitions. I felt that I had witnessed the death of a whole village, and knew I was alone in the castle with Denys Barry, whose boldness had brought down a doom. As I thought of him new terrors convulsed me, and I fell to the floor; not fainting, but physically helpless. Then I felt the icy blast from the east window where the moon had risen, and began to hear the shrieks in the castle far below me. Soon those shrieks had attained a magnitude and quality which cannot be written of, and which make me faint as I think of them. All I can say is that they came from something I had known as a friend.

At some time during this shocking period the cold wind and the screaming must have roused me, for my next impression is of racing madly through inky rooms and corridors and out across the courtyard into the hideous night. They found me at dawn wandering mindless near Ballylough, but what unhinged me utterly was not any of the horrors I had seen or heard before. What I muttered about as I came slowly out of the shadows was a pair of fantastic incidents which occurred in my flight; incidents of no significance, yet which haunt me unceasingly when I am alone in certain marshy places or in the moonlight.

As I fled from that accursed castle along the bog’s edge I heard a new sound; common, yet unlike any I had heard before at Kilderry. The stagnant waters, lately quite devoid of animal life, now teemed with a horde of slimy enormous frogs which piped shrilly and incessantly in tones strangely out of keeping with their size. They glistened bloated and green in the moonbeams, and seemed to gaze up at the fount of light. I followed the gaze of one very fat and ugly frog, and saw the second of the things which drove my senses away.

Stretching directly from the strange olden ruin on the far islet to the waning moon, my eyes seemed to trace a beam of faint quivering radiance having no reflection in the waters of the bog. And upward along that pallid path my fevered fancy pictured a thin shadow slowly writhing; a vague contorted shadow struggling as if drawn by unseen daemons.[10] Crazed as I was, I saw in that awful shadow a monstrous resemblance—a nauseous, unbelievable caricature—a blasphemous effigy of him who had been Denys Barry.

THE OTHER GODS

Atop the tallest of earth’s peaks dwell the gods of earth, and suffer no man to tell that he hath looked upon them. Lesser peaks they once inhabited; but ever the men from the plains would scale the slopes of rock and snow, driving the gods to higher and higher mountains till now only the last remains. When they left their older peaks they took with them all signs of themselves; save once, it is said, when they left a carven image on the face of the mountain which they called Ngranek.[1]

But now they have betaken themselves to unknown Kadath[2] in the cold waste where no man treads, and are grown stern, having no higher peak whereto to flee at the coming of men. They are grown stern, and where once they suffered men to displace them, they now forbid men to come, or coming, to depart. It is well for men that they know not of Kadath in the cold waste, else they would seek injudiciously to scale it.

Sometimes when earth’s gods are homesick they visit in the still night the peaks where once they dwelt, and weep softly as they try to play in the olden way on remembered slopes. Men have felt the tears of the gods on white-capped Thurai, though they have thought it rain; and have heard the sighs of the gods in the plaintive dawn-winds of Lerion.[3] In cloud-ships the gods are wont to travel, and wise cotters have legends that keep them from certain high peaks at night when it is cloudy, for the gods are not lenient as of old.

In Ulthar, which lies beyond the river Skai, once dwelt an old man avid to behold the gods of earth; a man deeply learned in the seven cryptical books of Hsan, and familiar with the Pnakotic Manuscripts of distant and frozen Lomar.[4] His name was Barzai the Wise, and the villagers tell of how he went up a mountain on the night of the strange eclipse.

Barzai knew so much of the gods that he could tell of their comings and goings, and guessed so many of their secrets that he was deemed half a god himself. It was he who wisely advised the burgesses of Ulthar when they passed their remarkable law against the slaying of cats, and who first told the young priest Atal[5] where it is that black cats go at midnight on St. John’s Eve.[6] Barzai was learned in the lore of earth’s gods, and had gained a desire to look upon their faces. He believed that his great secret knowledge of gods could shield him from their wrath, so resolved to go up to the summit of high and rocky Hatheg-Kla on a night when he knew the gods would be there.

Hatheg-Kla is far in the stony desert beyond Hatheg, for which it is named, and rises like a rock statue in a silent temple. Around its peak the mists play always mournfully, for mists are the memories of the gods, and the gods loved Hatheg-Kla when they dwelt upon it in the old days. Often the gods of earth visit Hatheg-Kla in their ships of cloud, casting pale vapours over the slopes as they dance reminiscently on the summit under a clear moon. The villagers of Hatheg say it is ill to climb Hatheg-Kla at any time, and deadly to climb it by night when pale vapours hide the summit and the moon; but Barzai heeded them not when he came from neighbouring Ulthar with the young priest Atal, who was his disciple. Atal was only the son of an innkeeper, and was sometimes afraid; but Barzai’s father had been a landgrave who dwelt in an ancient castle, so he had no common superstition in his blood, and only laughed at the fearful cotters.

Barzai and Atal went out of Hatheg into the stony desert despite the prayers of peasants, and talked of earth’s gods by their campfires at night. Many days they travelled, and from afar saw lofty Hatheg-Kla with his aureole of mournful mist. On the thirteenth day they reached the mountain’s lonely base, and Atal spoke of his fears. But Barzai was old and learned and had no fears, so led the way boldly up the slope that no man had scaled since the time of Sansu, who is written of with fright in the mouldy Pnakotic Manuscripts.

The way was rocky, and made perilous by chasms, cliffs, and falling stones. Later it grew cold and snowy; and Barzai and Atal often slipped and fell as they hewed and plodded upward with staves and axes. Finally the air grew thin, and the sky changed colour, and the climbers found it hard to breathe; but still they toiled up and up, marvelling at the strangeness of the scene and thrilling at the thought of what would happen on the summit when the moon was out and the pale vapours spread around. For three days they climbed higher, higher, and higher toward the roof of the world; then they camped to wait for the clouding of the moon.

For four nights no clouds came, and the moon shone down cold through the thin mournful mists around the silent pinnacle. Then on the fifth night, which was the night of the full moon, Barzai saw some dense clouds far to the north, and stayed up with Atal to watch them draw near. Thick and majestic they sailed, slowly and deliberately onward; ranging themselves round the peak high above the watchers, and hiding the moon and the summit from view. For a long hour the watchers gazed, whilst the vapours swirled and the screen of clouds grew thicker and more restless. Barzai was wise in the lore of earth’s gods, and listened hard for certain sounds, but Atal felt the chill of the vapours and the awe of the night, and feared much. And when Barzai began to climb higher and beckon eagerly, it was long before Atal would follow.

So thick were the vapours that the way was hard, and though Atal followed on at last, he could scarce see the grey shape of Barzai on the dim slope above in the clouded moonlight. Barzai forged very far ahead, and seemed despite his age to climb more easily than Atal; fearing not the steepness that began to grow too great for any save a strong and dauntless man, nor pausing at wide black chasms that Atal scarce could leap. And so they went up wildly over rocks and gulfs, slipping and stumbling, and sometimes awed at the vastness and horrible silence of bleak ice pinnacles and mute granite steeps.

Very suddenly Barzai went out of Atal’s sight, scaling a hideous cliff that seemed to bulge outward and block the path for any climber not inspired of earth’s gods. Atal was far below, and planning what he should do when he reached the place, when curiously he noticed that the light had grown strong, as if the cloudless peak and moonlit meeting-place of the gods were very near. And as he scrambled on toward the bulging cliff and litten sky he felt fears more shocking than any he had known before. Then through the high mists he heard the voice of unseen Barzai shouting wildly in delight:

“I have heard the gods! I have heard earth’s gods singing in revelry on Hatheg-Kla! The voices of earth’s gods are known to Barzai the Prophet! The mists are thin and the moon is bright, and I shall see the gods dancing wildly on Hatheg-Kla that they loved in youth! The wisdom of Barzai hath made him greater than earth’s gods, and against his will their spells and barriers are as naught; Barzai will behold the gods, the proud gods, the secret gods, the gods of earth who spurn the sight of men!”

Atal could not hear the voices Barzai heard, but he was now close to the bulging cliff and scanning it for foot-holds. Then he heard Barzai’s voice grow shriller and louder:

“The mists are very thin, and the moon casts shadows on the slope; the voices of earth’s gods are high and wild, and they fear the coming of Barzai the Wise, who is greater than they. . . . The moon’s light flickers, as earth’s gods dance against it; I shall see the dancing forms of the gods that leap and howl in the moonlight. . . . The light is dimmer and the gods are afraid. . . .”

Whilst Barzai was shouting these things Atal felt a spectral change in the air, as if the laws of earth were bowing to greater laws; for though the way was steeper than ever, the upward path was now grown fearsomely easy, and the bulging cliff proved scarce an obstacle when he reached it and slid perilously up its convex face. The light of the moon had strangely failed, and as Atal plunged upward through the mists he heard Barzai the Wise shrieking in the shadows:

“The moon is dark, and the gods dance in the night; there is terror in the sky, for upon the moon hath sunk an eclipse foretold in no books of men or of earth’s gods. . . . There is unknown magic on Hatheg-Kla, for the screams of the frightened gods have turned to laughter, and the slopes of ice shoot up endlessly into the black heavens whither I am plunging. . . . Hei! Hei! At last! In the dim light I behold the gods of earth!”

And now Atal, slipping dizzily up over inconceivable steeps, heard in the dark a loathsome laughing, mixed with such a cry as no man else ever heard save in the Phlegethon[7] of unrelatable nightmares; a cry wherein reverberated the horror and anguish of a haunted lifetime packed into one atrocious moment:

“The other gods! The other gods! The gods of the outer hells that guard the feeble gods of earth! . . . Look away! . . . Go back! . . . Do not see! . . . Do not see! . . . The vengeance of the infinite abysses . . . That cursed, that damnable pit . . . Merciful gods of earth, I am falling into the sky!”

And as Atal shut his eyes and stopped his ears and tried to jump downward against the frightful pull from unknown heights, there resounded on Hatheg-Kla that terrible peal of thunder which awaked the good cotters of the plains and the honest burgesses of Hatheg and Nir and Ulthar, and caused them to behold through the clouds that strange eclipse of the moon that no book ever predicted. And when the moon came out at last Atal was safe on the lower snows of the mountain without sight of earth’s gods, or of the other gods.

Now it is told in the mouldy Pnakotic Manuscripts that Sansu found naught but wordless ice and rock when he climbed Hatheg-Kla in the youth of the world. Yet when the men of Ulthar and Nir and Hatheg crushed their fears and scaled that haunted steep by day in search of Barzai the Wise, they found graven in the naked stone of the summit a curious and Cyclopean symbol fifty cubits wide, as if the rock had been riven by some titanic chisel. And the symbol was like to one that learned men have discerned in those frightful parts of the Pnakotic Manuscripts which are too ancient to be read. This they found.

Barzai the Wise they never found, nor could the holy priest Atal ever be persuaded to pray for his soul’s repose. Moreover, to this day the people of Ulthar and Nir and Hatheg fear eclipses, and pray by night when pale vapours hide the mountain-top and the moon. And above the mists of Hatheg-Kla earth’s gods sometimes dance reminiscently; for they know they are safe, and love to come from unknown Kadath in ships of cloud and play in the olden way, as they did when earth was new and men not given to climbing of inaccessible places.

HYPNOS

To S. L.

“Apropos of sleep, that sinister adventure of all our nights, we may say that men go to bed daily with an audacity that would be incomprehensible if we did not know that it is the result of ignorance of the danger.”

—Baudelaire.[1]

May the merciful gods, if indeed there be such, guard those hours when no power of the will, or drug that the cunning of man devises, can keep me from the chasm of sleep. Death is merciful, for there is no return therefrom, but with him who has come back out of the nethermost chambers of night, haggard and knowing, peace rests nevermore. Fool that I was to plunge with such unsanctioned phrensy into mysteries no man was meant to penetrate; fool or god that he was—my only friend, who led me and went before me, and who in the end passed into terrors which may yet be mine.

We met, I recall, in a railway station, where he was the centre of a crowd of the vulgarly curious. He was unconscious, having fallen in a kind of convulsion which imparted to his slight black-clad body a strange rigidity. I think he was then approaching forty years of age, for there were deep lines in the face, wan and hollow-cheeked, but oval and actually beautiful; and touches of grey in the thick, waving hair and small full beard which had once been of the deepest raven black. His brow was white as the marble of Pentelicus,[2] and of a height and breadth almost godlike. I said to myself, with all the ardour of a sculptor, that this man was a faun’s statue out of antique Hellas, dug from a temple’s ruins and brought somehow to life in our stifling age only to feel the chill and pressure of devastating years. And when he opened his immense, sunken, and wildly luminous black eyes I knew he would be thenceforth my only friend—the only friend of one who had never possessed a friend before—for I saw that such eyes must have looked fully upon the grandeur and the terror of realms beyond normal consciousness and reality; realms which I had cherished in fancy, but vainly sought.[3] So as I drove the crowd away I told him he must come home with me and be my teacher and leader in unfathomed mysteries, and he assented without speaking a word. Afterward I found that his voice was music—the music of deep viols and of crystalline spheres. We talked often in the night, and in the day, when I chiselled busts of him and carved miniature heads in ivory to immortalise his different expressions.

Of our studies it is impossible to speak, since they held so slight a connexion with anything of the world as living men conceive it. They were of that vaster and more appalling universe of dim entity and consciousness which lies deeper than matter, time, and space, and whose existence we suspect only in certain forms of sleep—those rare dreams beyond dreams which come never to common men, and but once or twice in the lifetime of imaginative men. The cosmos of our waking knowledge, born from such an universe as a bubble is born from the pipe of a jester, touches it only as such a bubble may touch its sardonic source when sucked back by the jester’s whim. Men of learning suspect it little, and ignore it mostly. Wise men have interpreted dreams, and the gods have laughed.[4] One man with Oriental eyes has said that all time and space are relative, and men have laughed. But even that man with Oriental eyes has done no more than suspect.[5] I had wished and tried to do more than suspect, and my friend had tried and partly succeeded. Then we both together, and with exotic drugs courted terrible and forbidden dreams in the tower studio chamber of the old manor-house in hoary Kent.

Among the agonies of these after days is that chief of torments—inarticulateness. What I learned and saw in those hours of impious exploration can never be told—for want of symbols or suggestions in any language. I say this because from first to last our discoveries partook only of the nature of sensations; sensations correlated with no impression which the nervous system of normal humanity is capable of receiving. They were sensations, yet within them lay unbelievable elements of time and space—things which at bottom possess no distinct and definite existence. Human utterance can best convey the general character of our experiences by calling them plungings or soarings; for in every period of revelation some part of our minds broke boldly away from all that is real and present, rushing aërially along shocking, unlighted, and fear-haunted abysses, and occasionally tearing through certain well-marked and typical obstacles describable only as viscous, uncouth clouds or vapours. In these black and bodiless flights we were sometimes alone and sometimes together. When we were together, my friend was always far ahead; I could comprehend his presence despite the absence of form by a species of pictorial memory whereby his face appeared to me, golden from a strange light and frightful with its weird beauty, its anomalously youthful cheeks, its burning eyes, its Olympian brow, and its shadowing hair and growth of beard.

Of the progress of time we kept no record, for time had become to us the merest illusion. I know only that there must have been something very singular involved, since we came at length to marvel why we did not grow old. Our discourse was unholy, and always hideously ambitious—no god or daemon could have aspired to discoveries and conquests like those which we planned in whispers. I shiver as I speak of them, and dare not be explicit; though I will say that my friend once wrote on paper a wish which he dared not utter with his tongue, and which made me burn the paper and look affrightedly out of the window at the spangled night sky. I will hint—only hint—that he had designs which involved the rulership of the visible universe and more; designs whereby the earth and the stars would move at his command, and the destinies of all living things be his. I affirm—I swear—that I had no share in these extreme aspirations. Anything my friend may have said or written to the contrary must be erroneous, for I am no man of strength to risk the unmentionable warfare in unmentionable spheres by which alone one might achieve success.

There was a night when winds from unknown spaces whirled us irresistibly into limitless vacua beyond all thought and entity. Perceptions of the most maddeningly untransmissible sort thronged upon us; perceptions of infinity which at the time convulsed us with joy, yet which are now partly lost to my memory and partly incapable of presentation to others. Viscous obstacles were clawed through in rapid succession, and at length I felt that we had been borne to realms of greater remoteness than any we had previously known. My friend was vastly in advance as we plunged into this awesome ocean of virgin aether, and I could see the sinister exultation on his floating, luminous, too youthful memory-face. Suddenly that face became dim and quickly disappeared, and in a brief space I found myself projected against an obstacle which I could not penetrate. It was like the others, yet incalculably denser; a sticky, clammy mass, if such terms can be applied to analogous qualities in a non-material sphere.

I had, I felt, been halted by a barrier which my friend and leader had successfully passed. Struggling anew, I came to the end of the drug-dream and opened my physical eyes to the tower studio in whose opposite corner reclined the pallid and still unconscious form of my fellow-dreamer, weirdly haggard and wildly beautiful as the moon shed gold-green light on his marble features. Then, after a short interval, the form in the corner stirred; and may pitying heaven keep from my sight and sound another thing like that which took place before me. I cannot tell you how he shrieked, or what vistas of unvisitable hells gleamed for a second in black eyes crazed with fright. I can only say that I fainted, and did not stir till he himself recovered and shook me in his phrensy for someone to keep away the horror and desolation.

That was the end of our voluntary searchings in the caverns of dream. Awed, shaken, and portentous, my friend who had been beyond the barrier warned me that we must never venture within those realms again. What he had seen, he dared not tell me; but he said from his wisdom that we must sleep as little as possible, even if drugs were necessary to keep us awake. That he was right, I soon learned from the unutterable fear which engulfed me whenever consciousness lapsed. After each short and inevitable sleep I seemed older, whilst my friend aged with a rapidity almost shocking. It is hideous to see wrinkles form and hair whiten almost before one’s eyes. Our mode of life was now totally altered. Heretofore a recluse so far as I know—his true name and origin never having passed his lips—my friend now became frantic in his fear of solitude. At night he would not be alone, nor would the company of a few persons calm him.[6] His sole relief was obtained in revelry of the most general and boisterous sort; so that few assemblies of the young and the gay were unknown to us. Our appearance and age seemed to excite in most cases a ridicule which I keenly resented, but which my friend considered a lesser evil than solitude. Especially was he afraid to be out of doors alone when the stars were shining, and if forced to this condition he would often glance furtively at the sky as if hunted by some monstrous thing therein. He did not always glance at the same place in the sky—it seemed to be a different place at different times. On spring evenings it would be low in the northeast. In the summer it would be nearly overhead. In the autumn it would be in the northwest. In winter it would be in the east, but mostly if in the small hours of morning. Midwinter evenings seemed least dreadful to him. Only after two years did I connect his fear with anything in particular; but then I began to see that he must be looking at a special spot on the celestial vault whose position at different times corresponded to the direction of his glance—a spot roughly marked by the constellation Corona Borealis.[7]

We now had a studio in London, never separating, but never discussing the days when we had sought to plumb the mysteries of the unreal world. We were aged and weak from our drugs, dissipations, and nervous overstrain, and the thinning hair and beard of my friend had become snow-white. Our freedom from long sleep was surprising, for seldom did we succumb more than an hour or two at a time to the shadow which had now grown so frightful a menace. Then came one January of fog and rain, when money ran low and drugs were hard to buy. My statues and ivory heads were all sold, and I had no means to purchase new materials, or energy to fashion them even had I possessed them. We suffered terribly, and on a certain night my friend sank into a deep-breathing sleep from which I could not awaken him. I can recall the scene now—the desolate, pitch-black garret studio under the eaves with the rain beating down; the ticking of the lone clock; the fancied ticking of our watches as they rested on the dressing-table; the creaking of some swaying shutter in a remote part of the house; certain distant city noises muffled by fog and space; and worst of all the deep, steady, sinister breathing of my friend on the couch—a rhythmical breathing which seemed to measure moments of supernal fear and agony for his spirit as it wandered in spheres forbidden, unimagined, and hideously remote.

The tension of my vigil became oppressive, and a wild train of trivial impressions and associations thronged through my almost unhinged mind. I heard a clock strike somewhere—not ours, for that was not a striking clock—and my morbid fancy found in this a new starting-point for idle wanderings. Clocks—time—space—infinity—and then my fancy reverted to the local as I reflected that even now, beyond the roof and the fog and the rain and the atmosphere, Corona Borealis was rising in the northeast. Corona Borealis, which my friend had appeared to dread, and whose scintillant semicircle of stars must even now be glowing unseen through the measureless abysses of aether. All at once my feverishly sensitive ears seemed to detect a new and wholly distinct component in the soft medley of drug-magnified sounds—a low and damnably insistent whine from very far away; droning, clamouring, mocking, calling, from the northeast.

But it was not that distant whine which robbed me of my faculties and set upon my soul such a seal of fright as may never in life be removed; not that which drew the shrieks and excited the convulsions which caused lodgers and police to break down the door. It was not what I heard, but what I saw; for in that dark, locked, shuttered, and curtained room there appeared from the black northeast corner a shaft of horrible red-gold light—a shaft which bore with it no glow to disperse the darkness, but which streamed only upon the recumbent head of the troubled sleeper, bringing out in hideous duplication the luminous and strangely youthful memory-face as I had known it in dreams of abysmal space and unshackled time, when my friend had pushed behind the barrier to those secret, innermost, and forbidden caverns of nightmare.

And as I looked, I beheld the head rise, the black, liquid, and deep-sunken eyes open in terror, and the thin, shadowed lips part as if for a scream too frightful to be uttered. There dwelt in that ghastly and flexible face, as it shone bodiless, luminous, and rejuvenated in the blackness, more of stark, teeming, brain-shattering fear than all the rest of heaven and earth has ever revealed to me. No word was spoken amidst the distant sound that grew nearer and nearer, but as I followed the memory-face’s mad stare along that cursed shaft of light to its source, the source whence also the whining came, I too saw for an instant what it saw, and fell with ringing ears in that fit of shrieking and epilepsy which brought the lodgers and the police. Never could I tell, try as I might, what it actually was that I saw; nor could the still face tell, for although it must have seen more than I did, it will never speak again. But always I shall guard against the mocking and insatiate Hypnos, lord of sleep,[8] against the night sky, and against the mad ambitions of knowledge and philosophy.

Just what happened is unknown, for not only was my own mind unseated by the strange and hideous thing, but others were tainted with a forgetfulness which can mean nothing if not madness. They have said, I know not for what reason, that I never had a friend, but that art, philosophy, and insanity had filled all my tragic life. The lodgers and police on that night soothed me, and the doctor administered something to quiet me, nor did anyone see what a nightmare event had taken place. My stricken friend moved them to no pity, but what they found on the couch in the studio made them give me a praise which sickened me, and now a fame which I spurn in despair as I sit for hours, bald, grey-bearded, shrivelled, palsied, drug-crazed, and broken, adoring and praying to the object they found.

For they deny that I sold the last of my statuary, and point with ecstasy at the thing which the shining shaft of light left cold, petrified, and unvocal. It is all that remains of my friend; the friend who led me on to madness and wreckage; a godlike head of such marble as only old Hellas could yield, young with the youth that is outside time, and with beauteous bearded face, curved, smiling lips, Olympian brow, and dense locks waving and poppy-crowned. They say that that haunting memory-face is modelled from my own, as it was at twenty-five, but upon the marble base is carven a single name in the letters of Attica—’YΠNOΣ.

THE LURKING FEAR

I. THE SHADOW ON THE CHIMNEY

There was thunder in the air on the night I went to the deserted mansion atop Tempest Mountain to find the lurking fear. I was not alone, for foolhardiness was not then mixed with that love of the grotesque and the terrible which has made my career a series of quests for strange horrors in literature and in life. With me were two faithful and muscular men for whom I had sent when the time came; men long associated with me in my ghastly explorations because of their peculiar fitness.

We had started quietly from the village because of the reporters who still lingered about after the eldritch panic of a month before—the nightmare creeping death. Later, I thought, they might aid me; but I did not want them then. Would to God I had let them share the search, that I might not have had to bear the secret alone so long; to bear it alone for fear the world would call me mad or go mad itself at the daemon implications of the thing. Now that I am telling it anyway, lest the brooding make me a maniac, I wish I had never concealed it. For I, and I only, know what manner of fear lurked on that spectral and desolate mountain.

In a small motor-car we covered the miles of primeval forest and hill until the wooded ascent checked it. The country bore an aspect more than usually sinister as we viewed it by night and without the accustomed crowds of investigators, so that we were often tempted to use the acetylene headlight despite the attention it might attract. It was not a wholesome landscape after dark, and I believe I would have noticed its morbidity even had I been ignorant of the terror that stalked there. Of wild creatures there were none—they are wise when death leers close. The ancient lightning-scarred trees seemed unnaturally large and twisted, and the other vegetation unnaturally thick and feverish, while curious mounds and hummocks in the weedy, fulgurite-pitted earth reminded me of snakes and dead men’s skulls swelled to gigantic proportions.

Fear had lurked on Tempest Mountain for more than a century. This I learned at once from newspaper accounts of the catastrophe which first brought the region to the world’s notice. The place is a remote, lonely elevation in that part of the Catskills where Dutch civilisation once feebly and transiently penetrated, leaving behind as it receded only a few ruined mansions and a degenerate squatter population inhabiting pitiful hamlets on isolated slopes. Normal beings seldom visited the locality till the state police were formed, and even now only infrequent troopers patrol it. The fear, however, is an old tradition throughout the neighbouring villages; since it is a prime topic in the simple discourse of the poor mongrels who sometimes leave their valleys to trade hand-woven baskets for such primitive necessities as they cannot shoot, raise, or make.

The lurking fear dwelt in the shunned and deserted Martense mansion, which crowned the high but gradual eminence whose liability to frequent thunderstorms gave it the name of Tempest Mountain. For over a hundred years the antique, grove-circled stone house had been the subject of stories incredibly wild and monstrously hideous; stories of a silent colossal creeping death which stalked abroad in summer. With whimpering insistence the squatters told tales of a daemon which seized lone wayfarers after dark, either carrying them off or leaving them in a frightful state of gnawed dismemberment; while sometimes they whispered of blood-trails toward the distant mansion. Some said the thunder called the lurking fear out of its habitation, while others said the thunder was its voice.

No one outside the backwoods had believed these varying and conflicting stories, with their incoherent, extravagant descriptions of the half-glimpsed fiend; yet not a farmer or villager doubted that the Martense mansion was ghoulishly haunted. Local history forbade such a doubt, although no ghostly evidence was ever found by such investigators as had visited the building after some especially vivid tale of the squatters. Grandmothers told strange myths of the Martense spectre; myths concerning the Martense family itself, its queer hereditary dissimilarity of eyes, its long, unnatural annals, and the murder which had cursed it.

The terror which brought me to the scene was a sudden and portentous confirmation of the mountaineers’ wildest legends. One summer night, after a thunderstorm of unprecedented violence, the countryside was aroused by a squatter stampede which no mere delusion could create. The pitiful throngs of natives shrieked and whined of the unnamable horror which had descended upon them, and they were not doubted. They had not seen it, but had heard such cries from one of their hamlets that they knew a creeping death had come.

In the morning citizens and state troopers followed the shuddering mountaineers to the place where they said the death had come. Death was indeed there. The ground under one of the squatters’ villages had caved in after a lightning stroke, destroying several of the malodorous shanties; but upon this property damage was superimposed an organic devastation which paled it to insignificance. Of a possible 75 natives who had inhabited this spot, not one living specimen was visible. The disordered earth was covered with blood and human debris bespeaking too vividly the ravages of daemon teeth and talons; yet no visible trail led away from the carnage. That some hideous animal must be the cause, everyone quickly agreed; nor did any tongue now revive the charge that such cryptic deaths formed merely the sordid murders common in decadent communities. That charge was revived only when about 25 of the estimated population were found missing from the dead; and even then it was hard to explain the murder of fifty by half that number. But the fact remained that on a summer night a bolt had come out of the heavens and left a dead village whose corpses were horribly mangled, chewed, and clawed.

The excited countryside immediately connected the horror with the haunted Martense mansion, though the localities were over three miles apart. The troopers were more sceptical; including the mansion only casually in their investigations, and dropping it altogether when they found it thoroughly deserted. Country and village people, however, canvassed the place with infinite care; overturning everything in the house, sounding ponds and brooks, beating down bushes, and ransacking the nearby forests. All was in vain; the death that had come had left no trace save destruction itself.

By the second day of the search the affair was fully treated by the newspapers, whose reporters overran Tempest Mountain. They described it in much detail, and with many interviews to elucidate the horror’s history as told by local grandams. I followed the accounts languidly at first, for I am a connoisseur in horrors; but after a week I detected an atmosphere which stirred me oddly, so that on August 5th, 1921, I registered among the reporters who crowded the hotel at Lefferts Corners, nearest village to Tempest Mountain and acknowledged headquarters of the searchers. Three weeks more, and the dispersal of the reporters left me free to begin a terrible exploration based on the minute inquiries and surveying with which I had meanwhile busied myself.

So on this summer night, while distant thunder rumbled, I left a silent motor-car and tramped with two armed companions up the last mound-covered reaches of Tempest Mountain, casting the beams of an electric torch on the spectral grey walls that began to appear through giant oaks ahead. In this morbid night solitude and feeble shifting illumination, the vast box-like pile displayed obscure hints of terror which day could not uncover; yet I did not hesitate, since I had come with fierce resolution to test an idea. I believed that the thunder called the death-daemon out of some fearsome secret place; and be that daemon solid entity or vaporous pestilence, I meant to see it.

I had thoroughly searched the ruin before, hence knew my plan well; choosing as the seat of my vigil the old room of Jan Martense, whose murder looms so great in the rural legends. I felt subtly that the apartment of this ancient victim was best for my purposes. The chamber, measuring about twenty feet square, contained like the other rooms some rubbish which had once been furniture. It lay on the second story, on the southeast corner of the house, and had an immense east window and narrow south window, both devoid of panes or shutters. Opposite the large window was an enormous Dutch fireplace with scriptural tiles representing the prodigal son, and opposite the narrow window was a spacious bed built into the wall.

As the tree-muffled thunder grew louder, I arranged my plan’s details. First I fastened side by side to the ledge of the large window three rope ladders which I had brought with me. I knew they reached a suitable spot on the grass outside, for I had tested them. Then the three of us dragged from another room a wide four-poster bedstead, crowding it laterally against the window. Having strown it with fir boughs, all now rested on it with drawn automatics, two relaxing while the third watched. From whatever direction the daemon might come, our potential escape was provided. If it came from within the house, we had the window ladders; if from outside, the door and the stairs. We did not think, judging from precedent, that it would pursue us far even at worst.

I watched from midnight to one o’clock, when in spite of the sinister house, the unprotected window, and the approaching thunder and lightning, I felt singularly drowsy. I was between my two companions, George Bennett being toward the window and William Tobey toward the fireplace. Bennett was asleep, having apparently felt the same anomalous drowsiness which affected me, so I designated Tobey for the next watch although even he was nodding. It is curious how intently I had been watching that fireplace.

The increasing thunder must have affected my dreams, for in the brief time I slept there came to me apocalyptic visions. Once I partly awaked, probably because the sleeper toward the window had restlessly flung an arm across my chest. I was not sufficiently awake to see whether Tobey was attending to his duties as sentinel, but felt a distinct anxiety on that score. Never before had the presence of evil so poignantly oppressed me. Later I must have dropped asleep again, for it was out of a phantasmal chaos that my mind leaped when the night grew hideous with shrieks beyond anything in my former experience or imagination.

In that shrieking the inmost soul of human fear and agony clawed hopelessly and insanely at the ebony gates of oblivion. I awoke to red madness and the mockery of diabolism, as farther and farther down inconceivable vistas that phobic and crystalline anguish retreated and reverberated. There was no light, but I knew from the empty space at my right that Tobey was gone, God alone knew whither. Across my chest still lay the heavy arm of the sleeper at my left.

Then came the devastating stroke of lightning which shook the whole mountain, lit the darkest crypts of the hoary grove, and splintered the patriarch of the twisted trees. In the daemon flash of a monstrous fireball the sleeper started up suddenly while the glare from beyond the window threw his shadow vividly upon the chimney above the fireplace from which my eyes had never strayed. That I am still alive and sane, is a marvel I cannot fathom. I cannot fathom it, for the shadow on that chimney was not that of George Bennett or of any other human creature, but a blasphemous abnormality from hell’s nethermost craters; a nameless, shapeless abomination which no mind could fully grasp and no pen even partly describe. In another second I was alone in the accursed mansion, shivering and gibbering. George Bennett and William Tobey had left no trace, not even of a struggle. They were never heard of again.

II. A PASSER IN THE STORM

For days after that hideous experience in the forest-swathed mansion I lay nervously exhausted in my hotel room at Lefferts Corners. I do not remember exactly how I managed to reach the motor-car, start it, and slip unobserved back to the village; for I retain no distinct impression save of wild-armed titan trees, daemoniac mutterings of thunder, and Charonian shadows athwart the low mounds that dotted and streaked the region.

As I shivered and brooded on the casting of that brain-blasting shadow, I knew that I had at last pried out one of earth’s supreme horrors—one of those nameless blights of outer voids whose faint daemon scratchings we sometimes hear on the farthest rim of space, yet from which our own finite vision has given us a merciful immunity. The shadow I had seen, I hardly dared to analyse or identify. Something had lain between me and the window that night, but I shuddered whenever I could not cast off the instinct to classify it. If it had only snarled, or bayed, or laughed titteringly—even that would have relieved the abysmal hideousness. But it was so silent. It had rested a heavy arm or fore leg on my chest. . . . Obviously it was organic, or had once been organic. . . . Jan Martense, whose room I had invaded, was buried in the graveyard near the mansion. . . . I must find Bennett and Tobey, if they lived . . . why had it picked them, and left me for the last? . . . Drowsiness is so stifling, and dreams are so horrible. . . .

In a short time I realised that I must tell my story to someone or break down completely. I had already decided not to abandon the quest for the lurking fear, for in my rash ignorance it seemed to me that uncertainty was worse than enlightenment, however terrible the latter might prove to be. Accordingly I resolved in my mind the best course to pursue; whom to select for my confidences, and how to track down the thing which had obliterated two men and cast a nightmare shadow.

My chief acquaintances at Lefferts Corners had been the affable reporters, of whom several still remained to collect final echoes of the tragedy. It was from these that I determined to choose a colleague, and the more I reflected the more my preference inclined toward one Arthur Munroe,[1] a dark, lean man of about thirty-five, whose education, taste, intelligence, and temperament all seemed to mark him as one not bound to conventional ideas and experiences.

On an afternoon in early September Arthur Munroe listened to my story. I saw from the beginning that he was both interested and sympathetic, and when I had finished he analysed and discussed the thing with the greatest shrewdness and judgment. His advice, moreover, was eminently practical; for he recommended a postponement of operations at the Martense mansion until we might become fortified with more detailed historical and geographical data. On his initiative we combed the countryside for information regarding the terrible Martense family, and discovered a man who possessed a marvellously illuminating ancestral diary. We also talked at length with such of the mountain mongrels as had not fled from the terror and confusion to remoter slopes, and arranged to precede our culminating task—the exhaustive and definitive examination of the mansion in the light of its detailed history—with an equally exhaustive and definitive examination of spots associated with the various tragedies of squatter legend.

The results of this examination were not at first very enlightening, though our tabulation of them seemed to reveal a fairly significant trend; namely, that the number of reported horrors was by far the greatest in areas either comparatively near the avoided house or connected with it by stretches of the morbidly overnourished forest. There were, it is true, exceptions; indeed, the horror which had caught the world’s ear had happened in a treeless space remote alike from the mansion and from any connecting woods.

As to the nature and appearance of the lurking fear, nothing could be gained from the scared and witless shanty-dwellers. In the same breath they called it a snake and a giant, a thunder-devil and a bat, a vulture and a walking tree. We did, however, deem ourselves justified in assuming that it was a living organism highly susceptible to electrical storms; and although certain of the stories suggested wings, we believed that its aversion for open spaces made land locomotion a more probable theory. The only thing really incompatible with the latter view was the rapidity with which the creature must have travelled in order to perform all the deeds attributed to it.

When we came to know the squatters better, we found them curiously likeable in many ways. Simple animals they were, gently descending the evolutionary scale because of their unfortunate ancestry and stultifying isolation.[2] They feared outsiders, but slowly grew accustomed to us; finally helping vastly when we beat down all the thickets and tore out all the partitions of the mansion in our search for the lurking fear. When we asked them to help us find Bennett and Tobey they were truly distressed; for they wanted to help us, yet knew that these victims had gone as wholly out of the world as their own missing people. That great numbers of them had actually been killed and removed, just as the wild animals had long been exterminated, we were of course thoroughly convinced; and we waited apprehensively for further tragedies to occur.

By the middle of October we were puzzled by our lack of progress. Owing to the clear nights no daemoniac aggressions had taken place, and the completeness of our vain searches of house and country almost drove us to regard the lurking fear as a non-material agency. We feared that the cold weather would come on and halt our explorations, for all agreed that the daemon was generally quiet in winter. Thus there was a kind of haste and desperation in our last daylight canvass of the horror-visited hamlet; a hamlet now deserted because of the squatters’ fears.

The ill-fated squatter hamlet had borne no name, but had long stood in a sheltered though treeless cleft between two elevations called respectively Cone Mountain and Maple Hill. It was closer to Maple Hill than to Cone Mountain, some of the crude abodes indeed being dugouts on the side of the former eminence. Geographically it lay about two miles northwest of the base of Tempest Mountain, and three miles from the oak-girt mansion. Of the distance between the hamlet and the mansion, fully two miles and a quarter on the hamlet’s side was entirely open country; the plain being of fairly level character save for some of the low snake-like mounds, and having as vegetation only grass and scattered weeds. Considering this topography, we had finally concluded that the daemon must have come by way of Cone Mountain, a wooded southern prolongation of which ran to within a short distance of the westernmost spur of Tempest Mountain. The upheaval of ground we traced conclusively to a landslide from Maple Hill, a tall lone splintered tree on whose side had been the striking point of the thunderbolt which summoned the fiend.

As for the twentieth time or more Arthur Munroe and I went minutely over every inch of the violated village, we were filled with a certain discouragement coupled with vague and novel fears. It was acutely uncanny, even when frightful and uncanny things were common, to encounter so blankly clueless a scene after such overwhelming occurrences; and we moved about beneath the leaden, darkening sky with that tragic directionless zeal which results from a combined sense of futility and necessity of action. Our care was gravely minute; every cottage was again entered, every hillside dugout again searched for bodies, every thorny foot of adjacent slope again scanned for dens and caves, but all without result. And yet, as I have said, vague new fears hovered menacingly over us; as if giant bat-winged gryphons squatted invisibly on the mountain-tops and leered with Abaddon-eyes[3] that had looked on trans-cosmic gulfs.

As the afternoon advanced, it became increasingly difficult to see; and we heard the rumble of a thunderstorm gathering over Tempest Mountain. This sound in such a locality naturally stirred us, though less than it would have done at night. As it was, we hoped desperately that the storm would last until well after dark; and with that hope turned from our aimless hillside searching toward the nearest inhabited hamlet to gather a body of squatters as helpers in the investigation. Timid as they were, a few of the younger men were sufficiently inspired by our protective leadership to promise such help.

We had hardly more than turned, however, when there descended such a blinding sheet of torrential rain that shelter became imperative. The extreme, almost nocturnal darkness of the sky caused us to stumble sadly, but guided by the frequent flashes of lightning and by our minute knowledge of the hamlet we soon reached the least porous cabin of the lot; an heterogeneous combination of logs and boards whose still existing door and single tiny window both faced Maple Hill. Barring the door after us against the fury of the wind and rain, we put in place the crude window shutter which our frequent searches had taught us where to find. It was dismal sitting there on rickety boxes in the pitchy darkness, but we smoked pipes and occasionally flashed our pocket lamps about. Now and then we could see the lightning through the cracks in the wall; the afternoon was so incredibly dark that each flash was extremely vivid.

The stormy vigil reminded me shudderingly of my ghastly night on Tempest Mountain. My mind turned to that odd question which had kept recurring ever since the nightmare thing had happened; and again I wondered why the daemon, approaching the three watchers either from the window or the interior, had begun with the men on each side and left the middle man till the last, when the titan fireball had scared it away. Why had it not taken its victims in natural order, with myself second, from whichever direction it had approached? With what manner of far-reaching tentacles did it prey? Or did it know that I was the leader, and save me for a fate worse than that of my companions?

In the midst of these reflections, as if dramatically arranged to intensify them, there fell near by a terrific bolt of lightning followed by the sound of sliding earth. At the same time the wolfish wind rose to daemoniac crescendoes of ululation. We were sure that the lone tree on Maple Hill had been struck again, and Munroe rose from his box and went to the tiny window to ascertain the damage. When he took down the shutter the wind and rain howled deafeningly in, so that I could not hear what he said; but I waited while he leaned out and tried to fathom Nature’s pandemonium.

Gradually a calming of the wind and dispersal of the unusual darkness told of the storm’s passing. I had hoped it would last into the night to help our quest, but a furtive sunbeam from a knothole behind me removed the likelihood of such a thing. Suggesting to Munroe that we had better get some light even if more showers came, I unbarred and opened the crude door. The ground outside was a singular mass of mud and pools, with fresh heaps of earth from the slight landslide; but I saw nothing to justify the interest which kept my companion silently leaning out the window. Crossing to where he leaned, I touched his shoulder; but he did not move. Then, as I playfully shook him and turned him around, I felt the strangling tendrils of a cancerous horror whose roots reached into illimitable pasts and fathomless abysms of the night that broods beyond time.

For Arthur Munroe was dead. And on what remained of his chewed and gouged head there was no longer a face.

III. WHAT THE RED GLARE MEANT

On the tempest-racked night of November 8, 1921, with a lantern which cast charnel shadows, I stood digging alone and idiotically in the grave of Jan Martense. I had begun to dig in the afternoon, because a thunderstorm was brewing, and now that it was dark and the storm had burst above the maniacally thick foliage I was glad.

I believe that my mind was partly unhinged by events since August 5th; the daemon shadow in the mansion, the general strain and disappointment, and the thing that occurred at the hamlet in an October storm. After that thing I had dug a grave for one whose death I could not understand. I knew that others could not understand either, so let them think Arthur Munroe had wandered away. They searched, but found nothing. The squatters might have understood, but I dared not frighten them more. I myself seemed strangely callous. That shock at the mansion had done something to my brain, and I could think only of the quest for a horror now grown to cataclysmic stature in my imagination; a quest which the fate of Arthur Munroe made me vow to keep silent and solitary.

The scene of my excavations would alone have been enough to unnerve any ordinary man. Baleful primal trees of unholy size, age, and grotesqueness leered above me like the pillars of some hellish Druidic temple; muffling the thunder, hushing the clawing wind, and admitting but little rain. Beyond the scarred trunks in the background, illumined by faint flashes of filtered lightning, rose the damp ivied stones of the deserted mansion, while somewhat nearer was the abandoned Dutch garden whose walks and beds were polluted by a white, fungous, foetid, overnourished vegetation that never saw full daylight. And nearest of all was the graveyard, where deformed trees tossed insane branches as their roots displaced unhallowed slabs and sucked venom from what lay below. Now and then, beneath the brown pall of leaves that rotted and festered in the antediluvian forest darkness, I could trace the sinister outlines of some of those low mounds which characterised the lightning-pierced region.

History had led me to this archaic grave. History, indeed, was all I had after everything else ended in mocking Satanism.[4] I now believed that the lurking fear was no material thing, but a wolf-fanged ghost that rode the midnight lightning. And I believed, because of the masses of local tradition I had unearthed in my search with Arthur Munroe, that the ghost was that of Jan Martense, who died in 1762. That is why I was digging idiotically in his grave.

The Martense mansion was built in 1670 by Gerrit Martense, a wealthy New-Amsterdam merchant who disliked the changing order under British rule, and had constructed this magnificent domicile on a remote woodland summit whose untrodden solitude and unusual scenery pleased him. The only substantial disappointment encountered in this site was that which concerned the prevalence of violent thunderstorms in summer. When selecting the hill and building his mansion, Mynheer Martense had laid these frequent natural outbursts to some peculiarity of the year; but in time he perceived that the locality was especially liable to such phenomena. At length, having found these storms injurious to his health, he fitted up a cellar into which he could retreat from their wildest pandemonium.

Of Gerrit Martense’s descendants less is known than of himself; since they were all reared in hatred of the English civilisation, and trained to shun such of the colonists as accepted it. Their life was exceedingly secluded, and people declared that their isolation had made them heavy of speech and comprehension. In appearance all were marked by a peculiar inherited dissimilarity of eyes; one generally being blue and the other brown. Their social contacts grew fewer and fewer, till at last they took to intermarrying with the numerous menial class about the estate. Many of the crowded family degenerated, moved across the valley, and merged with the mongrel population which was later to produce the pitiful squatters. The rest had stuck sullenly to their ancestral mansion, becoming more and more clannish and taciturn, yet developing a nervous responsiveness to the frequent thunderstorms.

Most of this information reached the outside world through young Jan Martense, who from some kind of restlessness joined the colonial army when news of the Albany Convention reached Tempest Mountain.[5] He was the first of Gerrit’s descendants to see much of the world; and when he returned in 1760 after six years of campaigning, he was hated as an outsider by his father, uncles, and brothers, in spite of his dissimilar Martense eyes. No longer could he share the peculiarities and prejudices of the Martenses, while the very mountain thunderstorms failed to intoxicate him as they had before. Instead, his surroundings depressed him; and he frequently wrote to a friend in Albany of plans to leave the paternal roof.

In the spring of 1763 Jonathan Gifford, the Albany friend of Jan Martense, became worried by his correspondent’s silence; especially in view of the conditions and quarrels at the Martense mansion. Determined to visit Jan in person, he went into the mountains on horseback. His diary states that he reached Tempest Mountain on September 20, finding the mansion in great decrepitude. The sullen, odd-eyed Martenses, whose unclean animal aspect shocked him, told him in broken gutturals that Jan was dead. He had, they insisted, been struck by lightning the autumn before; and now lay buried behind the neglected sunken gardens. They shewed the visitor the grave, barren and devoid of markers. Something in the Martenses’ manner gave Gifford a feeling of repulsion and suspicion, and a week later he returned with spade and mattock to explore the sepulchral spot. He found what he expected—a skull crushed cruelly as if by savage blows—so returning to Albany he openly charged the Martenses with the murder of their kinsman.

Legal evidence was lacking, but the story spread rapidly round the countryside; and from that time the Martenses were ostracised by the world. No one would deal with them, and their distant manor was shunned as an accursed place. Somehow they managed to live on independently by the products of their estate, for occasional lights glimpsed from far-away hills attested their continued presence. These lights were seen as late as 1810, but toward the last they became very infrequent.

Meanwhile there grew up about the mansion and the mountain a body of diabolic legendry. The place was avoided with doubled assiduousness, and invested with every whispered myth tradition could supply. It remained unvisited till 1816, when the continued absence of lights was noticed by the squatters. At that time a party made investigations, finding the house deserted and partly in ruins.

There were no skeletons about, so that departure rather than death was inferred. The clan seemed to have left several years before, and improvised penthouses shewed how numerous it had grown prior to its migration. Its cultural level had fallen very low, as proved by decaying furniture and scattered silverware which must have been long abandoned when its owners left. But though the dreaded Martenses were gone, the fear of the haunted house continued; and grew very acute when new and strange stories arose among the mountain decadents. There it stood; deserted, feared, and linked with the vengeful ghost of Jan Martense. There it still stood on the night I dug in Jan Martense’s grave.

I have described my protracted digging as idiotic, and such it indeed was in object and method. The coffin of Jan Martense had soon been unearthed—it now held only dust and nitre—but in my fury to exhume his ghost I delved irrationally and clumsily down beneath where he had lain. God knows what I expected to find—I only felt that I was digging in the grave of a man whose ghost stalked by night.

It is impossible to say what monstrous depth I had attained when my spade, and soon my feet, broke through the ground beneath. The event, under the circumstances, was tremendous; for in the existence of a subterranean space here, my mad theories had terrible confirmation. My slight fall had extinguished the lantern, but I produced an electric pocket lamp and viewed the small horizontal tunnel which led away indefinitely in both directions. It was amply large enough for a man to wriggle through; and though no sane person would have tried it at that time, I forgot danger, reason, and cleanliness in my single-minded fever to unearth the lurking fear. Choosing the direction toward the house, I scrambled recklessly into the narrow burrow; squirming ahead blindly and rapidly, and flashing but seldom the lamp I kept before me.

What language can describe the spectacle of a man lost in infinitely abysmal earth; pawing, twisting, wheezing; scrambling madly through sunken convolutions of immemorial blackness without an idea of time, safety, direction, or definite object? There is something hideous in it, but that is what I did. I did it for so long that life faded to a far memory, and I became one with the moles and grubs of nighted depths. Indeed, it was only by accident that after interminable writhings I jarred my forgotten electric lamp alight, so that it shone eerily along the burrow of caked loam that stretched and curved ahead.

I had been scrambling in this way for some time, so that my battery had burned very low, when the passage suddenly inclined sharply upward, altering my mode of progress. And as I raised my glance it was without preparation that I saw glistening in the distance two daemoniac reflections of my expiring lamp; two reflections glowing with a baneful and unmistakable effulgence, and provoking maddeningly nebulous memories. I stopped automatically, though lacking the brain to retreat. The eyes approached, yet of the thing that bore them I could distinguish only a claw. But what a claw! Then far overhead I heard a faint crashing which I recognised. It was the wild thunder of the mountain, raised to hysteric fury—I must have been crawling upward for some time, so that the surface was now quite near. And as the muffled thunder clattered, those eyes still stared with vacuous viciousness.

Thank God I did not then know what it was, else I should have died. But I was saved by the very thunder that had summoned it, for after a hideous wait there burst from the unseen outside sky one of those frequent mountainward bolts whose aftermath I had noticed here and there as gashes of disturbed earth and fulgurites of various sizes. With Cyclopean rage it tore through the soil above that damnable pit, blinding and deafening me, yet not wholly reducing me to a coma.

In the chaos of sliding, shifting earth I clawed and floundered helplessly till the rain on my head steadied me and I saw that I had come to the surface in a familiar spot; a steep unforested place on the southwest slope of the mountain. Recurrent sheet lightnings illumed the tumbled ground and the remains of the curious low hummock which had stretched down from the wooded higher slope, but there was nothing in the chaos to shew my place of egress from the lethal catacomb. My brain was as great a chaos as the earth, and as a distant red glare burst on the landscape from the south I hardly realised the horror I had been through.

But when two days later the squatters told me what the red glare meant, I felt more horror than that which the mould-burrow and the claw and eyes had given; more horror because of the overwhelming implications. In a hamlet twenty miles away an orgy of fear had followed the bolt which brought me above ground, and a nameless thing had dropped from an overhanging tree into a weak-roofed cabin. It had done a deed, but the squatters had fired the cabin in frenzy before it could escape. It had been doing that deed at the very moment the earth caved in on the thing with the claw and eyes.

IV. THE HORROR IN THE EYES

There can be nothing normal in the mind of one who, knowing what I knew of the horrors of Tempest Mountain, would seek alone for the fear that lurked there. That at least two of the fear’s embodiments were destroyed, formed but a slight guarantee of mental and physical safety in this Acheron[6] of multiform diabolism; yet I continued my quest with even greater zeal as events and revelations became more monstrous.

When, two days after my frightful crawl through that crypt of the eyes and claw, I learned that a thing had malignly hovered twenty miles away at the same instant the eyes were glaring at me, I experienced virtual convulsions of fright. But that fright was so mixed with wonder and alluring grotesqueness, that it was almost a pleasant sensation. Sometimes, in the throes of a nightmare when unseen powers whirl one over the roofs of strange dead cities toward the grinning chasm of Nis,[7] it is a relief and even a delight to shriek wildly and throw oneself voluntarily along with the hideous vortex of dream-doom into whatever bottomless gulf may yawn. And so it was with the waking nightmare of Tempest Mountain; the discovery that two monsters had haunted the spot gave me ultimately a mad craving to plunge into the very earth of the accursed region, and with bare hands dig out the death that leered from every inch of the poisonous soil.

As soon as possible I visited the grave of Jan Martense and dug vainly where I had dug before. Some extensive cave-in had obliterated all trace of the underground passage, while the rain had washed so much earth back into the excavation that I could not tell how deeply I had dug that other day. I likewise made a difficult trip to the distant hamlet where the death-creature had been burnt, and was little repaid for my trouble. In the ashes of the fateful cabin I found several bones, but apparently none of the monster’s. The squatters said the thing had had only one victim; but in this I judged them inaccurate, since besides the complete skull of a human being, there was another bony fragment which seemed certainly to have belonged to a human skull at some time. Though the rapid drop of the monster had been seen, no one could say just what the creature was like; those who had glimpsed it called it simply a devil. Examining the great tree where it had lurked, I could discern no distinctive marks. I tried to find some trail into the black forest, but on this occasion could not stand the sight of those morbidly large boles, or of those vast serpent-like roots that twisted so malevolently before they sank into the earth.

My next step was to re-examine with microscopic care the deserted hamlet where death had come most abundantly, and where Arthur Munroe had seen something he never lived to describe. Though my vain previous searches had been exceedingly minute, I now had new data to test; for my horrible grave-crawl convinced me that at least one of the phases of the monstrosity had been an underground creature. This time, on the fourteenth of November, my quest concerned itself mostly with the slopes of Cone Mountain and Maple Hill where they overlook the unfortunate hamlet, and I gave particular attention to the loose earth of the landslide region on the latter eminence.

The afternoon of my search brought nothing to light, and dusk came as I stood on Maple Hill looking down at the hamlet and across the valley to Tempest Mountain. There had been a gorgeous sunset, and now the moon came up, nearly full and shedding a silver flood over the plain, the distant mountainside, and the curious low mounds that rose here and there. It was a peaceful Arcadian scene, but knowing what it hid I hated it. I hated the mocking moon, the hypocritical plain, the festering mountain, and those sinister mounds. Everything seemed to me tainted with a loathsome contagion, and inspired by a noxious alliance with distorted hidden powers.

Presently, as I gazed abstractedly at the moonlit panorama, my eye became attracted by something singular in the nature and arrangement of a certain topographical element. Without having any exact knowledge of geology, I had from the first been interested in the odd mounds and hummocks of the region. I had noticed that they were pretty widely distributed around Tempest Mountain, though less numerous on the plain than near the hilltop itself, where prehistoric glaciation had doubtless found feebler opposition to its striking and fantastic caprices. Now, in the light of that low moon which cast long weird shadows, it struck me forcibly that the various points and lines of the mound system had a peculiar relation to the summit of Tempest Mountain. That summit was undeniably a centre from which the lines or rows of points radiated indefinitely and irregularly, as if the unwholesome Martense mansion had thrown visible tentacles of terror. The idea of such tentacles gave me an unexplained thrill, and I stopped to analyse my reason for believing these mounds glacial phenomena.

The more I analysed the less I believed, and against my newly opened mind there began to beat grotesque and horrible analogies based on superficial aspects and upon my experience beneath the earth. Before I knew it I was uttering frenzied and disjointed words to myself: “My God! . . . Molehills . . . the damned place must be honeycombed . . . how many . . . that night at the mansion . . . they took Bennett and Tobey first . . . on each side of us. . . .” Then I was digging frantically into the mound which had stretched nearest me; digging desperately, shiveringly, but almost jubilantly; digging and at last shrieking aloud with some unplaced emotion as I came upon a tunnel or burrow just like the one through which I had crawled on that other daemoniac night.

After that I recall running, spade in hand; a hideous run across moon-litten, mound-marked meadows and through diseased, precipitous abysses of haunted hillside forest; leaping, screaming, panting, bounding toward the terrible Martense mansion. I recall digging unreasoningly in all parts of the brier-choked cellar; digging to find the core and centre of that malignant universe of mounds. And then I recall how I laughed when I stumbled on the passageway; the hole at the base of the old chimney, where the thick weeds grew and cast queer shadows in the light of the lone candle I had happened to have with me. What still remained down in that hell-hive, lurking and waiting for the thunder to arouse it, I did not know. Two had been killed; perhaps that had finished it. But still there remained that burning determination to reach the innermost secret of the fear, which I had once more come to deem definite, material, and organic.

My indecisive speculation whether to explore the passage alone and immediately with my pocket-light or to try to assemble a band of squatters for the quest, was interrupted after a time by a sudden rush of wind from the outside which blew out the candle and left me in stark blackness. The moon no longer shone through the chinks and apertures above me, and with a sense of fateful alarm I heard the sinister and significant rumble of approaching thunder. A confusion of associated ideas possessed my brain, leading me to grope back toward the farthest corner of the cellar. My eyes, however, never turned away from the horrible opening at the base of the chimney; and I began to get glimpses of the crumbling bricks and unhealthy weeds as faint glows of lightning penetrated the woods outside and illumined the chinks in the upper wall. Every second I was consumed with a mixture of fear and curiosity. What would the storm call forth—or was there anything left for it to call? Guided by a lightning flash I settled myself down behind a dense clump of vegetation, through which I could see the opening without being seen.

If heaven is merciful, it will some day efface from my consciousness the sight that I saw, and let me live my last years in peace. I cannot sleep at night now, and have to take opiates when it thunders. The thing came abruptly and unannounced; a daemon, rat-like scurrying from pits remote and unimaginable, a hellish panting and stifled grunting, and then from that opening beneath the chimney a burst of multitudinous and leprous life—a loathsome night-spawned flood of organic corruption more devastatingly hideous than the blackest conjurations of mortal madness and morbidity. Seething, stewing, surging, bubbling like serpents’ slime it rolled up and out of that yawning hole, spreading like a septic contagion and streaming from the cellar at every point of egress—streaming out to scatter through the accursed midnight forests and strew fear, madness, and death.

God knows how many there were—there must have been thousands. To see the stream of them in that faint, intermittent lightning was shocking. When they had thinned out enough to be glimpsed as separate organisms, I saw that they were dwarfed, deformed hairy devils or apes—monstrous and diabolic caricatures of the monkey tribe. They were so hideously silent; there was hardly a squeal when one of the last stragglers turned with the skill of long practice to make a meal in accustomed fashion on a weaker companion. Others snapped up what it left and ate with slavering relish. Then, in spite of my daze of fright and disgust, my morbid curiosity triumphed; and as the last of the monstrosities oozed up alone from that nether world of unknown nightmare, I drew my automatic pistol and shot it under cover of the thunder.

Shrieking, slithering, torrential shadows of red viscous madness chasing one another through endless, ensanguined corridors of purple fulgurous sky . . . formless phantasms and kaleidoscopic mutations of a ghoulish, remembered scene; forests of monstrous overnourished oaks with serpent roots twisting and sucking unnamable juices from an earth verminous with millions of cannibal devils; mound-like tentacles groping from underground nuclei of polypous perversion . . . insane lightning over malignant ivied walls and daemon arcades choked with fungous vegetation. . . . Heaven be thanked for the instinct which led me unconscious to places where men dwell; to the peaceful village that slept under the calm stars of clearing skies.

I had recovered enough in a week to send to Albany for a gang of men to blow up the Martense mansion and the entire top of Tempest Mountain with dynamite, stop up all the discoverable mound-burrows, and destroy certain overnourished trees whose very existence seemed an insult to sanity. I could sleep a little after they had done this, but true rest will never come as long as I remember that nameless secret of the lurking fear. The thing will haunt me, for who can say the extermination is complete, and that analogous phenomena do not exist all over the world? Who can, with my knowledge, think of the earth’s unknown caverns without a nightmare dread of future possibilities? I cannot see a well or a subway entrance without shuddering[8] . . . why cannot the doctors give me something to make me sleep, or truly calm my brain when it thunders?

What I saw in the glow of my flashlight after I shot the unspeakable straggling object was so simple that almost a minute elapsed before I understood and went delirious. The object was nauseous; a filthy whitish gorilla thing with sharp yellow fangs and matted fur. It was the ultimate product of mammalian degeneration; the frightful outcome of isolated spawning, multiplication, and cannibal nutrition above and below the ground; the embodiment of all the snarling chaos and grinning fear that lurk behind life. It had looked at me as it died, and its eyes had the same odd quality that marked those other eyes which had stared at me underground and excited cloudy recollections. One eye was blue, the other brown. They were the dissimilar Martense eyes of the old legends, and I knew in one inundating cataclysm of voiceless horror what had become of that vanished family; the terrible and thunder-crazed house of Martense.

THE UNNAMABLE

We were sitting on a dilapidated seventeenth-century tomb in the late afternoon of an autumn day at the old burying-ground in Arkham, and speculating about the unnamable. Looking toward the giant willow in the centre of the cemetery, whose trunk has nearly engulfed an ancient, illegible slab,[1] I had made a fantastic remark about the spectral and unmentionable nourishment which the colossal roots must be sucking in from that hoary, charnel earth; when my friend chided me for such nonsense and told me that since no interments had occurred there for over a century, nothing could possibly exist to nourish the tree in other than an ordinary manner. Besides, he added, my constant talk about “unnamable” and “unmentionable” things was a very puerile device, quite in keeping with my lowly standing as an author. I was too fond of ending my stories with sights or sounds which paralysed my heroes’ faculties and left them without courage, words, or associations to tell what they had experienced. We know things, he said, only through our five senses or our religious intuitions; wherefore it is quite impossible to refer to any object or spectacle which cannot be clearly depicted by the solid definitions of fact or the correct doctrines of theology—preferably those of the Congregationalists, with whatever modifications tradition and Sir Arthur Conan Doyle may supply.[2]

With this friend, Joel Manton, I had often languidly disputed. He was principal of the East High School, born and bred in Boston and sharing New England’s self-satisfied deafness to the delicate overtones of life.[3] It was his view that only our normal, objective experiences possess any aesthetic significance, and that it is the province of the artist not so much to rouse strong emotion by action, ecstasy, and astonishment, as to maintain a placid interest and appreciation by accurate, detailed transcripts of every-day affairs.[4] Especially did he object to my preoccupation with the mystical and the unexplained; for although believing in the supernatural much more fully than I, he would not admit that it is sufficiently commonplace for literary treatment. That a mind can find its greatest pleasure in escapes from the daily treadmill, and in original and dramatic recombinations of images usually thrown by habit and fatigue into the hackneyed patterns of actual existence, was something virtually incredible to his clear, practical, and logical intellect. With him all things and feelings had fixed dimensions, properties, causes, and effects; and although he vaguely knew that the mind sometimes holds visions and sensations of far less geometrical, classifiable, and workable nature, he believed himself justified in drawing an arbitrary line and ruling out of court all that cannot be experienced and understood by the average citizen. Besides, he was almost sure that nothing can be really “unnamable.” It didn’t sound sensible to him.

Though I well realised the futility of imaginative and metaphysical arguments against the complacency of an orthodox sun-dweller, something in the scene of this afternoon colloquy moved me to more than usual contentiousness. The crumbling slate slabs, the patriarchal trees, and the centuried gambrel roofs of the witch-haunted old town that stretched around, all combined to rouse my spirit in defence of my work; and I was soon carrying my thrusts into the enemy’s own country. It was not, indeed, difficult to begin a counter-attack, for I knew that Joel Manton actually half clung to many old-wives’ superstitions which sophisticated people had long outgrown; beliefs in the appearance of dying persons at distant places, and in the impressions left by old faces on the windows through which they had gazed all their lives. To credit these whisperings of rural grandmothers, I now insisted, argued a faith in the existence of spectral substances on the earth apart from and subsequent to their material counterparts. It argued a capability of believing in phenomena beyond all normal notions; for if a dead man can transmit his visible or tangible image half across the world, or down the stretch of the centuries, how can it be absurd to suppose that deserted houses are full of queer sentient things, or that old graveyards teem with the terrible, unbodied intelligence of generations? And since spirit, in order to cause all the manifestations attributed to it, cannot be limited by any of the laws of matter; why is it extravagant to imagine psychically living dead things in shapes—or absences of shapes—which must for human spectators be utterly and appallingly “unnamable”? “Common sense” in reflecting on these subjects, I assured my friend with some warmth, is merely a stupid absence of imagination and mental flexibility.

Twilight had now approached, but neither of us felt any wish to cease speaking. Manton seemed unimpressed by my arguments, and eager to refute them, having that confidence in his own opinions which had doubtless caused his success as a teacher; whilst I was too sure of my ground to fear defeat. The dusk fell, and lights faintly gleamed in some of the distant windows, but we did not move. Our seat on the tomb was very comfortable, and I knew that my prosaic friend would not mind the cavernous rift in the ancient, root-disturbed brickwork close behind us, or the utter blackness of the spot brought by the intervention of a tottering, deserted seventeenth-century house between us and the nearest lighted road. There in the dark, upon that riven tomb by the deserted house, we talked on about the “unnamable”, and after my friend had finished his scoffing I told him of the awful evidence behind the story at which he had scoffed the most.

My tale had been called “The Attic Window”, and appeared in the January, 1922, issue of Whispers.[5] In a good many places, especially the South and the Pacific coast, they took the magazines off the stands at the complaints of silly milksops;[6] but New England didn’t get the thrill and merely shrugged its shoulders at my extravagance. The thing, it was averred, was biologically impossible to start with; merely another of those crazy country mutterings which Cotton Mather had been gullible enough to dump into his chaotic Magnalia Christi Americana, and so poorly authenticated that even he had not ventured to name the locality where the horror occurred .[7] And as to the way I amplified the bare jotting of the old mystic—that was quite impossible, and characteristic of a flighty and notional scribbler! Mather had indeed told of the thing as being born, but nobody but a cheap sensationalist would think of having it grow up, look into people’s windows at night, and be hidden in the attic of a house, in flesh and in spirit, till someone saw it at the window centuries later and couldn’t describe what it was that turned his hair grey. All this was flagrant trashiness, and my friend Manton was not slow to insist on that fact. Then I told him what I had found in an old diary kept between 1706 and 1723, unearthed among family papers not a mile from where we were sitting; that, and the certain reality of the scars on my ancestor’s chest and back which the diary described. I told him, too, of the fears of others in that region, and how they were whispered down for generations; and how no mythical madness came to the boy who in 1793 entered an abandoned house to examine certain traces suspected to be there.

It had been an eldritch thing—no wonder sensitive students shudder at the Puritan age in Massachusetts. So little is known of what went on beneath the surface—so little, yet such a ghastly festering as it bubbles up putrescently in occasional ghoulish glimpses. The witchcraft terror is a horrible ray of light on what was stewing in men’s crushed brains, but even that is a trifle. There was no beauty; no freedom—we can see that from the architectural and household remains, and the poisonous sermons of the cramped divines. And inside that rusted iron strait-jacket lurked gibbering hideousness, perversion, and diabolism. Here, truly, was the apotheosis of the unnamable.[8]

Cotton Mather, in that daemoniac sixth book which no one should read after dark, minced no words as he flung forth his anathema. Stern as a Jewish prophet, and laconically unamazed as none since his day could be, he told of the beast that had brought forth what was more than beast but less than man—the thing with the blemished eye—and of the screaming drunken wretch that they hanged for having such an eye. This much he baldly told, yet without a hint of what came after. Perhaps he did not know, or perhaps he knew and did not dare to tell. Others knew, but did not dare to tell—there is no public hint of why they whispered about the lock on the door to the attic stairs in the house of a childless, broken, embittered old man who had put up a blank slate slab by an avoided grave, although one may trace enough evasive legends to curdle the thinnest blood.

It is all in that ancestral diary I found; all the hushed innuendoes and furtive tales of things with a blemished eye seen at windows in the night or in deserted meadows near the woods. Something had caught my ancestor on a dark valley road, leaving him with marks of horns on his chest and of ape-like claws on his back; and when they looked for prints in the trampled dust they found the mixed marks of split hooves and vaguely anthropoid paws. Once a post-rider said he saw an old man chasing and calling to a frightful loping, nameless thing on Meadow Hill[9] in the thinly moonlit hours before dawn, and many believed him. Certainly, there was strange talk one night in 1710 when the childless, broken old man was buried in the crypt behind his own house in sight of the blank slate slab. They never unlocked that attic door, but left the whole house as it was, dreaded and deserted. When noises came from it, they whispered and shivered; and hoped that the lock on that attic door was strong. Then they stopped hoping when the horror occurred at the parsonage, leaving not a soul alive or in one piece. With the years the legends take on a spectral character—I suppose the thing, if it was a living thing, must have died. The memory had lingered hideously—all the more hideous because it was so secret.

During this narration my friend Manton had become very silent, and I saw that my words had impressed him. He did not laugh as I paused, but asked quite seriously about the boy who went mad in 1793, and who had presumably been the hero of my fiction. I told him why the boy had gone to that shunned, deserted house, and remarked that he ought to be interested, since he believed that windows retained latent images of those who had sat at them. The boy had gone to look at the windows of that horrible attic, because of tales of things seen behind them, and had come back screaming maniacally.

Manton remained thoughtful as I said this, but gradually reverted to his analytical mood. He granted for the sake of argument that some unnatural monster had really existed, but reminded me that even the most morbid perversion of Nature need not be unnamable or scientifically indescribable. I admired his clearness and persistence, and added some further revelations I had collected among the old people. Those later spectral legends, I made plain, related to monstrous apparitions more frightful than anything organic could be; apparitions of gigantic bestial forms sometimes visible and sometimes only tangible, which floated about on moonless nights and haunted the old house, the crypt behind it, and the grave where a sapling had sprouted beside an illegible slab. Whether or not such apparitions had ever gored or smothered people to death, as told in uncorroborated traditions, they had produced a strong and consistent impression; and were yet darkly feared by very aged natives, though largely forgotten by the last two generations—perhaps dying for lack of being thought about. Moreover, so far as aesthetic theory was involved, if the psychic emanations of human creatures be grotesque distortions, what coherent representation could express or portray so gibbous and infamous a nebulosity as the spectre of a malign, chaotic perversion, itself a morbid blasphemy against Nature? Moulded by the dead brain of a hybrid nightmare, would not such a vaporous terror constitute in all loathsome truth the exquisitely, the shriekingly unnamable?

The hour must now have grown very late. A singularly noiseless bat brushed by me, and I believe it touched Manton also, for although I could not see him I felt him raise his arm. Presently he spoke.

“But is that house with the attic window still standing and deserted?”

“Yes,” I answered. “I have seen it.”

“And did you find anything there—in the attic or anywhere else?”

“There were some bones up under the eaves. They may have been what that boy saw—if he was sensitive he wouldn’t have needed anything in the window-glass to unhinge him. If they all came from the same object it must have been an hysterical, delirious monstrosity. It would have been blasphemous to leave such bones in the world, so I went back with a sack and took them to the tomb behind the house. There was an opening where I could dump them in. Don’t think I was a fool—you ought to have seen that skull. It had four-inch horns, but a face and jaw something like yours and mine.”

At last I could feel a real shiver run through Manton, who had moved very near. But his curiosity was undeterred.

“And what about the window-panes?”

“They were all gone. One window had lost its entire frame, and in the other there was not a trace of glass in the little diamond apertures. They were that kind—the old lattice windows that went out of use before 1700. I don’t believe they’ve had any glass for an hundred years or more—maybe the boy broke ’em if he got that far; the legend doesn’t say.”

Manton was reflecting again.

“I’d like to see that house, Carter. Where is it? Glass or no glass, I must explore it a little. And the tomb where you put those bones, and the other grave without an inscription—the whole thing must be a bit terrible.”

“You did see it—until it got dark.”

My friend was more wrought upon than I had suspected, for at this touch of harmless theatricalism he started neurotically away from me and actually cried out with a sort of gulping gasp which released a strain of previous repression. It was an odd cry, and all the more terrible because it was answered. For as it was still echoing, I heard a creaking sound through the pitchy blackness, and knew that a lattice window was opening in that accursed old house beside us. And because all the other frames were long since fallen, I knew that it was the grisly glassless frame of that daemoniac attic window.

Then came a noxious rush of noisome, frigid air from that same dreaded direction, followed by a piercing shriek just beside me on that shocking rifted tomb of man and monster. In another instant I was knocked from my gruesome bench by the devilish threshing of some unseen entity of titanic size but undetermined nature; knocked sprawling on the root-clutched mould of that abhorrent graveyard, while from the tomb came such a stifled uproar of gasping and whirring that my fancy peopled the rayless gloom with Miltonic legions of the misshapen damned. There was a vortex of withering, ice-cold wind, and then the rattle of loose bricks and plaster; but I had mercifully fainted before I could learn what it meant.

Manton, though smaller than I, is more resilient; for we opened our eyes at almost the same instant, despite his greater injuries. Our couches were side by side, and we knew in a few seconds that we were in St. Mary’s Hospital.[10] Attendants were grouped about in tense curiosity, eager to aid our memory by telling us how we came there, and we soon heard of the farmer who had found us at noon in a lonely field beyond Meadow Hill, a mile from the old burying-ground, on a spot where an ancient slaughterhouse is reputed to have stood. Manton had two malignant wounds in the chest, and some less severe cuts or gougings in the back. I was not so seriously hurt, but was covered with welts and contusions of the most bewildering character, including the print of a split hoof. It was plain that Manton knew more than I, but he told nothing to the puzzled and interested physicians till he had learned what our injuries were. Then he said we were the victims of a vicious bull—though the animal was a difficult thing to place and account for.

After the doctors and nurses had left, I whispered an awestruck question:

“Good God, Manton, but what was it? Those scars—was it like that?”

And I was too dazed to exult when he whispered back a thing I had half expected—

“No—it wasn’t that way at all. It was everywhere—a gelatin—a slime—yet it had shapes, a thousand shapes of horror beyond all memory. There were eyes—and a blemish. It was the pit—the maelstrom—the ultimate abomination. Carter, it was the unnamable! ”

THE SHUNNED HOUSE

I .

From even the greatest of horrors irony is seldom absent. Sometimes it enters directly into the composition of the events, while sometimes it relates only to their fortuitous position among persons and places. The latter sort is splendidly exemplified by a case in the ancient city of Providence, where in the late forties Edgar Allan Poe used to sojourn often during his unsuccessful wooing of the gifted poetess, Mrs. Whitman.[1] Poe generally stopped at the Mansion House in Benefit Street—the renamed Golden Ball Inn[2] whose roof has sheltered Washington, Jefferson, and Lafayette—and his favourite walk led northward along the same street to Mrs. Whitman’s home and the neighbouring hillside churchyard of St. John’s,[3] whose hidden expanse of eighteenth-century gravestones had for him a peculiar fascination.

Now the irony is this. In this walk, so many times repeated, the world’s greatest master of the terrible and the bizarre was obliged to pass a particular house on the eastern side of the street; a dingy, antiquated structure perched on the abruptly rising side-hill, with a great unkempt yard dating from a time when the region was partly open country. It does not appear that he ever wrote or spoke of it, nor is there any evidence that he even noticed it. And yet that house, to the two persons in possession of certain information, equals or outranks in horror the wildest phantasy of the genius who so often passed it unknowingly, and stands starkly leering as a symbol of all that is unutterably hideous.

The house was—and for that matter still is—of a kind to attract the attention of the curious. Originally a farm or semi-farm building, it followed the average New England colonial lines of the middle eighteenth century—the prosperous peaked-roof sort, with two stories and dormerless attic, and with the Georgian doorway and interior panelling dictated by the progress of taste at that time. It faced south, with one gable end buried to the lower windows in the eastward rising hill, and the other exposed to the foundations toward the street. Its construction, over a century and a half ago, had followed the grading and straightening of the road in that especial vicinity; for Benefit Street—at first called Back Street—was laid out as a lane winding amongst the graveyards of the first settlers, and straightened only when the removal of the bodies to the North Burial Ground[4] made it decently possible to cut through the old family plots.

At the start, the western wall had lain some twenty feet up a precipitous lawn from the roadway; but a widening of the street at about the time of the Revolution sheared off most of the intervening space, exposing the foundations so that a brick basement wall had to be made, giving the deep cellar a street frontage with door and two windows above ground, close to the new line of public travel. When the sidewalk was laid out a century ago the last of the intervening space was removed; and Poe in his walks must have seen only a sheer ascent of dull grey brick flush with the sidewalk and surmounted at a height of ten feet by the antique shingled bulk of the house proper.

The farm-like grounds extended back very deeply up the hill, almost to Wheaton Street. The space south of the house, abutting on Benefit Street, was of course greatly above the existing sidewalk level, forming a terrace bounded by a high bank wall of damp, mossy stone pierced by a steep flight of narrow steps which led inward between canyon-like surfaces to the upper region of mangy lawn, rheumy brick walls, and neglected gardens whose dismantled cement urns, rusted kettles fallen from tripods of knotty sticks, and similar paraphernalia set off the weather-beaten front door with its broken fanlight, rotting Ionic pilasters, and wormy triangular pediment.

What I heard in my youth about the shunned house was merely that people died there in alarmingly great numbers. That, I was told, was why the original owners had moved out some twenty years after building the place. It was plainly unhealthy, perhaps because of the dampness and fungous growth in the cellar, the general sickish smell, the draughts of the hallways, or the quality of the well and pump water. These things were bad enough, and these were all that gained belief among the persons whom I knew. Only the notebooks of my antiquarian uncle, Dr. Elihu Whipple,[5] revealed to me at length the darker, vaguer surmises which formed an undercurrent of folklore among old-time servants and humble folk; surmises which never travelled far, and which were largely forgotten when Providence grew to be a metropolis with a shifting modern population.

The general fact is, that the house was never regarded by the solid part of the community as in any real sense “haunted”. There were no widespread tales of rattling chains, cold currents of air, extinguished lights, or faces at the window. Extremists sometimes said the house was “unlucky”, but that is as far as even they went. What was really beyond dispute is that a frightful proportion of persons died there; or more accurately, had died there, since after some peculiar happenings over sixty years ago the building had become deserted through the sheer impossibility of renting it. These persons were not all cut off suddenly by any one cause; rather did it seem that their vitality was insidiously sapped, so that each one died the sooner from whatever tendency to weakness he may have naturally had. And those who did not die displayed in varying degree a type of anaemia or consumption, and sometimes a decline of the mental faculties, which spoke ill for the salubriousness of the building. Neighbouring houses, it must be added, seemed entirely free from the noxious quality.

This much I knew before my insistent questioning led my uncle to shew me the notes which finally embarked us both on our hideous investigation. In my childhood the shunned house was vacant, with barren, gnarled, and terrible old trees, long, queerly pale grass, and nightmarishly misshapen weeds in the high terraced yard where birds never lingered. We boys used to overrun the place, and I can still recall my youthful terror not only at the morbid strangeness of this sinister vegetation, but at the eldritch atmosphere and odour of the dilapidated house, whose unlocked front door was often entered in quest of shudders. The small-paned windows were largely broken, and a nameless air of desolation hung round the precarious panelling, shaky interior shutters, peeling wall-paper, falling plaster, rickety staircases, and such fragments of battered furniture as still remained. The dust and cobwebs added their touch of the fearful; and brave indeed was the boy who would voluntarily ascend the ladder to the attic, a vast raftered length lighted only by small blinking windows in the gable ends, and filled with a massed wreckage of chests, chairs, and spinning-wheels which infinite years of deposit had shrouded and festooned into monstrous and hellish shapes.

But after all, the attic was not the most terrible part of the house. It was the dank, humid cellar which somehow exerted the strongest repulsion on us, even though it was wholly above ground on the street side, with only a thin door and window-pierced brick wall to separate it from the busy sidewalk. We scarcely knew whether to haunt it in spectral fascination, or to shun it for the sake of our souls and our sanity. For one thing, the bad odour of the house was strongest there; and for another thing, we did not like the white fungous growths which occasionally sprang up in rainy summer weather from the hard earth floor. Those fungi, grotesquely like the vegetation in the yard outside, were truly horrible in their outlines; detestable parodies of toadstools and Indian pipes,[6] whose like we had never seen in any other situation. They rotted quickly, and at one stage became slightly phosphorescent; so that nocturnal passers-by sometimes spoke of witch-fires glowing behind the broken panes of the foetor-spreading windows.

We never—even in our wildest Hallowe’en moods—visited this cellar by night, but in some of our daytime visits could detect the phosphorescence, especially when the day was dark and wet. There was also a subtler thing we often thought we detected—a very strange thing which was, however, merely suggestive at most. I refer to a sort of cloudy whitish pattern on the dirt floor—a vague, shifting deposit of mould or nitre which we sometimes thought we could trace amidst the sparse fungous growths near the huge fireplace of the basement kitchen. Once in a while it struck us that this patch bore an uncanny resemblance to a doubled-up human figure, though generally no such kinship existed, and often there was no whitish deposit whatever .[7] On a certain rainy afternoon when this illusion seemed phenomenally strong, and when, in addition, I had fancied I glimpsed a kind of thin, yellowish, shimmering exhalation rising from the nitrous pattern toward the yawning fireplace, I spoke to my uncle about the matter. He smiled at this odd conceit, but it seemed that his smile was tinged with reminiscence. Later I heard that a similar notion entered into some of the wild ancient tales of the common folk—a notion likewise alluding to ghoulish, wolfish shapes taken by smoke from the great chimney, and queer contours assumed by certain of the sinuous tree-roots that thrust their way into the cellar through the loose foundation-stones.

II.

Not till my adult years did my uncle set before me the notes and data which he had collected concerning the shunned house. Dr. Whipple was a sane, conservative physician of the old school, and for all his interest in the place was not eager to encourage young thoughts toward the abnormal. His own view, postulating simply a building and location of markedly unsanitary qualities, had nothing to do with abnormality; but he realised that the very picturesqueness which aroused his own interest would in a boy’s fanciful mind take on all manner of gruesome imaginative associations.

The doctor was a bachelor; a white-haired, clean-shaven, old-fashioned gentleman, and a local historian of note, who had often broken a lance with such controversial guardians of tradition as Sidney S. Rider and Thomas W. Bicknell.[8] He lived with one manservant in a Georgian homestead with knocker and iron-railed steps, balanced eerily on a steep ascent of North Court Street beside the ancient brick court and colony house where his grandfather—a cousin of that celebrated privateersman, Capt. Whipple, who burnt His Majesty’s armed schooner Gaspee in 1772[9]—had voted in the legislature on May 4, 1776, for the independence of the Rhode Island Colony. Around him in the damp, low-ceiled library with the musty white panelling, heavy carved overmantel, and small-paned, vine-shaded windows, were the relics and records of his ancient family, among which were many dubious allusions to the shunned house in Benefit Street. That pest spot lies not far distant—for Benefit runs ledgewise just above the court-house along the precipitous hill up which the first settlement climbed.

When, in the end, my insistent pestering and maturing years evoked from my uncle the hoarded lore I sought, there lay before me a strange enough chronicle. Long-winded, statistical, and drearily genealogical as some of the matter was, there ran through it a continuous thread of brooding, tenacious horror and preternatural malevolence which impressed me even more than it had impressed the good doctor. Separate events fitted together uncannily, and seemingly irrelevant details held mines of hideous possibilities. A new and burning curiosity grew in me, compared to which my boyish curiosity was feeble and inchoate. The first revelation led to an exhaustive research, and finally to that shuddering quest which proved so disastrous to myself and mine. For at last my uncle insisted on joining the search I had commenced, and after a certain night in that house he did not come away with me. I am lonely without that gentle soul whose long years were filled only with honour, virtue, good taste, benevolence, and learning. I have reared a marble urn to his memory in St. John’s churchyard—the place that Poe loved—the hidden grove of giant willows on the hill, where tombs and headstones huddle quietly between the hoary bulk of the church and the houses and bank walls of Benefit Street.

The history of the house, opening amidst a maze of dates, revealed no trace of the sinister either about its construction or about the prosperous and honourable family who built it. Yet from the first a taint of calamity, soon increased to boding significance, was apparent. My uncle’s carefully compiled record began with the building of the structure in 1763, and followed the theme with an unusual amount of detail. The shunned house, it seems, was first inhabited by William Harris and his wife Rhoby Dexter, with their children, Elkanah, born in 1755, Abigail, born in 1757, William, Jr., born in 1759, and Ruth, born in 1761. Harris was a substantial merchant and seaman in the West India trade, connected with the firm of Obadiah Brown and his nephews.[10] After Brown’s death in 1761, the new firm of Nicholas Brown & Co.[11] made him master of the brig Prudence, Providence-built, of 120 tons, thus enabling him to erect the new homestead he had desired ever since his marriage.

The site he had chosen—a recently straightened part of the new and fashionable Back Street, which ran along the side of the hill above crowded Cheapside[12]—was all that could be wished, and the building did justice to the location. It was the best that moderate means could afford, and Harris hastened to move in before the birth of a fifth child which the family expected. That child, a boy, came in December; but was still-born. Nor was any child to be born alive in that house for a century and a half.

The next April sickness occurred among the children, and Abigail and Ruth died before the month was over. Dr. Job Ives diagnosed the trouble as some infantile fever, though others declared it was more of a mere wasting-away or decline. It seemed, in any event, to be contagious; for Hannah Bowen, one of the two servants, died of it in the following June. Eli Liddeason, the other servant, constantly complained of weakness; and would have returned to his father’s farm in Rehoboth [13] but for a sudden attachment for Mehitabel Pierce, who was hired to succeed Hannah. He died the next year—a sad year indeed, since it marked the death of William Harris himself, enfeebled as he was by the climate of Martinique, where his occupation had kept him for considerable periods during the preceding decade.

The widowed Rhoby Harris never recovered from the shock of her husband’s death, and the passing of her first-born Elkanah two years later was the final blow to her reason. In 1768 she fell victim to a mild form of insanity, and was thereafter confined to the upper part of the house;[14] her elder maiden sister, Mercy Dexter, having moved in to take charge of the family. Mercy was a plain, rawboned woman of great strength; but her health visibly declined from the time of her advent. She was greatly devoted to her unfortunate sister, and had an especial affection for her only surviving nephew William, who from a sturdy infant had become a sickly, spindling lad. In this year the servant Mehitabel died, and the other servant, Preserved Smith, left without coherent explanation—or at least, with only some wild tales and a complaint that he disliked the smell of the place. For a time Mercy could secure no more help, since the seven deaths and case of madness, all occurring within five years’ space, had begun to set in motion the body of fireside rumour which later became so bizarre. Ultimately, however, she obtained new servants from out of town; Ann White, a morose woman from that part of North Kingstown now set off as the township of Exeter,[15] and a capable Boston man named Zenas Low.

It was Ann White who first gave definite shape to the sinister idle talk. Mercy should have known better than to hire anyone from the Nooseneck Hill[16] country, for that remote bit of backwoods was then, as now, a seat of the most uncomfortable superstitions. As lately as 1892 an Exeter community exhumed a dead body and ceremoniously burnt its heart in order to prevent certain alleged visitations injurious to the public health and peace,[17] and one may imagine the point of view of the same section in 1768. Ann’s tongue was perniciously active, and within a few months Mercy discharged her, filling her place with a faithful and amiable Amazon from Newport, Maria Robbins.

Meanwhile poor Rhoby Harris, in her madness, gave voice to dreams and imaginings of the most hideous sort. At times her screams became insupportable, and for long periods she would utter shrieking horrors which necessitated her son’s temporary residence with his cousin, Peleg Harris, in Presbyterian-Lane near the new college building.[18] The boy would seem to improve after these visits, and had Mercy been as wise as she was well-meaning, she would have let him live permanently with Peleg. Just what Mrs. Harris cried out in her fits of violence, tradition hesitates to say; or rather, presents such extravagant accounts that they nullify themselves through sheer absurdity. Certainly it sounds absurd to hear that a woman educated only in the rudiments of French often shouted for hours in a coarse and idiomatic form of that language, or that the same person, alone and guarded, complained wildly of a staring thing which bit and chewed at her. In 1772 the servant Zenas died, and when Mrs. Harris heard of it she laughed with a shocking delight utterly foreign to her. The next year she herself died, and was laid to rest in the North Burial Ground beside her husband.

Upon the outbreak of trouble with Great Britain in 1775, William Harris, despite his scant sixteen years and feeble constitution, managed to enlist in the Army of Observation under General Greene;[19] and from that time on enjoyed a steady rise in health and prestige. In 1780, as a Captain in Rhode Island forces in New Jersey under Colonel Angell,[20] he met and married Phebe Hetfield of Elizabethtown,[21] whom he brought to Providence upon his honourable discharge in the following year.

The young soldier’s return was not a thing of unmitigated happiness. The house, it is true, was still in good condition; and the street had been widened and changed in name from Back Street to Benefit Street. But Mercy Dexter’s once robust frame had undergone a sad and curious decay, so that she was now a stooped and pathetic figure with hollow voice and disconcerting pallor—qualities shared to a singular degree by the one remaining servant, Maria. In the autumn of 1782 Phebe Harris gave birth to a still-born daughter, and on the fifteenth of the next May Mercy Dexter took leave of a useful, austere, and virtuous life.

William Harris, at last thoroughly convinced of the radically unhealthful nature of his abode, now took steps toward quitting it and closing it forever. Securing temporary quarters for himself and his wife at the newly opened Golden Ball Inn, he arranged for the building of a new and finer house in Westminster Street, in the growing part of the town across the Great Bridge.[22] There, in 1785, his son Dutee was born; and there the family dwelt till the encroachments of commerce drove them back across the river and over the hill to Angell Street, in the newer East Side residence district, where the late Archer Harris built his sumptuous but hideous French-roofed mansion in 1876.[23] William and Phebe both succumbed to the yellow fever epidemic of 1797, but Dutee was brought up by his cousin Rathbone Harris, Peleg’s son.[24]

Rathbone was a practical man, and rented the Benefit Street house despite William’s wish to keep it vacant. He considered it an obligation to his ward to make the most of all the boy’s property, nor did he concern himself with the deaths and illnesses which caused so many changes of tenants, or the steadily growing aversion with which the house was generally regarded. It is likely that he felt only vexation when, in 1804, the town council ordered him to fumigate the place with sulphur, tar, and gum camphor on account of the much-discussed deaths of four persons, presumably caused by the then diminishing fever epidemic. They said the place had a febrile smell.

Dutee himself thought little of the house, for he grew up to be a privateersman, and served with distinction on the Vigilant under Capt. Cahoone in the War of 1812.[25] He returned unharmed, married in 1814, and became a father on that memorable night of September 23, 1815, when a great gale drove the waters of the bay over half the town and floated a tall sloop well up Westminster Street so that its masts almost tapped the Harris windows in symbolic affirmation that the new boy, Welcome, was a seaman’s son.

Welcome did not survive his father, but lived to perish gloriously at Fredericksburg in 1862.[26] Neither he nor his son Archer knew of the shunned house as other than a nuisance almost impossible to rent—perhaps on account of the mustiness and sickly odour of unkempt old age. Indeed, it never was rented after a series of deaths culminating in 1861, which the excitement of the war tended to throw into obscurity. Carrington Harris, last of the male line, knew it only as a deserted and somewhat picturesque centre of legend until I told him my experience. He had meant to tear it down and build an apartment house on the site, but after my account decided to let it stand, install plumbing, and rent it. Nor has he yet had any difficulty in obtaining tenants. The horror has gone.

III.

It may well be imagined how powerfully I was affected by the annals of the Harrises. In this continuous record there seemed to me to brood a persistent evil beyond anything in Nature as I had known it; an evil clearly connected with the house and not with the family. This impression was confirmed by my uncle’s less systematic array of miscellaneous data—legends transcribed from servant gossip, cuttings from the papers, copies of death-certificates by fellow-physicians, and the like. All of this material I cannot hope to give, for my uncle was a tireless antiquarian and very deeply interested in the shunned house; but I may refer to several dominant points which earn notice by their recurrence through many reports from diverse sources. For example, the servant gossip was practically unanimous in attributing to the fungous and malodorous cellar of the house a vast supremacy in evil influence. There had been servants—Ann White especially—who would not use the cellar kitchen, and at least three well-defined legends bore upon the queer quasi-human or diabolic outlines assumed by tree-roots and patches of mould in that region. These latter narratives interested me profoundly, on account of what I had seen in my boyhood, but I felt that most of the significance had in each case been largely obscured by additions from the common stock of local ghost lore.

Ann White, with her Exeter superstition, had promulgated the most extravagant and at the same time most consistent tale; alleging that there must lie buried beneath the house one of those vampires—the dead who retain their bodily form and live on the blood or breath of the living—whose hideous legions send their preying shapes or spirits abroad by night. To destroy a vampire one must, the grandmothers say, exhume it and burn its heart, or at least drive a stake through that organ; and Ann’s dogged insistence on a search under the cellar had been prominent in bringing about her discharge.

Her tales, however, commanded a wide audience, and were the more readily accepted because the house indeed stood on land once used for burial purposes. To me their interest depended less on this circumstance than on the peculiarly appropriate way in which they dovetailed with certain other things—the complaint of the departing servant Preserved Smith, who had preceded Ann and never heard of her, that something “sucked his breath” at night; the death-certificates of fever victims of 1804, issued by Dr. Chad Hopkins,[27] and shewing the four deceased persons all unaccountably lacking in blood; and the obscure passages of poor Rhoby Harris’s ravings, where she complained of the sharp teeth of a glassy-eyed, half-visible presence.

Free from unwarranted superstition though I am, these things produced in me an odd sensation, which was intensified by a pair of widely separated newspaper cuttings relating to deaths in the shunned house—one from the Providence Gazette and Country-Journal of April 12, 1815,[28] and the other from the Daily Transcript and Chronicle of October 27, 1845[29]—each of which detailed an appallingly grisly circumstance whose duplication was remarkable. It seems that in both instances the dying person, in 1815 a gentle old lady named Stafford and in 1845 a school-teacher of middle age named Eleazar Durfee, became transfigured in a horrible way; glaring glassily and attempting to bite the throat of the attending physician. Even more puzzling, though, was the final case which put an end to the renting of the house—a series of anaemia deaths preceded by progressive madnesses wherein the patient would craftily attempt the lives of his relatives by incisions in the neck or wrist.

This was in 1860 and 1861, when my uncle had just begun his medical practice; and before leaving for the front he heard much of it from his elder professional colleagues. The really inexplicable thing was the way in which the victims—ignorant people, for the ill-smelling and widely shunned house could now be rented to no others—would babble maledictions in French, a language they could not possibly have studied to any extent. It made one think of poor Rhoby Harris nearly a century before, and so moved my uncle that he commenced collecting historical data on the house after listening, some time subsequent to his return from the war, to the first-hand account of Drs. Chase and Whitmarsh. Indeed, I could see that my uncle had thought deeply on the subject, and that he was glad of my own interest—an open-minded and sympathetic interest which enabled him to discuss with me matters at which others would merely have laughed. His fancy had not gone so far as mine, but he felt that the place was rare in its imaginative potentialities, and worthy of note as an inspiration in the field of the grotesque and macabre.

For my part, I was disposed to take the whole subject with profound seriousness, and began at once not only to review the evidence, but to accumulate as much more as I could. I talked with the elderly Archer Harris, then owner of the house, many times before his death in 1916; and obtained from him and his still surviving maiden sister Alice an authentic corroboration of all the family data my uncle had collected. When, however, I asked them what connexion with France or its language the house could have, they confessed themselves as frankly baffled and ignorant as I. Archer knew nothing, and all that Miss Harris could say was that an old allusion her grandfather, Dutee Harris, had heard of might have shed a little light. The old seaman, who had survived his son Welcome’s death in battle by two years, had not himself known the legend; but recalled that his earliest nurse, the ancient Maria Robbins, seemed darkly aware of something that might have lent a weird significance to the French ravings of Rhoby Harris, which she had so often heard during the last days of that hapless woman. Maria had been at the shunned house from 1769 till the removal of the family in 1783, and had seen Mercy Dexter die. Once she hinted to the child Dutee of a somewhat peculiar circumstance in Mercy’s last moments, but he had soon forgotten all about it save that it was something peculiar. The granddaughter, moreover, recalled even this much with difficulty. She and her brother were not so much interested in the house as was Archer’s son Carrington, the present owner, with whom I talked after my experience.

Having exhausted the Harris family of all the information it could furnish, I turned my attention to early town records and deeds with a zeal more penetrating than that which my uncle had occasionally shewn in the same work. What I wished was a comprehensive history of the site from its very settlement in 1636—or even before, if any Narragansett Indian legend could be unearthed to supply the data.[30] I found, at the start, that the land had been part of the long strip of home lot granted originally to John Throckmorton; [31] one of many similar strips beginning at the Town Street[32] beside the river and extending up over the hill to a line roughly corresponding with the modern Hope Street. The Throckmorton lot had later, of course, been much subdivided; and I became very assiduous in tracing that section through which Back or Benefit Street was later run. It had, a rumour indeed said, been the Throckmorton graveyard; but as I examined the records more carefully, I found that the graves had all been transferred at an early date to the North Burial Ground on the Pawtucket West Road.[33]

Then suddenly I came—by a rare piece of chance, since it was not in the main body of records and might easily have been missed—upon something which aroused my keenest eagerness, fitting in as it did with several of the queerest phases of the affair. It was the record of a lease, in 1697, of a small tract of ground to an Etienne Roulet and wife. At last the French element had appeared—that, and another deeper element of horror which the name conjured up from the darkest recesses of my weird and heterogeneous reading—and I feverishly studied the platting of the locality as it had been before the cutting through and partial straightening of Back Street between 1747 and 1758. I found what I had half expected, that where the shunned house now stood the Roulets had laid out their graveyard behind a one-story and attic cottage, and that no record of any transfer of graves existed. The document, indeed, ended in much confusion; and I was forced to ransack both the Rhode-Island Historical Society and Shepley Library[34] before I could find a local door which the name Etienne Roulet would unlock. In the end I did find something; something of such vague but monstrous import that I set about at once to examine the cellar of the shunned house itself with a new and excited minuteness.

The Roulets, it seemed, had come in 1696 from East Greenwich,[35] down the west shore of Narragansett Bay. They were Huguenots from Caude,[36] and had encountered much opposition before the Providence selectmen allowed them to settle in the town. Unpopularity had dogged them in East Greenwich, whither they had come in 1686, after the revocation of the Edict of Nantes, and rumour said that the cause of dislike extended beyond mere racial and national prejudice, or the land disputes which involved other French settlers with the English in rivalries which not even Governor Andros could quell .[37] But their ardent Protestantism—too ardent, some whispered—and their evident distress when virtually driven from the village down the bay, had moved the sympathy of the town fathers. Here the strangers had been granted a haven; and the swarthy Etienne Roulet, less apt at agriculture than at reading queer books and drawing queer diagrams, was given a clerical post in the warehouse at Pardon Tillinghast’s wharf, far south in Town Street.[38] There had, however, been a riot of some sort later on—perhaps forty years later, after old Roulet’s death—and no one seemed to hear of the family after that.

For a century and more, it appeared, the Roulets had been well remembered and frequently discussed as vivid incidents in the quiet life of a New England seaport. Etienne’s son Paul, a surly fellow whose erratic conduct had probably provoked the riot which wiped out the family, was particularly a source of speculation; and though Providence never shared the witchcraft panics of her Puritan neigbours, it was freely intimated by old wives that his prayers were neither uttered at the proper time nor directed toward the proper object. All this had undoubtedly formed the basis of the legend known by old Maria Robbins. What relation it had to the French ravings of Rhoby Harris and other inhabitants of the shunned house, imagination or future discovery alone could determine. I wondered how many of those who had known the legends realised that additional link with the terrible which my wider reading had given me; that ominous item in the annals of morbid horror which tells of the creature Jacques Roulet, of Caude, who in 1598 was condemned to death as a daemoniac but afterward saved from the stake by the Pans parliament and shut in a madhouse. [39] He had been found covered with blood and shreds of flesh in a wood, shortly after the killing and rending of a boy by a pair of wolves. One wolf was seen to lope away unhurt. Surely a pretty hearthside tale, with a queer significance as to name and place; but I decided that the Providence gossips could not have generally known of it. Had they known, the coincidence of names would have brought some drastic and frightened action—indeed, might not its limited whispering have precipitated the final riot which erased the Roulets from the town?

I now visited the accursed place with increased frequency; studying the unwholesome vegetation of the garden, examining all the walls of the building, and poring over every inch of the earthen cellar floor. Finally, with Carrington Harris’s permission, I fitted a key to the disused door opening from the cellar directly upon Benefit Street, preferring to have a more immediate access to the outside world than the dark stairs, ground floor hall, and front door could give. There, where morbidity lurked most thickly, I searched and poked during long afternoons when the sunlight filtered in through the cobwebbed above-ground windows, and a sense of security glowed from the unlocked door which placed me only a few feet from the placid sidewalk outside. Nothing new rewarded my efforts—only the same depressing mustiness and faint suggestions of noxious odours and nitrous outlines on the floor—and I fancy that many pedestrians must have watched me curiously through the broken panes.

At length, upon a suggestion of my uncle’s, I decided to try the spot nocturnally; and one stormy midnight ran the beams of an electric torch over the mouldy floor with its uncanny shapes and distorted, half-phosphorescent fungi. The place had dispirited me curiously that evening, and I was almost prepared when I saw—or thought I saw—amidst the whitish deposits a particularly sharp definition of the “huddled form” I had suspected from boyhood. Its clearness was astonishing and unprecedented—and as I watched I seemed to see again the thin, yellowish, shimmering exhalation which had startled me on that rainy afternoon so many years before.

Above the anthropomorphic patch of mould by the fireplace it rose; a subtle, sickish, almost luminous vapour which as it hung trembling in the dampness seemed to develop vague and shocking suggestions of form, gradually trailing off into nebulous decay and passing up into the blackness of the great chimney with a foetor in its wake. It was truly horrible, and the more so to me because of what I knew of the spot. Refusing to flee, I watched it fade—and as I watched I felt that it was in turn watching me greedily with eyes more imaginable than visible. When I told my uncle about it he was greatly aroused; and after a tense hour of reflection, arrived at a definite and drastic decision. Weighing in his mind the importance of the matter, and the significance of our relation to it, he insisted that we both test—and if possible destroy—the horror of the house by a joint night or nights of aggressive vigil in that musty and fungus-cursed cellar.

IV.

On Wednesday, June 25, 1919, after a proper notification of Carrington Harris which did not include surmises as to what we expected to find, my uncle and I conveyed to the shunned house two camp chairs and a folding camp cot, together with some scientific mechanism of greater weight and intricacy. These we placed in the cellar during the day, screening the windows with paper and planning to return in the evening for our first vigil. We had locked the door from the cellar to the ground floor; and having a key to the outside cellar door, we were prepared to leave our expensive and delicate apparatus—which we had obtained secretly and at great cost—as many days as our vigils might need to be protracted. It was our design to sit up together till very late, and then watch singly till dawn in two-hour stretches, myself first and then my companion; the inactive member resting on the cot.

The natural leadership with which my uncle procured the instruments from the laboratories of Brown University and the Cranston Street Armoury,[40] and instinctively assumed direction of our venture, was a marvellous commentary on the potential vitality and resilience of a man of eighty-one. Elihu Whipple had lived according to the hygienic laws he had preached as a physician, and but for what happened later would be here in full vigour today. Only two persons suspect what did happen—Carrington Harris and myself. I had to tell Harris because he owned the house and deserved to know what had gone out of it. Then too, we had spoken to him in advance of our quest; and I felt after my uncle’s going that he would understand and assist me in some vitally necessary public explanations. He turned very pale, but agreed to help me, and decided that it would now be safe to rent the house.

To declare that we were not nervous on that rainy night of watching would be an exaggeration both gross and ridiculous. We were not, as I have said, in any sense childishly superstitious, but scientific study and reflection had taught us that the known universe of three dimensions embraces the merest fraction of the whole cosmos of substance and energy. In this case an overwhelming preponderance of evidence from numerous authentic sources pointed to the tenacious existence of certain forces of great power and, so far as the human point of view is concerned, exceptional malignancy. To say that we actually believed in vampires or were-wolves would be a carelessly inclusive statement. Rather must it be said that we were not prepared to deny the possibility of certain unfamiliar and unclassified modifications of vital force and attenuated matter; existing very infrequently in three-dimensional space because of its more intimate connexion with other spatial units, yet close enough to the boundary of our own to furnish us occasional manifestations which we, for lack of a proper vantage-point, may never hope to understand.

In short, it seemed to my uncle and me that an incontrovertible array of facts pointed to some lingering influence in the shunned house; traceable to one or another of the ill-favoured French settlers of two centuries before, and still operative through rare and unknown laws of atomic and electronic motion. That the family of Roulet had possessed an abnormal affinity for outer circles of entity—dark spheres which for normal folk hold only repulsion and terror—their recorded history seemed to prove. Had not, then, the riots of those bygone seventeen-thirties set moving certain kinetic patterns in the morbid brain of one or more of them—notably the sinister Paul Roulet—which obscurely survived the bodies murdered and buried by the mob, and continued to function in some multiple-dimensioned space along the original lines of force determined by a frantic hatred of the encroaching community?

Such a thing was surely not a physical or biochemical impossibility in the light of a newer science which includes the theories of relativity and intra-atomic action.[41] One might easily imagine an alien nucleus of substance or energy, formless or otherwise, kept alive by imperceptible or immaterial subtractions from the life-force or bodily tissues and fluids of other and more palpably living things into which it penetrates and with whose fabric it sometimes completely merges itself. It might be actively hostile, or it might be dictated merely by blind motives of self-preservation. In any case such a monster must of necessity be in our scheme of things an anomaly and an intruder, whose extirpation forms a primary duty with every man not an enemy to the world’s life, health, and sanity.

What baffled us was our utter ignorance of the aspect in which we might encounter the thing. No sane person had even seen it, and few had ever felt it definitely. It might be pure energy—a form ethereal and outside the realm of substance—or it might be partly material; some unknown and equivocal mass of plasticity, capable of changing at will to nebulous approximations of the solid, liquid, gaseous, or tenuously unparticled states. The anthropomorphic patch of mould on the floor, the form of the yellowish vapour, and the curvature of the tree-roots in some of the old tales, all argued at least a remote and reminiscent connexion with the human shape; but how representative or permanent that similarity might be, none could say with any kind of certainty.

We had devised two weapons to fight it; a large and specially fitted Crookes tube[42] operated by powerful storage batteries and provided with peculiar screens and reflectors, in case it proved intangible and opposable only by vigorously destructive ether radiations, and a pair of military flame-throwers of the sort used in the world-war, in case it proved partly material and susceptible of mechanical destruction—for like the superstitious Exeter rustics, we were prepared to burn the thing’s heart out if heart existed to burn. All this aggressive mechanism we set in the cellar in positions carefully arranged with reference to the cot and chairs, and to the spot before the fireplace where the mould had taken strange shapes. That suggestive patch, by the way, was only faintly visible when we placed our furniture and instruments, and when we returned that evening for the actual vigil. For a moment I half doubted that I had ever seen it in the more definitely limned form—but then I thought of the legends.

Our cellar vigil began at 10 p.m., daylight saving time,[43] and as it continued we found no promise of pertinent developments. A weak, filtered glow from the rain-harassed street-lamps outside, and a feeble phosphorescence from the detestable fungi within, shewed the dripping stone of the walls, from which all traces of whitewash had vanished; the dank, foetid, and mildew-tainted hard earth floor with its obscene fungi; the rotting remains of what had been stools, chairs, and tables, and other more shapeless furniture; the heavy planks and massive beams of the ground floor overhead; the decrepit plank door leading to bins and chambers beneath other parts of the house; the crumbling stone staircase with ruined wooden hand-rail; and the crude and cavernous fireplace of blackened brick where rusted iron fragments revealed the past presence of hooks, andirons, spit, crane, and a door to the Dutch oven—these things, and our austere cot and camp chairs, and the heavy and intricate destructive machinery we had brought.

We had, as in my own former explorations, left the door to the street unlocked; so that a direct and practical path of escape might lie open in case of manifestations beyond our power to deal with. It was our idea that our continued nocturnal presence would call forth whatever malign entity lurked there; and that being prepared, we could dispose of the thing with one or the other of our provided means as soon as we had recognised and observed it sufficiently. How long it might require to evoke and extinguish the thing, we had no notion. It occurred to us, too, that our venture was far from safe; for in what strength the thing might appear no one could tell. But we deemed the game worth the hazard, and embarked on it alone and unhesitatingly; conscious that the seeking of outside aid would only expose us to ridicule and perhaps defeat our entire purpose. Such was our frame of mind as we talked—far into the night, till my uncle’s growing drowsiness made me remind him to lie down for his two-hour sleep.

Something like fear chilled me as I sat there in the small hours alone—I say alone, for one who sits by a sleeper is indeed alone; perhaps more alone than he can realise. My uncle breathed heavily, his deep inhalations and exhalations accompanied by the rain outside, and punctuated by another nerve-racking sound of distant dripping water within—for the house was repulsively damp even in dry weather, and in this storm positively swamp-like. I studied the loose, antique masonry of the walls in the fungus-light and the feeble rays which stole in from the street through the screened windows; and once, when the noisome atmosphere of the place seemed about to sicken me, I opened the door and looked up and down the street, feasting my eyes on familiar sights and my nostrils on the wholesome air. Still nothing occurred to reward my watching; and I yawned repeatedly, fatigue getting the better of apprehension.

Then the stirring of my uncle in his sleep attracted my notice. He had turned restlessly on the cot several times during the latter half of the first hour, but now he was breathing with unusual irregularity, occasionally heaving a sigh which held more than a few of the qualities of a choking moan. I turned my electric flashlight on him and found his face averted, so rising and crossing to the other side of the cot, I again flashed the light to see if he seemed in any pain. What I saw unnerved me most surprisingly, considering its relative triviality. It must have been merely the association of any odd circumstance with the sinister nature of our location and mission, for surely the circumstance was not in itself frightful or unnatural. It was merely that my uncle’s facial expression, disturbed no doubt by the strange dreams which our situation prompted, betrayed considerable agitation, and seemed not at all characteristic of him. His habitual expression was one of kindly and well-bred calm, whereas now a variety of emotions seemed struggling within him. I think, on the whole, that it was this variety which chiefly disturbed me. My uncle, as he gasped and tossed in increasing perturbation and with eyes that had now started open, seemed not one but many men, and suggested a curious quality of alienage from himself.

All at once he commenced to mutter, and I did not like the look of his mouth and teeth as he spoke. The words were at first indistinguishable, and then—with a tremendous start—I recognised something about them which filled me with icy fear till I recalled the breadth of my uncle’s education and the interminable translations he had made from anthropological and antiquarian articles in the Revue des Deux Mondes.[44] For the venerable Elihu Whipple was muttering in French, and the few phrases I could distinguish seemed connected with the darkest myths he had ever adapted from the famous Paris magazine.

Suddenly a perspiration broke out on the sleeper’s forehead, and he leaped abruptly up, half awake. The jumble of French changed to a cry in English, and the hoarse voice shouted excitedly, “My breath, my breath!” Then the awakening became complete, and with a subsidence of facial expression to the normal state my uncle seized my hand and began to relate a dream whose nucleus of significance I could only surmise with a kind of awe.

He had, he said, floated off from a very ordinary series of dream-pictures into a scene whose strangeness was related to nothing he had ever read. It was of this world, and yet not of it—a shadowy geometrical confusion in which could be seen elements of familiar things in most unfamiliar and perturbing combinations. There was a suggestion of queerly disordered pictures superimposed one upon another; an arrangement in which the essentials of time as well as of space seemed dissolved and mixed in the most illogical fashion. In this kaleidoscopic vortex of phantasmal images were occasional snapshots, if one might use the term, of singular clearness but unaccountable heterogeneity.

Once my uncle thought he lay in a carelessly dug open pit, with a crowd of angry faces framed by straggling locks and three-cornered hats frowning down on him. Again he seemed to be in the interior of a house—an old house, apparently—but the details and inhabitants were constantly changing, and he could never be certain of the faces or the furniture, or even of the room itself, since doors and windows seemed in just as great a state of flux as the more presumably mobile objects. It was queer—damnably queer—and my uncle spoke almost sheepishly, as if half expecting not to be believed, when he declared that of the strange faces many had unmistakably borne the features of the Harris family. And all the while there was a personal sensation of choking, as if some pervasive presence had spread itself through his body and sought to possess itself of his vital processes. I shuddered at the thought of those vital processes, worn as they were by eighty-one years of continuous functioning, in conflict with unknown forces of which the youngest and strongest system might well be afraid; but in another moment reflected that dreams are only dreams, and that these uncomfortable visions could be, at most, no more than my uncle’s reaction to the investigations and expectations which had lately filled our minds to the exclusion of all else.

Conversation, also, soon tended to dispel my sense of strangeness; and in time I yielded to my yawns and took my turn at slumber. My uncle seemed now very wakeful, and welcomed his period of watching even though the nightmare had aroused him far ahead of his allotted two hours. Sleep seized me quickly, and I was at once haunted with dreams of the most disturbing kind. I felt, in my visions, a cosmic and abysmal loneness; with hostility surging from all sides upon some prison where I lay confined. I seemed bound and gagged, and taunted by the echoing yells of distant multitudes who thirsted for my blood. My uncle’s face came to me with less pleasant associations than in waking hours, and I recall many futile struggles and attempts to scream. It was not a pleasant sleep, and for a second I was not sorry for the echoing shriek which clove through the barriers of dream and flung me to a sharp and startled awakeness in which every actual object before my eyes stood out with more than natural clearness and reality.

V.

I had been lying with my face away from my uncle’s chair, so that in this sudden flash of awakening I saw only the door to the street, the more northerly window, and the wall and floor and ceiling toward the north of the room, all photographed with morbid vividness on my brain in a light brighter than the glow of the fungi or the rays from the street outside. It was not a strong or even a fairly strong light; certainly not nearly strong enough to read an average book by. But it cast a shadow of myself and the cot on the floor, and had a yellowish, penetrating force that hinted at things more potent than luminosity. This I perceived with unhealthy sharpness despite the fact that two of my other senses were violently assailed. For on my ears rang the reverberations of that shocking scream, while my nostrils revolted at the stench which filled the place. My mind, as alert as my senses, recognised the gravely unusual; and almost automatically I leaped up and turned about to grasp the destructive instruments which we had left trained on the mouldy spot before the fireplace. As I turned, I dreaded what I was to see; for the scream had been in my uncle’s voice, and I knew not against what menace I should have to defend him and myself.

Yet after all, the sight was worse than I had dreaded. There are horrors beyond horrors, and this was one of those nuclei of all dreamable hideousness which the cosmos saves to blast an accursed and unhappy few. Out of the fungus-ridden earth steamed up a vaporous corpse-light, yellow and diseased, which bubbled and lapped to a gigantic height in vague outlines half-human and half-monstrous, through which I could see the chimney and fireplace beyond. It was all eyes—wolfish and mocking—and the rugose insect-like head dissolved at the top to a thin stream of mist which curled putridly about and finally vanished up the chimney. I say that I saw this thing, but it is only in conscious retrospection that I ever definitely traced its damnable approach to form. At the time it was to me only a seething, dimly phosphorescent cloud of fungous loathsomeness, enveloping and dissolving to an abhorrent plasticity the one object to which all my attention was focussed. That object was my uncle—the venerable Elihu Whipple—who with blackening and decaying features leered and gibbered at me, and reached out dripping claws to rend me in the fury which this horror had brought.

It was a sense of routine which kept me from going mad. I had drilled myself in preparation for the crucial moment, and blind training saved me. Recognising the bubbling evil as no substance reachable by matter or material chemistry, and therefore ignoring the flame-thrower which loomed on my left, I threw on the current of the Crookes tube apparatus, and focussed toward that scene of immortal blasphemousness the strongest ether radiations which man’s art can arouse from the spaces and fluids of Nature. There was a bluish haze and a frenzied sputtering, and the yellowish phosphorescence grew dimmer to my eyes. But I saw the dimness was only that of contrast, and that the waves from the machine had no effect whatever.

Then, in the midst of that daemoniac spectacle, I saw a fresh horror which brought cries to my lips and sent me fumbling and staggering toward that unlocked door to the quiet street, careless of what abnormal terrors I loosed upon the world, or what thoughts or judgments of men I brought down upon my head. In that dim blend of blue and yellow the form of my uncle had commenced a nauseous liquefaction whose essence eludes all description, and in which there played across his vanishing face such changes of identity as only madness can conceive. He was at once a devil and a multitude, a charnel-house and a pageant. Lit by the mixed and uncertain beams, that gelatinous face assumed a dozen—a score—a hundred—aspects; grinning, as it sank to the ground on a body that melted like tallow, in the caricatured likeness of legions strange and yet not strange.

I saw the features of the Harris line, masculine and feminine, adult and infantile, and other features old and young, coarse and refined, familiar and unfamiliar. For a second there flashed a degraded counterfeit of a miniature of poor mad Rhoby Harris that I had seen in the School of Design Museum,[45] and another time I thought I caught the raw-boned image of Mercy Dexter as I recalled her from a painting in Carrington Harris’s house. It was frightful beyond conception; toward the last, when a curious blend of servant and baby visages flickered close to the fungous floor where a pool of greenish grease was spreading, it seemed as though the shifting features fought against themselves, and strove to form contours like those of my uncle’s kindly face. I like to think that he existed at that moment, and that he tried to bid me farewell. It seems to me I hiccoughed a farewell from my own parched throat as I lurched out into the street; a thin stream of grease following me through the door to the rain-drenched sidewalk.

The rest is shadowy and monstrous. There was no one in the soaking street, and in all the world there was no one I dared tell. I walked aimlessly south past College Hill and the Athenaeum,[46] down Hopkins Street, and over the bridge to the business section where tall buildings seemed to guard me as modern material things guard the world from ancient and unwholesome wonder. Then grey dawn unfolded wetly from the east, silhouetting the archaic hill and its venerable steeples, and beckoning me to the place where my terrible work was still unfinished. And in the end I went, wet, hatless, and dazed in the morning light, and entered that awful door in Benefit Street which I had left ajar, and which still swung cryptically in full sight of the early householders to whom I dared not speak.

The grease was gone, for the mouldy floor was porous. And in front of the fireplace was no vestige of the giant doubled-up form in nitre. I looked at the cot, the chairs, the instruments, my neglected hat, and the yellowed straw hat of my uncle. Dazedness was uppermost, and I could scarcely recall what was dream and what was reality. Then thought trickled back, and I knew that I had witnessed things more horrible than I had dreamed. Sitting down, I tried to conjecture as nearly as sanity would let me just what had happened, and how I might end the horror, if indeed it had been real. Matter it seemed not to be, nor ether, nor anything else conceivable by mortal mind. What, then, but some exotic emanation; some vampirish vapour such as Exeter rustics tell of as lurking over certain churchyards? This I felt was the clue, and again I looked at the floor before the fireplace where the mould and nitre had taken strange forms. In ten minutes my mind was made up, and taking my hat I set out for home, where I bathed, ate, and gave by telephone an order for a pickaxe, a spade, a military gas-mask, and six carboys of sulphuric acid, all to be delivered the next morning at the cellar door of the shunned house in Benefit Street. After that I tried to sleep; and failing, passed the hours in reading and in the composition of inane verses to counteract my mood.

At 11 a.m. the next day I commenced digging. It was sunny weather, and I was glad of that. I was still alone, for as much as I feared the unknown horror I sought, there was more fear in the thought of telling anybody. Later I told Harris only through sheer necessity, and because he had heard odd tales from old people which disposed him ever so little toward belief. As I turned up the stinking black earth in front of the fireplace, my spade causing a viscous yellow ichor to ooze from the white fungi which it severed, I trembled at the dubious thoughts of what I might uncover. Some secrets of inner earth are not good for mankind, and this seemed to me one of them.

My hand shook perceptibly, but still I delved, after a while standing in the large hole I had made. With the deepening of the hole, which was about six feet square, the evil smell increased; and I lost all doubt of my imminent contact with the hellish thing whose emanations had cursed the house for over a century and a half. I wondered what it would look like—what its form and substance would be, and how big it might have waxed through long ages of life-sucking. At length I climbed out of the hole and dispersed the heaped-up dirt, then arranging the great carboys of acid around and near two sides, so that when necessary I might empty them all down the aperture in quick succession. After that I dumped earth only along the other two sides; working more slowly and donning my gas-mask as the smell grew. I was nearly unnerved at my proximity to a nameless thing at the bottom of a pit.

Suddenly my spade struck something softer than earth. I shuddered, and made a motion as if to climb out of the hole, which was now as deep as my neck. Then courage returned, and I scraped away more dirt in the light of the electric torch I had provided. The surface I uncovered was fishy and glassy—a kind of semi-putrid congealed jelly with suggestions of translucency. I scraped further, and saw that it had form. There was a rift where a part of the substance was folded over. The exposed area was huge and roughly cylindrical; like a mammoth soft blue-white stovepipe doubled in two, its largest part some two feet in diameter. Still more I scraped, and then abruptly I leaped out of the hole and away from the filthy thing; frantically unstopping and tilting the heavy carboys, and precipitating their corrosive contents one after another down that charnel gulf and upon the unthinkable abnormality whose titan elbow I had seen .[47]

The blinding maelstrom of greenish-yellow vapour which surged tempestuously up from that hole as the floods of acid descended will never leave my memory. All along the hill people tell of the yellow day, when virulent and horrible fumes arose from the factory waste dumped in the Providence River, but I know how mistaken they are as to the source.[48] They tell, too, of the hideous roar which at the same time came from some disordered water-pipe or gas main underground—but again I could correct them if I dared. It was unspeakably shocking, and I do not see how I lived through it. I did faint after emptying the fourth carboy, which I had to handle after the fumes had begun to penetrate my mask; but when I recovered I saw that the hole was emitting no fresh vapours.

The two remaining carboys I emptied down without particular result, and after a time I felt it safe to shovel the earth back into the pit. It was twilight before I was done, but fear had gone out of the place. The dampness was less foetid, and all the strange fungi had withered to a kind of harmless greyish powder which blew ash-like along the floor. One of earth’s nethermost terrors had perished forever; and if there be a hell, it had received at last the daemon soul of an unhallowed thing. And as I patted down the last spadeful of mould, I shed the first of the many tears with which I have paid unaffected tribute to my beloved uncle’s memory.

The next spring no more pale grass and strange weeds came up in the shunned house’s terraced garden, and shortly afterward Carrington Harris rented the place. It is still spectral, but its strangeness fascinates me, and I shall find mixed with my relief a queer regret when it is torn down to make way for a tawdry shop or vulgar apartment building. The barren old trees in the yard have begun to bear small, sweet apples, and last year the birds nested in their gnarled boughs.

THE HORROR AT RED HOOK

“There are sacraments of evil as well as of good about us, and we live and move to my belief in an unknown world, a place where there are caves and shadows and dwellers in twilight. It is possible that man may sometimes return on the track of evolution, and it is my belief that an awful lore is not yet dead.”

—Arthur Machen.[1]

I.

Not many weeks ago, on a street corner in the village of Pascoag, Rhode Island,[2] a tall, heavily built, and wholesome-looking pedestrian furnished much speculation by a singular lapse of behaviour. He had, it appears, been descending the hill by the road from Chepachet;[3] and encountering the compact section, had turned to his left into the main thoroughfare where several modest business blocks convey a touch of the urban. At this point, without visible provocation, he committed his astonishing lapse; staring queerly for a second at the tallest of the buildings before him, and then, with a series of terrified, hysterical shrieks, breaking into a frantic run which ended in a stumble and fall at the next crossing. Picked up and dusted off by ready hands, he was found to be conscious, organically unhurt, and evidently cured of his sudden nervous attack. He muttered some shamefaced explanations involving a strain he had undergone, and with downcast glance turned back up the Chepachet road, trudging out of sight without once looking behind him. It was a strange incident to befall so large, robust, normal-featured, and capable-looking a man, and the strangeness was not lessened by the remarks of a bystander who had recognised him as the boarder of a well-known dairyman on the outskirts of Chepachet.

He was, it developed, a New York police detective named Thomas F. Malone, now on a long leave of absence under medical treatment after some disproportionately arduous work on a gruesome local case which accident had made dramatic. There had been a collapse of several old brick buildings during a raid in which he had shared, and something about the wholesale loss of life, both of prisoners and of his companions, had peculiarly appalled him. As a result, he had acquired an acute and anomalous horror of any buildings even remotely suggesting the ones which had fallen in, so that in the end mental specialists forbade him the sight of such things for an indefinite period. A police surgeon with relatives in Chepachet had put forward that quaint hamlet of wooden colonial houses as an ideal spot for the psychological convalescence; and thither the sufferer had gone, promising never to venture among the brick-lined streets of larger villages till duly advised by the Woonsocket[4] specialist with whom he was put in touch. This walk to Pascoag for magazines had been a mistake, and the patient had paid in fright, bruises, and humiliation for his disobedience.

So much the gossips of Chepachet and Pascoag knew; and so much, also, the most learned specialists believed. But Malone had at first told the specialists much more, ceasing only when he saw that utter incredulity was his portion. Thereafter he held his peace, protesting not at all when it was generally agreed that the collapse of certain squalid brick houses in the Red Hook[5] section of Brooklyn, and the consequent death of many brave officers, had unseated his nervous equilibrium. He had worked too hard, all said, in trying to clean up those nests of disorder and violence; certain features were shocking enough, in all conscience, and the unexpected tragedy was the last straw. This was a simple explanation which everyone could understand, and because Malone was not a simple person he perceived that he had better let it suffice. To hint to unimaginative people of a horror beyond all human conception—a horror of houses and blocks and cities leprous and cancerous with evil dragged from elder worlds—would be merely to invite a padded cell instead of a restful rustication, and Malone was a man of sense despite his mysticism. He had the Celt’s far vision of weird and hidden things, but the logician’s quick eye for the outwardly unconvincing; an amalgam which had led him far afield in the forty-two years of his life, and set him in strange places for a Dublin University[6] man born in a Georgian villa near Phoenix Park.[7]

And now, as he reviewed the things he had seen and felt and apprehended, Malone was content to keep unshared the secret of what could reduce a dauntless fighter to a quivering neurotic; what could make old brick slums and seas of dark, subtle faces a thing of nightmare and eldritch portent. It would not be the first time his sensations had been forced to bide uninterpreted—for was not his very act of plunging into the polyglot abyss of New York’s underworld a freak beyond sensible explanation? What could he tell the prosaic of the antique witcheries and grotesque marvels discernible to sensitive eyes amidst the poison cauldron where all the varied dregs of unwholesome ages mix their venom and perpetuate their obscene terrors? He had seen the hellish green flame of secret wonder in this blatant, evasive welter of outward greed and inward blasphemy, and had smiled gently when all the New Yorkers he knew scoffed at his experiment in police work. They had been very witty and cynical, deriding his fantastic pursuit of unknowable mysteries and assuring him that in these days New York held nothing but cheapness and vulgarity. One of them had wagered him a heavy sum that he could not—despite many poignant things to his credit in the Dublin Review[8]—even write a truly interesting story of New York low life; and now, looking back, he perceived that cosmic irony had justified the prophet’s words while secretly confuting their flippant meaning. The horror, as glimpsed at last, could not make a story—for like the book cited by Poe’s German authority, “es lässt sich nicht lesen—it does not permit itself to be read.”[9]

II.

To Malone the sense of latent mystery in existence was always present. In youth he had felt the hidden beauty and ecstasy of things, and had been a poet; but poverty and sorrow and exile had turned his gaze in darker directions, and he had thrilled at the imputations of evil in the world around.[10] Daily life had for him come to be a phantasmagoria of macabre shadow-studies; now glittering and leering with concealed rottenness as in Beardsley’s[11] best manner, now hinting terrors behind the commonest shapes and objects as in the subtler and less obvious work of Gustave Doré.[12] He would often regard it as merciful that most persons of high intelligence jeer at the inmost mysteries; for, he argued, if superior minds were ever placed in fullest contact with the secrets preserved by ancient and lowly cults, the resultant abnormalities would soon not only wreck the world, but threaten the very integrity of the universe. All this reflection was no doubt morbid, but keen logic and a deep sense of humour ably offset it. Malone was satisfied to let his notions remain as half-spied and forbidden visions to be lightly played with; and hysteria came only when duty flung him into a hell of revelation too sudden and insidious to escape.

He had for some time been detailed to the Butler Street[13] station in Brooklyn when the Red Hook matter came to his notice. Red Hook is a maze of hybrid squalor near the ancient waterfront opposite Governor’s Island,[14] with dirty highways climbing the hill from the wharves to that higher ground where the decayed lengths of Clinton and Court Streets[15] lead off toward the Borough Hall.[16] Its houses are mostly of brick, dating from the first quarter to the middle of the nineteenth century, and some of the obscurer alleys and byways have that alluring antique flavour which conventional reading leads us to call “Dickensian”. The population is a hopeless tangle and enigma; Syrian, Spanish, Italian, and negro elements impinging upon one another, and fragments of Scandinavian and American belts lying not far distant. It is a babel of sound and filth, and sends out strange cries to answer the lapping of oily waves at its grimy piers and the monstrous organ litanies of the harbour whistles. Here long ago a brighter picture dwelt, with clear-eyed mariners on the lower streets and homes of taste and substance where the larger houses line the hill. One can trace the relics of this former happiness in the trim shapes of the buildings, the occasional graceful churches, and the evidences of original art and background in bits of detail here and there—a worn flight of steps, a battered doorway, a wormy pair of decorative columns or pilasters, or a fragment of once green space with bent and rusted iron railing. The houses are generally in solid blocks, and now and then a many-windowed cupola arises to tell of days when the households of captains and ship-owners watched the sea.

From this tangle of material and spiritual putrescence the blasphemies of an hundred dialects assail the sky. Hordes of prowlers reel shouting and singing along the lanes and thoroughfares, occasional furtive hands suddenly extinguish lights and pull down curtains, and swarthy, sin-pitted faces disappear from windows when visitors pick their way through. Policemen despair of order or reform, and seek rather to erect barriers protecting the outside world from the contagion. The clang of the patrol is answered by a kind of spectral silence, and such prisoners as are taken are never communicative. Visible offences are as varied as the local dialects, and run the gamut from the smuggling of rum and prohibited aliens through diverse stages of lawlessness and obscure vice to murder and mutilation in their most abhorrent guises. That these visible affairs are not more frequent is not to the neighbourhood’s credit, unless the power of concealment be an art demanding credit. More people enter Red Hook than leave it—or at least, than leave it by the landward side—and those who are not loquacious are the likeliest to leave.

Malone found in this state of things a faint stench of secrets more terrible than any of the sins denounced by citizens and bemoaned by priests and philanthropists. He was conscious, as one who united imagination with scientific knowledge, that modern people under lawless conditions tend uncannily to repeat the darkest instinctive patterns of primitive half-ape savagery in their daily life and ritual observances; and he had often viewed with an anthropologist’s shudder the chanting, cursing processions of blear-eyed and pockmarked young men which wound their way along in the dark small hours of morning. One saw groups of these youths incessantly; sometimes in leering vigils on street corners, sometimes in doorways playing eerily on cheap instruments of music,[17] sometimes in stupefied dozes or indecent dialogues around cafeteria tables near Borough Hall, and sometimes in whispering converse around dingy taxicabs drawn up at the high stoops of crumbling and closely shuttered old houses. They chilled and fascinated him more than he dared confess to his associates on the force, for he seemed to see in them some monstrous thread of secret continuity; some fiendish, cryptical, and ancient pattern utterly beyond and below the sordid mass of facts and habits and haunts listed with such conscientious technical care by the police. They must be, he felt inwardly, the heirs of some shocking and primordial tradition; the sharers of debased and broken scraps from cults and ceremonies older than mankind. Their coherence and definiteness suggested it, and it shewed in the singular suspicion of order which lurked beneath their squalid disorder. He had not read in vain such treatises as Miss Murray’s Witch-Cult in Western Europe;[18] and knew that up to recent years there had certainly survived among peasants and furtive folk a frightful and clandestine system of assemblies and orgies descended from dark religions antedating the Aryan world, and appearing in popular legends as Black Masses and Witches’ Sabbaths. That these hellish vestiges of old Turanian-Asiatic[19] magic and fertility-cults were even now wholly dead he could not for a moment suppose, and he frequently wondered how much older and how much blacker than the very worst of the muttered tales some of them might really be.

III.

It was the case of Robert Suydam[20] which took Malone to the heart of things in Red Hook. Suydam was a lettered recluse of ancient Dutch family, possessed originally of barely independent means, and inhabiting the spacious but ill-preserved mansion which his grandfather had built in Flatbush[21] when that village was little more than a pleasant group of colonial cottages surrounding the steepled and ivy-clad Reformed Church[22] with its iron-railed yard of Netherlandish gravestones. In his lonely house, set back from Martense Street[23] amidst a yard of venerable trees, Suydam had read and brooded for some six decades except for a period a generation before, when he had sailed for the Old World and remained there out of sight for eight years. He could afford no servants, and would admit but few visitors to his absolute solitude; eschewing close friendships and receiving his rare acquaintances in one of the three ground-floor rooms which he kept in order—a vast, high-ceiled library whose walls were solidly packed with tattered books of ponderous, archaic, and vaguely repellent aspect. The growth of the town and its final absorption in the Brooklyn district had meant nothing to Suydam, and he had come to mean less and less to the town. Elderly people still pointed him out on the streets, but to most of the recent population he was merely a queer, corpulent old fellow whose unkempt white hair, stubbly beard, shiny black clothes, and gold-headed cane earned him an amused glance and nothing more. Malone did not know him by sight till duty called him to the case, but had heard of him indirectly as a really profound authority on mediaeval superstition, and had once idly meant to look up an out-of-print pamphlet of his on the Kabbalah[24] and the Faustus legend, which a friend had quoted from memory.

Suydam became a “case” when his distant and only relatives sought court pronouncements on his sanity. Their action seemed sudden to the outside world, but was really undertaken only after prolonged observation and sorrowful debate. It was based on certain odd changes in his speech and habits; wild references to impending wonders, and unaccountable hauntings of disreputable Brooklyn neighbourhoods. He had been growing shabbier and shabbier with the years, and now prowled about like a veritable mendicant; seen occasionally by humiliated friends in subway stations, or loitering on the benches around Borough Hall in conversation with groups of swarthy, evil-looking strangers. When he spoke it was to babble of unlimited powers almost within his grasp, and to repeat with knowing leers such mystical words or names as “Sephiroth”, “Ashmodai”, and “Samaël” .[25] The court action revealed that he was using up his income and wasting his principal in the purchase of curious tomes imported from London and Paris, and in the maintenance of a squalid basement flat in the Red Hook district where he spent nearly every night, receiving odd delegations of mixed rowdies and foreigners, and apparently conducting some kind of ceremonial service behind the green blinds of secretive windows. Detectives assigned to follow him reported strange cries and chants and prancing of feet filtering out from these nocturnal rites, and shuddered at their peculiar ecstasy and abandon despite the commonness of weird orgies in that sodden section. When, however, the matter came to a hearing, Suydam managed to preserve his liberty. Before the judge his manner grew urbane and reasonable, and he freely admitted the queerness of demeanour and extravagant cast of language into which he had fallen through excessive devotion to study and research. He was, he said, engaged in the investigation of certain details of European tradition which required the closest contact with foreign groups and their songs and folk dances. The notion that any low secret society was preying upon him, as hinted by his relatives, was obviously absurd; and shewed how sadly limited was their understanding of him and his work. Triumphing with his calm explanations, he was suffered to depart unhindered; and the paid detectives of the Suydams, Corlears, and Van Brunts[26] were withdrawn in resigned disgust.

It was here that an alliance of Federal inspectors and police, Malone with them, entered the case. The law had watched the Suydam action with interest, and had in many instances been called upon to aid the private detectives. In this work it developed that Suydam’s new associates were among the blackest and most vicious criminals of Red Hook’s devious lanes, and that at least a third of them were known and repeated offenders in the matter of thievery, disorder, and the importation of illegal immigrants. Indeed, it would not have been too much to say that the old scholar’s particular circle coincided almost perfectly with the worst of the organised cliques which smuggled ashore certain nameless and unclassified Asian dregs wisely turned back by Ellis Island.[27] In the teeming rookeries of Parker Place[28]—since renamed—where Suydam had his basement flat, there had grown up a very unusual colony of unclassified slant-eyed folk who used the Arabic alphabet but were eloquently repudiated by the great mass of Syrians in and around Atlantic Avenue. They could all have been deported for lack of credentials, but legalism is slow-moving, and one does not disturb Red Hook unless publicity forces one to.

These creatures attended a tumbledown stone church, used Wednesdays as a dance-hall, which reared its Gothic buttresses near the vilest part of the waterfront.[29] It was nominally Catholic; but priests throughout Brooklyn denied the place all standing and authenticity, and policemen agreed with them when they listened to the noises it emitted at night. Malone used to fancy he heard terrible cracked bass notes from a hidden organ far underground when the church stood empty and unlighted, whilst all observers dreaded the shrieking and drumming which accompanied the visible services. Suydam, when questioned, said he thought the ritual was some remnant of Nestorian Christianity[30] tinctured with the Shamanism of Thibet.[31] Most of the people, he conjectured, were of Mongoloid stock, originating somewhere in or near Kurdistan—and Malone could not help recalling that Kurdistan is the land of the Yezidis, last survivors of the Persian devil-worshippers.[32] However this may have been, the stir of the Suydam investigation made it certain that these unauthorised newcomers were flooding Red Hook in increasing numbers; entering through some marine conspiracy unreached by revenue officers and harbour police, overrunning Parker Place and rapidly spreading up the hill, and welcomed with curious fraternalism by the other assorted denizens of the region. Their squat figures and characteristic squinting physiognomies, grotesquely combined with flashy American clothing, appeared more and more numerously among the loafers and nomad gangsters of the Borough Hall section; till at length it was deemed necessary to compute their numbers, ascertain their sources and occupations, and find if possible a way to round them up and deliver them to the proper immigration authorities. To this task Malone was assigned by agreement of Federal and city forces, and as he commenced his canvass of Red Hook he felt poised upon the brink of nameless terrors, with the shabby, unkempt figure of Robert Suydam as arch-fiend and adversary.

IV.

Police methods are varied and ingenious. Malone, through unostentatious rambles, carefully casual conversations, well-timed offers of hip-pocket liquor, and judicious dialogues with frightened prisoners, learned many isolated facts about the movement whose aspect had become so menacing. The newcomers were indeed Kurds, but of a dialect obscure and puzzling to exact philology. Such of them as worked lived mostly as dock-hands and unlicenced pedlars, though frequently serving in Greek restaurants and tending corner news stands. Most of them, however, had no visible means of support; and were obviously connected with underworld pursuits, of which smuggling and “bootlegging” were the least indescribable. They had come in steamships, apparently tramp freighters, and had been unloaded by stealth on moonless nights in rowboats which stole under a certain wharf and followed a hidden canal to a secret subterranean pool beneath a house. This wharf, canal, and house Malone could not locate, for the memories of his informants were exceedingly confused, while their speech was to a great extent beyond even the ablest interpreters; nor could he gain any real data on the reasons for their systematic importation. They were reticent about the exact spot from which they had come, and were never sufficiently off guard to reveal the agencies which had sought them out and directed their course. Indeed, they developed something like acute fright when asked the reasons for their presence. Gangsters of other breeds were equally taciturn, and the most that could be gathered was that some god or great priesthood had promised them unheard-of powers and supernatural glories and rulerships in a strange land.

The attendance of both newcomers and old gangsters at Suydam’s closely guarded nocturnal meetings was very regular, and the police soon learned that the erstwhile recluse had leased additional flats to accommodate such guests as knew his password; at last occupying three entire houses and permanently harbouring many of his queer companions. He spent but little time now at his Flatbush home, apparently going and coming only to obtain and return books; and his face and manner had attained an appalling pitch of wildness. Malone twice interviewed him, but was each time brusquely repulsed. He knew nothing, he said, of any mysterious plots or movements; and had no idea how the Kurds could have entered or what they wanted. His business was to study undisturbed the folklore of all the immigrants of the district; a business with which policemen had no legitimate concern. Malone mentioned his admiration for Suydam’s old brochure on the Kabbalah and other myths, but the old man’s softening was only momentary. He sensed an intrusion, and rebuffed his visitor in no uncertain way; till Malone withdrew disgusted, and turned to other channels of information.

What Malone would have unearthed could he have worked continuously on the case, we shall never know. As it was, a stupid conflict between city and Federal authority suspended the investigations for several months, during which the detective was busy with other assignments. But at no time did he lose interest, or fail to stand amazed at what began to happen to Robert Suydam. Just at the time when a wave of kidnappings and disappearances spread its excitement over New York, the unkempt scholar embarked upon a metamorphosis as startling as it was absurd. One day he was seen near Borough Hall with clean-shaved face, well-trimmed hair, and tastefully immaculate attire, and on every day thereafter some obscure improvement was noticed in him. He maintained his new fastidiousness without interruption, added to it an unwonted sparkle of eye and crispness of speech, and began little by little to shed the corpulence which had so long deformed him. Now frequently taken for less than his age, he acquired an elasticity of step and buoyancy of demeanour to match the new tradition, and shewed a curious darkening of the hair which somehow did not suggest dye. As the months passed, he commenced to dress less and less conservatively, and finally astonished his new friends by renovating and redecorating his Flatbush mansion, which he threw open in a series of receptions, summoning all the acquaintances he could remember, and extending a special welcome to the fully forgiven relatives who had so lately sought his restraint. Some attended through curiosity, others through duty; but all were suddenly charmed by the dawning grace and urbanity of the former hermit. He had, he asserted, accomplished most of his allotted work; and having just inherited some property from a half-forgotten European friend, was about to spend his remaining years in a brighter second youth which ease, care, and diet had made possible to him. Less and less was he seen at Red Hook, and more and more did he move in the society to which he was born. Policemen noted a tendency of the gangsters to congregate at the old stone church and dance-hall instead of at the basement flat in Parker Place, though the latter and its recent annexes still overflowed with noxious life.

Then two incidents occurred—wide enough apart, but both of intense interest in the case as Malone envisaged it. One was a quiet announcement in the Eagle[33] of Robert Suydam’s engagement to Miss Cornelia Gerritsen of Bayside,[34] a young woman of excellent position, and distantly related to the elderly bridegroom-elect; whilst the other was a raid on the dance-hall church by city police, after a report that the face of a kidnapped child had been seen for a second at one of the basement windows. Malone had participated in this raid, and studied the place with much care when inside. Nothing was found—in fact, the building was entirely deserted when visited—but the sensitive Celt was vaguely disturbed by many things about the interior. There were crudely painted panels he did not like—panels which depicted sacred faces with peculiarly worldly and sardonic expressions, and which occasionally took liberties that even a layman’s sense of decorum could scarcely countenance. Then, too, he did not relish the Greek inscription on the wall above the pulpit; an ancient incantation which he had once stumbled upon in Dublin college days, and which read, literally translated,

“O friend and companion of night, thou who rejoicest in the baying of dogs and spilt blood, who wanderest in the midst of shades among the tombs, who longest for blood and bringest terror to mortals, Gorgo, Mormo, thousand-faced moon, look favourably on our sacrifices!”[35]

When he read this he shuddered, and thought vaguely of the cracked bass organ notes he fancied he had heard beneath the church on certain nights. He shuddered again at the rust around the rim of a metal basin which stood on the altar, and paused nervously when his nostrils seemed to detect a curious and ghastly stench from somewhere in the neighbourhood. That organ memory haunted him, and he explored the basement with particular assiduity before he left. The place was very hateful to him; yet after all, were the blasphemous panels and inscriptions more than mere crudities perpetrated by the ignorant?

By the time of Suydam’s wedding the kidnapping epidemic had become a popular newspaper scandal. Most of the victims were young children of the lowest classes, but the increasing number of disappearances had worked up a sentiment of the strongest fury. Journals clamoured for action from the police, and once more the Butler Street station sent its men over Red Hook for clues, discoveries, and criminals. Malone was glad to be on the trail again, and took pride in a raid on one of Suydam’s Parker Place houses. There, indeed, no stolen child was found, despite the tales of screams and the red sash picked up in the areaway; but the paintings and rough inscriptions on the peeling walls of most of the rooms, and the primitive chemical laboratory in the attic, all helped to convince the detective that he was on the track of something tremendous. The paintings were appalling—hideous monsters of every shape and size, and parodies on human outlines which cannot be described. The writing was in red, and varied from Arabic to Greek, Roman, and Hebrew letters. Malone could not read much of it, but what he did decipher was portentous and cabbalistic enough. One frequently repeated motto was in a sort of Hebraised Hellenistic Greek, and suggested the most terrible daemon-evocations of the Alexandrian decadence:

“HEL • HELOYM • SOTHER • EMMANVEL • SABAOTH • AGLA • TETRAGRAMMATON • AGYROS • OTHEOS • ISCHYROS • ATHANATOS • IEHOVA • VA • ADONAI • SADAY • HOMOVSION • MESSIAS • ESCHEREHEYE.”[37]

Circles and pentagrams loomed on every hand, and told indubitably of the strange beliefs and aspirations of those who dwelt so squalidly here. In the cellar, however, the strangest thing was found—a pile of genuine gold ingots covered carelessly with a piece of burlap, and bearing upon their shining surfaces the same weird hieroglyphics which also adorned the walls. During the raid the police encountered only a passive resistance from the squinting Orientals that swarmed from every door. Finding nothing relevant, they had to leave all as it was; but the precinct captain wrote Suydam a note advising him to look closely to the character of his tenants and protégés in view of the growing public clamour.

V.

Then came the June wedding and the great sensation. Flatbush was gay for the hour about high noon, and pennanted motors thronged the streets near the old Dutch church where an awning stretched from door to highway. No local event ever surpassed the Suydam-Gerritsen nuptials in tone and scale, and the party which escorted bride and groom to the Cunard Pier[38] was, if not exactly the smartest, at least a solid page from the Social Register.[39] At five o’clock adieux were waved, and the ponderous liner edged away from the long pier, slowly turned its nose seaward, discarded its tug, and headed for the widening water spaces that led to old world wonders. By night the outer harbour was cleared, and late passengers watched the stars twinkling above an unpolluted ocean.

Whether the tramp steamer or the scream was first to gain attention, no one can say. Probably they were simultaneous, but it is of no use to calculate. The scream came from the Suydam stateroom, and the sailor who broke down the door could perhaps have told frightful things if he had not forthwith gone completely mad—as it is, he shrieked more loudly than the first victims, and thereafter ran simpering about the vessel till caught and put in irons.

The ship’s doctor who entered the stateroom and turned on the lights a moment later did not go mad, but told nobody what he saw till afterward, when he corresponded with Malone in Chepachet. It was murder—strangulation—but one need not say that the claw-mark on Mrs. Suydam’s throat could not have come from her husband’s or any other human hand, or that upon the white wall there flickered for an instant in hateful red a legend which, later copied from memory, seems to have been nothing less than the fearsome Chaldee letters[40] of the word “LILITH”.[41] One need not mention these things because they vanished so quickly—as for Suydam, one could at least bar others from the room until one knew what to think oneself. The doctor has distinctly assured Malone that he did not see IT. The open porthole, just before he turned on the lights, was clouded for a second with a certain phosphorescence, and for a moment there seemed to echo in the night outside the suggestion of a faint and hellish tittering; but no real outline met the eye. As proof, the doctor points to his continued sanity.

Then the tramp steamer claimed all attention. A boat put off, and a horde of swart, insolent ruffians in officers’ dress swarmed aboard the temporarily halted Cunarder. They wanted Suydam or his body—they had known of his trip, and for certain reasons were sure he would die. The captain’s deck was almost a pandemonium; for at the instant, between the doctor’s report from the stateroom and the demands of the men from the tramp, not even the wisest and gravest seaman could think what to do. Suddenly the leader of the visiting mariners, an Arab with a hatefully negroid mouth, pulled forth a dirty, crumpled paper and handed it to the captain. It was signed by Robert Suydam, and bore the following odd message:

“In case of sudden or unexplained accident or death on my part, please deliver me or my body unquestioningly into the hands of the bearer and his associates. Everything, for me, and perhaps for you, depends on absolute compliance. Explanations can come later—do not fail me now.

ROBERT SUYDAM.”

Captain and doctor looked at each other, and the latter whispered something to the former. Finally they nodded rather helplessly and led the way to the Suydam stateroom. The doctor directed the captain’s glance away as he unlocked the door and admitted the strange seamen, nor did he breathe easily till they filed out with their burden after an unaccountably long period of preparation. It was wrapped in bedding from the berths, and the doctor was glad that the outlines were not very revealing. Somehow the men got the thing over the side and away to their tramp steamer without uncovering it. The Cunarder started again, and the doctor and a ship’s undertaker sought out the Suydam stateroom to perform what last services they could. Once more the physician was forced to reticence and even to mendacity, for a hellish thing had happened. When the undertaker asked him why he had drained off all of Mrs. Suydam’s blood, he neglected to affirm that he had not done so; nor did he point to the vacant bottle-spaces on the rack, or to the odour in the sink which shewed the hasty disposition of the bottles’ original contents. The pockets of those men—if men they were—had bulged damnably when they left the ship. Two hours later, and the world knew by radio all that it ought to know of the horrible affair.

VI.

That same June evening, without having heard a word from the sea, Malone was desperately busy among the alleys of Red Hook. A sudden stir seemed to permeate the place, and as if apprised by “grapevine telegraph” of something singular, the denizens clustered expectantly round the dance-hall church and the houses in Parker Place. Three children had just disappeared—blue-eyed Norwegians from the streets toward Gowanus[42]—and there were rumours of a mob forming among the sturdy Vikings of that section. Malone had for weeks been urging his colleagues to attempt a general cleanup; and at last, moved by conditions more obvious to their common sense than the conjectures of a Dublin dreamer, they had agreed upon a final stroke. The unrest and menace of this evening had been the deciding factor, and just about midnight a raiding party recruited from three stations descended upon Parker Place and its environs. Doors were battered in, stragglers arrested, and candlelighted rooms forced to disgorge unbelievable throngs of mixed foreigners in figured robes, mitres, and other inexplicable devices. Much was lost in the melee, for objects were thrown hastily down unexpected shafts, and betraying odours deadened by the sudden kindling of pungent incense. But spattered blood was everywhere, and Malone shuddered whenever he saw a brazier or altar from which the smoke was still rising.

He wanted to be in several places at once, and decided on Suydam’s basement flat only after a messenger had reported the complete emptiness of the dilapidated dance-hall church. The flat, he thought, must hold some clue to a cult of which the occult scholar had so obviously become the centre and leader; and it was with real expectancy that he ransacked the musty rooms, noted their vaguely charnel odour, and examined the curious books, instruments, gold ingots, and glass-stoppered bottles scattered carelessly here and there. Once a lean, black-and-white cat edged between his feet and tripped him, overturning at the same time a beaker half full of a red liquid. The shock was severe, and to this day Malone is not certain of what he saw; but in dreams he still pictures that cat as it scuttled away with certain monstrous alterations and peculiarities. Then came the locked cellar door, and the search for something to break it down. A heavy stool stood near, and its tough seat was more than enough for the antique panels. A crack formed and enlarged, and the whole door gave way—but from the other side; whence poured a howling tumult of ice-cold wind with all the stenches of the bottomless pit, and whence reached a sucking force not of earth or heaven, which, coiling sentiently about the paralysed detective, dragged him through the aperture and down unmeasured spaces filled with whispers and wails, and gusts of mocking laughter.

Of course it was a dream. All the specialists have told him so, and he has nothing to prove the contrary. Indeed, he would rather have it thus; for then the sight of old brick slums and dark foreign faces would not eat so deeply into his soul. But at the time it was all horribly real, and nothing can ever efface the memory of those nighted crypts, those titan arcades, and those half-formed shapes of hell that strode gigantically in silence holding half-eaten things whose still surviving portions screamed for mercy or laughed with madness. Odours of incense and corruption joined in sickening concert, and the black air was alive with the cloudy, semi-visible bulk of shapeless elemental things with eyes. Somewhere dark sticky water was lapping at onyx piers, and once the shivery tinkle of raucous little bells pealed out to greet the insane titter of a naked phosphorescent thing which swam into sight, scrambled ashore, and climbed up to squat leeringly on a carved golden pedestal in the background.

Avenues of limitless night seemed to radiate in every direction, till one might fancy that here lay the root of a contagion destined to sicken and swallow cities, and engulf nations in the foetor of hybrid pestilence. Here cosmic sin had entered, and festered by unhallowed rites had commenced the grinning march of death that was to rot us all to fungous abnormalities too hideous for the grave’s holding. Satan here held his Babylonish court, and in the blood of stainless childhood the leprous limbs of phosphorescent Lilith were laved. Incubi and succubae howled praise to Hecate, and headless moon-calves bleated to the Magna Mater.[43] Goats leaped to the sound of thin accursed flutes, and aegipans[44] chased endlessly after misshapen fauns over rocks twisted like swollen toads. Moloch and Ashtaroth[45] were not absent; for in this quintessence of all damnation the bounds of consciousness were let down, and man’s fancy lay open to vistas of every realm of horror and every forbidden dimension that evil had power to mould. The world and Nature were helpless against such assaults from unsealed wells of night, nor could any sign or prayer check the Walpurgis-riot[46] of horror which had come when a sage with the hateful key had stumbled on a horde with the locked and brimming coffer of transmitted daemon-lore.

Suddenly a ray of physical light shot through these phantasms, and Malone heard the sound of oars amidst the blasphemies of things that should be dead. A boat with a lantern in its prow darted into sight, made fast to an iron ring in the slimy stone pier, and vomited forth several dark men bearing a long burden swathed in bedding. They took it to the naked phosphorescent thing on the carved golden pedestal, and the thing tittered and pawed at the bedding. Then they unswathed it, and propped upright before the pedestal the gangrenous corpse of a corpulent old man with stubbly beard and unkempt white hair. The phosphorescent thing tittered again, and the men produced bottles from their pockets and anointed its feet with red, whilst they afterward gave the bottles to the thing to drink from.

All at once, from an arcaded avenue leading endlessly away, there came the daemoniac rattle and wheeze of a blasphemous organ, choking and rumbling out the mockeries of hell in a cracked, sardonic bass. In an instant every moving entity was electrified; and forming at once into a ceremonial procession, the nightmare horde slithered away in quest of the sound—goat, satyr, and aegipan, incubus, succuba, and lemur, [47] twisted toad and shapeless elemental, dog-faced howler and silent strutter in darkness—all led by the abominable naked phosphorescent thing that had squatted on the carved golden throne, and that now strode insolently bearing in its arms the glassy-eyed corpse of the corpulent old man. The strange dark men danced in the rear, and the whole column skipped and leaped with Dionysiac fury. Malone staggered after them a few steps, delirious and hazy, and doubtful of his place in this or in any world. Then he turned, faltered, and sank down on the cold damp stone, gasping and shivering as the daemon organ croaked on, and the howling and drumming and tinkling of the mad procession grew fainter and fainter.

Vaguely he was conscious of chanted horrors and shocking croakings afar off. Now and then a wail or whine of ceremonial devotion would float to him through the black arcade, whilst eventually there rose the dreadful Greek incantation whose text he had read above the pulpit of that dance-hall church.

“O friend and companion of night, thou who rejoicest in the baying of dogs (here a hideous howl bust forth) and spilt blood (here nameless sounds vied with morbid shriekings), who wanderest in the midst of shades among the tombs (here a whistling sigh occurred), who longest for blood and bringest terror to mortals (short, sharp cries from myriad throats), Gorgo (repeated as response), Mormo (repeated with ecstasy), thousand-faced moon (sighs and flute notes), look favourably on our sacrifices!”

As the chant closed, a general shout went up, and hissing sounds nearly drowned the croaking of the cracked bass organ. Then a gasp as from many throats, and a babel of barked and bleated words—“Lilith, Great Lilith, behold the Bridegroom!” More cries, a clamour of rioting, and the sharp, clicking footfalls of a running figure. The footfalls approached, and Malone raised himself to his elbow to look.

The luminosity of the crypt, lately diminished, had now slightly increased; and in that devil-light there appeared the fleeing form of that which should not flee or feel or breathe—the glassy-eyed, gangrenous corpse of the corpulent old man, now needing no support, but animated by some infernal sorcery of the rite just closed. After it raced the naked, tittering, phosphorescent thing that belonged on the carven pedestal, and still farther behind panted the dark men, and all the dread crew of sentient loathsomenesses. The corpse was gaining on its pursuers, and seemed bent on a definite object, straining with every rotting muscle toward the carved golden pedestal, whose necromantic importance was evidently so great. Another moment and it had reached its goal, whilst the trailing throng laboured on with more frantic speed. But they were too late, for in one final spurt of strength which ripped tendon from tendon and sent its noisome bulk floundering to the floor in a state of jellyish dissolution, the staring corpse which had been Robert Suydam achieved its object and its triumph. The push had been tremendous, but the force had held out; and as the pusher collapsed to a muddy blotch of corruption the pedestal he had pushed tottered, tipped, and finally careened from its onyx base into the thick waters below, sending up a parting gleam of carven gold as it sank heavily to undreamable gulfs of lower Tartarus. In that instant, too, the whole scene of horror faded to nothingness before Malone’s eyes; and he fainted amidst a thunderous crash which seemed to blot out all the evil universe.

VII.

Malone’s dream, experienced in full before he knew of Suydam’s death and transfer at sea, was curiously supplemented by some odd realities of the case; though that is no reason why anyone should believe it. The three old houses in Parker Place, doubtless long rotten with decay in its most insidious form, collapsed without visible cause while half the raiders and most of the prisoners were inside; and of both the greater number were instantly killed. Only in the basements and cellars was there much saving of life, and Malone was lucky to have been deep below the house of Robert Suydam. For he really was there, as no one is disposed to deny. They found him unconscious by the edge of a night-black pool, with a grotesquely horrible jumble of decay and bone, identifiable through dental work as the body of Suydam, a few feet away. The case was plain, for it was hither that the smugglers’ underground canal led; and the men who took Suydam from the ship had brought him home. They themselves were never found, or at least never identified; and the ship’s doctor is not yet satisfied with the simple certitudes of the police.

Suydam was evidently a leader in extensive man-smuggling operations, for the canal to his house was but one of several subterranean channels and tunnels in the neighbourhood. There was a tunnel from this house to a crypt beneath the dance-hall church; a crypt accessible from the church only through a narrow secret passage in the north wall, and in whose chambers some singular and terrible things were discovered. The croaking organ was there, as well as a vast arched chapel with wooden benches and a strangely figured altar. The walls were lined with small cells, in seventeen of which—hideous to relate—solitary prisoners in a state of complete idiocy were found chained, including four mothers with infants of disturbingly strange appearance. These infants died soon after exposure to the light; a circumstance which the doctors thought rather merciful. Nobody but Malone, among those who inspected them, remembered the sombre question of old Delrio: “An sint unquam daemones incubi et succubae, et an ex tali congressu proles nasci queat?”[48]

Before the canals were filled up they were thoroughly dredged, and yielded forth a sensational array of sawed and split bones of all sizes. The kidnapping epidemic, very clearly, had been traced home; though only two of the surviving prisoners could by any legal thread be connected with it. These men are now in prison, since they failed of conviction as accessories in the actual murders. The carved golden pedestal or throne so often mentioned by Malone as of primary occult importance was never brought to light, though at one place under the Suydam house the canal was observed to sink into a well too deep for dredging. It was choked up at the mouth and cemented over when the cellars of the new houses were made, but Malone often speculates on what lies beneath. The police, satisfied that they had shattered a dangerous gang of maniacs and man-smugglers, turned over to the Federal authorities the unconvicted Kurds, who before their deportation were conclusively found to belong to the Yezidi clan of devil-worshippers. The tramp ship and its crew remain an elusive mystery, though cynical detectives are once more ready to combat its smuggling and rum-running ventures. Malone thinks these detectives shew a sadly limited perspective in their lack of wonder at the myriad unexplainable details, and the suggestive obscurity of the whole case; though he is just as critical of the newspapers, which saw only a morbid sensation and gloated over a minor sadist cult which they might have proclaimed a horror from the universe’s very heart. But he is content to rest silent in Chepachet, calming his nervous system and praying that time may gradually transfer his terrible experience from the realm of present reality to that of picturesque and semi-mythical remoteness.

Robert Suydam sleeps beside his bride in Greenwood Cemetery. [49] No funeral was held over the strangely released bones, and relatives are grateful for the swift oblivion which overtook the case as a whole. The scholar’s connexion with the Red Hook horrors, indeed, was never emblazoned by legal proof; since his death forestalled the inquiry he would otherwise have faced. His own end is not much mentioned, and the Suydams hope that posterity may recall him only as a gentle recluse who dabbled in harmless magic and folklore.

As for Red Hook—it is always the same. Suydam came and went; a terror gathered and faded; but the evil spirit of darkness and squalor broods on amongst the mongrels in the old brick houses, and prowling bands still parade on unknown errands past windows where lights and twisted faces unaccountably appear and disappear. Age-old horror is a hydra with a thousand heads, and the cults of darkness are rooted in blasphemies deeper than the well of Democritus.[50] The soul of the beast is omnipresent and triumphant, and Red Hook’s legions of blear-eyed, pockmarked youths still chant and curse and howl as they file from abyss to abyss, none knows whence or whither, pushed on by blind laws of biology which they may never understand. As of old, more people enter Red Hook than leave it on the landward side, and there are already rumours of new canals running underground to certain centres of traffic in liquor and less mentionable things.

The dance-hall church is now mostly a dance-hall, and queer faces have appeared at night at the windows. Lately a policeman expressed the belief that the filled-up crypt has been dug out again, and for no simply explainable purpose. Who are we to combat poisons older than history and mankind? Apes danced in Asia to those horrors, and the cancer lurks secure and spreading where furtiveness hides in rows of decaying brick.

Malone does not shudder without cause—for only the other day an officer overheard a swarthy squinting hag teaching a small child some whispered patois in the shadow of an areaway. He listened, and thought it very strange when he heard her repeat over and over again,

“O friend and companion of night, thou who rejoicest in the baying of dogs and spilt blood, who wanderest in the midst of shades among the tombs, who longest for blood and bringest terror to mortals, Gorgo, Mormo, thousand-faced moon, look favourably on our sacrifices!”

IN THE VAULT

Dedicated to C. W. Smith, from whose suggestion the central situation is taken.[1]

There is nothing more absurd, as I view it, than that conventional association of the homely and the wholesome which seems to pervade the psychology of the multitude. Mention a bucolic Yankee setting, a bungling and thick-fibred village undertaker, and a careless mishap in a tomb, and no average reader can be brought to expect more than a hearty albeit grotesque phase of comedy. God knows, though, that the prosy tale which George Birch’s death permits me to tell has in it aspects beside which some of our darkest tragedies are light.

Birch acquired a limitation and changed his business in 1881, yet never discussed the case when he could avoid it. Neither did his old physician Dr. Davis, who died years ago. It was generally stated that the affliction and shock were results of an unlucky slip whereby Birch had locked himself for nine hours in the receiving tomb of Peck Valley Cemetery, escaping only by crude and disastrous mechanical means; but while this much was undoubtedly true, there were other and blacker things which the man used to whisper to me in his drunken delirium toward the last. He confided in me because I was his doctor, and because he probably felt the need of confiding in someone else after Davis died. He was a bachelor, wholly without relatives.

Birch, before 1881, had been the village undertaker of Peck Valley; and was a very calloused and primitive specimen even as such specimens go. The practices I heard attributed to him would be unbelievable today, at least in a city; and even Peck Valley would have shuddered a bit had it known the easy ethics of its mortuary artist in such debatable matters as the ownership of costly “laying-out” apparel invisible beneath the casket’s lid, and the degree of dignity to be maintained in posing and adapting the unseen members of lifeless tenants to containers not always calculated with sublimest accuracy. Most distinctly Birch was lax, insensitive, and professionally undesirable; yet I still think he was not an evil man. He was merely crass of fibre and function—thoughtless, careless, and liquorish, as his easily avoidable accident proves, and without that modicum of imagination which holds the average citizen within certain limits fixed by taste.

Just where to begin Birch’s story I can hardly decide, since I am no practiced teller of tales. I suppose one should start in the cold December of 1880, when the ground froze and the cemetery delvers found they could dig no more graves till spring. Fortunately the village was small and the death rate low, so that it was possible to give all of Birch’s inanimate charges a temporary haven in the single antiquated receiving tomb. The undertaker grew doubly lethargic in the bitter weather, and seemed to outdo even himself in carelessness. Never did he knock together flimsier and ungainlier caskets, or disregard more flagrantly the needs of the rusty lock on the tomb door which he slammed open and shut with such nonchalant abandon.

At last the spring thaw came, and graves were laboriously prepared for the nine silent harvests of the grim reaper which waited in the tomb. Birch, though dreading the bother of removal and interment, began his task of transference one disagreeable April morning, but ceased before noon because of a heavy rain that seemed to irritate his horse, after having laid but one mortal tenement to its permanent rest. That was Darius Peck, the nonagenarian, whose grave was not far from the tomb. Birch decided that he would begin the next day with little old Matthew Fenner,[2] whose grave was also near by; but actually postponed the matter for three days, not getting to work till Good Friday, the 15th. Being without superstition, he did not heed the day at all; though ever afterward he refused to do anything of importance on that fateful sixth day of the week. Certainly, the events of that evening greatly changed George Birch.

On the afternoon of Friday, April 15th, then, Birch set out for the tomb with horse and wagon to transfer the body of Matthew Fenner. That he was not perfectly sober, he subsequently admitted; though he had not then taken to the wholesale drinking by which he later tried to forget certain things. He was just dizzy and careless enough to annoy his sensitive horse, which as he drew it viciously up at the tomb neighed and pawed and tossed its head, much as on that former occasion when the rain had vexed it. The day was clear, but a high wind had sprung up; and Birch was glad to get to shelter as he unlocked the iron door and entered the side-hill vault. Another might not have relished the damp, odorous chamber with the eight carelessly placed coffins; but Birch in those days was insensitive, and was concerned only in getting the right coffin for the right grave. He had not forgotten the criticism aroused when Hannah Bixby’s relatives, wishing to transport her body to the cemetery in the city whither they had moved, found the casket of Judge Capwell beneath her headstone.

The light was dim, but Birch’s sight was good, and he did not get Asaph Sawyer’s[3] coffin by mistake, although it was very similar. He had, indeed, made that coffin for Matthew Fenner; but had cast it aside at last as too awkward and flimsy, in a fit of curious sentimentality aroused by recalling how kindly and generous the little old man had been to him during his bankruptcy five years before. He gave old Matt the very best his skill could produce, but was thrifty enough to save the rejected specimen, and to use it when Asaph Sawyer died of a malignant fever. Sawyer was not a lovable man, and many stories were told of his almost inhuman vindictiveness and tenacious memory for wrongs real or fancied. To him Birch had felt no compunction in assigning the carelessly made coffin which he now pushed out of the way in his quest for the Fenner casket.

It was just as he had recognised old Matt’s coffin that the door slammed to in the wind, leaving him in a dusk even deeper than before. The narrow transom admitted only the feeblest of rays, and the overhead ventilation funnel virtually none at all; so that he was reduced to a profane fumbling as he made his halting way among the long boxes toward the latch. In this funereal twilight he rattled the rusty handles, pushed at the iron panels, and wondered why the massive portal had grown so suddenly recalcitrant. In this twilight, too, he began to realise the truth and to shout loudly as if his horse outside could do more than neigh an unsympathetic reply. For the long-neglected latch was obviously broken, leaving the careless undertaker trapped in the vault, a victim of his own oversight.

The thing must have happened at about three-thirty in the afternoon. Birch, being by temperament phlegmatic and practical, did not shout long; but proceeded to grope about for some tools which he recalled seeing in a corner of the tomb. It is doubtful whether he was touched at all by the horror and exquisite weirdness of his position, but the bald fact of imprisonment so far from the daily paths of men was enough to exasperate him thoroughly. His day’s work was sadly interrupted, and unless chance presently brought some rambler hither, he might have to remain all night or longer. The pile of tools soon reached, and a hammer and chisel selected, Birch returned over the coffins to the door. The air had begun to be exceedingly unwholesome; but to this detail he paid no attention as he toiled, half by feeling, at the heavy and corroded metal of the latch. He would have given much for a lantern or bit of candle; but lacking these, bungled semi-sightlessly as best he might.

When he perceived that the latch was hopelessly unyielding, at least to such meagre tools and under such tenebrous conditions as these, Birch glanced about for other possible points of escape. The vault had been dug from a hillside, so that the narrow ventilation funnel in the top ran through several feet of earth, making this direction utterly useless to consider. Over the door, however, the high, slit-like transom in the brick facade gave promise of possible enlargement to a diligent worker; hence upon this his eyes long rested as he racked his brains for means to reach it. There was nothing like a ladder in the tomb, and the coffin niches on the sides and rear—which Birch seldom took the trouble to use—afforded no ascent to the space above the door. Only the coffins themselves remained as potential stepping-stones, and as he considered these he speculated on the best mode of arranging them. Three coffin-heights, he reckoned, would permit him to reach the transom; but he could do better with four. The boxes were fairly even, and could be piled up like blocks; so he began to compute how he might most stably use the eight to rear a scalable platform four deep. As he planned, he could not but wish that the units of his contemplated staircase had been more securely made. Whether he had imagination enough to wish they were empty, is strongly to be doubted.

Finally he decided to lay a base of three parallel with the wall, to place upon this two layers of two each, and upon these a single box to serve as the platform. This arrangement could be ascended with a minimum of awkwardness, and would furnish the desired height. Better still, though, he would utilise only two boxes of the base to support the superstructure, leaving one free to be piled on top in case the actual feat of escape required an even greater altitude. And so the prisoner toiled in the twilight, heaving the unresponsive remnants of mortality with little ceremony as his miniature Tower of Babel rose course by course. Several of the coffins began to split under the stress of handling, and he planned to save the stoutly built casket of little Matthew Fenner for the top, in order that his feet might have as certain a surface as possible. In the semi-gloom he trusted mostly to touch to select the right one, and indeed came upon it almost by accident, since it tumbled into his hands as if through some odd volition after he had unwittingly placed it beside another on the third layer.

The tower at length finished, and his aching arms rested by a pause during which he sat on the bottom step of his grim device, Birch cautiously ascended with his tools and stood abreast of the narrow transom. The borders of the space were entirely of brick, and there seemed little doubt but that he could shortly chisel away enough to allow his body to pass. As his hammer blows began to fall, the horse outside whinnied in a tone which may have been encouraging and may have been mocking. In either case it would have been appropriate; for the unexpected tenacity of the easy-looking brickwork was surely a sardonic commentary on the vanity of mortal hopes, and the source of a task whose performance deserved every possible stimulus.

Dusk fell and found Birch still toiling. He worked largely by feeling now, since newly gathered clouds hid the moon; and though progress was still slow, he felt heartened at the extent of his encroachments on the top and bottom of the aperture. He could, he was sure, get out by midnight—though it is characteristic of him that this thought was untinged with eerie implications. Undisturbed by oppressive reflections on the time, the place, and the company beneath his feet, he philosophically chipped away the stony brickwork; cursing when a fragment hit him in the face, and laughing when one struck the increasingly excited horse that pawed near the cypress tree. In time the hole grew so large that he ventured to try his body in it now and then, shifting about so that the coffins beneath him rocked and creaked. He would not, he found, have to pile another on his platform to make the proper height; for the hole was on exactly the right level to use as soon as its size might permit.

It must have been midnight at least when Birch decided he could get through the transom. Tired and perspiring despite many rests, he descended to the floor and sat a while on the bottom box to gather strength for the final wriggle and leap to the ground outside. The hungry horse was neighing repeatedly and almost uncannily, and he vaguely wished it would stop. He was curiously unelated over his impending escape, and almost dreaded the exertion, for his form had the indolent stoutness of early middle age. As he remounted the splitting coffins he felt his weight very poignantly; especially when, upon reaching the topmost one, he heard that aggravated crackle which bespeaks the wholesale rending of wood. He had, it seems, planned in vain when choosing the stoutest coffin for the platform; for no sooner was his full bulk again upon it than the rotting lid gave way, jouncing him two feet down on a surface which even he did not care to imagine. Maddened by the sound, or by the stench which billowed forth even to the open air, the waiting horse gave a scream that was too frantic for a neigh, and plunged madly off through the night, the wagon rattling crazily behind it.

Birch, in his ghastly situation, was now too low for an easy scramble out of the enlarged transom; but gathered his energies for a determined try. Clutching the edges of the aperture, he sought to pull himself up, when he noticed a queer retardation in the form of an apparent drag on both his ankles. In another moment he knew fear for the first time that night; for struggle as he would, he could not shake clear of the unknown grasp which held his feet in relentless captivity. Horrible pains, as of savage wounds, shot through his calves; and in his mind was a vortex of fright mixed with an unquenchable materialism that suggested splinters, loose nails, or some other attribute of a breaking wooden box. Perhaps he screamed. At any rate he kicked and squirmed frantically and automatically whilst his consciousness was almost eclipsed in a half-swoon.

Instinct guided him in his wriggle through the transom, and in the crawl which followed his jarring thud on the damp ground. He could not walk, it appeared, and the emerging moon must have witnessed a horrible sight as he dragged his bleeding ankles toward the cemetery lodge; his fingers clawing the black mould in brainless haste, and his body responding with that maddening slowness from which one suffers when chased by the phantoms of nightmare. There was evidently, however, no pursuer; for he was alone and alive when Armington, the lodge-keeper, answered his feeble clawing at the door.

Armington helped Birch to the outside of a spare bed and sent his little son Edwin for Dr. Davis. The afflicted man was fully conscious, but would say nothing of any consequence; merely muttering such things as “oh, my ankles!”, “let go!”, or “shut in the tomb”. Then the doctor came with his medicine-case and asked crisp questions, and removed the patient’s outer clothing, shoes, and socks. The wounds—for both ankles were frightfully lacerated about the Achilles’ tendons—seemed to puzzle the old physician greatly, and finally almost to frighten him. His questioning grew more than medically tense, and his hands shook as he dressed the mangled members; binding them as if he wished to get the wounds out of sight as quickly as possible.

For an impersonal doctor, Davis’ ominous and awestruck cross-examination became very strange indeed as he sought to drain from the weakened undertaker every least detail of his horrible experience. He was oddly anxious to know if Birch were sure—absolutely sure—of the identity of that top coffin of the pile; how he had chosen it, how he had been certain of it as the Fenner coffin in the dusk, and how he had distinguished it from the inferior duplicate coffin of vicious Asaph Sawyer. Would the firm Fenner casket have caved in so readily? Davis, an old-time village practitioner, had of course seen both at the respective funerals, as indeed he had attended both Fenner and Sawyer in their last illnesses. He had even wondered, at Sawyer’s funeral, how the vindictive farmer had managed to lie straight in a box so closely akin to that of the diminutive Fenner.

After a full two hours Dr. Davis left, urging Birch to insist at all times that his wounds were caused entirely by loose nails and splintering wood. What else, he added, could ever in any case be proved or believed? But it would be well to say as little as could be said, and to let no other doctor treat the wounds. Birch heeded this advice all the rest of his life till he told me his story; and when I saw the scars—ancient and whitened as they then were—I agreed that he was wise in so doing. He always remained lame, for the great tendons had been severed; but I think the greatest lameness was in his soul. His thinking processes, once so phlegmatic and logical, had become ineffaceably scarred; and it was pitiful to note his response to certain chance allusions such as “Friday”, “tomb”, “coffin”, and words of less obvious concatenation. His frightened horse had gone home, but his frightened wits never quite did that. He changed his business, but something always preyed upon him. It may have been just fear, and it may have been fear mixed with a queer belated sort of remorse for bygone crudities. His drinking, of course, only aggravated what it was meant to alleviate.

When Dr. Davis left Birch that night he had taken a lantern and gone to the old receiving tomb. The moon was shining on the scattered brick fragments and marred facade, and the latch of the great door yielded readily to a touch from the outside. Steeled by old ordeals in dissecting rooms, the doctor entered and looked about, stifling the nausea of mind and body that everything in sight and smell induced. He cried aloud once, and a little later gave a gasp that was more terrible than a cry. Then he fled back to the lodge and broke all the rules of his calling by rousing and shaking his patient, and hurling at him a succession of shuddering whispers that seared into the bewildered ears like the hissing of vitriol.

“It was Asaph’s coffin, Birch, just as I thought! I knew his teeth, with the front ones missing on the upper jaw—never, for God’s sake, shew those wounds! The body was pretty badly gone, but if ever I saw vindictiveness on any face—or former face. . . . You know what a fiend he was for revenge—how he ruined old Raymond thirty years after their boundary suit, and how he stepped on the puppy that snapped at him a year ago last August. . . . He was the devil incarnate, Birch, and I believe his eye-for-an-eye fury could beat old Father Death himself. God, what a rage! I’d hate to have it aimed at me!

“Why did you do it, Birch? He was a scoundrel, and I don’t blame you for giving him a cast-aside coffin, but you always did go too damned far! Well enough to skimp on the thing some way, but you knew what a little man old Fenner was.

“I’ll never get the picture out of my head as long as I live. You kicked hard, for Asaph’s coffin was on the floor. His head was broken in, and everything was tumbled about. I’ve seen sights before, but there was one thing too much here. An eye for an eye! Great heavens, Birch, but you got what you deserved. The skull turned my stomach, but the other was worse—those ankles cut neatly off to fit Matt Fenner’s cast-aside coffin!”

THE STRANGE HIGH HOUSE IN THE MIST

In the morning mist comes up from the sea by the cliffs beyond Kingsport.[1] White and feathery it comes from the deep to its brothers the clouds, full of dreams of dank pastures and caves of leviathan. And later, in still summer rains on the steep roofs of poets, the clouds scatter bits of those dreams, that men shall not live without rumour of old, strange secrets, and wonders that planets tell planets alone in the night. When tales fly thick in the grottoes of tritons, and conches in seaweed cities blow wild tunes learned from the Elder Ones, then great eager mists flock to heaven laden with lore, and oceanward eyes on the rocks see only a mystic whiteness, as if the cliff’s rim were the rim of all earth, and the solemn bells of buoys tolled free in the aether of faery.

Now north of archaic Kingsport the crags climb lofty and curious, terrace on terrace, till the northernmost hangs in the sky like a grey frozen wind-cloud. Alone it is, a bleak point jutting in limitless space, for there the coast turns sharp where the great Miskatonic pours out of the plains past Arkham,[2] bringing woodland legends and little quaint memories of New England’s hills. The sea-folk in Kingsport look up at that cliff as other sea-folk look up at the pole-star, and time the night’s watches by the way it hides or shews the Great Bear, Cassiopeia, and the Dragon.[3] Among them it is one with the firmament, and truly, it is hidden from them when the mist hides the stars or the sun. Some of the cliffs they love, as that whose grotesque profile they call Father Neptune, or that whose pillared steps they term The Causeway; but this one they fear because it is so near the sky. The Portuguese sailors coming in from a voyage cross themselves when they first see it, and the old Yankees believe it would be a much graver matter than death to climb it, if indeed that were possible. Nevertheless there is an ancient house on that cliff, and at evening men see lights in the small-paned windows.

The ancient house has always been there, and people say One dwells therein who talks with the morning mists that come up from the deep, and perhaps sees singular things oceanward at those times when the cliff’s rim becomes the rim of all earth, and solemn buoys toll free in the white aether of faery. This they tell from hearsay, for that forbidding crag is always unvisited, and natives dislike to train telescopes on it. Summer boarders have indeed scanned it with jaunty binoculars, but have never seen more than the grey primeval roof, peaked and shingled, whose eaves come nearly to the grey foundations, and the dim yellow light of the little windows peeping out from under those eaves in the dusk. These summer people do not believe that the same One has lived in the ancient house for hundreds of years, but cannot prove their heresy to any real Kingsporter. Even the Terrible Old Man who talks to leaden pendulums in bottles, buys groceries with centuried Spanish gold, and keeps stone idols in the yard of his antediluvian cottage in Water Street can only say these things were the same when his grandfather was a boy, and that must have been inconceivable ages ago, when Belcher or Shirley or Pownall or Bernard was Governor of His Majesty’s Province of the Massachusetts-Bay.[4]

Then one summer there came a philosopher into Kingsport. His name was Thomas Olney,[5] and he taught ponderous things in a college by Narragansett Bay. With stout wife and romping children he came, and his eyes were weary with seeing the same things for many years, and thinking the same well-disciplined thoughts. He looked at the mists from the diadem of Father Neptune, and tried to walk into their white world of mystery along the titan steps of The Causeway. Morning after morning he would lie on the cliffs and look over the world’s rim at the cryptical aether beyond, listening to spectral bells and the wild cries of what might have been gulls. Then, when the mist would lift and the sea stand out prosy with the smoke of steamers, he would sigh and descend to the town, where he loved to thread the narrow olden lanes up and downhill, and study the crazy tottering gables and odd pillared doorways which had sheltered so many generations of sturdy sea-folk. And he even talked with the Terrible Old Man, who was not fond of strangers, and was invited into his fearsomely archaic cottage where low ceilings and wormy panelling hear the echoes of disquieting soliloquies in the dark small hours.

Of course it was inevitable that Olney should mark the grey unvisited cottage in the sky, on that sinister northward crag which is one with the mists and the firmament. Always over Kingsport it hung, and always its mystery sounded in whispers through Kingsport’s crooked alleys. The Terrible Old Man wheezed a tale that his father had told him, of lightning that shot one night up from that peaked cottage to the clouds of higher heaven; and Granny Orne,[6] whose tiny gambrel-roofed abode in Ship Street is all covered with moss and ivy, croaked over something her grandmother had heard at second-hand, about shapes that flapped out of the eastern mists straight into the narrow single door of that unreachable place—for the door is set close to the edge of the crag toward the ocean, and glimpsed only from ships at sea.

At length, being avid for new strange things and held back by neither the Kingsporter’s fear nor the summer boarder’s usual indolence, Olney made a very terrible resolve. Despite a conservative training—or because of it, for humdrum lives breed wistful longings of the unknown—he swore a great oath to scale that avoided northern cliff and visit the abnormally antique grey cottage in the sky. Very plausibly his saner self argued that the place must be tenanted by people who reached it from inland along the easier ridge beside the Miskatonic’s estuary. Probably they traded in Arkham, knowing how little Kingsport liked their habitation, or perhaps being unable to climb down the cliff on the Kingsport side. Olney walked out along the lesser cliffs to where the great crag leaped insolently up to consort with celestial things, and became very sure that no human feet could mount it or descend it on that beetling southern slope. East and north it rose thousands of feet vertically from the water, so only the western side, inland and toward Arkham, remained.

One early morning in August Olney set out to find a path to the inaccessible pinnacle. He worked northwest along pleasant back roads, past Hooper’s Pond and the old brick powder-house to where the pastures slope up to the ridge above the Miskatonic and give a lovely vista of Arkham’s white Georgian steeples across leagues of river and meadow. Here he found a shady road to Arkham, but no trail at all in the seaward direction he wished. Woods and fields crowded up to the high bank of the river’s mouth, and bore not a sign of man’s presence; not even a stone wall or a straying cow, but only the tall grass and giant trees and tangles of briers that the first Indian might have seen. As he climbed slowly east, higher and higher above the estuary on his left and nearer and nearer the sea, he found the way growing in difficulty; till he wondered how ever the dwellers in that disliked place managed to reach the world outside, and whether they came often to market in Arkham.

Then the trees thinned, and far below him on his right he saw the hills and antique roofs and spires of Kingsport. Even Central Hill was a dwarf from this height, and he could just make out the ancient graveyard by the Congregational Hospital, beneath which rumour said some terrible caves or burrows lurked. Ahead lay sparse grass and scrub blueberry bushes, and beyond them the naked rock of the crag and the thin peak of the dreaded grey cottage. Now the ridge narrowed, and Olney grew dizzy at his loneness in the sky. South of him the frightful precipice above Kingsport, north of him the vertical drop of nearly a mile to the river’s mouth. Suddenly a great chasm opened before him, ten feet deep, so that he had to let himself down by his hands and drop to a slanting floor, and then crawl perilously up a natural defile in the opposite wall. So this was the way the folk of the uncanny house journeyed betwixt earth and sky!

When he climbed out of the chasm a morning mist was gathering, but he clearly saw the lofty and unhallowed cottage ahead; walls as grey as the rock, and high peak standing bold against the milky white of the seaward vapours. And he perceived that there was no door on this landward end, but only a couple of small lattice windows with dingy bull’s-eye panes leaded in seventeenth-century fashion. All around him was cloud and chaos, and he could see nothing below but the whiteness of illimitable space. He was alone in the sky with this queer and very disturbing house; and when he sidled around to the front and saw that the wall stood flush with the cliff’s edge, so that the single narrow door was not to be reached save from the empty aether, he felt a distinct terror that altitude could not wholly explain. And it was very odd that shingles so worm-eaten could survive, or bricks so crumbled still form a standing chimney.[7]

As the mist thickened, Olney crept around to the windows on the north and west and south sides, trying them but finding them all locked. He was vaguely glad they were locked, because the more he saw of that house the less he wished to get in. Then a sound halted him. He heard a lock rattle and a bolt shoot, and a long creaking follow as if a heavy door were slowly and cautiously opened. This was on the oceanward side that he could not see, where the narrow portal opened on blank space thousands of feet in the misty sky above the waves.

Then there was heavy, deliberate tramping in the cottage, and Olney heard the windows opening, first on the north side opposite him, and then on the west just around the corner. Next would come the south windows, under the great low eaves on the side where he stood; and it must be said that he was more than uncomfortable as he thought of the detestable house on one side and the vacancy of upper air on the other. When a fumbling came in the nearer casements he crept around to the west again, flattening himself against the wall beside the now opened windows. It was plain that the owner had come home; but he had not come from the land, nor from any balloon or airship that could be imagined. Steps sounded again, and Olney edged round to the north; but before he could find a haven a voice called softly, and he knew he must confront his host.

Stuck out of a west window was a great black-bearded face whose eyes shone phosphorescently with the imprint of unheard-of sights. But the voice was gentle, and of a quaint olden kind, so that Olney did not shudder when a brown hand reached out to help him over the sill and into that low room of black oak wainscots and carved Tudor furnishings. The man was clad in very ancient garments, and had about him an unplaceable nimbus of sea-lore and dreams of tall galleons. Olney does not recall many of the wonders he told, or even who he was; but says that he was strange and kindly, and filled with the magic of unfathomed voids of time and space. The small room seemed green with a dim aqueous light, and Olney saw that the far windows to the east were not open, but shut against the misty aether with dull thick panes like the bottoms of old bottles.

That bearded host seemed young, yet looked out of eyes steeped in the elder mysteries; and from the tales of marvellous ancient things he related, it must be guessed that the village folk were right in saying he had communed with the mists of the sea and the clouds of the sky ever since there was any village to watch his taciturn dwelling from the plain below. And the day wore on, and still Olney listened to rumours of old times and far places, and heard how the Kings of Atlantis fought with the slippery blasphemies that wriggled out of rifts in ocean’s floor, and how the pillared and weedy temple of Poseidonis[8] is still glimpsed at midnight by lost ships, who know by its sight that they are lost. Years of the Titans were recalled, but the host grew timid when he spoke of the dim first age of chaos before the gods or even the Elder Ones were born, and when only the other gods came to dance on the peak of Hatheg-Kla in the stony desert near Ulthar, beyond the river Skai.[9]

It was at this point that there came a knocking on the door; that ancient door of nail-studded oak beyond which lay only the abyss of white cloud. Olney started in fright, but the bearded man motioned him to be still, and tiptoed to the door to look out through a very small peep-hole. What he saw he did not like, so pressed his fingers to his lips and tiptoed around to shut and lock all the windows before returning to the ancient settle beside his guest. Then Olney saw lingering against the translucent squares of each of the little dim windows in succession a queer black outline as the caller moved inquisitively about before leaving; and he was glad his host had not answered the knocking. For there are strange objects in the great abyss, and the seeker of dreams must take care not to stir up or meet the wrong ones.

Then the shadows began to gather; first little furtive ones under the table, and then bolder ones in the dark panelled corners. And the bearded man made enigmatical gestures of prayer, and lit tall candles in curiously wrought brass candlesticks. Frequently he would glance at the door as if he expected someone, and at length his glance seemed answered by a singular rapping which must have followed some very ancient and secret code. This time he did not even glance through the peep-hole, but swung the great oak bar and shot the bolt, unlatching the heavy door and flinging it wide to the stars and the mist.

And then to the sound of obscure harmonies there floated into that room from the deep all the dreams and memories of earth’s sunken Mighty Ones. And golden flames played about weedy locks, so that Olney was dazzled as he did them homage. Trident-bearing Neptune was there, and sportive tritons and fantastic nereids, and upon dolphins’ backs was balanced a vast crenulate shell wherein rode the grey and awful form of primal Nodens, Lord of the Great Abyss.[10] And the conches of the tritons gave weird blasts, and the nereids made strange sounds by striking on the grotesque resonant shells of unknown lurkers in black sea-caves. Then hoary Nodens reached forth a wizened hand and helped Olney and his host into the vast shell, whereat the conches and the gongs set up a wild and awesome clamour. And out into the limitless aether reeled that fabulous train, the noise of whose shouting was lost in the echoes of thunder.

All night in Kingsport they watched that lofty cliff when the storm and the mists gave them glimpses of it, and when toward the small hours the little dim windows went dark they whispered of dread and disaster. And Olney’s children and stout wife prayed to the bland proper god of Baptists, and hoped that the traveller would borrow an umbrella and rubbers unless the rain stopped by morning. Then dawn swam dripping and mist-wreathed out of the sea, and the buoys tolled solemn in vortices of white aether. And at noon elfin horns rang over the ocean as Olney, dry and light-footed, climbed down from the cliffs to antique Kingsport with the look of far places in his eyes. He could not recall what he had dreamed in the sky-perched hut of that still nameless hermit, or say how he had crept down that crag untraversed by other feet. Nor could he talk of these matters at all save with the Terrible Old Man, who afterward mumbled queer things in his long white beard; vowing that the man who came down from that crag was not wholly the man who went up, and that somewhere under that grey peaked roof, or amidst inconceivable reaches of that sinister white mist, there lingered still the lost spirit of him who was Thomas Olney.

And ever since that hour, through dull dragging years of grey-ness and weariness, the philosopher has laboured and eaten and slept and done uncomplaining the suitable deeds of a citizen. Not any more does he long for the magic of farther hills, or sigh for secrets that peer like green reefs from a bottomless sea. The sameness of his days no longer gives him sorrow, and well-disciplined thoughts have grown enough for his imagination. His good wife waxes stouter and his children older and prosier and more useful, and he never fails to smile correctly with pride when the occasion calls for it. In his glance there is not any restless light, and if he ever listens for solemn bells or far elfin horns it is only at night when old dreams are wandering. He has never seen Kingsport again, for his family disliked the funny old houses, and complained that the drains were impossibly bad. They have a trim bungalow now at Bristol Highlands, where no tall crags tower, and the neighbours are urban and modern.

But in Kingsport strange tales are abroad, and even the Terrible Old Man admits a thing untold by his grandfather. For now, when the wind sweeps boisterous out of the north past the high ancient house that is one with the firmament, there is broken at last that ominous brooding silence ever before the bane of Kingsport’s maritime cotters. And old folk tell of pleasing voices heard singing there, and of laughter that swells with joys beyond earth’s joys; and say that at evening the little low windows are brighter than formerly. They say, too, that the fierce aurora comes oftener to that spot, shining blue in the north with visions of frozen worlds while the crag and the cottage hang black and fantastic against wild coruscations. And the mists of the dawn are thicker, and sailors are not quite so sure that all the muffled seaward ringing is that of the solemn buoys.

Worst of all, though, is the shrivelling of old fears in the hearts of Kingsport’s young men, who grow prone to listen at night to the north wind’s faint distant sounds. They swear no harm or pain can inhabit that high peaked cottage, for in the new voices gladness beats, and with them the tinkle of laughter and music. What tales the sea-mists may bring to that haunted and northernmost pinnacle they do not know, but they long to extract some hint of the wonders that knock at the cliff-yawning door when clouds are thickest. And patriarchs dread lest some day one by one they seek out that inaccessible peak in the sky, and learn what centuried secrets hide beneath the steep shingled roof which is part of the rocks and the stars and the ancient fears of Kingsport. That those venturesome youths will come back they do not doubt, but they think a light may be gone from their eyes, and a will from their hearts. And they do not wish quaint Kingsport with its climbing lanes and archaic gables to drag listless down the years while voice by voice the laughing chorus grows stronger and wilder in that unknown and terrible eyrie where mists and the dreams of mists stop to rest on their way from the sea to the skies.

They do not wish the souls of their young men to leave the pleasant hearths and gambrel-roofed taverns of old Kingsport, nor do they wish the laughter and song in that high rocky place to grow louder. For as the voice which has come has brought fresh mists from the sea and from the north fresh lights, so do they say that still other voices will bring more mists and more lights, till perhaps the olden gods (whose existence they hint only in whispers for fear the Congregational parson shall hear) may come out of the deep and from unknown Kadath in the cold waste[11] and make their dwelling on that evilly appropriate crag so close to the gentle hills and valleys of quiet simple fisherfolk. This they do not wish, for to plain people things not of earth are unwelcome; and besides, the Terrible Old Man often recalls what Olney said about a knock that the lone dweller feared, and a shape seen black and inquisitive against the mist through those queer translucent windows of leaded bull’s-eyes.

All these things, however, the Elder Ones only may decide; and meanwhile the morning mist still comes up by that lonely vertiginous peak with the steep ancient house, that grey low-eaved house where none is seen but where evening brings furtive lights while the north wind tells of strange revels. White and feathery it comes from the deep to its brothers the clouds, full of dreams of dank pastures and caves of leviathan. And when tales fly thick in the grottoes of tritons, and conches in seaweed cities blow wild tunes learned from the Elder Ones, then great eager vapours flock to heaven laden with lore; and Kingsport, nestling uneasy on its lesser cliffs below that awesome hanging sentinel of rock, sees oceanward only a mystic whiteness, as if the cliff’s rim were the rim of all earth, and the solemn bells of the buoys tolled free in the aether of faery.

THE DREAM-QUEST OF UNKNOWN KADATH

Three times Randolph Carter dreamed of the marvellous city, and three times was he snatched away while still he paused on the high terrace above it. All golden and lovely it blazed in the sunset, with walls, temples, colonnades, and arched bridges of veined marble, silver-basined fountains of prismatic spray in broad squares and perfumed gardens, and wide streets marching between delicate trees and blossom-laden urns and ivory statues in gleaming rows; while on steep northward slopes climbed tiers of red roofs and old peaked gables harbouring little lanes of grassy cobbles. It was a fever of the gods; a fanfare of supernal trumpets and a clash of immortal cymbals. Mystery hung about it as clouds about a fabulous unvisited mountain; and as Carter stood breathless and expectant on that balustraded parapet there swept up to him the poignancy and suspense of almost-vanished memory, the pain of lost things, and the maddening need to place again what once had an awesome and momentous place.

He knew that for him its meaning must once have been supreme; though in what cycle or incarnation he had known it, or whether in dream or in waking, he could not tell. Vaguely it called up glimpses of a far, forgotten first youth, when wonder and pleasure lay in all the mystery of days, and dawn and dusk alike strode forth prophetick to the eager sound of lutes and song; unclosing faery gates toward further and surprising marvels. But each night as he stood on that high marble terrace with the curious urns and carven rail and looked off over that hushed sunset city of beauty and unearthly immanence, he felt the bondage of dream’s tyrannous gods; for in no wise could he leave that lofty spot, or descend the wide marmoreal flights flung endlessly down to where those streets of elder witchery lay outspread and beckoning.

When for the third time he awaked with those flights still un-descended and those hushed sunset streets still untraversed, he prayed long and earnestly to the hidden gods of dream that brood capricious above the clouds on unknown Kadath, in the cold waste where no man treads. But the gods made no answer and shewed no relenting, nor did they give any favouring sign when he prayed to them in dream, and invoked them sacrificially through the bearded priests Nasht and Kaman-Thah, whose cavern-temple with its pillar of flame lies not far from the gates of the waking world. It seemed, however, that his prayers must have been adversely heard, for after even the first of them he ceased wholly to behold the marvellous city; as if his three glimpses from afar had been mere accidents or oversights, and against some hidden plan or wish of the gods.

At length, sick with longing for those glittering sunset streets and cryptical hill lanes among ancient tiled roofs, nor able sleeping or waking to drive them from his mind, Carter resolved to go with bold entreaty whither no man had gone before, and dare the icy deserts through the dark to where unknown Kadath, veiled in cloud and crowned with unimagined stars, holds secret and nocturnal the onyx castle of the Great Ones.[1]

In light slumber he descended the seventy steps to the cavern of flame and talked of this design to the bearded priests Nasht and Kaman-Thah. And the priests shook their pshent-bearing heads and vowed it would be the death of his soul. They pointed out that the Great Ones had shewn already their wish, and that it is not agreeable to them to be harassed by insistent pleas. They reminded him, too, that not only had no man ever been to unknown Kadath, but no man had ever suspected in what part of space it may lie; whether it be in the dreamlands around our world, or in those surrounding some unguessed companion of Fomalhaut or Aldebaran.[2] If in our dreamland, it might conceivably be reached; but only three fully human souls since time began had ever crossed and recrossed the black impious gulfs to other dreamlands, and of that three two had come back quite mad. There were, in such voyages, incalculable local dangers; as well as that shocking final peril which gibbers unmentionably outside the ordered universe, where no dreams reach; that last amorphous blight of nethermost confusion which blasphemes and bubbles at the centre of all infinity—the boundless daemon-sultan Azathoth,[3] whose name no lips dare speak aloud, and who gnaws hungrily in inconceivable, unlighted chambers beyond time amidst the muffled, maddening beating of vile drums and the thin, monotonous whine of accursed flutes; to which detestable pounding and piping dance slowly, awkwardly, and absurdly the gigantic ultimate gods, the blind, voiceless, tenebrous, mindless Other Gods whose soul and messenger is the crawling chaos Nyarlathotep.[4]

Of these things was Carter warned by the priests Nasht and Kaman-Thah in the cavern of flame, but still he resolved to find the gods on unknown Kadath in the cold waste, wherever that might be, and to win from them the sight and remembrance and shelter of the marvellous sunset city. He knew that his journey would be strange and long, and that the Great Ones would be against it; but being old in the land of dream he counted on many useful memories and devices to aid him. So asking a farewell blessing of the priests and thinking shrewdly on his course, he boldly descended the seven hundred steps to the Gate of Deeper Slumber and set out through the enchanted wood.

In the tunnels of that twisted wood, whose low prodigious oaks twine groping boughs and shine dim with the phosphorescence of strange fungi, dwell the furtive and secretive zoogs; who know many obscure secrets of the dream-world and a few of the waking world, since the wood at two places touches the lands of men, though it would be disastrous to say where. Certain unexplained rumours, events, and vanishments occur among men where the zoogs have access, and it is well that they cannot travel far outside the world of dream. But over the nearer parts of the dream-world they pass freely, flitting small and brown and unseen and bearing back piquant tales to beguile the hours around their hearths in the forest they love. Most of them live in burrows, but some inhabit the trunks of the great trees; and although they live mostly on fungi it is muttered that they have also a slight taste for meat, either physical or spiritual, for certainly many dreamers have entered that wood who have not come out. Carter, however, had no fear; for he was an old dreamer and had learnt their fluttering language and made many a treaty with them; having found through their help the splendid city of Celephaïs in Ooth-Nargai beyond the Tanarian Hills, where reigns half the year the great King Kuranes, a man he had known by another name in life. Kuranes was the one soul who had been to the star-gulfs and returned free from madness.[5]

Threading now the low phosphorescent aisles between those gigantic trunks, Carter made fluttering sounds in the manner of the zoogs, and listened now and then for responses. He remembered one particular village of the creatures near the centre of the wood, where a circle of great mossy stones in what was once a clearing tells of older and more terrible dwellers long forgotten, and toward this spot he hastened. He traced his way by the grotesque fungi, which always seem better nourished as one approaches the dread circle where elder beings danced and sacrificed. Finally the greater light of those thicker fungi revealed a sinister green and grey vastness pushing up through the roof of the forest and out of sight. This was the nearest of the great ring of stones, and Carter knew he was close to the zoog village. Renewing his fluttering sound, he waited patiently; and was at length rewarded by an impression of many eyes watching him. It was the zoogs, for one sees their weird eyes long before one can discern their small, slippery brown outlines.

Out they swarmed, from hidden burrow and honeycombed tree, till the whole dim-litten region was alive with them. Some of the wilder ones brushed Carter unpleasantly, and one even nipped loathsomely at his ear; but these lawless spirits were soon restrained by their elders. The Council of Sages, recognising the visitor, offered a gourd of fermented sap from a haunted tree unlike the others, which had grown from a seed dropt down by someone on the moon; and as Carter drank it ceremoniously a very strange colloquy began. The zoogs did not, unfortunately, know where the peak of Kadath lies, nor could they even say whether the cold waste is in our dream-world or in another. Rumours of the Great Ones came equally from all points; and one might only say that they were likelier to be seen on high mountain peaks than in valleys, since on such peaks they dance reminiscently when the moon is above and the clouds beneath.

Then one very ancient zoog recalled a thing unheard-of by the others; and said that in Ulthar, beyond the river Skai, there still lingered the last copy of those inconceivably old Pnakotic Manuscripts made by waking men in forgotten boreal kingdoms and borne into the land of dreams when the hairy cannibal Gnophkehs overcame many-templed Olathoë and slew all the heroes of the land of Lomar.[6] Those manuscripts, he said, told much of the gods; and besides, in Ulthar there were men who had seen the signs of the gods, and even one old priest who had scaled a great mountain to behold them dancing by moonlight. He had failed, though his companion had succeeded and perished namelessly.[7]

So Randolph Carter thanked the zoogs, who fluttered amicably and gave him another gourd of moon-tree wine to take with him, and set out through the phosphorescent wood for the other side, where the rushing Skai flows down from the slopes of Lerion, and Hatheg and Nir and Ulthar dot the plain. Behind him, furtive and unseen, crept several of the curious zoogs; for they wished to learn what might befall him, and bear back the legend to their people. The vast oaks grew thicker as he pushed on beyond the village, and he looked sharply for a certain spot where they would thin somewhat, standing quite dead or dying among the unnaturally dense fungi and the rotting mould and mushy logs of their fallen brothers. There he would turn sharply aside, for at that spot a mighty slab of stone rests on the forest floor; and those who have dared approach it say that it bears an iron ring three feet wide. Remembering the archaic circle of great mossy rocks, and what it was possibly set up for, the zoogs do not pause near that expansive slab with its huge ring; for they realise that all which is forgotten need not necessarily be dead, and they would not like to see the slab rise slowly and deliberately.

Carter detoured at the proper place, and heard behind him the frightened fluttering of some of the more timid zoogs. He had known they would follow him, so he was not disturbed; for one grows accustomed to the anomalies of these prying creatures. It was twilight when he came to the edge of the wood, and the strengthening glow told him it was the twilight of morning. Over fertile plains rolling down to the Skai he saw the smoke of cottage chimneys, and on every hand were the hedges and ploughed fields and thatched roofs of a peaceful land. Once he stopped at a farmhouse well for a cup of water, and all the dogs barked affrightedly at the inconspicuous zoogs that crept through the grass behind. At another house, where people were stirring, he asked questions about the gods, and whether they danced often upon Lerion; but the farmer and his wife would only make the Elder Sign[8] and tell him the way to Nir and Ulthar.

At noon he walked through the one broad high street of Nir, which he had once visited and which marked his farthest former travels in this direction; and soon afterward he came to the great stone bridge across the Skai, into whose central pier the masons had sealed a living human sacrifice when they built it thirteen-hundred years before. Once on the other side, the frequent presence of cats (who all arched their backs at the trailing zoogs) revealed the near neighborhood of Ulthar; for in Ulthar, according to an ancient and significant law, no man may kill a cat.[9] Very pleasant were the suburbs of Ulthar, with their little green cottages and neatly fenced farms; and still pleasanter was the quaint town itself, with its old peaked roofs and overhanging upper stories and numberless chimney-pots and narrow hill streets where one can see old cobbles whenever the graceful cats afford space enough. Carter, the cats being somewhat dispersed by the half-seen zoogs, picked his way directly to the modest Temple of the Elder Ones where the priests and old records were said to be; and once within that venerable circular tower of ivied stone—which crowns Ulthar’s highest hill—he sought out the patriarch Atal, who had been up the forbidden peak Hatheg-Kla in the stony desert and had come down again alive.

Atal, seated on an ivory dais in a festooned shrine at the top of the temple, was fully three centuries old; but still very keen of mind and memory. From him Carter learned many things about the gods, but mainly that they are indeed only earth’s gods, ruling feebly our own dreamland and having no power or habitation elsewhere. They might, Atal said, heed a man’s prayer if in good humour; but one must not think of climbing to their onyx strong-hold atop Kadath in the cold waste. It was lucky that no man knew where Kadath towers, for the fruits of ascending it would be very grave. Atal’s companion Barzai the Wise had been drawn screaming into the sky for climbing merely the known peak of Hatheg-Kla. With unknown Kadath, if ever found, matters would be much worse; for although earth’s gods may sometimes be surpassed by a wise mortal, they are protected by the Other Gods from Outside, whom it is better not to discuss. At least twice in the world’s history the Other Gods set their seal upon earth’s primal granite; once in antediluvian times, as guessed from a drawing in those parts of the Pnakotic Manuscripts too ancient to be read, and once on Hatheg-Kla when Barzai the Wise tried to see earth’s gods dancing by moonlight. So, Atal said, it would be much better to let all gods alone except in tactful prayers.

Carter, though disappointed by Atal’s discouraging advice and by the meagre help to be found in the Pnakotic Manuscripts and the Seven Cryptical Books of Hsan,[10] did not wholly despair. First he questioned the old priest about that marvellous sunset city seen from the railed terrace, thinking that perhaps he might find it without the gods’ aid; but Atal could tell him nothing. Probably, Atal said, the place belonged to his especial dream-world and not to the general land of vision that many know; and conceivably it might be on another planet. In that case earth’s gods could not guide him if they would. But this was not likely, since the stopping of the dreams shewed pretty clearly that it was something the Great Ones wished to hide from him.

Then Carter did a wicked thing, offering his guileless host so many draughts of the moon-wine which the zoogs had given him that the old man became irresponsibly talkative. Robbed of his reserve, poor Atal babbled freely of forbidden things; telling of a great image reported by travellers as carved on the solid rock of the mountain Ngranek, on the isle of Oriab in the Southern Sea, and hinting that it may be a likeness which earth’s gods once wrought of their own features in the days when they danced by moonlight on that mountain. And he hiccoughed likewise that the features of that image are very strange, so that one might easily recognise them, and that they are sure signs of the authentic race of the gods.

Now the use of all this in finding the gods became at once apparent to Carter. It is known that in disguise the younger among the Great Ones often espouse the daughters of men, so that around the borders of the cold waste wherein stands Kadath the peasants must all bear their blood. This being so, the way to find that waste must be to see the stone face on Ngranek and mark the features; then, having noted them with care, to search for such features among living men. Where they are plainest and thickest, there must the gods dwell nearest; and whatever stony waste lies back of the villages in that place must be that wherein stands Kadath.

Much of the Great Ones might be learnt in such regions, and those with their blood might inherit little memories very useful to a seeker. They might not know their parentage, for the gods so dislike to be known among men that none can be found who has seen their faces wittingly; a thing which Carter realised even as he sought to scale Kadath. But they would have queer lofty thoughts misunderstood by their fellows, and would sing of far places and gardens so unlike any known even in dreamland that common folk would call them fools; and from all this one could perhaps learn old secrets of Kadath, or gain hints of the marvellous sunset city which the gods held secret. And more, one might in certain cases seize some well-loved child of a god as hostage; or even capture some young god himself, disguised and dwelling amongst men with a comely peasant maiden as his bride.

Atal, however, did not know how to find Ngranek on its isle of Oriab; and recommended that Carter follow the singing Skai under its bridges down to the Southern Sea; where no burgess of Ulthar has ever been, but whence the merchants come in boats or with long caravans of mules and two-wheeled carts. There is a great city there, Dylath-Leen, but in Ulthar its reputation is bad because of the black three-banked galleys that sail to it with rubies from no clearly named shore. The traders that come from those galleys to deal with the jewellers are human, or nearly so, but the rowers are never beheld; and it is not thought wholesome in Ulthar that merchants should trade with black ships from unknown places whose rowers cannot be exhibited.

By the time he had given this information Atal was very drowsy, and Carter laid him gently on a couch of inlaid ebony and gathered his long beard decorously on his chest. As he turned to go, he observed that no suppressed fluttering followed him, and wondered why the zoogs had become so lax in their curious pursuit. Then he noticed all the sleek complacent cats of Ulthar licking their chops with unusual gusto, and recalled the spitting and caterwauling he had faintly heard in lower parts of the temple while absorbed in the old priest’s conversation. He recalled, too, the evilly hungry way in which an especially impudent young zoog had regarded a small black kitten in the cobbled street outside. And because he loved nothing on earth more than small black kittens, he stooped and petted the sleek cats of Ulthar as they licked their chops, and did not mourn because those inquisitive zoogs would escort him no farther.

It was sunset now, so Carter stopped at an ancient inn on a steep little street overlooking the lower town. And as he went out on the balcony of his room and gazed down at the sea of red tiled roofs and cobbled ways and the pleasant fields beyond, all mellow and magical in the slanted light, he swore that Ulthar would be a very likely place to dwell in always, were not the memory of a greater sunset city ever goading one on toward unknown perils. Then twilight fell, and the pink walls of the plastered gables turned violet and mystic, and little yellow lights floated up one by one from old lattice windows. And sweet bells pealed in the temple tower above, and the first star winked softly above the meadows across the Skai. With the night came song, and Carter nodded as the lutanists praised ancient days from beyond the filigreed balconies and tessellated courts of simple Ulthar. And there might have been sweetness even in the voices of Ulthar’s many cats, but that they were mostly heavy and silent from strange feasting. Some of them stole off to those cryptical realms which are known only to cats and which villagers say are on the moon’s dark side, whither the cats leap from tall housetops, but one small black kitten crept upstairs and sprang in Carter’s lap to purr and play, and curled up near his feet when he lay down at last on the little couch whose pillows were stuffed with fragrant, drowsy herbs.

In the morning Carter joined a caravan of merchants bound for Dylath-Leen with the spun wool of Ulthar and the cabbages of Ulthar’s busy farms. And for six days they rode with tinkling bells on the smooth road beside the Skai; stopping some nights at the inns of little quaint fishing towns, and on other nights camping under the stars while snatches of boatmen’s songs came from the placid river. The country was very beautiful, with green hedges and groves and picturesque peaked cottages and octagonal windmills.

On the seventh day a blur of smoke arose on the horizon ahead, and then the tall black towers of Dylath-Leen, which is built mostly of basalt. Dylath-Leen with its thin angular towers looks in the distance like a bit of the Giants’ Causeway,[11] and its streets are dark and uninviting. There are many dismal sea-taverns near the myriad wharves, and all the town is thronged with the strange seamen of every land on earth and of a few which are said to be not on earth. Carter questioned the oddly robed men of that city about the peak of Ngranek on the isle of Oriab, and found that they knew of it well. Ships came from Baharna on that island, one being due to return thither in only a month, and Ngranek is but two days’ zebra-ride from that port. But few had seen the stone face of the god, because it is on a very difficult side of Ngranek, which overlooks only sheer crags and a valley of sinister lava. Once the gods were angered with men on that side, and spoke of the matter to the Other Gods.

It was hard to get this information from the traders and sailors in Dylath-Leen’s sea-taverns, because they mostly preferred to whisper of the black galleys. One of them was due in a week with rubies from its unknown shore, and the townsfolk dreaded to see it dock. The mouths of the men who came from it to trade were too wide, and the way their turbans were humped up in two points above their foreheads was in especially bad taste. And their shoes were the shortest and queerest ever seen in the Six Kingdoms. But worst of all was the matter of the unseen rowers. Those three banks of oars moved too briskly and accurately and vigorously to be comfortable, and it was not right for a ship to stay in port for weeks while the merchants traded, yet to give no glimpse of its crew. It was not fair to the tavern-keepers of Dylath-Leen, or to the grocers and butchers, either; for not a scrap of provisions was ever sent aboard. The merchants took only gold and stout black slaves from Parg across the river. That was all they ever took, those unpleasantly featured merchants and their unseen rowers; never anything from the butchers and grocers, but only gold and the fat black men of Parg whom they bought by the pound. And the odours from those galleys which the south wind blew in from the wharves are not to be described. Only by constantly smoking strong thagweed could even the hardiest denizen of the old sea-taverns bear them. Dylath-Leen would never have tolerated the black galleys had such rubies been obtainable elsewhere, but no mine in all earth’s dreamland was known to produce their like.

Of these things Dylath-Leen’s cosmopolitan folk chiefly gossiped whilst Carter waited patiently for the ship from Baharna, which might bear him to the isle whereon carven Ngranek towers lofty and barren. Meanwhile he did not fail to seek through the haunts of far travellers for any tales they might have concerning Kadath in the cold waste or a marvellous city of marble walls and silver fountains seen below terraces in the sunset. Of these things, however, he learned nothing; though he once thought that a certain old slant-eyed merchant looked queerly intelligent when the cold waste was spoken of. This man was reputed to trade with the horrible stone villages on the icy desert plateau of Leng,[12] which no healthy folk visit and whose evil fires are seen at night from afar. He was even rumoured to have dealt with that high-priest not to be described, which wears a yellow silken mask over its face and dwells all alone in a prehistoric stone monastery.[13] That such a person might well have had nibbling traffick with such beings as may conceivably dwell in the cold waste was not to be doubted, but Carter soon found that it was no use questioning him.

Then the black galley slipped into the harbour past the basalt mole and the tall lighthouse, silent and alien, and with a strange stench that the south wind drove into the town. Uneasiness rustled through the taverns along that waterfront, and after a while the dark wide-mouthed merchants with humped turbans and short feet clumped stealthily ashore to seek the bazaars of the jewellers. Carter observed them closely, and disliked them more the longer he looked at them. Then he saw them drive the stout black men of Parg up the gangplank grunting and sweating into that singular galley, and wondered in what lands—or if in any lands at all—those fat pathetic creatures might be destined to serve.

And on the third evening of that galley’s stay one of the uncomfortable merchants spoke to him, smirking sinfully and hinting of what he had heard in the taverns of Carter’s quest. He appeared to have knowledge too secret for public telling; and though the sound of his voice was unbearably hateful, Carter felt that the lore of so far a traveller must not be overlooked. He bade him therefore be his own guest in locked chambers above, and drew out the last of the zoogs’ moon-wine to loosen his tongue. The strange merchant drank heavily, but smirked unchanged by the draught. Then he drew forth a curious bottle with wine of his own, and Carter saw that the bottle was a single hollowed ruby, grotesquely carved in patterns too fabulous to be comprehended. He offered his wine to his host, and though Carter took only the least sip, he felt the dizziness of space and the fever of unimagined jungles. All the while the guest had been smiling more and more broadly, and as Carter slipped into blankness the last thing he saw was that dark odious face convulsed with evil laughter, and something quite unspeakable where one of the two frontal puffs of that orange turban had become disarranged with the shakings of that epileptic mirth.

Carter next had consciousness amidst horrible odours beneath a tent-like awning on the deck of a ship, with the marvellous coasts of the Southern Sea flying by in unnatural swiftness. He was not chained, but three of the dark sardonic merchants stood grinning nearby, and the sight of those humps in their turbans made him almost as faint as did the stench that filtered up through the sinister hatches. He saw slip past him the glorious lands and cities of which a fellow-dreamer of earth—a lighthouse-keeper in ancient Kingsport—had often discoursed in the old days, and recognised the templed terraces of Zar, abode of forgotten dreams; the spires of infamous Thalarion, that daemon-city of a thousand wonders where the eidolon Lathi reigns; the charnel gardens of Xura, land of pleasures unattained, and the twin headlands of crystal, meeting above in a resplendent arch, which guard the harbour of Sona-Nyl, blessed land of fancy.[14]

Past all these gorgeous lands the malodorous ship flew unwholesomely, urged by the abnormal strokes of those unseen rowers below. And before the day was done Carter saw that the steersman could have no other goal than the Basalt Pillars of the West, beyond which simple folk say splendid Cathuria lies, but which wise dreamers well know are the gates of a monstrous cataract wherein the oceans of earth’s dreamland drop wholly to abysmal nothingness and shoot through the empty spaces toward other worlds and other stars and the awful voids outside the ordered universe where the daemon-sultan Azathoth gnaws hungrily in chaos amid pounding and piping and the hellish dancing of the Other Gods, blind, voiceless, tenebrous, and mindless, with their soul and messenger Nyarlathotep.

Meanwhile the three sardonic merchants would give no word of their intent, though Carter well knew that they must be leagued with those who wished to hold him from his quest. It is understood in the land of dream that the Other Gods have many agents moving among men; and all these agents, whether wholly human or slightly less than human, are eager to work the will of those blind and mindless things in return for the favour of their hideous soul and messenger, the crawling chaos Nyarlathotep. So Carter inferred that the merchants of the humped turbans, hearing of his daring search for the Great Ones in their castle on Kadath, had decided to take him away and deliver him to Nyarlathotep for whatever nameless bounty might be offered for such a prize. What might be the land of those merchants, in our known universe or in the eldritch spaces outside, Carter could not guess; nor could he imagine at what hellish trysting-place they would meet the crawling chaos to give him up and claim their reward. He knew, however, that no beings as nearly human as these would dare approach the ultimate nighted throne of the daemon Azathoth in the formless central void.

At the set of sun the merchants licked their excessively wide lips and glared hungrily, and one of them went below and returned from some hidden and offensive cabin with a pot and basket of plates. Then they squatted close together beneath the awning and ate the smoking meat that was passed around. But when they gave Carter a portion, he found something very terrible in the size and shape of it; so that he turned even paler than before and cast that portion into the sea when no eye was on him. And again he thought of those unseen rowers beneath, and of the suspicious nourishment from which their far too mechanical strength was derived.

It was dark when the galley passed betwixt the Basalt Pillars of the West and the sound of the ultimate cataract swelled portentous from ahead. And the spray of that cataract rose to obscure the stars, and the deck grew damp, and the vessel reeled in the surging current of the brink. Then with a queer whistle and plunge the leap was taken, and Carter felt the terrors of nightmare as earth fell away and the great boat shot silent and comet-like into planetary space.[15] Never before had he known what shapeless black things lurk and caper and flounder all through the aether, leering and grinning at such voyagers as may pass, and sometimes feeling about with slimy paws when some moving object excites their curiosity. These are the nameless larvae of the Other Gods, and like them are blind and without mind, and possessed of singular hungers and thirsts.

But that offensive galley did not aim as far as Carter had feared, for he soon saw that the helmsman was steering a course directly for the moon. The moon was a crescent, shining larger and larger as they approached it, and shewing its singular craters and peaks uncomfortably. The ship made for the edge, and it soon became clear that its destination was that secret and mysterious side which is always turned away from the earth, and which no fully human person, save perhaps the dreamer Snireth-Ko, has ever beheld. The close aspect of the moon as the galley drew near proved very disturbing to Carter, and he did not like the size and shape of the ruins which crumbled here and there. The dead temples on the mountains were so placed that they could have glorified no wholesome or suitable gods, and in the symmetries of the broken columns there seemed to lurk some dark and inner meaning which did not invite solution. And what the structure and proportions of the olden worshippers could have been, Carter steadily refused to conjecture.

When the ship rounded the edge, and sailed over those lands unseen by man, there appeared in the queer landscape certain signs of life, and Carter saw many low, broad, round cottages in fields of grotesque whitish fungi. He noticed that these cottages had no windows, and thought that their shape suggested the huts of Esquimaux. Then he glimpsed the oily waves of a sluggish sea, and knew that the voyage was once more to be by water—or at least through some liquid. The galley struck the surface with a peculiar sound, and the odd elastic way the waves received it was very perplexing to Carter. They now slid along at great speed, once passing and hailing another galley of kindred form, but generally seeing nothing but that curious sea and a sky that was black and star-strown even though the sun shone scorchingly in it.

There presently rose ahead the jagged hills of a leprous-looking coast, and Carter saw the thick unpleasant grey towers of a city. The way they leaned and bent, the manner in which they were clustered, and the fact that they had no windows at all, was very disturbing to the prisoner; and he bitterly mourned the folly which had made him sip the curious wine of that merchant with the humped turban. As the coast drew nearer, and the hideous stench of that city grew stronger, he saw upon the jagged hills many forests, some of whose trees he recognised as akin to that solitary moon-tree in the enchanted wood of earth, from whose sap the small brown zoogs ferment their peculiar wine.

Carter could now distinguish moving figures on the noisome wharves ahead, and the better he saw them the worse he began to fear and detest them. For they were not men at all, or even approximately men, but great greyish-white slippery things which could expand and contract at will, and whose principal shape—though it often changed—was that of a sort of toad without any eyes, but with a curiously vibrating mass of short pink tentacles on the end of its blunt, vague snout. These objects were waddling busily about the wharves, moving bales and crates and boxes with preternatural strength, and now and then hopping on or off some anchored galley with long oars in their fore paws. And now and then one would appear driving a herd of clumping slaves, which indeed were approximate human beings with wide mouths like those merchants who traded in Dylath-Leen; only these herds, being without turbans or shoes or clothing, did not seem so very human after all. Some of these slaves—the fatter ones, whom a sort of overseer would pinch experimentally—were unloaded from ships and nailed in crates which workers pushed into low warehouses or loaded on great lumbering vans.

Once a van was hitched up and driven off, and the fabulous thing which drew it was such that Carter gasped, even after having seen the other monstrosities of that hateful place. Now and then a small herd of slaves dressed and turbaned like the dark merchants would be driven aboard a galley, followed by a great crew of the slippery grey toad-things as officers, navigators, and rowers. And Carter saw that the almost-human creatures were reserved for the more ignominious kinds of servitude which required no strength, such as steering and cooking, fetching and carrying, and bargaining with men on the earth or other planets where they traded. These creatures must have been convenient on earth, for they were truly not unlike men when dressed and carefully shod and turbaned, and could haggle in the shops of men without embarrassment or curious explanations.[16] But most of them, unless lean and ill-favoured, were unclothed and packed in crates and drawn off in lumbering lorries by fabulous things. Occasionally other beings were unloaded and crated; some very like these semi-humans, some not so similar, and some not similar at all. And he wondered if any of the poor stout black men of Parg were left to be unloaded and crated and shipped inland in those obnoxious drays.

When the galley landed at a greasy-looking quay of spongy rock a nightmare horde of toad-things wiggled out of the hatches, and two of them seized Carter and dragged him ashore. The smell and aspect of that city are beyond telling, and Carter held only scattered images of the tiled streets and black doorways and endless precipices of grey vertical walls without windows. At length he was dragged within a low doorway and made to climb infinite steps in pitch blackness. It was, apparently, all one to the toad-things whether it were light or dark. The odour of the place was intolerable, and when Carter was locked into a chamber and left alone he scarcely had strength to crawl around and ascertain its form and dimensions. It was circular, and about twenty feet across.[17]

From then on time ceased to exist. At intervals food was pushed in, but Carter would not touch it. What his fate would be, he did not know; but he felt that he was held for the coming of that frightful soul and messenger of infinity’s Other Gods, the crawling chaos Nyarlathotep. Finally, after an unguessed span of hours or days, the great stone door swung wide again and Carter was shoved down the stairs and out into the red-litten streets of that fearsome city. It was night on the moon, and all through the town were stationed slaves bearing torches.

In a detestable square a sort of procession was formed; ten of the toad-things and twenty-four almost-human torch-bearers, eleven on either side, and one each before and behind. Carter was placed in the middle of the line; five toad-things ahead and five behind, and one almost-human torch-bearer on each side of him. Certain of the toad-things produced disgustingly carven flutes of ivory and made loathsome sounds. To that hellish piping the column advanced out of the tiled streets and into nighted plains of obscene fungi, soon commencing to climb one of the lower and more gradual hills that lay behind the city. That on some frightful slope or blasphemous plateau the crawling chaos waited, Carter could not doubt; and he wished that the suspense might soon be over. The whining of those impious flutes was shocking, and he would have given worlds for some even half-normal sound; but these toad-things had no voices, and the slaves did not talk.

Then through that star-specked darkness there did come a normal sound. It rolled from the higher hills, and from all the jagged peaks around it was caught up and echoed in a swelling pandaemoniac chorus. It was the midnight yell of the cat, and Carter knew at last that the old village folk were right when they made low guesses about the cryptical realms which are known only to cats, and to which the elders among cats repair by stealth nocturnally, springing from high housetops. Verily, it is to the moon’s dark side that they go to leap and gambol on the hills and converse with ancient shadows, and here amidst that column of foetid things Carter heard their homely, friendly cry, and thought of the steep roofs and warm hearths and little lighted windows of home.

Now much of the speech of cats was known to Randolph Carter, and in this far, terrible place he uttered the cry that was suitable. But that he need not have done, for even as his lips opened he heard the chorus wax and draw nearer, and saw swift shadows against the stars as small graceful shapes leaped from hill to hill in gathering legions. The call of the clan had been given, and before the foul procession had time even to be frightened a cloud of smothering fur and a phalanx of murderous claws were tidally and tempestuously upon it. The flutes stopped, and there were shrieks in the night. Dying almost-humans screamed, and cats spit and yowled and roared, but the toad-things made never a sound as their stinking green ichor oozed fatally upon that porous earth with the obscene fungi.

It was a stupendous sight while the torches lasted, and Carter had never before seen so many cats. Black, grey, and white; yellow, tiger, and mixed; common, Persian, and Manx; Thibetan, Angora, and Egyptian; all were there in the fury of battle, and there hovered over them some trace of that profound and inviolate sanctity which made their goddess great in the temples of Bubastis. They would leap seven strong at the throat of an almost-human or the pink tentacled snout of a toad-thing and drag it down savagely to the fungous plain, where myriads of their fellows would surge over it and into it with the frenzied claws and teeth of a divine battle-fury. Carter had seized a torch from a stricken slave, but was soon overborne by the surging waves of his loyal defenders. Then he lay in the utter blackness hearing the clangour of war and the shouts of the victors, and feeling the soft paws of his friends as they rushed to and fro over him in the fray.

At last awe and exhaustion closed his eyes, and when he opened them again it was upon a strange scene. The great shining disc of the earth, thirteen times greater than that of the moon as we see it, had risen with floods of weird light over the lunar landscape; and across all those leagues of wild plateau and ragged crest there squatted one endless sea of cats in orderly array. Circle on circle they reached, and two or three leaders out of the ranks were licking his face and purring to him consolingly. Of the dead slaves and toad-things there were not many signs, but Carter thought he saw one bone a little way off in the open space between him and the beginning of the solid circles of the warriors.

Carter now spoke with the leaders in the soft language of cats, and learned that his ancient friendship with the species was well known and often spoken of in the places where cats congregate. He had not been unmarked in Ulthar when he passed through, and the sleek old cats had remembered how he petted them after they had attended to the hungry zoogs who looked evilly at a small black kitten. And they recalled, too, how he had welcomed the very little kitten who came to see him at the inn, and how he had given it a saucer of rich cream in the morning before he left. The grandfather of that very little kitten was the leader of the army now assembled, for he had seen the evil procession from a far hill and recognised the prisoner as a sworn friend of his kind on earth and in the land of dream.

A yowl now came from a farther peak, and the old leader paused abruptly in his conversation. It was one of the army’s outposts, stationed on the highest of the mountains to watch the one foe which earth’s cats fear; the very large and peculiar cats from Saturn, who for some reason have not been oblivious of the charm of our moon’s dark side. They are leagued by treaty with the evil toad-things, and are notoriously hostile to our earthly cats; so that at this juncture a meeting would have been a somewhat grave matter.

After a brief consultation of generals, the cats rose and assumed a closer formation, crowding protectingly around Carter and preparing to take the great leap through space back to the housetops of our earth and its dreamland. The old field-marshal advised Carter to let himself be borne along smoothly and passively in the massed ranks of furry leapers, and told him how to spring when the rest sprang and land gracefully when the rest landed. He also offered to deposit him in any spot he desired, and Carter decided on the city of Dylath-Leen whence the black galley had set out; for he wished to sail thence for Oriab and the carven crest of Ngranek, and also to warn the people of the city to have no more traffick with black galleys, if indeed that traffick could be tactfully and judiciously broken off. Then, upon a signal, the cats all leaped gracefully with their friend packed securely in their midst; while in a black cave on a far unhallowed summit of the moon-mountains still vainly waited the crawling chaos Nyarlathotep.[18]

The leap of the cats through space was very swift; and being surrounded by his companions, Carter did not see this time the great black shapelessnesses that lurk and caper and flounder in the abyss. Before he fully realised what had happened he was back in his familiar room at the inn at Dylath-Leen, and the stealthy, friendly cats were pouring out of the window in streams. The old leader from Ulthar was the last to leave, and as Carter shook his paw he said he would be able to get home by cockcrow. When dawn came, Carter went downstairs and learned that a week had elapsed since his capture and leaving. There was still nearly a fortnight to wait for the ship bound toward Oriab, and during that time he said what he could against the black galleys and their infamous ways. Most of the townsfolk believed him; yet so fond were the jewellers of great rubies that none would wholly promise to cease trafficking with the wide-mouthed merchants. If aught of evil ever befalls Dylath-Leen through such traffick, it will not be his fault.

In about a week the desiderate ship put in by the black mole and tall lighthouse, and Carter was glad to see that she was a barque of wholesome men, with painted sides and yellow lateen sails and a grey captain in silken robes. Her cargo was the fragrant resin of Oriab’s inner groves, and the delicate pottery baked by the artists of Baharna, and the strange little figures carved from Ngranek’s ancient lava. For this they were paid in the wool of Ulthar and the iridescent textiles of Hatheg and the ivory that the black men carve across the river in Parg. Carter made arrangements with the captain to go to Baharna and was told that the voyage would take ten days. And during his week of waiting he talked much with that captain of Ngranek, and was told that very few had seen the carven face thereon; but that most travellers are content to learn its legends from old people and lava-gatherers and image-makers in Baharna and afterward say in their far homes that they have indeed beheld it. The captain was not even sure that any person now living had beheld that carven face, for the wrong side of Ngranek is very difficult and barren and sinister, and there are rumours of caves near the peak wherein dwell the night-gaunts.[19] But the captain did not wish to say just what a night-gaunt might be like, since such cattle are known to haunt most persistently the dreams of those who think too often of them. Then Carter asked that captain about unknown Kadath in the cold waste, and the marvellous sunset city, but of these the good man could truly tell nothing.

Carter sailed out of Dylath-Leen one early morning when the tide turned, and saw the first rays of sunrise on the thin angular towers of that dismal basalt town. And for two days they sailed eastward in sight of green coasts, and saw often the pleasant fishing towns that climbed up steeply with their red roofs and chimney-pots from old dreaming wharves and beaches where nets lay drying. But on the third day they turned sharply south where the roll of the water was stronger, and soon passed from sight of any land. On the fifth day the sailors were nervous, but the captain apologised for their fears, saying that the ship was about to pass over the weedy walls and broken columns of a sunken city too old for memory, and that when the water was clear one could see so many moving shadows in that deep place that simple folk disliked it. He admitted, moreover, that many ships had been lost in that part of the sea; having been hailed when quite close to it, but never seen again.

That night the moon was very bright, and one could see a great way down in the water. There was so little wind that the ship could not move much, and the ocean was very calm. Looking over the rail Carter saw many fathoms deep the dome of a great temple, and in front of it an avenue of unnatural sphinxes leading to what was once a public square.[20] Dolphins sported merrily in and out of the ruins, and porpoises revelled clumsily here and there, sometimes coming to the surface and leaping clear out of the sea. As the ship drifted on a little the floor of the ocean rose in hills, and one could clearly mark the lines of ancient climbing streets and the washed-down walls of myriad little houses.

Then the suburbs appeared, and finally a great lone building on a hill, of simpler architecture than the other structures, and in much better repair. It was dark and low and covered four sides of a square, with a tower at each corner, a paved court in the centre, and small curious round windows all over it. Probably it was of basalt, though weeds draped the greater part; and such was its lonely and impressive place on that far hill that it may have been a temple or a monastery. Some phosphorescent fish inside it gave the small round windows an aspect of shining, and Carter did not blame the sailors much for their fears. Then by the watery moonlight he noticed an odd high monolith in the middle of that central court, and saw that something was tied to it. And when after getting a telescope from the captain’s cabin he saw that that bound thing was a sailor in the silk robes of Oriab, head downward and without any eyes, he was glad that a rising breeze soon took the ship ahead to more healthy parts of the sea.

The next day they spoke a ship with violet sails bound for Zar, in the land of forgotten dreams, with bulbs of strange coloured lilies for cargo. And on the evening of the eleventh day they came in sight of the isle of Oriab, with Ngranek rising jagged and snow-crowned in the distance. Oriab is a very great isle, and its port of Baharna a mighty city. The wharves of Baharna are of porphyry, and the city rises in great stone terraces behind them, having streets of steps that are frequently arched over by buildings and the bridges between buildings. There is a great canal which goes under the whole city in a tunnel with granite gates and leads to the inland lake of Yath, on whose farther shore are the vast clay-brick ruins of a primal city whose name is not remembered. As the ship drew into the harbour at evening the twin beacons Thon and Thal gleamed a welcome, and in all the million windows of Baharna’s terraces mellow lights peeped out quietly and gradually as the stars peep out overhead in the dusk, till that steep and climbing seaport became a glittering constellation hung between the stars of heaven and the reflections of those stars in the still harbour.

The captain, after landing, made Carter a guest in his own small house on the shore of Yath where the rear of the town slopes down to it; and his wife and servants brought strange toothsome foods for the traveller’s delight. And in the days after that Carter asked for rumours and legends of Ngranek in all the taverns and public places where lava-gatherers and image-makers meet, but could find no one who had been up the higher slopes or seen the carven face. Ngranek was a hard mountain with only an accursed valley behind it, and besides, one could never depend on the certainty that night-gaunts are altogether fabulous.

When the captain sailed back to Dylath-Leen Carter took quarters in an ancient tavern opening on an alley of steps in the original part of the town, which is built of brick and resembles the ruins of Yath’s farther shore. Here he laid his plans for the ascent of Ngranek, and correlated all that he had learned from the lava-gatherers about the roads thither. The keeper of the tavern was a very old man, and had heard so many legends that he was a great help. He even took Carter to an upper room in that ancient house and shewed him a crude picture which a traveller had scratched on the clay wall in the olden days when men were bolder and less reluctant to visit Ngranek’s higher slopes. The old tavern-keeper’s great-grandfather had heard from his great-grandfather that the traveller who scratched that picture had climbed Ngranek and seen the carven face, here drawing it for others to behold; but Carter had very great doubts, since the large rough features on the wall were hasty and careless, and wholly overshadowed by a crowd of little companion shapes in the worst possible taste, with horns and wings and claws and curling tails.

At last, having gained all the information he was likely to gain in the taverns and public places of Baharna, Carter hired a zebra and set out one morning on the road by Yath’s shore for those inland parts wherein towers stony Ngranek. On his right were rolling hills and pleasant orchards and neat little stone farmhouses, and he was much reminded of those fertile fields that flank the Skai. By evening he was near the nameless ancient ruins on Yath’s farther shore, and though old lava-gatherers had warned him not to camp there at night, he tethered his zebra to a curious pillar before a crumbling wall and laid his blanket in a sheltered corner beneath some carvings whose meaning none could decipher. Around him he wrapped another blanket, for the nights are cold in Oriab; and when upon awaking once he thought he felt the wings of some insect brushing his face he covered his head altogether and slept in peace till roused by the magah birds in distant resin groves.

The sun had just come up over the great slope whereon leagues of primal brick foundations and worn walls and occasional cracked pillars and pedestals stretched down desolate to the shore of Yath, and Carter looked about for his tethered zebra. Great was his dismay to see that docile beast stretched prostrate beside the curious pillar to which it had been tied, and still greater was he vexed on finding that the steed was quite dead, with its blood all sucked away through a singular wound in its throat. His pack had been disturbed, and several shiny knick-knacks taken away, and all around on the dusty soil were great webbed footprints for which he could not in any way account. The legends and warnings of lava-gatherers occurred to him and he thought of what had brushed his face in the night. Then he shouldered his pack and strode on toward Ngranek, though not without a shiver when he saw close to him as the highway passed through the ruins a great gaping arch low in the wall of an old temple, with steps leading down into darkness farther than he could peer.

His course now led uphill through wilder and partly wooded country, and he saw only the huts of charcoal-burners and the camps of those who gathered resin from the groves. The whole air was fragrant with balsam, and all the magah birds sang blithely as they flashed their seven colours in the sun. Near sunset he came on a new camp of lava-gatherers returning with laden sacks from Ngranek’s lower slopes; and here he also camped, listening to the songs and tales of the men, and overhearing what they whispered about a companion they had lost. He had climbed high to reach a mass of fine lava above him, and at nightfall did not return to his fellows. When they looked for him the next day they found only his turban, nor was there any sign of the crags below that he had fallen. They did not search any more, because the old men among them said it would be of no use. No one ever found what the night-gaunts took, though those beasts themselves were so uncertain as to be almost fabulous. Carter asked them if night-gaunts sucked blood and liked shiny things and left webbed footprints, but they all shook their heads negatively and seemed frightened at his making such an inquiry. When he saw how taciturn they had become he asked them no more, but went to sleep in his blanket.

The next day he rose with the lava-gatherers and exchanged farewells as they rode west and he rode east on a zebra he had bought of them. Their older men gave him blessings and warnings, and told him he had better not climb too high on Ngranek, but while he thanked them heartily he was in no wise dissuaded. For still did he feel that he must find the gods on unknown Kadath, and win from them a way to that haunting and marvellous city in the sunset. By noon, after a long uphill ride, he came upon some abandoned brick villages of the hill-people who had once dwelt thus close to Ngranek and carved images from its smooth lava. Here they had dwelt till the days of the old tavern-keeper’s grandfather, but about that time they felt that their presence was disliked. Their homes had crept even up the mountain’s slope, and the higher they built the more people they would miss when the sun rose. At last they decided it would be better to leave altogether, since things were sometimes glimpsed in the darkness which no one could interpret favourably; so in the end all of them went down to the sea and dwelt in Baharna, inhabiting a very old quarter and teaching their sons the old art of image-making which to this day they carry on. It was from these children of the exiled hill-people that Carter had heard the best tales about Ngranek when searching through Baharna’s ancient taverns.

All this time the great gaunt side of Ngranek was looming up higher and higher as Carter approached it. There were sparse trees on the lower slope, and feeble shrubs above them, and then the bare hideous rock rose spectral into the sky to mix with frost and ice and eternal snow. Carter could see the rifts and ruggedness of that sombre stone, and did not welcome the prospect of climbing it. In places there were solid streams of lava, and scoriac heaps that littered slopes and ledges. Ninety aeons ago, before even the gods had danced upon its pointed peak, that mountain had spoken with fire and roared with the voices of the inner thunders. Now it towered all silent and sinister, bearing on the hidden side that secret titan image whereof rumour told. And there were caves in that mountain, which might be empty and alone with elder darkness, or might—if legend spoke truly—hold horrors of a form not to be surmised.

The ground sloped upward to the foot of Ngranek, thinly covered with scrub oaks and ash trees, and strown with bits of rock, lava, and ancient cinder. There were the charred embers of many camps, where the lava-gatherers were wont to stop, and several rude altars which they had built either to propitiate the Great Ones or to ward off what they dreamed of in Ngranek’s high passes and labyrinthine caves. At evening Carter reached the farthermost pile of embers and camped for the night, tethering his zebra to a sapling and wrapping himself well in his blanket before going to sleep. And all through the night a voonith howled distantly from the shore of some hidden pool, but Carter felt no fear of that amphibious terror, since he had been told with certainty that not one of them dares even approach the slopes of Ngranek.

In the clear sunshine of morning Carter began the long ascent, taking his zebra as far as that useful beast could go, but tying it to a stunted ash tree when the floor of the thin road became too steep. Thereafter he scrambled up alone; first through the forest with its ruins of old villages in overgrown clearings, and then over the tough grass where anaemic shrubs grew here and there. He regretted coming clear of the trees, since the slope was very precipitous and the whole thing rather dizzying. At length he began to discern all the countryside spread out beneath him whenever he looked around; the deserted huts of the image-makers, the groves of resin trees and the camps of those who gathered from them, the woods where prismatic magahs nest and sing, and even a hint very far away of the shores of Yath and of those forbidding ancient ruins whose name is forgotten. He found it best not to look around, and kept on climbing and climbing till the shrubs became very sparse and there was often nothing but the tough grass to cling to.

Then the soil became meagre, with great patches of bare rock cropping out, and now and then the nest of a condor in a crevice. Finally there was nothing at all but the bare rock, and had it not been very rough and weathered, he could scarcely have ascended farther. Knobs, ledges, and pinnacles, however, helped greatly; and it was cheering to see occasionally the sign of some lava-gatherer scratched clumsily in the friable stone, and know that wholesome human creatures had been there before him. After a certain height the presence of man was further shewn by hand-holds and foot-holds hewn where they were needed, and by little quarries and excavations where some choice vein or stream of lava had been found. In one place a narrow ledge had been chopped artificially to an especially rich deposit far to the right of the main line of ascent. Once or twice Carter dared to look around, and was almost stunned by the spread of landscape below. All the island betwixt him and the coast lay open to his sight, with Baharna’s stone terraces and the smoke of its chimneys mystical in the distance. And beyond that the illimitable Southern Sea with all its curious secrets.

Thus far there had been much winding around the mountain, so that the farther and carven side was still hidden. Carter now saw a ledge running upward and to the left which seemed to head the way he wished, and this course he took in the hope that it might prove continuous. After ten minutes he saw it was indeed no cul-de-sac, but that it led steeply on in an arc which would, unless suddenly interrupted or deflected, bring him after a few hours’ climbing to that unknown southern slope overlooking the desolate crags and the accursed valley of lava. As new country came into view below him he saw that it was bleaker and wilder than those seaward lands he had traversed. The mountain’s side, too, was somewhat different; being here pierced by curious cracks and caves not found on the straighter route he had left. Some of these were above him and some beneath him, all opening on sheerly perpendicular cliffs and wholly unreachable by the feet of man. The air was very cold now, but so hard was the climbing that he did not mind it. Only the increasing rarity bothered him, and he thought that perhaps it was this which had turned the heads of other travellers and excited those absurd tales of night-gaunts whereby they explained the loss of such climbers as fell from these perilous paths. He was not much impressed by travellers’ tales, but had a good curved scimitar in case of any trouble. All lesser thoughts were lost in the wish to see that carven face which might set him on the track of the gods atop unknown Kadath.

At last, in the fearsome iciness of upper space, he came round fully to the hidden side of Ngranek and saw in infinite gulfs below him the lesser crags and sterile abysses of lava which marked the olden wrath of the Great Ones. There was unfolded, too, a vast expanse of country to the south; but it was a desert land without fair fields or cottage chimneys, and seemed to have no ending. No trace of the sea was visible on this side, for Oriab is a great island. Black caverns and odd crevices were still numerous on the sheer vertical cliffs, but none of them was accessible to a climber. There now loomed aloft a great beetling mass which hampered the upward view, and Carter was for a moment shaken with doubt lest it prove impassable. Poised in windy insecurity miles above earth, with only space and death on one side and only slippery walls of rock on the other, he knew for a moment the fear that makes men shun Ngranek’s hidden side. He could not turn round, yet the sun was already low. If there were no way aloft, the night would find him crouching there still, and the dawn would not find him at all.

But there was a way, and he saw it in due season. Only a very expert dreamer could have used those imperceptible foot-holds, yet to Carter they were sufficient. Surmounting now the outward-hanging rock, he found the slope above much easier than that below, since a great glacier’s melting had left a generous space with loam and ledges. To the left a precipice dropped straight from unknown heights to unknown depths, with a cave’s dark mouth just out of reach above him. Elsewhere, however, the mountain slanted back strongly, and even gave him space to lean and rest.

He felt from the chill that he must be near the snow line, and looked up to see what glittering pinnacles might be shining in that late ruddy sunlight. Surely enough, there was the snow uncounted thousands of feet above, and below it a great beetling crag like that he had just climbed; hanging there forever in bold outline, black against the white of the frozen peak. And when he saw that crag he gasped and cried out aloud, and clutched at the jagged rock in awe; for the titan bulge had not stayed as earth’s dawn had shaped it, but gleamed red and stupendous in the sunset with the carved and polished features of a god.

Stern and terrible shone that face that the sunset lit with fire. How vast it was no mind can ever measure, but Carter knew at once that man could never have fashioned it. It was a god chiselled by the hands of the gods, and it looked down haughty and majestic upon the seeker. Rumour had said it was strange and not to be mistaken, and Carter saw that it was indeed so; for those long narrow eyes and long-lobed ears, and that thin nose and pointed chin, all spoke of a race that is not of men but of gods. He clung overawed in that lofty and perilous eyrie, even though it was this which he had expected and come to find; for there is in a god’s face more of marvel than prediction can tell, and when that face is vaster than a great temple and seen looking down at sunset in the cryptic silences of that upper world from whose dark lava it was divinely hewn of old, the marvel is so strong that none may escape it.

Here, too, was the added marvel of recognition; for although he had planned to search all dreamland over for those whose likeness to this face might mark them as the gods’ children, he now knew that he need not do so. Certainly, the great face carven on that mountain was of no strange sort, but the kin of such as he had seen often in the taverns of the seaport Celephaïs which lies in Ooth-Nargai beyond the Tanarian Hills and is ruled over by that King Kuranes whom Carter once knew in waking life. Every year sailors with such a face came in dark ships from the north to trade their onyx for the carved jade and spun gold and little red singing birds of Celephaïs, and it was clear that these could be no others than the half-gods he sought. Where they dwelt, there must the cold waste lie close, and within it unknown Kadath and its onyx castle for the Great Ones. So to Celephaïs he must go, far distant from the isle of Oriab, and in such parts as would take him back to Dylath-Leen and up the Skai to the bridge by Nir, and again into the enchanted wood of the zoogs, whence the way would bend northward through the garden lands by Oukranos to the gilded spires of Thran, where he might find a galleon bound over the Cerenerian Sea.

But dusk was now thick, and the great cavern face looked down even sterner in shadow. Perched on that ledge night found the seeker; and in the blackness he might neither go down nor go up, but only stand and cling and shiver in that narrow place till the day came, praying to keep awake lest sleep loose his hold and send him down the dizzy miles of air to the crags and sharp rocks of the accursed valley. The stars came out, but save for them there was only black nothingness in his eyes; nothingness leagued with death, against whose beckoning he might do no more than cling to the rocks and lean back away from an unseen brink. The last thing of earth that he saw in the gloaming was a condor soaring close to the westward precipice beside him, and darting screaming away when it came near the cave whose mouth yawned just out of reach.

Suddenly, without a warning sound in the dark, Carter felt his curved scimitar drawn stealthily out of his belt by some unseen hand. Then he heard it clatter down over the rocks below. And between him and the Milky Way he thought he saw a very terrible outline of something noxiously thin and horned and tailed and bat-winged. Other things, too, had begun to blot out patches of stars west of him, as if a flock of vague entities were flapping thickly and silently out of that inaccessible cave in the face of the precipice. Then a sort of cold rubbery arm seized his neck and something else seized his feet, and he was lifted inconsiderately up and swung about in space. Another minute and the stars were gone, and Carter knew that the night-gaunts had got him.

They bore him breathless into that cliffside cavern and through monstrous labyrinths beyond. When he struggled, as at first he did by instinct, they tickled him with deliberation. They made no sound at all themselves, and even their membraneous wings were silent. They were frightfully cold and damp and slippery, and their paws kneaded one detestably. Soon they were plunging hideously downward through inconceivable abysses in a whirling, giddying, sickening rush of dank, tomb-like air; and Carter felt they were shooting into the ultimate vortex of shrieking and daemonic madness. He screamed again and again, but whenever he did so the black paws tickled him with greater subtlety. Then he saw a sort of grey phosphorescence about, and guessed they were coming even to that inner world of subterrene horror of which dim legends tell, and which is litten only by the pale death-fire wherewith reeks the ghoulish air and the primal mists of the pits at earth’s core.

At last far below him he saw faint lines of grey and ominous pinnacles which he knew must be the fabled Peaks of Thok.[21] Awful and sinister they stand in the haunted dusk of sunless and eternal depths; higher than man may reckon, and guarding terrible valleys where the bholes[22] crawl and burrow nastily. But Carter preferred to look at them than at his captors, which were indeed shocking and uncouth black beings with smooth, oily, whale-like surfaces, unpleasant horns that curved inward toward each other, bat-wings whose beating made no sound, ugly prehensile paws, and barbed tails that lashed needlessly and disquietingly. And worst of all, they never spoke or laughed, and never smiled because they had no faces at all to smile with, but only a suggestive blankness where a face ought to be. All they ever did was clutch and fly and tickle; that was the way of night-gaunts.

As the band flew lower the Peaks of Thok rose grey and towering on all sides, and one saw clearly that nothing lived on that austere and impassive granite of the endless twilight. At still lower levels the death-fires in the air gave out, and one met only the primal blackness of the void save aloft where the thin peaks stood out goblin-like. Soon the peaks were very far away, and nothing about but great rushing winds with the dankness of nethermost grottoes in them. Then in the end the night-gaunts landed on a floor of unseen things which felt like layers of bones, and left Carter all alone in that black valley. To bring him thither was the duty of the night-gaunts that guard Ngranek; and this done, they flapped away silently. When Carter tried to trace their flight he found he could not, since even the Peaks of Thok had faded out of sight. There was nothing anywhere but blackness and horror and silence and bones.

Now Carter knew from a certain source that he was in the vale of Pnath, where crawl and burrow the enormous bholes; but he did not know what to expect, because no one has ever seen a bhole or even guessed what such a thing may be like. Bholes are known only by dim rumour, from the rustling they make amongst mountains of bones and the slimy touch they have when they wriggle past one. They cannot be seen because they creep only in the dark. Carter did not wish to meet a bhole, so listened intently for any sound in the unknown depths of bones about him. Even in this fearsome place he had a plan and an objective, for whispers of Pnath and its approaches were not unknown to one with whom he had talked much in the old days. In brief, it seemed fairly likely that this was the spot into which all the ghouls of the waking world cast the refuse of their feastings; and that if he but had good luck he might stumble upon that mighty crag taller even than Thok’s peaks which marks the edge of their domain. Showers of bones would tell him where to look, and once found he could call to a ghoul to let down a ladder; for strange to say, he had a very singular link with these terrible creatures.

A man he had known in Boston—a painter of strange pictures with a secret studio in an ancient and unhallowed alley near a graveyard—had actually made friends with the ghouls and had taught him to understand the simpler part of their disgusting meeping and glibbering.[23] This man had vanished at last, and Carter was not sure but that he might find him now, and use for the first time in dreamland that far-away English of his dim waking life. In any case, he felt he could persuade a ghoul to guide him out of Pnath; and it would be better to meet a ghoul, which one can see, than a bhole, which one cannot see.

So Carter walked in the dark, and ran when he thought he heard something among the bones underfoot. Once he bumped into a stony slope, and knew it must be the base of one of Thok’s peaks. Then at last he heard a monstrous rattling and clatter which reached far up in the air, and became sure he had come nigh the crag of the ghouls. He was not sure he could be heard from this valley miles below, but realised that the inner world has strange laws. As he pondered he was struck by a flying bone so heavy that it must have been a skull, and therefore realising his nearness to the fateful crag he sent up as best he might that meeping cry which is the call of the ghoul.

Sound travels slowly, so that it was some time before he heard an answering glibber. But it came at last, and before long he was told that a rope ladder would be lowered. The wait for this was very tense, since there was no telling what might not have been stirred up among those bones by his shouting. Indeed, it was not long before he actually did hear a vague rustling afar off. As this thoughtfully approached, he became more and more uncomfortable; for he did not wish to move away from the spot where the ladder would come. Finally the tension grew almost unbearable, and he was about to flee in panic when the thud of something on the newly heaped bones nearby drew his notice from the other sound. It was the ladder, and after a minute of groping he had it taut in his hands. But the other sound did not cease, and followed him even as he climbed. He had gone fully five feet from the ground when the rattling beneath waxed emphatic, and was a good ten feet up when something swayed the ladder from below. At a height which must have been fifteen or twenty feet he felt his whole side brushed by a great slippery length which grew alternately convex and concave with wriggling, and thereafter he climbed desperately to escape the unendurable nuzzling of that loathsome and overfed bhole whose form no man might see.

For hours he climbed with aching arms and blistered hands, seeing again the grey death-fire and Thok’s uncomfortable pinnacles. At last he discerned above him the projecting edge of the great crag of the ghouls, whose vertical side he could not glimpse; and hours later he saw a curious face peering over it as a gargoyle peers over a parapet of Notre Dame.[24] This almost made him lose his hold through faintness, but a moment later he was himself again; for his vanished friend Richard Pickman had once introduced him to a ghoul, and he knew well their canine faces and slumping forms and unmentionable idiosyncracies.[25] So he had himself well under control when that hideous thing pulled him out of the dizzy emptiness over the edge of the crag, and did not scream at the partly consumed refuse heaped at one side or at the squatting circles of ghouls who gnawed and watched curiously.

He was now on a dim-litten plain whose sole topographical features were great boulders and the entrances of burrows. The ghouls were in general respectful, even if one did attempt to pinch him while several others eyed his leanness speculatively. Through patient glibbering he made inquiries regarding his vanished friend, and found he had become a ghoul of some prominence in abysses nearer the waking world. A greenish elderly ghoul offered to conduct him to Pickman’s present habitation, so despite a natural loathing he followed the creature into a capacious burrow and crawled after him for hours in the blackness of rank mould. They emerged on a dim plain strown with singular relics of earth—old gravestones, broken urns, and grotesque fragments of monuments—and Carter realised with some emotion that he was probably nearer the waking world than at any other time since he had gone down the seven hundred steps from the cavern of flame to the Gate of Deeper Slumber.

There, on a tombstone of 1768 stolen from the Granary Burying Ground in Boston,[26] sat the ghoul which was once the artist Richard Upton Pickman. It was naked and rubbery, and had acquired so much of the ghoulish physiognomy that its human origin was already obscure. But it still remembered a little English, and was able to converse with Carter in grunts and monosyllables, helped out now and then by the glibbering of ghouls. When it learned that Carter wished to get to the enchanted wood and from there to the city Celephaïs in Ooth-Nargai beyond the Tanarian Hills, it seemed rather doubtful; for these ghouls of the waking world do no business in the graveyards of upper dreamland (leaving that to the web-footed wamps that are spawned in dead cities), and many things intervene betwixt their gulf and the enchanted wood, including the terrible kingdom of the gugs.

The gugs, hairy and gigantic, once reared stone circles in that wood and made strange sacrifices to the Other Gods and the crawling chaos Nyarlathotep, until one night an abomination of theirs reached the ears of earth’s gods and they were banished to caverns below. Only a great trap-door of stone with an iron ring connects the abyss of the earth-ghouls with the enchanted wood, and this the gugs are afraid to open because of a curse. That a mortal dreamer could traverse their cavern realm and leave by that door is inconceivable; for mortal dreamers were their former food, and they have legends of the toothsomeness of such dreamers even though banishment has restricted their diet to the ghasts, those repulsive beings which die in the light, and which live in the vaults of Zin [27] and leap on long hind legs like kangaroos.

So the ghoul that was Pickman advised Carter either to leave the abyss at Sarkomand,[28] that deserted city in the valley below Leng where black nitrous stairways guarded by winged diorite lions lead down from dreamland to the lower gulfs, or to return through a churchyard to the waking world and begin the quest anew down the seventy steps of light slumber to the cavern of flame and the seven hundred steps to the Gate of Deeper Slumber and the enchanted wood. This, however, did not suit the seeker; for he knew nothing of the way from Leng to Ooth-Nargai, and was likewise reluctant to awake lest he forget all he had so far gained in this dream. It were disastrous to his quest to forget the august and celestial faces of those seamen from the north who traded onyx in Celephaïs, and who, being the sons of gods, must point the way to the cold waste and Kadath where the Great Ones dwell.

After much persuasion the ghoul consented to guide his guest inside the great wall of the gugs’ kingdom. There was one chance that Carter might be able to steal through that twilight realm of circular stone towers at an hour when the giants would be all gorged and snoring indoors, and reach the central tower with the sign of Koth upon it, which has the stairs leading up to that stone trap-door in the enchanted wood. Pickman even consented to lend three ghouls to help with a tombstone lever in raising the stone door; for of ghouls the gugs are somewhat afraid, and they often flee from their own colossal graveyards when they see feasting there.

He also advised Carter to disguise as a ghoul himself; shaving the beard he had allowed to grow (for ghouls have none), wallowing naked in the mould to get the correct surface, and loping in the usual slumping way, with his clothing carried in a bundle as if it were a choice morsel from a tomb. They would reach the city of the gugs—which is coterminous with the whole kingdom—through the proper burrows, emerging in a cemetery not far from the stair-containing Tower of Koth. They must beware, however, of a large cave near the cemetery; for this is the mouth of the vaults of Zin, and the vindictive ghasts are always on watch there murderously for those denizens of the upper abyss who hunt and prey on them. The ghasts try to come out when the gugs sleep, and they attack ghouls as readily as gugs, for they cannot discriminate. They are very primitive, and eat one another. The gugs have a sentry at a narrow place in the vaults of Zin, but he is often drowsy and is sometimes surprised by a party of ghasts. Though ghasts cannot live in real light, they can endure the grey twilight of the abyss for hours.

So at length Carter crawled through endless burrows with three helpful ghouls bearing the slate gravestone of Col. Nehemiah Derby, obiit 1719, from the Charter Street Burying Ground in Salem.[29] When they came again into open twilight they were in a forest of vast lichened monoliths reaching nearly as high as the eye could see and forming the modest gravestones of the gugs. On the right of the hole out of which they wriggled, and seen through aisles of monoliths, was a stupendous vista of Cyclopean round towers mounting up illimitable into the grey air of inner earth. This was the great city of the gugs, whose doorways are thirty feet high. Ghouls come here often, for a buried gug will feed a community for almost a year, and even with the added peril it is better to burrow for gugs than to bother with the graves of men. Carter now understood the occasional titan bones he had felt beneath him in the vale of Pnath.

Straight ahead, and just outside the cemetery, rose a sheer perpendicular cliff at whose base an immense and forbidding cavern yawned. This the ghouls told Carter to avoid as much as possible, since it was the entrance to the unhallowed vaults of Zin where gugs hunt ghasts in the darkness. And truly, that warning was soon well justified; for the moment a ghoul began to creep toward the towers to see if the hour of the gugs’ resting had been rightly timed, there glowed in the gloom of that great cavern’s mouth first one pair of yellowish-red eyes and then another, implying that the gugs were one sentry less, and that ghasts have indeed an excellent sharpness of smell. So the ghoul returned to the burrow and motioned his companions to be silent. It was best to leave the ghasts to their own devices, and there was a possibility that they might soon withdraw, since they must naturally be rather tired after coping with a gug sentry in the black vaults. After a moment something about the size of a small horse hopped out into the grey twilight, and Carter turned sick at the aspect of that scabrous and unwholesome beast, whose face is so curiously human despite the absence of a nose, a forehead, and other important particulars.

Presently three other ghasts hopped out to join their fellow, and a ghoul glibbered softly at Carter that their absence of battle-scars was a bad sign. It proved that they had not fought the gug sentry at all, but merely slipped past him as he slept, so that their strength and savagery were still unimpaired and would remain so till they had found and disposed of a victim. It was very unpleasant to see those filthy and disproportioned animals, which soon numbered about fifteen, grubbing about and making their kangaroo leaps in the grey twilight where titan towers and monoliths arose, but it was still more unpleasant when they spoke among themselves in the coughing gutturals of ghasts. And yet, horrible as they were, they were not so horrible as what presently came out of the cave after them with disconcerting suddenness.

It was a paw, fully two feet and a half across, and equipped with formidable talons. After it came another paw, and after that a great black-furred arm to which both of the paws were attached by short forearms. The two pink eyes shone, and the head of the awakened gug sentry, large as a barrel, wobbled into view. The eyes jutted two inches from each side, shaded by bony protuberances overgrown with coarse hairs. But the head was chiefly terrible because of the mouth. That mouth had great yellow fangs and ran from the top to the bottom of the head, opening vertically instead of horizontally.

But before that unfortunate gug could emerge from the cave and rise to his full twenty feet, the vindictive ghasts were upon him. Carter feared for a moment that he would give an alarm and arouse all his kin, till a ghoul softly glibbered that gugs have no voice, but talk by means of facial expression. The battle which then ensued was truly a frightful one. From all sides the venomous ghasts rushed feverishly at the creeping gug, nipping and tearing with their muzzles, and mauling murderously with their hard pointed hooves. All the time they coughed excitedly, screaming when the great vertical mouth of the gug would occasionally bite into one of their number, so that the noise of the combat would surely have aroused the sleeping city had not the weakening of the sentry begun to transfer the action farther and farther within the cavern. As it was, the tumult soon receded altogether from sight in the blackness, with only occasional evil echoes to mark its continuance.

Then the most alert of the ghouls gave the signal for all to advance, and Carter followed the loping three out of the forest of monoliths and into the dark noisome streets of that awful city whose rounded towers of Cyclopean stone soared up beyond the sight. Silently they shambled over that rough rock pavement, hearing with disgust the abominable muffled snortings from great black doorways which marked the slumber of the gugs. Apprehensive of the ending of the rest hour, the ghouls set a somewhat rapid pace; but even so the journey was no brief one, for distances in that town of giants are on a great scale. At last, however, they came to a somewhat open space before a tower even vaster than the rest, above whose colossal doorway was fixed a monstrous symbol in bas-relief which made one shudder without knowing its meaning. This was the central tower with the sign of Koth, and those huge stone steps just visible through the dusk within were the beginning of the great flight leading to upper dreamland and the enchanted wood.

There now began a climb of interminable length in utter blackness; made almost impossible by the monstrous size of the steps, which were fashioned for gugs, and were therefore nearly a yard high. Of their number Carter could form no just estimate, for he soon became so worn out that the tireless and elastic ghouls were forced to aid him. All through the endless climb there lurked the peril of detection and pursuit; for though no gug dares lift the stone door to the forest because of the Great Ones’ curse, there are no such restraints concerning the tower and the steps, and escaped ghasts are often chased even to the very top. So sharp are the ears of gugs, that the bare feet and hands of the climbers might readily be heard when the city awoke; and it would of course take but little time for the striding giants, accustomed from their ghast-hunts in the vaults of Zin to seeing without light, to overtake their smaller and slower quarry on those Cyclopean steps. It was very depressing to reflect that the silent pursuing gugs would not be heard at all, but would come very suddenly and shockingly in the dark upon the climbers. Nor could the traditional fear of gugs for ghouls be depended upon in that peculiar place where the advantages lay so heavily with the gugs. There was also some peril from the furtive and venomous ghasts, which frequently hopped up into the tower during the sleep hour of the gugs. If the gugs slept long, and the ghasts returned soon from their deed in the cavern, the scent of the climbers might easily be picked up by those loathsome and ill-disposed things; in which case it would almost be better to be eaten by a gug.

Then, after aeons of climbing, there came a cough from the darkness above; and matters assumed a very grave and unexpected turn. It was clear that a ghast, or perhaps even more, had strayed into that tower before the coming of Carter and his guides; and it was equally clear that this peril was very close. After a breathless second the leading ghoul pushed Carter to the wall and arranged his two kinsfolk in the best possible way, with the old slate tombstone raised for a crushing blow whenever the enemy might come in sight. Ghouls can see in the dark, so the party was not as badly off as Carter would have been alone. In another moment the clatter of hooves revealed the downward hopping of at least one beast, and the slab-bearing ghouls poised their weapon for a desperate blow. Presently two yellowish-red eyes flashed into view, and the panting of the ghast became audible above its clattering. As it hopped down to the step just above the ghouls, they wielded the ancient gravestone with prodigious force, so that there was only a wheeze and a choking before the victim collapsed in a noxious heap. There seemed to be only this one animal, and after a moment of listening the ghouls tapped Carter as a signal to proceed again. As before, they were obliged to aid him; and he was glad to leave that place of carnage where the ghast’s uncouth remains sprawled invisible in the blackness.

At last the ghouls brought their companion to a halt; and feeling above him, Carter realised that the great stone trap-door was reached at last. To open so vast a thing completely was not to be thought of, but the ghouls hoped to get it up just enough to slip the gravestone under as a prop, and permit Carter to escape through the crack. They themselves planned to descend again and return through the city of the gugs, since their elusiveness was great, and they did not know the way overland to spectral Sarkomand with its lion-guarded gate to the abyss.

Mighty was the straining of those three ghouls at the stone of the door above them, and Carter helped push with as much strength as he had. They judged the edge next the top of the staircase to be the right one, and to this they bent all the force of their disreputably nourished muscles. After a few moments a crack of light appeared; and Carter, to whom that task had been entrusted, slipped the end of the old gravestone in the aperture. There now ensued a mighty heaving; but progress was very slow, and they had of course to return to their first position every time they failed to turn the slab and prop the portal open.

Suddenly their desperation was magnified a thousandfold by a sound on the steps below them. It was only the thumping and rattling of the slain ghast’s hooved body as it rolled down to lower levels; but of all the possible causes of that body’s dislodgment and rolling, none was in the least reassuring. Therefore, knowing the ways of gugs, the ghouls set to with something of a frenzy; and in a surprisingly short time had the door so high that they were able to hold it still whilst Carter turned the slab and left a generous opening. They now helped Carter through, letting him climb up to their rubbery shoulders and later guiding his feet as he clutched at the blessed soil of the upper dreamland outside. Another second and they were through themselves, knocking away the gravestone and closing the great trap-door while a panting became audible beneath. Because of the Great Ones’ curse no gug might ever emerge from that portal, so with a deep relief and sense of repose Carter lay quietly on the thick grotesque fungi of the enchanted wood while his guides squatted near in the manner that ghouls rest.

Weird as was that enchanted wood through which he had fared so long ago, it was verily a haven and a delight after the gulfs he had now left behind. There was no living denizen about, for zoogs shun the mysterious door in fear, and Carter at once consulted with his ghouls about their future course. To return through the tower they no longer dared, and the waking world did not appeal to them when they learned that they must pass the priests Nasht and Kaman-Thah in the cavern of flame. So at length they decided to return through Sarkomand and its gate of the abyss, though of how to get there they knew nothing. Carter recalled that it lies in the valley below Leng, and recalled likewise that he had seen in Dylath-Leen a sinister, slant-eyed old merchant reputed to trade on Leng. Therefore he advised the ghouls to seek out Dylath-Leen, crossing the fields to Nir and the Skai and following the river to its mouth. This they at once resolved to do, and lost no time in loping off, since the thickening of the dusk promised a full night ahead for travel. And Carter shook the paws of those repulsive beasts, thanking them for their help and sending his gratitude to the beast which once was Pickman; but could not help sighing with pleasure when they left. For a ghoul is a ghoul, and at best an unpleasant companion for man. After that Carter sought a forest pool and cleansed himself of the mud of nether earth, thereupon reassuming the clothes he had so carefully carried.

It was now night in that redoubtable wood of monstrous trees, but because of the phosphorescence one might travel as well as by day; wherefore Carter set out upon the well-known route toward Celephaïs, in Ooth-Nargai beyond the Tanarian Hills. And as he went he thought of the zebra he had left tethered to an ash tree on Ngranek in far-away Oriab so many aeons ago, and wondered if any lava-gatherer had fed and released it. And he wondered, too, if he would ever return to Baharna and pay for the zebra that was slain by night in those ancient ruins by Yath’s shore, and if the old tavern-keeper would remember him. Such were the thoughts that came to him in the air of the regained upper dreamland.

But presently his progress was halted by a sound from a very large hollow tree. He had avoided the great circle of stones, since he did not care to speak with zoogs just now; but it appeared from the singular fluttering in that huge tree that important councils were in session elsewhere. Upon drawing nearer he made out the accents of a tense and heated discussion; and before long became conscious of matters which he viewed with the greatest concern. For a war on the cats was under debate in that sovereign assembly of zoogs. It all came from the loss of the party which had sneaked after Carter to Ulthar, and which the cats had justly punished for unsuitable intentions. The matter had long rankled; and now, or within at least a month, the marshalled zoogs were about to strike the whole feline tribe in a series of surprise attacks, taking individual cats or groups of cats unawares, and giving not even the myriad cats of Ulthar a proper chance to drill and mobilise. This was the plan of the zoogs, and Carter saw that he must foil it before leaving on his mighty quest.

Very quietly therefore did Randolph Carter steal to the edge of the wood and send the cry of the cat over the starlit fields. And a great grimalkin in a nearby cottage took up the burden and relayed it across leagues of rolling meadow to warriors large and small, black, grey, tiger, white, yellow, and mixed; and it echoed through Nir and beyond the Skai even into Ulthar, and Ulthar’s numerous cats called in chorous and fell into a line of march. It was fortunate that the moon was not up, so that all the cats were on earth. Swiftly and silently leaping, they sprang from every hearth and housetop and poured in a great furry sea across the plains to the edge of the wood. Carter was there to greet them, and the sight of shapely, wholesome cats was indeed good for his eyes after the things he had seen and walked with in the abyss. He was glad to see his venerable friend and one-time rescuer at the head of Ulthar’s detachment, a collar of rank around his sleek neck, and whiskers bristling at a martial angle. Better still, as a sub-lieutenant in that army was a brisk young fellow who proved to be none other than the very little kitten at the inn to whom Carter had given a saucer of rich cream on that long-vanished morning in Ulthar. He was a strapping and promising cat now, and purred as he shook hands with his friend. His grandfather said he was doing very well in the army, and that he might well expect a captaincy after one more campaign.

Carter now outlined the peril of the cat tribe, and was rewarded by deep-throated purrs of gratitude from all sides. Consulting with the generals, he prepared a plan of instant action which involved marching at once upon the zoog council and other known strongholds of zoogs; forestalling their surprise attacks and forcing them to terms before the mobilisation of their army of invasion. Thereupon without a moment’s loss that great ocean of cats flooded the enchanted wood and surged around the council tree and the great stone circle. Flutterings rose to panic pitch as the enemy saw the newcomers, and there was very little resistance among the furtive and curious brown zoogs. They saw that they were beaten in advance, and turned from thoughts of vengeance to thoughts of present self-preservation.

Half the cats now seated themselves in a circular formation with the captured zoogs in the centre, leaving open a lane down which were marched the additional captives rounded up by the other cats in other parts of the wood. Terms were discussed at length, Carter acting as interpreter, and it was decided that the zoogs might remain a free tribe on condition of rendering to the cats a large annual tribute of grouse, quail, and pheasants from the less fabulous parts of their forest. Twelve young zoogs of noble families were taken as hostages to be kept in the Temple of the Cats at Ulthar, and the victors made it plain that any disappearances of cats on the borders of the zoog domain would be followed by consequences highly disastrous to zoogs. These matters disposed of, the assembled cats broke ranks and permitted the zoogs to slink off one by one to their respective homes, which they hastened to do with many a sullen backward glance.

The old cat general now offered Carter an escort through the forest to whatever border he wished to reach, deeming it likely that the zoogs would harbour dire resentment against him for the frustration of their warlike enterprise. This offer he welcomed with gratitude; not only for the safety it afforded, but because he liked the graceful companionship of cats. So in the midst of a pleasant and playful regiment, relaxed after the successful performance of its duty, Randolph Carter walked with dignity through that enchanted and phosphorescent wood of titan trees, talking of his quest with the old general and his grandson whilst others of the band indulged in fantastic gambols or chased fallen leaves that the wind drove among the fungi of the primeval floor. And the old cat said that he had heard much of unknown Kadath in the cold waste, but did not know where it was. As for the marvellous sunset city, he had not even heard of that, but would gladly relay to Carter anything he might later learn.

He gave the seeker some passwords of great value among the cats of dreamland, and commended him especially to the old chief of the cats in Celephaïs, whither he was bound. That old cat, already slightly known to Carter, was a dignified Maltese; and would prove highly influential in any transaction. It was dawn when they came to the proper edge of the wood, and Carter bade his friends a reluctant farewell. The young sub-lieutenant he had met as a small kitten would have followed him had not the old general forbidden it, but that austere patriarch insisted that the path of duty lay with the tribe and the army. So Carter set out alone over the golden fields that stretched mysterious beside a willow-fringed river, and the cats went back into the wood.

Well did the traveller know those garden lands that lie betwixt the wood and the Cerenerian Sea, and blithely did he follow the singing river Oukranos that marked his course. The sun rose higher over gentle slopes of grove and lawn, and heightened the colours of the thousand flowers that starred each knoll and dingle. A blessed haze lies upon all this region, wherein is held a little more of the sunlight than other places hold, and a little more of the summer’s humming music of birds and bees; so that men walk through it as through a faery place, and feel greater joy and wonder than they ever afterward remember.

By noon Carter reached the jasper terraces of Kiran which slope down to the river’s edge and bear that temple of loveliness wherein the King of Ilek-Vad[30] comes from his far realm on the twilight sea once a year in a golden palanquin to pray to the god of Oukranos, who sang to him in youth when he dwelt in a cottage by its banks. All of jasper is that temple, and covering an acre of ground with its walls and courts, its seven pinnacled towers, and its inner shrine where the river enters through hidden channels and the god sings softly in the night. Many times the moon hears strange music as it shines on those courts and terraces and pinnacles, but whether that music be the song of the god or the chant of the cryptical priests, none but the King of Ilek-Vad may say; for only he has entered the temple or seen the priests. Now, in the drowsiness of day, that carven and delicate fane was silent, and Carter heard only the murmur of the great stream and the hum of the birds and bees as he walked onward under an enchanted sun.

All that afternoon the pilgrim wandered on through perfumed meadows and in the lee of gentle riverward hills bearing peaceful thatched cottages and the shrines of amiable gods carven from jasper or chrysoberyl. Sometimes he walked close to the bank of Oukranos and whistled to the sprightly and iridescent fish of that crystal stream, and at other times he paused amidst the whispering rushes and gazed at the great dark wood on the farther side, whose trees came down clear to the water’s edge. In former dreams he had seen quaint lumbering buopoths come shyly out of that wood to drink, but now he could not glimpse any. Once in a while he paused to watch a carnivorous fish catch a fishing bird, which it lured to the water by shewing its tempting scales in the sun, and grasped by the beak with its enormous mouth as the winged hunter sought to dart down upon it.

Toward evening he mounted a low grassy rise and saw before him flaming in the sunset the thousand gilded spires of Thran. Lofty beyond belief are the alabaster walls of that incredible city, sloping inward toward the top and wrought in one solid piece by what means no man knows, for they are more ancient than memory. [31] Yet lofty as they are with their hundred gates and two hundred turrets, the clustered towers within, all white beneath their golden spires, are loftier still; so that men on the plain around see them soaring into the sky, sometimes shining clear, sometimes caught at the top in tangles of cloud and mist, and sometimes clouded lower down with their utmost pinnacles blazing free above the vapours. And where Thran’s gates open on the river are great wharves of marble, with ornate galleons of fragrant cedar and calamander riding gently at anchor, and strange bearded sailors sitting on casks and bales with the hieroglyphs of far places. Landward beyond the walls lies the farm country, where small white cottages dream between little hills, and narrow roads with many stone bridges wind gracefully among streams and gardens.

Down through this verdant land Carter walked at evening, and saw twilight float up from the river to the marvellous golden spires of Thran. And just at the hour of dusk he came to the southern gate, and was stopped by a red-robed sentry till he had told three dreams beyond belief, and proved himself a dreamer worthy to walk up Thran’s steep mysterious streets and linger in bazaars where the wares of the ornate galleons were sold. Then into that incredible city he walked; through a wall so thick that the gate was a tunnel, and thereafter amidst curved and undulant ways winding deep and narrow between the heavenward towers. Lights shone through grated and balconied windows, and the sound of lutes and pipes stole timid from inner courts where marble fountains bubbled. Carter knew his way, and edged down through darker streets to the river, where at an old sea-tavern he found the captains and seamen he had known in myriad other dreams. There he bought his passage to Celephaïs on a great green galleon, and there he stopped for the night after speaking gravely to the venerable cat of that inn, who blinked dozing before an enormous hearth and dreamed of old wars and forgotten gods.

In the morning Carter boarded the galleon bound for Celephaïs, and sat in the prow as the ropes were cast off and the long sail down to the Cerenerian Sea begun. For many leagues the banks were much as they were above Thran, with now and then a curious temple rising on the farther hills toward the right, and a drowsy village on the shore, with steep red roofs and nets spread in the sun. Mindful of his search, Carter questioned all the mariners closely about those whom they had met in the taverns of Celephaïs, asking the names and ways of the strange men with long, narrow eyes, long-lobed ears, thin noses, and pointed chins who came in dark ships from the north and traded onyx for the carved jade and spun gold and little red singing birds of Celephaïs. Of these men the sailors knew not much, save that they talked but seldom and spread a kind of awe about them.

Their land, very far away, was called Inganok, and not many people cared to go thither because it was a cold twilight land, and said to be close to unpleasant Leng; although high impassable mountains towered on the side where Leng was thought to lie, so that none might say whether this evil plateau with its horrible stone villages and unmentionable monastery were really there, or whether the rumour were only a fear that timid people felt in the night when those formidable barrier peaks loomed black against a rising moon. Certainly, men reached Leng from very different oceans. Of other boundaries of Inganok those sailors had no notion, nor had they heard of the cold waste and unknown Kadath save from vague unplaced report. And of the marvellous sunset city which Carter sought they knew nothing at all. So the traveller asked no more of far things, but bided his time till he might talk with those strange men from cold and twilight Inganok who are the seed of such gods as carved their features on Ngranek.

Late in the day the galleon reached those bends of the river which traverse the perfumed jungles of Kled. Here Carter wished he might disembark, for in those tropic tangles sleep wondrous palaces of ivory, lone and unbroken, where once dwelt fabulous monarchs of a land whose name is forgotten. Spells of the Elder Ones keep those places unharmed and undecayed, for it is written that there may one day be need of them again; and elephant caravans have glimpsed them from afar by moonlight, though none dares approach them closely because of the guardians to which their wholeness is due. But the ship swept on, and dusk hushed the hum of the day, and the first stars above blinked answers to the early fireflies on the banks as that jungle fell far behind, leaving only its fragrance as a memory that it had been. And all through the night that galleon floated on past mysteries unseen and unsuspected. Once a lookout reported fires on the hills to the east, but the sleepy captain said they had better not be looked at too much, since it was highly uncertain just who or what had lit them.

In the morning the river had broadened out greatly, and Carter saw by the houses along the banks that they were close to the vast trading city of Hlanith on the Cerenerian Sea. Here the walls are of rugged granite, and the houses peakedly fantastic with beamed and plastered gables. The men of Hlanith are more like those of the waking world than any others in dreamland; so that the city is not sought except for barter, but is prized for the solid work of its artisans. The wharves of Hlanith are of oak, and there the galleon made fast while the captain traded in the taverns. Carter also went ashore, and looked curiously upon the rutted streets where wooden ox-carts lumbered and feverish merchants cried their wares vacuously in the bazaars. The sea-taverns were all close to the wharves on cobbled lanes salt with the spray of high tides, and seemed exceedingly ancient with their low black-beamed ceilings and casements of greenish bull’s-eye panes. Ancient sailors in those taverns talked much of distant ports, and told many stories of the curious men from twilight Inganok, but had little to add to what the seamen of the galleon had told. Then at last, after much unloading and loading, the ship set sail once more over the sunset sea, and the high walls and gables of Hlanith grew less as the last golden light of day lent them a wonder and beauty beyond any that men had given them.

Two nights and two days the galleon sailed over the Cerenerian Sea, sighting no land and speaking but one other vessel. Then near sunset of the second day there loomed up ahead the snowy peak of Aran with its gingko-trees swaying on the lower slopes, and Carter knew that they were come to the land of Ooth-Nargai and the marvellous city of Celephaïs. Swiftly there came into sight the glittering minarets of that fabulous town, and the untarnished marble walls with their bronze statues, and the great stone bridge where Naraxa joins the sea. Then rose the green gentle hills behind the town, with their groves and gardens of asphodels and the small shrines and cottages upon them; and far in the background the purple ridge of the Tanarians, potent and mystical, behind which lay forbidden ways into the waking world and toward other regions of dream.

The harbour was full of painted galleys, some of which were from the marble cloud-city of Serannian, that lies in ethereal space beyond where the sea meets the sky, and some of which were from more substantial ports on the oceans of dreamland. Among these the steersman threaded his way up to the spice-fragrant wharves, where the galleon made fast in the dusk as the city’s million lights began to twinkle out over the water. Ever new seemed this deathless city of vision, for here time has no power to tarnish or destroy. As it has always been is still the turquoise of Nath-Horthath, and the eighty orchid-wreathed priests are the same who builded it ten thousand years ago. Shining still is the bronze of the great gates, nor are the onyx pavements ever worn or broken. And the great bronze statues on the walls look down on merchants and camel drivers older than fable, yet without one grey hair in their forked beards.

Carter did not at once seek out the temple or the palace or the citadel, but stayed by the seaward wall among traders and sailors. And when it was too late for rumours and legends he sought out an ancient tavern he knew well, and rested with dreams of the gods on unknown Kadath whom he sought. The next day he searched all along the quays for some of the strange mariners of Inganok, but was told that none were in port, their galley not being due from the north for full two weeks. He found, however, one Thorabonian sailor who had been to Inganok and had worked in the onyx quarries of that twilight place; and this sailor said there was certainly a desert to the north of the peopled region, which everybody seemed to fear and shun. The Thorabonian opined that this desert led around the utmost rim of impassable peaks into Leng’s horrible plateau, and that this was why men feared it; though he admitted there were other vague tales of evil presences and nameless sentinels. Whether or not this could be the fabled waste wherein unknown Kadath stands he did not know; but it seemed unlikely that those presences and sentinels, if indeed they truly existed, were stationed for naught.

On the following day Carter walked up the Street of the Pillars to the turquoise temple and talked with the high-priest. Though Nath-Horthath is chiefly worshipped in Celephaïs, all the Great Ones are mentioned in diurnal prayers; and the priest was reasonably versed in their moods. Like Atal in distant Ulthar, he strongly advised against any attempt to see them; declaring that they are testy and capricious, and subject to strange protection from the mindless Other Gods from Outside, whose soul and messenger is the crawling chaos Nyarlathotep. Their jealous hiding of the marvellous sunset city shewed clearly that they did not wish Carter to reach it, and it was doubtful how they would regard a guest whose object was to see them and plead before them. No man had ever found Kadath in the past, and it might be just as well if none ever found it in the future. Such rumours as were told about the onyx castle of the Great Ones were not by any means reassuring.

Having thanked the orchid-crowned high-priest, Carter left the temple and sought the bazaar of the sheep-butchers, where the old chief of Celephaïs’ cats dwelt sleek and contented. That grey and dignified being was sunning himself on the onyx pavement, and extended a languid paw as his caller approached. But when Carter repeated the passwords and introductions furnished him by the old cat general of Ulthar, the furry patriarch became very cordial and communicative; and told much of the secret lore known to cats on the seaward slopes of Ooth-Nargai. Best of all, he repeated several things told him furtively by the timid waterfront cats of Celephaïs about the men of Inganok, on whose dark ships no cat will go.

It seems that these men have an aura not of earth about them, though that is not the reason why no cat will sail on their ships. The reason for this is that Inganok holds shadows which no cat can endure, so that in all that cold twilight realm there is never a cheering purr or a homely mew. Whether it be because of things wafted over the impassable peaks from hypothetical Leng, or because of things filtering down from the chilly desert to the north, none may say; but it remains a fact that in that far land there broods a hint of outer space which cats do not like, and to which they are more sensitive than men. Therefore they will not go on the dark ships that seek the basalt quays of Inganok.

The old chief of the cats also told him where to find his friend King Kuranes, who in Carter’s latter dreams had reigned alternately in the rose-crystal Palace of the Seventy Delights at Celephaïs and in the turreted cloud-castle of sky-floating Serannian. It seems that he could no more find content in those places, but had formed a mighty longing for the English cliffs and downlands of his boyhood; where in little dreaming villages England’s old songs hover at evening behind lattice windows, and where grey church towers peep lovely through the verdure of distant valleys. He could not go back to these things in the waking world because his body was dead; but he had done the next best thing and dreamed a small tract of such countryside in the region east of the city, where meadows roll gracefully up from the sea-cliffs to the foot of the Tanarian Hills. There he dwelt in a grey Gothic manor-house of stone looking on the sea, and tried to think it was ancient Trevor Towers, where he was born and where thirteen generations of his forefathers had first seen the light. And on the coast nearby he had built a little Cornish fishing village with steep cobbled ways, settling therein such people as had the most English faces, and seeking ever to teach them the dear remembered accents of old Cornwall fishers. And in a valley not far off he had reared a great Norman Abbey whose tower he could see from his window, placing around it in the churchyard grey stones with the names of his ancestors carved thereon, and with a moss somewhat like Old England’s moss. For though Kuranes was a monarch in the land of dream, with all imagined pomps and marvels, splendours and beauties, ecstasies and delights, novelties and excitements at his command, he would gladly have resigned forever the whole of his power and luxury and freedom for one blessed day as a simple boy in that pure and quiet England, that ancient, beloved England which had moulded his being and of which he must always be immutably a part.

So when Carter bade that old grey chief of the cats adieu, he did not seek the terraced palace of rose-crystal but walked out the eastern gate and across the daisied fields toward a peaked gable which he glimpsed through the oaks of a park sloping up to the sea-cliffs. And in time he came to a great hedge and a gate with a little brick lodge, and when he rang the bell there hobbled to admit him no robed and anointed lackey of the palace, but a small stubbly old man in a smock who spoke as best he could in the quaint tones of far Cornwall. And Carter walked up the shady path between trees as near as possible to England’s trees, and climbed the terraces among gardens set out as in Queen Anne’s time. At the door, flanked by stone cats in the old way, he was met by a whiskered butler in suitable livery; and was presently taken to the library where Kuranes, Lord of Ooth-Nargai and the Sky around Serannian, sat pensive in a chair by the window looking on his little sea-coast village and wishing that his old nurse would come in and scold him because he was not ready for that hateful lawn-party at the vicar’s, with the carriage waiting and his mother nearly out of patience.

Kuranes, clad in a dressing-gown of the sort favoured by London tailors in his youth, rose eagerly to meet his guest; for the sight of an Anglo-Saxon from the waking world was very dear to him, even if it was a Saxon from Boston, Massachusetts, instead of from Cornwall. And for long they talked of old times, having much to say because both were old dreamers and well versed in the wonders of incredible places. Kuranes, indeed, had been out beyond the stars in the ultimate void, and was said to be the only one who had ever returned sane from such a voyage.

At length Carter brought up the subject of his quest, and asked of his host those questions he had asked of so many others. Kuranes did not know where Kadath was, or the marvellous sunset city; but he did know that the Great Ones were very dangerous creatures to seek out, and that the Other Gods had strange ways of protecting them from impertinent curiosity. He had learned much of the Other Gods in distant parts of space, especially in that region where form does not exist, and coloured gases study the innermost secrets.[32] The violet gas S’ngac had told him terrible things of the crawling chaos Nyarlathotep, and had warned him never to approach the central void where the daemon-sultan Azathoth gnaws hungrily in the dark. Altogether, it was not well to meddle with the Elder Ones; and if they persistently denied all access to the marvellous sunset city, it were better not to seek that city.

Kuranes furthermore doubted whether his guest would profit aught by coming to the city even were he to gain it. He himself had dreamed and yearned long years for lovely Celephaïs and the land of Ooth-Nargai, and for the freedom and colour and high experience of life devoid of its chains, conventions, and stupidities. But now that he was come into that city and that land, and was the king thereof, he found the freedom and the vividness all too soon worn out, and monotonous for want of linkage with anything firm in his feelings and memories. He was a king in Ooth-Nargai, but found no meaning therein, and drooped always for the old familiar things of England that had shaped his youth. All his kingdom would he give for the sound of Cornish church bells over the downs, and all the thousand minarets of Celephaïs for the steep homely roofs of the village near his home. So he told his guest that the unknown sunset city might not hold quite the content he sought, and that perhaps it had better remain a glorious and half-remembered dream. For he had visited Carter often in the old waking days, and knew well the lovely New England slopes that had given him birth.

At the last, he was very certain, the seeker would long only for the early remembered scenes; the glow of Beacon Hill at evening, the tall steeples and winding hill streets of quaint Kingsport, the hoary gambrel roofs of ancient and witch-haunted Arkham, and the blessed miles of meads and valleys where stone walls rambled and white farmhouse gables peeped out from bowers of verdure. These things he told Randolph Carter, but still the seeker held to his purpose. And in the end they parted each with his own conviction, and Carter went back through the bronze gate into Celephaïs and down the street of the Pillars to the old sea-wall, where he talked more with the mariners of far parts and waited for the dark ship from cold and twilight Inganok, whose strange-faced sailors and onyx traders had in them the blood of the Great Ones.

One starlight evening when the Pharos[33] shone splendid over the harbour the longed-for ship put in, and strange-faced sailors and traders appeared one by one and group by group in the ancient taverns along the sea-wall. It was very exciting to see again those living faces so like the godlike features on Ngranek, but Carter did not hasten to speak with the silent seamen. He did not know how much of pride and secrecy and dim supernal memory might fill those children of the Great Ones, and was sure it would not be wise to tell them of his quest or ask too closely of that cold desert stretching north of their twilight land. They talked little with the other folk in those ancient sea-taverns; but would gather in groups in remote corners and sing among themselves the haunting airs of unknown places, or chant long tales to one another in accents alien to the rest of dreamland. And so rare and moving were those airs and tales, that one might guess their wonders from the faces of those who listened, even though the words came to common ears only as strange cadence and obscure melody.

For a week the strange seamen lingered in the taverns and traded in the bazaars of Celephaïs, and before they sailed Carter had taken passage on their dark ship, telling them that he was an old onyx-miner and wishful to work in their quarries. That ship was very lovely and cunningly wrought, being of teakwood with ebony fittings and traceries of gold, and the cabin in which the traveller lodged had hangings of silk and velvet. One morning at the turn of the tide the sails were raised and the anchor lifted, and as Carter stood on the high stern he saw the sunrise-blazing walls and bronze statues and golden minarets of ageless Celephaïs sink into the distance, and the snowy peak of Mount Aran[34] grow smaller and smaller. By noon there was nothing in sight save the gentle blue of the Cerenerian Sea, with one painted galley afar off bound for that cloud-hung realm of Serannian where the sea meets the sky.

And night came with gorgeous stars, and the dark ship steered for Charles’ Wain and the Little Bear as they swung slowly round the pole. And the sailors sang strange songs of unknown places, and then stole off one by one to the forecastle while the wistful watchers murmured old chants and leaned over the rail to glimpse the luminous fish playing in bowers beneath the sea. Carter went to sleep at midnight, and rose in the glow of a young morning, marking that the sun seemed farther south than was its wont. And all through that second day he made progress in knowing the men of the ship, getting them little by little to talk of their cold twilight land, of their exquisite onyx city, and of their fear of the high and impassable peaks beyond which Leng was said to be. They told him how sorry they were that no cats would stay in the land of Inganok, and how they thought the hidden nearness of Leng was to blame for it. Only of the stony desert to the north they would not talk. There was something disquieting about that desert, and it was thought expedient not to admit its existence.

On later days they talked of the quarries in which Carter said he was going to work. There were many of them, for all the city of Inganok was builded of onyx, whilst great polished blocks of it were traded in Rinar, Ogrothan, and Celephaïs, and at home with the merchants of Thraa, Ilarnek, and Kadatheron,[35] for the beautiful wares of those fabulous ports. And far to the north, almost in that cold desert whose existence the men of Inganok did not care to admit, there was an unused quarry greater than all the rest; from which had been hewn in forgotten times such prodigious lumps and blocks that the sight of their chiselled vacancies struck terror to all who beheld. Who had mined those incredible blocks, and whither they had been transported, no man might say; but it was thought best not to trouble that quarry, around which such inhuman memories might conceivably cling. So it was left all alone in the twilight, with only the raven and the rumored shantak-bird to brood on its immensities. When Carter heard of this quarry he was moved to deep thought, for he knew from old tales that the Great Ones’ castle atop unknown Kadath is of onyx.

Each day the sun wheeled lower and lower in the sky, and the mists overhead grew thicker and thicker. And in two weeks there was not any sunlight at all, but only a weird grey twilight shining through a dome of eternal cloud by day, and a cold starless phosphorescence from the under side of that cloud by night. On the twentieth day a great jagged rock in the sea was sighted from afar, the first land glimpsed since Aran’s snowy peak had dwindled behind the ship. Carter asked the captain the name of that rock, but was told that it had no name and had never been sought by any vessel because of the sounds that came from it at night. And when, after dark, a dull and ceaseless howling arose from that jagged granite place, the traveller was glad that no stop had been made, and that the rock had no name. The seamen prayed and chanted till the noise was out of earshot, and Carter dreamed terrible dreams within dreams in the small hours.

Two mornings after that there loomed far ahead and to the east a line of great grey peaks whose tops were lost in the changeless clouds of that twilight world. And at the sight of them the sailors sang glad songs, and some knelt down on the deck to pray; so that Carter knew they were come to the land of Inganok and would soon be moored to the basalt quays of the great town bearing that land’s name. Toward noon a dark coast-line appeared, and before three o’clock there stood out against the north the bulbous domes and fantastic spires of the onyx city. Rare and curious did that archaic city rise above its walls and quays, all of delicate black with scrolls, flutings, and arabesques of inlaid gold. Tall and many-windowed were the houses, and carved on every side with flowers and patterns whose dark symmetries dazzled the eye with a beauty more poignant than light. Some ended in swelling domes that tapered to a point, others in terraced pyramids whereon rose clustered minarets displaying every phase of strangeness and imagination. The walls were low, and pierced by frequent gates, each under a great arch rising high above the general level and capped by the head of a god chiselled with that same skill displayed in the monstrous face on distant Ngranek. On a hill in the centre rose a sixteen-angled tower greater than all the rest and bearing a high pinnacled belfry resting on a flattened dome. This, the seamen said, was the Temple of the Elder Ones, and was ruled by an old high-priest sad with inner secrets.

At intervals the clang of a strange bell shivered over the onyx city, answered each time by a peal of mystic music made up of horns, viols, and chanting voices. And from a row of tripods on a gallery round the high dome of the temple there burst flares of flame at certain moments; for the priests and people of that city were wise in the primal mysteries, and faithful in keeping the rhythms of the Great Ones as set forth in scrolls older than the Pnakotic Manuscripts. As the ship rode past the great basalt breakwater into the harbour the lesser noises of the city grew manifest, and Carter saw the slaves, sailors, and merchants on the docks. The sailors and merchants were of the strange-faced race of the gods, but the slaves were squat, slant-eyed folk said by rumour to have drifted somehow across or around the impassable peaks from valleys beyond Leng. The wharves reached wide outside the city wall and bore upon them all manner of merchandise from the galleys anchored there, while at one end were great piles of onyx both carved and uncarved awaiting shipment to the far markets of Rinar, Ogrothan, and Celephaïs.

It was not yet evening when the dark ship anchored beside a jutting quay of stone, and all the sailors and traders filed ashore and through the arched gate into the city. The streets of that city were paved with onyx, and some of them were wide and straight whilst others were crooked and narrow. The houses near the water were lower than the rest, and bore above their curiously arched doorways certain signs of gold said to be in honour of the respective small gods that favoured each. The captain of the ship took Carter to an old sea-tavern where flocked the mariners of quaint countries, and promised that he would next day shew him the wonders of the twilight city, and lead him to the taverns of the onyx-miners by the northern wall. And evening fell, and little bronze lamps were lighted, and the sailors in that tavern sang songs of remote places. But when from its high tower the great bell shivered over the city, and the peal of the horns and viols and voices rose cryptical in answer thereto, all ceased their songs or tales and bowed silent till the last echo died away. For there is a wonder and a strangeness on the twilight city of Inganok, and men fear to be lax in its rites lest a doom and a vengeance lurk unsuspectedly close.

Far in the shadows of that tavern Carter saw a squat form he did not like, for it was unmistakably that of the old slant-eyed merchant he had seen so long before in the taverns of Dylath-Leen, who was reputed to trade with the horrible stone villages of Leng which no healthy folk visit and whose evil fires are seen at night from afar, and even to have dealt with that high-priest not to be described, which wears a yellow silken mask over its face and dwells all alone in a prehistoric stone monastery. This man had seemed to shew a queer gleam of knowing when Carter asked the traders of Dylath-Leen about the cold waste and Kadath; and somehow his presence in dark and haunted Inganok, so close to the wonders of the north, was not a reassuring thing. He slipped wholly out of sight before Carter could speak to him, and sailors later said that he had come with a yak caravan from some point not well determined, bearing the colossal and rich-flavoured eggs of the rumoured shantak-bird to trade for the dexterous jade goblets that merchants brought from Ilarnek.

On the following morning the ship-captain led Carter through the onyx streets of Inganok, dark under their twilight sky. The inlaid doors and figured house-fronts, carven balconies and crystal-paned oriels, all gleamed with a sombre and polished loveliness; and now and then a plaza would open out with black pillars, colonnades, and the statues of curious beings both human and fabulous. Some of the vistas down long and unbending streets, or through side alleys and over bulbous domes, spires, and arabesqued roofs, were weird and beautiful beyond words; and nothing was more splendid than the massive height of the great central Temple of the Elder Ones with its sixteen carven sides, its flattened dome, and its lofty pinnacled belfry, overtopping all else, and majestic whatever its foreground. And always to the east, far beyond the city walls and the leagues of pasture land, rose the gaunt grey sides of those topless and impassable peaks across which hideous Leng was said to lie.

The captain took Carter to the mighty temple, which is set with its walled garden in a great round plaza whence the streets go as spokes from a wheel’s hub. The seven arched gates of that garden, each having over it a carven face like those on the city’s gates, are always open; and the people roam reverently at will down the tiled paths and through the little lanes lined with grotesque termini and the shrines of modest gods. And there are fountains, pools, and basins there to reflect the frequent blaze of the tripods on the high balcony, all of onyx and having in them small luminous fish taken by divers from the lower bowers of ocean. When the deep clang from the temple’s belfry shivers over the garden and the city, and the answer of the horns and viols and voices peals out from the seven lodges by the garden gates, there issue from the seven doors of the temple long columns of masked and hooded priests in black, bearing at arm’s length before them great golden bowls from which a curious steam rises. And all the seven columns strut peculiarly in single file, legs thrown far forward without bending the knees, down the walks that lead to the seven lodges, wherein they disappear and do not appear again. It is said that subterrene paths connect the lodges with the temple, and that the long files of priests return through them; nor is it unwhispered that deep flights of onyx steps go down to mysteries that are never told. But only a few are those who hint that the priests in the masked and hooded columns are not human priests.

Carter did not enter the temple, because none but the Veiled King is permitted to do that. But before he left the garden the hour of the bell came, and he heard the shivering clang deafeningly above him, and the wailing of the horns and viols and voices loud from the lodges by the gates. And down the seven great walks stalked the long files of bowl-bearing priests in their singular way, giving to the traveller a fear which human priests do not often give. When the last of them had vanished he left the garden, noting as he did so a spot on the pavement over which the bowls had passed. Even the ship-captain did not like that spot, and hurried him on toward the hill whereon the Veiled King’s palace rises many-domed and marvellous.

The ways to the onyx palace are steep and narrow, all but that broad curving one where the king and his companions ride on yaks or in yak-drawn chariots. Carter and his guide climbed up an alley that was all steps, between inlaid walls bearing strange signs in gold, and under balconies and oriels whence sometimes floated soft strains of music or breaths of exotic fragrance. Always ahead loomed those titan walls, mighty buttresses, and clustered and bulbous domes for which the Veiled King’s palace is famous; and at length they passed under a great black arch and emerged in the gardens of the monarch’s pleasure. There Carter paused in faintness at so much of beauty; for the onyx terraces and colonnaded walks, the gay parterres and delicate flowering trees espaliered to golden lattices, the brazen urns and tripods with cunning bas-reliefs, the pedestalled and almost breathing statues of veined black marble, the basalt-bottomed lagoons and tiled fountains with luminous fish, the tiny temples of iridescent singing birds atop carven columns, the marvellous scrollwork of the great bronze gates, and the blossoming vines trained along every inch of the polished walls all joined to form a sight whose loveliness was beyond reality, and half-fabulous even in the land of dream. There it shimmered like a vision under that grey twilight sky, with the domed and fretted magnificence of the palace ahead, and the fantastic silhouette of the distant impassable peaks on the right. And ever the small birds and the fountains sang, while the perfume of rare blossoms spread like a veil over that incredible garden. No other human presence was there, and Carter was glad it was so.[36] Then they turned and descended again the onyx alley of steps, for the palace itself no visitor may enter; and it is not well to look too long and steadily at the great central dome, since it is said to house the archaic father of all the rumoured shantak-birds, and to send out queer dreams to the curious.

After that the captain took Carter to the north quarter of the town, near the Gate of the Caravans, where are the taverns of the yak-merchants and the onyx-miners. And there, in a low-ceiled inn of quarrymen, they said farewell; for business called the captain whilst Carter was eager to talk with miners about the north. There were many men in that inn, and the traveller was not long in speaking to some of them; saying that he was an old miner of onyx, and anxious to know somewhat of Inganok’s quarries. But all that he learnt was not much more than he knew before, for the miners were timid and evasive about the cold desert to the north and the quarry that no man visits. They had fears of fabled emissaries from around the mountains where Leng is said to lie, and of evil presences and nameless sentinels far north among the scattered rocks. And they whispered also that the rumoured shantak-birds are no wholesome things; it being indeed for the best that no man has ever truly seen one (for that fabled father of shantaks in the king’s dome is fed in the dark).

The next day, saying that he wished to look over all the various mines for himself and to visit the scattered farms and quaint onyx villages of Inganok, Carter hired a yak and stuffed great leathern saddle-bags for a journey. Beyond the Gate of the Caravans the road lay straight betwixt tilled fields, with many odd farmhouses crowned by low domes. At some of these houses the seeker stopped to ask questions; once finding a host so austere and reticent, and so full of an unplaced majesty like to that in the huge features on Ngranek, that he felt certain he had come at last upon one of the Great Ones themselves, or upon one with full nine-tenths of their blood, dwelling amongst men. And to that austere and reticent cotter he was careful to speak very well of the gods, and to praise all the blessings they had ever accorded him.

That night Carter camped in a roadside meadow beneath a great lygath-tree to which he tied his yak, and in the morning resumed his northward pilgrimage. At about ten o’clock he reached the small-domed village of Urg, where traders rest and miners tell their tales, and paused in its taverns till noon. It is here that the great caravan road turns west toward Selarn, but Carter kept on north by the quarry road. All the afternoon he followed that rising road, which was somewhat narrower than the great highway, and which now led through a region with more rocks than tilled fields. And by evening the low hills on his left had risen into sizeable black cliffs, so that he knew he was close to the mining country. All the while the great gaunt sides of the impassable mountains towered afar off at his right, and the farther he went, the worse tales he heard of them from the scattered farmers and traders and drivers of lumbering onyx-carts along the way.

On the second night he camped in the shadow of a large black crag, tethering his yak to a stake driven in the ground. He observed the greater phosphorescence of the clouds at this northerly point, and more than once thought he saw dark shapes outlined against them. And on the third morning he came in sight of the first onyx quarry, and greeted the men who there laboured with picks and chisels. Before evening he had passed eleven quarries; the land being here given over altogether to onyx cliffs and boulders, with no vegetation at all, but only great rocky fragments scattered about a floor of black earth, with the grey impassable peaks always rising gaunt and sinister on his right. The third night he spent in a camp of quarry men whose flickering fires cast weird reflections on the polished cliffs to the west. And they sang many songs and told many tales, shewing such strange knowledge of the olden days and the habits of gods that Carter could see they held many latent memories of their sires of the Great Ones. They asked him whither he went, and cautioned him not to go too far to the north; but he replied that he was seeking new cliffs of onyx, and would take no more risks than were common among prospectors. In the morning he bade them adieu and rode on into the darkening north, where they had warned him he would find the feared and unvisited quarry whence hands older than men’s hands had wrenched prodigious blocks. But he did not like it when, turning back to wave a last farewell, he thought he saw approaching the camp that squat and evasive old merchant with slanting eyes, whose conjectured traffick with Leng was the gossip of distant Dylath-Leen.

After two more quarries the inhabited part of Inganok seemed to end, and the road narrowed to a steeply rising yak-path among forbidding black cliffs. Always on the right towered the gaunt and distant peaks, and as Carter climbed farther and farther into this untraversed realm he found it grew darker and colder. Soon he perceived that there were no prints of feet or hooves on the black path beneath, and realised that he was indeed come into strange and deserted ways of elder time. Once in a while a raven would croak far overhead, and now and then a flapping behind some vast rock would make him think uncomfortably of the rumoured shantak-bird. But in the main he was alone with his shaggy steed, and it troubled him to observe that this excellent yak became more and more reluctant to advance, and more and more disposed to snort afrightedly at any small noise along the route.

The path now contracted between sable and glistening walls, and began to display an even greater steepness than before. It was a bad footing, and the yak often slipped on the stony fragments strown thickly about. In two hours Carter saw ahead a definite crest, beyond which was nothing but dull grey sky, and blessed the prospect of a level or downward course. To reach this crest, however, was no easy task; for the way had grown nearly perpendicular, and was perilous with loose black gravel and small stones. Eventually Carter dismounted and led his dubious yak; pulling very hard when the animal balked or stumbled, and keeping his own footing as best he might. Then suddenly he came to the top and saw beyond, and gasped at what he saw.

The path indeed led straight ahead and slightly down, with the same lines of high natural walls as before; but on the left hand there opened out a monstrous space, vast acres in extent, where some archaic power had riven and rent the native cliffs of onyx in the form of a giants’ quarry. Far back into the solid precipice ran that Cyclopean gouge, and deep down within earth’s bowels its lower delvings yawned. It was no quarry of man, and the concave sides were scarred with great squares yards wide which told of the size of the blocks once hewn by nameless hands and chisels. High over its jagged rim huge ravens flapped and croaked, and vague whirrings in the unseen depths told of bats or urhags or less mentionable presences haunting the endless blackness. There Carter stood in the narrow way amidst the twilight with the rocky path sloping down before him; tall onyx cliffs on his right that lead on as far as he could see, and tall cliffs on the left chopped off just ahead to make that terrible and unearthly quarry.

All at once the yak uttered a cry and burst from his control, leaping past him and darting on in a panic till it vanished down the narrow slope toward the north. Stones kicked by its flying hooves fell over the brink of the quarry and lost themselves in the dark without any sound of striking bottom; but Carter ignored the perils of that scanty path as he raced breathlessly after the flying steed. Soon the left-hand cliffs resumed their course, making the way once more a narrow lane; and still the traveller leaped on after the yak whose great wide prints told of its desperate flight.

Once he thought he heard the hoofbeats of the frightened beast, and doubled his speed from this encouragement. He was covering miles, and little by little the way was broadening in front till he knew he must soon emerge on the cold and dreaded desert to the north. The gaunt grey flanks of the distant impassable peaks were again visible above the right-hand crags, and ahead were the rocks and boulders of an open space which was clearly a foretaste of the dark and limitless plain. And once more those hoofbeats sounded in his ears, plainer than before, but this time giving terror instead of encouragement because he realised that they were not the frightened hoofbeats of his fleeing yak. These beats were ruthless and purposeful, and they were behind him.

Carter’s pursuit of the yak became now a flight from an unseen thing, for though he dared not glance over his shoulder he felt that the presence behind him could be nothing wholesome or mentionable. His yak must have heard or felt it first, and he did not like to ask himself whether it had followed him from the haunts of men or had floundered up out of that black quarry pit. Meanwhile the cliffs had been left behind, so that the oncoming night fell over a great waste of sand and spectral rocks wherein all paths were lost. He could not see the hoofprints of his yak, but always from behind him there came that detestable clopping; mingled now and then with what he fancied were titanic flappings and whirrings. That he was losing ground seemed unhappily clear to him, and he knew he was hopelessly lost in this broken and blasted desert of meaningless rocks and untravelled sands. Only those remote and impassable peaks on the right gave him any sense of direction, and even they were less clear as the grey twilight waned and sickly phosphorescence of the clouds took its place.

Then dim and misty in the darkling north before him he glimpsed a terrible thing. He had thought it for some moments a range of black mountains, but now he saw it was something more. The phosphorescence of the brooding clouds shewed it plainly, and even silhouetted parts of it as low vapours glowed behind. How distant it was he could not tell, but it must have been very far. It was thousands of feet high, stretching in a great concave arc from the grey impassable peaks to the unimagined westward spaces, and had once indeed been a ridge of mighty onyx hills. But now those hills were hills no more, for some hand greater than man’s had touched them. Silent they squatted there atop the world like wolves or ghouls, crowned with clouds and mists and guarding the secrets of the north forever. All in a great half circle they squatted, those dog-like mountains carven into monstrous watching statues, and their right hands were raised in menace against mankind.

It was only the flickering light of the clouds that made their mitred double heads seem to move, but as Carter stumbled on he saw arise from their shadowy laps great forms whose motions were no delusion. Winged and whirring, those forms grew larger each moment, and the traveller knew his stumbling was at an end. They were not any birds or bats known elsewhere on earth or in dreamland, for they were larger than elephants and had heads like a horse’s. Carter knew that they must be the shantak-birds of ill rumour, and wondered no more what evil guardians and nameless sentinels made men avoid the boreal rock desert. And as he stopped in final resignation he dared at last to look behind him; where indeed was trotting the squat slant-eyed trader of evil legend, grinning astride a lean yak and leading on a noxious horde of leering shantaks to whose wings still clung the rime and nitre of the nether pits.

Trapped though he was by fabulous and hippocephalic winged nightmares that pressed around in great unholy circles, Randolph Carter did not lose consciousness. Lofty and horrible those titan gargoyles towered above him, while the slant-eyed merchant leaped down from his yak and stood grinning before the captive. Then the man motioned Carter to mount one of the repugnant shantaks, helping him up as his judgment struggled with his loathing. It was hard work ascending, for the shantak-bird has scales instead of feathers, and those scales are very slippery. Once he was seated, the slant-eyed man hopped up behind him, leaving the lean yak to be led away northward toward the ring of carven mountains by one of the incredible bird colossi.[37]

There now followed a hideous whirl through frigid space, endlessly up and eastward toward the gaunt grey flanks of those impassable mountains beyond which Leng was said to lie. Far above the clouds they flew, till at last there lay beneath them those fabled summits which the folk of Inganok have never seen, and which lie always in high vortices of gleaming mist. Carter beheld them very plainly as they passed below, and saw upon their topmost peaks strange caves which made him think of those on Ngranek; but he did not question his captor about these things when he noticed that both the man and the horse-headed shantak appeared oddly fearful of them, hurrying past nervously and shewing great tension until they were left far in the rear.

The shantak now flew lower, revealing beneath the canopy of cloud a grey barren plain whereon at great distances shone little feeble fires. As they descended there appeared at intervals lone huts of granite and bleak stone villages whose tiny windows glowed with pallid light. And there came from those huts and villages a shrill droning of pipes and a nauseous rattle of crotala which proved at once that Inganok’s people are right in their geographick rumours. For travellers have heard such sounds before, and know that they float only from the cold desert plateau which healthy folk never visit; that haunted place of evil and mystery which is Leng.

Around the feeble fires dark forms were dancing, and Carter was curious as to what manner of beings they might be; for no healthy folk have ever been to Leng, and the place is known only by its fires and stone huts as seen from afar. Very slowly and awkwardly did those forms leap, and with an insane twisting and bending not good to behold; so that Carter did not wonder at the monstrous evil imputed to them by vague legend, or the fear in which all dreamland holds their abhorrent frozen plateau. As the shantak flew lower, the repulsiveness of the dancers became tinged with a certain hellish familiarity; and the prisoner kept straining his eyes and racking his memory for clues to where he had seen such creatures before.

They leaped as though they had hooves instead of feet, and seemed to wear a sort of wig or headpiece with small horns. Of other clothing they had none, but most of them were quite furry. Behind they had dwarfish tails, and when they glanced upward he saw the excessive width of their mouths. Then he knew what they were, and that they did not wear any wigs or headpieces after all. For the cryptic folk of Leng were of one race with the uncomfortable merchants of the black galleys that traded rubies at Dylath-Leen; those not quite human merchants who are the slaves of the monstrous moon-things! They were indeed the same dark folk who had shanghaied Carter on their noisome galley so long ago, and whose kith he had seen driven in herds about the unclean wharves of that accursed lunar city, with the leaner ones toiling and the fatter ones taken away in crates for other needs of their polypous and amorphous masters. Now he saw where such ambiguous creatures came from, and shuddered at the thought that Leng must be known to these formless abominations from the moon.

But the shantak flew on past the fires and the stone huts and the less than human dancers, and soared over sterile hills of grey granite and dim wastes of rock and ice and snow. Day came, and the phosphorescence of low clouds gave place to the misty twilight of that northern world, and still the vile bird winged meaningly through the cold and silence. At times the slant-eyed man talked with his steed in a hateful and guttural language, and the shantak would answer with tittering tones that rasped like the scratching of ground glass. All this while the land was getting higher, and finally they came to a windswept table-land which seemed the very roof of a blasted and tenantless world. There, all alone in the hush and the dusk and the cold, rose the uncouth stones of a squat windowless building, around which a circle of crude monoliths stood. In all this arrangement there was nothing human, and Carter surmised from old tales that he was indeed come to that most dreadful and legendary of all places, the remote and prehistoric monastery wherein dwells uncompanioned the high-priest not to be described, which wears a yellow silken mask over its face and prays to the Other Gods and their crawling chaos Nyarlathotep.

The loathsome bird now settled to the ground, and the slant-eyed man hopped down and helped his captive alight. Of the purpose of his seizure Carter now felt very sure; for clearly the slant-eyed merchant was an agent of the darker powers, eager to drag before his masters a mortal whose presumption had aimed at the finding of unknown Kadath and the saying of a prayer before the faces of the Great Ones in their onyx castle. It seemed likely that this merchant had caused his former capture by the slaves of the moon-things in Dylath-Leen, and that he now meant to do what the rescuing cats had baffled; taking the victim to some dread rendezvous with monstrous Nyarlathotep and telling with what boldness the seeking of unknown Kadath had been tried. Leng and the cold waste north of Inganok must be close to the Other Gods, and there the passes to Kadath are well guarded.

The slant-eyed man was small, but the great hippocephalic bird was there to see he was obeyed; so Carter followed where he led, and passed within the circle of standing rocks and into the low arched doorway of that windowless stone monastery. There were no lights inside, but the evil merchant lit a small clay lamp bearing morbid bas-reliefs and prodded his prisoner on through mazes of narrow winding corridors. On the walls of the corridors were painted frightful scenes older than history, and in a style unknown to the archaeologists of earth. After countless aeons their pigments were brilliant still, for the cold and dryness of hideous Leng keep alive many primal things. Carter saw them fleetingly in the rays of that dim and moving lamp, and shuddered at the tale they told.

Through those archaic frescoes Leng’s annals stalked; and the horned, hooved, and wide-mouthed almost-humans danced evilly amidst forgotten cities. There were scenes of old wars, wherein Leng’s almost-humans fought with the bloated purple spiders of the neighbouring vales; and there were scenes also of the coming of the black galleys from the moon, and of the submission of Leng’s people to the polypous and amorphous blasphemies that hopped and floundered and wriggled out of them. Those slippery greyish-white blasphemies they worshipped as gods, nor ever complained when scores of their best and fatted males were taken away in the black galleys. The monstrous moon-beasts made their camp on a jagged isle in the sea, and Carter could tell from the frescoes that this was none other than the lone nameless rock he had seen when sailing to Inganok; that grey accursed rock which Inganok’s seamen shun, and from which vile howlings reverberate all through the night.

And in those frescoes was shewn the great seaport and capital of the almost-humans; proud and pillared betwixt the cliffs and the basalt wharves, and wondrous with high fanes and carven places. Great gardens and columned streets led from the cliffs and from each of the six sphinx-crowned gates to a vast central plaza, and in that plaza was a pair of winged colossal lions guarding the top of a subterrene staircase. Again and again were those huge winged lions shewn, their mighty flanks of diorite glistening in the grey twilight of the day and the cloudy phosphorescence of the night. And as Carter stumbled past their frequent and repeated pictures it came to him at last what indeed they were, and what city it was that the almost-humans had ruled so anciently before the coming of the black galleys. There could be no mistake, for the legends of dreamland are generous and profuse. Indubitably that primal city was no less a place than storied Sarkomand, whose ruins had bleached for a million years before the first true human saw the light, and whose twin titan lions guard eternally the steps that lead down from dreamland to the Great Abyss.

Other views shewed the gaunt grey peaks dividing Leng from Inganok, and the monstrous shantak-birds that build nests on the ledges half way up. And they shewed likewise the curious caves near the very topmost pinnacles, and how even the boldest of the shantaks fly screaming away from them. Carter had seen those caves when he passed over them, and had noticed their likeness to the caves on Ngranek. Now he knew that the likeness was more than a chance one, for in these pictures were shewn their fearsome denizens; and those bat-wings, curving horns, barbed tails, prehensile paws, and rubbery bodies were not strange to him. He had met those silent, flitting, and clutching creatures before; those mindless guardians of the Great Abyss whom even the Great Ones fear, and who own not Nyarlathotep but hoary Nodens as their lord.[38] For they were the dreaded night-gaunts, who never laugh or smile because they have no faces, and who flop unendingly in the dark betwixt the Vale of Pnath and the passes to the other world.

The slant-eyed merchant had now prodded Carter into a great domed space whose walls were carved in shocking bas-reliefs, and whose centre held a gaping circular pit surrounded by six malignly stained stone altars in a ring. There was no light in this vast and evil-smelling crypt, and the small lamp of the sinister merchant shone so feebly that one could grasp details only little by little. At the farther end was a high stone dais reached by five steps; and there on a golden throne sat a lumpish figure robed in yellow silk figured with red and having a yellow silken mask over its face. To this being the slant-eyed man made certain signs with his hands, and the lurker in the dark replied by raising a disgustingly carven flute of ivory in silk-covered paws and blowing certain loathsome sounds from beneath its flowing yellow mask. This colloquy went on for some time, and to Carter there was something sickeningly familiar in the sound of that flute and the stench of the malodorous place. It made him think of a frightful red-litten city and of the revolting procession that once filed through it; of that, and of an awful climb through lunar countryside beyond, before the rescuing rush of earth’s friendly cats. He knew that the creature on the dais was without doubt the high-priest not to be described, of which legend whispers such fiendish and abnormal possibilities, but he feared to think just what that abhorred high-priest might be.

Then the figured silk slipped a trifle from one of the greyish-white paws, and Carter knew what the noisome high-priest was. And in that hideous second stark fear drove him to something his reason would never have dared to attempt, for in all his shaken consciousness there was room only for one frantic will to escape from what squatted on that golden throne. He knew that hopeless labyrinths of stone lay betwixt him and the cold table-land outside, and that even on that table-land the noxious shantak still waited; yet in spite of all this there was in his mind only the instant need to get away from that wriggling, silk-robed monstrosity.

The slant-eyed man had set his curious lamp upon one of the high and wickedly stained altar-stones by the pit, and had moved forward somewhat to talk to the high-priest with his hands. Carter, hitherto wholly passive, now gave that man a terrific push with all the wild strength of fear, so that the victim toppled at once into that gaping well which rumour holds to reach down to the hellish Vaults of Zin where gugs hunt ghasts in the dark. In almost the same second he seized the lamp from the altar and darted out into the frescoed labyrinths, racing this way and that as chance determined and trying not to think of the stealthy padding of shapeless paws on the stones behind him, or of the silent wrigglings and crawlings which must be going on back there in lightless corridors.

After a few moments he regretted his thoughtless haste, and wished he had tried to follow backward the frescoes he had passed on the way in. True, they were so confused and duplicated that they could not have done him much good, but he wished none the less he had made the attempt. Those he now saw were even more horrible than those he had seen then, and he knew he was not in the corridors leading outside. In time he became quite sure he was not followed, and slackened his pace somewhat; but scarce had he breathed in half-relief when a new peril beset him. His lamp was waning, and he would soon be in pitch blackness with no means of sight or guidance.

When the light was all gone he groped slowly in the dark, and prayed to the Great Ones for such help as they might afford. At times he felt the stone floor sloping up or down, and once he stumbled over a step for which no reason seemed to exist. The farther he went the damper it seemed to be, and when he was able to feel a junction or the mouth of a side passage he always chose the way which sloped downward the least. He believed, though, that his general course was down; and the vault-like smell and incrustations on the greasy walls and floor alike warned him he was burrowing deep in Leng’s unwholesome table-land. But there was not any warning of the thing which came at last; only the thing itself with its terror and shock and breath-taking chaos. One moment he was groping slowly over the slippery floor of an almost level place, and the next he was shooting dizzily downward in the dark through a burrow which must have been well-nigh vertical.

Of the length of that hideous sliding he could never be sure, but it seemed to take hours of delirious nausea and ecstatic frenzy. Then he realised he was still, with the phosphorescent clouds of a northern night shining sickly above him. All around were crumbling walls and broken columns, and the pavement on which he lay was pierced by straggling grass and wrenched asunder by frequent shrubs and roots. Behind him a basalt cliff rose topless and perpendicular; its dark side sculptured into repellent scenes, and pierced by an arched and carven entrance to the inner blacknesses out of which he had come. Ahead stretched double rows of pillars, and the fragments and pedestals of pillars, that spoke of a broad and bygone street; and from the urns and basins along the way he knew it had been a great street of gardens. Far off at its end the pillars spread to mark a vast round plaza, and in that open circle there loomed gigantic under the lurid night clouds a pair of monstrous things. Huge winged lions of diorite they were, with blackness and shadow between them. Full twenty feet they reared their grotesque and unbroken heads, and snarled derisive on the ruins around them. And Carter knew right well what they must be, for legend tells of only one such twain. They were the changeless guardians of the Great Abyss, and these dark ruins were in truth primordial Sarkomand.

Carter’s first act was to close and barricade the archway in the cliff with fallen blocks and odd debris that lay around. He wished no follower from Leng’s hateful monastery, for along the way ahead would lurk enough of other dangers. Of how to get from Sarkomand to the peopled parts of dreamland he knew nothing at all; nor could he gain much by descending to the grottoes of the ghouls, since he knew they were no better informed than he. The three ghouls which had helped him through the city of gugs to the outer world had not known how to reach Sarkomand in their journey back, but had planned to ask old traders in Dylath-Leen. He did not like to think of going again to the subterrene world of gugs and risking once more that hellish tower of Koth with its Cyclopean steps leading to the enchanted wood, yet he felt he might have to try this course if all else failed. Over Leng’s plateau past the lone monastery he dared not go unaided; for the high-priest’s emissaries must be many, while at the journey’s end there would no doubt be the shantaks and perhaps other things to deal with. If he could get a boat he might sail back to Inganok past the jagged and hideous rock in the sea, for the primal frescoes in the monastery labyrinth had shewn that this frightful place lies not far from Sarkomand’s basalt quays. But to find a boat in this aeon-deserted city was no probable thing, and it did not appear likely that he could ever make one.

Such were the thoughts of Randolph Carter when a new impression began beating upon his mind. All this while there had stretched before him the great corpse-like width of fabled Sarkomand with its black broken pillars and crumbling sphinx-crowned gates and titan stones and monstrous winged lions against the sickly glow of those luminous night clouds. Now he saw far ahead and on the right a glow that no clouds could account for, and knew he was not alone in the silence of that dead city. The glow rose and fell fitfully, flickering with a greenish tinge which did not reassure the watcher. And when he crept closer, down the littered street and through some narrow gaps between tumbled walls, he perceived that it was a campfire near the wharves with many vague forms clustered darkly around it, and a lethal odour hanging heavily over all. Beyond was the oily lapping of the harbour water with a great ship riding at anchor, and Carter paused in stark terror when he saw that the ship was indeed one of the dreaded black galleys from the moon.

Then, just as he was about to creep back from that detestable flame, he saw a stirring among the vague dark forms and heard a peculiar and unmistakable sound. It was the frightened meeping of a ghoul, and in a moment it had swelled to a veritable chorus of anguish. Secure as he was in the shadow of monstrous ruins, Carter allowed his curiosity to conquer his fear, and crept forward again instead of retreating. Once in crossing an open street he wriggled worm-like on his stomach, and in another place he had to rise to his feet to avoid making a noise among heaps of fallen marble. But always he succeeded in avoiding discovery, so that in a short time he had found a spot behind a titan pillar whence he could watch the whole green-litten scene of action. There, around a hideous fire fed by the obnoxious stems of lunar fungi, there squatted a stinking circle of the toad-like moon-beasts and their almost-human slaves. Some of these slaves were heating curious iron spears in the leaping flames, and at intervals applying their white-hot points to three tightly trussed prisoners that lay writhing before the leaders of the party. From the motions of their tentacles Carter could see that the blunt-snouted moon-beasts were enjoying the spectacle hugely, and vast was his horror when he suddenly recognised the frantic meeping and knew that the tortured ghouls were none other than the faithful trio which had guided him safely from the abyss and had thereafter set out from the enchanted wood to find Sarkomand and the gate to their native deeps.

The number of malodorous moon-beasts about that greenish fire was very great, and Carter saw that he could do nothing now to save his former allies. Of how the ghouls had been captured he could not guess; but fancied that the grey toad-like blasphemies had heard them inquire in Dylath-Leen concerning the way to Sarkomand and had not wished them to approach so closely the hateful plateau of Leng and the high-priest not to be described. For a moment he pondered on what he ought to do, and recalled how near he was to the gate of the ghouls’ black kingdom. Clearly it was wisest to creep east to the plaza of twin lions and descend at once to the gulf, where assuredly he would meet no horrors worse than those above, and where he might soon find ghouls eager to rescue their brethren and perhaps to wipe out the moon-beasts from the black galley. It occurred to him that the portal, like other gates to the abyss, might be guarded by flocks of night-gaunts; but he did not fear these faceless creatures now. He had learned that they are bound by solemn treaties with the ghouls, and the ghoul which was Pickman had taught him how to glibber a password they understood.

So Carter began another silent crawl through the ruins, edging slowly toward the great central plaza and the winged lions. It was ticklish work, but the moon-beasts were pleasantly busy and did not hear the slight noises which he twice made by accident among the scattered stones. At last he reached the open space and picked his way among the stunted trees and briers that had grown up therein. The gigantic lions loomed terrible above him in the sickly glow of the phosphorescent night clouds, but he manfully persisted toward them and presently crept round to their faces, knowing it was on that side he would find the mighty darkness which they guard. Ten feet apart crouched the mocking-faced beasts of diorite, brooding on Cyclopean pedestals whose sides were chiselled into fearsome bas-reliefs. Betwixt them was a tiled court with a central space which had once been railed with balusters of onyx. Midway in this space a black well opened, and Carter soon saw that he had indeed reached the yawning gulf whose crusted and mouldy stone steps lead down to the crypts of nightmare.

Terrible is the memory of that dark descent, in which hours wore themselves away whilst Carter wound sightlessly round and round down a fathomless spiral of steep and slippery stairs. So worn and narrow were the steps, and so greasy with the ooze of inner earth, that the climber never quite knew when to expect a breathless fall and hurtling down to the ultimate pits; and he was likewise uncertain just when or how the guardian night-gaunts would suddenly pounce upon him, if indeed there were any stationed in this primeval passage. All about him was a stifling odour of nether gulfs, and he felt that the air of these choking depths was not made for mankind. In time he became very numb and somnolent, moving more from automatic impulse than from reasoned will; nor did he realise any change when he stopped moving altogether as something quietly seized him from behind. He was flying very rapidly through the air before a malevolent tickling told him that the rubbery night-gaunts had performed their duty.

Awaked to the fact that he was in the cold, damp clutch of the faceless flutterers, Carter remembered the password of the ghouls and glibbered it as loudly as he could amidst the wind and chaos of flight. Mindless though night-gaunts are said to be, the effect was instantaneous; for all tickling stopped at once, and the creatures hastened to shift their captive to a more comfortable position. Thus encouraged, Carter ventured some explanations; telling of the seizure and torture of three ghouls by the moon-beasts, and of the need of assembling a party to rescue them. The night-gaunts, though inarticulate, seemed to understand what was said; and shewed greater haste and purpose in their flight. Suddenly the dense blackness gave place to the grey twilight of inner earth, and there opened up ahead one of those flat sterile plains on which ghouls love to squat and gnaw. Scattered tomb-stones and osseous fragments told of the denizens of that place; and as Carter gave a loud meep of urgent summons, a score of burrows emptied forth their leathery, dog-like tenants. The night-gaunts now flew low and set their passenger upon his feet, afterward withdrawing a little and forming a hunched semicircle on the ground while the ghouls greeted the newcomer.

Carter glibbered his message rapidly and explicitly to the grotesque company, and four of them at once departed through different burrows to spread the news to others and gather such troops as might be available for the rescue. After a long wait a ghoul of some importance appeared, and made significant signs to the night-gaunts, causing two of the latter to fly off into the dark. Thereafter there were constant accessions to the hunched flock of night-gaunts on the plain, till at length the slimy soil was fairly black with them. Meanwhile fresh ghouls crawled out of the burrows one by one, all glibbering excitedly and forming in crude battle array not far from the huddled night-gaunts. In time there appeared that proud and influential ghoul which was once the artist Richard Pickman of Boston, and to him Carter glibbered a very full account of what had occurred. The erstwhile Pickman, surprised to greet his ancient friend again, seemed very much impressed, and held a conference with other chiefs a little apart from the growing throng.

Finally, after scanning the ranks with care, the assembled chiefs all meeped in unison and began glibbering orders to the crowds of ghouls and night-gaunts. A large detachment of the horned flyers vanished at once, while the rest grouped themselves two by two on their knees with extended fore legs, awaiting the approach of the ghouls one by one. As each ghoul reached the pair of night-gaunts to which he was assigned, he was taken up and borne away into the blackness; till at last the whole throng had vanished save for Carter, Pickman, and the other chiefs, and a few pairs of night-gaunts. Pickman explained that night-gaunts are the advance guard and battle steeds of the ghouls, and that the army was issuing forth to Sarkomand to deal with the moon-beasts. Then Carter and the ghoulish chiefs approached the waiting bearers and were taken up by the damp, slippery paws. Another moment and all were whirling in wind and darkness; endlessly up, up, up to the gate of the winged lions and the spectral ruins of primal Sarkomand.

When, after a great interval, Carter saw again the sickly light of Sarkomand’s nocturnal sky, it was to behold the great central plaza swarming with militant ghouls and night-gaunts. Day, he felt sure, must be almost due; but so strong was the army that no surprise of the enemy would be needed. The greenish flare near the wharves still glimmered faintly, though the absence of ghoulish meeping shewed that the torture of the prisoners was over for the nonce. Softly glibbering directions to their steeds, and to the flock of riderless night-gaunts ahead, the ghouls presently rose in wide whirring columns and swept on over the bleak ruins toward the evil flame. Carter was now beside Pickman in the front rank of ghouls, and saw as they approached the noisome camp that the moon-beasts were totally unprepared. The three prisoners lay bound and inert beside the fire, while their toad-like captors slumped drowsily about in no certain order. The almost-human slaves were asleep, even the sentinels shirking a duty which in this realm must have seemed to them merely perfunctory.

The final swoop of the night-gaunts and mounted ghouls was very sudden, each of the greyish toad-like blasphemies and their almost-human slaves being seized by a group of night-gaunts before a sound was made. The moon-beasts, of course, were voiceless; and even the slaves had little chance to scream before rubbery paws choked them into silence. Horrible were the writhings of those great jellyish abnormalities as the sardonic night-gaunts clutched them, but nothing availed against the strength of those black prehensile talons. When a moon-beast writhed too violently, a night-gaunt would seize and pull its quivering pink tentacles; which seemed to hurt so much that the victim would cease its struggles. Carter expected to see much slaughter, but found that the ghouls were far subtler in their plans. They glibbered certain simple orders to the night-gaunts which held the captives, trusting the rest to instinct; and soon the hapless creatures were borne silently away into the Great Abyss, to be distributed impartially amongst the bholes, gugs, ghasts, and other dwellers in darkness whose modes of nourishment are not painless to their chosen victims. Meanwhile the three bound ghouls had been released and consoled by their conquering kinsfolk, whilst various parties searched the neighbourhood for possible remaining moon-beasts, and boarded the evil-smelling black galley at the wharf to make sure that nothing had escaped the general defeat. Surely enough, the capture had been thorough; for not a sign of further life could the victors detect. Carter, anxious to preserve a means of access to the rest of dreamland, urged them not to sink the anchored galley; and this request was freely granted out of gratitude for his act in reporting the plight of the captured trio. On the ship were found some very curious objects and decorations, some of which Carter cast at once into the sea.

Ghouls and night-gaunts now formed themselves in separate groups, the former questioning their rescued fellows anent past happenings. It appeared that the three had followed Carter’s directions and proceeded from the enchanted wood to Dylath-Leen by way of Nir and the Skai, stealing human clothes at a lonely farmhouse and loping as closely as possible in the fashion of a man’s walk. In Dylath-Leen’s taverns their grotesque ways and faces had aroused much comment; but they had persisted in asking the way to Sarkomand until at last an old traveller was able to tell them. Then they knew that only a ship for Lelag-Leng would serve their purpose, and prepared to wait patiently for such a vessel.

But evil spies had doubtless reported much; for shortly a black galley put into port, and the wide-mouthed ruby merchants invited the ghouls to drink with them in a tavern. Wine was produced from one of those sinister bottles grotesquely carven from a single ruby, and after that the ghouls found themselves prisoners on the black galley as Carter had once found himself. This time, however, the unseen rowers steered not for the moon but for antique Sarkomand; bent evidently on taking their captives before the high-priest not to be described. They had touched at the jagged rock in the northern sea which Inganok’s mariners shun, and the ghouls had there seen for the first time the real masters of the ship; being sickened despite their own callousness by such extremes of malign shapelessness and fearsome odour. There, too, were witnessed the nameless pastimes of the toad-like resident garrison—such pastimes as give rise to the night-howlings which men fear. After that had come the landing at ruined Sarkomand and the beginning of the tortures, whose continuance the present rescue had prevented.

Future plans were next discussed, the three rescued ghouls suggesting a raid on the jagged rock and the extermination of the toad-like garrison there. To this, however, the night-gaunts objected; since the prospect of flying over water did not please them. Most of the ghouls favoured the design, but were at a loss how to follow it without the help of the winged night-gaunts. Thereupon Carter, seeing that they could not navigate the anchored galley, offered to teach them the use of the great banks of oars; to which proposal they eagerly assented. Grey day had now come, and under that leaden northern sky a picked detachment of ghouls filed into the noisome ship and took their seats on the rowers’ benches. Carter found them fairly apt at learning, and before night had risked several experimental trips around the harbour. Not till three days later, however, did he deem it safe to attempt the voyage of conquest. Then, the rowers trained and the night-gaunts safely stowed in the forecastle, the party set sail at last; Pickman and the other chiefs gathering on deck and discussing modes of approach and procedure.

On the very first night the howlings from the rock were heard. Such was their timbre that all the galley’s crew shook visibly; but most of all trembled the three rescued ghouls who knew precisely what those howlings meant. It was not thought best to attempt an attack by night, so the ship lay to under the phosphorescent clouds to wait for the dawn of a greyish day. When the light was ample and the howlings still the rowers resumed their strokes, and the galley drew closer and closer to that jagged rock whose granite pinnacles clawed fantastically at the dull sky. The sides of the rock were very steep; but on ledges here and there could be seen the bulging walls of queer windowless dwellings, and the low railings guarding travelled high roads. No ship of men had ever come so near the place, or at least, had never come so near and departed again; but Carter and the ghouls were void of fear and kept inflexibly on, rounding the eastern face of the rock and seeking the wharves which the rescued trio described as being on the southern side within a harbour formed of steep headlands.

The headlands were prolongations of the island proper, and came so closely together that only one ship at a time might pass between them. There seemed to be no watchers on the outside, so the galley was steered boldly through the flume-like strait and into the stagnant foetid harbour beyond. Here, however, all was bustle and activity; with several ships lying at anchor along a forbidding stone quay, and scores of almost-human slaves and moon-beasts by the waterfront handling crates and boxes or driving nameless and fabulous horrors hitched to lumbering lorries. There was a small stone town hewn out of the vertical cliff above the wharves, with the start of a winding road that spiralled out of sight toward higher ledges of the rock. Of what lay inside that prodigious peak of granite none might say, but the things one saw on the outside were far from encouraging.

At sight of the incoming galley the crowds on the wharves displayed much eagerness; those with eyes staring intently, and those without eyes wriggling their pink tentacles expectantly. They did not, of course, realise that the black ship had changed hands; for ghouls look much like the horned and hooved almost-humans, and the night-gaunts were all out of sight below. By this time the leaders had fully formed a plan; which was to loose the night-gaunts as soon as the wharf was touched, and then to sail directly away, leaving matters wholly to the instincts of those almost mindless creatures. Marooned on the rock, the horned flyers would first of all seize whatever living things they found there, and afterward, quite helpless to think except in terms of the homing instinct, would forget their fear of water and fly swiftly back to the abyss; bearing their noisome prey to appropriate destinations in the dark, from which not much would emerge alive.

The ghoul that was Pickman now went below and gave the night-gaunts their simple instructions, while the ship drew very near to the ominous and malodorous wharves. Presently a fresh stir rose along the waterfront, and Carter saw that the motions of the galley had begun to excite suspicion. Evidently the steersman was not making for the right dock, and probably the watchers had noticed the difference between the hideous ghouls and the almost-human slaves whose places they were taking. Some silent alarm must have been given, for almost at once a horde of the mephitic moon-beasts began to pour from the little black doorways of the windowless houses and down the winding road at the right. A rain of curious javelins struck the galley as the prow hit the wharf, felling two ghouls and slightly wounding another; but at this point all the hatches were thrown open to emit a black cloud of whirring night-gaunts which swarmed over the town like a flock of horned and Cyclopean bats.

The jellyish moon-beasts had procured a great pole and were trying to push off the invading ship, but when the night-gaunts struck them they thought of such things no more. It was a very terrible spectacle to see those faceless and rubbery ticklers at their pastime, and tremendously impressive to watch the dense cloud of them spreading through the town and up the winding roadway to the reaches above. Sometimes a group of the black flutterers would drop a toad-like prisoner from aloft by mistake, and the manner in which the victim would burst was highly offensive to the sight and smell. When the last of the night-gaunts had left the galley the ghoulish leaders glibbered an order of withdrawal, and the rowers pulled quietly out of the harbour between the grey headlands while still the town was a chaos of battle and conquest.

The Pickman ghoul allowed several hours for the night-gaunts to make up their rudimentary minds and overcome their fear of flying over the sea, and kept the galley standing about a mile off the jagged rock while he waited and dressed the wounds of the injured men. Night fell, and the grey twilight gave place to the sickly phosphorescence of low clouds, and all the while the leaders watched the high peaks of that accursed rock for signs of the night-gaunts’ flight. Toward morning a black speck was seen hovering timidly over the topmost pinnacle, and shortly afterward the speck had become a swarm. Just before daybreak the swarm seemed to scatter, and within a quarter of an hour it had vanished wholly in the distance toward the northeast. Once or twice something seemed to fall from the thinning swarm into the sea; but Carter did not worry, since he knew from observation that the toad-like moon-beasts cannot swim. At length, when the ghouls were satisfied that all the night-gaunts had left for Sarkomand and the Great Abyss with their doomed burdens, the galley put back into the harbour betwixt the grey headlands; and all the hideous company landed and roamed curiously over the denuded rock with its towers and eyries and fortresses chiselled from the solid stone.

Frightful were the secrets uncovered in those evil and windowless crypts; for the remnants of unfinished pastimes were many, and in various stages of departure from their primal state. Carter put out of the way certain things which were after a fashion alive, and fled precipitately from a few other things about which he could not be very positive. The stench-filled houses were furnished mostly with grotesque stools and benches carven from moon-trees, and were painted inside with nameless and frantic designs. Countless weapons, implements, and ornaments lay about; including some large idols of solid ruby depicting singular beings not found on the earth. These latter did not, despite their material, invite either appropriation or long inspection; and Carter took the trouble to hammer five of them into very small pieces. The scattered spears and javelins he collected, and with Pickman’s approval distributed among the ghouls. Such devices were new to the dog-like lopers, but their relative simplicity made them easy to master after a few concise hints.

The upper parts of the rock held more temples than private homes, and in numerous hewn chambers were found terrible carven altars and doubtfully stained fonts and shrines for the worship of things more monstrous than the mild gods atop Kadath. From the rear of one great temple stretched a low black passage which Carter followed far into the rock with a torch till he came to a lightless domed hall of vast proportions, whose vaultings were covered with daemoniac carvings and in whose centre yawned a foul and bottomless well like that in the hideous monastery of Leng where broods alone the high-priest not to be described. On the distant shadowy side, beyond the noisome well, he thought he discerned a small door of strangely wrought bronze; but for some reason he felt an unaccountable dread of opening it or even approaching it, and hastened back through the cavern to his unlovely allies as they shambled about with an ease and abandon he could scarcely feel. The ghouls had observed the unfinished pastimes of the moon-beasts, and had profited in their fashion. They had also found a hogshead of potent moon-wine, and were rolling it down to the wharves for removal and later use in diplomatic dealings, though the rescued trio, remembering its effect on them in Dylath-Leen, had warned their company to taste none of it. Of rubies from lunar mines there was a great store, both rough and polished, in one of the vaults near the water; but when the ghouls found they were not good to eat they lost all interest in them. Carter did not try to carry any away, since he knew too much about those which had mined them.

Suddenly there came an excited meeping from the sentries on the wharves, and all the loathsome foragers turned from their tasks to stare seaward and cluster round the waterfront. Betwixt the grey headlands a fresh black galley was rapidly advancing, and it could be but a moment before the almost-humans on deck would perceive the invasion of the town and give the alarm to the monstrous things below. Fortunately the ghouls still bore the spears and javelins which Carter had distributed amongst them; and at his command, sustained by the being that was Pickman, they now formed a line of battle and prepared to prevent the landing of the ship. Presently a burst of excitement on the galley told of the crew’s discovery of the changed state of things, and the instant stoppage of the vessel proved that the superior numbers of the ghouls had been noted and taken into account. After a moment of hesitation the newcomers silently turned and passed out between the headlands again, but not for an instant did the ghouls imagine that the conflict was averted. Either the dark ship would seek reinforcements, or the crew would try to land elsewhere on the island; hence a party of scouts was at once set up toward the pinnacle to see what the enemy’s course would be.

In a very few minutes a ghoul returned breathless to say that the moon-beasts and almost-humans were landing on the outside of the more easterly of the rugged grey headlands, and ascending by hidden paths and ledges which a goat could scarcely tread in safety. Almost immediately afterward the galley was sighted again through the flume-like strait, but only for a second. Then, a few moments later, a second messenger panted down from aloft to say that another party was landing on the other headland; both being much more numerous than the size of the galley would seem to allow for. The ship itself, moving slowly with only one sparsely manned tier of oars, soon hove in sight betwixt the cliffs, and lay to in the foetid harbour as if to watch the coming fray and stand by for any possible use.

By this time Carter and Pickman had divided the ghouls into three parties, one to meet each of the two invading columns and one to remain in the town. The first two at once scrambled up the rocks in their respective directions, while the third was subdivided into a land party and a sea party. The sea party, commanded by Carter, boarded the anchored galley and rowed out to meet the undermanned galley of the newcomers; whereat the latter retreated through the strait to the open sea. Carter did not at once pursue it, for he knew he might be needed more acutely near the town.

Meanwhile the frightful detachments of the moon-beasts and almost-humans had lumbered up to the top of the headlands and were shockingly silhouetted on either side against the grey twilight sky. The thin hellish flutes of the invaders had now begun to whine, and the general effect of those hybrid, half-amorphous processions was as nauseating as the actual odour given off by the toad-like lunar blasphemies. Then the two parties of the ghouls swarmed into sight and joined the silhouetted panorama. Javelins began to fly from both sides, and the swelling meeps of the ghouls and the bestial howls of the almost-humans gradually joined the hellish whine of the flutes to form a frantick and indescribable chaos of daemon cacophony. Now and then bodies fell from the narrow ridges of the headlands into the sea outside or the harbour inside, in the latter case being sucked quickly under by certain submarine lurkers whose presence was indicated only by prodigious bubbles.

For half an hour this dual battle raged in the sky, till upon the west cliff the invaders were completely annihilated. On the east cliff, however, where the leader of the moon-beast party appeared to be present, the ghouls had not fared so well; and were slowly retreating to the slopes of the pinnacle proper. Pickman had quickly ordered reinforcements for this front from the party in the town, and these had helped greatly in the earlier stages of the combat. Then, when the western battle was over, the victorious survivors hastened across to the aid of their hard-pressed fellows; turning the tide and forcing the invaders back again along the narrow ridge of the headland. The almost-humans were by this time all slain, but the last of the toad-like horrors fought desperately with the great spears clutched in their powerful and disgusting paws. The time for javelins was now nearly past, and the fight became a hand-to-hand contest of what few spearmen could meet upon that narrow ridge.

As fury and recklessness increased, the number falling into the sea became very great. Those striking the harbour met nameless extinction from the unseen bubblers, but of those striking the open sea some were able to swim to the foot of the cliffs and land on tidal rocks, while the hovering galley of the enemy rescued several moon-beasts. The cliffs were unscalable except where the monsters had debarked, so that none of the ghouls on the rocks could rejoin their battle-line. Some were killed by javelins from the hostile galley or from the moon-beasts above, but a few survived to be rescued. When the security of the land parties seemed assured, Carter’s galley sallied forth between the headlands and drove the hostile ship far out to sea; pausing to rescue such ghouls as were on the rocks or still swimming in the ocean. Several moon-beasts washed on rocks or reefs were speedily put out of the way.

Finally, the moon-beasts’ galley being safely in the distance and the invading land army concentrated in one place, Carter landed a considerable force on the eastern headland in the enemy’s rear; after which the fight was short-lived indeed. Attacked from both sides, the noisome flounderers were rapidly cut to pieces or pushed into the sea, till by evening the ghoulish chiefs agreed that the island was again clear of them. The hostile galley, meanwhile, had disappeared; and it was decided that the evil jagged rock had better be evacuated before any overwhelming horde of lunar horrors might be assembled and brought against the victors.

So by night Pickman and Carter assembled all the ghouls and counted them with care, finding that over a fourth had been lost in the day’s battles. The wounded were placed on bunks in the galley, for Pickman always discouraged the old ghoulish custom of killing and eating one’s own wounded, and the able-bodied troops were assigned to the oars or to such other places as they might most usefully fill. Under the low phosphorescent clouds of night the galley sailed, and Carter was not sorry to be departing from that island of unwholesome secrets, whose lightless domed hall with its bottomless well and repellent bronze door lingered restlessly in his fancy. Dawn found the ship in sight of Sarkomand’s ruined quays of basalt, where a few night-gaunt sentries still waited, squatting like black horned gargoyles on the broken columns and crumbling sphinxes of that fearful city which lived and died before the years of man.

The ghouls made camp amongst the fallen stones of Sarkomand, despatching a messenger for enough night-gaunts to serve them as steeds. Pickman and the other chiefs were effusive in their gratitude for the aid Carter had lent them; and Carter now began to feel that his plans were indeed maturing well, and that he would be able to command the help of these fearsome allies not only in quitting this part of dreamland, but in pursuing his ultimate quest for the gods atop unknown Kadath, and the marvellous sunset city they so strangely withheld from his slumbers. Accordingly he spoke of these things to the ghoulish leaders; telling what he knew of the cold waste wherein Kadath stands and of the monstrous shantaks and the mountains carven into double-headed images which guard it. He spoke of the fear of shantaks for night-gaunts, and of how the vast hippocephalic birds fly screaming from the black burrows high up on the gaunt grey peaks that divide Inganok from hateful Leng. He spoke, too, of the things he had learnt concerning night-gaunts from the frescoes in the windowless monastery of the high-priest not to be described; how even the Great Ones fear them, and how their ruler is not the crawling chaos Nyarlathotep at all, but hoary and immemorial Nodens, Lord of the Great Abyss.

All these things Carter glibbered to the assembled ghouls, and presently outlined that request which he had in mind, and which he did not think extravagant considering the services he had so lately rendered the rubbery, dog-like lopers. He wished very much, he said, for the services of enough night-gaunts to bear him safely through the air past the realm of shantaks and carven mountains, and up into the cold waste beyond the returning tracks of any other mortal. He desired to fly to the onyx castle atop unknown Kadath in the cold waste to plead with the Great Ones for the sunset city they denied him, and felt sure that the night-gaunts could take him thither without trouble; high above the perils of the plain, and over the hideous double heads of those carven sentinel mountains that squat eternally in the grey dusk. For the horned and faceless creatures there could be no danger from aught of earth, since the Great Ones themselves dread them. And even were unexpected things to come from the Other Gods, who are prone to oversee the affairs of earth’s milder gods, the night-gaunts need not fear; for the outer hells are indifferent matters to such silent and slippery flyers as own not Nyarlathotep for their master, but bow only to potent and archaic Nodens.

A flock of ten or fifteen night-gaunts, Carter glibbered, would surely be enough to keep any combination of shantaks at a distance; though perhaps it might be well to have some ghouls in the party to manage the creatures, their ways being better known to their ghoulish allies than to men. The party could land him at some convenient point within whatever walls that fabulous onyx citadel might have, waiting in the shadows for his return or his signal whilst he ventured inside the castle to give prayer to the gods of earth. If any ghouls chose to escort him into the throne-room of the Great Ones, he would be thankful, for their presence would add weight and importance to his plea. He would not, however, insist upon this but merely wished transportation to and from the castle atop unknown Kadath; the final journey being either to the marvellous sunset city itself, in case the gods proved favourable, or back to the earthward Gate of Deeper Slumber in the enchanted wood in case his prayers were fruitless.

Whilst Carter was speaking all the ghouls listened with great attention, and as the moments advanced the sky became black with clouds of those night-gaunts for which messengers had been sent. The winged horrors settled in a semicircle around the ghoulish army, waiting respectfully as the dog-like chieftains considered the wish of the earthly traveller. The ghoul that was Pickman glibbered gravely with its fellows, and in the end Carter was offered far more than he had at most expected. As he had aided the ghouls in their conquest of the moon-beasts, so would they aid him in his daring voyage to realms whence none had ever returned; lending him not merely a few of their allied night-gaunts, but their entire army as they encamped, veteran fighting ghouls and newly assembled night-gaunts alike, save only a small garrison for the captured black galley and such spoils as had come from the jagged rock in the sea. They would set out through the air whenever he might wish, and once arrived on Kadath a suitable train of ghouls would attend him in state as he placed his petition before earth’s gods in their onyx castle.

Moved by a gratitude and satisfaction beyond words, Carter made plans with the ghoulish leaders for his audacious voyage. The army would fly high, they decided, over hideous Leng with its nameless monastery and wicked stone villages; stopping only at the vast grey peaks to confer with the shantak-frightening night-gaunts whose burrows honeycombed their summits. They would then, according to what advice they might receive from those denizens, choose their final course; approaching unknown Kadath either through the desert of carven mountains north of Inganok, or through the more northerly reaches of repulsive Leng itself. Dog-like and soulless as they are, the ghouls and night-gaunts had no dread of what those untrodden deserts might reveal; nor did they feel any deterring awe at the thought of Kadath towering lone with its onyx castle of mystery.

About midday the ghouls and night-gaunts prepared for flight, each ghoul selecting a suitable pair of horned steeds to bear him. Carter was placed well up toward the head of the column beside Pickman, and in front of the whole a double line of riderless night-gaunts was provided as a vanguard. At a brisk meep from Pickman the whole shocking army rose in a nightmare cloud above the broken columns and crumbling sphinxes of primordial Sarkomand; higher and higher, till even the great basalt cliff behind the town was cleared, and the cold, sterile table-land of Leng’s outskirts laid open to sight. Still higher flew the black host, till even this table-land grew small beneath them; and as they worked northward over the windswept plateau of horror Carter saw once again with a shudder the circle of crude monoliths and the squat windowless building which he knew held that frightful silken-masked blasphemy from whose clutches he had so narrowly escaped. This time no descent was made as the army swept bat-like over the sterile landscape, passing the feeble fires of the unwholesome stone villages at a great altitude, and pausing not at all to mark the morbid twistings of the hooved, horned almost-humans that dance and pipe eternally therein. Once they saw a shantak-bird flying low over the plain, but when it saw them it screamed noxiously and flapped off to the north in grotesque panic.

At dusk they reached the jagged grey peaks that form the barrier of Inganok, and hovered about those strange caves near the summits which Carter recalled as so frightful to the shantaks. At the insistent meeping of the ghoulish leaders there issued forth from each lofty burrow a stream of horned black flyers; with which the ghouls and night-gaunts of the party conferred at length by means of ugly gestures. It soon became clear that the best course would be that over the cold waste north of Inganok, for Leng’s northward reaches are full of unseen pitfalls that even the night-gaunts dislike; abysmal influences centring in certain white hemispherical buildings on curious knolls, which common folklore associates unpleasantly with the Other Gods and their crawling chaos Nyarlathotep.

Of Kadath the flutterers of the peaks knew almost nothing, save that there must be some mighty marvel toward the north, over which the shantaks and the carven mountains stand guard. They hinted at rumoured abnormalities of proportion in those trackless leagues beyond, and recalled vague whispers of a realm where night broods eternally; but of definite data they had nothing to give. So Carter and his party thanked them kindly; and, crossing the topmost granite pinnacles to the skies of Inganok, dropped below the level of the phosphorescent night clouds and beheld in the distance those terrible squatting gargoyles that were mountains till some titan hand carved fright into their virgin rock.

There they squatted, in a hellish half-circle, their legs on the desert sand and their mitres piercing the luminous clouds; sinister, wolf-like, and double-headed, with faces of fury and right hands raised, dully and malignly watching the rim of man’s world and guarding with horror the reaches of a cold northern world that is not man’s. From their hideous laps rose evil shantaks of elephantine bulk, but these all fled with insane titters as the vanguard of night-gaunts was sighted in the misty sky. Northward above those gargoyle mountains the army flew, and over leagues of dim desert where never a landmark rose. Less and less luminous grew the clouds, till at length Carter could see only blackness around him; but never did the winged steeds falter, bred as they were in the earth’s blackest crypts, and seeing not with any eyes, but with the whole dank surface of their slippery forms. On and on they flew, past winds of dubious scent and sounds of dubious import; ever in thickest darkness, and covering such prodigious spaces that Carter wondered whether or not they could still be within earth’s dreamland.

Then suddenly the clouds thinned and the stars shone spectrally above. All below was still black, but those pallid beacons in the sky seemed alive with a meaning and directiveness they had never possessed elsewhere. It was not that the figures of the constellations were different, but that the same familiar shapes now revealed a significance they had formerly failed to make plain. Everything focussed toward the north; every curve and asterism of the glittering sky became part of a vast design whose function was to hurry first the eye and then the whole observer onward to some secret and terrible goal of convergence beyond the frozen waste that stretched endlessly ahead. Carter looked toward the east where the great ridge of barrier peaks had towered along all the length of Inganok, and saw against the stars a jagged silhouette which told of its continued presence. It was more broken now, with yawning clefts and fantastically erratic pinnacles; and Carter studied closely the suggestive turns and inclinations of that grotesque outline, which seemed to share with the stars some subtle northward urge.

They were flying past at a tremendous speed, so that the watcher had to strain hard to catch details; when all at once he beheld just above the line of the topmost peaks a dark and moving object against the stars, whose course exactly paralleled that of his own bizarre party. The ghouls had likewise glimpsed it, for he heard their low glibbering all about him, and for a moment he fancied the object was a gigantic shantak, of a size vastly greater than that of the average specimen. Soon, however, he saw that this theory would not hold; for the shape of the thing above the mountains was not that of any hippocephalic bird. Its outline against the stars, necessarily vague as it was, resembled rather some huge mitred head or pair of heads infinitely magnified; and its rapid bobbing flight through the sky seemed most peculiarly a wingless one. Carter could not tell which side of the mountains it was on, but soon perceived that it had parts below the parts he had first seen, since it blotted out all the stars in places where the ridge was deeply cleft.

Then came a wide gap in the range, where the hideous reaches of transmontane Leng were joined to the cold waste on this side by a low pass through which the stars shone wanly. Carter watched this gap with intense care, knowing that he might see outlined against the sky beyond it the lower parts of the vast thing that flew undulantly above the pinnacles. The object had now floated ahead a trifle, and every eye of the party was fixed on the rift where it would presently appear in full-length silhouette. Gradually the huge thing above the peaks neared the gap, slightly slackening its speed as if conscious of having outdistanced the ghoulish army. For another minute suspense was keen, and then the brief instant of full silhouette and revelation came; bringing to the lips of the ghouls an awed and half-choked meep of cosmic fear, and to the soul of the traveller a chill that has never wholly left it. For the mammoth bobbing shape that overtopped the ridge was only a head—a mitred double head—and below it in terrible vastness loped the frightful swollen body that bore it; the mountain-high monstrosity that walked in stealth and silence;[39] the hyaena-like distortion of a giant anthropoid shape that trotted blackly against the sky, its repulsive pair of cone-capped heads reaching half way to the zenith.

Carter did not lose consciousness or even scream aloud, for he was an old dreamer; but he looked behind him in horror and shuddered when he saw that there were other monstrous heads silhouetted above the level of the peaks, bobbing along stealthily after the first one. And straight in the rear were three of the mighty mountain shapes seen full against the southern stars, tiptoeing wolf-like and lumberingly, their tall mitres nodding thousands of feet in the air. The carven mountains, then, had not stayed squatting in that rigid semicircle north of Inganok with right hands uplifted. They had duties to perform, and were not remiss. But it was horrible that they never spoke, and never even made a sound in walking.[40]

Meanwhile the ghoul that was Pickman had glibbered an order to the night-gaunts, and the whole army soared higher into the air. Up toward the stars the grotesque column shot, till nothing stood out any longer against the sky; neither the grey granite ridge that was still nor the carven and mitred mountains that walked. All was blackness beneath as the fluttering legions surged northward amidst rushing winds and invisible laughter in the aether, and never a shantak or less mentionable entity rose from the haunted wastes to pursue them. The farther they went, the faster they flew, till soon their dizzying speed seemed to pass that of a rifle ball and approach that of a planet in its orbit. Carter wondered how with such speed the earth could still stretch beneath them, but knew that in the land of dream dimensions have strange properties. That they were in a realm of eternal night he felt certain, and he fancied that the constellations overhead had subtly emphasised their northward focus; gathering themselves up as it were to cast the flying army into the void of the boreal pole, as the folds of a bag are gathered up to cast out the last bits of substance therein.

Then he noticed with terror that the wings of the night-gaunts were not flapping any more. The horned and faceless steeds had folded their membraneous appendages, and were resting quite passive in the chaos of wind that whirled and chuckled as it bore them on. A force not of earth had seized on the army, and ghouls and night-gaunts alike were powerless before a current which pulled madly and relentlessly into the north whence no mortal had ever returned. At length a lone pallid light was seen on the skyline ahead, thereafter rising steadily as they approached, and having beneath it a black mass that blotted out the stars. Carter saw that it must be some beacon on a mountain, for only a mountain could rise so vast as seen from so prodigious a height in the air.

Higher and higher rose the light and the blackness beneath it, till half the northern sky was obscured by the rugged conical mass. Lofty as the army was, that pale and sinister beacon rose above it, towering monstrous over all peaks and concernments of earth, and tasting the atomless aether where the cryptical moon and the mad planets reel. No mountain known of man was that which loomed before them. The high clouds far below were but a fringe for its foothills. The gasping dizziness of topmost air was but a girdle for its loins. Scornful and spectral climbed that bridge betwixt earth and heaven, black in eternal night, and crowned with a pshent of unknown stars whose awful and significant outline grew every moment clearer. Ghouls meeped in wonder as they saw it, and Carter shivered in fear lest all the hurtling army be dashed to pieces on the unyielding onyx of that Cyclopean cliff.

Higher and higher rose the light, till it mingled with the loftiest orbs of the zenith and winked down at the flyers with lurid mockery. All the north beneath it was blackness now; dread, stony blackness from infinite depths to infinite heights, with only that pale winking beacon perched unreachably at the top of all vision. Carter studied the light more closely, and saw at last what lines its inky background made against the stars. There were towers on that titan mountain-top; horrible domed towers in noxious and incalcuable tiers and clusters beyond any dreamable workmanship of man; battlements and terraces of wonder and menace, all limned tiny and black and distant against the starry pshent that glowed malevolently at the uppermost rim of sight. Capping that most measureless of mountains was a castle beyond all mortal thought, and in it glowed the daemon-light. Then Randolph Carter knew that his quest was done, and that he saw above him the goal of all forbidden steps and audacious visions; the fabulous, the incredible home of the Great Ones atop unknown Kadath.

Even as he realised this thing, Carter noticed a change in the course of the helplessly wind-sucked party. They were rising abruptly now, and it was plain that the focus of their flight was the onyx castle where the pale light shone. So close was the great black mountain that its sides sped by them dizzily as they shot upward, and in the darkness they could discern nothing upon it. Vaster and vaster loomed the tenebrous towers of the nighted castle above, and Carter could see that it was well-nigh blasphemous in its immensity. Well might its stones have been quarried by nameless workmen in that horrible gulf rent out of the rock in the hill pass north of Inganok, for such was its size that a man on its threshold stood even as an ant on the steps of earth’s loftiest fortress. The pshent of unknown stars above the myriad domed turrets glowed with a sallow, sickly flare, so that a kind of twilight hung about the murky walls of slippery onyx. The pallid beacon was now seen to be a single shining window high up in one of the loftiest towers, and as the helpless army neared the top of the mountain Carter thought he detected unpleasant shadows flitting across the feebly luminous expanse. It was a strangely arched window, of a design wholly alien to earth.

The solid rock gave place to the giant foundations of the monstrous castle, and it seemed that the speed of the party was somewhat abated. Vast walls shot up, and there was a glimpse of a great gate through which the voyagers were swept. All was night in the titan courtyard, and then came the deeper blackness of inmost things as a huge arched portal engulfed the column. Vortices of cold wind surged dankly through sightless labyrinths of onyx, and Carter could never tell what Cyclopean stairs and corridors lay silent along the route of his endless aërial twisting. Always upward led the terrible plunge in darkness, and never a sound, touch, or glimpse broke the dense pall of mystery. Large as the army of ghouls and night-gaunts was, it was lost in the prodigious voids of that more than earthly castle. And when at last there suddenly dawned around him the lurid light of that single tower room whose lofty window had served as a beacon, it took Carter long to discern the far walls and high, distant ceiling, and to realise that he was indeed not again in the boundless air outside.[41]

Randolph Carter had hoped to come into the throne-room of the Great Ones with poise and dignity, flanked and followed by impressive lines of ghouls in ceremonial order, and offering his prayer as a free and potent master among dreamers. He had known that the Great Ones themselves are not beyond a mortal’s power to cope with, and had trusted to luck that the Other Gods and their crawling chaos Nyarlathotep would not happen to come to their aid at the crucial moment, as they had so often done before when men sought out earth’s gods in their home or on their mountains. And with his hideous escort he had half hoped to defy even the Other Gods if need were, knowing as he did that ghouls have no masters, and that night-gaunts own not Nyarlathotep but only archaick Nodens for their lord. But now he saw that supernal Kadath in its cold waste is indeed girt with dark wonders and nameless sentinels, and that the Other Gods are of a surety vigilant in guarding the mild, feeble gods of earth. Void as they are of lordship over ghouls and night-gaunts, the mindless, shapeless blasphemies of outer space can yet control them when they must; so that it was not in state as a free and potent master of dreamers that Randolph Carter came into the Great Ones’ throne-room with his ghouls. Swept and herded by nightmare tempests from the stars, and dogged by unseen horrors of the northern waste, all that army floated captive and helpless in the lurid light, dropping numbly to the onyx floor when by some voiceless order the winds of fright dissolved.

Before no golden dais had Randolph Carter come, nor was there any august circle of crowned and haloed beings with narrow eyes, long-lobed ears, thin nose, and pointed chin whose kinship to the carven face on Ngranek might stamp them as those to whom a dreamer might pray. Save for that one tower room the onyx castle atop Kadath was dark, and the masters were not there. Carter had come to unknown Kadath in the cold waste, but he had not found the gods. Yet still the lurid light glowed in that one tower room whose size was so little less than that of all outdoors, and whose distant walls and roof were so nearly lost to sight in thin, curling mists. Earth’s gods were not there, it was true, but of subtler and less visible presences there could be no lack. Where the mild gods are absent, the Other Gods are not unrepresented; and certainly, the onyx castle of castles was far from tenantless. In what outrageous form or forms terror would next reveal itself, Carter could by no means imagine. He felt that his visit had been expected, and wondered how close a watch had all along been kept upon him by the crawling chaos Nyarlathotep. It is Nyarlathotep, horror of infinite shapes and dread soul and messenger of the Other Gods, that the fungous moon-beasts serve; and Carter thought of the black galley that had vanished when the tide of battle turned against the toad-like abnormalities on the jagged rock in the sea.

Reflecting upon these things, he was staggering to his feet in the midst of his nightmare company when there rang without warning through that pale-litten and limitless chamber the hideous blast of a daemon trumpet. Three times pealed that frightful brazen scream, and when the echoes of the third blast had died chucklingly away Randolph Carter saw that he was alone. Whither, why, and how the ghouls and night-gaunts had been snatched from sight was not for him to divine. He knew only that he was suddenly alone, and that whatever unseen powers lurked mockingly around him were no powers of earth’s friendly dreamland. Presently from the chamber’s uttermost reaches a new sound came. This, too, was a rhythmic trumpeting; but of a kind far removed from the three raucous blasts which had dissolved his grisly cohorts. In this low fanfare echoed all the wonder and melody of ethereal dream; exotic vistas of unimagined loveliness floating from each strange chord and subtly alien cadence. Odours of incense came to match the golden notes; and overhead a great light dawned, its colours changing in cycles unknown to earth’s spectrum, and following the song of the trumpets in weird symphonic harmonies. Torches flared in the distance, and the beat of drums throbbed nearer amidst waves of tense expectancy.

Out of the thinning mists and the cloud of strange incense filed twin columns of giant black slaves with loin-cloths of iridescent silk. Upon their heads were strapped vast helmet-like torches of glittering metal, from which the fragrance of obscure balsams spread in fumous spirals. In their right hands were crystal wands whose tips were carven into leering chimaeras, while their left hands grasped long, thin silver trumpets which they blew in turn. Armlets and anklets of gold they had, and between each pair of anklets stretched a golden chain that held its wearer to a sober gait. That they were true black men of earth’s dreamland was at once apparent, but it seemed less likely that their rites and costumes were wholly things of our earth. Ten feet from Carter the columns stopped, and as they did so each trumpet flew abruptly to its bearer’s thick lips. Wild and ecstatic was the blast that followed, and wilder still the cry that chorused just after from dark throats somehow made shrill by strange artifice.

Then down the wide lane betwixt the two columns a lone figure strode; a tall, slim figure with the young face of an antique Pharaoh, gay with prismatic robes and crowned with a golden pshent that glowed with inherent light. Close up to Carter strode that regal figure; whose proud carriage and swart features had in them the fascination of a dark god or fallen archangel, and around whose eyes there lurked the languid sparkle of capricious humour. It spoke, and in its mellow tones there rippled the mild music of Lethean streams.

“Randolph Carter,” said the voice, “you have come to see the Great Ones whom it is unlawful for men to see. Watchers have spoken of this thing, and the Other Gods have grunted as they rolled and tumbled mindlessly to the sound of thin flutes in the black ultimate void where broods the daemon-sultan whose name no lips dare speak aloud.

“When Barzai the Wise climbed Hatheg-Kla to see the Great Ones dance and howl above the clouds in the moonlight he never returned. The Other Gods were there, and they did what was expected. Zenig of Aphorat sought to reach unknown Kadath in the cold waste, and his skull is now set in a ring on the little finger of one whom I need not name.

“But you, Randolph Carter, have braved all things of earth’s dreamland, and burn still with the flame of quest. You came not as one curious, but as one seeking his due, nor have you failed ever in reverence toward the mild gods of earth. Yet have these gods kept you from the marvellous sunset city of your dreams, and wholly through their own small covetousness; for verily, they craved the weird loveliness of that which your fancy had fashioned, and vowed that henceforward no other spot should be their abode.

“They are gone from their castle on unknown Kadath to dwell in your marvellous city. All through its palaces of veined marble they revel by day, and when the sun sets they go out in the perfumed gardens and watch the golden glory on temples and colonnades, arched bridges and silver-basined fountains, and wide streets with blossom-laden urns and ivory statues in gleaming rows. And when night comes they climb tall terraces in the dew, and sit on carved benches of porphyry scanning the stars, or lean over pale balustrades to gaze at the town’s steep northward slopes, where one by one the little windows in old peaked gables shine softly out with the calm yellow light of homely candles.

“The gods love your marvellous city, and walk no more in the ways of the gods. They have forgotten the high places of earth, and the mountains that knew their youth. The earth has no longer any gods that are gods, and only the Other Ones from outer space hold sway on unremembered Kadath. Far away in a valley of your own childhood, Randolph Carter, play the heedless Great Ones. You have dreamed too well, O wise arch-dreamer, for you have drawn dream’s gods away from the world of all men’s visions to that which is wholly yours; having builded out of your boyhood’s small fancies a city more lovely than all the phantoms that have gone before.

“It is not well that earth’s gods leave their thrones for the spider to spin on, and their realm for the Others to sway in the dark manner of Others. Fain would the powers from outside bring chaos and horror to you, Randolph Carter, who are the cause of their upsetting, but that they know it is by you alone that the gods may be sent back to their world. In that half-waking dreamland which is yours, no power of uttermost night may pursue; and only you can send the selfish Great Ones gently out of your marvellous sunset city, back through the northern twilight to their wonted place atop unknown Kadath in the cold waste.

“So, Randolph Carter, in the name of the Other Gods I spare you and charge you to serve my will. I charge you to seek that sunset city which is yours, and to send thence the drowsy truant gods for whom the dream-world waits. Not hard to find is that roseal fever of the gods, that fanfare of supernal trumpets and clash of immortal cymbals, that mystery whose place and meaning have haunted you through the halls of waking and the gulfs of dreaming, and tormented you with hints of vanished memory and the pain of lost things awesome and momentous. Not hard to find is that symbol and relic of your days of wonder, for truly, it is but the stable and eternal gem wherein all that wonder sparkles crystallised to light your evening path. Behold! It is not over unknown seas but back over well-known years that your quest must go; back to the bright strange things of infancy and the quick sun-drenched glimpses of magic that old scenes brought to wide young eyes.

“For know you, that your gold and marble city of wonder is only the sum of what you have seen and loved in youth. It is the glory of Boston’s hillside roofs and western windows aflame with sunset; of the flower-fragrant Common and the great dome on the hill and the tangle of gables and chimneys in the violet valley where the many-bridged Charles flows drowsily. These things you saw, Randolph Carter, when your nurse first wheeled you out in the springtime, and they will be the last things you will ever see with eyes of memory and of love. And there is antique Salem with its brooding years, and spectral Marblehead scaling its rocky precipices into past centuries, and the glory of Salem’s towers and spires seen afar from Marblehead’s pasture across the harbour against the setting sun.

“There is Providence, quaint and lordly on its seven hills over the blue harbour, with terraces of green leading up to steeples and citadels of living antiquity, and Newport climbing wraith-like from its dreaming breakwater. Arkham is there, with its moss-grown gambrel roofs and the rocky rolling meadows behind it; and antediluvian Kingsport hoary with stacked chimneys and deserted quays and overhanging gables, and the marvel of high cliffs and the milky-misted ocean with tolling buoys beyond.[42]

“Cool vales in Concord, cobble lanes in Portsmouth, twilight bends of rustic New-Hampshire roads where giant elms half hide white farmhouse walls and creaking well-sweeps. Gloucester’s salt wharves and Truro’s windy willows. Vistas of distant steepled towns and hills beyond hills along the North Shore, hushed stony slopes and low ivied cottages in the lee of huge boulders in Rhode-Island’s back country. Scent of the sea and fragrance of the fields; spell of the dark woods and joy of the orchards and gardens at dawn. These, Randolph Carter, are your city; for they are yourself. New-England bore you, and into your soul she poured a liquid loveliness which cannot die. This loveliness, moulded, crystallised, and polished by years of memory and dreaming, is your terraced wonder of elusive sunsets; and to find that marble parapet with curious urns and carven rail, and descend at last those endless balustraded steps to the city of broad squares and prismatic fountains, you need only to turn back to the thoughts and visions of your wistful boyhood.

“Look! through that window shine the stars of eternal night. Even now they are shining above the scenes you have known and cherished, drinking of their charm that they may shine more lovely over the gardens of dream. There is Antares[43]—he is winking at this moment over the roofs of Tremont Street, and you could see him from your window on Beacon Hill. Out beyond those stars yawn the gulfs from whence my mindless masters have sent me. Some day you too may traverse them, but if you are wise you will beware such folly; for of those mortals who have been and returned, only one preserves a mind unshattered by the pounding, clawing horrors of the void. Terrors and blasphemies gnaw at one another for space, and there is more evil in the lesser ones than in the greater; even as you know from the deeds of those who sought to deliver you into my hands, whilst I myself harboured no wish to shatter you, and would indeed have helped you hither long ago had I not been elsewhere busy, and certain that you would yourself find the way. Shun, then, the outer hells, and stick to the calm, lovely things of your youth. Seek out your marvellous city and drive thence the recreant Great Ones, sending them back gently to those scenes which are of their own youth, and which wait uneasy for their return.

“Easier even than the way of dim memory is the way I will prepare for you. See! There comes hither a monstrous shantak, led by a slave who for your peace of mind had best keep invisible. Mount and be ready—there! Yogash the black will help you on the scaly horror. Steer for that brightest star just south of the zenith—it is Vega,[44] and in two hours will be just above the terrace of your sunset city. Steer for it only till you hear a far-off singing in the high aether. Higher than that lurks madness, so rein your shantak when the first note lures. Look then back to earth, and you will see shining the deathless altar-flame of Ired-Naa from the sacred roof of a temple. That temple is in your desiderate sunset city, so steer for it before you heed the singing and are lost.

“When you draw nigh the city steer for the same high parapet whence of old you scanned the outspread glory, prodding the shantak till he cry aloud. That cry the Great Ones will hear and know as they sit on their perfumed terraces, and there will come upon them such a homesickness that all of your city’s wonders will not console them for the absence of Kadath’s grim castle and the pshent of eternal stars that crowns it.

“Then must you land amongst them with the shantak, and let them see and touch that noisome and hippocephalic bird; meanwhile discoursing to them of unknown Kadath, which you will so lately have left, and telling them how its boundless halls are lonely and unlighted, where of old they used to leap and revel in supernal radiance. And the shantak will talk to them in the manner of shantaks, but it will have no powers of persuasion beyond the recalling of elder days.

“Over and over must you speak to the wandering Great Ones of their home and youth, till at last they will weep and ask to be shewn the returning path they have forgotten. Thereat can you loose the waiting shantak, sending him skyward with the homing cry of his kind; hearing which the Great Ones will prance and jump with antique mirth, and forthwith stride after the loathly bird in the fashion of gods, through the deep gulfs of heaven to Kadath’s familiar towers and domes.

“Then will the marvellous sunset city be yours to cherish and inhabit forever, and once more will earth’s gods rule the dreams of men from their accustomed seat. Go now—the casement is open and the stars await outside. Already your shantak wheezes and titters with impatience. Steer for Vega through the night, but turn when the singing sounds. Forget not this warning, lest horrors unthinkable suck you into the gulf of shrieking and ululant madness. Remember the Other Gods; they are great and mindless and terrible, and lurk in the outer voids. They are good gods to shun.

“Hei! Aa-shanta ’nygh! You are off! Send back earth’s gods to their haunts on unknown Kadath, and pray to all space that you may never meet me in my thousand other forms. Farewell, Randolph Carter, and beware; for I am Nyarlathotep, the Crawling Chaos!”

And Randolph Carter, gasping and dizzy on his hideous shantak, shot screamingly into space toward the cold blue glare of boreal Vega; looking but once behind him at the clustered and chaotic turrets of the onyx nightmare wherein still glowed the lone lurid light of that window above the air and the clouds of earth’s dreamland. Great polypous horrors slid darkly past, and unseen bat-wings beat multitudinous around him, but still he clung to the unwholesome mane of that loathly and hippocephalic scaled bird. The stars danced mockingly, almost shifting now and then to form pale signs of doom that one might wonder one had not seen and feared before; and ever the winds of aether howled of vague blackness and loneliness beyond the cosmos.

Then through the glittering vault ahead there fell a hush of portent, and all the winds and horrors slunk away as night things slink away before the dawn. Trembling in waves that golden wisps of nebula made weirdly visible, there rose a timid hint of far-off melody, droning in faint chords that our own universe of stars knows not. And as that music grew, the shantak raised its ears and plunged ahead, and Carter likewise bent to catch each lovely strain. It was a song, but not the song of any voice. Night and the spheres sang it, and it was old when space and Nyarlathotep and the Other Gods were born.

Faster flew the shantak, and lower bent the rider, drunk with the marvel of strange gulfs, and whirling in the crystal coils of outer magic. Then came too late the warning of the evil one, the sardonic caution of the daemon legate who had bidden the seeker beware the madness of that song. Only to taunt had Nyarlathotep marked out the way to safety and the marvellous sunset city; only to mock had that black messenger revealed the secret of those truant gods whose steps he could so easily lead back at will.[45] For madness and the void’s wild vengeance are Nyarlathotep’s only gifts to the presumptuous; and frantick though the rider strove to turn his disgusting steed, that leering, tittering shantak coursed on impetuous and relentless, flapping its great slippery wings in malignant joy, and headed for those unhallowed pits whither no dreams reach; that last amorphous blight of nethermost confusion where bubbles and blasphemes at infinity’s centre the mindless daemon-sultan Azathoth, whose name no lips dare speak aloud.

Unswerving and obedient to the foul legate’s orders, that hellish bird plunged onward through shoals of shapeless lurkers and caperers in darkness, and vacuous herds of drifting entities that pawed and groped and groped and pawed; the nameless larvae of the Other Gods, that are like them blind and without mind, and possessed of singular hungers and thirsts.

Onward unswerving and relentless, and tittering hilariously to watch the chuckling and hysterics into which the siren song of night and the spheres had turned, that eldritch scaly monster bore its helpless rider; hurtling and shooting, cleaving the uttermost rim and spanning the outermost abysses; leaving behind the stars and the realms of matter, and darting meteor-like through stark formlessness toward those inconceivable, unlighted chambers beyond Time wherein black Azathoth gnaws shapeless and ravenous amidst the muffled, maddening beat of vile drums and the thin, monotonous whine of accursed flutes.

Onward—onward—through the screaming, cackling, and blackly populous gulfs—and then from some dim blessed distance there came an image and a thought to Randolph Carter the doomed. Too well had Nyarlathotep planned his mocking and his tantalising, for he had brought up that which no gusts of icy terror could quite efface. Home—New England—Beacon Hill—the waking world.

“For know you, that your gold and marble city of wonder is only the sum of what you have seen and loved in youth . . . the glory of Boston’s hillside roofs and western windows aflame with sunset; of the flower-fragrant Common and the great dome on the hill and the tangle of gables and chimneys in the violet valley where the many-bridged Charles flows drowsily . . . this loveliness, moulded, crystallised, and polished by years of memory and dreaming, is your terraced wonder of elusive sunsets; and to find that marble parapet with curious urns and carven rail, and descend at last those endless balustraded steps to the city of broad squares and prismatic fountains, you need only to turn back to the thoughts and visions of your wistful boyhood.”

Onward—onward—dizzily onward to ultimate doom through the blackness where sightless feelers pawed and slimy snouts jostled and nameless things tittered and tittered and tittered. But the image and the thought had come, and Randolph Carter knew clearly that he was dreaming and only dreaming, and that somewhere in the background the world of waking and the city of his infancy still lay. Words came again—“You need only turn back to the thoughts and visions of your wistful boyhood.” Turn—turn—blackness on every side, but Randolph Carter could turn.

Thick though the rushing nightmare that clutched his senses, Randolph Carter could turn and move. He could move, and if he chose he could leap off the evil shantak that bore him hurtlingly doomward at the orders of Nyarlathotep. He could leap off and dare those depths of night that yawned interminably down, those depths of fear whose terrors yet could not exceed the nameless doom that lurked waiting at chaos’ core. He could turn and move and leap—he could—he would—he would—

Off that vast hippocephalic abomination leaped the doomed and desperate dreamer, and down through endless voids of sentient blackness he fell. Aeons reeled, universes died and were born again, stars became nebulae and nebulae became stars, and still Randolph Carter fell through those endless voids of sentient blackness.

Then in the slow creeping course of eternity the utmost cycle of the cosmos churned itself into another futile completion, and all things became again as they were unreckoned kalpas before. Matter and light were born anew as space once had known them; and comets, suns, and worlds sprang flaming into life, though nothing survived to tell that they had been and gone, been and gone, always and always, back to no first beginning.

And there was a firmament again, and a wind, and a glare of purple light in the eyes of the falling dreamer. There were gods and presences and wills; beauty and evil, and the shrieking of noxious night robbed of its prey. For through the unknown ultimate cycle had lived a thought and a vision of a dreamer’s boyhood, and now there were re-made a waking world and an old cherished city to body and to justify these things. Out of the void S’ngac the violet gas had pointed the way, and archaic Nodens was bellowing his guidance from unhinted deeps.

Stars swelled to dawns, and dawns burst into fountains of gold, carmine, and purple, and still the dreamer fell. Cries rent the aether as ribbons of light beat back the fiends from outside. And hoary Nodens raised a howl of triumph when Nyarlathotep, close on his quarry, stopped baffled by a glare that seared his formless hunting-horrors to grey dust. Randolph Carter had indeed descended at last the wide marmoreal flights to his marvellous city, for he was come again to the fair New England world that had wrought him.

So to the organ chords of morning’s myriad whistles, and dawn’s blaze thrown dazzling through purple panes by the great gold dome of the State House on the hill, Randolph Carter leaped shoutingly awake within his Boston room. Birds sang in hidden gardens and the perfume of trellised vines came wistful from arbours his grandfather had reared. Beauty and light glowed from classic mantel and carven cornice and walls grotesquely figured, while a sleek black cat rose yawning from hearthside sleep that his master’s start and shriek had disturbed. And vast infinities away, past the Gate of Deeper Slumber and the enchanted wood and the garden lands and the Cerenerian Sea and the twilight reaches of Inganok, the crawling chaos Nyarlathotep strode brooding into the onyx castle atop unknown Kadath in the cold waste, and taunted insolently the mild gods of earth whom he had snatched abruptly from their scented revels in the marvellous sunset city.

THE SILVER KEY

When Randolph Carter was thirty he lost the key of the gate of dreams. Prior to that time he had made up for the prosiness of life by nightly excursions to strange and ancient cities beyond space, and lovely, unbelievable garden lands across ethereal seas; but as middle age hardened upon him he felt these liberties slipping away little by little, until at last he was cut off altogether. No more could his galleys sail up the river Oukranos past the gilded spires of Thran, or his elephant caravans tramp through perfumed jungles in Kled, where forgotten palaces with veined ivory columns sleep lovely and unbroken under the moon.[1]

He had read much of things as they are, and talked with too many people. Well-meaning philosophers had taught him to look into the logical relations of things, and analyse the processes which shaped his thoughts and fancies. Wonder had gone away, and he had forgotten that all life is only a set of pictures in the brain, among which there is no difference betwixt those born of real things and those born of inward dreamings, and no cause to value the one above the other. Custom had dinned into his ears a superstitious reverence for that which tangibly and physically exists, and had made him secretly ashamed to dwell in visions. Wise men told him his simple fancies were inane and childish, and he believed it because he could see that they might easily be so. What he failed to recall was that the deeds of reality are just as inane and childish, and even more absurd because their actors persist in fancying them full of meaning and purpose as the blind cosmos grinds aimlessly on from nothing to something and from something back to nothing again, neither heeding nor knowing the wishes or existence of the minds that flicker for a second now and then in the darkness.[2]

They had chained him down to things that are, and had then explained the workings of those things till mystery had gone out of the world. When he complained, and longed to escape into twilight realms where magic moulded all the little vivid fragments and prized associations of his mind into vistas of breathless expectancy and unquenchable delight, they turned him instead toward the new-found prodigies of science, bidding him find wonder in the atom’s vortex and mystery in the sky’s dimensions. And when he had failed to find these boons in things whose laws are known and measurable, they told him he lacked imagination, and was immature because he preferred dream-illusions to the illusions of our physical creation.

So Carter had tried to do as others did, and pretended that the common events and emotions of earthy minds were more important than the fantasies of rare and delicate souls. He did not dissent when they told him that the animal pain of a stuck pig or dyspeptic ploughman in real life is a greater thing than the peerless beauty of Narath with its hundred carven gates and domes of chalcedony, which he dimly remembered from his dreams; and under their guidance he cultivated a painstaking sense of pity and tragedy.[3]

Once in a while, though, he could not help seeing how shallow, fickle, and meaningless all human aspirations are, and how emptily our real impulses contrast with those pompous ideals we profess to hold. Then he would have recourse to the polite laughter they had taught him to use against the extravagance and artificiality of dreams; for he saw that the daily life of our world is every inch as extravagant and artificial, and far less worthy of respect because of its poverty in beauty and its silly reluctance to admit its own lack of reason and purpose. In this way he became a kind of humorist, for he did not see that even humour is empty in a mindless universe devoid of any true standard of consistency or inconsistency.[4]

In the first days of his bondage he had turned to the gentle churchly faith endeared to him by the naive trust of his fathers, for thence stretched mystic avenues which seemed to promise escape from life. Only on closer view did he mark the starved fancy and beauty, the stale and prosy triteness, and the owlish gravity and grotesque claims of solid truth which reigned boresomely and overwhelmingly among most of its professors; or feel to the full the awkwardness with which it sought to keep alive as literal fact the outgrown fears and guesses of a primal race confronting the unknown. It wearied Carter to see how solemnly people tried to make earthly reality out of old myths which every step of their boasted science confuted, and this misplaced seriousness killed the attachment he might have kept for the ancient creeds had they been content to offer the sonorous rites and emotional outlets in their true guise of ethereal fantasy.[5]

But when he came to study those who had thrown off the old myths, he found them even more ugly than those who had not. They did not know that beauty lies in harmony, and that loveliness of life has no standard amidst an aimless cosmos save only its harmony with the dreams and the feelings which have gone before and blindly moulded our little spheres out of the rest of chaos. They did not see that good and evil and beauty and ugliness are only ornamental fruits of perspective, whose sole value lies in their linkage to what chance made our fathers think and feel, and whose finer details are different for every race and culture. Instead, they either denied these things altogether or transferred them to the crude, vague instincts which they shared with the beasts and peasants; so that their lives were dragged malodorously out in pain, ugliness, and disproportion, yet filled with a ludicrous pride at having escaped from something no more unsound than that which still held them. They had traded the false gods of fear and blind piety for those of licence and anarchy.[6]

Carter did not taste deeply of these modern freedoms; for their cheapness and squalor sickened a spirit loving beauty alone, while his reason rebelled at the flimsy logic with which their champions tried to gild brute impulse with a sacredness stripped from the idols they had discarded. He saw that most of them, in common with their cast-off priestcraft, could not escape from the delusion that life has a meaning apart from that which men dream into it; and could not lay aside the crude notion of ethics and obligations beyond those of beauty, even when all Nature shrieked of its unconsciousness and impersonal unmorality in the light of their scientific discoveries. Warped and bigoted with preconceived illusions of justice, freedom, and consistency, they cast off the old lore and the old ways with the old beliefs; nor ever stopped to think that that lore and those ways were the sole makers of their present thoughts and judgments, and the sole guides and standards in a meaningless universe without fixed aims or stable points of reference. Having lost these artificial settings, their lives grew void of direction and dramatic interest; till at length they strove to drown their ennui in bustle and pretended usefulness, noise and excitement, barbaric display and animal sensation. When these things palled, disappointed, or grew nauseous through revulsion, they cultivated irony and bitterness, and found fault with the social order. Never could they realise that their brute foundations were as shifting and contradictory as the gods of their elders, and that the satisfaction of one moment is the bane of the next. Calm, lasting beauty comes only in dream, and this solace the world had thrown away when in its worship of the real it threw away the secrets of childhood and innocence.

Amidst this chaos of hollowness and unrest Carter tried to live as befitted a man of keen thought and good heritage. With his dreams fading under the ridicule of the age he could not believe in anything, but the love of harmony kept him close to the ways of his race and station. He walked impassive through the cities of men, and sighed because no vista seemed fully real; because every flash of yellow sunlight on tall roofs and every glimpse of balustraded plazas in the first lamps of evening served only to remind him of dreams he had once known, and to make him homesick for ethereal lands he no longer knew how to find. Travel was only a mockery; and even the Great War stirred him but little, though he served from the first in the Foreign Legion of France. For a while he sought friends, but soon grew weary of the crudeness of their emotions, and the sameness and earthiness of their visions. He felt vaguely glad that all his relatives were distant and out of touch with him, for they could not have understood his mental life. That is, none but his grandfather and great-uncle Christopher could, and they were long dead.

Then he began once more the writing of books, which he had left off when dreams first failed him. But here, too, was there no satisfaction or fulfilment; for the touch of earth was upon his mind, and he could not think of lovely things as he had done of yore. Ironic humour dragged down all the twilight minarets he reared, and the earthy fear of improbability blasted all the delicate and amazing flowers in his faery gardens. The convention of assumed pity spilt mawkishness on his characters, while the myth of an important reality and significant human events and emotions debased all his high fantasy into thin-veiled allegory and cheap social satire. His new novels were successful as his old ones had never been; and because he knew how empty they must be to please an empty herd, he burned them and ceased his writing. They were very graceful novels, in which he urbanely laughed at the dreams he lightly sketched; but he saw that their sophistication had sapped all their life away.[7]

It was after this that he cultivated deliberate illusion, and dabbled in the notions of the bizarre and the eccentric as an antidote for the commonplace. Most of these, however, soon shewed their poverty and barrenness; and he saw that the popular doctrines of occultism are as dry and inflexible as those of science, yet without even the slender palliative of truth to redeem them. Gross stupidity, falsehood, and muddled thinking are not dream; and form no escape from life to a mind trained above their level. So Carter bought stranger books and sought out deeper and more terrible men of fantastic erudition; delving into arcana of consciousness that few have trod, and learning things about the secret pits of life, legend, and immemorial antiquity which disturbed him ever afterward. He decided to live on a rarer plane, and furnished his Boston home to suit his changing moods; one room for each, hung in appropriate colours, furnished with befitting books and objects, and provided with sources of the proper sensations of light, heat, sound, taste, and odour.

Once he heard of a man in the South who was shunned and feared for the blasphemous things he read in prehistoric books and clay tablets smuggled from India and Arabia. Him he visited, living with him and sharing his studies for seven years, till horror overtook them one midnight in an unknown and archaic graveyard, and only one emerged where two had entered.[8] Then he went back to Arkham, the terrible witch-haunted old town of his forefathers in New England, and had experiences in the dark, amidst the hoary willows and tottering gambrel roofs, which made him seal forever certain pages in the diary of a wild-minded ancestor.[9] But these horrors took him only to the edge of reality, and were not of the true dream country he had known in youth; so that at fifty he despaired of any rest or contentment in a world grown too busy for beauty and too shrewd for dream.

Having perceived at last the hollowness and futility of real things, Carter spent his days in retirement, and in wistful disjointed memories of his dream-filled youth. He thought it rather silly that he bothered to keep on living at all, and got from a South American acquaintance a very curious liquid to take him to oblivion without suffering. Inertia and force of habit, however, caused him to defer action; and he lingered indecisively among thoughts of old times, taking down the strange hangings from his walls and refitting the house as it was in his early boyhood—purple panes, Victorian furniture, and all.

With the passage of time he became almost glad he had lingered, for his relics of youth and his cleavage from the world made life and sophistication seem very distant and unreal; so much so that a touch of magic and expectancy stole back into his nightly slumbers. For years those slumbers had known only such twisted reflections of every-day things as the commonest slumbers know, but now there returned a flicker of something stranger and wilder; something of vaguely awesome immanence which took the form of tensely clear pictures from his childhood days, and made him think of little inconsequential things he had long forgotten. He would often awake calling for his mother and grandfather, both in their graves a quarter of a century.

Then one night his grandfather reminded him of a key. The grey old scholar, as vivid as in life, spoke long and earnestly of their ancient line, and of the strange visions of the delicate and sensitive men who composed it. He spoke of the flame-eyed Crusader who learnt wild secrets of the Saracens that held him captive; and of the first Sir Randolph Carter who studied magic when Elizabeth was queen. He spoke, too, of that Edmund Carter who had just escaped hanging in the Salem witchcraft, and who had placed in an antique box a great silver key handed down from his ancestors. Before Carter awaked, the gentle visitant had told him where to find that box; that carved oak box of archaic wonder whose grotesque lid no hand had raised for two centuries.

In the dust and shadows of the great attic he found it, remote and forgotten at the back of a drawer in a tall chest. It was about a foot square, and its Gothic carvings were so fearful that he did not marvel no person since Edmund Carter had dared to open it. It gave forth no noise when shaken, but was mystic with the scent of unremembered spices. That it held a key was indeed only a dim legend, and Randolph Carter’s father had never known such a box existed. It was bound in rusty iron, and no means was provided for working the formidable lock. Carter vaguely understood that he would find within it some key to the lost gate of dreams, but of where and how to use it his grandfather had told him nothing.

An old servant forced the carven lid, shaking as he did so at the hideous faces leering from the blackened wood, and at some unplaced familiarity. Inside, wrapped in a discoloured parchment, was a huge key of tarnished silver covered with cryptical arabesques; but of any legible explanation there was none. The parchment was voluminous, and held only the strange hieroglyphs of an unknown tongue written with an antique reed. Carter recognised the characters as those he had seen on a certain papyrus scroll belonging to that terrible scholar of the South who had vanished one midnight in a nameless cemetery. The man had always shivered when he read this scroll, and Carter shivered now.

But he cleaned the key, and kept it by him nightly in its aromatic box of ancient oak. His dreams were meanwhile increasing in vividness, and though shewing him none of the strange cities and incredible gardens of the old days, were assuming a definite cast whose purpose could not be mistaken. They were calling him back along the years, and with the mingled wills of all his fathers were pulling him toward some hidden and ancestral source. Then he knew he must go into the past and merge himself with old things, and day after day he thought of the hills to the north where haunted Arkham and the rushing Miskatonic and the lonely rustic homestead of his people lay.

In the brooding fire of autumn Carter took the old remembered way past graceful lines of rolling hill and stone-walled meadow, distant vale and hanging woodland, curving road and nestling farm-stead, and the crystal windings of the Miskatonic, crossed here and there by rustic bridges of wood or stone. At one bend he saw the group of giant elms among which an ancestor had oddly vanished a century and a half before, and shuddered as the wind blew meaningly through them. Then there was the crumbling farmhouse of old Goody Fowler the witch, with its little evil windows and great roof sloping nearly to the ground on the north side. He speeded up his car as he passed it, and did not slacken till he had mounted the hill where his mother and her fathers before her were born, and where the old white house still looked proudly across the road at the breathlessly lovely panorama of rocky slope and verdant valley, with the distant spires of Kingsport on the horizon, and hints of the archaic, dream-laden sea in the farthest background.[10]

Then came the steeper slope that held the old Carter place he had not seen in over forty years.[11] Afternoon was far gone when he reached the foot, and at the bend half way up he paused to scan the outspread countryside golden and glorified in the slanting floods of magic poured out by a western sun. All the strangeness and expectancy of his recent dreams seemed present in this hushed and unearthly landscape, and he thought of the unknown solitudes of other planets as his eyes traced out the velvet and deserted lawns shining undulant between their tumbled walls, the clumps of faery forest setting off far lines of purple hills beyond hills, and the spectral wooded valley dipping down in shadow to dank hollows where trickling waters crooned and gurgled among swollen and distorted roots.

Something made him feel that motors did not belong in the realm he was seeking, so he left his car at the edge of the forest, and putting the great key in his coat pocket walked on up the hill. Woods now engulfed him utterly, though he knew the house was on a high knoll that cleared the trees except to the north. He wondered how it would look, for it had been left vacant and untended through his neglect since the death of his strange great-uncle Christopher thirty years before. In his boyhood he had revelled through long visits there, and had found weird marvels in the woods beyond the orchard.

Shadows thickened around him, for the night was near. Once a gap in the trees opened up to the right, so that he saw off across leagues of twilight meadow and spied the old Congregational steeple on Central Hill in Kingsport; pink with the last flush of day, the panes of the little round windows blazing with reflected fire. Then, when he was in deep shadow again, he recalled with a start that the glimpse must have come from childish memory alone, since the old white church had long been torn down to make room for the Congregational Hospital. He had read of it with interest, for the paper had told about some strange burrows or passages found in the rocky hill beneath.

Through his puzzlement a voice piped, and he started again at its familiarity after long years. Old Benijah Corey[12] had been his Uncle Christopher’s hired man, and was aged even in those far-off times of his boyhood visits. Now he must be well over a hundred, but that piping voice could come from no one else. He could distinguish no words, yet the tone was haunting and unmistakable. To think that “Old Benijy” should still be alive!

“Mister Randy! Mister Randy! Whar be ye? D’ye want to skeer yer Aunt Marthy[13] plumb to death? Hain’t she tuld ye to keep nigh the place in the arternoon an’ git back afur dark? Randy! Ran . . . dee! . . . He’s the beatin’est boy fer runnin’ off in the woods I ever see; haff the time a-settin’ moonin’ raound that snake-den in the upper timber-lot! . . . Hey, yew, Ran . . . dee!”

Randolph Carter stopped in the pitch darkness and rubbed his hand across his eyes. Something was queer. He had been somewhere he ought not to be; had strayed very far away to places where he had not belonged, and was now inexcusably late. He had not noticed the time on the Kingsport steeple, though he could easily have made it out with his pocket telescope; but he knew his lateness was something very strange and unprecedented. He was not sure he had his little telescope with him, and put his hand in his blouse pocket to see. No, it was not there, but there was the big silver key he had found in a box somewhere. Uncle Chris had told him something odd once about an old unopened box with a key in it, but Aunt Martha had stopped the story abruptly, saying it was no kind of thing to tell a child whose head was already too full of queer fancies. He tried to recall just where he had found the key, but something seemed very confused. He guessed it was in the attic at home in Boston, and dimly remembered bribing Parks with half his week’s allowance to help him open the box and keep quiet about it; but when he remembered this, the face of Parks came up very strangely, as if the wrinkles of long years had fallen upon the brisk little Cockney.

“Ran . . . dee! Ran . . . dee! Hi! Hi! Randy!”

A swaying lantern came around the black bend, and old Benijah pounced on the silent and bewildered form of the pilgrim.

“Durn ye, boy, so thar ye be! Ain’t ye got a tongue in yer head, that ye can’t answer a body? I ben callin’ this haff hour, an’ ye must a heerd me long ago! Dun’t ye know yer Aunt Marthy’s all a-fidget over yer bein’ off arter dark? Wait till I tell yer uncle Chris when he gits hum! Ye’d orta know these here woods ain’t no fitten place to be traipsin’ this hour! They’s things abroad what dun’t do nobody no good, as my gran’sir’ knowed afur me. Come, Mister Randy, or Hannah wun’t keep supper no longer!”

So Randolph Carter was marched up the road where wondering stars glimmered through high autumn boughs. And dogs barked as the yellow light of small-paned windows shone out at the farther turn, and the Pleiades twinkled across the open knoll where a great gambrel roof stood black against the dim west. Aunt Martha was in the doorway, and did not scold too hard when Benijah shoved the truant in. She knew Uncle Chris well enough to expect such things of the Carter blood. Randolph did not shew his key, but ate his supper in silence and protested only when bedtime came. He sometimes dreamed better when awake, and he wanted to use that key.

In the morning Randolph was up early, and would have run off to the upper timber-lot if Uncle Chris had not caught him and forced him into his chair by the breakfast table. He looked impatiently around the low-pitched room with the rag carpet and exposed beams and corner-posts, and smiled only when the orchard boughs scratched at the leaded panes of the rear window. The trees and the hills were close to him, and formed the gates of that timeless realm which was his true country.

Then, when he was free, he felt in his blouse pocket for the key; and being reassured, skipped off across the orchard to the rise beyond, where the wooded hill climbed again to heights above even the treeless knoll. The floor of the forest was mossy and mysterious, and great lichened rocks rose vaguely here and there in the dim light like Druid monoliths among the swollen and twisted trunks of a sacred grove. Once in his ascent Randolph crossed a rushing stream whose falls a little way off sang runic incantations to the lurking fauns and aegipans and dryads.

Then he came to the strange cave in the forest slope, the dreaded “snake-den” which country folk shunned, and away from which Benijah had warned him again and again. It was deep; far deeper than anyone but Randolph suspected, for the boy had found a fissure in the farthermost black corner that led to a loftier grotto beyond—a haunting sepulchral place whose granite walls held a curious illusion of conscious artifice. On this occasion he crawled in as usual, lighting his way with matches filched from the sitting-room match-safe, and edging through the final crevice with an eagerness hard to explain even to himself. He could not tell why he approached the farther wall so confidently, or why he instinctively drew forth the great silver key as he did so. But on he went, and when he danced back to the house that night he offered no excuses for his lateness, nor heeded in the least the reproofs he gained for ignoring the noontide dinner-horn altogether.

Now it is agreed by all the distant relatives of Randolph Carter that something occurred to heighten his imagination in his tenth year. His cousin, Ernest B. Aspinwall, Esq., of Chicago, is fully ten years his senior; and distinctly recalls a change in the boy after the autumn of 1883. Randolph had looked on scenes of fantasy that few others can ever have beheld, and stranger still were some of the qualities which he shewed in relation to very mundane things. He seemed, in fine, to have picked up an odd gift of prophecy; and reacted unusually to things which, though at the time without meaning, were later found to justify the singular impressions. In subsequent decades as new inventions, new names, and new events appeared one by one in the book of history, people would now and then recall wonderingly how Carter had years before let fall some careless word of undoubted connexion with what was then far in the future. He did not himself understand these words, or know why certain things made him feel certain emotions; but fancied that some unremembered dream must be responsible. It was as early as 1897 that he turned pale when some traveller mentioned the French town of Belloy-en-Santerre, and friends remembered it when he was almost mortally wounded there in 1916, while serving with the Foreign Legion in the Great War.[14]

Carter’s relatives talk much of these things because he has lately disappeared. His little old servant Parks, who for years bore patiently with his vagaries, last saw him on the morning he drove off alone in his car with a key he had recently found. Parks had helped him get the key from the old box containing it, and had felt strangely affected by the grotesque carvings on the box, and by some other odd quality he could not name. When Carter left, he had said he was going to visit his old ancestral country around Arkham.

Half way up Elm Mountain, on the way to the ruins of the old Carter place, they found his motor set carefully by the roadside; and in it was a box of fragrant wood with carvings that frightened the countrymen who stumbled on it. The box held only a queer parchment whose characters no linguist or palaeographer has been able to decipher or identify. Rain had long effaced any possible footprints, though Boston investigators had something to say about evidences of disturbances among the fallen timbers of the Carter place. It was, they averred, as though someone had groped about the ruins at no distant period. A common white handkerchief found among forest rocks on the hillside beyond cannot be identified as belonging to the missing man.

There is talk of apportioning Randolph Carter’s estate among his heirs, but I shall stand firmly against this course because I do not believe he is dead. There are twists of time and space, of vision and reality, which only a dreamer can divine; and from what I know of Carter I think he has merely found a way to traverse these mazes. Whether or not he will ever come back, I cannot say. He wanted the lands of dream he had lost, and yearned for the days of his childhood. Then he found a key, and I somehow believe he was able to use it to strange advantage.

I shall ask him when I see him, for I expect to meet him shortly in a certain dream-city we both used to haunt. It is rumoured in Ulthar, beyond the river Skai, that a new king reigns on the opal throne in Ilek-Vad, that fabulous town of turrets atop the hollow cliffs of glass overlooking the twilight sea wherein the bearded and finny Gnorri build their singular labyrinths, and I believe I know how to interpret this rumour. Certainly, I look forward impatiently to the sight of that great silver key, for in its cryptical arabesques there may stand symbolised all the aims and mysteries of a blindly impersonal cosmos.

THROUGH THE GATES OF THE SILVER KEY

(with E. Hoffmann Price)

I.

In a vast room hung with strangely figured arras and carpeted with Bokhara rugs of impressive age and workmanship four men were sitting around a document-strown table. From the far corners, where odd tripods of wrought-iron were now and then replenished by an incredibly aged negro in sombre livery, came the hypnotic fumes of olibanum; while in a deep niche on one side there ticked a curious coffin-shaped clock whose dial bore baffling hieroglyphs and whose four hands did not move in consonance with any time system known on this planet. It was a singular and disturbing room, but well fitted to the business now at hand. For here, in the New Orleans home of this continent’s greatest mystic, mathematician, and orientalist, there was being settled at last the estate of a scarcely less great mystic, scholar, author, and dreamer who had vanished from the face of the earth four years before.

Randolph Carter, who had all his life sought to escape from the tedium and limitations of waking reality in the beckoning vistas of dreams and fabled avenues of other dimensions, disappeared from the sight of man on the seventh of October, 1928, at the age of fifty-four. His career had been a strange and lonely one, and there were those who inferred from his curious novels many episodes more bizarre than any in his recorded history. His association with Harley Warren, the South Carolina mystic whose studies in the primal Naacal language[1] of the Himalayan priests had led to such outrageous conclusions, had been close. Indeed, it was he who—one mist-mad, terrible night in an ancient graveyard—had seen Warren descend into a dank and nitrous vault, never to emerge. Carter lived in Boston, but it was from the wild, haunted hills behind hoary and witch-accursed Arkham that all his forbears had come. And it was amid those ancient, cryptically brooding hills that he had ultimately vanished.

His old servant Parks—who died early in 1930—had spoken of the strangely aromatic and hideously carven box he had found in the attic, and of the undecipherable parchments and queerly figured silver key which that box had contained; matters of which Carter had also written to others. Carter, he said, had told him that this key had come down from his ancestors, and that it would help him to unlock the gate to his lost boyhood, and to strange dimensions and fantastic realms which he had hitherto visited only in vague, brief, and elusive dreams. Then one day Carter took the box and its contents and rode away in his car, never to return.

Later on people found the car at the side of an old, grass-grown road in the hills behind crumbling Arkham—the hills where Carter’s forbears had once dwelt, and where the ruined cellar of the great Carter homestead still gaped to the sky. It was in a grove of tall elms near by that another of the Carters had mysteriously vanished in 1781, and not far away was the half-rotted cottage where Goody Fowler the witch had brewed her ominous potions still earlier. The region had been settled in 1692 by fugitives from the witchcraft trials in Salem, and even now it bore a name for vaguely ominous things scarcely to be envisaged. Edmund Carter had fled from the shadow of Gallows Hill just in time, and the tales of his sorceries were many. Now, it seemed, his lone descendant had gone somewhere to join him.

In the car they found the hideously carved box of fragrant wood, and the parchment which no man could read. The Silver Key was gone—presumably with Carter. Further than that there was no certain clue. Detectives from Boston said that the fallen timbers of the old Carter place seemed oddly disturbed, and somebody found a handkerchief on the rock-ridged, sinisterly wooded slope behind the ruins near the dreaded cave called the “Snake-Den”. It was then that the country legends about the Snake-Den gained a new vitality. Farmers whispered of the blasphemous uses to which old Edmund Carter the wizard had put that horrible grotto, and added later tales about the fondness which Randolph Carter himself had had for it when a boy. In Carter’s boyhood the venerable gambrel-roofed homestead was still standing and tenanted by his great-uncle Christopher. He had visited there often, and had talked singularly about the Snake-Den. People remembered what he had said about a deep fissure and an unknown inner cave beyond, and speculated on the change he had shewn after spending one whole memorable day in the cavern when he was nine. That was in October, too—and ever after that he had seemed to have an uncanny knack at prophesying future events.

It had rained late in the night that Carter vanished, and no one was quite able to trace his footprints from the car. Inside the Snake-Den all was amorphous liquid mud owing to copious seepage. Only the ignorant rustics whispered about the prints they thought they spied where the great elms overhang the road, and on the sinister hillside near the Snake-Den, where the handkerchief was found. Who could pay attention to whispers that spoke of stubby little tracks like those which Randolph Carter’s square-toed boots made when he was a small boy? It was as crazy a notion as that other whisper—that the tracks of old Benijah Corey’s peculiar heel-less boots had met the stubby little tracks in the road. Old Benijah had been the Carters’ hired man when Randolph was young—but he had died thirty years ago.

It must have been these whispers—plus Carter’s own statement to Parks and others that the queerly arabesqued Silver Key would help him unlock the gate of his lost boyhood—which caused a number of mystical students to declare that the missing man had actually doubled back on the trail of time and returned through forty-five years to that other October day in 1883 when he had stayed in the Snake-Den as a small boy. When he came out that night, they argued, he had somehow made the whole trip to 1928 and back—for did he not thereafter know of things which were to happen later? And yet he had never spoken of anything to happen after 1928.

One student—an elderly eccentric of Providence, Rhode Island, who had enjoyed a long and close correspondence with Carter—had a still more elaborate theory, and believed that Carter had not only returned to boyhood, but achieved a further liberation, roving at will through the prismatic vistas of boyhood dream. After a strange vision this man published a tale of Carter’s vanishing, in which he hinted that the lost one now reigned as king on the opal throne of Ilek-Vad, that fabulous town of turrets atop the hollow cliffs of glass overlooking the twilight sea wherein the bearded and finny Gnorri build their singular labyrinths.

It was this old man, Ward Phillips,[2] who pleaded most loudly against the apportionment of Carter’s estate to his heirs—all distant cousins—on the ground that he was still alive in another time-dimension and might well return some day. Against him was arrayed the legal talent of one of the cousins, Ernest B. Aspinwall of Chicago, a man ten years Carter’s senior, but keen as a youth in forensic battles. For four years the contest had raged, but now the time for apportionment had come, and this vast, strange room in New Orleans was to be the scene of the arrangements.

It was the home of Carter’s literary and financial executor—the distinguished Creole student of mysteries and Eastern antiquities, Etienne-Laurent de Marigny. Carter had met de Marigny during the war, when they both served in the French Foreign Legion, and had at once cleaved to him because of their similar tastes and outlook. When, on a memorable joint furlough, the learned young Creole had taken the wistful Boston dreamer to Bayonne, in the south of France, and had shewn him certain terrible secrets in the nighted and immemorial crypts that burrow beneath that brooding, aeon-weighted city, the friendship was forever sealed. Carter’s will had named de Marigny as executor, and now that vivid scholar was reluctantly presiding over the settlement of the estate. It was sad work for him, for like the old Rhode-Islander he did not believe that Carter was dead. But what weight have the dreams of mystics against the harsh wisdom of the world?

Around the table in that strange room in the old French quarter sat the men who claimed an interest in the proceedings. There had been the usual legal advertisements of the conference in papers wherever Carter heirs were thought to live, yet only four now sat listening to the abnormal ticking of that coffin-shaped clock which told no earthly time, and to the bubbling of the courtyard fountain beyond half-curtained, fanlighted windows. As the hours wore on the faces of the four were half-shrouded in the curling fumes from the tripods, which, piled recklessly with fuel, seemed to need less and less attention from the silently gliding and increasingly nervous old negro.

There was Etienne de Marigny himself—slim, dark, handsome, moustached, and still young.[3] Aspinwall, representing the heirs, was white-haired, apoplectic-faced, side-whiskered, and portly. Phillips, the Providence mystic, was lean, grey, long-nosed, clean-shaven, and stoop-shouldered. The fourth man was non-committal in age—lean, and with a dark, bearded, singularly immobile face of very regular contour, bound with the turban of a high-caste Brahmin and having night-black, burning, almost irisless eyes which seemed to gaze out from a vast distance behind the features. He had announced himself as the Swami Chandraputra, an adept from Benares with important information to give; and both de Marigny and Phillips—who had corresponded with him—had been quick to recognise the genuineness of his mystical pretensions. His speech had an oddly forced, hollow, metallic quality, as if the use of English taxed his vocal apparatus; yet his language was easy, correct, and idiomatic as any native Anglo-Saxon’s. In general attire he was the normal European civilian, but his loose clothes sat peculiarly badly on him, while his bushy black beard, Eastern turban, and large white mittens gave him an air of exotic eccentricity.

De Marigny, fingering the parchment found in Carter’s car, was speaking.

“No, I have not been able to make anything of the parchment. Mr. Phillips, here, also gives it up. Col. Churchward declared it is not Naacal, and it looks nothing at all like the hieroglyphs on that Easter Island wooden club. The carvings on that box, though, do strongly suggest Easter Island images. The nearest thing I can recall to these parchment characters—notice how all the letters seem to hang down from horizontal word-bars—is the writing in a book poor Harley Warren once had. It came from India while Carter and I were visiting him in 1919, and he never would tell us anything about it. Said it would be better if we didn’t know, and hinted that it might have come originally from some place other than the earth. He took it with him in December when he went down into the vault in that old graveyard—but neither he nor the book ever came to the surface again.[4] Some time ago I sent our friend here—the Swami Chandraputra—a memory-sketch of some of those letters, and also a photostatic copy of the Carter parchment. He believes he may be able to shed light on them after certain references and consultations.

“But the key—Carter sent me a photograph of that. Its curious arabesques were not letters, but seem to have belonged to the same culture-tradition as the hieroglyphs on the parchment. Carter always spoke of being on the point of solving the mystery, though he never gave details. Once he grew almost poetic about the whole business. That antique Silver Key, he said, would unlock the successive doors that bar our free march down the mighty corridors of space and time to the very Border which no man has crossed since Shaddad with his terrific genius built and concealed in the sands of Arabia Petraea the prodigious domes and uncounted minarets of thousand-pillared Irem.[5] Half-starved dervishes—wrote Carter—and thirst-crazed nomads have returned to tell of that monumental portal, and of the Hand that is sculptured above the keystone of the arch, but no man has passed and returned to say that his footprints on the garnet-strown sands within bear witness to his visit. The key, he surmised, was that for which the Cyclopean sculptured Hand vainly grasps.

“Why Carter didn’t take the parchment as well as the key, we cannot say. Perhaps he forgot it—or perhaps he forbore to take it through recollection of one who had taken a book of like characters into a vault and never returned. Or perhaps it was really immaterial to what he wished to do.”

As de Marigny paused, old Mr. Phillips spoke in a harsh, shrill voice.

“We can know of Randolph Carter’s wandering only what we dream. I have been to many strange places in dreams, and have heard many strange and significant things in Ulthar, beyond the river Skai. It does not appear that the parchment was needed, for certainly Carter reëntered the world of his boyhood dreams, and is now a king in Ilek-Vad.”

Mr. Aspinwall grew doubly apoplectic-looking as he sputtered.

“Can’t somebody shut that old fool up? We’ve had enough of these moonings. The problem is to divide the property, and it’s about time we got to it.”

For the first time Swami Chandraputra spoke in his queerly alien voice.

“Gentlemen, there is more to this matter than you think. Mr. Aspinwall does not do well to laugh at the evidence of dreams. Mr. Phillips has taken an incomplete view—perhaps because he has not dreamed enough. I, myself, have done much dreaming—we in India have always done that, just as all the Carters seem to have done it. You, Mr. Aspinwall, as a maternal cousin, are naturally not a Carter. My own dreams, and certain other sources of information, have told me a great deal which you still find obscure. For example, Randolph Carter forgot that parchment—which he couldn’t then decipher—yet it would have been well for him had he remembered to take it. You see, I have really learned pretty much what happened to Carter after he left his car with the Silver Key at sunset on that seventh of October, four years ago.”

Aspinwall audibly sneered, but the others sat up with heightened interest. The smoke from the tripods increased, and the crazy ticking of that coffin-shaped clock seemed to fall into bizarre patterns like the dots and dashes of some alien and insoluble telegraph message from outer space. The Hindoo leaned back, half closed his eyes, and continued in that oddly laboured yet idiomatic voice, while before his audience there began to float a picture of what had happened to Randolph Carter.

I I .

The hills behind Arkham are full of strange magic—something, perhaps, which the old wizard Edmund Carter called down from the stars and up from the crypts of nether earth when he fled there from Salem in 1692. As soon as Randolph Carter was back among them he knew that he was close to one of the gates which a few audacious, abhorred, and alien-souled men have blasted through titan walls betwixt the world and the outside absolute. Here, he felt, and on this day of the year, he could carry out with success the message he had deciphered months before from the arabesques of that tarnished and incredibly ancient Silver Key. He knew now how it must be rotated, how it must be held up to the setting sun, and what syllables of ceremony must be intoned into the void at the ninth and last turning. In a spot as close to a dark polarity and induced gate as this, it could not fail in its primary function. Certainly, he would rest that night in the lost boyhood for which he had never ceased to mourn.

He got out of the car with the key in his pocket, walking uphill deeper and deeper into the shadowy core of that brooding, haunted countryside, of winding road, vine-grown stone wall, black woodland, gnarled, neglected orchard, gaping-windowed, deserted farmhouse, and nameless ruin. At the sunset hour, when the distant spires of Kingsport gleamed in the ruddy blaze, he took out the key and made the needed turnings and intonations. Only later did he realise how soon the ritual had taken effect.

Then in the deepening twilight he had heard a voice out of the past. Old Benijah Corey, his great-uncle’s hired man. Had not old Benijah been dead for thirty years? Thirty years before when? What was time? Where had he been? Why was it strange that Benijah should be calling him on this seventh of October, 1883? Was he not out later than Aunt Martha had told him to stay? What was this key in his blouse pocket, where his little telescope—given him by his father on his ninth birthday two months before—ought to be? Had he found it in the attic at home? Would it unlock the mystic pylon which his sharp eye had traced amidst the jagged rocks at the back of that inner cave behind the Snake-Den on the hill? That was the place they always coupled with old Edmund Carter the wizard. People wouldn’t go there, and nobody but him had ever noticed or squirmed through the root-choked fissure to that great black inner chamber with the pylon. Whose hands had carved that hint of a pylon out of the living rock? Old Wizard Edmund’s—or others that he had conjured up and commanded? That evening little Randolph ate supper with Uncle Chris and Aunt Martha in the old gambrel-roofed farmhouse.

Next morning he was up early, and out through the twisted-boughed apple orchard to the upper timber-lot where the mouth of the Snake-Den lurked black and forbidding amongst grotesque, overnourished oaks. A nameless expectancy was upon him, and he did not even notice the loss of his handkerchief as he fumbled in his blouse pocket to see if the queer Silver Key was safe. He crawled through the dark orifice with tense, adventurous assurance, lighting his way with matches taken from the sitting-room. In another moment he had wriggled through the root-choked fissure at the farther end, and was in the vast, unknown inner grotto whose ultimate rock wall seemed half like a monstrous and consciously shapen pylon. Before that dank, dripping wall he stood silent and awestruck, lighting one match after another as he gazed. Was that stony bulge above the keystone of the imagined arch really a gigantic sculptured hand? Then he drew forth the Silver Key, and made motions and intonations whose source he could only dimly remember. Was anything forgotten? He knew only that he wished to cross the barrier to the untrammelled land of his dreams and the gulfs where all dimensions dissolve in the absolute.

III.

What happened then is scarcely to be described in words. It is full of those paradoxes, contradictions, and anomalies which have no place in waking life, but which fill our more fantastic dreams, and are taken as matters of course till we return to our narrow, rigid, objective world of limited causation and tri-dimensional logic. As the Hindoo continued his tale, he had difficulty in avoiding what seemed—even more than the notion of a man transferred through the years to boyhood—an air of trivial, puerile extravagance. Mr. Aspinwall, in disgust, gave an apoplectic snort and virtually stopped listening.

For the rite of the Silver Key, as practiced by Randolph Carter in that black, haunted cave within a cave, did not prove unavailing. From the first gesture and syllable an aura of strange, awesome mutation was apparent—a sense of incalculable disturbance and confusion in time and space, yet one which held no hint of what we recognise as motion and duration. Imperceptibly, such things as age and location ceased to have any significance whatever. The day before, Randolph Carter had miraculously leaped a gulf of years. Now there was no distinction between boy and man. There was only the entity Randolph Carter, with a certain store of images which had lost all connexion with terrestrial scenes and circumstances of acquisition. A moment before, there had been an inner cave with vague suggestions of a monstrous arch and gigantic sculptured hand on the farther wall. Now there was neither cave nor absence of cave; neither wall nor absence of wall. There was only a flux of impressions not so much visual as cerebral, amidst which the entity that was Randolph Carter experienced perceptions or registrations of all that his mind revolved on, yet without any clear consciousness of the way in which he received them.

By the time the rite was over Carter knew that he was in no region whose place could be told by earth’s geographers, and in no age whose date history could fix. For the nature of what was happening was not wholly unfamiliar to him. There were hints of it in the cryptical Pnakotic fragments, and a whole chapter in the forbidden Necronomicon of the mad Arab Abdul Alhazred had taken on significance when he had deciphered the designs graven on the Silver Key. A gate had been unlocked—not indeed the Ultimate Gate, but one leading from earth and time to that extension of earth which is outside time, and from which in turn the Ultimate Gate leads fearsomely and perilously to the Last Void which is outside all earths, all universes, and all matter.

There would be a Guide—and a very terrible one; a Guide who had been an entity of earth millions of years before, when man was undreamed of, and when forgotten shapes moved on a steaming planet building strange cities among whose last, crumbling ruins the earliest mammals were to play. Carter remembered what the monstrous Necronomicon had vaguely and disconcertingly adumbrated concerning that Guide.

“And while there are those,” the mad Arab had written, “who have dared to seek glimpses beyond the Veil, and to accept HIM as a Guide, they would have been more prudent had they avoided commerce with HIM; for it is written in the Book of Thoth[6] how terrific is the price of a single glimpse. Nor may those who pass ever return, for in the Vastnesses transcending our world are Shapes of darkness that seize and bind. The Affair that shambleth about in the night, the Evil that defieth the Elder Sign, the Herd that stand watch at the secret portal each tomb is known to have, and that thrive on that which groweth out of the tenants within—all these Blacknesses are lesser than HE Who guardeth the Gateway; HE Who will guide the rash one beyond all the worlds into the Abyss of unnamable Devourers. For HE is ’UMR AT-TAWIL, the most Ancient One, which the scribe rendereth as THE PROLONGED OF LIFE.”

Memory and imagination shaped dim half-pictures with uncertain outlines amidst the seething chaos, but Carter knew that they were of memory and imagination only. Yet he felt that it was not chance which built these things in his consciousness, but rather some vast reality, ineffable and undimensioned, which surrounded him and strove to translate itself into the only symbols he was capable of grasping. For no mind of earth may grasp the extensions of shape which interweave in the oblique gulfs outside time and the dimensions we know.

There floated before Carter a cloudy pageantry of shapes and scenes which he somehow linked with earth’s primal, aeon-forgotten past. Monstrous living things moved deliberately through vistas of fantastic handiwork that no sane dream ever held, and landscapes bore incredible vegetation and cliffs and mountains and masonry of no human pattern. There were cities under the sea, and denizens thereof; and towers in great deserts where globes and cylinders and nameless winged entities shot off into space or hurtled down out of space. All this Carter grasped, though the images bore no fixed relation to one another or to him. He himself had no stable form or position, but only such shifting hints of form and position as his whirling fancy supplied.

He had wished to find the enchanted regions of his boyhood dreams, where galleys sail up the river Oukranos past the gilded spires of Thran, and elephant caravans tramp through perfumed jungles in Kled beyond forgotten palaces with veined ivory columns that sleep lovely and unbroken under the moon. Now, intoxicated with wider visions, he scarcely knew what he sought. Thoughts of infinite and blasphemous daring rose in his mind, and he knew he would face the dreaded Guide without fear, asking monstrous and terrible things of him.

All at once the pageant of impressions seemed to achieve a vague kind of stabilisation. There were great masses of towering stone, carven into alien and incomprehensible designs and disposed according to the laws of some unknown, inverse geometry. Light filtered down from a sky of no assignable colour in baffling, contradictory directions, and played almost sentiently over what seemed to be a curved line of gigantic hieroglyphed pedestals more hexagonal than otherwise and surmounted by cloaked, ill-defined Shapes.

There was another Shape, too, which occupied no pedestal, but which seemed to glide or float over the cloudy, floor-like lower level. It was not exactly permanent in outline, but held transient suggestions of something remotely preceding or paralleling the human form, though half as large again as an ordinary man. It seemed to be heavily cloaked, like the Shapes on the pedestals, with some neutral-coloured fabric; and Carter could not detect any eye-holes through which it might gaze. Probably it did not need to gaze, for it seemed to belong to an order of being far outside the merely physical in organisation and faculties.

A moment later Carter knew that this was so, for the Shape had spoken to his mind without sound or language. And though the name it uttered was a dreaded and terrible one, Randolph Carter did not flinch in fear. Instead, he spoke back, equally without sound or language, and made those obeisances which the hideous Necronomicon had taught him to make. For this Shape was nothing less than that which all the world has feared since Lomar rose out of the sea and the Winged Ones came to earth to teach the Elder Lore to man. It was indeed the frightful Guide and Guardian of the Gate—’Umr at-Tawil, the ancient one, which the scribe rendereth the Prolonged of Life.

The Guide knew, as he knew all things, of Carter’s quest and coming, and that this seeker of dreams and secrets stood before him unafraid. There was no horror or malignity in what he radiated, and Carter wondered for a moment whether the mad Arab’s terrific blasphemous hints, and extracts from the Book of Thoth, might not have come from envy and a baffled wish to do what was now about to be done. Or perhaps the Guide reserved his horror and malignity for those who feared. As the radiations continued, Carter mentally interpreted them in the form of words.

“I am indeed that Most Ancient One,” said the Guide, “of whom you know. We have awaited you—the Ancient Ones and I. You are welcome, even though long-delayed. You have the Key, and have unlocked the First Gate. Now the Ultimate Gate is ready for your trial. If you fear, you need not advance. You may still go back unharmed the way you came. But if you choose to advance . . .”

The pause was ominous, but the radiations continued to be friendly. Carter hesitated not a moment, for a burning curiosity drove him on.

“I will advance,” he radiated back, “and I accept you as my Guide.”

At this reply the Guide seemed to make a sign by certain motions of his robe which may or may not have involved the lifting of an arm or some homologous member. A second sign followed, and from his well-learnt lore Carter knew that he was at last very close to the Ultimate Gate. The light now changed to another inexplicable colour, and the Shapes on the quasi-hexagonal pedestals became more clearly defined. As they sat more erect, their outlines became more like those of men, though Carter knew that they could not be men. Upon their cloaked heads there now seemed to rest tall, uncertainly coloured mitres, strangely suggestive of those on certain nameless figures chiselled by a forgotten sculptor along the living cliffs of a high, forbidden mountain in Tartary; while grasped in certain folds of their swathings were long sceptres whose carven heads bodied forth a grotesque and archaic mystery.

Carter guessed what they were, whence they came, and Whom they served; and guessed, too, the price of their service. But he was still content, for at one mighty venture he was to learn all. Damnation, he reflected, is but a word bandied about by those whose blindness leads them to condemn all who can see, even with a single eye. He wondered at the vast conceit of those who had babbled of the malignant Ancient Ones, as if They could pause from their everlasting dreams to wreak a wrath upon mankind. As well, he thought, might a mammoth pause to visit frantic vengeance on an angleworm. Now the whole assemblage on the vaguely hexagonal pillars was greeting him with a gesture of those oddly carven sceptres, and radiating a message which he understood:

“We salute you, Most Ancient One, and you, Randolph Carter, whose daring has made you one of us.”

Carter saw now that one of the pedestals was vacant, and a gesture of the Most Ancient One told him it was reserved for him. He saw also another pedestal, taller than the rest, and at the centre of the oddly curved line (neither semicircle nor ellipse, parabola nor hyperbola) which they formed. This, he guessed, was the Guide’s own throne. Moving and rising in a manner hardly definable, Carter took his seat; and as he did so he saw that the Guide had likewise seated himself.

Gradually and mistily it became apparent that the Most Ancient One was holding something—some object clutched in the outflung folds of his robe as if for the sight, or what answered for sight, of the cloaked Companions. It was a large sphere or apparent sphere of some obscurely iridescent metal, and as the Guide put it forward a low, pervasive half-impression of sound began to rise and fall in intervals which seemed to be rhythmic even though they followed no rhythm of earth. There was a suggestion of chanting—or what human imagination might interpret as chanting. Presently the quasi-sphere began to grow luminous, and as it gleamed up into a cold, pulsating light of unassignable colour Carter saw that its flickerings conformed to the alien rhythm of the chant. Then all the mitred, sceptre-bearing Shapes on the pedestals commenced a slight, curious swaying in the same inexplicable rhythm, while nimbuses of unclassifiable light—resembling that of the quasi-sphere—played round their shrouded heads.

The Hindoo paused in his tale and looked curiously at the tall, coffin-shaped clock with the four hands and hieroglyphed dial, whose crazy ticking followed no known rhythm of earth.

“You, Mr. de Marigny,” he suddenly said to his learned host, “do not need to be told the particular alien rhythm to which those cowled Shapes on the hexagonal pillars chanted and nodded. You are the only one else—in America—who has had a taste of the Outer Extension. That clock—I suppose it was sent you by the Yogi poor Harley Warren used to talk about—the seer who said that he alone of living men had been to Yian-Ho,[7] the hidden legacy of sinister, aeon-old Leng, and had borne certain things away from that dreadful and forbidden city. I wonder how many of its subtler properties you know? If my dreams and readings be correct, it was made by those who knew much of the First Gateway. But let me go on with my tale.”

At last, continued the Swami, the swaying and the suggestion of chanting ceased, the lambent nimbuses around the now drooping and motionless heads faded away, while the cloaked Shapes slumped curiously on their pedestals. The quasi-sphere, however, continued to pulsate with inexplicable light. Carter felt that the Ancient Ones were sleeping as they had been when he first saw them, and he wondered out of what cosmic dreams his coming had wakened them. Slowly there filtered into his mind the truth that this strange chanting ritual had been one of instruction, and that the Companions had been chanted by the Most Ancient One into a new and peculiar kind of sleep, in order that their dreams might open the Ultimate Gate to which the Silver Key was a passport. He knew that in the profundity of this deep sleep they were contemplating unplumbed vastnesses of utter and absolute Outsideness with which the earth had nothing to do, and that they were to accomplish that which his presence had demanded.

The Guide did not share this sleep, but seemed still to be giving instructions in some subtle, soundless way. Evidently he was implanting images of those things which he wished the Companions to dream; and Carter knew that as each of the Ancient Ones pictured the prescribed thought, there would be born the nucleus of a manifestation visible to his own earthly eyes. When the dreams of all the Shapes had achieved a oneness, that manifestation would occur, and everything he required be materialised, through concentration. He had seen such things on earth—in India, where the combined, projected will of a circle of adepts can make a thought take tangible substance, and in hoary Atlaanât, of which few men dare speak.

Just what the Ultimate Gate was, and how it was to be passed, Carter could not be certain; but a feeling of tense expectancy surged over him. He was conscious of having a kind of body, and of holding the fateful Silver Key in his hand. The masses of towering stone opposite him seemed to possess the evenness of a wall, toward the centre of which his eyes were irresistibly drawn. And then suddenly he felt the mental currents of the Most Ancient One cease to flow forth.

For the first time Carter realised how terrific utter silence, mental and physical, may be. The earlier moments had never failed to contain some perceptible rhythm, if only the faint, cryptical pulse of the earth’s dimensional extension, but now the hush of the abyss seemed to fall upon everything. Despite his intimations of body, he had no audible breath; and the glow of ’Umr at-Tawil’s quasi-sphere had grown petrifiedly fixed and unpulsating. A potent nimbus, brighter than those which had played round the heads of the Shapes, blazed frozenly over the shrouded skull of the terrible Guide.

A dizziness assailed Carter, and his sense of lost orientation waxed a thousandfold. The strange lights seemed to hold the quality of the most impenetrable blacknesses heaped upon blacknesses, while about the Ancient Ones, so close on their pseudo-hexagonal thrones, there hovered an air of the most stupefying remoteness. Then he felt himself wafted into immeasurable depths, with waves of perfumed warmth lapping against his face. It was as if he floated in a torrid, rose-tinctured sea; a sea of drugged wine whose waves broke foaming against shores of brazen fire. A great fear clutched him as he half saw that vast expanse of surging sea lapping against its far-off coast. But the moment of silence was broken—the surgings were speaking to him in a language that was not of physical sound or articulate words.

“The man of Truth is beyond good and evil,” intoned a voice that was not a voice. “The man of Truth has ridden to All-Is-One. The man of Truth has learnt that Illusion is the only reality, and that substance is an impostor.”

And now, in that rise of masonry to which his eyes had been so irresistibly drawn, there appeared the outline of a titanic arch not unlike that which he thought he had glimpsed so long ago in that cave within a cave, on the far, unreal surface of the three-dimensioned earth. He realised that he had been using the Silver Key—moving it in accord with an unlearnt and instinctive ritual closely akin to that which had opened the Inner Gate. That rose-drunken sea which lapped his cheeks was, he realised, no more or less than the adamantine mass of the solid wall yielding before his spell, and the vortex of thought with which the Ancient Ones had aided his spell. Still guided by instinct and blind determination, he floated forward—and through the Ultimate Gate.

I V.

Randolph Carter’s advance through that Cyclopean bulk of abnormal masonry was like a dizzy precipitation through the measureless gulfs between the stars. From a great distance he felt triumphant, godlike surges of deadly sweetness, and after that the rustling of great wings, and impressions of sound like the chirpings and murmurings of objects unknown on earth or in the solar system. Glancing backward, he saw not one gate alone, but a multiplicity of gates, at some of which clamoured Forms he strove not to remember.

And then, suddenly, he felt a greater terror than that which any of the Forms could give—a terror from which he could not flee because it was connected with himself. Even the First Gateway had taken something of stability from him, leaving him uncertain about his bodily form and about his relationship to the mistily defined objects around him, but it had not disturbed his sense of unity. He had still been Randolph Carter, a fixed point in the dimensional seething. Now, beyond the Ultimate Gateway, he realised in a moment of consuming fright that he was not one person, but many persons.

He was in many places at the same time. On earth, on October 7, 1883, a little boy named Randolph Carter was leaving the Snake-Den in the hushed evening light and running down the rocky slope and through the twisted-boughed orchard toward his Uncle Christopher’s house in the hills beyond Arkham—yet at that same moment, which was also somehow in the earthly year of 1928, a vague shadow not less Randolph Carter was sitting on a pedestal among the Ancient Ones in earth’s trans-dimensional extension. Here, too, was a third Randolph Carter in the unknown and formless cosmic abyss beyond the Ultimate Gate. And elsewhere, in a chaos of scenes whose infinite multiplicity and monstrous diversity brought him close to the brink of madness, were a limitless confusion of beings which he knew were as much himself as the local manifestation now beyond the Ultimate Gate.

There were “Carters” in settings belonging to every known and suspected age of earth’s history, and to remoter ages of earthy entity transcending knowledge, suspicion, and credibility. “Carters” of forms both human and non-human, vertebrate and invertebrate, conscious and mindless, animal and vegetable. And more, there were “Carters” having nothing in common with earthly life, but moving outrageously amidst backgrounds of other planets and systems and galaxies and cosmic continua. Spores of eternal life drifting from world to world, universe to universe, yet all equally himself. Some of the glimpses recalled dreams—both faint and vivid, single and persistent—which he had had through the long years since he first began to dream, and a few possessed a haunting, fascinating, and almost horrible familiarity which no earthly logic could explain.

Faced with this realisation, Randolph Carter reeled in the clutch of supreme horror—horror such as had not been hinted even at the climax of that hideous night when two had ventured into an ancient and abhorred necropolis under a waning moon and only one had emerged. No death, no doom, no anguish can arouse the surpassing despair which flows from a loss of identity. Merging with nothingness is peaceful oblivion; but to be aware of existence and yet to know that one is no longer a definite being distinguished from other beings—that one no longer has a self—that is the nameless summit of agony and dread.

He knew that there had been a Randolph Carter of Boston, yet could not be sure whether he—the fragment or facet of an earthly entity beyond the Ultimate Gate—had been that one or some other. His self had been annihilated; and yet he—if indeed there could, in view of that utter nullity of individual existence, be such a thing as he—was equally aware of being in some inconceivable way a legion of selves. It was as though his body had been suddenly transformed into one of those many-limbed and many-headed effigies sculptured in Indian temples, and he contemplated the aggregation in a bewildered attempt to discern which was the original and which the additions—if indeed (supremely monstrous thought) there were any original as distinguished from other embodiments.

Then, in the midst of these devastating reflections, Carter’s beyond-the-gate fragment was hurled from what had seemed the nadir of horror to black, clutching pits of a horror still more profound. This time it was largely external—a force or personality which at once confronted and surrounded and pervaded him, and which in addition to its local presence, seemed also to be a part of himself, and likewise to be coexistent with all time and coterminous with all space. There was no visual image, yet the sense of entity and the awful concept of combined localism, identity, and infinity lent a paralysing terror beyond anything which any Carter-fragment had hitherto deemed capable of existing.

In the face of that awful wonder, the quasi-Carter forgot the horror of destroyed individuality. It was an All-in-One and One-in-All of limitless being and self—not merely a thing of one Space-Time continuum, but allied to the ultimate animating essence of existence’s whole unbounded sweep—the last, utter sweep which has no confines and which outreaches fancy and mathematics alike. It was perhaps that which certain secret cults of earth have whispered of as YOG-SOTHOTH, and which has been a deity under other names; that which the crustaceans of Yuggoth worship as the Beyond-One, and which the vaporous brains of the spiral nebulae know by an untranslatable Sign—yet in a flash the Carter-facet realised how slight and fractional all these conceptions are.[8]

And now the BEING was addressing the Carter-facet in prodigious waves that smote and burned and thundered—a concentration of energy that blasted its recipient with well-nigh unendurable violence, and that followed, with certain definite variations, the singular unearthly rhythm which had marked the chanting and swaying of the Ancient Ones, and the flickering of the monstrous lights, in that baffling region beyond the First Gate. It was as though suns and worlds and universes had converged upon one point whose very position in space they had conspired to annihilate with an impact of resistless fury. But amidst the greater terror one lesser terror was diminished; for the searing waves appeared somehow to isolate the beyond-the-gate Carter from his infinity of duplicates—to restore, as it were, a certain amount of the illusion of identity. After a time the hearer began to translate the waves into speech-forms known to him, and his sense of horror and oppression waned. Fright became pure awe, and what had seemed blasphemously abnormal seemed now only ineffably majestic.

“Randolph Carter,” IT seemed to say, “MY manifestations on your planet’s extension, the Ancient Ones, have sent you as one who would lately have returned to small lands of dream which he had lost, yet who with greater freedom has risen to greater and nobler desires and curiosities. You wished to sail up golden Oukranos, to search out forgotten ivory cities in orchid-heavy Kled, and to reign on the opal throne of Ilek-Vad, whose fabulous towers and numberless domes rise mighty toward a single red star in a firmament alien to your earth and to all matter. Now, with the passing of two Gates, you wish loftier things. You would not flee like a child from a scene disliked to a dream beloved, but would plunge like a man into that last and inmost of secrets which lies behind all scenes and dreams.

“What you wish, I have found good; and I am ready to grant that which I have granted eleven times only to beings of your planet—five times only to those you call men, or those resembling them. I am ready to shew you the Ultimate Mystery, to look on which is to blast a feeble spirit. Yet before you gaze full at that last and first of secrets you may still wield a free choice, and return if you will through the two Gates with the Veil still unrent before your eyes.”

V.

A sudden shutting-off of the waves left Carter in a chilling and awesome silence full of the spirit of desolation. On every hand pressed the illimitable vastness of the void, yet the seeker knew that the BEING was still there. After a moment he thought of words whose mental substance he flung into the abyss:

“I accept. I will not retreat.”

The waves surged forth again, and Carter knew that the BEING had heard. And now there poured from that limitless MIND a flood of knowledge and explanation which opened new vistas to the seeker, and prepared him for such a grasp of the cosmos as he had never hoped to possess. He was told how childish and limited is the notion of a tri-dimensional world, and what an infinity of directions there are besides the known directions of up-down, forward-backward, right-left. He was shewn the smallness and tinsel emptiness of the little gods of earth, with their petty, human interests and connexions—their hatreds, rages, loves, and vanities; their craving for praise and sacrifice, and their demands for faith contrary to reason and Nature.

While most of the impressions translated themselves to Carter as words, there were others to which other senses gave interpretation. Perhaps with eyes and perhaps with imagination he perceived that he was in a region of dimensions beyond those conceivable to the eye and brain of man. He saw now, in the brooding shadows of that which had been first a vortex of power and then an illimitable void, a sweep of creation that dizzied his senses. From some inconceivable vantage-point he looked upon prodigious forms whose multiple extensions transcended any conception of being, size, and boundaries which his mind had hitherto been able to hold, despite a lifetime of cryptical study. He began to understand dimly why there could exist at the same time the little boy Randolph Carter in the Arkham farmhouse in 1883, the misty form on the vaguely hexagonal pillar beyond the First Gate, the fragment now facing the PRESENCE in the limitless abyss, and all the other “Carters” his fancy or perception envisaged.

Then the waves increased in strength, and sought to improve his understanding, reconciling him to the multiform entity of which his present fragment was an infinitesimal part. They told him that every figure of space is but the result of the intersection by a plane of some corresponding figure of one more dimension—as a square is cut from a cube or a circle from a sphere. The cube and sphere, of three dimensions, are thus cut from corresponding forms of four dimensions that men know only through guesses and dreams; and these in turn are cut from forms of five dimensions, and so on up to the dizzy and reachless heights of archetypal infinity. The world of men and of the gods of men is merely an infinitesimal phase of an infinitesimal thing—the three-dimensional phase of that small wholeness reached by the First Gate, where ’Umr at-Tawil dictates dreams to the Ancient Ones. Though men hail it as reality and brand thoughts of its many-dimensioned original as unreality, it is in truth the very opposite. That which we call substance and reality is shadow and illusion, and that which we call shadow and illusion is substance and reality.

Time, the waves went on, is motionless, and without beginning or end. That it has motion, and is the cause of change, is an illusion. Indeed, it is itself really an illusion, for except to the narrow sight of beings in limited dimensions there are no such things as past, present, and future. Men think of time only because of what they call change, yet that too is illusion. All that was, and is, and is to be, exists simultaneously.

These revelations came with a godlike solemnity which left Carter unable to doubt. Even though they lay almost beyond his comprehension, he felt that they must be true in the light of that final cosmic reality which belies all local perspectives and narrow partial views; and he was familiar enough with profound speculations to be free from the bondage of local and partial conceptions. Had his whole quest not been based upon a faith in the unreality of the local and partial?

After an impressive pause the waves continued, saying that what the denizens of few-dimensioned zones call change is merely a function of their consciousness, which views the external world from various cosmic angles. As the shapes produced by the cutting of a cone seem to vary with the angles of cutting—being circle, ellipse, parabola, or hyperbola according to that angle, yet without any change in the cone itself—so do the local aspects of an unchanged and endless reality seem to change with the cosmic angle of regarding. To this variety of angles of consciousness the feeble beings of the inner worlds are slaves, since with rare exceptions they cannot learn to control them. Only a few students of forbidden things have gained inklings of this control, and have thereby conquered time and change. But the entities outside the Gates command all angles, and view the myriad parts of the cosmos in terms of fragmentary, change-involving perspective, or of the changeless totality beyond perspective, in accordance with their will.

As the waves paused again, Carter began to comprehend, vaguely and terrifiedly, the ultimate background of that riddle of lost individuality which had at first so horrified him. His intuition pieced together the fragments of revelation, and brought him closer and closer to a grasp of the secret. He understood that much of the frightful revelation would have come upon him—splitting up his ego amidst myriads of earthly counterparts—inside the First Gate, had not the magic of ’Umr at-Tawil kept it from him in order that he might use the Silver Key with precision for the Ultimate Gate’s opening. Anxious for clearer knowledge, he sent out waves of thought, asking more of the exact relationship between his various facets—the fragment now beyond the Ultimate Gate, the fragment still on the quasi-hexagonal pedestal beyond the First Gate, the boy of 1883, the man of 1928, the various ancestral beings who had formed his heritage and the bulwark of his ego, and the nameless denizens of the other aeons and other worlds which that first hideous flash of ultimate perception had identified with him. Slowly the waves of the BEING surged out in reply, trying to make plain what was almost beyond the reach of an earthly mind.

All descended lines of beings of the finite dimensions, continued the waves, and all stages of growth in each one of these beings, are merely manifestations of one archetypal and eternal being in the space outside dimensions. Each local being—son, father, grandfather, and so on—and each stage of individual being—infant, child, boy, young man, old man—is merely one of the infinite phases of that same archetypal and eternal being, caused by a variation in the angle of the consciousness-plane which cuts it. Randolph Carter at all ages; Randolph Carter and all his ancestors both human and pre-human, terrestrial and pre-terrestrial; all these were only phases of one ultimate, eternal “Carter” outside space and time—phantom projections differentiated only by the angle at which the plane of consciousness happened to cut the eternal archetype in each case.

A slight change of angle could turn the student of today into the child of yesterday; could turn Randolph Carter into that wizard Edmund Carter who fled from Salem to the hills behind Arkham in 1692, or that Pickman Carter who in the year 2169 would use strange means in repelling the Mongol hordes from Australia; could turn a human Carter into one of those earlier entities which had dwelt in primal Hyperborea and worshipped black, plastic Tsathoggua[9] after flying down from Kythanil, the double planet that once revolved around Arcturus; could turn a terrestrial Carter to a remotely ancestral and doubtfully shaped dweller on Kythanil itself, or a still remoter creature of trans-galactic Shonhi, or a four-dimensioned gaseous consciousness in an older space-time continuum, or a vegetable brain of the future on a dark radioactive comet of inconceivable orbit—and so on, in the endless cosmic circle.

The archetypes, throbbed the waves, are the people of the ultimate abyss—formless, ineffable, and guessed at only by rare dreamers on the low-dimensioned worlds. Chief among such was this informing BEING itself . . . which indeed was Carter’s own archetype. The glutless zeal of Carter and all his forbears for forbidden cosmic secrets was a natural result of derivation from the SUPREME ARCHETYPE. On every world all great wizards, all great thinkers, all great artists, are facets of IT.

Almost stunned with awe, and with a kind of terrifying delight, Randolph Carter’s consciousness did homage to that transcendent ENTITY from which it was derived. As the waves paused again he pondered in the mighty silence, thinking of strange tributes, stranger questions, and still stranger requests. Curious concepts flowed conflictingly through a brain dazed with unaccustomed vistas and unforeseen disclosures. It occurred to him that, if those disclosures were literally true, he might bodily visit all those infinitely distant ages and parts of the universe which he had hitherto known only in dreams, could he but command the magic to change the angle of his consciousness-plane. And did not the Silver Key supply that magic? Had it not first changed him from a man in 1928 to a boy in 1883, and then to something quite outside time? Oddly, despite his present apparent absence of body, he knew that the Key was still with him.

While the silence still lasted, Randolph Carter radiated forth the thoughts and questions which assailed him. He knew that in this ultimate abyss he was equidistant from every facet of his archetype—human or non-human, earthly or extra-earthly, galactic or trans-galactic; and his curiosity regarding the other phases of his being—especially those phases which were farthest from an earthly 1928 in time and space, or which had most persistently haunted his dreams throughout life—was at fever heat. He felt that his archetypal ENTITY could at will send him bodily to any of these phases of bygone and distant life by changing his consciousness-plane, and despite the marvels he had undergone he burned for the further marvel of walking in the flesh through those grotesque and incredible scenes which visions of the night had fragmentarily brought him.

Without definite intention he was asking the PRESENCE for access to a dim, fantastic world whose five multi-coloured suns, alien constellations, dizzy black crags, clawed, tapir-snouted denizens, bizarre metal towers, unexplained tunnels, and cryptical floating cylinders had intruded again and again upon his slumbers. That world, he felt vaguely, was in all the conceivable cosmos the one most freely in touch with others; and he longed to explore the vistas whose beginnings he had glimpsed, and to embark through space to those still remoter worlds with which the clawed, snouted denizens trafficked. There was not time for fear. As at all crises of his strange life, sheer cosmic curiosity triumphed over everything else.

When the waves resumed their awesome pulsing Carter knew that this terrible request was granted. The BEING was telling him of the nighted gulfs through which he would have to pass, of the unknown quintuple star in an unsuspected galaxy around which the alien world revolved, and of the burrowing inner horrors against which the clawed, snouted race of that world perpetually fought. IT told him, too, of how the angle of his personal consciousness-plane, and the angle of his consciousness-plane regarding the space-time elements of the sought-for world, would have to be tilted simultaneously in order to restore to that world the Carter-facet which had dwelt there.

The PRESENCE warned him to be sure of his symbols if he wished ever to return from the remote and alien world he had chosen, and he radiated back an impatient affirmation; confident that the Silver Key, which he felt was with him and which he knew had tilted both world and personal planes in throwing him back to 1883, contained those symbols which were meant. And now the BEING, grasping his impatience, signified Its readiness to accomplish the monstrous precipitation. The waves abruptly ceased, and there supervened a momentary stillness tense with nameless and dreadful expectancy.

Then, without warning, came a whirring and drumming that swelled to a terrific thundering. Once again Carter felt himself the focal point of an intense concentration of energy which smote and hammered and seared unbearably in the now-familiar alien rhythm of outer space, and which he could not classify as either the blasting heat of a blazing star or the all-petrifying cold of the ultimate abyss. Bands and rays of colour utterly foreign to any spectrum of our universe played and wove and interlaced before him, and he was conscious of a frightful velocity of motion. He caught one fleeting glimpse of a figure sitting alone upon a cloudy throne more hexagonal than otherwise . . .

VI.

As the Hindoo paused in his story he saw that de Marigny and Phillips were watching him absorbedly. Aspinwall pretended to ignore the narrative, and kept his eyes ostentatiously on the papers before him. The alien-rhythmed ticking of the coffin-shaped clock took on a new and portentous meaning, while the fumes from the choked, neglected tripods wove themselves into fantastic and inexplicable shapes, and formed disturbing combinations with the grotesque figures of the draught-swayed tapestries. The old negro who had tended them was gone—perhaps some growing tension had frightened him out of the house. An almost apologetic hesitancy hampered the speaker as he resumed in his oddly laboured yet idiomatic voice.

“You have found these things of the abyss hard to believe,” he said, “but you will find the tangible and material things ahead still harder. That is the way of our minds. Marvels are doubly incredible when brought into three dimensions from the vague regions of possible dream. I shall not try to tell you much—that would be another and very different story. I will tell only what you absolutely have to know.”

Carter, after that final vortex of alien and polychromatic rhythm, had found himself in what for a moment he thought was his old insistent dream. He was, as many a night before, walking amidst throngs of clawed, snouted beings through the streets of a labyrinth of inexplicably fashioned metal under a blaze of diverse solar colour; and as he looked down he saw that his body was like those of the others—rugose, partly squamous, and curiously articulated in a fashion mainly insect-like yet not without a caricaturish resemblance to the human outline. The Silver Key was still in his grasp—though held by a noxious-looking claw.

In another moment the dream-sense vanished, and he felt rather as one just awaked from a dream. The ultimate abyss—the BEING—an entity of absurd, outlandish race called “Randolph Carter” on a world of the future not yet born—some of these things were parts of the persistent, recurrent dreams of the wizard Zkauba on the planet Yaddith.[10] They were too persistent—they interfered with his duties in weaving spells to keep the frightful bholes[11] in their burrows, and became mixed up with his recollections of the myriad real worlds he had visited in his light-beam envelope. And now they had become quasi-real as never before. This heavy, material Silver Key in his right upper claw, exact image of one he had dreamt about, meant no good. He must rest and reflect, and consult the Tablets of Nhing for advice on what to do. Climbing a metal wall in a lane off the main concourse, he entered his apartment and approached the rack of tablets.

Seven day-fractions later Zkauba squatted on his prism in awe and half-despair, for the truth had opened up a new and conflicting set of memories. Nevermore could he know the peace of being one entity. For all time and space he was two: Zkauba the Wizard of Yaddith, disgusted with the thought of the repellent earth-mammal Carter that he was to be and had been, and Randolph Carter, of Boston on the earth, shivering with fright at the clawed, snouted thing which he had once been, and had become again.

The time-units spent on Yaddith, croaked the Swami—whose laboured voice was beginning to shew signs of fatigue—made a tale in themselves which could not be related in brief compass. There were trips to Shonhi and Mthura and Kath, and other worlds in the twenty-eight galaxies accessible to the light-beam envelopes of the creatures of Yaddith, and trips back and forth through aeons of time with the aid of the Silver Key and various other symbols known to Yaddith’s wizards. There were hideous struggles with the bleached, viscous bholes in the primal tunnels that honeycombed the planet. There were awed sessions in libraries amongst the massed lore of ten thousand worlds living and dead. There were tense conferences with other minds of Yaddith, including that of the Arch-Ancient Buo. Zkauba told no one of what had befallen his personality, but when the Randolph Carter facet was uppermost he would study furiously every possible means of returning to the earth and to human form, and would desperately practice human speech with the buzzing, alien throat-organs so ill adapted to it.

The Carter-facet had soon learned with horror that the Silver Key was unable to effect his return to human form. It was, as he deduced too late from things he remembered, things he dreamed, and things he inferred from the lore of Yaddith, a product of Hyperborea on earth; with power over the personal consciousness-angles of human beings alone. It could, however, change the planetary angle and send the user at will through time in an unchanged body. There had been an added spell which gave it limitless powers it otherwise lacked; but this, too, was a human discovery—peculiar to a spatially unreachable region, and not to be duplicated by the wizards of Yaddith. It had been written on the undecipherable parchment in the hideously carven box with the Silver Key, and Carter bitterly lamented that he had left it behind. The now inaccessible BEING of the abyss had warned him to be sure of his symbols, and had doubtless thought he lacked nothing.

As time wore on he strove harder and harder to utilise the monstrous lore of Yaddith in finding a way back to the abyss and the omnipotent ENTITY. With his new knowledge he could have done much toward reading the cryptic parchment; but that power, under present conditions, was merely ironic. There were times, however, when the Zkauba-facet was uppermost, and when he strove to erase the conflicting Carter-memories which troubled him.

Thus long spaces of time wore on—ages longer than the brain of man could grasp, since the beings of Yaddith die only after prolonged cycles. After many hundred revolutions the Carter-facet seemed to gain on the Zkauba-facet, and would spend vast periods calculating the distance of Yaddith in space and time from the human earth that was to be. The figures were staggering—aeons of light-years beyond counting—but the immemorial lore of Yaddith fitted Carter to grasp such things. He cultivated the power of dreaming himself momentarily earthward, and learned many things about our planet that he had never known before. But he could not dream the needed formula on the missing parchment.

Then at last he conceived a wild plan of escape from Yaddith—which began when he found a drug that would keep his Zkauba-facet always dormant, yet without dissolution of the knowledge and memories of Zkauba. He thought that his calculations would let him perform a voyage with a light-wave envelope such as no being of Yaddith had ever performed—a bodily voyage through nameless aeons and across incredible galactic reaches to the solar system and the earth itself. Once on earth, though in the body of a clawed, snouted thing, he might be able somehow to find—and finish deciphering—the strangely hieroglyphed parchment he had left in the car at Arkham; and with its aid—and the Key’s—resume his normal terrestrial semblance.

He was not blind to the perils of the attempt. He knew that when he had brought the planet-angle to the right aeon (a thing impossible to do while hurtling through space), Yaddith would be a dead world dominated by triumphant bholes, and that his escape in the light-wave envelope would be a matter of grave doubt. Likewise was he aware of how he must achieve suspended animation, in the manner of an adept, to endure the aeon-long flight through fathomless abysses. He knew, too, that—assuming his voyage succeeded—he must immunise himself to the bacterial and other earthly conditions hostile to a body from Yaddith. Furthermore, he must provide a way of feigning human shape on earth until he might recover and decipher the parchment and resume that shape in truth. Otherwise he would probably be discovered and destroyed by the people in horror as a thing that should not be. And there must be some gold—luckily obtainable on Yaddith—to tide him over that period of quest.

Slowly Carter’s plans went forward. He provided a light-wave envelope of abnormal toughness, able to stand both the prodigious time-transition and the unexampled flight through space. He tested all his calculations, and sent forth his earthward dreams again and again, bringing them as close as possible to 1928. He practiced suspended animation with marvellous success. He discovered just the bacterial agent he needed, and worked out the varying gravity-stress to which he must become used. He artfully fashioned a waxen mask and loose costume enabling him to pass among men as a human being of a sort, and devised a doubly potent spell with which to hold back the bholes at the moment of his starting from the black, dead Yaddith of the inconceivable future. He took care, too, to assemble a large supply of the drugs—unobtainable on earth—which would keep his Zkauba-facet in abeyance till he might shed the Yaddith body, nor did he neglect a small store of gold for earthly use.

The starting-day was a time of doubt and apprehension. Carter climbed up to his envelope-platform, on the pretext of sailing for the triple star Nython,[12] and crawled into the sheath of shining metal. He had just room to perform the ritual of the Silver Key, and as he did so he slowly started the levitation of his envelope. There was an appalling seething and darkening of the day, and a hideous racking of pain. The cosmos seemed to reel irresponsibly, and the other constellations danced in a black sky.

All at once Carter felt a new equilibrium. The cold of interstellar gulfs gnawed at the outside of his envelope, and he could see that he floated free in space—the metal building from which he had started having decayed ages before. Below him the ground was festering with gigantic bholes; and even as he looked, one reared up several hundred feet and levelled a bleached, viscous end at him. But his spells were effective, and in another moment he was falling away from Yaddith unharmed.

VII.

In that bizarre room in New Orleans, from which the old black servant had instinctively fled, the odd voice of Swami Chandraputra grew hoarser still.

“Gentlemen,” he continued, “I will not ask you to believe these things until I have shewn you special proof. Accept it, then, as a myth, when I tell you of the thousands of light-years—thousands of years of time, and uncounted billions of miles—that Randolph Carter hurtled through space as a nameless, alien entity in a thin envelope of electron-activated metal. He timed his period of suspended animation with utmost care, planning to have it end only a few years before the time of landing on the earth in or near 1928.

“He will never forget that awakening. Remember, gentlemen, that before that aeon-long sleep he had lived consciously for thousands of terrestrial years amidst the alien and horrible wonders of Yaddith. There was a hideous gnawing of cold, a cessation of menacing dreams, and a glance through the eye-plates of the envelope. Stars, clusters, nebulae, on every hand—and at last their outlines bore some kinship to the constellations of earth that he knew.

“Some day his descent into the solar system may be told. He saw Kynarth and Yuggoth on the rim, passed close to Neptune and glimpsed the hellish white fungi that spot it, learned an untellable secret from the close-glimpsed mists of Jupiter and saw the horror on one of the satellites, and gazed at the Cyclopean ruins that sprawl over Mars’ ruddy disc. When the earth drew near he saw it as a thin crescent which swelled alarmingly in size. He slackened speed, though his sensations of homecoming made him wish to lose not a moment. I will not try to tell you of those sensations as I learned them from Carter.

“Well, toward the last Carter hovered about in the earth’s upper air waiting till daylight came over the western hemisphere. He wanted to land where he had left—near the Snake-Den in the hills behind Arkham. If any of you have been away from home long—and I know one of you has—I leave it to you how the sight of New England’s rolling hills and great elms and gnarled orchards and ancient stone walls must have affected him.

“He came down at dawn in the lower meadow of the old Carter place, and was thankful for the silence and solitude. It was autumn, as when he had left, and the smell of the hills was balm to his soul. He managed to drag the metal envelope up the slope of the timber-lot into the Snake-Den, though it would not go through the weed-choked fissure to the inner cave. It was there also that he covered his alien body with the human clothing and waxen mask which would be necessary. He kept the envelope here for over a year, till certain circumstances made a new hiding-place necessary.

“He walked to Arkham—incidentally practicing the management of his body in human posture and against terrestrial gravity—and got his gold changed to money at a bank. He also made some inquiries—posing as a foreigner ignorant of much English—and found that the year was 1930, only two years after the goal he had aimed at.

“Of course, his position was horrible. Unable to assert his identity, forced to live on guard every moment, with certain difficulties regarding food, and with a need to conserve the alien drug which kept his Zkauba-facet dormant, he felt that he must act as quickly as possible. Going to Boston and taking a room in the decaying West End, where he could live cheaply and inconspicuously, he at once established inquiries concerning Randolph Carter’s estate and effects. It was then that he learned how anxious Mr. Aspinwall, here, was to have the estate divided, and how valiantly Mr. de Marigny and Mr. Phillips strove to keep it intact.”

The Hindoo bowed, though no expression crossed his dark, tranquil, and thickly bearded face.

“Indirectly,” he continued, “Carter secured a good copy of the missing parchment and began work on its deciphering. I am glad to say that I was able to help in all this—for he appealed to me quite early, and through me came in touch with other mystics throughout the world. I went to live with him in Boston—a wretched place in Chambers St. As for the parchment—I am pleased to help Mr. de Marigny in his perplexity. To him let me say that the language of those hieroglyphics is not Naacal but R’lyehian, which was brought to earth by the spawn of Cthulhu countless cycles ago.[13] It is, of course, a translation—there was an Hyperborean original millions of years earlier in the primal tongue of Tsath-yo.

“There was more to decipher than Carter had looked for, but at no time did he give up hope. Early this year he made great strides through a book he imported from Nepal, and there is no question but that he will win before long. Unfortunately, however, one handicap has developed—the exhaustion of the alien drug which keeps the Zkauba-facet dormant. This is not, however, as great a calamity as was feared. Carter’s personality is gaining in the body, and when Zkauba comes uppermost—for shorter and shorter periods, and now only when evoked by some unusual excitement—he is generally too dazed to undo any of Carter’s work. He cannot find the metal envelope that would take him back to Yaddith, for although he almost did, once, Carter hid it anew at a time when the Zkauba-facet was wholly latent. All the harm he has done is to frighten a few people and create certain nightmare rumours among the Poles and Lithuanians of Boston’s West End. So far, he has never injured the careful disguise prepared by the Carter-facet, though he sometimes throws it off so that parts have to be replaced. I have seen what lies beneath—and it is not good to see.

“A month ago Carter saw the advertisement of this meeting, and knew that he must act quickly to save his estate. He could not wait to decipher the parchment and resume his human form. Consequently he deputed me to act for him, and in that capacity I am here.

“Gentlemen, I say to you that Randolph Carter is not dead; that he is temporarily in an anomalous condition, but that within two or three months at the outside he will be able to appear in proper form and demand the custody of his estate. I am prepared to offer proof if necessary. Therefore I beg that you adjourn this meeting for an indefinite period.”

VIII.

De Marigny and Phillips stared at the Hindoo as if hypnotised, while Aspinwall emitted a series of snorts and bellows. The old attorney’s disgust had by now surged into open rage, and he pounded the table with an apoplectically veined fist. When he spoke, it was in a kind of bark.

“How long is this foolery to be borne? I’ve listened an hour to this madman—this faker—and now he has the damned effrontery to say that Randolph Carter is alive—to ask us to postpone the settlement for no good reason! Why don’t you throw the scoundrel out, de Marigny? Do you mean to make us all the butts of a charlatan or idiot?”

De Marigny quietly raised his hands and spoke softly.

“Let us think slowly and clearly. This has been a very singular tale, and there are things in it which I, as a mystic not altogether ignorant, recognise as far from impossible. Furthermore—since 1930 I have received letters from the Swami which tally with his account.”

As he paused, old Mr. Phillips ventured a word.

“Swami Chandraputra spoke of proofs. I, too, recognise much that is significant in this story, and I have myself had many oddly corroborative letters from the Swami during the last two years; but some of these statements are very extreme. Is there not something tangible which can be shewn?”

At last the impassive-faced Swami replied, slowly and hoarsely, and drawing an object from the pocket of his loose coat as he spoke.

“While none of you here has ever seen the Silver Key itself, Messrs. de Marigny and Phillips have seen photographs of it. Does this look familiar to you?”

He fumblingly laid on the table, with his large, white-mittened hand, a heavy key of tarnished silver—nearly five inches long, of unknown and utterly exotic workmanship, and covered from end to end with hieroglyphs of the most bizarre description. De Marigny and Phillips gasped.

“That’s it!” cried de Marigny. “The camera doesn’t lie. I couldn’t be mistaken!”

But Aspinwall had already launched a reply.

“Fools! What does it prove? If that’s really the key that belonged to my cousin, it’s up to this foreigner—this damned nigger—to explain how he got it! Randolph Carter vanished with the key four years ago. How do we know he wasn’t robbed and murdered? He was half-crazy himself, and in touch with still crazier people.

“Look here, you nigger—where did you get that key? Did you kill Randolph Carter?”

The Swami’s features, abnormally placid, did not change; but the remote, irisless black eyes behind them blazed dangerously. He spoke with great difficulty.

“Please control yourself, Mr. Aspinwall. There is another form of proof that I could give, but its effect upon everybody would not be pleasant. Let us be reasonable. Here are some papers obviously written since 1930, and in the unmistakable style of Randolph Carter.”

He clumsily drew a long envelope from inside his loose coat and handed it to the sputtering attorney as de Marigny and Phillips watched with chaotic thoughts and a dawning feeling of supernal wonder.

“Of course the handwriting is almost illegible—but remember that Randolph Carter now has no hands well adapted to forming human script.”

Aspinwall looked through the papers hurriedly, and was visibly perplexed, but he did not change his demeanour. The room was tense with excitement and nameless dread, and the alien rhythm of the coffin-shaped clock had an utterly diabolic sound to de Marigny and Phillips—though the lawyer seemed affected not at all. Aspinwall spoke again.

“These look like clever forgeries. If they aren’t, they may mean that Randolph Carter has been brought under the control of people with no good purpose. There’s only one thing to do—have this faker arrested. De Marigny, will you telephone for the police?”

“Let us wait,” answered their host. “I do not think this case calls for the police. I have a certain idea. Mr. Aspinwall, this gentleman is a mystic of real attainments. He says he is in the confidence of Randolph Carter. Will it satisfy you if he can answer certain questions which could be answered only by one in such confidence? I know Carter, and can ask such questions. Let me get a book which I think will make a good test.”

He turned toward the door to the library, Phillips dazedly following in a kind of automatic way. Aspinwall remained where he was, studying closely the Hindoo who confronted him with abnormally impassive face. Suddenly, as Chandraputra clumsily restored the Silver Key to his pocket, the lawyer emitted a guttural shout which stopped de Marigny and Phillips in their tracks.

“Hey, by God, I’ve got it! This rascal is in disguise. I don’t believe he’s an East Indian at all. That face—it isn’t a face, but a mask! I guess his story put that into my head, but it’s true. It never moves, and that turban and beard hide the edges. This fellow’s a common crook! He isn’t even a foreigner—I’ve been watching his language. He’s a Yankee of some sort. And look at those mittens—he knows his fingerprints could be spotted. Damn you, I’ll pull that thing off—”

“Stop!” The hoarse, oddly alien voice of the Swami held a tone beyond all mere earthly fright. “I told you there was another form of proof which I could give if necessary, and I warned you not to provoke me to it. This red-faced old meddler is right—I’m not really an East Indian. This face is a mask, and what it covers is not human. You others have guessed—I felt that minutes ago. It wouldn’t be pleasant if I took that mask off—let it alone, Ernest. I may as well tell you that I am Randolph Carter.”

No one moved. Aspinwall snorted and made vague motions. De Marigny and Phillips, across the room, watched the workings of his red face and studied the back of the turbaned figure that confronted him. The clock’s abnormal ticking was hideous, and the tripod fumes and swaying arras danced a dance of death. The half-choking lawyer broke the silence.

“No you don’t, you crook—you can’t scare me! You’ve reasons of your own for not wanting that mask off. Maybe we’d know who you are. Off with it—”

As he reached forward, the Swami seized his hand with one of his own clumsily mittened members, evoking a curious cry of mixed pain and surprise. De Marigny started toward the two, but paused confused as the pseudo-Hindoo’s shout of protest changed to a wholly inexplicable rattling and buzzing sound. Aspinwall’s red face was furious, and with his free hand he made another lunge at this opponent’s bushy beard. This time he succeeded in getting a hold, and at his frantic tug the whole waxen visage came loose from the turban and clung to the lawyer’s apoplectic fist.

As it did so, Aspinwall uttered a frightful gurgling cry, and Phillips and de Marigny saw his face convulsed with a wilder, deeper, and more hideous epilepsy of stark panic than ever they had seen on human countenance before. The pseudo-Swami had meanwhile released his other hand and was standing as if dazed, making buzzing noises of a most abnormal quality. Then the turbaned figure slumped oddly into a posture scarcely human, and began a curious, fascinated sort of shuffle toward the coffin-shaped clock that ticked out its cosmic and abnormal rhythm. His now uncovered face was turned away, and de Marigny and Phillips could not see what the lawyer’s act had disclosed. Then their attention was turned to Aspinwall, who was sinking ponderously to the floor. The spell was broken—but when they reached the old man he was dead.

Turning quickly to the shuffling Swami’s receding back, de Marigny saw one of the great white mittens drop listlessly off a dangling arm. The fumes of the olibanum were thick, and all that could be glimpsed of the revealed hand was something long and black. Before the Creole could reach the retreating figure, old Mr. Phillips laid a restraining hand on his shoulder.

“Don’t!” he whispered. “We don’t know what we’re up against—that other facet, you know—Zkauba, the wizard of Yaddith. . . .”

The turbaned figure had now reached the abnormal clock, and the watchers saw through the dense fumes a blurred black claw fumbling with the tall, hieroglyphed door. The fumbling made a queer clicking sound. Then the figure entered the coffin-shaped case and pulled the door shut after it.

De Marigny could no longer be restrained, but when he reached and opened the clock it was empty. The abnormal ticking went on, beating out the dark cosmic rhythm which underlies all mystical gate-openings. On the floor the great white mitten, and the dead man with a bearded mask clutched in his hand, had nothing further to reveal.

A year has passed, and nothing has been heard of Randolph Carter. His estate is still unsettled. The Boston address from which one “Swami Chandraputra” sent inquiries to various mystics in 1930-31-32 was indeed tenanted by a strange Hindoo, but he left shortly before the date of the New Orleans conference and has never been seen since. He was said to be dark, expressionless, and bearded, and his landlord thinks the swarthy mask—which was duly exhibited—looks very much like him. He was never, however, suspected of any connexion with the nightmare apparitions whispered of by local Slavs. The hills behind Arkham were searched for the “metal envelope”, but nothing of the sort was ever found. However, a clerk in Arkham’s First National Bank does recall a queer turbaned man who cashed an odd bit of gold bullion in October, 1930.

De Marigny and Phillips scarcely knew what to make of the business. After all, what was proved? There was a story. There was a key which might have been forged from one of the pictures Carter had freely distributed in 1928. There were papers—all indecisive. There was a masked stranger, but who now living saw behind the mask? Amidst the strain and the olibanum fumes that act of vanishing in the clock might easily have been a dual hallucination. Hindoos know much of hypnotism. Reason proclaims the “Swami” a criminal with designs on Randolph Carter’s estate. But the autopsy said that Aspinwall had died of shock. Was it rage alone which caused it? And some things in that story . . .

In a vast room hung with strangely figured arras and filled with olibanum fumes, Etienne-Laurent de Marigny often sits listening with vague sensations to the abnormal rhythm of that hieroglyphed, coffin-shaped clock.

THE DREAMS IN THE WITCH HOUSE

Whether the dreams brought on the fever or the fever brought on the dreams Walter Gilman did not know. Behind everything crouched the brooding, festering horror of the ancient town, and of the mouldy, unhallowed garret gable where he wrote and studied and wrestled with figures and formulae when he was not tossing on the meagre iron bed. His ears were growing sensitive to a preternatural and intolerable degree, and he had long ago stopped the cheap mantel clock whose ticking had come to seem like a thunder of artillery. At night the subtle stirring of the black city outside, the sinister scurrying of rats in the wormy partitions, and the creaking of hidden timbers in the centuried house, were enough to give him a sense of strident pandemonium. The darkness always teemed with unexplained sound—and yet he sometimes shook with fear lest the noises he heard should subside and allow him to hear certain other, fainter noises which he suspected were lurking behind them.

He was in the changeless, legend-haunted city of Arkham, with its clustering gambrel roofs that sway and sag over attics where witches hid from the King’s men in the dark, olden days of the Province. Nor was any spot in that city more steeped in macabre memory than the gable room which harboured him—for it was this house and this room which had likewise harboured old Keziah Mason, whose flight from Salem Gaol at the last no one was ever able to explain. That was in 1692—the gaoler had gone mad and babbled of a small, white-fanged furry thing which scuttled out of Keziah’s cell, and not even Cotton Mather^1 could explain the curves and angles smeared on the grey stone walls with some red, sticky fluid.

Possibly Gilman ought not to have studied so hard. Non-Euclidean calculus and quantum physics are enough to stretch any brain; and when one mixes them with folklore, and tries to trace a strange background of multi-dimensional reality behind the ghoulish hints of the Gothic tales and the wild whispers of the chimney-corner, one can hardly expect to be wholly free from mental tension. Gilman came from Haverhill,2 but it was only after he had entered college in Arkham that he began to connect his mathematics with the fantastic legends of elder magic. Something in the air of the hoary town worked obscurely on his imagination. The professors at Miskatonic had urged him to slacken up, and had voluntarily cut down his course at several points. Moreover, they had stopped him from consulting the dubious old books on forbidden secrets that were kept under lock and key in a vault at the university library. But all these precautions came late in the day, so that Gilman had some terrible hints from the dreaded Necronomicon of Abdul Alhazred, the fragmentary Book of Eibon, and the suppressed Unaussprechlichen Kulten of von Junzt^3 to correlate with his abstract formulae on the properties of space and the linkage of dimensions known and unknown.

He knew his room was in the old Witch House—that, indeed, was why he had taken it. There was much in the Essex County records about Keziah Mason’s trial, and what she had admitted under pressure to the Court of Oyer and Terminer^4 had fascinated Gilman beyond all reason. She had told Judge Hathorne^5 of lines and curves that could be made to point out directions leading through the walls of space to other spaces beyond, and had implied that such lines and curves were frequently used at certain midnight meetings in the dark valley of the white stone beyond Meadow Hill and on the unpeopled island in the river. She had spoken also of the Black Man,6 of her oath, and of her new secret name of Nahab. Then she had drawn those devices on the walls of her cell and vanished.

Gilman believed strange things about Keziah, and had felt a queer thrill on learning that her dwelling was still standing after more than 235 years. When he heard the hushed Arkham whispers about Keziah’s persistent presence in the old house and the narrow streets, about the irregular human tooth-marks left on certain sleepers in that and other houses, about the childish cries heard near May-Eve and Hallowmass,7 about the stench often noted in the old house’s attic just after those dreaded seasons, and about the small, furry, sharp-toothed thing which haunted the mouldering structure and the town and nuzzled people curiously in the black hours before dawn, he resolved to live in the place at any cost. A room was easy to secure; for the house was unpopular, hard to rent, and long given over to cheap lodgings. Gilman could not have told what he expected to find there, but he knew he wanted to be in the building where some circumstance had more or less suddenly given a mediocre old woman of the seventeenth century an insight into mathematical depths perhaps beyond the utmost modern delvings of Planck, Heisenberg, Einstein, and de Sitter.8

He studied the timber and plaster walls for traces of cryptic designs at every accessible spot where the paper had peeled, and within a week managed to get the eastern attic room where Keziah was held to have practiced her spells. It had been vacant from the first—for no one had ever been willing to stay there long—but the Polish landlord had grown wary about renting it. Yet nothing whatever happened to Gilman till about the time of the fever. No ghostly Keziah flitted through the sombre halls and chambers, no small furry thing crept into his dismal eyrie to nuzzle him, and no record of the witch’s incantations rewarded his constant search. Sometimes he would take walks through shadowy tangles of unpaved musty-smelling lanes where eldritch brown houses of unknown age leaned and tottered and leered mockingly through narrow, small-paned windows. Here he knew strange things had happened once, and there was a faint suggestion behind the surface that everything of that monstrous past might not—at least in the darkest, narrowest, and most intricately crooked alleys—have utterly perished. He also rowed out twice to the ill-regarded island in the river, and made a sketch of the singular angles described by the moss-grown rows of grey standing stones whose origin was so obscure and immemorial.

Gilman’s room was of good size but queerly irregular shape; the north wall slanting perceptibly inward from the outer to the inner end, while the low ceiling slanted gently downward in the same direction. Aside from an obvious rat-hole and the signs of other stopped-up ones, there was no access—nor any appearance of a former avenue of access—to the space which must have existed between the slanting wall and the straight outer wall on the house’s north side, though a view from the exterior shewed where a window had been boarded up at a very remote date. The loft above the ceiling—which must have had a slanting floor—was likewise inaccessible. When Gilman climbed up a ladder to the cobwebbed level loft above the rest of the attic he found vestiges of a bygone aperture tightly and heavily covered with ancient planking and secured by the stout wooden pegs common in colonial carpentry. No amount of persuasion, however, could induce the stolid landlord to let him investigate either of these two closed spaces.

As time wore along, his absorption in the irregular wall and ceiling of his room increased; for he began to read into the odd angles a mathematical significance which seemed to offer vague clues regarding their purpose. Old Keziah, he reflected, might have had excellent reasons for living in a room with peculiar angles; for was it not through certain angles that she claimed to have gone outside the boundaries of the world of space we know? His interest gradually veered away from the unplumbed voids beyond the slanting surfaces, since it now appeared that the purpose of those surfaces concerned the side he was already on.

The touch of brain-fever and the dreams began early in February. For some time, apparently, the curious angles of Gilman’s room had been having a strange, almost hypnotic effect on him; and as the bleak winter advanced he had found himself staring more and more intently at the corner where the down-slanting ceiling met the inward-slanting wall. About this period his inability to concentrate on his formal studies worried him considerably, his apprehensions about the mid-year examinations being very acute. But the exaggerated sense of hearing was scarcely less annoying. Life had become an insistent and almost unendurable cacophony, and there was that constant, terrifying impression of other sounds—perhaps from regions beyond life—trembling on the very brink of audibility. So far as concrete noises went, the rats in the ancient partitions were the worst. Sometimes their scratching seemed not only furtive but deliberate. When it came from beyond the slanting north wall it was mixed with a sort of dry rattling—and when it came from the century-closed loft above the slanting ceiling Gilman always braced himself as if expecting some horror which only bided its time before descending to engulf him utterly.

The dreams were wholly beyond the pale of sanity, and Gilman felt that they must be a result, jointly, of his studies in mathematics and in folklore. He had been thinking too much about the vague regions which his formulae told him must lie beyond the three dimensions we know, and about the possibility that old Keziah Mason—guided by some influence past all conjecture—had actually found the gate to those regions. The yellowed county records containing her testimony and that of her accusers were so damnably suggestive of things beyond human experience—and the descriptions of the darting little furry object which served as her familiar were so painfully realistic despite their incredible details.

That object—no larger than a good-sized rat and quaintly called by the townspeople “Brown Jenkin”—seemed to have been the fruit of a remarkable case of sympathetic herd-delusion, for in 1692 no less than eleven persons had testified to glimpsing it. There were recent rumours, too, with a baffling and disconcerting amount of agreement. Witnesses said it had long hair and the shape of a rat, but that its sharp-toothed, bearded face was evilly human while its paws were like tiny human hands. It took messages betwixt old Keziah and the devil, and was nursed on the witch’s blood—which it sucked like a vampire. Its voice was a kind of loathsome titter, and it could speak all languages. Of all the bizarre monstrosities in Gilman’s dreams, nothing filled him with greater panic and nausea than this blasphemous and diminutive hybrid, whose image flitted across his vision in a form a thousandfold more hateful than anything his waking mind had deduced from the ancient records and the modern whispers.

Gilman’s dreams consisted largely in plunges through limitless abysses of inexplicably coloured twilight and bafflingly disordered sound; abysses whose material and gravitational properties, and whose relation to his own entity, he could not even begin to explain. He did not walk or climb, fly or swim, crawl or wriggle; yet always experienced a mode of motion partly voluntary and partly involuntary. Of his own condition he could not well judge, for sight of his arms, legs, and torso seemed always cut off by some odd disarrangement of perspective; but he felt that his physical organisation and faculties were somehow marvellously transmuted and obliquely projected—though not without a certain grotesque relationship to his normal proportions and properties.

The abysses were by no means vacant, being crowded with indescribably angled masses of alien-hued substance, some of which appeared to be organic while others seemed inorganic. A few of the organic objects tended to awake vague memories in the back of his mind, though he could form no conscious idea of what they mockingly resembled or suggested. In the later dreams he began to distinguish separate categories into which the organic objects appeared to be divided, and which seemed to involve in each case a radically different species of conduct-pattern and basic motivation. Of these categories one seemed to him to include objects slightly less illogical and irrelevant in their motions than the members of the other categories.

All the objects—organic and inorganic alike—were totally beyond description or even comprehension. Gilman sometimes compared the inorganic masses to prisms, labyrinths, clusters of cubes and planes, and Cyclopean buildings; and the organic things struck him variously as groups of bubbles, octopi, centipedes, living Hindoo idols, and intricate Arabesques roused into a kind of ophidian animation. Everything he saw was unspeakably menacing and horrible; and whenever one of the organic entities appeared by its motions to be noticing him, he felt a stark, hideous fright which generally jolted him awake. Of how the organic entities moved, he could tell no more than of how he moved himself. In time he observed a further mystery—the tendency of certain entities to appear suddenly out of empty space, or to disappear totally with equal suddenness. The shrieking, roaring confusion of sound which permeated the abysses was past all analysis as to pitch, timbre, or rhythm; but seemed to be synchronous with vague visual changes in all the indefinite objects, organic and inorganic alike. Gilman had a constant sense of dread that it might rise to some unbearable degree of intensity during one or another of its obscure, relentlessly inevitable fluctuations.

But it was not in these vortices of complete alienage that he saw Brown Jenkin. That shocking little horror was reserved for certain lighter, sharper dreams which assailed him just before he dropped into the fullest depths of sleep. He would be lying in the dark fighting to keep awake when a faint lambent glow would seem to shimmer around the centuried room, shewing in a violet mist the convergence of angled planes which had seized his brain so insidiously. The horror would appear to pop out of the rat-hole in the corner and patter toward him over the sagging, wide-planked floor with evil expectancy in its tiny, bearded human face—but mercifully, this dream always melted away before the object got close enough to nuzzle him. It had hellishly long, sharp, canine teeth. Gilman tried to stop up the rat-hole every day, but each night the real tenants of the partitions would gnaw away the obstruction, whatever it might be. Once he had the landlord nail tin over it, but the next night the rats gnawed a fresh hole—in making which they pushed or dragged out into the room a curious little fragment of bone.

Gilman did not report his fever to the doctor, for he knew he could not pass the examinations if ordered to the college infirmary when every moment was needed for cramming. As it was, he failed in Calculus D and Advanced General Psychology, though not without hope of making up lost ground before the end of the term. It was in March when the fresh element entered his lighter preliminary dreaming, and the nightmare shape of Brown Jenkin began to be companioned by the nebulous blur which grew more and more to resemble a bent old woman. This addition disturbed him more than he could account for, but finally he decided that it was like an ancient crone whom he had twice actually encountered in the dark tangle of lanes near the abandoned wharves. On those occasions the evil, sardonic, and seemingly unmotivated stare of the beldame had set him almost shivering—especially the first time, when an overgrown rat darting across the shadowed mouth of a neighbouring alley had made him think irrationally of Brown Jenkin. Now, he reflected, those nervous fears were being mirrored in his disordered dreams.

That the influence of the old house was unwholesome, he could not deny; but traces of his early morbid interest still held him there. He argued that the fever alone was responsible for his nightly phantasies, and that when the touch abated he would be free from the monstrous visions. Those visions, however, were of abhorrent vividness and convincingness, and whenever he awaked he retained a vague sense of having undergone much more than he remembered. He was hideously sure that in unrecalled dreams he had talked with both Brown Jenkin and the old woman, and that they had been urging him to go somewhere with them and to meet a third being of greater potency.

Toward the end of March he began to pick up in his mathematics, though other studies bothered him increasingly. He was getting an intuitive knack for solving Riemannian equations,9 and astonished Professor Upham 10 by his comprehension of fourth-dimensional and other problems which had floored all the rest of the class. One afternoon there was a discussion of possible freakish curvatures in space, and of theoretical points of approach or even contact between our part of the cosmos and various other regions as distant as the farthest stars or the trans-galactic gulfs themselves—or even as fabulously remote as the tentatively conceivable cosmic units beyond the whole Einsteinian space-time continuum. Gilman’s handling of this theme filled everyone with admiration, even though some of his hypothetical illustrations caused an increase in the always plentiful gossip about his nervous and solitary eccentricity. What made the students shake their heads was his sober theory that a man might—given mathematical knowledge admittedly beyond all likelihood of human acquirement—step deliberately from the earth to any other celestial body which might lie at one of an infinity of specific points in the cosmic pattern.

Such a step, he said, would require only two stages; first, a passage out of the three-dimensional sphere we know, and second, a passage back to the three-dimensional sphere at another point, perhaps one of infinite remoteness. That this could be accomplished without loss of life was in many cases conceivable. Any being from any part of three-dimensional space could probably survive in the fourth dimension; and its survival of the second stage would depend upon what alien part of three-dimensional space it might select for its re-entry. Denizens of some planets might be able to live on certain others—even planets belonging to other galaxies, or to similar-dimensional phases of other space-time continua—though of course there must be vast numbers of mutually uninhabitable even though mathematically juxtaposed bodies or zones of space.

It was also possible that the inhabitants of a given dimensional realm could survive entry to many unknown and incomprehensible realms of additional or indefinitely multiplied dimensions—be they within or outside the given space-time continuum—and that the converse would be likewise true. This was a matter for speculation, though one could be fairly certain that the type of mutation involved in a passage from any given dimensional plane to the next higher plane would not be destructive of biological integrity as we understand it. Gilman could not be very clear about his reasons for this last assumption, but his haziness here was more than overbalanced by his clearness on other complex points. Professor Upham especially liked his demonstration of the kinship of higher mathematics to certain phases of magical lore transmitted down the ages from an ineffable antiquity—human or pre-human—whose knowledge of the cosmos and its laws was greater than ours.

Around the first of April Gilman worried considerably because his slow fever did not abate. He was also troubled by what some of his fellow-lodgers said about his sleep-walking. It seemed that he was often absent from his bed, and that the creaking of his floor at certain hours of the night was remarked by the man in the room below. This fellow also spoke of hearing the tread of shod feet in the night; but Gilman was sure he must have been mistaken in this, since shoes as well as other apparel were always precisely in place in the morning. One could develop all sorts of aural delusions in this morbid old house—for did not Gilman himself, even in daylight, now feel certain that noises other than rat-scratchings came from the black voids beyond the slanting wall and above the slanting ceiling? His pathologically sensitive ears began to listen for faint footfalls in the immemorially sealed loft overhead, and sometimes the illusion of such things was agonisingly realistic.

However, he knew that he had actually become a somnambulist; for twice at night his room had been found vacant, though with all his clothing in place. Of this he had been assured by Frank Elwood, the one fellow-student whose poverty forced him to room in this squalid and unpopular house. Elwood had been studying in the small hours and had come up for help on a differential equation, only to find Gilman absent. It had been rather presumptuous of him to open the unlocked door after knocking had failed to rouse a response, but he had needed the help very badly and thought that his host would not mind a gentle prodding awake. On neither occasion, though, had Gilman been there—and when told of the matter he wondered where he could have been wandering, barefoot and with only his night-clothes on. He resolved to investigate the matter if reports of his sleep-walking continued, and thought of sprinkling flour on the floor of the corridor to see where his footsteps might lead. The door was the only conceivable egress, for there was no possible foothold outside the narrow window.

As April advanced Gilman’s fever-sharpened ears were disturbed by the whining prayers of a superstitious loomfixer named Joe Mazurewicz, who had a room on the ground floor. Mazurewicz had told long, rambling stories about the ghost of old Keziah and the furry, sharp-fanged, nuzzling thing, and had said he was so badly haunted at times that only his silver crucifix—given him for the purpose by Father Iwanicki of St. Stanislaus’ Church^11—could bring him relief. Now he was praying because the Witches’ Sabbath was drawing near. May-Eve was Walpurgis-Night, when hell’s blackest evil roamed the earth and all the slaves of Satan gathered for nameless rites and deeds. It was always a very bad time in Arkham, even though the fine folks up in Miskatonic Avenue and High and Saltonstall Streets pretended to know nothing about it. There would be bad doings—and a child or two would probably be missing. Joe knew about such things, for his grandmother in the old country had heard tales from her grandmother. It was wise to pray and count one’s beads at this season. For three months Keziah and Brown Jenkin had not been near Joe’s room, nor near Paul Choynski’s room, nor anywhere else—and it meant no good when they held off like that. They must be up to something.

Gilman dropped in at a doctor’s office on the 16th of the month, and was surprised to find his temperature was not as high as he had feared. The physician questioned him sharply, and advised him to see a nerve specialist. On reflection, he was glad he had not consulted the still more inquisitive college doctor. Old Waldron, who had curtailed his activities before, would have made him take a rest—an impossible thing now that he was so close to great results in his equations. He was certainly near the boundary between the known universe and the fourth dimension, and who could say how much farther he might go?

But even as these thoughts came to him he wondered at the source of his strange confidence. Did all of this perilous sense of imminence come from the formulae on the sheets he covered day by day? The soft, stealthy, imaginary footsteps in the sealed loft above were unnerving. And now, too, there was a growing feeling that somebody was constantly persuading him to do something terrible which he could not do. How about the somnambulism? Where did he go sometimes in the night? And what was that faint suggestion of sound which once in a while seemed to trickle through the maddening confusion of identifiable sounds even in broad daylight and full wakefulness? Its rhythm did not correspond to anything on earth, unless perhaps to the cadence of one or two unmentionable Sabbat-chants, and sometimes he feared it corresponded to certain attributes of the vague shrieking or roaring in those wholly alien abysses of dream.

The dreams were meanwhile getting to be atrocious. In the lighter preliminary phase the evil old woman was now of fiendish distinctness, and Gilman knew she was the one who had frightened him in the slums. Her bent back, long nose, and shrivelled chin were unmistakable, and her shapeless brown garments were like those he remembered. The expression on her face was one of hideous malevolence and exultation, and when he awaked he could recall a croaking voice that persuaded and threatened. He must meet the Black Man, and go with them all to the throne of Azathoth at the centre of ultimate Chaos.12 That was what she said. He must sign in his own blood the book of Azathoth and take a new secret name now that his independent delvings had gone so far. What kept him from going with her and Brown Jenkin and the other to the throne of Chaos where the thin flutes pipe mindlessly was the fact that he had seen the name “Azathoth” in the Necronomicon, and knew it stood for a primal evil too horrible for description.

The old woman always appeared out of thin air near the corner where the downward slant met the inward slant. She seemed to crystallise at a point closer to the ceiling than to the floor, and every night she was a little nearer and more distinct before the dream shifted. Brown Jenkin, too, was always a little nearer at the last, and its yellowish-white fangs glistened shockingly in that unearthly violet phosphorescence. Its shrill loathsome tittering stuck more and more in Gilman’s head, and he could remember in the morning how it had pronounced the words “Azathoth” and “Nyarlathotep”.13

In the deeper dreams everything was likewise more distinct, and Gilman felt that the twilight abysses around him were those of the fourth dimension. Those organic entities whose motions seemed least flagrantly irrelevant and unmotivated were probably projections of life-forms from our own planet, including human beings. What the others were in their own dimensional sphere or spheres he dared not try to think. Two of the less irrelevantly moving things—a rather large congeries of iridescent, prolately spheroidal bubbles and a very much smaller polyhedron of unknown colours and rapidly shifting surface angles—seemed to take notice of him and follow him about or float ahead as he changed position among the titan prisms, labyrinths, cube-and-plane clusters, and quasi-buildings; and all the while the vague shrieking and roaring waxed louder and louder, as if approaching some monstrous climax of utterly unendurable intensity.

During the night of April 19-20 the new development occurred. Gilman was half-involuntarily moving about in the twilight abysses with the bubble-mass and the small polyhedron floating ahead, when he noticed the peculiarly regular angles formed by the edges of some gigantic neighbouring prism-clusters. In another second he was out of the abyss and standing tremulously on a rocky hillside bathed in intense, diffused green light. He was barefooted and in his night-clothes, and when he tried to walk discovered that he could scarcely lift his feet. A swirling vapour hid everything but the immediate sloping terrain from sight, and he shrank from the thought of the sounds that might surge out of that vapour.

Then he saw the two shapes laboriously crawling toward him—the old woman and the furry little thing. The crone strained up to her knees and managed to cross her arms in a singular fashion, while Brown Jenkin pointed in a certain direction with a horribly anthropoid fore paw which it raised with evident difficulty. Spurred by an impulse he did not originate, Gilman dragged himself forward along a course determined by the angle of the old woman’s arms and the direction of the small monstrosity’s paw, and before he had shuffled three steps he was back in the twilight abysses. Geometrical shapes seethed around him, and he fell dizzily and interminably. At last he woke in his bed in the crazily angled garret of the eldritch old house.

He was good for nothing that morning, and stayed away from all his classes. Some unknown attraction was pulling his eyes in a seemingly irrelevant direction, for he could not help staring at a certain vacant spot on the floor. As the day advanced the focus of his unseeing eyes changed position, and by noon he had conquered the impulse to stare at vacancy. About two o’clock he went out for lunch, and as he threaded the narrow lanes of the city he found himself turning always to the southeast. Only an effort halted him at a cafeteria in Church Street, and after the meal he felt the unknown pull still more strongly.

He would have to consult a nerve specialist after all—perhaps there was a connexion with his somnambulism—but meanwhile he might at least try to break the morbid spell himself. Undoubtedly he could still manage to walk away from the pull; so with great resolution he headed against it and dragged himself deliberately north along Garrison Street. By the time he had reached the bridge over the Miskatonic he was in a cold perspiration, and he clutched at the iron railing as he gazed upstream at the ill-regarded island whose regular lines of ancient standing stones brooded sullenly in the afternoon sunlight.

Then he gave a start. For there was a clearly visible living figure on that desolate island, and a second glance told him it was certainly the strange old woman whose sinister aspect had worked itself so disastrously into his dreams. The tall grass near her was moving, too, as if some other living thing were crawling close to the ground. When the old woman began to turn toward him he fled precipitately off the bridge and into the shelter of the town’s labyrinthine waterfront alleys. Distant though the island was, he felt that a monstrous and invincible evil could flow from the sardonic stare of that bent, ancient figure in brown.

The southeastward pull still held, and only with tremendous resolution could Gilman drag himself into the old house and up the rickety stairs. For hours he sat silent and aimless, with his eyes shifting gradually westward. About six o’clock his sharpened ears caught the whining prayers of Joe Mazurewicz two floors below, and in desperation he seized his hat and walked out into the sunset-golden streets, letting the now directly southward pull carry him where it might. An hour later darkness found him in the open fields beyond Hangman’s Brook, with the glimmering spring stars shining ahead. The urge to walk was gradually changing to an urge to leap mystically into space, and suddenly he realised just where the source of the pull lay.

It was in the sky. A definite point among the stars had a claim on him and was calling him. Apparently it was a point somewhere between Hydra and Argo Navis,14 and he knew that he had been urged toward it ever since he had awaked soon after dawn. In the morning it had been underfoot; afternoon found it rising in the southeast, and now it was roughly south but wheeling toward the west. What was the meaning of this new thing? Was he going mad? How long would it last? Again mustering his resolution, Gilman turned and dragged himself back to the sinister old house.

Mazurewicz was waiting for him at the door, and seemed both anxious and reluctant to whisper some fresh bit of superstition. It was about the witch light. Joe had been out celebrating the night before—it was Patriots’ Day in Massachusetts^15—and had come home after midnight. Looking up at the house from outside, he had thought at first that Gilman’s window as dark; but then he had seen the faint violet glow within. He wanted to warn the gentleman about that glow, for everybody in Arkham knew it was Keziah’s witch light which played near Brown Jenkin and the ghost of the old crone herself. He had not mentioned this before, but now he must tell about it because it meant that Keziah and her long-toothed familiar were haunting the young gentleman. Sometimes he and Paul Choynski and Landlord Dombrowski thought they saw that light seeping out of cracks in the sealed loft above the young gentleman’s room, but they had all agreed not to talk about that. However, it would be better for the gentleman to take another room and get a crucifix from some good priest like Father Iwanicki.

As the man rambled on Gilman felt a nameless panic clutch at his throat. He knew that Joe must have been half drunk when he came home the night before, yet this mention of a violet light in the garret window was of frightful import. It was a lambent glow of this sort which always played about the old woman and the small furry thing in those lighter, sharper dreams which prefaced his plunge into unknown abysses, and the thought that a wakeful second person could see the dream-luminance was utterly beyond sane harbourage. Yet where had the fellow got such an odd notion? Had he himself talked as well as walked around the house in his sleep? No, Joe said, he had not—but he must check up on this. Perhaps Frank Elwood could tell him something, though he hated to ask.

Fever—wild dreams—somnambulism—illusions of sound—a pull toward a point in the sky—and now a suspicion of insane sleep-talking! He must stop studying, see a nerve specialist, and take himself in hand. When he climbed to the second story he paused at Elwood’s door but saw that the other youth was out. Reluctantly he continued up to his garret room and sat down in the dark. His gaze was still pulled to the southwest, but he also found himself listening intently for some sound in the closed loft above, and half imagining that an evil violet light seeped down through an infinitesimal crack in the low, slanting ceiling.

That night as Gilman slept the violet light broke upon him with heightened intensity, and the old witch and small furry thing—getting closer than ever before—mocked him with inhuman squeals and devilish gestures. He was glad to sink into the vaguely roaring twilight abysses, though the pursuit of that iridescent bubble-congeries and that kaleidoscopic little polyhedron was menacing and irritating. Then came the shift as vast converging planes of a slippery-looking substance loomed above and below him—a shift which ended in a flash of delirium and a blaze of unknown, alien light in which yellow, carmine, and indigo were madly and inextricably blended.

He was half lying on a high, fantastically balustraded terrace above a boundless jungle of outlandish, incredible peaks, balanced planes, domes, minarets, horizontal discs poised on pinnacles, and numberless forms of still greater wildness—some of stone and some of metal—which glittered gorgeously in the mixed, almost blistering glare from a polychromatic sky. Looking upward he saw three stupendous discs of flame, each of a different hue, and at a different height above an infinitely distant curving horizon of low mountains. Behind him tiers of higher terraces towered aloft as far as he could see. The city below stretched away to the limits of vision, and he hoped that no sound would well up from it.

The pavement from which he easily raised himself was of a veined, polished stone beyond his power to identify, and the tiles were cut in bizarre-angled shapes which struck him as less asymmetrical than based on some unearthly symmetry whose laws he could not comprehend. The balustrade was chest-high, delicate, and fantastically wrought, while along the rail were ranged at short intervals little figures of grotesque design and exquisite workmanship. They, like the whole balustrade, seemed to be made of some sort of shining metal whose colour could not be guessed in this chaos of mixed effulgences; and their nature utterly defied conjecture. They represented some ridged, barrel-shaped object with thin horizontal arms radiating spoke-like from a central ring, and with vertical knobs or bulbs projecting from the head and base of the barrel. Each of these knobs was the hub of a system of five long, flat, triangularly tapering arms arranged around it like the arms of a starfish—nearly horizontal, but curving slightly away from the central barrel. The base of the bottom knob was fused to the long railing with so delicate a point of contact that several figures had been broken off and were missing. The figures were about four and a half inches in height, while the spiky arms gave them a maximum diameter of about two and a half inches.16

When Gilman stood up the tiles felt hot to his bare feet. He was wholly alone, and his first act was to walk to the balustrade and look dizzily down at the endless, Cyclopean city almost two thousand feet below. As he listened he thought a rhythmic confusion of faint musical pipings covering a wide tonal range welled up from the narrow streets beneath, and he wished he might discern the denizens of the place. The sight turned him giddy after a while, so that he would have fallen to the pavement had he not clutched instinctively at the lustrous balustrade. His right hand fell on one of the projecting figures, the touch seeming to steady him slightly. It was too much, however, for the exotic delicacy of the metal-work, and the spiky figure snapped off under his grasp. Still half-dazed, he continued to clutch it as his other hand seized a vacant space on the smooth railing.

But now his oversensitive ears caught something behind him, and he looked back across the level terrace. Approaching him softly though without apparent furtiveness were five figures, two of which were the sinister old woman and the fanged, furry little animal. The other three were what sent him unconscious—for they were living entities about eight feet high, shaped precisely like the spiky images on the balustrade, and propelling themselves by a spider-like wriggling of their lower set of starfish-arms.

Gilman awakened in his bed, drenched by a cold perspiration and with a smarting sensation in his face, hands, and feet. Springing to the floor, he washed and dressed in frantic haste, as if it were necessary for him to get out of the house as quickly as possible. He did not know where he wished to go, but felt that once more he would have to sacrifice his classes. The odd pull toward that spot in the sky between Hydra and Argo had abated, but another of even greater strength had taken its place. Now he felt that he must go north—infinitely north. He dreaded to cross the bridge that gave a view of the desolate island in the Miskatonic, so went over the Peabody Avenue bridge. Very often he stumbled, for his eyes and ears were chained to an extremely lofty point in the blank blue sky.

After about an hour he got himself under better control, and saw that he was far from the city. All around him stretched the bleak emptiness of salt marshes, while the narrow road ahead led to Innsmouth—that ancient, half-deserted town which Arkham people were so curiously unwilling to visit. Though the northward pull had not diminished, he resisted it as he had resisted the other pull, and finally found that he could almost balance the one against the other. Plodding back to town and getting some coffee at a soda fountain, he dragged himself into the public library and browsed aimlessly among the lighter magazines. Once he met some friends who remarked how oddly sunburned he looked, but he did not tell them of his walk. At three o’clock he took some lunch at a restaurant, noting meanwhile that the pull had either lessened or divided itself. After that he killed the time at a cheap cinema show, seeing the inane performance over and over again without paying any attention to it.

About nine at night he drifted homeward and stumbled into the ancient house. Joe Mazurewicz was whining unintelligible prayers, and Gilman hastened up to his own garret chamber without pausing to see if Elwood was in. It was when he turned on the feeble electric light that the shock came. At once he saw there was something on the table which did not belong there, and a second look left no room for doubt. Lying on its side—for it could not stand up alone—was the exotic spiky figure which in his monstrous dream he had broken off the fantastic balustrade. No detail was missing. The ridged, barrel-shaped centre, the thin, radiating arms, the knobs at each end, and the flat, slightly outward-curving starfish-arms spreading from those knobs—all were there. In the electric light the colour seemed to be a kind of iridescent grey veined with green, and Gilman could see amidst his horror and bewilderment that one of the knobs ended in a jagged break corresponding to its former point of attachment to the dream-railing.

Only his tendency toward a dazed stupor prevented him from screaming aloud. This fusion of dream and reality was too much to bear. Still dazed, he clutched at the spiky thing and staggered downstairs to Landlord Dombrowski’s quarters. The whining prayers of the superstitious loomfixer were still sounding through the mouldy halls, but Gilman did not mind them now. The landlord was in, and greeted him pleasantly. No, he had not seen that thing before and did not know anything about it. But his wife had said she found a funny tin thing in one of the beds when she fixed the rooms at noon, and maybe that was it. Dombrowski called her, and she waddled in. Yes, that was the thing. She had found it in the young gentleman’s bed—on the side next the wall. It had looked very queer to her, but of course the young gentleman had lots of queer things in his room—books and curios and pictures and markings on paper. She certainly knew nothing about it.

So Gilman climbed upstairs again in a mental turmoil, convinced that he was either still dreaming or that his somnambulism had run to incredible extremes and led him to depredations in unknown places. Where had he got this outré thing? He did not recall seeing it in any museum in Arkham. It must have been somewhere, though; and the sight of it as he snatched it in his sleep must have caused the odd dream-picture of the balustraded terrace. Next day he would make some very guarded inquiries—and perhaps see the nerve specialist.

Meanwhile he would try to keep track of his somnambulism. As he went upstairs and across the garret hall he sprinkled about some flour which he had borrowed—with a frank admission as to its purpose—from the landlord. He had stopped at Elwood’s door on the way, but had found all dark within. Entering his room, he placed the spiky thing on the table, and lay down in complete mental and physical exhaustion without pausing to undress. From the closed loft above the slanting ceiling he thought he heard a faint scratching and padding, but he was too disorganised even to mind it. That cryptical pull from the north was getting very strong again, though it seemed now to come from a lower place in the sky.

In the dazzling violet light of dream the old woman and the fanged, furry thing came again and with a greater distinctness than on any former occasion. This time they actually reached him, and he felt the crone’s withered claws clutching at him. He was pulled out of bed and into empty space, and for a moment he heard a rhythmic roaring and saw the twilight amorphousness of the vague abysses seething around him. But that moment was very brief, for presently he was in a crude, windowless little space with rough beams and planks rising to a peak just above his head, and with a curious slanting floor underfoot. Propped level on that floor were low cases full of books of every degree of antiquity and disintegration, and in the centre were a table and bench, both apparently fastened in place. Small objects of unknown shape and nature were ranged on the tops of the cases, and in the flaming violet light Gilman thought he saw a counterpart of the spiky image which had puzzled him so horribly. On the left the floor fell abruptly away, leaving a black triangular gulf out of which, after a second’s dry rattling, there presently climbed the hateful little furry thing with the yellow fangs and bearded human face.

The evilly grinning beldame still clutched him, and beyond the table stood a figure he had never seen before—a tall, lean man of dead black colouration but without the slightest sign of negroid features; wholly devoid of either hair or beard, and wearing as his only garment a shapeless robe of some heavy black fabric. His feet were indistinguishable because of the table and bench, but he must have been shod, since there was a clicking whenever he changed position. The man did not speak, and bore no trace of expression on his small, regular features. He merely pointed to a book of prodigious size which lay open on the table, while the beldame thrust a huge grey quill into Gilman’s right hand. Over everything was a pall of intensely maddening fear, and the climax was reached when the furry thing ran up the dreamer’s clothing to his shoulders and then down his left arm, finally biting him sharply in the wrist just below his cuff. As the blood spurted from this wound Gilman lapsed into a faint.

He awaked on the morning of the 22nd with a pain in his left wrist, and saw that his cuff was brown with dried blood. His recollections were very confused, but the scene with the black man in the unknown space stood out vividly. The rats must have bitten him as he slept, giving rise to the climax of that frightful dream. Opening the door, he saw that the flour on the corridor floor was undisturbed except for the huge prints of the loutish fellow who roomed at the other end of the garret. So he had not been sleep-walking this time. But something would have to be done about those rats. He would speak to the landlord about them. Again he tried to stop up the hole at the base of the slanting wall, wedging in a candlestick which seemed of about the right size. His ears were ringing horribly, as if with the residual echoes of some horrible noise heard in dreams.

As he bathed and changed clothes he tried to recall what he had dreamed after the scene in the violet-litten space, but nothing definite would crystallise in his mind. That scene itself must have corresponded to the sealed loft overhead, which had begun to attack his imagination so violently, but later impressions were faint and hazy. There were suggestions of the vague, twilight abysses, and of still vaster, blacker abysses beyond them—abysses in which all fixed suggestions of form were absent. He had been taken there by the bubble-congeries and the little polyhedron which always dogged him; but they, like himself, had changed to wisps of milky, barely luminous mist in this farther void of ultimate blackness. Something else had gone on ahead—a larger wisp which now and then condensed into nameless approximations of form—and he thought that their progress had not been in a straight line, but rather along the alien curves and spirals of some ethereal vortex which obeyed laws unknown to the physics and mathematics of any conceivable cosmos. Eventually there had been a hint of vast, leaping shadows, of a monstrous, half-acoustic pulsing, and of the thin, monotonous piping of an unseen flute—but that was all. Gilman decided he had picked up that last conception from what he had read in the Necronomicon about the mindless entity Azathoth, which rules all time and space from a curiously environed black throne at the centre of Chaos.

When the blood was washed away the wrist wound proved very slight, and Gilman puzzled over the location of the two tiny punctures. It occurred to him that there was no blood on the bedspread where he had lain—which was very curious in view of the amount on his skin and cuff. Had he been sleep-walking within his room, and had the rat bitten him as he sat in some chair or paused in some less rational position? He looked in every corner for brownish drops or stains, but did not find any. He had better, he thought, sprinkle flour within the room as well as outside the door—though after all no further proof of his sleep-walking was needed. He knew he did walk—and the thing to do now was to stop it. He must ask Frank Elwood for help. This morning the strange pulls from space seemed lessened, though they were replaced by another sensation even more inexplicable. It was a vague, insistent impulse to fly away from his present situation, but held not a hint of the specific direction in which he wished to fly. As he picked up the strange spiky image on the table he thought the older northward pull grew a trifle stronger; but even so, it was wholly overruled by the newer and more bewildering urge.

He took the spiky image down to Elwood’s room, steeling himself against the whines of the loomfixer which welled up from the ground floor. Elwood was in, thank heaven, and appeared to be stirring about. There was time for a little conversation before leaving for breakfast and college, so Gilman hurriedly poured forth an account of his recent dreams and fears. His host was very sympathetic, and agreed that something ought to be done. He was shocked by his guest’s drawn, haggard aspect, and noticed the queer, abnormal-looking sunburn which others had remarked during the past week. There was not much, though, that he could say. He had not seen Gilman on any sleep-walking expedition, and had no idea what the curious image could be. He had, though, heard the French-Canadian who lodged just under Gilman talking to Mazurewicz one evening. They were telling each other how badly they dreaded the coming of Walpurgis-Night, now only a few days off; and were exchanging pitying comments about the poor, doomed young gentleman. Desrochers, the fellow under Gilman’s room, had spoken of nocturnal footsteps both shod and unshod, and of the violet light he saw one night when he had stolen fearfully up to peer through Gilman’s keyhole. He had not dared to peer, he told Mazurewicz, after he had glimpsed that light through the cracks around the door. There had been soft talking, too—and as he began to describe it his voice had sunk to an inaudible whisper.

Elwood could not imagine what had set these superstitious creatures gossiping, but supposed their imaginations had been roused by Gilman’s late hours and somnolent walking and talking on the one hand, and by the nearness of traditionally feared May-Eve on the other hand. That Gilman talked in his sleep was plain, and it was obviously from Desrochers’ keyhole-listenings that the delusive notion of the violet dream-light had got abroad. These simple people were quick to imagine they had seen any odd thing they had heard about. As for a plan of action—Gilman had better move down to Elwood’s room and avoid sleeping alone. Elwood would, if awake, rouse him whenever he began to talk or rise in his sleep. Very soon, too, he must see the specialist. Meanwhile they would take the spiky image around to the various museums and to certain professors; seeking identification and stating that it had been found in a public rubbish-can. Also, Dombrowski must attend to the poisoning of those rats in the walls. 17

Braced up by Elwood’s companionship, Gilman attended classes that day. Strange urges still tugged at him, but he could sidetrack them with considerable success. During a free period he shewed the queer image to several professors, all of whom were intensely interested, though none of them could shed any light upon its nature or origin. That night he slept on a couch which Elwood had had the landlord bring to the second-story room, and for the first time in weeks was wholly free from disquieting dreams. But the feverishness still hung on, and the whines of the loomfixer were an unnerving influence.

During the next few days Gilman enjoyed an almost perfect immunity from morbid manifestations. He had, Elwood said, shewed no tendency to talk or rise in his sleep; and meanwhile the landlord was putting rat-poison everywhere. The only disturbing element was the talk among the superstitious foreigners, whose imaginations had become highly excited. Mazurewicz was always trying to make him get a crucifix, and finally forced one upon him which he said had been blessed by the good Father Iwanicki. Desrochers, too, had something to say—in fact, he insisted that cautious steps had sounded in the now vacant room above him on the first and second nights of Gilman’s absence from it. Paul Choynski thought he heard sounds in the hall and on the stairs at night, and claimed that his door had been softly tried, while Mrs. Dombrowski vowed she had seen Brown Jenkin for the first time since All-Hallows. But such naive reports could mean very little, and Gilman let the cheap metal crucifix hang idly from a knob on his host’s dresser.

For three days Gilman and Elwood canvassed the local museums in an effort to identify the strange spiky image, but always without success. In every quarter, however, interest was intense; for the utter alienage of the thing was a tremendous challenge to scientific curiosity. One of the small radiating arms was broken off and subjected to chemical analysis, and the result is still talked about in college circles. Professor Ellery found platinum, iron, and tellurium in the strange alloy; but mixed with these were at least three other apparent elements of high atomic weight which chemistry was absolutely powerless to classify. Not only did they fail to correspond with any known element, but they did not even fit the vacant places reserved for probable elements in the periodic system. The mystery remains unsolved to this day, though the image is on exhibition at the museum of Miskatonic University.

On the morning of April 27 a fresh rat-hole appeared in the room where Gilman was a guest, but Dombrowski tinned it up during the day. The poison was not having much effect, for scratchings and scurryings in the walls were virtually undiminished. Elwood was out late that night, and Gilman waited up for him. He did not wish to go to sleep in a room alone—especially since he thought he had glimpsed in the evening twilight the repellent old woman whose image had become so horribly transferred to his dreams. He wondered who she was, and what had been near her rattling the tin can in a rubbish-heap at the mouth of a squalid courtyard. The crone had seemed to notice him and leer evilly at him—though perhaps this was merely his imagination.

The next day both youths felt very tired, and knew they would sleep like dogs when night came. In the evening they drowsily discussed the mathematical studies which had so completely and perhaps harmfully engrossed Gilman, and speculated about the linkage with ancient magic and folklore which seemed so darkly probable. They spoke of old Keziah Mason, and Elwood agreed that Gilman had good scientific grounds for thinking she might have stumbled on strange and significant information. The hidden cults to which these witches belonged often guarded and handed down surprising secrets from elder, forgotten aeons; and it was by no means impossible that Keziah had actually mastered the art of passing through dimensional gates. Tradition emphasises the uselessness of material barriers in halting a witch’s motions; and who can say what underlies the old tale of broomstick rides through the night?

Whether a modern student could ever gain similar powers from mathematical research alone was still to be seen. Success, Gilman added, might lead to dangerous and unthinkable situations; for who could foretell the conditions pervading an adjacent but normally inaccessible dimension? On the other hand, the picturesque possibilities were enormous. Time could not exist in certain belts of space, and by entering and remaining in such a belt one might preserve one’s life and age indefinitely; never suffering organic metabolism or deterioration except for slight amounts incurred during visits to one’s own or similar planes. One might, for example, pass into a timeless dimension and emerge at some remote period of the earth’s history as young as before.18

Whether anybody had ever managed to do this, one could hardly conjecture with any degree of authority. Old legends are hazy and ambiguous, and in historic times all attempts at crossing forbidden gaps seem complicated by strange and terrible alliances with beings and messengers from outside. There was the immemorial figure of the deputy or messenger of hidden and terrible powers—the “Black Man” of the witch-cult, and the “Nyarlathotep” of the Necronomicon. There was, too, the baffling problem of the lesser messengers or intermediaries—the quasi-animals and queer hybrids which legend depicts as witches’ familiars. As Gilman and Elwood retired, too sleepy to argue further, they heard Joe Mazurewicz reel into the house half-drunk, and shuddered at the desperate wildness of his whining prayers.

That night Gilman saw the violet light again. In his dream he had heard a scratching and gnawing in the partitions, and thought that someone fumbled clumsily at the latch. Then he saw the old woman and the small furry thing advancing toward him over the carpeted floor. The beldame’s face was alight with inhuman exultation, and the little yellow-toothed morbidity tittered mockingly as it pointed at the heavily sleeping form of Elwood on the other couch across the room. A paralysis of fear stifled all attempts to cry out. As once before, the hideous crone seized Gilman by the shoulders, yanking him out of bed and into empty space. Again the infinitude of the shrieking twilight abysses flashed past him, but in another second he thought he was in a dark, muddy, unknown alley of foetid odours, with the rotting walls of ancient houses towering up on every hand.

Ahead was the robed black man he had seen in the peaked space in the other dream, while from a lesser distance the old woman was beckoning and grimacing imperiously. Brown Jenkin was rubbing itself with a kind of affectionate playfulness around the ankles of the black man, which the deep mud largely concealed. There was a dark open doorway on the right, to which the black man silently pointed. Into this the grimacing crone started, dragging Gilman after her by his pajama sleeve. There were evil-smelling staircases which creaked ominously, and on which the old woman seemed to radiate a faint violet light; and finally a door leading off a landing. The crone fumbled with the latch and pushed the door open, motioning to Gilman to wait and disappearing inside the black aperture.

The youth’s oversensitive ears caught a hideous strangled cry, and presently the beldame came out of the room bearing a small, senseless form which she thrust at the dreamer as if ordering him to carry it. The sight of this form, and the expression on its face, broke the spell. Still too dazed to cry out, he plunged recklessly down the noisome staircase and into the mud outside; halting only when seized and choked by the waiting black man. As consciousness departed he heard the faint, shrill tittering of the fanged, rat-like abnormality.

On the morning of the 29th Gilman awaked into a maelstrom of horror. The instant he opened his eyes he knew something was terribly wrong, for he was back in his old garret room with the slanting wall and ceiling, sprawled on the now unmade bed. His throat was aching inexplicably, and as he struggled to a sitting posture he saw with growing fright that his feet and pajama-bottoms were brown with caked mud. For the moment his recollections were hopelessly hazy, but he knew at least that he must have been sleep-walking. Elwood had been lost too deeply in slumber to hear and stop him. On the floor were confused muddy prints, but oddly enough they did not extend all the way to the door. The more Gilman looked at them, the more peculiar they seemed; for in addition to those he could recognise as his there were some smaller, almost round markings—such as the legs of a large chair or table might make, except that most of them tended to be divided into halves. There were also some curious muddy rat-tracks leading out of a fresh hole and back into it again. Utter bewilderment and the fear of madness racked Gilman as he staggered to the door and saw that there were no muddy prints outside. The more he remembered of his hideous dream the more terrified he felt, and it added to his desperation to hear Joe Mazurewicz chanting mournfully two floors below.

Descending to Elwood’s room he roused his still-sleeping host and began telling of how he had found himself, but Elwood could form no idea of what might really have happened. Where Gilman could have been, how he got back to his room without making tracks in the hall, and how the muddy, furniture-like prints came to be mixed with his in the garret chamber, were wholly beyond conjecture. Then there were those dark, livid marks on his throat, as if he had tried to strangle himself. He put his hands up to them, but found that they did not even approximately fit. While they were talking Desrochers dropped in to say that he had heard a terrific clattering overhead in the dark small hours. No, there had been no one on the stairs after midnight—though just before midnight he had heard faint footfalls in the garret, and cautiously descending steps he did not like. It was, he added, a very bad time of year for Arkham. The young gentleman had better be sure to wear the crucifix Joe Mazurewicz had given him. Even the daytime was not safe, for after dawn there had been strange sounds in the house—especially a thin, childish wail hastily choked off.

Gilman mechanically attended classes that morning, but was wholly unable to fix his mind on his studies. A mood of hideous apprehension and expectancy had seized him, and he seemed to be awaiting the fall of some annihilating blow. At noon he lunched at the University Spa, picking up a paper from the next seat as he waited for dessert. But he never ate that dessert; for an item on the paper’s first page left him limp, wild-eyed, and able only to pay his check and stagger back to Elwood’s room.

There had been a strange kidnapping the night before in Orne’s Gangway,19 and the two-year-old child of a clod-like laundry worker named Anastasia Wolejko had completely vanished from sight. The mother, it appeared, had feared the event for some time; but the reasons she assigned for her fear were so grotesque that no one took them seriously. She had, she said, seen Brown Jenkin about the place now and then ever since early in March, and knew from its grimaces and titterings that little Ladislas must be marked for sacrifice at the awful Sabbat on Walpurgis-Night. She had asked her neighbour Mary Czanek^20 to sleep in the room and try to protect the child, but Mary had not dared. She could not tell the police, for they never believed such things. Children had been taken that way every year ever since she could remember. And her friend Pete Stowacki would not help because he wanted the child out of the way anyhow.

But what threw Gilman into a cold perspiration was the report of a pair of revellers who had been walking past the mouth of the gangway just after midnight. They admitted they had been drunk, but both vowed they had seen a crazily dressed trio furtively entering the dark passageway. There had, they said, been a huge robed negro, a little old woman in rags, and a young white man in his night-clothes. The old woman had been dragging the youth, while around the feet of the negro a tame rat was rubbing and weaving in the brown mud.

Gilman sat in a daze all that afternoon, and Elwood—who had meanwhile seen the papers and formed terrible conjectures from them—found him thus when he came home. This time neither could doubt but that something hideously serious was closing in around them. Between the phantasms of nightmare and the realities of the objective world a monstrous and unthinkable relationship was crystallising, and only stupendous vigilance could avert still more direful developments. Gilman must see a specialist sooner or later, but not just now, when all the papers were full of this kidnapping business.

Just what had really happened was maddenly obscure, and for a moment both Gilman and Elwood exchanged whispered theories of the wildest kind. Had Gilman unconsciously succeeded better than he knew in his studies of space and its dimensions? Had he actually slipped outside our sphere to points unguessed and unimaginable? Where—if anywhere—had he been on those nights of daemonic alienage? The roaring twilight abysses—the green hillside—the blistering terrace—the pulls from the stars—the ultimate black vortex—the black man—the muddy alley and the stairs—the old witch and the fanged, furry horror—the bubble-congeries and the little polyhedron—the strange sunburn—the wrist wound—the unexplained image—the muddy feet—the throat-marks—the tales and fears of the superstitious foreigners—what did all this mean? To what extent could the laws of sanity apply to such a case?

There was no sleep for either of them that night, but next day they both cut classes and drowsed. This was April 30th, and with the dusk would come the hellish Sabbat-time which all the foreigners and the superstitious old folk feared. Mazurewicz came home at six o’clock and said people at the mill were whispering that the Walpurgis-revels would be held in the dark ravine beyond Meadow Hill where the old white stone stands in a place queerly void of all plant-life. Some of them had even told the police and advised them to look there for the missing Wolejko child, but they did not believe anything would be done. Joe insisted that the poor young gentleman wear his nickel-chained crucifix, and Gilman put it on and dropped it inside his shirt to humour the fellow.

Late at night the two youths sat drowsing in their chairs, lulled by the rhythmical praying of the loomfixer on the floor below. Gilman listened as he nodded, his preternaturally sharpened hearing seeming to strain for some subtle, dreaded murmur beyond the noises in the ancient house. Unwholesome recollections of things in the Necronomicon and the Black Book welled up, and he found himself swaying to infandous rhythms said to pertain to the blackest ceremonies of the Sabbat and to have an origin outside the time and space we comprehend.

Presently he realised what he was listening for—the hellish chant of the celebrants in the distant black valley. How did he know so much about what they expected? How did he know the time when Nahab and her acolyte were due to bear the brimming bowl which would follow the black cock and the black goat? He saw that Elwood had dropped asleep, and tried to call out and waken him. Something, however, closed his throat. He was not his own master. Had he signed the black man’s book after all?

Then his fevered, abnormal hearing caught the distant, wind-borne notes. Over miles of hill and field and alley they came, but he recognised them none the less. The fires must be lit, and the dancers must be starting in. How could he keep himself from going? What was it that had enmeshed him? Mathematics—folklore—the house—old Keziah—Brown Jenkin . . . and now he saw that there was a fresh rat-hole in the wall near his couch. Above the distant chanting and the nearer praying of Joe Mazurewicz came another sound—a stealthy, determined scratching in the partitions. He hoped the electric lights would not go out. Then he saw the fanged, bearded little face in the rat-hole—the accursed little face which he at least realised bore such a shocking, mocking resemblance to old Keziah’s—and heard the faint fumbling at the door.

The screaming twilight abysses flashed before him, and he felt himself helpless in the formless grasp of the iridescent bubble-congeries. Ahead raced the small, kaleidoscopic polyhedron, and all through the churning void there was a heightening and acceleration of the vague tonal pattern which seemed to foreshadow some unutterable and unendurable climax. He seemed to know what was coming—the monstrous burst of Walpurgis-rhythm in whose cosmic timbre would be concentrated all the primal, ultimate space-time seethings which lie behind the massed spheres of matter and sometimes break forth in measured reverberations that penetrate faintly to every layer of entity and give hideous significance throughout the worlds to certain dreaded periods.

But all this vanished in a second. He was again in the cramped, violet-litten peaked space with the slanting floor, the low cases of ancient books, the bench and table, the queer objects, and the triangular gulf at one side. On the table lay a small white figure—an infant boy, unclothed and unconscious—while on the other side stood the monstrous, leering old woman with a gleaming, grotesque-hafted knife in her right hand, and a queerly proportioned pale metal bowl covered with curiously chased designs and having delicate lateral handles in her left. She was intoning some croaking ritual in a language which Gilman could not understand, but which seemed like something guardedly quoted in the Necronomicon.

As the scene grew clear he saw the ancient crone bend forward and extend the empty bowl across the table—and unable to control his own motions, he reached far forward and took it in both hands, noticing as he did so its comparative lightness. At the same moment the disgusting form of Brown Jenkin scrambled up over the brink of the triangular black gulf on his left. The crone now motioned him to hold the bowl in a certain position while she raised the huge, grotesque knife above the small white victim as high as her right hand could reach. The fanged, furry thing began tittering a continuation of the unknown ritual, while the witch croaked loathsome responses. Gilman felt a gnawing, poignant abhorrence shoot through his mental and emotional paralysis, and the light metal bowl shook in his grasp. A second later the downward motion of the knife broke the spell completely, and he dropped the bowl with a resounding bell-like clangour while his hands darted out frantically to stop the monstrous deed.

In an instant he had edged up the slanting floor around the end of the table and wrenched the knife from the old woman’s claws; sending it clattering over the brink of the narrow triangular gulf. In another instant, however, matters were reversed; for those murderous claws had locked themselves tightly around his own throat, while the wrinkled face was twisted with insane fury. He felt the chain of the cheap crucifix grinding into his neck, and in his peril wondered how the sight of the object itself would affect the evil creature. Her strength was altogether superhuman, but as she continued her choking he reached feebly in his shirt and drew out the metal symbol, snapping the chain and pulling it free.

At sight of the device the witch seemed struck with panic, and her grip relaxed long enough to give Gilman a chance to break it entirely. He pulled the steel-like claws from his neck, and would have dragged the beldame over the edge of the gulf had not the claws received a fresh access of strength and closed again. This time he resolved to reply in kind, and his own hands reached out for the creature’s throat. Before she saw what he was doing he had the chain of the crucifix twisted about her neck, and a moment later he had tightened it enough to cut off her breath. During her last struggle he felt something bite at his ankle, and saw that Brown Jenkin had come to her aid. With one savage kick he sent the morbidity over the edge of the gulf and heard it whimper on some level far below.

Whether he had killed the ancient crone he did not know, but he let her rest on the floor where she had fallen. Then, as he turned away, he saw on the table a sight which nearly snapped the last thread of his reason. Brown Jenkin, tough of sinew and with four tiny hands of daemonic dexterity, had been busy while the witch was throttling him, and his efforts had been in vain. What he had prevented the knife from doing to the victim’s chest, the yellow fangs of the furry blasphemy had done to a wrist—and the bowl so lately on the floor stood full beside the small lifeless body.

In his dream-delirium Gilman heard the hellish, alien-rhythmed chant of the Sabbat coming from an infinite distance, and knew the black man must be there. Confused memories mixed themselves with his mathematics, and he believed his subconscious mind held the angles which he needed to guide him back to the normal world—alone and unaided for the first time. He felt sure he was in the immemorially sealed loft above his own room, but whether he could ever escape through the slanting floor or the long-stopped egress he doubted greatly. Besides, would not an escape from a dream-loft bring him merely into a dream-house—an abnormal projection of the actual place he sought? He was wholly bewildered as to the relation betwixt dream and reality in all his experiences.

The passage through the vague abysses would be frightful, for the Walpurgis-rhythm would be vibrating, and at last he would have to hear that hitherto veiled cosmic pulsing which he so mortally dreaded. Even now he could detect a low, monstrous shaking whose tempo he suspected all too well. At Sabbat-time it always mounted and reached through to the worlds to summon the initiate to nameless rites. Half the chants of the Sabbat were patterned on this faintly overhead pulsing which no earthly ear could endure in its unveiled spatial fulness. Gilman wondered, too, whether he could trust his instinct to take him back to the right part of space. How could he be sure he would not land on that green-litten hillside of a far planet, on the tessellated terrace above the city of tentacled monsters somewhere beyond the galaxy, or in the spiral black vortices of that ultimate void of Chaos wherein reigns the mindless daemon-sultan Azathoth?

Just before he made his plunge the violet light went out and left him in utter blackness. The witch—old Keziah—Nahab—that must have meant her death. And mixed with the distant chant of the Sabbat and the whimpers of Brown Jenkin in the gulf below he thought he heard another and wilder whine from unknown depths. Joe Mazurewicz—the prayers against the Crawling Chaos now turning to an inexplicably triumphant shriek—worlds of sardonic actuality impinging on vortices of febrile dream—Iä! Shub-Niggurath! The Goat with a Thousand Young . . . . 21

They found Gilman on the floor of his queerly angled old garret room long before dawn, for the terrible cry had brought Desrochers and Choynski and Dombrowski and Mazurewicz at once, and had even wakened the soundly sleeping Elwood in his chair. He was alive, and with open, staring eyes, but seemed largely unconscious. On his throat were the marks of murderous hands, and on his left ankle was a distressing rat-bite. His clothing was badly rumpled, and Joe’s crucifix was missing. Elwood trembled, afraid even to speculate on what new form his friend’s sleep-walking had taken. Mazurewicz seemed half-dazed because of a “sign” he said he had had in response to his prayers, and he crossed himself frantically when the squealing and whimpering of a rat sounded from beyond the slanting partition.

When the dreamer was settled on his couch in Elwood’s room they sent for Dr. Malkowski—a local practitioner who would repeat no tales where they might prove embarrassing—and he gave Gilman two hypodermic injections which caused him to relax in something like natural drowsiness. During the day the patient regained consciousness at times and whispered his newest dream disjointedly to Elwood. It was a painful process, and at its very start brought out a fresh and disconcerting fact.

Gilman—whose ears had so lately possessed an abnormal sensitiveness—was now stone deaf. Dr. Malkowski, summoned again in haste, told Elwood that both ear-drums were ruptured, as if by the impact of some stupendous sound intense beyond all human conception or endurance. How such a sound could have been heard in the last few hours without arousing all the Miskatonic Valley was more than the honest physician could say.

Elwood wrote his part of the colloquy on paper, so that a fairly easy communication was maintained. Neither knew what to make of the whole chaotic business, and decided it would be better if they thought as little as possible about it. Both, though, agreed that they must leave this ancient and accursed house as soon as it could be arranged. Evening papers spoke of a police raid on some curious revellers in a ravine beyond Meadow Hill just before dawn, and mentioned that the white stone there was an object of age-long superstitious regard. Nobody had been caught, but among the scattering fugitives had been glimpsed a huge negro. In another column it was stated that no trace of the missing child Ladislas Wolejko had been found.

The crowning horror came that very night. Elwood will never forget it, and was forced to stay out of college the rest of the term because of the resulting nervous breakdown. He had thought he heard rats in the partitions all the evening, but paid little attention to them. Then, long after both he and Gilman had retired, the atrocious shrieking began. Elwood jumped up, turned on the lights, and rushed over to his guest’s couch. The occupant was emitting sounds of veritably inhuman nature, as if racked by some torment beyond description. He was writhing under the bedclothes, and a great red stain was beginning to appear on the blankets.

Elwood scarcely dared to touch him, but gradually the screaming and writhing subsided. By this time Dombrowski, Choynski, Desrochers, Mazurewicz, and the top-floor lodger were all crowding into the doorway, and the landlord had sent his wife back to telephone for Dr. Malkowski. Everybody shrieked when a large rat-like form suddenly jumped out from beneath the ensanguined bedclothes and scuttled across the floor to a fresh, open hole close by. When the doctor arrived and began to pull down those frightful covers Walter Gilman was dead.

It would be barbarous to do more than suggest what had killed Gilman. There had been virtually a tunnel through his body—something had eaten his heart out. Dombrowski, frantic at the failure of his constant rat-poisoning efforts, cast aside all thought of his lease and within a week had moved with all his older lodgers to a dingy but less ancient house in Walnut Street. The worst thing for a while was keeping Joe Mazurewicz quiet; for the brooding loomfixer would never stay sober, and was constantly whining and muttering about spectral and terrible things.

It seems that on that last hideous night Joe had stooped to look at the crimson rat-tracks which led from Gilman’s couch to the nearby hole. On the carpet they were very indistinct, but a piece of open flooring intervened between the carpet’s edge and the baseboard. There Mazurewicz had found something monstrous—or thought he had, for no one else could quite agree with him despite the undeniable queerness of the prints. The tracks on the flooring were certainly vastly unlike the average prints of a rat, but even Choynski and Desrochers would not admit that they were like the prints of four tiny human hands.

The house was never rented again. As soon as Dombrowski left it the pall of its final desolation began to descend, for people shunned it both on account of its old reputation and because of the new foetid odour. Perhaps the ex-landlord’s rat-poison had worked after all, for not long after his departure the place became a neighbourhood nuisance. Health officials traced the smell to the closed spaces above and beside the eastern garret room, and agreed that the number of dead rats must be enormous. They decided, however, that it was not worth their while to hew open and disinfect the long sealed spaces; for the foetor would soon be over, and the locality was not one which encouraged fastidious standards. Indeed, there were always vague local tales of unexplained stenches upstairs in the Witch House just after May-Eve and Hallowmass. The neighbours grumblingly acquiesced in the inertia—but the foetor none the less formed an additional count against the place. Toward the last the house was condemned as an habitation by the building inspector.

Gilman’s dreams and their attendant circumstances have never been explained. Elwood, whose thoughts on the entire episode are sometimes almost maddening, came back to college the next autumn and graduated the following June. He found the spectral gossip of the town much diminished, and it is indeed a fact that—notwithstanding certain reports of a ghostly tittering in the deserted house which lasted almost as long as that edifice itself—no fresh appearances either of old Keziah or of Brown Jenkin have been muttered of since Gilman’s death. It is rather fortunate that Elwood was not in Arkham in that later year when certain events abruptly renewed the local whispers about elder horrors. Of course he heard about the matter afterward and suffered untold torments of black and bewildered speculation; but even that was not as bad as actual nearness and several possible sights would have been.

In March, 1931 a gale wrecked the roof and great chimney of the vacant Witch House, so that a chaos of crumbling bricks, blackened, moss-grown shingles, and rotting planks and timbers crashed down into the loft and broke through the floor beneath. The whole attic story was choked with debris from above, but no one took the trouble to touch the mess before the inevitable razing of the decrepit structure. That ultimate step came in the following December, and it was when Gilman’s old room was cleared out by reluctant, apprehensive workmen that the gossip began.

Among the rubbish which had crashed through the ancient slanting ceiling were several things which made the workmen pause and call in the police. Later the police in turn called in the coroner and several professors from the university. There were bones—badly crushed and splintered, but clearly recognisable as human—whose manifestly modern date conflicted puzzlingly with the remote period at which their only possible lurking-place, the low, slant-floored loft overhead, had supposedly been sealed from all human access. The coroner’s physician decided that some belonged to a small child, while certain others—found mixed with the shreds of rotten brownish cloth—belonged to a rather undersized, bent female of advanced years. Careful sifting of debris also disclosed many tiny bones of rats caught in the collapse, as well as older rat-bones gnawed by small fangs in a fashion now and then highly productive of controversy and reflection.

Other objects found included the mingled fragments of many books and papers, together with a yellowish dust left from the total disintegration of still older books and papers. All, without exception, appeared to deal with black magic in its most advanced and horrible forms; and the evidently recent date of certain items is still a mystery as unsolved as that of the modern human bones. An even greater mystery is the absolute homogeneity of the crabbed, archaic writing found on a wide range of papers whose conditions and watermarks suggest age differences of at least 150 to 200 years. To some, though, the greatest mystery of all is the variety of utterly inexplicable objects—objects whose shapes, materials, types of workmanship, and purposes baffle all conjecture—found scattered amidst the wreckage in evidently diverse states of injury. One of these things—which excited several Miskatonic professors profoundly—is a badly damaged monstrosity plainly resembling the strange image which Gilman gave to the college museum, save that it is larger, wrought of some peculiar bluish stone instead of metal, and possessed of a singularly angled pedestal with undecipherable hieroglyphics.

Archaeologists and anthropologists are still trying to explain the bizarre designs chased on a crushed bowl of light metal whose inner side bore ominous brownish stains when found. Foreigners and credulous grandmothers are equally garrulous about the modern nickel crucifix with broken chain mixed in the rubbish and shiveringly identified by Joe Mazurewicz as that which he had given poor Gilman many years before. Some believe this crucifix was dragged up to the sealed loft by rats, while others think it must have been on the floor in some corner of Gilman’s old room all the time. Still others, including Joe himself, have theories too wild and fantastic for sober credence.

When the slanting wall of Gilman’s room was torn out, the once sealed triangular space between that partition and the house’s north wall was found to contain much less structural debris, even in proportion to its size, than the room itself; though it had a ghastly layer of older materials which paralysed the wreckers with horror. In brief, the floor was a veritable ossuary of the bones of small children—some fairly modern, but others extending back in infinite gradations to some period so remote that crumbling was almost complete. On this deep bony layer rested a knife of great size, obvious antiquity, and grotesque, ornate, and exotic design—above which the debris was piled.

In the midst of this debris, wedged between a fallen plank and a cluster of cemented bricks from the ruined chimney, was an object destined to cause more bafflement, veiled fright, and openly superstitious talk in Arkham than anything else discovered in the haunted and accursed building. This object was the partly crushed skeleton of a huge, diseased rat, whose abnormalities of form are still a topic of debate and source of singular reticence among the members of Miskatonic’s department of comparative anatomy. Very little concerning this skeleton has leaked out, but the workmen who found it whisper in shocked tones about the long, brownish hairs with which it was associated.

The bones of the tiny paws, it is rumoured, imply prehensile characteristics more typical of a diminutive monkey than of a rat; while the small skull with its savage yellow fangs is of the utmost anomalousness, appearing from certain angles like a miniature, monstrously degraded parody of a human skull. The workmen crossed themselves in fright when they came upon this blasphemy, but later burned candles of gratitude in St. Stanislaus’ Church because of the shrill, ghostly tittering they felt they would never hear again.

THE SHADOW OUT OF TIME

I .

After twenty-two years of nightmare and terror, saved only by a desperate conviction of the mythical source of certain impressions, I am unwilling to vouch for the truth of that which I think I found in Western Australia on the night of July 17-18, 1935. There is reason to hope that my experience was wholly or partly an hallucination—for which, indeed, abundant causes existed. And yet, its realism was so hideous that I sometimes find hope impossible. If the thing did happen, then man must be prepared to accept notions of the cosmos, and of his own place in the seething vortex of time, whose merest mention is paralysing. He must, too, be placed on guard against a specific lurking peril which, though it will never engulf the whole race, may impose monstrous and unguessable horrors upon certain venturesome members of it. It is for this latter reason that I urge, with all the force of my being, a final abandonment of all attempts at unearthing those fragments of unknown, primordial masonry which my expedition set out to investigate.

Assuming that I was sane and awake, my experience on that night was such as has befallen no man before. It was, moreover, a frightful confirmation of all I had sought to dismiss as myth and dream. Mercifully there is no proof, for in my fright I lost the awesome object which would—if real and brought out of that noxious abyss—have formed irrefutable evidence. When I came upon the horror I was alone—and I have up to now told no one about it. I could not stop the others from digging in its direction, but chance and the shifting sand have so far saved them from finding it. Now I must formulate some definitive statement—not only for the sake of my own mental balance, but to warn such others as may read it seriously.

These pages—much in whose earlier parts will be familiar to close readers of the general and scientific press—are written in the cabin of the ship that is bringing me home. I shall give them to my son, Prof. Wingate Peaslee of Miskatonic University—the only member of my family who stuck to me after my queer amnesia of long ago, and the man best informed on the inner facts of my case. Of all living persons, he is least likely to ridicule what I shall tell of that fateful night. I did not enlighten him orally before sailing because I think he had better have the revelation in written form. Reading and re-reading at leisure will leave with him a more convincing picture than my confused tongue could hope to convey. He can do as he thinks best with this account—shewing it, with suitable comment, to any quarters where it will be likely to accomplish good. It is for the sake of such readers as are unfamiliar with the earlier phases of my case that I am prefacing the revelation itself with a fairly ample summary of its background.

My name is Nathaniel Wingate Peaslee,[1] and those who recall the newspaper tales of a generation back—or the letters and articles in psychological journals six or seven years ago—will know who and what I am. The press was filled with the details of my strange amnesia in 1908-13, and much was made of the traditions of horror, madness, and witchcraft which lurk behind the ancient Massachusetts town then and now forming my place of residence. Yet I would have it known that there is nothing whatever of the mad or sinister in my heredity and early life. This is a highly important fact in view of the shadow which fell so suddenly upon me from outside sources. It may be that centuries of dark brooding had given to crumbling, whisper-haunted Arkham a peculiar vulnerability as regards such shadows—though even this seems doubtful in the light of those other cases which I later came to study. But the chief point is that my own ancestry and background are altogether normal. What came, came from somewhere else—where, I even now hesitate to assert in plain words.

I am the son of Jonathan and Hannah (Wingate) Peaslee, both of wholesome old Haverhill stock.[2] I was born and reared in Haverhill—at the old homestead in Boardman Street near Golden Hill—and did not go to Arkham till I entered Miskatonic University at the age of eighteen. That was in 1889. After my graduation I studied economics at Harvard, and came back to Miskatonic as Instructor of Political Economy in 1895. For thirteen years more my life ran smoothly and happily. I married Alice Keezar of Haverhill in 1896, and my three children, Robert K., Wingate, and Hannah, were born in 1898, 1900, and 1903, respectively. In 1898 I became an associate professor, and in 1902 a full professor. At no time had I the least interest in either occultism or abnormal psychology.

It was on Thursday, May 14, 1908, that the queer amnesia came. The thing was quite sudden, though later I realised that certain brief, glimmering visions of several hours previous—chaotic visions which disturbed me greatly because they were so unprecedented—must have formed premonitory symptoms. My head was aching, and I had a singular feeling—altogether new to me—that someone else was trying to get possession of my thoughts.

The collapse occurred about 10:20 a.m., while I was conducting a class in Political Economy VI—history and present tendencies of economics—for juniors and a few sophomores. I began to see strange shapes before my eyes, and to feel that I was in a grotesque room other than the classroom. My thoughts and speech wandered from my subject, and the students saw that something was gravely amiss. Then I slumped down unconscious in my chair, in a stupor from which no one could arouse me. Nor did my rightful faculties again look out upon the daylight of our normal world for five years, four months, and thirteen days.[3]

It is, of course, from others that I have learned what followed. I shewed no sign of consciousness for sixteen and a half hours, though removed to my home at 27 Crane St. and given the best of medical attention. At 3 a.m. May 15 my eyes opened and I began to speak, but before long the doctors and my family were thoroughly frightened by the trend of my expression and language. It was clear that I had no remembrance of my identity or of my past, though for some reason I seemed anxious to conceal this lack of knowledge. My eyes gazed strangely at the persons around me, and the flexions of my facial muscles were altogether unfamiliar.[4]

Even my speech seemed awkward and foreign. I used my vocal organs clumsily and gropingly, and my diction had a curiously stilted quality, as if I had laboriously learned the English language from books. The pronunciation was barbarously alien, whilst the idiom seemed to include both scraps of curious archaism and expressions of a wholly incomprehensible cast. Of the latter one in particular was very potently—even terrifiedly—recalled by the youngest of the physicians twenty years afterward. For at that late period such a phrase began to have an actual currency—first in England and then in the United States—and though of much complexity and indisputable newness, it reproduced in every least particular the mystifying words of the strange Arkham patient of 1908.

Physical strength returned at once, although I required an odd amount of re-education in the use of my hands, legs, and bodily apparatus in general. Because of this and other handicaps inherent in the mnemonic lapse, I was for some time kept under strict medical care. When I saw that my attempts to conceal the lapse had failed, I admitted it openly, and became eager for information of all sorts. Indeed, it seemed to the doctors that I had lost interest in my proper personality as soon as I found the case of amnesia accepted as a natural thing. They noticed that my chief efforts were to master certain points in history, science, art, language, and folklore—some of them tremendously abstruse, and some childishly simple—which remained, very oddly in many cases, outside my consciousness.

At the same time they noticed that I had an inexplicable command of many almost unknown sorts of knowledge—a command which I seemed to wish to hide rather than display. I would inadvertently refer, with casual assurance, to specific events in dim ages outside the range of accepted history—passing off such references as a jest when I saw the surprise they created. And I had a way of speaking of the future which two or three times caused actual fright. These uncanny flashes soon ceased to appear, though some observers laid their vanishment more to a certain furtive caution on my part than to any waning of the strange knowledge behind them. Indeed, I seemed anomalously avid to absorb the speech, customs, and perspectives of the age around me; as if I were a studious traveller from a far, foreign land.

As soon as permitted, I haunted the college library at all hours; and shortly began to arrange for those odd travels, and special courses at American and European universities, which evoked so much comment during the next few years. I did not at any time suffer from a lack of learned contacts, for my case had a mild celebrity among the psychologists of the period. I was lectured upon as a typical example of secondary personality—even though I seemed to puzzle the lecturers now and then with some bizarre symptom or some queer trace of carefully veiled mockery.

Of real friendliness, however, I encountered little. Something in my aspect and speech seemed to excite vague fears and aversions in everyone I met, as if I were a being infinitely removed from all that is normal and healthful. This idea of a black, hidden horror connected with incalculable gulfs of some sort of distance was oddly widespread and persistent. My own family formed no exception. From the moment of my strange waking my wife had regarded me with extreme horror and loathing, vowing that I was some utter alien usurping the body of her husband.[5] In 1910 she obtained a legal divorce, nor would she ever consent to see me even after my return to normalcy in 1913. These feelings were shared by my elder son and my small daughter, neither of whom I have ever seen since.

Only my second son Wingate seemed able to conquer the terror and repulsion which my change aroused. He indeed felt that I was a stranger, but though only eight years old held fast to a faith that my proper self would return.[6] When it did return he sought me out, and the courts gave me his custody. In succeeding years he helped me with the studies to which I was driven, and today at thirty-five he is a professor of psychology at Miskatonic. But I do not wonder at the horror I caused—for certainly, the mind, voice, and facial expression of the being that awaked on May 15, 1908 were not those of Nathaniel Wingate Peaslee.

I will not attempt to tell much of my life from 1908 to 1913, since readers may glean all the outward essentials—as I largely had to do—from files of old newspapers and scientific journals. I was given charge of my funds, and spent them slowly and on the whole wisely, in travel and in study at various centres of learning. My travels, however, were singular in the extreme; involving long visits to remote and desolate places. In 1909 I spent a month in the Himalayas, and in 1911 aroused much attention through a camel trip into the unknown deserts of Arabia.[7] What happened on those journeys I have never been able to learn. During the summer of 1912 I chartered a ship and sailed in the Arctic north of Spitzbergen, afterward shewing signs of disappointment. Later in that year I spent weeks alone beyond the limits of previous or subsequent exploration in the vast limestone cavern systems of western Virginia—black labyrinths so complex that no retracing of my steps could even be considered.[8]

My sojourns at the universities were marked by abnormally rapid assimilation, as if the secondary personality had an intelligence enormously superior to my own. I have found, also, that my rate of reading and solitary study was phenomenal. I could master every detail of a book merely by glancing over it as fast as I could turn the leaves; while my skill at interpreting complex figures in an instant was veritably awesome. At times there appeared almost ugly reports of my power to influence the thoughts and acts of others, though I seemed to have taken care to minimise displays of this faculty.

Other ugly reports concerned my intimacy with leaders of occultist groups, and scholars suspected of connexion with nameless bands of abhorrent elder-world hierophants. These rumours, though never proved at the time, were doubtless stimulated by the known tenor of some of my reading—for the consultation of rare books at libraries cannot be effected secretly. There is tangible proof—in the form of marginal notes—that I went minutely through such things as the Comte d’Erlette’s Cultes des Goules, Ludvig Prinn’s De Vermis Mysteriis,[9] the Unaussprechlichen Kulten of von Junzt, the surviving fragments of the puzzling Book of Eibon, and the dreaded Necronomicon of the mad Arab Abdul Alhazred.[10] Then, too, it is undeniable that a fresh and evil wave of underground cult activity set in about the time of my odd mutation.

In the summer of 1913 I began to display signs of ennui and flagging interest, and to hint to various associates that a change might soon be expected in me. I spoke of returning memories of my earlier life—though most auditors judged me insincere, since all recollections I gave were casual, and such as might have been learned from my old private papers. About the middle of August I returned to Arkham and reopened my long-closed house in Crane St. Here I installed a mechanism of the most curious aspect, constructed piecemeal by different makers of scientific apparatus in Europe and America, and guarded carefully from the sight of anyone intelligent enough to analyse it. Those who did see it—a workman, a servant, and the new housekeeper—say that it was a queer mixture of rods, wheels, and mirrors, though only about two feet tall, one foot wide, and one foot thick. The central mirror was circular and convex. All this is borne out by such makers of parts as can be located.

On the evening of Friday, Sept. 26, I dismissed the housekeeper and the maid till noon of the next day. Lights burned in the house till late, and a lean, dark, curiously foreign-looking man called in an automobile. It was about 1 a.m. that the lights were last seen. At 2:15 a.m. a policeman observed the place in darkness, but with the stranger’s motor still at the curb. By four o’clock the motor was certainly gone. It was at six that a hesitant, foreign voice on the telephone asked Dr. Wilson to call at my house and bring me out of a peculiar faint. This call—a long-distance one—was later traced to a public booth in the North Station in Boston,[11] but no sign of the lean foreigner was ever unearthed.

When the doctor reached my house he found me unconscious in the sitting-room—in an easy-chair with a table drawn up before it. On the polished table-top were scratches shewing where some heavy object had rested. The queer machine was gone, nor was anything afterward heard of it. Undoubtedly the dark, lean foreigner had taken it away. In the library grate were abundant ashes evidently left from the burning of every remaining scrap of paper on which I had written since the advent of the amnesia. Dr. Wilson found my breathing very peculiar, but after an hypodermic injection it became more regular.

At 11:15 a.m., Sept. 27, I stirred vigorously, and my hitherto mask-like face began to shew signs of expression. Dr. Wilson remarked that the expression was not that of my secondary personality, but seemed much like that of my normal self. About 11:30 I muttered some very curious syllables—syllables which seemed unrelated to any human speech. I appeared, too, to struggle against something. Then, just after noon—the housekeeper and the maid having meanwhile returned—I began to mutter in English.

“...of the orthodox economists of that period, Jevons[12] typifies the prevailing trend toward scientific correlation. His attempt to link the commercial cycle of prosperity and depression with the physical cycle of the solar spots forms perhaps the apex of . . .”

Nathaniel Wingate Peaslee had come back—a spirit in whose time-scale it was still that Thursday morning in 1908, with the economics class gazing up at the battered desk on the platform.

II.

My reabsorption into normal life was a painful and difficult process. The loss of over five years creates more complications than can be imagined, and in my case there were countless matters to be adjusted. What I heard of my actions since 1908 astonished and disturbed me, but I tried to view the matter as philosophically as I could. At last regaining custody of my second son Wingate, I settled down with him in the Crane Street house and endeavoured to resume teaching—my old professorship having been kindly offered me by the college.

I began work with the February, 1914, term, and kept at it just a year. By that time I realised how badly my experience had shaken me. Though perfectly sane—I hoped—and with no flaw in my original personality, I had not the nervous energy of the old days. Vague dreams and queer ideas continually haunted me, and when the outbreak of the world war turned my mind to history I found myself thinking of periods of events in the oddest possible fashion. My conception of time—my ability to distinguish between consecutiveness and simultaneousness—seemed subtly disordered; so that I formed chimerical notions about living in one age and casting one’s mind all over eternity for knowledge of past and future ages.

The war gave me strange impressions of remembering some of its far-off consequences—as if I knew how it was coming out and could look back upon it in the light of future information. All such quasi-memories were attended with much pain, and with a feeling that some artificial psychological barrier was set against them. When I diffidently hinted to others about my impressions I met with varied responses. Some persons looked uncomfortably at me, but men in the mathematics department spoke of new developments in those theories of relativity—then discussed only in learned circles—which were later to become so famous. Dr. Albert Einstein, they said, was rapidly reducing time to the status of a mere dimension.[13]

But the dreams and disturbed feelings gained on me, so that I had to drop my regular work in 1915. Certain of the impressions were taking an annoying shape—giving me the persistent notion that my amnesia had formed some unholy sort of exchange; that the secondary personality had indeed been an intruding force from unknown regions, and that my own personality had suffered displacement. Thus I was driven to vague and frightful speculations concerning the whereabouts of my true self during the years that another had held my body. The curious knowledge and strange conduct of my body’s late tenant troubled me more and more as I learned further details from persons, papers, and magazines. Queernesses that had baffled others seemed to harmonise terribly with some background of black knowledge which festered in the chasms of my subconscious. I began to search feverishly for every scrap of information bearing on the studies and travels of that other one during the dark years.

Not all of my troubles were as semi-abstract as this. There were the dreams—and these seemed to grow in vividness and concreteness. Knowing how most would regard them, I seldom mentioned them to anyone but my son or certain trusted psychologists, but eventually I commenced a scientific study of other cases in order to see how typical or non-typical such visions might be among amnesia victims. My results, aided by psychologists, historians, anthropologists, and mental specialists of wide experience, and by a study that included all records of split personalities from the days of daemoniac-possession legends to the medically realistic present, at first bothered me more than they consoled me.

I soon found that my dreams had indeed no counterpart in the overwhelming bulk of true amnesia cases. There remained, however, a tiny residue of accounts which for years baffled and shocked me with their parallelism to my own experience. Some of them were bits of ancient folklore; others were case-histories in the annals of medicine; one or two were anecdotes obscurely buried in standard histories. It thus appeared that, while my special kind of affliction was prodigiously rare, instances of it had occurred at long intervals ever since the beginning of man’s annals. Some centuries might contain one, two, or three cases; others none—or at least none whose record survived.

The essence was always the same—a person of keen thoughtfulness seized with a strange secondary life and leading for a greater or lesser period an utterly alien existence typified at first by vocal and bodily awkwardness, and later by a wholesale acquisition of scientific, historic, artistic, and anthropological knowledge; an acquisition carried on with feverish zest and with a wholly abnormal absorptive power. Then a sudden return of the rightful consciousness, intermittently plagued ever after with vague unplaceable dreams suggesting fragments of some hideous memory elaborately blotted out. And the close resemblance of those nightmares to my own—even in some of the smallest particulars—left no doubt in my mind of their significantly typical nature. One or two of the cases had an added ring of faint, blasphemous familiarity, as if I had heard of them before through some cosmic channel too morbid and frightful to contemplate. In three instances there was specific mention of such an unknown machine as had been in my house before the second change.

Another thing that cloudily worried me during my investigation was the somewhat greater frequency of cases where a brief, elusive glimpse of the typical nightmares was afforded to persons not visited with well-defined amnesia. These persons were largely of mediocre mind or less—some so primitive that they could scarcely be thought of as vehicles for abnormal scholarship and preternatural mental acquisitions. For a second they would be fired with alien force—then a backward lapse and a thin, swift-fading memory of un-human horrors.

There had been at least three such cases during the past half-century—one only fifteen years before. Had something been groping blindly through time from some unsuspected abyss in Nature? Were these faint cases monstrous, sinister experiments of a kind and authorship utterly beyond sane belief? Such were a few of the formless speculations of my weaker hours—fancies abetted by myths which my studies uncovered. For I could not doubt but that certain persistent legends of immemorial antiquity, apparently unknown to the victims and physicians connected with recent amnesia cases, formed a striking and awesome elaboration of memory lapses such as mine.

Of the nature of the dreams and impressions which were growing so clamorous I still almost fear to speak. They seemed to savour of madness, and at times I believed I was indeed going mad. Was there a special type of delusion afflicting those who had suffered lapses of memory? Conceivably, the efforts of the subconscious mind to fill up a perplexing blank with pseudo-memories might give rise to strange imaginative vagaries. This, indeed (though an alternative folklore theory finally seemed to me more plausible), was the belief of many of the alienists who helped me in my search for parallel cases, and who shared my puzzlement at the exact resemblances sometimes discovered. They did not call the condition true insanity, but classed it rather among neurotic disorders. My course in trying to track it down and analyse it, instead of vainly seeking to dismiss or forget it, they heartily endorsed as correct according to the best psychological principles. I especially valued the advice of such physicians as had studied me during my possession by the other personality.[14]

My first disturbances were not visual at all, but concerned the more abstract matters which I have mentioned. There was, too, a feeling of profound and inexplicable horror concerning myself. I developed a queer fear of seeing my own form, as if my eyes would find it something utterly alien and inconceivably abhorrent. When I did glance down and behold the familiar human shape in quiet grey or blue clothing I always felt a curious relief, though in order to gain this relief I had to conquer an infinite dread. I shunned mirrors as much as possible, and was always shaved at the barber’s.

It was a long time before I correlated any of these disappointed feelings with the fleeting visual impressions which began to develop. The first such correlation had to do with the odd sensation of an external, artificial restraint on my memory. I felt that the snatches of sight I experienced had a profound and terrible meaning, and a frightful connexion with myself, but that some purposeful influence held me from grasping that meaning and that connexion. Then came that queerness about the element of time, and with it desperate efforts to place the fragmentary dream-glimpses in the chronological and spatial pattern.

The glimpses themselves were at first merely strange rather than horrible. I would seem to be in an enormous vaulted chamber whose lofty stone groinings were well-nigh lost in the shadows overhead. In whatever time or place the scene might be, the principle of the arch was known as fully and used as extensively as by the Romans. There were colossal round windows and high arched doors, and pedestals or tables each as tall as the height of an ordinary room. Vast shelves of dark wood lined the walls, holding what seemed to be volumes of immense size with strange hieroglyphs on their backs. The exposed stonework held curious carvings, always in curvilinear mathematical designs, and there were chiselled inscriptions in the same characters that the huge books bore. The dark granite masonry was of a monstrous megalithic type, with lines of convex-topped blocks fitting the concave-bottomed courses which rested upon them. There were no chairs, but the tops of the vast pedestals were littered with books, papers, and what seemed to be writing materials—oddly figured jars of a purplish metal, and rods with stained tips. Tall as the pedestals were, I seemed at times able to view them from above. On some of them were great globes of luminous crystal serving as lamps, and inexplicable machines formed of vitreous tubes and metal rods. The windows were glazed, and latticed with stout-looking bars. Though I dared not approach and peer out them, I could see from where I was the waving tops of singular fern-like growths. The floor was of massive octagonal flagstones, while rugs and hangings were entirely lacking.

Later I had visions of sweeping through Cyclopean corridors of stone, and up and down gigantic inclined planes of the same monstrous masonry. There were no stairs anywhere, nor was any passageway less than thirty feet wide. Some of the structures through which I floated must have towered into the sky for thousands of feet. There were multiple levels of black vaults below, and never-opened trap-doors, sealed down with metal bands and holding dim suggestions of some special peril. I seemed to be a prisoner, and horror hung broodingly over everything I saw. I felt that the mocking curvilinear hieroglyphs on the walls would blast my soul with their message were I not guarded by a merciful ignorance.

Still later my dreams included vistas from the great round windows, and from the titanic flat roof, with its curious gardens, wide barren area, and high, scalloped parapet of stone, to which the topmost of the inclined planes led. There were almost endless leagues of giant buildings, each in its garden, and ranged along paved roads fully two hundred feet wide. They differed greatly in aspect, but few were less than five hundred feet square or a thousand feet high. Many seemed so limitless that they must have had a frontage of several thousand feet, while some shot up to mountainous altitudes in the grey, steamy heavens. They seemed to be mainly of stone or concrete, and most of them embodied the oddly curvilinear type of masonry noticeable in the building that held me. Roofs were flat and garden-covered, and tended to have scalloped parapets. Sometimes there were terraces and higher levels, and wide cleared spaces amidst the gardens. The great roads held hints of motion, but in the earlier visions I could not resolve this impression into details.

In certain places I beheld enormous dark cylindrical towers which climbed far above any of the other structures. These appeared to be of a totally unique nature, and shewed signs of prodigious age and dilapidation. They were built of a bizarre type of square-cut basalt masonry, and tapered slightly toward their rounded tops. Nowhere in any of them could the least traces of windows or other apertures save huge doors be found.[15] I noticed also some lower buildings—all crumbling with the weathering of aeons—which resembled these dark cylindrical towers in basic architecture. Around all these aberrant piles of square-cut masonry there hovered an inexplicable aura of menace and concentrated fear, like that bred by the sealed trap-doors.

The omnipresent gardens were almost terrifying in their strangeness, with bizarre and unfamiliar forms of vegetation nodding over broad paths lined with curiously carven monoliths. Abnormally vast fern-like growths predominated; some green, and some of a ghastly, fungoid pallor. Among them rose great spectral things resembling calamites, whose bamboo-like trunks towered to fabulous heights. Then there were tufted forms like fabulous cycads, and grotesque dark-green shrubs and trees of coniferous aspect. Flowers were small, colourless, and unrecognisable, blooming in geometrical beds and at large among the greenery. In a few of the terrace and roof-top gardens were larger and more vivid blossoms of almost offensive contours and seeming to suggest artificial breeding. Fungi of inconceivable size, outlines, and colours speckled the scene in patterns bespeaking some unknown but well-established horticultural tradition. In the larger gardens on the ground there seemed to be some attempt to preserve the irregularities of Nature, but on the roofs there was more selectiveness, and more evidences of the topiary art.

The skies were almost always moist and cloudy, and sometimes I would seem to witness tremendous rains. Once in a while, though, there would be glimpses of the sun—which looked abnormally large—and of the moon, whose markings held a touch of difference from the normal that I could never quite fathom. When—very rarely—the night sky was clear to any extent, I beheld constellations which were nearly beyond recognition. Known outlines were sometimes approximated, but seldom duplicated; and from the position of the few groups I could recognise, I felt I must be in the earth’s southern hemisphere, near the Tropic of Capricorn. The far horizon was always steamy and indistinct, but I could see that great jungles of unknown tree-ferns, calamites, lepidodendra, and sigillaria lay outside the city, their fantastic frondage waving mockingly in the shifting vapours. Now and then there would be suggestions of motion in the sky, but these my early visions never resolved.

By the autumn of 1914 I began to have infrequent dreams of strange floatings over the city and through the regions around it.[16] I saw interminable roads through forests of fearsome growths with mottled, fluted, and banded trunks, and past other cities as strange as the one which persistently haunted me. I saw monstrous constructions of black or iridescent stone in the glades and clearings where perpetual twilight reigned, and traversed long causeways over swamps so dark that I could tell but little of their moist, towering vegetation. Once I saw an area of countless miles strown with age-blasted basaltic ruins whose architecture had been like that of the few windowless, round-topped towers in the haunting city. And once I saw the sea—a boundless steamy expanse beyond the colossal stone piers of an enormous town of domes and arches. Great shapeless suggestions of shadow moved over it, and here and there its surface was vexed with anomalous spoutings.

III.

As I have said, it was not immediately that these wild visions began to hold their terrifying quality. Certainly, many persons have dreamed intrinsically stranger things—things compounded of unrelated scraps of daily life, pictures, and reading, and arranged in fantastically novel forms by the unchecked caprices of sleep. For some time I accepted the visions as natural, even though I had never before been an extravagant dreamer. Many of the vague anomalies, I argued, must have come from trivial sources too numerous to track down; while others seemed to reflect a common textbook knowledge of the plants and other conditions of the primitive world of a hundred and fifty million years ago—the world of the Permian or Triassic age. [17] In the course of some months, however, the element of terror did figure with accumulating force. This was when the dreams began so unfailingly to have the aspect of memories, and when my mind began to link them with my growing abstract disturbances—the feeling of mnemonic restraint, the curious impressions regarding time, the sense of a loathsome exchange with my secondary personality of 1908-13, and, considerably later, the inexplicable loathing of my own person.

As certain definite details began to enter the dreams, their horror increased a thousandfold—until by October, 1915, I felt I must do something. It was then that I began an intensive study of other cases of amnesia and visions, feeling that I might thereby objectivise my trouble and shake clear of its emotional grip. However, as before mentioned, the result was at first almost exactly opposite. It disturbed me vastly to find that my dreams had been so closely duplicated; especially since some of the accounts were too early to admit of any geological knowledge—and therefore of any idea of primitive landscapes—on the subjects’ part. What is more, many of these accounts supplied very horrible details and explanations in connexion with the visions of great buildings and jungle gardens—and other things. The actual sights and vague impressions were bad enough, but what was hinted or asserted by some of the other dreamers savoured of madness and blasphemy. Worst of all, my own psuedo-memory was aroused to wilder dreams and hints of coming revelations. And yet most doctors deemed my course, on the whole, an advisable one.

I studied psychology systematically, and under the prevailing stimulus my son Wingate did the same—his studies leading eventually to his present professorship. In 1917 and 1918 I took special courses at Miskatonic. Meanwhile my examination of medical, historical, and anthropological records became indefatigable; involving travels to distant libraries, and finally including even a reading of the hideous books of forbidden elder lore in which my secondary personality had been so disturbingly interested. Some of the latter were the actual copies I had consulted in my altered state, and I was greatly disturbed by certain marginal notations and ostensible corrections of the hideous text in a script and idiom which somehow seemed oddly un-human.

These markings were mostly in the respective languages of the various books, all of which the writer seemed to know with equal though obviously academic facility. One note appended to von Junzt’s Unaussprechlichen Kulten, however, was alarmingly otherwise. It consisted of certain curvilinear hieroglyphs in the same ink as that of the German corrections, but following no recognised human pattern. And these hieroglyphs were closely and unmistakably akin to the characters constantly met with in my dreams—characters whose meaning I would sometimes momentarily fancy I knew or was just on the brink of recalling. To complete my black confusion, my librarians assured me that, in view of previous examinations and records of consultation of the volumes in question, all of these notations must have been made by myself in my secondary state. This despite the fact that I was and still am ignorant of three of the languages involved.

Piecing together the scattered records, ancient and modern, anthropological and medical, I found a fairly consistent mixture of myth and hallucination whose scope and wildness left me utterly dazed. Only one thing consoled me—the fact that the myths were of such early existence. What lost knowledge could have bought pictures of the Palaeozoic or Mesozoic[18] landscape into these primitive fables, I could not even guess, but the pictures had been there. Thus, a basis existed for the formation of a fixed type of delusion. Cases of amnesia no doubt created the general myth-pattern—but afterward the fanciful accretions of the myths must have reacted on amnesia sufferers and coloured their pseudo-memories. I myself had read and heard all the early tales during my memory lapse—my quest had amply proved that. Was it not natural, then, for my subsequent dreams and emotional impressions to become coloured and moulded by what my memory subtly held over from my secondary state? A few of the myths had significant connexions with other cloudy legends of the pre-human world, especially those Hindoo tales involving stupefying gulfs of time and forming part of the lore of modern theosophists.[19]

Primal myth and modern delusion joined in their assumption that mankind is only one—perhaps the least—of the highly evolved and dominant races of this planet’s long and largely unknown career. Things of inconceivable shape, they implied, had reared towers to the sky and delved into every secret of Nature before the first amphibian forbear of man had crawled out of the hot sea three hundred million years ago. Some had come down from the stars; a few were as old as the cosmos itself; others had arisen swiftly from terrene germs as far behind the first germs of our life-cycle as those germs are behind ourselves. Spans of thousands of millions of years, and linkages with other galaxies and universes, were freely spoken of. Indeed, there was no such thing as time in its humanly accepted sense.

But most of the tales and impressions concerned a relatively late race, of a queer and intricate shape resembling no life-form known to science, which had lived till only fifty million years before the advent of man. This, they indicated, was the greatest race of all; because it alone had conquered the secret of time. It had learned all things that ever were known or ever would be known on the earth, through the power of its keener minds to project themselves into the past and future, even through gulfs of millions of years, and study the lore of every age. From the accomplishments of this race arose all legends of prophets, including those in human mythology.

In its vast libraries were volumes of texts and pictures holding the whole of earth’s annals—histories and descriptions of every species that had ever been or that ever would be, with full records of their arts, their achievements, their languages, and their psychologies. With this aeon-embracing knowledge, the Great Race chose from every era and life-form such thoughts, arts, and processes as might suit its own nature and situation. Knowledge of the past, secured through a kind of mind-casting outside the recognised senses, was harder to glean than knowledge of the future.

In the latter case the course was easier and more material. With suitable mechanical aid a mind would project itself forward in time, feeling its dim, extra-sensory way till it approached the desired period. Then, after preliminary trials, it would seize on the best discoverable representative of the highest of that period’s life-forms; entering the organism’s brain and setting up therein its own vibrations while the displaced mind would strike back to the period of the displacer, remaining in the latter’s body till a reverse process was set up. The projected mind, in the body of the organism of the future, would then pose as a member of the race whose outward form it wore; learning as quickly as possible all that could be learned of the chosen age and its massed information and techniques.

Meanwhile the displaced mind, thrown back to the displacer’s age and body, would be carefully guarded. It would be kept from harming the body it occupied, and would be drained of all its knowledge by trained questioners. Often it could be questioned in its own language, when previous quests into the future had brought back records of that language. If the mind came from a body whose language the Great Race could not physically reproduce, clever machines would be made, on which the alien speech could be played as on a musical instrument. The Great Race’s members were immense rugose cones ten feet high, and with head and other organs attached to foot-thick, distensible limbs spreading from the apexes. They spoke by the clicking or scraping of huge paws or claws attached to the end of two of their four limbs, and walked by the expansion and contraction of a viscous layer attached to their vast ten-foot bases.

When the captive mind’s amazement and resentment had worn off, and when (assuming that it came from a body vastly different from the Great Race’s) it had lost its horror at its unfamiliar temporary form, it was permitted to study its new environment and experience a wonder and wisdom approximating that of its displacer. With suitable precautions, and in exchange for suitable services, it was allowed to rove all over the habitable world in titan airships or on the huge boat-like atomic-engined vehicles which traversed the great roads, and to delve freely into the libraries containing the records of the planet’s past and future. This reconciled many captive minds to their lot; since none were other than keen, and to such minds the unveiling of hidden mysteries of earth—closed chapters of inconceivable pasts and dizzying vortices of future time which include the years ahead of their own natural ages—forms always, despite the abysmal horrors often unveiled, the supreme experience of life.[20]

Now and then certain captives were permitted to meet other captive minds seized from the future—to exchange thoughts with consciousnesses living a hundred or a thousand or a million years before or after their own ages. And all were urged to write copiously in their own languages of themselves and their respective periods; such documents to be filed in the great central archives.

It may be added that there was one sad special type of captive whose privileges were far greater than those of the majority. These were the dying permanent exiles, whose bodies in the future had been seized by keen-minded members of the Great Race who, faced with death, sought to escape mental extinction. Such melancholy exiles were not as common as might be expected, since the longevity of the Great Race lessened its love of life—especially among those superior minds capable of projection. From cases of the permanent projection of elder minds arose many of those lasting changes of personality noticed in later history—including mankind’s.

As for the ordinary cases of exploration—when the displacing mind had learned what it wished in the future, it would build an apparatus like that which had started its flight and reverse the process of projection. Once more it would be in its own body in its own age, while the lately captive mind would return to that body of the future to which it properly belonged. Only when one or the other of the bodies had died during the exchange was this restoration impossible. In such cases, of course, the exploring mind had—like those of the death-escapers—to live out an alien-bodied life in the future; or else the captive mind—like the dying permanent exiles—had to end its days in the form and past age of the Great Race.

This fate was least horrible when the captive mind was also of the Great Race—a not infrequent occurrence, since in all its periods that race was intensely concerned with its own future. The number of dying permanent exiles of the Great Race was very slight—largely because of the tremendous penalties attached to displacements of future Great Race minds by the moribund. Through projection, arrangements were made to inflict these penalties on the offending minds in their new future bodies—and sometimes forced re-exchanges were effected. Complex cases of the displacement of exploring or already captive minds by minds in various regions of the past had been known and carefully rectified. In every age since the discovery of mind-projection, a minute but well-recognised element of the population consisted of Great Race minds from ages past, sojourning for a longer or shorter while.

When a captive mind of alien origin was returned to its own body in the future, it was purged by an intricate mechanical hypnosis of all it had learned in the Great Race’s age—this because of certain troublesome consequences inherent in the general carrying forward of knowledge in large quantities. The few existing instances of clear transmission had caused, and would cause at known future times, great disasters. And it was largely in consequence of two cases of the kind (said the old myths) that mankind had learned what it had concerning the Great Race. Of all things surviving physically and directly from that aeon-distant world, there remained only certain ruins of great stones in far places and under the sea, and parts of the text of the frightful Pnakotic Manuscripts.

Thus the returning mind reached its own age with only the faintest and most fragmentary visions of what it had undergone since its seizure. All memories that could be eradicated were eradicated, so that in most cases only a dream-shadowed blank stretched back to the time of the first exchange. Some minds recalled more than others, and the chance joining of memories had at rare times brought hints of the forbidden past to future ages. There probably never was a time when groups or cults did not secretly cherish certain of these hints. In the Necronomicon the presence of such a cult among human beings was suggested—a cult that sometimes gave aid to minds voyaging down the aeons from the days of the Great Race.

And meanwhile the Great Race itself waxed well-nigh omniscient, and turned to the task of setting up exchanges with the minds of other planets, and of exploring their pasts and futures. It sought likewise to fathom the past years and origin of that black, aeon-dead orb in far space whence its own mental heritage had come—for the mind of the Great Race was older than its bodily form. The beings of a dying elder world, wise with the ultimate secrets, had looked ahead for a new world and species wherein they might have long life; and had sent their minds en masse into that future race best adapted to house them—the cone-shaped things that peopled our earth a billion years ago. Thus the Great Race came to be, while the myriad minds sent backward were left to die in the horror of strange shapes. Later the race would again face death, yet would live through another forward migration of its best minds into the bodies of others who had a longer physical span ahead of them.

Such was the background of intertwined legend and hallucination. When, around 1920, I had my researches in coherent shape, I felt a slight lessening of the tension which their earlier stages had increased. After all, and in spite of the fancies prompted by blind emotions, were not most of my phenomena readily explainable? Any chance might have turned my mind to dark studies during the amnesia—and then I read the forbidden legends and met the members of ancient and ill-regarded cults. That, plainly, supplied the material for the dreams and disturbed feelings which came after the return of memory. As for the marginal notes in dream-hieroglyphs and languages unknown to me, but laid at my door by librarians—I might easily have picked up a smattering of the tongues during my secondary state, while the hieroglyphs were doubtless coined by my fancy from descriptions in old legends, and afterward woven into my dreams. I tried to verify certain points through conversation with known cult-leaders, but never succeeded in establishing the right connexions.

At times the parallelism of so many cases in so many distant ages continued to worry me as it had at first, but on the other hand I reflected that the excitant folklore was undoubtedly more universal in the past than in the present. Probably all the other victims whose cases were like mine had had a long and familiar knowledge of the tales I had learned only when in my secondary state. When these victims had lost their memory, they had associated themselves with the creatures of their household myths—the fabulous invaders supposed to displace men’s minds—and had thus embarked upon quests for knowledge which they thought they could take back to a fancied, non-human past. Then when their memory returned, they reversed the associative process and thought of themselves as the former captive minds instead of as the displacers. Hence the dreams and pseudo-memories following the conventional myth-pattern.

Despite the seeming cumbrousness of these explanations, they came finally to supersede all others in my mind—largely because of the greater weakness of any rival theory. And a substantial number of eminent psychologists and anthropologists gradually agreed with me. The more I reflected, the more convincing did my reasoning seem; till in the end I had a really effective bulwark against the visions and impressions which still assailed me. Suppose I did see strange things at night? These were only what I had heard and read of. Suppose I did have odd loathings and perspectives and pseudo-memories? These, too, were only echoes of myths absorbed in my secondary state. Nothing that I might dream, nothing that I might feel, could be of any actual significance.

Fortified by this philosophy, I greatly improved in nervous equilibrium, even though the visions (rather than the abstract impressions) steadily became more frequent and more disturbingly detailed. In 1922 I felt able to undertake regular work again, and put my newly gained knowledge to practical use by accepting an instructorship in psychology at the university. My old chair of political economy had long been adequately filled—besides which, methods of teaching economics had changed greatly since my heyday. My son was at this time just entering on the post-graduate studies leading to his present professorship, and we worked together a great deal.

IV.

I continued, however, to keep a careful record of the outré dreams which crowded upon me so thickly and vividly. Such a record, I argued, was of genuine value as a psychological document. The glimpses still seemed damnably like memories, though I fought off this impression with a goodly measure of success. In writing, I treated the phantasmata as things seen; but at all other times I brushed them aside like any gossamer illusions of the night. I had never mentioned such matters in common conversation; though reports of them, filtering out as such things will, had aroused sundry rumours regarding my mental health. It is amusing to reflect that these rumours were confined wholly to laymen, without a single champion among physicians or psychologists.

Of my visions after 1914 I will here mention only a few, since fuller accounts and records are at the disposal of the serious student. It is evident that with time the curious inhibitions somewhat waned, for the scope of my visions vastly increased. They have never, though, become other than disjointed fragments seemingly without clear motivation. Within the dreams I seemed gradually to acquire a greater and greater freedom of wandering. I floated through many strange buildings of stone, going from one to the other along mammoth underground passages which seemed to form the common avenues of transit. Sometimes I encountered those gigantic sealed trap-doors in the lowest level, around which such an aura of fear and forbiddenness clung. I saw tremendous tessellated pools, and rooms of curious and inexplicable utensils of myriad sorts. Then there were colossal caverns of intricate machinery whose outlines and purpose were wholly strange to me, and whose sound manifested itself only after many years of dreaming. I may here remark that sight and sound are the only senses I have ever exercised in the visionary world.

The real horror began in May, 1915, when I first saw the living things. This was before my studies had taught me what, in view of the myths and case histories, to expect. As mental barriers wore down, I beheld great masses of thin vapour in various parts of the building and in the streets below. These steadily grew more solid and distinct, till at last I could trace their monstrous outlines with uncomfortable ease. They seemed to be enormous iridescent cones, about ten feet high and ten feet wide at the base, and made up of some ridgy, scaly, semi-elastic matter. From their apexes projected four flexible, cylindrical members, each a foot thick, and of a ridgy substance like that of the cones themselves. These members were sometimes contracted almost to nothing, and sometimes extended to any distance up to about ten feet. Terminating two of them were enormous claws or nippers. At the end of a third were four red, trumpet-like appendages. The fourth terminated in an irregular yellowish globe some two feet in diameter and having three great dark eyes ranged along its central circumference. Surmounting this head were four slender grey stalks bearing flower-like appendages, whilst from its nether side dangled eight greenish antennae or tentacles. The great base of the central cone was fringed with a rubbery, grey substance which moved the whole entity through expansion and contraction.

Their actions, though harmless, horrified me even more than their appearance—for it is not wholesome to watch monstrous objects doing what one has known only human beings to do. These objects moved intelligently around the great rooms, getting books from the shelves and taking them to the great tables, or vice versa, and sometimes writing diligently with a peculiar rod gripped in the greenish head-tentacles. The huge nippers were used in carrying books and in conversation—speech consisting of a kind of clicking and scraping. The objects had no clothing, but wore satchels or knapsacks suspended from the top of the conical trunk. They commonly carried their head and its supporting member at the level of the cone top, although it was frequently raised or lowered. The other three great members tended to rest downward on the sides of the cone, contracted to about five feet each, when not in use. From their rate of reading, writing, and operating their machines (those on the tables seemed somehow connected with thought) I concluded that their intelligence was enormously greater than man’s.

Afterward I saw them everywhere; swarming in all the great chambers and corridors, tending monstrous machines in vaulted crypts, and racing along the vast roads in gigantic boat-shaped cars. I ceased to be afraid of them, for they seemed to form supremely natural parts of their environment. Individual differences amongst them began to be manifest, and a few appeared to be under some kind of restraint. These latter, though shewing no physical variation, had a diversity of gestures and habits which marked them off not only from the majority, but very largely from one another. They wrote a great deal in what seemed to my cloudy vision a vast variety of characters—never the typical curvilinear hieroglyphs of the majority. A few, I fancied, used our own familiar alphabet. Most of them worked much more slowly than the general mass of the entities.

All this time my own part in the dreams seemed to be that of a disembodied consciousness with a range of vision wider than the normal; floating freely about, yet confined to the ordinary avenues and speeds of travel. Not until August, 1915, did any suggestions of bodily existence begin to harass me. I say harass, because the first phase was a purely abstract though infinitely terrible association of my previously noted body-loathing with the scenes of my visions. For a while my chief concern during dreams was to avoid looking down at myself, and I recall how grateful I was for the total absence of large mirrors in the strange rooms. I was mightily troubled by the fact that I always saw the great tables—whose height could not be under ten feet—from a level not below that of their surfaces.

And then the morbid temptation to look down at myself became greater and greater, till one night I could not resist it. At first my downward glance revealed nothing whatever. A moment later I perceived that this was because my head lay at the end of a flexible neck of enormous length. Retracting this neck and gazing down very sharply, I saw the scaly, rugose, iridescent bulk of a vast cone ten feet tall and ten feet wide at the base. That was when I waked half of Arkham with my screaming as I plunged madly up from the abyss of sleep.

Only after weeks of hideous repetition did I grow half-reconciled to these visions of myself in monstrous form. In the dreams I now moved bodily among the other unknown entities, reading terrible books from the endless shelves and writing for hours at the great tables with a stylus managed by the green tentacles that hung down from my head. Snatches of what I read and wrote would linger in my memory. There were horrible annals of other worlds and other universes, and of stirrings of formless life outside of all universes. There were records of strange orders of beings which had peopled the world in forgotten pasts, and frightful chronicles of grotesque-bodied intelligences which would people it millions of years after the death of the last human being. And I learned of chapters in human history whose existence no scholar of today has ever suspected. Most of these writings were in the language of the hieroglyphs; which I studied in a queer way with the aid of droning machines, and which was evidently an agglutinative speech [21] with root systems utterly unlike any found in human languages. Other volumes were in other unknown tongues learned in the same queer way. A very few were in languages I knew. Extremely clever pictures, both inserted in the records and forming separate collections, aided me immensely. And all the time I seemed to be setting down a history of my own age in English. On waking, I could recall only minute and meaningless scraps of the unknown tongues which my dream-self had mastered, though whole phrases of the history stayed with me.

I learned—even before my waking self had studied the parallel cases or the old myths from which the dreams doubtless sprang—that the entities around me were of the world’s greatest race, which had conquered time and had sent exploring minds into every age. I knew, too, that I had been snatched from my age while another used my body in that age, and that a few of the other strange forms housed similarly captured minds. I seemed to talk, in some odd language of claw-clickings, with exiled intellects from every corner of the solar system.

There was a mind from the planet we know as Venus, which would live incalculable epochs to come, and one from an outer moon of Jupiter six million years in the past.[22] Of earthly minds there were some from the winged, star-headed, half-vegetable race of palaeogean Antarctica;[23] one from the reptile people of fabled Valusia;[24] three from the furry pre-human Hyperborean worshippers of Tsathoggua;[25] one from the wholly abominable Tcho-Tchos; [26] two from the arachnid denizens of earth’s last age; five from the hardy coleopterous species immediately following mankind, to which the Great Race was some day to transfer its keenest minds en masse in the face of horrible peril; and several from different branches of humanity.

I talked with the mind of Yiang-Li, a philosopher from the cruel empire of Tsan-Chan, which is to come in A.D. 5000,[27] with that of a general of the great-headed brown people who held South Africa in B.C. 50,000; with that of a twelfth-century Florentine monk named Bartolomeo Corsi; with that of a king of Lomar who had ruled that terrible polar land 100,000 years before the squat, yellow Inutos came from the west to engulf it;[28] with that of Nug-Soth,[29] a magician of the dark conquerors of A.D. 16,000; with that of a Roman named Titus Sempronius Blaesus, who had been a quaestor in Sulla’s time;[30] with that of Khephnes, an Egyptian of the 14th Dynasty[31] who told me the hideous secret of Nyarlathotep; with that of a priest of Atlantis’ middle kingdom;[32] with that of a Suffolk gentleman of Cromwell’s day, James Woodville; with that of a court astronomer of pre-Inca Peru;[33],[34] with that of the Australian physicist Nevil Kingston-Brown, who will die in A.D. 2518; with that of an archimage of vanished Yhe in the Pacific; with that of Theodotides, a Graeco-Bactrian official of B.C. 200; with that of an aged Frenchman of Louis XIII’s time named Pierre-Lous Montmagny; with that of Crom-Ya, and Cimmerian chieftan of B.C. 15,000;[35] and with so many others that my brain cannot hold the shocking secrets and dizzying marvels I learned from them.

I awaked each morning in a fever, sometimes frantically trying to verify or discredit such information as fell within the range of modern human knowledge. Traditional facts took on new and doubtful aspects, and I marvelled at the dream-fancy which could invent such surprising addenda to history and science. I shivered at the mysteries the past may conceal, and trembled at the menaces the future may bring forth. What was hinted in the speech of post-human entities of the fate of mankind produced such an effect on me that I will not set it down here. After man there would be the mighty beetle civilisation, the bodies of whose members the cream of the Great Race would seize when the monstrous doom overtook the elder world. Later, as the earth’s span closed, the transferred minds would again migrate through time and space—to another stopping-place in the bodies of the bulbous vegetable entities of Mercury. But there would be races after them, clinging pathetically to the cold planet and burrowing to its horror-filled core, before the utter end.

Meanwhile, in my dreams, I wrote endlessly in that history of my own age which I was preparing—half voluntarily and half through promises of increased library and travel opportunities—for the Great Race’s central archives. The archives were in a colossal subterranean structure near the city’s centre, which I came to know well through frequent labours and consultations. Meant to last as long as the race, and to withstand the fiercest of earth’s convulsions, this titan repository surpassed all other buildings in the massive, mountain-like firmness of its construction.

The records, written or printed on great sheets of a curiously tenacious cellulose fabric, were bound into books that opened from the top, and were kept in individual cases of a strange, extremely light rustless metal of greyish hue, decorated with mathematical designs and bearing the title in the Great Race’s curvilinear hieroglyphs. These cases were stored in tiers of rectangular vaults—like closed, locked shelves—wrought of the same rustless metal and fastened by knobs with intricate turnings. My own history was assigned a specific place in the vaults of the lowest or vertebrate level—the section devoted to the culture of mankind and of the furry and reptilian races immediately preceding it in terrestrial dominance.

But none of the dreams ever gave me a full picture of daily life. All were the merest misty, disconnected fragments, and it is certain that these fragments were not unfolded in their rightful sequence. I have, for example, a very imperfect idea of my own living arrangements in the dream-world; though I seem to have possessed a great stone room of my own. My restrictions as a prisoner gradually disappeared, so that some of the visions included vivid travels over the mighty jungle roads, sojourns in strange cities, and explorations of some of the vast dark windowless ruins from which the Great Race shrank in curious fear. There were also long sea-voyages in enormous, many-decked boats of incredible swiftness, and trips over wild regions in closed, projectile-like airships lifted and moved by electrical repulsion.[36] Beyond the wide, warm ocean were other cities of the Great Race, and on one far continent I saw the crude villages of the black-snouted, winged creatures who would evolve as a dominant stock after the Great Race had sent its foremost minds into the future to escape the creeping horror. Flatness and exuberant green life were always the keynote of the scene. Hills were low and sparse, and usually displayed signs of volcanic forces.

Of the animals I saw, I could write volumes. All were wild; for the Great Race’s mechanised culture had long since done away with domestic beasts, while food was wholly vegetable or synthetic. Clumsy reptiles of great bulk floundered in steaming morasses, fluttered in the heavy air, or spouted in the seas and lakes; and among these I fancied I could vaguely recognise lesser, archaic prototypes of many forms—dinosaurs, pterodactyls, ichthyosaurs, labyrinthodonts, rhamphorhynci, plesiosaurs,[37] and the like—made familiar through palaeontology. Of birds or mammals there were none that I could discern.[38]

The ground and swamps were constantly alive with snakes, lizards, and crocodiles, while insects buzzed incessantly amidst the lush vegetation. And far out at sea unspied and unknown monsters spouted mountainous columns of foam into the vaporous sky. Once I was taken under the ocean in a gigantic submarine vessel with searchlights, and glimpsed some living horrors of awesome magnitude. I saw also the ruins of incredible sunken cities, and the wealth of crinoid, brachiopod, coral, and ichthyic life which everywhere abounded.[39]

Of the physiology, psychology, folkways, and detailed history of the Great Race my visions preserved but little information, and many of the scattered points I here set down were gleaned from my study of old legends and other cases rather than from my own dreaming. For in time, of course, my reading and research caught up with and passed the dreams in many phases; so that certain dream-fragments were explained in advance, and formed verifications of what I had learned. This consolingly established my belief that similar reading and research, accomplished by my secondary self, had formed the source of the whole terrible fabric of pseudo-memories.

The period of my dreams, apparently, was one somewhat less than 150,000,000 years ago, when the Palaeozoic age was giving place to the Mesozoic. The bodies occupied by the Great Race represented no surviving—or even scientifically known—line of terrestrial evolution, but were of a peculiar, closely homogeneous, and highly specialised organic type inclining as much as to the vegetable as to the animal state. Cell-action was of an unique sort almost precluding fatigue, and wholly eliminating the need of sleep. Nourishment, assimilated through the red trumpet-like appendages on one of the great flexible limbs, was always semi-fluid and in many aspects wholly unlike the food of existing animals. The beings had but two of the senses which we recognise—sight and hearing, the latter accomplished through the flower-like appendages on the grey stalks above their heads—but of other and incomprehensible senses (not, however, well utilisable by alien captive minds inhabiting their bodies) they possessed many. Their three eyes were so situated as to give them a range of vision wider than the normal. Their blood was a sort of deep-greenish ichor of great thickness. They had no sex, but reproduced through seeds or spores which clustered on their bases and could be developed only under water. Great, shallow tanks were used for the growth of their young—which were, however, reared only in small numbers on account of the longevity of individuals; four or five thousand years being the common life span.

Markedly defective individuals were quietly disposed of as soon as their defects were noticed. Disease and the approach of death were, in the absence of a sense of touch or of physical pain, recognised by purely visual symptoms. The dead were incinerated with dignified ceremonies. Once in a while, as before mentioned, a keen mind would escape death by forward projection in time; but such cases were not numerous. When one did occur, the exiled mind from the future was treated with the utmost kindness till the dissolution of its unfamiliar tenement.

The Great Race seemed to form a single loosely knit nation or league, with major institutions in common, though there were four definite divisions. The political and economic system of each unit was a sort of fascistic socialism, with major resources rationally distributed, and power delegated to a small governing board elected by the votes of all able to pass certain educational and psychological tests.[40] Family organisation was not overstressed, though ties among persons of common descent were recognised, and the young were generally reared by their parents.

Resemblances to human attitudes and institutions were, of course, most marked in those fields where on the one hand highly abstract elements were concerned, or where on the other hand there was a dominance of the basic, unspecialised urges common to all organic life. A few added likenesses came through conscious adoption as the Great Race probed the future and copied what it liked. Industry, highly mechanised, demanded but little time from each citizen; and the abundant leisure was filled with intellectual and aesthetic activities of various sorts.[41] The sciences were carried to an unbelievable height of development, and art was a vital part of life, though at the period of my dreams it had passed its crest and meridian. Technology was enormously stimulated through the constant struggle to survive, and to keep in existence the physical fabric of great cities, imposed by the prodigious geologic upheavals of those primal days.

Crime was surprisingly scanty, and was dealt with through highly efficient policing. Punishments ranged from privilege-deprivation and imprisonment to death or major emotion-wrenching, and were never administered without a careful study of the criminal’s motivations. Warfare, largely civil for the last few millennia though sometimes waged against reptilian and octopodic invaders,[42] or against the winged, star-headed Old Ones who centred in the Antarctic, was infrequent though infinitely devastating. An enormous army, using camera-like weapons which produced tremendous electrical effects, was kept on hand for purposes seldom mentioned, but obviously connected with the ceaseless fear of the dark, windowless elder ruins and of the great sealed trap-doors in the lowest subterrene levels.

This fear of the basalt ruins and trap-doors was largely a matter of unspoken suggestion—or, at most, of furtive quasi-whispers. Everything specific which bore on it was significantly absent from such books as were on the common shelves. It was the one subject lying altogether under a taboo among the Great Race, and seemed to be connected alike with horrible bygone struggles, and with that future peril which would some day force the race to send its keener minds ahead en masse in time. Imperfect and fragmentary as were the other things presented by dreams and legends, this matter was still more bafflingly shrouded. The vague old myths avoided it—or perhaps all allusions had for some reason been excised. And in the dreams of myself and others, the hints were peculiarly few. Members of the Great Race never intentionally referred to the matter, and what could be gleaned came only from some of the more sharply observant captive minds.

According to these scraps of information, the basis of the fear was a horrible elder race of half-polypous, utterly alien entities which had come through space from immeasurably distant universes and had dominated the earth and three other solar planets about six hundred million years ago. They were only partly material—as we understand matter—and their type of consciousness and media of perception differed wholly from those of terrestrial organisms. For example, their senses did not include that of sight; their mental world being a strange, non-visual pattern of impressions. They were, however, sufficiently material to use implements of normal matter when in cosmic areas containing it; and they required housing—albeit of a peculiar kind. Though their senses could penetrate all material barriers, their substance could not; and certain forms of electrical energy could wholly destroy them. They had the power of aërial motion despite the absence of wings or any other visible means of levitation. Their minds were of such texture that no exchange with them could be effected by the Great Race.

When these things had come to the earth they had built mighty basalt cities of windowless towers, and had preyed horribly upon the beings they found. Thus it was when the minds of the Great Race sped across the void from that obscure trans-galactic world known in the disturbing and debatable Eltdown Shards as Yith.[43] The newcomers, with the instruments they created, had found it easy to subdue the predatory entities and drive them down to those caverns of inner earth which they had already joined to their abodes and begun to inhabit. Then they had sealed the entrances and left them to their fate, afterward occupying most of their great cities and preserving certain important buildings for reasons connected more with superstition than with indifference, boldness, or scientific and historical zeal.

But as the aeons passed, there came vague, evil signs that the Elder Things were growing strong and numerous in the inner world. There were sporadic irruptions of a particularly hideous character in certain small and remote cities of the Great Race, and in some of the deserted elder cities which the Great Race had not peopled—places where the paths to the gulfs below had not been properly sealed or guarded. After that greater precautions were taken, and many of the paths were closed for ever—though a few were left with sealed trap-doors for strategic use in fighting the Elder Things if ever they broke forth in unexpected places; fresh rifts caused by that selfsame geologic change which had choked some of the paths and had slowly lessened the number of outer-world structures and ruins surviving from the conquered entities.

The irruptions of the Elder Things must have been shocking beyond all description, since they had permanently coloured the psychology of the Great Race. Such was the fixed mood of horror that the very aspect of the creatures was left unmentioned—at no time was I able to gain a clear hint of what they had looked like. There were veiled suggestions of a monstrous plasticity, and of temporary lapses of visibility, while other fragmentary whispers referred to their control and military use of great winds. Singular whistling noises, and colossal footprints made up of five circular toe-marks, seemed also to be associated with them.

It was evident that the coming doom so desperately feared by the Great Race—the doom that was one day to send millions of keen minds across the chasm of time to strange bodies in the safer future—had to do with a final successful irruption of the Elder Beings. Mental projections down the ages had clearly foretold such a horror, and the Great Race had resolved that none who could escape should face it. That the foray would be a matter of vengeance, rather than an attempt to reoccupy the outer world, they knew from the planet’s later history—for their projections shewed the coming and going of subsequent races untroubled by the monstrous entities. Perhaps these entities had come to prefer earth’s inner abysses to the variable, storm-ravaged surface, since light meant nothing to them. Perhaps, too, they were slowly weakening with the aeons. Indeed, it was known that they would be quite dead in the time of the post-human beetle race which the fleeting minds would tenant. Meanwhile the Great Race maintained its cautious vigilance, with potent weapons ceaselessly ready despite the horrified banishing of the subject from common speech and visible records. And always the shadow of nameless fear hung about the sealed trap-doors and the dark, windowless elder towers.

V.

That is the world of which my dreams brought me dim, scattered echoes every night. I cannot hope to give any true idea of the horror and dread contained in such echoes, for it was upon a wholly intangible quality—the sharp sense of pseudo-memory—that such feelings mainly depended. As I have said, my studies gradually gave me a defence against these feelings, in the form of rational psychological explanations; and this saving influence was augmented by the subtle touch of accustomedness which comes with the passage of time. Yet in spite of everything the vague, creeping terror would return momentarily now and then. It did not, however, engulf me as it had before; and after 1922 I lived a very normal life of work and recreation.

In the course of years I began to feel that my experience—together with the kindred cases and the related folklore—ought to be definitely summarised and published for the benefit of serious students; hence I prepared a series of articles briefly covering the whole ground and illustrated with crude sketches of some of the shapes, scenes, decorative motifs, and hieroglyphs remembered from the dreams. These appeared at various times during 1928 and 1929 in the Journal of the American Psychological Society,[44] but did not attract much attention. Meanwhile I continued to record my dreams with the minutest care, even though the growing stack of reports attained troublesomely vast proportions.

On July 10, 1934, there was forwarded to me by the Psychological Society the letter which opened the culminating and most horrible phase of the whole mad ordeal. It was postmarked Pilbarra, Western Australia, and bore the signature of one whom I found, upon inquiry, to be a mining engineer of considerable prominence. Enclosed were some very curious snapshots. I will reproduce the text in its entirety, and no reader can fail to understand how tremendous an effect it and the photographs had upon me.

I was, for a time, almost stunned and incredulous; for although I had often thought that some basis of fact must underlie certain phases of the legends which had coloured my dreams, I was none the less unprepared for anything like a tangible survival from a lost world remote beyond all imagination. Most devastating of all were the photographs—for here, in cold, incontrovertible realism, there stood out against a background of sand certain worn-down, water-ridged, storm-weathered blocks of stone whose slightly convex tops and slightly concave bottoms told their own story. And when I studied them with a magnifying glass I could see all too plainly, amidst the batterings and pittings, the traces of those vast curvilinear designs and occasional hieroglyphs whose significance had become so hideous to me. But here is the letter, which speaks for itself:

49, Dampier Str.,[45]
Pilbarra, W. Australia,
18 May, 1934.

Prof. N. W. Peaslee,
c/o Am. Psychological Society,
30, E. 41st Str.,
N. Y. City, U.S.A.

My dear Sir:—

A recent conversation with Dr. E. M. Boyle of Perth, and some papers with your articles which he has just sent me, make it advisable for me to tell you about certain things I have seen in the Great Sandy Desert east of our gold field here. It would seem, in view of the peculiar legends about old cities with huge stonework and strange designs and hieroglyphs which you describe, that I have come upon something very important.

The blackfellows[46] have always been full of talk about “great stones with marks on them”, and seem to have a terrible fear of such things. They connect them in some way with their common racial legends about Buddai, the gigantic old man who lies asleep for ages underground with his head on his arm, and who will some day awake and eat up the world .[47] There are some very old and half-forgotten tales of enormous underground huts of great stones, where passages lead down and down, and where horrible things have happened. The blackfellows claim that once some warriors, fleeing in battle, went down into one and never came back, but that frightful winds began to blow from the place soon after they went down. However, there usually isn’t much in what these natives say.

But what I have to tell is more than this. Two years ago, when I was prospecting about 500 miles east in the desert, I came on a lot of queer pieces of dressed stone perhaps 3×2×2 feet in size, and weathered and pitted to the very limit. At first I couldn’t find any of the marks the blackfellows told about, but when I looked close enough I could make out some deeply carved lines in spite of the weathering. They were peculiar curves, just like what the blacks had tried to describe. I imagine there must have been 30 or 40 blocks, some nearly buried in the sand, and all within a circle perhaps a quarter of a mile’s diameter.

When I saw some, I looked around closely for more, and made a careful reckoning of the place with my instruments. I also took pictures of 10 or 12 of the most typical blocks, and will enclose the prints for you to see. I turned my information and pictures over to the government at Perth, but they have done nothing with them. Then I met Dr. Boyle, who had read your articles in the Journal of the American Psychological Society, and in time happened to mention the stones. He was enormously interested, and became quite excited when I shewed him my snapshots, saying that the stones and markings were just like those of the masonry you had dreamed about and seen described in legends. He meant to write you, but was delayed. Meanwhile he sent me most of the magazines with your articles, and I saw at once from your drawings and descriptions that my stones are certainly the kind you mean. You can appreciate this from the enclosed prints. Later on you will hear directly from Dr. Boyle.

Now I can understand how important all this will be to you. Without question we are faced with the remains of an unknown civilisation older than any dreamed of before, and forming a basis for your legends. As a mining engineer, I have some knowledge of geology, and can tell you that these blocks are so ancient they frighten me. They are mostly sandstone and granite, though one is almost certainly made of a queer sort of cement or concrete. They bear evidence of water action, as if this part of the world had been submerged and come up again after long ages—all since these blocks were made and used. It is a matter of hundreds of thousands of years—or heaven knows how much more. I don’t like to think about it.

In view of your previous diligent work in tracking down the legends and everything connected with them, I cannot doubt but that you will want to lead an expedition to the desert and make some archaeological excavations. Both Dr. Boyle and I are prepared to coöperate in such work if you—or organisations known to you—can furnish the funds. I can get together a dozen miners for the heavy digging—the blacks would be of no use, for I’ve found that they have an almost maniacal fear of this particular spot. Boyle and I are saying nothing to others, for you very obviously ought to have precedence in any discoveries or credit.

The place can be reached from Pilbarra in about 4 days by motor tractor—which we’d need for our apparatus. It is somewhat west and south of Warburton’s path of 1873,[48] and 100 miles southeast of Joanna Spring. We could float things up the De Grey River instead of starting from Pilbarra—but all that can be talked over later. Roughly, the stones lie at a point about 22° 3’ 14“ South Latitude, 125° 0’ 39” East Longitude.[49] The climate is tropical, and the desert conditions are trying. Any expedition had better be made in winter—June or July or August. I shall welcome further correspondence upon this subject, and am keenly eager to assist in any plan you may devise. After studying your articles I am deeply impressed with the profound significance of the whole matter. Dr. Boyle will write later. When rapid communication is needed, a cable to Perth can be relayed by wireless.

Hoping profoundly for an early message,

Believe me,
Most faithfully yours,
Robert B. F. Mackenzie.

Of the immediate aftermath of this letter, much can be learned from the press. My good fortune in securing the backing of Miskatonic University was great, and both Mr. Mackenzie and Dr. Boyle proved invaluable in arranging matters at the Australian end. We were not too specific with the public about our objects, since the whole matter would have lent itself unpleasantly to sensational and jocose treatment by the cheaper newspapers. As a result, printed reports were sparing; but enough appeared to tell of our quest for reported Australian ruins and to chronicle our various preparatory steps.

Professors William Dyer of the college’s geology department (leader of the Miskatonic Antarctic Expedition of 1930-3 1 ),[50] Ferdinand C. Ashley of the department of ancient history, and Tyler M. Freeborn of the department of anthropology—together with my son Wingate—accompanied me. My correspondent Mackenzie came to Arkham early in 1935 and assisted in our final preparations. He proved to be a tremendously competent and affable man of about fifty, admirably well-read, and deeply familiar with all the conditions of Australian travel. He had tractors waiting at Pilbarra, and we chartered a tramp steamer of sufficiently light draught to get up the river to that point. We were prepared to excavate in the most careful and scientific fashion, sifting every particle of sand, and disturbing nothing which might seem to be in or near its original situation.

Sailing from Boston aboard the wheezy Lexington on March 28, 1935, we had a leisurely trip across the Atlantic and Mediterranean, through the Suez Canal, down the Red Sea, and across the Indian Ocean to our goal. I need not tell how the sight of the low, sandy West Australian coast depressed me, and how I detested the crude mining town and dreary gold fields where the tractors were given their last loads. Dr. Boyle, who met us, proved to be elderly, pleasant, and intelligent—and his knowledge of psychology led him into many long discussions with my son and me.

Discomfort and expectancy were oddly mingled in most of us when at length our party of eighteen rattled forth over the arid leagues of sand and rock. On Friday, May 31st, we forded a branch of the De Grey and entered the realm of utter desolation. A certain positive terror grew on me as we advanced to this actual site of the elder world behind the legends—a terror of course abetted by the fact that my disturbing dreams and pseudo-memories still beset me with unabated force.

It was on Monday, June 3, that we saw the first of the half-buried blocks. I cannot describe the emotions with which I actually touched—in objective reality—a fragment of Cyclopean masonry in every respect like the blocks in the walls of my dream-buildings. There was a distinct trace of carving—and my hands trembled as I recognised part of a curvilinear decorative scheme made hellish to me through years of tormenting nightmare and baffling research.

A month of digging brought a total of some 1250 blocks in varying stages of wear and disintegration. Most of these were carven megaliths with curved tops and bottoms. A minority were smaller, flatter, plain-surfaced, and square or octagonally cut—like those of the floors and pavements in my dreams—while a few were singularly massive and curved or slanted in such a manner as to suggest use in vaulting or groining, or as parts of arches or round window casings. The deeper—and the farther north and east—we dug, the more blocks we found; though we still failed to discover any trace of arrangement among them. Professor Dyer was appalled at the measureless age of the fragments, and Freeborn found traces of symbols which fitted darkly into certain Papuan and Polynesian legends of infinite antiquity. The condition and scattering of the blocks told mutely of vertiginous cycles of time and geologic upheavals of cosmic savagery.

We had an aëroplane with us, and my son Wingate would often go up to different heights and scan the sand-and-rock waste for signs of dim, large-scale outlines—either differences of level or trails of scattered blocks. His results were virtually negative; for whenever he would one day think he had glimpsed some significant trend, he would on his next trip find the impression replaced by another equally insubstantial—a result of the shifting, wind-blown sand. One or two of these ephemeral suggestions, though, affected me queerly and disagreeably. They seemed, after a fashion, to dovetail horribly with something which I had dreamed or read, but which I could no longer remember. There was a terrible pseudo-familiarity about them—which somehow made me look furtively and apprehensively over the abominable, sterile terrain toward the north and northeast.

Around the first week in July I developed an unaccountable set of mixed emotions about that general northeasterly region. There was horror, and there was curiosity—but more than that, there was a persistent and perplexing illusion of memory. I tried all sorts of psychological expedients to get these notions out of my head, but met with no success. Sleeplessness also gained upon me, but I almost welcomed this because of the resultant shortening of my dream-periods. I acquired the habit of taking long, lone walks in the desert late at night—usually to the north or northeast, whither the sum of my strange new impulses seemed subtly to pull me.

Sometimes, on these walks, I would stumble over nearly buried fragments of the ancient masonry. Though there were fewer visible blocks here than where we had started, I felt sure that there must be a vast abundance beneath the surface. The ground was less level than at our camp, and the prevailing high winds now and then piled the sand into fantastic temporary hillocks—exposing some traces of the elder stones while it covered other traces. I was queerly anxious to have the excavations extend to this territory, yet at the same time dreaded what might be revealed. Obviously, I was getting into a rather bad state—all the worse because I could not account for it.

An indication of my poor nervous health can be gained from my response to an odd discovery which I made on one of my nocturnal rambles. It was on the evening of July 11th, when a gibbous moon flooded the mysterious hillocks with a curious pallor. Wandering somewhat beyond my usual limits, I came upon a great stone which seemed to differ markedly from any we had yet encountered. It was almost wholly covered, but I stooped and cleared away the sand with my hands, later studying the object carefully and supplementing the moonlight with my electric torch. Unlike the other very large rocks, this one was perfectly square-cut, with no convex or concave surface. It seemed, too, to be of a dark basaltic substance wholly dissimilar to the granite and sandstone and occasional concrete of the now familiar fragments.

Suddenly I rose, turned, and ran for the camp at top speed. It was a wholly unconscious and irrational flight, and only when I was close to my tent did I fully realise why I had run. Then it came to me. The queer dark stone was something which I had dreamed and read about, and which was linked with the uttermost horrors of the aeon-old legendry. It was one of the blocks of that basaltic elder masonry which the fabled Great Race held in such fear—the tall, windowless ruins left by those brooding, half-material, alien Things that festered in earth’s nether abysses and against whose wind-like, invisible forces the trap-doors were sealed and the sleepless sentinels posted.

I remained awake all that night, but by dawn realised how silly I had been to let the shadow of a myth upset me. Instead of being frightened, I should have had a discoverer’s enthusiasm. The next forenoon I told the others about my find, and Dyer, Freeborn, Boyle, my son, and I set out to view the anomalous block. Failure, however, confronted us. I had formed no clear idea of the stone’s location, and a late wind had wholly altered the hillocks of shifting sand.

VI.

I come now to the crucial and most difficult part of my narrative—all the more difficult because I cannot be quite certain of its reality. At times I feel uncomfortably sure that I was not dreaming or deluded; and it is this feeling—in view of the stupendous implications which the objective truth of my experience would raise—which impels me to make this record. My son—a trained psychologist with the fullest and most sympathetic knowledge of my whole case—shall be the primary judge of what I have to tell.

First let me outline the externals of the matter, as those at the camp know them. On the night of July 17-18, after a windy day, I retired early but could not sleep. Rising shortly before eleven, and afflicted as usual with that strange feeling regarding the northeastward terrain, I set out on one of my typical nocturnal walks; seeing and greeting only one person—an Australian miner named Tupper[51]—as I left our precincts. The moon, slightly past full, shone from a clear sky and drenched the ancient sands with a white, leprous radiance which seemed to me somehow infinitely evil. There was no longer any wind, nor did any return for nearly five hours, as amply attested by Tupper and others who did not sleep through the night. The Australian last saw me walking rapidly across the pallid, secret-guarding hillocks toward the northeast.

About 3:30 a.m. a violent wind blew up, waking everyone in camp and felling three of the tents. The sky was unclouded, and the desert still blazed with that leprous moonlight. As the party saw to the tents my absence was noted, but in view of my previous walks this circumstance gave no one alarm. And yet as many as three men—all Australians—seemed to feel something sinister in the air. Mackenzie explained to Prof. Freeborn that this was a fear picked up from blackfellow folklore—the natives having woven a curious fabric of malignant myth about the high winds which at long intervals sweep across the sands under a clear sky. Such winds, it is whispered, blow out of the great stone huts under the ground where terrible things have happened—and are never felt except near places where the big marked stones are scattered. Close to four the gale subsided as suddenly as it had begun, leaving the sand hills in new and unfamiliar shapes.

It was just past five, with the bloated, fungoid moon sinking in the west, when I staggered into camp—hatless, tattered, features scratched and ensanguined, and without my electric torch. Most of the men had returned to bed, but Prof. Dyer was smoking a pipe in front of his tent. Seeing my winded and almost frenzied state, he called Dr. Boyle, and the two of them got me on my cot and made me comfortable. My son, roused by the stir, soon joined them, and they all tried to force me to lie still and attempt sleep.

But there was no sleep for me. My psychological state was very extraordinary—different from anything I had previously suffered. After a time I insisted upon talking—nervously and elaborately explaining my condition. I told them I had become fatigued, and had lain down in the sand for a nap. There had, I said, been dreams even more frightful than usual—and when I was awaked by the sudden high wind my overwrought nerves had snapped. I had fled in panic, frequently falling over half-buried stones and thus gaining my tattered and bedraggled aspect. I must have slept long—hence the hours of my absence.

Of anything strange either seen or experienced I hinted absolutely nothing—exercising the greatest self-control in that respect. But I spoke of a change of mind regarding the whole work of the expedition, and earnestly urged a halt in all digging toward the northeast. My reasoning was patently weak—for I mentioned a dearth of blocks, a wish not to offend the superstitious miners, a possible shortage of funds from the college, and other things either untrue or irrelevant. Naturally, no one paid the least attention to my new wishes—not even my son, whose concern for my health was very obvious.

The next day I was up and around the camp, but took no part in the excavations. Seeing that I could not stop the work, I decided to return home as soon as possible for the sake of my nerves, and made my son promise to fly me in the plane to Perth—a thousand miles to the southwest—as soon as he had surveyed the region I wished let alone. If, I reflected, the thing I had seen was still visible, I might decide to attempt a specific warning even at the cost of ridicule. It was just conceivable that the miners who knew the local folklore might back me up. Humouring me, my son made the survey that very afternoon; flying over all the terrain my walk could possibly have covered. Yet nothing of what I had found remained in sight. It was the case of the anomalous basalt block all over again—the shifting sand had wiped out every trace. For an instant I half regretted having lost a certain awesome object in my stark fright—but now I know that the loss was merciful. I can still believe my whole experience an illusion—especially if, as I devoutly hope, that hellish abyss is never found.

Wingate took me to Perth July 20, though declining to abandon the expedition and return home. He stayed with me until the 25th, when the steamer for Liverpool sailed. Now, in the cabin of the Empress, I am pondering long and frantically on the entire matter, and have decided that my son at least must be informed. It shall rest with him whether to diffuse the matter more widely. In order to meet any eventuality I have prepared this summary of my background—as already known in a scattered way to others—and will now tell as briefly as possible what seemed to happen during my absence from the camp that hideous night.

Nerves on edge, and whipped into a kind of perverse eagerness by that inexplicable, dread-mingled, pseudo-mnemonic urge toward the northeast, I plodded on beneath the evil, burning moon. Here and there I saw, half-shrouded by the sand, those primal Cyclopean blocks left from nameless and forgotten aeons. The incalculable age and brooding horror of this monstrous waste began to oppress me as never before, and I could not keep from thinking of my maddening dreams, of the frightful legends which lay behind them, and of the present fears of natives and miners concerning the desert and its carven stones.

And yet I plodded on as if to some eldritch rendezvous—more and more assailed by bewildering fancies, compulsions, and psuedo-memories. I thought of some of the possible contours of the lines of stones as seen by my son from the air, and wondered why they seemed at once so ominous and so familiar. Something was fumbling and rattling at the latch of my recollection, while another unknown force sought to keep the portal barred.

The night was windless, and the pallid sand curved upward and downward like frozen waves of the sea. I had no goal, but somehow ploughed along as if with fate-bound assurance. My dreams welled up into the waking world, so that each sand-embedded megalith seemed part of endless rooms and corridors of pre-human masonry, carved and hieroglyphed with symbols that I knew too well from years of custom as a captive mind of the Great Race. At moments I fancied I saw those omniscient conical horrors moving about at their accustomed tasks, and I feared to look down lest I find myself one with them in aspect. Yet all the while I saw the sand-covered blocks as well as the rooms and corridors; the evil, burning moon as well as the lamps of luminous crystal; the endless desert as well as the waving ferns and cycads beyond the windows. I was awake and dreaming at the same time.

I do not know how long or how far—or indeed, in just what direction—I had walked when I first spied the heap of blocks bared by the day’s wind. It was the largest group in one place that I had so far seen, and so sharply did it impress me that the visions of fabulous aeons faded suddenly away. Again there were only the desert and the evil moon and the shards of unguessed past. I drew close and paused, and cast the added light of my electric torch over the tumbled pile. A hillock had blown away, leaving a low, irregularly round mass of megaliths and smaller fragments some forty feet across and from two to eight feet high.

From the very outset I realised that there was some utterly unprecedented quality about these stones. Not only was the mere number of them quite without parallel, but something in the sand-worn traces of design arrested me as I scanned them under the mingled beams of the moon and my torch. Not that any one differed essentially from the earlier specimens we had found. It was something subtler than that. The impression did not come when I looked at one block alone, but only when I ran my eye over several almost simultaneously. Then, at last, the truth dawned upon me. The curvilinear patterns on many of these blocks were closely related—parts of one vast decorative conception. For the first time in this aeon-shaken waste I had come upon a mass of masonry in its old position—tumbled and fragmentary, it is true, but none the less existing in a very definite sense.

Mounting at a low place, I clambered laboriously over the heap; here and there clearing away the sand with my fingers, and constantly striving to interpret varieties of size, shape, and style, and relationships of design. After a while I could vaguely guess at the nature of the bygone structure, and at the designs which had once stretched over the vast surfaces of the primal masonry. The perfect identity of the whole with some of my dream-glimpses appalled and unnerved me. This was once a Cyclopean corridor thirty feet tall, paved with octagonal blocks and solidly vaulted overhead. There would have been rooms opening off on the right, and at the farther end one of those strange inclined planes would have wound down to still lower depths.

I started violently as these conceptions occurred to me, for there was more in them than the blocks themselves had supplied. How did I know that this level should have been far underground? How did I know that the plane leading upward should have been behind me? How did I know that the long subterrene passage to the Square of Pillars ought to lie on the left one level above me? How did I know that the room of machines, and the rightward-leading tunnel to the central archives, ought to lie two levels below? How did I know that there would be one of those horrible, metal-banded trap-doors at the very bottom, four levels down? Bewildered by this intrusion from the dream-world, I found myself shaking and bathed in a cold perspiration.

Then, as a last, intolerable touch, I felt that faint, insidious stream of cool air trickling upward from a depressed place near the centre of the huge heap. Instantly, as once before, my visions faded, and I saw again only the evil moonlight, the brooding desert, and the spreading tumulus of palaeogean masonry. Something real and tangible, yet fraught with infinite suggestions of nighted mystery, now confronted me. For that stream of air could argue but one thing—a hidden gulf of great size beneath the disordered blocks on the surface.

My first thought was of the sinister blackfellow legends of vast underground huts among the megaliths where horrors happen and great winds are born. Then thoughts of my own dreams came back, and I felt dim pseudo-memories tugging at my mind. What manner of place lay below me? What primal, inconceivable source of age-old myth-cycles and haunting nightmares might I be on the brink of uncovering? It was only for a moment that I hesitated, for more than curiosity and scientific zeal was driving me on and working against my growing fear.

I seemed to move almost automatically, as if in the clutch of some compelling fate. Pocketing my torch, and struggling with a strength that I had not thought I possessed, I wrenched aside first one titan fragment of stone and then another, till there welled up a strong draught whose dampness contrasted oddly with the desert’s dry air. A black rift began to yawn, and at length—when I had pushed away every fragment small enough to budge—the leprous moonlight blazed on an aperture of ample width to admit me.

I drew out my torch and cast a brilliant beam into the opening. Below me was a chaos of tumbled masonry, sloping roughly down toward the north at an angle of about forty-five degrees, and evidently the result of some bygone collapse from above. Between its surface and the ground level was a gulf of impenetrable blackness at whose upper edge were signs of gigantic, stress-heaved vaulting. At this point, it appeared, the desert’s sands lay directly upon a floor of some titan structure of earth’s youth—how preserved through aeons of geologic convulsion I could not then and cannot now even attempt to guess.

In retrospect, the barest idea of a sudden, lone descent into such a doubtful abyss—and at a time when one’s whereabouts were unknown to any living soul—seems like the utter apex of insanity. Perhaps it was—yet that night I embarked without hesitancy upon such a descent. Again there was manifest that lure and driving of fatality which had all along seemed to direct my course. With torch flashing intermittently to save the battery, I commenced a mad scramble down the sinister, Cyclopean incline below the opening—sometimes facing forward as I found good hand and foot holds, and at other times turning to face the heap of megaliths as I clung and fumbled more precariously. In two directions beside me, distant walls of carven, crumbling masonry loomed dimly under the direct beams of my torch. Ahead, however, was only unbroken blackness.

I kept no track of time during my downward scramble. So seething with baffling hints and images was my mind, that all objective matters seemed withdrawn into incalculable distances. Physical sensation was dead, and even fear remained as a wraith-like, inactive gargoyle leering impotently at me. Eventually I reached a level floor strown with fallen blocks, shapeless fragments of stone, and sand and detritus of every kind. On either side—perhaps thirty feet apart—rose massive walls culminating in huge groinings. That they were carved I could just discern, but the nature of the carvings was beyond my perception. What held me the most was the vaulting overhead. The beam from my torch could not reach the roof, but the lower parts of the monstrous arches stood out distinctly. And so perfect was their identity with what I had seen in countless dreams of the elder world, that I trembled actively for the first time.

Behind and high above, a faint luminous blur told of the distant moonlit world outside. Some vague shred of caution warned me that I should not let it out of my sight, lest I have no guide for my return. I now advanced toward the wall on my left, where the traces of the carving were plainest. The littered floor was nearly as hard to traverse as the downward heap had been, but I managed to pick my difficult way. At one place I heaved aside some blocks and kicked away the detritus to see what the pavement was like, and shuddered at the utter, fateful familiarity of the great octagonal stones whose buckled surface still held roughly together.

Reaching a convenient distance from the wall, I cast the torchlight slowly and carefully over its worn remnants of carving. Some bygone influx of water seemed to have acted on the sandstone surface, while there were curious incrustations which I could not explain. In places the masonry was very loose and distorted, and I wondered how many aeons more this primal, hidden edifice could keep its remaining traces of form amidst earth’s heavings.

But it was the carvings themselves that excited me most. Despite their time-crumbled state, they were relatively easy to trace at close range; and the complete, intimate familiarity of every detail almost stunned my imagination. That the major attributes of this hoary masonry should be familiar, was not beyond normal credibility. Powerfully impressing the weavers of certain myths, they had become embodied in a stream of cryptic lore which, somehow coming to my notice during the amnesic period, had evoked vivid images in my subconscious mind. But how could I explain the exact and minute fashion in which each line and spiral of these strange designs tallied with what I had dreamt for more than a score of years? What obscure, forgotten iconography could have reproduced each subtle shading and nuance which so persistently, exactly, and unvaryingly besieged my sleeping vision night after night?

For this was no chance or remote resemblance. Definitely and absolutely, the millennially ancient, aeon-hidden corridor in which I stood was the original of something I knew in sleep as intimately as I knew my own house in Crane Street, Arkham. True, my dreams shewed the place in its undecayed prime; but the identity was no less real on that account. I was wholly and horribly oriented. The particular structure I was in was known to me. Known, too, was its place in that terrible elder city of dreams. That I could visit unerringly any point in that structure or in that city which had escaped the changes and devastations of uncounted ages, I realised with hideous and instinctive certainty. What in God’s name could all this mean? How had I come to know what I knew? And what awful reality could lie behind those antique tales of the beings who had dwelt in this labyrinth of primordial stone?

Words can convey only fractionally the welter of dread and bewilderment which ate at my spirit. I knew this place. I knew what lay before me, and what had lain overhead before the myriad towering stories had fallen to dust and debris and the desert. No need now, I thought with a shudder, to keep that faint blur of moonlight in view. I was torn betwixt a longing to flee and a feverish mixture of burning curiosity and driving fatality. What had happened to this monstrous megalopolis of eld in the millions of years since the time of my dreams? Of the subterrene mazes which had underlain the city and linked all its titan towers, how much had still survived the writhings of earth’s crust?

Had I come upon a whole buried world of unholy archaism? Could I still find the house of the writing-master, and the tower where S’gg’ha, a captive mind from the star-headed vegetable carnivores of Antarctica, had chiselled certain pictures on the blank spaces of the walls? Would the passage at the second level down, to the hall of the alien minds, be still unchoked and traversable? In that hall the captive mind of an incredible entity—a half-plastic denizen of the hollow interior of an unknown trans-Plutonian planet eighteen million years in the future—had kept a certain thing which it had modelled from clay.

I shut my eyes and put my hand to my head in a vain, pitiful effort to drive these insane dream-fragments from my consciousness. Then, for the first time, I felt acutely the coolness, motion, and dampness of the surrounding air. Shuddering, I realised that a vast chain of aeon-dead black gulfs must indeed be yawning somewhere beyond and below me. I thought of the frightful chambers and corridors and inclines as I recalled them from my dreams. Would the way to the central archives still be open? Again that driving fatality tugged insistently at my brain as I recalled the awesome records that once lay cased in those rectangular vaults of rustless metal.

There, said the dreams and legends, had reposed the whole history, past and future, of the cosmic space-time continuum—written by captive minds from every orb and every age in the solar system. Madness, of course—but had I not now stumbled into a nighted world as mad as I? I thought of the locked metal shelves, and of the curious knob-twistings needed to open each one. My own came vividly into my consciousness. How often had I gone through that intricate routine of varied turns and pressures in the terrestrial vertebrate section on the lowest level! Every detail was fresh and familiar. If there were such a vault as I had dreamed of, I could open it in a moment. It was then that madness took me utterly. An instant later, and I was leaping and stumbling over the rocky debris toward the well-remembered incline to the depths below.

VII.

From that point forward my impressions are scarcely to be relied on—indeed, I still possess a final, desperate hope that they all form parts of some daemoniac dream—or illusion born of delirium. A fever raged in my brain, and everything came to me through a kind of haze—sometimes only intermittently. The rays of my torch shot feebly into the engulfing blackness, bringing phantasmal flashes of hideously familiar walls and carvings, all blighted with the decay of ages. In one place a tremendous mass of vaulting had fallen, so that I had to clamber over a mighty mound of stones reaching almost to the ragged, grotesquely stalactited roof. It was all the ultimate apex of nightmare, made worse by the blasphemous tug of pseudo-memory. One thing only was unfamiliar, and that was my own size in relation to the monstrous masonry. I felt oppressed by a sense of unwonted smallness, as if the sight of these towering walls from a mere human body was something wholly new and abnormal. Again and again I looked nervously down at myself, vaguely disturbed by the human form I possessed.

Onward through the blackness of the abyss I leaped, plunged, and staggered—often falling and bruising myself, and once nearly shattering my torch. Every stone and corner of that daemoniac gulf was known to me, and at many points I stopped to cast beams of light through choked and crumbling yet familiar archways. Some rooms had totally collapsed; others were bare or debris-filled. In a few I saw masses of metal—some fairly intact, some broken, and some crushed or battered—which I recognised as the colossal pedestals or tables of my dreams. What they could in truth have been, I dared not guess.

I found the downward incline and began its descent—though after a time halted by a gaping, ragged chasm whose narrowest point could not be much less than four feet across. Here the stonework had fallen through, revealing incalculable inky depths beneath. I knew there were two more cellar levels in this titan edifice, and trembled with fresh panic as I recalled the metal-clamped trap-door on the lowest one. There could be no guards now—for what had lurked beneath had long since done its hideous work and sunk into its long decline. By the time of the post-human beetle race it would be quite dead. And yet, as I thought of the native legends, I trembled anew.

It cost me a terrible effort to vault that yawning chasm, since the littered floor prevented a running start—but madness drove me on. I chose a place close to the left-hand wall—where the rift was least wide and the landing-spot reasonably clear of dangerous debris—and after one frantic moment reached the other side in safety. At last gaining the lower level, I stumbled on past the archway of the room of machines, within which were fantastic ruins of metal half-buried beneath fallen vaulting. Everything was where I knew it would be, and I climbed confidently over the heaps which barred the entrance of a vast transverse corridor. This, I realised, would take me under the city to the central archives.

Endless ages seemed to unroll as I stumbled, leaped, and crawled along that debris-cluttered corridor. Now and then I could make out carvings on the age-stained walls—some familiar, others seemingly added since the period of my dreams. Since this was a subterrene house-connecting highway, there were no archways save when the route led through the lower levels of various buildings. At some of these intersections I turned aside long enough to look down well-remembered corridors and into well-remembered rooms. Twice only did I find any radical changes from what I had dreamed of—and in one of these cases I could trace the sealed-up outlines of the archway I remembered.

I shook violently, and felt a curious surge of retarding weakness, as I steered a hurried and reluctant course through the crypt of one of those great windowless ruined towers whose alien basalt masonry bespoke a whispered and horrible origin. This primal vault was round and fully two hundred feet across, with nothing carved upon the dark-hued stonework. The floor was here free from anything save dust and sand, and I could see the apertures leading upward and downward. There were no stairs or inclines—indeed, my dreams had pictured those elder towers as wholly untouched by the fabulous Great Race. Those who had built them had not needed stairs or inclines. In the dreams, the downward aperture had been tightly sealed and nervously guarded. Now it lay open—black and yawning, and giving forth a current of cool, damp air. Of what limitless caverns of eternal night might brood below, I would not permit myself to think.

Later, clawing my way along a badly heaped section of the corridor, I reached a place where the roof had wholly caved in. The debris rose like a mountain, and I climbed up over it, passing through a vast empty space where my torchlight could reveal neither walls nor vaulting. This, I reflected, must be the cellar of the house of the metal-purveyors, fronting on the third square not far from the archives. What had happened to it I could not conjecture.

I found the corridor again beyond the mountain of detritus and stones, but after a short distance encountered a wholly choked place where the fallen vaulting almost touched the perilously sagging ceiling. How I managed to wrench and tear aside enough blocks to afford a passage, and how I dared disturb the tightly packed fragments when the least shift of equilibrium might have brought down all the tons of superincumbent masonry to crush me to nothingness, I do not know. It was sheer madness that impelled and guided me—if, indeed, my whole underground adventure was not—as I hope—a hellish delusion or phase of dreaming. But I did make—or dream that I made—a passage that I could squirm through. As I wiggled over the mound of debris—my torch, switched continuously on, thrust deeply within my mouth—I felt myself torn by the fantastic stalactites of the jagged floor above me.

I was now close to the great underground archival structure which seemed to form my goal. Sliding and clambering down the farther side of the barrier, and picking my way along the remaining stretch of corridor with hand-held, intermittently flashing torch, I came at last to a low, circular crypt with arches—still in a marvellous state of preservation—opening off on every side. The walls, or such parts of them as lay within reach of my torchlight, were densely hieroglyphed and chiselled with typical curvilinear symbols—some added since the period of my dreams.

This, I realised, was my fated destination, and I turned at once through a familiar archway on my left. That I could find a clear passage up and down the incline to all the surviving levels, I had oddly little doubt. This vast, earth-protected pile, housing the annals of all the solar system, had been built with supernal skill and strength to last as long as that system itself. Blocks of stupendous size, poised with mathematical genius and bound with cements of incredible toughness, had combined to form a mass as firm as the planet’s rocky core. Here, after ages more prodigious than I could sanely grasp, its buried bulk stood in all its essential contours; the vast, dust-drifted floors scarce sprinkled with the litter elsewhere so dominant.

The relatively easy walking from this point onward went curiously to my head. All the frantic eagerness hitherto frustrated by obstacles now took itself out in a kind of febrile speed, and I literally raced along the low-roofed, monstrously well-remembered aisles beyond the archway. I was past being astonished by the familiarity of what I saw. On every hand the great hieroglyphed metal shelf-doors loomed monstrously; some yet in place, others sprung open, and still others bent and buckled under bygone geological stresses not quite strong enough to shatter the titan masonry. Here and there a dust-covered heap below a gaping empty shelf seemed to indicate where cases had been shaken down by earth-tremors. On occasional pillars were great symbols or letters proclaiming classes and sub-classes of volumes.

Once I paused before an open vault where I saw some of the accustomed metal cases still in position amidst the omnipresent gritty dust. Reaching up, I dislodged one of the thinner specimens with some difficulty, and rested it on the floor for inspection. It was titled in the prevailing curvilinear hieroglyphs, though something in the arrangement of the characters seemed subtly unusual. The odd mechanism of the hooked fastener was perfectly well known to me, and I snapped up the still rustless and workable lid and drew out the book within. The latter, as expected, was some twenty by fifteen inches in area, and two inches thick; the thin metal covers opening at the top. Its tough cellulose pages seemed unaffected by the myriad cycles of time they had lived through, and I studied the queerly pigmented, brush-drawn letters of the text—symbols utterly unlike either the usual curved hieroglyphs or any alphabet known to human scholarship—with a haunting, half-aroused memory. It came to me that this was the language used by a captive mind I had known slightly in my dreams—a mind from a large asteroid on which had survived much of the archaic life and lore of the primal planet whereof it formed a fragment. [52] At the same time I recalled that this level of the archives was devoted to volumes dealing with the non-terrestrial planets.

As I ceased poring over this incredible document I saw that the light of my torch was beginning to fail, hence quickly inserted the extra battery I always had with me. Then, armed with the stronger radiance, I resumed my feverish racing through unending tangles of aisles and corridors—recognising now and then some familiar shelf, and vaguely annoyed by the acoustic conditions which made my footfalls echo incongruously in these catacombs of aeon-long death and silence. The very prints of my shoes behind me in the millennially untrodden dust made me shudder. Never before, if my mad dreams held anything of truth, had human feet pressed upon those immemorial pavements.[53] Of the particular goal of my insane racing, my conscious mind held no hint. There was, however, some force of evil potency pulling at my dazed will and buried recollections, so that I vaguely felt I was not running at random.

I came to a downward incline and followed it to profounder depths. Floors flashed by me as I raced, but I did not pause to explore them. In my whirling brain there had begun to beat a certain rhythm which set my right hand twitching in unison. I wanted to unlock something, and felt that I knew all the intricate twists and pressures needed to do it. It would be like a modern safe with a combination lock. Dream or not, I had once known and still knew. How any dream—or scrap of unconsciously absorbed legend—could have taught me a detail so minute, so intricate, and so complex, I did not attempt to explain to myself. I was beyond all coherent thought. For was not this whole experience—this shocking familiarity with a set of unknown ruins, and this monstrously exact identity of everything before me with what only dreams and scraps of myth could have suggested—a horror beyond all reason? Probably it was my basic conviction then—as it is now during my saner moments—that I was not awake at all, and that the entire buried city was a fragment of febrile hallucination.

Eventually I reached the lowest level and struck off to the right of the incline. For some shadowy reason I tried to soften my steps, even though I lost speed thereby. There was a space I was afraid to cross on this last, deeply buried floor, and as I drew near it I recalled what thing in that space I feared. It was merely one of the metal-barred and closely guarded trap-doors. There would be no guards now, and on that account I trembled and tiptoed as I had done in passing through that black basalt vault where a similar trap-door had yawned. I felt a current of cool, damp air, as I had felt there, and wished that my course led in another direction. Why I had to take the particular course I was taking, I did not know.

When I came to the space I saw that the trap-door yawned widely open. Ahead the shelves began again, and I glimpsed on the floor before one of them a heap very thinly covered with dust, where a number of cases had recently fallen. At the same moment a fresh wave of panic clutched me, though for some time I could not discover why. Heaps of fallen cases were not uncommon, for all through the aeons this lightless labyrinth had been racked by the heavings of earth and had echoed at intervals to the deafening clatter of toppling objects. It was only when I was nearly across the space that I realised why I shook so violently.

Not the heap, but something about the dust of the level floor was troubling me. In the light of my torch it seemed as if that dust were not as even as it ought to be—there were places where it looked thinner, as if it had been disturbed not many months before. I could not be sure, for even the apparently thinner places were dusty enough; yet a certain suspicion of regularity in the fancied unevenness was highly disquieting. When I brought the torchlight close to one of the queer places I did not like what I saw—for the illusion of regularity became very great. It was as if there were regular lines of composite impressions—impressions that went in threes, each slightly over a foot square, and consisting of five nearly circular three-inch prints, one in advance of the other four.

These possible lines of foot-square impressions appeared to lead in two directions, as if something had gone somewhere and returned. They were of course very faint, and may have been illusions or accidents; but there was an element of dim, fumbling terror about the way I thought they ran. For at one end of them was the heap of cases which must have clattered down not long before, while at the other end was the ominous trap-door with the cool, damp wind, yawning unguarded down to abysses past imagination.

VIII.

That my strange sense of compulsion was deep and overwhelming is shewn by its conquest of my fear. No rational motive could have drawn me on after that hideous suspicion of prints and the creeping dream-memories it excited. Yet my right hand, even as it shook with fright, still twitched rhythmically in its eagerness to turn a lock it hoped to find. Before I knew it I was past the heap of lately fallen cases and running on tiptoe through aisles of utterly unbroken dust toward a point which I seemed to know morbidly, horribly well. My mind was asking itself questions whose origin and relevancy I was only beginning to guess. Would the shelf be reachable by a human body? Could my human hand master all the aeon-remembered motions of the lock? Would the lock be undamaged and workable? And what would I do—what dare I do—with what (as I now commenced to realise) I both hoped and feared to find? Would it prove the awesome, brain-shattering truth of something past normal conception, or shew only that I was dreaming?

The next I knew I had ceased my tiptoe racing and was standing still, staring at a row of maddeningly familiar hieroglyphed shelves. They were in a state of almost perfect preservation, and only three of the doors in this vicinity had sprung open. My feelings toward these shelves cannot be described—so utter and insistent was the sense of old acquaintance. I was looking high up, at a row near the top and wholly out of my reach, and wondering how I could climb to best advantage. An open door four rows from the bottom would help, and the locks of the closed doors formed possible holds for hands and feet. I would grip the torch between my teeth as I had in other places where both hands were needed. Above all, I must make no noise. How to get down what I wished to remove would be difficult, but I could probably hook its movable fastener in my coat collar and carry it like a knapsack. Again I wondered whether the lock would be undamaged. That I could repeat each familiar motion I had not the least doubt. But I hoped the thing would not scrape or creak—and that my hand could work it properly.

Even as I thought these things I had taken the torch in my mouth and begun to climb. The projecting locks were poor supports; but as I had expected, the opened shelf helped greatly. I used both the difficultly swinging door and the edge of the aperture itself in my ascent, and managed to avoid any loud creaking. Balanced on the upper edge of the door, and leaning far to my right, I could just reach the lock I sought. My fingers, half-numb from climbing, were very clumsy at first; but I soon saw that they were anatomically adequate. And the memory-rhythm was strong in them. Out of unknown gulfs of time the intricate secret motions had somehow reached my brain correctly in every detail—for after less than five minutes of trying there came a click whose familiarity was all the more startling because I had not consciously anticipated it. In another instant the metal door was slowly swinging open with only the faintest grating sound.

Dazedly I looked over the row of greyish case-ends thus exposed, and felt a tremendous surge of some wholly inexplicable emotion. Just within reach of my right hand was a case whose curving hieroglyphs made me shake with a pang infinitely more complex than one of mere fright. Still shaking, I managed to dislodge it amidst a shower of gritty flakes, and ease it over toward myself without any violent noise. Like the other case I had handled, it was slightly more than twenty by fifteen inches in size, with curved mathematical designs in low relief. In thickness it just exceeded three inches. Crudely wedging it between myself and the surface I was climbing, I fumbled with the fastener and finally got the hook free. Lifting the cover, I shifted the heavy object to my back, and let the hook catch hold of my collar. Hands now free, I awkwardly clambered down to the dusty floor, and prepared to inspect my prize.

Kneeling in the gritty dust, I swung the case around and rested it in front of me. My hands shook, and I dreaded to draw out the book within almost as much as I longed—and felt compelled—to do so. It had very gradually become clear to me what I ought to find, and this realisation nearly paralysed my faculties. If the thing were there—and if I were not dreaming—the implications would be quite beyond the power of the human spirit to bear. What tormented me most was my momentary inability to feel that my surroundings were a dream. The sense of reality was hideous—and again becomes so as I recall the scene.

At length I tremblingly pulled the book from its container and stared fascinatedly at the well-known hieroglyphs on the cover. It seemed to be in prime condition, and the curvilinear letters of the title held me in almost as hypnotised a state as if I could read them. Indeed, I cannot swear that I did not actually read them in some transient and terrible access of abnormal memory. I do not know how long it was before I dared to lift that thin metal cover. I temporised and made excuses to myself. I took the torch from my mouth and shut it off to save the battery. Then, in the dark, I screwed up my courage—finally lifting the cover without turning on the light. Last of all I did indeed flash the torch upon the exposed page—steeling myself in advance to suppress any sound no matter what I should find.

I looked for an instant, then almost collapsed. Clenching my teeth, however, I kept silence. I sank wholly to the floor and put a hand to my forehead amidst the engulfing blackness. What I dreaded and expected was there. Either I was dreaming, or time and space had become a mockery. I must be dreaming—but I would test the horror by carrying this thing back and shewing it to my son if it were indeed a reality. My head swam frightfully, even though there were no visible objects in the unbroken gloom to swirl around me. Ideas and images of the starkest terror—excited by vistas which my glimpse had opened up—began to throng in upon me and cloud my senses.

I thought of those possible prints in the dust, and trembled at the sound of my own breathing as I did so. Once again I flashed on the light and looked at the page as a serpent’s victim may look at his destroyer’s eyes and fangs. Then, with clumsy fingers in the dark, I closed the book, put it in its container, and snapped the lid and the curious hooked fastener. This was what I must carry back to the outer world if it truly existed—if the whole abyss truly existed—if I, and the world itself, truly existed.

Just when I tottered to my feet and commenced my return I cannot be certain. It comes to me oddly—as a measure of my sense of separation from the normal world—that I did not even once look at my watch during those hideous hours underground. Torch in hand, and with the ominous case under one arm, I eventually found myself tiptoeing in a kind of silent panic past the draught-giving abyss and those lurking suggestions of prints. I lessened my precautions as I climbed up the endless inclines, but could not shake off a shadow of apprehension which I had not felt on the downward journey.

I dreaded having to re-pass through that black basalt crypt that was older than the city itself, where cold draughts welled up from unguarded depths. I thought of that which the Great Race had feared, and of what might still be lurking—be it ever so weak and dying—down there. I thought of those possible five-circle prints and of what my dreams had told me of such prints—and of strange winds and whistling noises associated with them. And I thought of the tales of the modern blacks, wherein the horror of great winds and nameless subterrene ruins was dwelt upon.

I knew from a carven wall symbol the right floor to enter, and came at last—after passing that other book I had examined—to the great circular space with the branching archways. On my right, and at once recognisable, was the arch through which I had arrived. This I now entered, conscious that the rest of my course would be harder because of the tumbled state of the masonry outside the archive building. My new metal-case burden weighed upon me, and I found it harder and harder to be quiet as I stumbled among debris and fragments of every sort.

Then I came to the ceiling-high mound of debris through which I had wrenched a scanty passage. My dread at wriggling through again was infinite; for my first passage had made some noise, and I now—after seeing those possible prints—dreaded sound above all things. The case, too, doubled the problem of traversing the narrow crevice. But I clambered up the barrier as best I could, and pushed the case through the aperture ahead of me. Then, torch in mouth, I scrambled through myself—my back torn as before by stalactites. As I tried to grasp the case again, it fell some distance ahead of me down the slope of the debris, making a disturbing clatter and arousing echoes which sent me into a cold perspiration. I lunged for it at once, and regained it without further noise—but a moment afterward the slipping of blocks under my feet raised a sudden and unprecedented din.

The din was my undoing. For, falsely or not, I thought I heard it answered in a terrible way from spaces far behind me. I thought I heard a shrill, whistling sound, like nothing else on earth, and beyond any adequate verbal description. It may have been only my imagination. If so, what followed has a grim irony—since, save for the panic of this thing, the second thing might never have happened.

As it was, my frenzy was absolute and unrelieved. Taking my torch in my hand and clutching feebly at the case, I leaped and bounded wildly ahead with no idea in my brain beyond a mad desire to race out of these nightmare ruins to the waking world of desert and moonlight which lay so far above. I hardly knew it when I reached the mountain of debris which towered into the vast blackness beyond the caved-in roof, and bruised and cut myself repeatedly in scrambling up its steep slope of jagged blocks and fragments. Then came the great disaster. Just as I blindly crossed the summit, unprepared for the sudden dip ahead, my feet slipped utterly and I found myself involved in a mangling avalanche of sliding masonry whose cannon-loud uproar split the black cavern air in a deafening series of earth-shaking reverberations.

I have no recollection of emerging from this chaos, but a momentary fragment of consciousness shews me as plunging and tripping and scrambling along the corridor amidst the clangour—case and torch still with me. Then, just as I approached that primal basalt crypt I had so dreaded, utter madness came. For as the echoes of the avalanche died down, there became audible a repetition of that frightful, alien whistling I thought I had heard before. This time there was no doubt about it—and what was worse, it came from a point not behind but ahead of me.

Probably I shrieked aloud then. I have a dim picture of myself as flying through the hellish basalt vault of the Elder Things, and hearing that damnable alien sound piping up from the open, unguarded door of limitless nether blackness. There was a wind, too—not merely a cool, damp draught, but a violent, purposeful blast belching savagely and frigidly from that abominable gulf whence the obscene whistling came.

There are memories of leaping and lurching over obstacles of every sort, with that torrent of wind and shrieking sound growing moment by moment, and seeming to curl and twist purposefully around me as it struck out wickedly from the spaces behind and beneath. Though in my rear, that wind had the odd effect of hindering instead of aiding my progress; as if it acted like a noose or lasso thrown around me. Heedless of the noise I made, I clattered over a great barrier of blocks and was again in the structure that led to the surface. I recall glimpsing the archway to the room of machines and almost crying out as I saw the incline leading down to where one of those blasphemous trap-doors must be yawning two levels below. But instead of crying out I muttered over and over to myself that this was all a dream from which I must soon awake. Perhaps I was in camp—perhaps I was at home in Arkham. As these hopes bolstered up my sanity I began to mount the incline to the higher level.

I knew, of course, that I had the four-foot cleft to re-cross, yet was too racked by other fears to realise the full horror until I came almost upon it. On my descent, the leap across had been easy—but could I clear the gap as readily when going uphill, and hampered by fright, exhaustion, the weight of the metal case, and the anomalous backward tug of that daemon wind? I thought of these things at the last moment, and thought also of the nameless entities which might be lurking in the black abysses below the chasm.

My wavering torch was growing feeble, but I could tell by some obscure memory when I neared the cleft. The chill blasts of wind and the nauseous whistling shrieks behind me were for the moment like a merciful opiate, dulling my imagination to the horror of the yawning gulf ahead. And then I became aware of the added blasts and whistling in front of me—tides of abomination surging up through the cleft itself from depths unimagined and unimaginable.

Now, indeed, the essence of pure nightmare was upon me. Sanity departed—and ignoring everything except the animal impulse of flight, I merely struggled and plunged upward over the incline’s debris as if no gulf had existed. Then I saw the chasm’s edge, leaped frenziedly with every ounce of strength I possessed, and was instantly engulfed in a pandaemoniac vortex of loathsome sound and utter, materially tangible blackness.

This is the end of my experience, so far as I can recall. Any further impressions belong wholly to the domain of phantasmagoric delirium. Dream, madness, and memory merged wildly together in a series of fantastic, fragmentary delusions which can have no relation to anything real. There was a hideous fall through incalculable leagues of viscous, sentient darkness, and a babel of noises utterly alien to all that we know of the earth and its organic life. Dormant, rudimentary senses seemed to start into vitality within me, telling of pits and voids peopled by floating horrors and leading to sunless crags and oceans and teeming cities of windowless basalt towers upon which no light ever shone.

Secrets of the primal planet and its immemorial aeons flashed through my brain without the aid of sight or sound, and there were known to me things which not even the wildest of my former dreams had ever suggested. And all the while cold fingers of damp vapour clutched and picked at me, and that eldritch, damnable whistling shrieked fiendishly above all the alternations of babel and silence in the whirlpools of darkness around.

Afterward there were visions of the Cyclopean city of my dreams—not in ruins, but just as I had dreamed of it. I was in my conical, non-human body again, and mingled with crowds of the Great Race and the captive minds who carried books up and down the lofty corridors and vast inclines. Then, superimposed upon these pictures, were frightful momentary flashes of a non-visual consciousness involving desperate struggles, a writhing free from clutching tentacles of whistling wind, an insane, bat-like flight through half-solid air, a feverish burrowing through the cyclone-whipped dark, and a wild stumbling and scrambling over fallen masonry.

Once there was a curious, intrusive flash of half-sight—a faint, diffuse suspicion of bluish radiance far overhead. Then there came a dream of wind-pursued climbing and crawling—of wriggling into a blaze of sardonic moonlight through a jumble of debris which slid and collapsed after me amidst a morbid hurricane. It was the evil, monotonous beating of that maddening moonlight which at last told me of the return of what I had once known as the objective, waking world.

I was clawing prone through the sands of the Australian desert, and around me shrieked such a tumult of wind as I had never before known on our planet’s surface. My clothing was in rags, and my whole body was a mass of bruises and scratches. Full consciousness returned very slowly, and at no time could I tell just where true memory left off and delirious dream began. There had seemed to be a mound of titan blocks, an abyss beneath it, a monstrous revelation from the past, and a nightmare horror at the end—but how much of this was real? My flashlight was gone, and likewise any metal case I may have discovered. Had there been such a case—or any abyss—or any mound? Raising my head, I looked behind me, and saw only the sterile, undulant sands of the waste.

The daemon wind died down, and the bloated, fungoid moon sank reddeningly in the west. I lurched to my feet and began to stagger southwestward toward the camp. What in truth had happened to me? Had I merely collapsed in the desert and dragged a dream-racked body over miles of sand and buried blocks? If not, how could I bear to live any longer? For in this new doubt all my faith in the myth-born unreality of my visions dissolved once more into the hellish older doubting. If that abyss was real, then the Great Race was real—and its blasphemous reachings and seizures in the cosmos-wide vortex of time were no myths or nightmares, but a terrible, soul-shattering actuality.

Had I, in full hideous fact, been drawn back to a pre-human world of a hundred and fifty million years ago in those dark, baffling days of the amnesia? Had my present body been the vehicle of a frightful alien consciousness from palaeogean gulfs of time? Had I, as the captive mind of those shambling horrors, indeed known that accursed city of stone in its primordial heyday, and wriggled down those familiar corridors in the loathsome shape of my captor? Were those tormenting dreams of more than twenty years the offspring of stark, monstrous memories? Had I once veritably talked with minds from reachless corners of time and space, learned the universe’s secrets past and to come, and written the annals of my own world for the metal cases of those titan archives? And were those others—those shocking Elder Things of the mad winds and daemon pipings—in truth a lingering, lurking menace, waiting and slowly weakening in black abysses while varied shapes of life drag out their multimillennial course on the planet’s age-racked surface?

I do not know. If that abyss and what it held were real, there is no hope. Then, all too truly, there lies upon this world of man a mocking and incredible shadow out of time. But mercifully, there is no proof that these things are other than fresh phases of my myth-born dreams. I did not bring back the metal case that would have been a proof, and so far those subterrene corridors have not been found. If the laws of the universe are kind, they will never be found. But I must tell my son what I saw or thought I saw, and let him use his judgment as a psychologist in gauging the reality of my experience, and communicating this account to others.

I have said that the awful truth behind my tortured years of dreaming hinges absolutely upon the actuality of what I thought I saw in those Cyclopean buried ruins. It has been hard for me literally to set down the crucial revelation, though no reader can have failed to guess it. Of course it lay in that book within the metal case—the case which I pried out of its forgotten lair amidst the undisturbed dust of a million centuries. No eye had seen,[54] no hand had touched that book since the advent of man to this planet. And yet, when I flashed my torch upon it in that frightful megalithic abyss, I saw that the queerly pigmented letters on the brittle, aeon-browned cellulose pages were not indeed any nameless hieroglyphs of earth’s youth. They were, instead, the letters of our familiar alphabet, spelling out the words of the English language in my own handwriting.

Explanatory Notes

Abbreviations:

INTRODUCTION

1 Peter Penzoldt, The Supernatural in Fiction (London: Peter Nevill, 1952); excerpts rpt. in H. P. Lovecraft: Four Decades of Criticism, ed. S. T. Joshi (Athens: Ohio University Press, 1980), p. 64.

2 Lovecraft, Letter to Elizabeth Toldridge, March 8, 1929 (SL 2.315). The printed text errs in printing “my” for “any.”

3 See S. T. Joshi, Lovecraft’s Library: A Catalogue, 2nd rev. ed. (New York: Hippocampus Press, 2002).

4 Lovecraft, Letter to Frank Belknap Long, October 26, 1926 (ms., Arkham House transcripts).

5 Lovecraft, Letter to E. Hoffmann Price, March 24-27, 1932 (SL 4.163).

6 Lovecraft, Letter to Rheinhart Kleiner, February 2, 1916 (SL 1.20).

7 Lovecraft, Letter to Clark Ashton Smith, November 18, 1930 (SL 3.219).

8 Lovecraft, Letter to Henry Kuttner, July 29, 1936; Letters to Henry Kuttner, ed. S. T. Joshi and David E. Schultz (West Warwick, RI: Necronomicon Press, 1990), p. 21.

9 Lovecraft, Letter to Rheinhart Kleiner, December 3, 1919 (SL 1.93).

10 Lovecraft, Letter to Frank Belknap Long, June 3, 1923 (SL 1.234).

11 Lovecraft, Letter to Clark Ashton Smith, November 7, 1930 (SL 3.212).

12 Robert M. Price, “Dunsanian Influence on Lovecraft Outside His ‘Dunsanian’ Tales,” Crypt of Cthulhu No. 76 (Hallowmass, 1990): 3-5.

13 Lovecraft, Letter to Clark Ashton Smith, October 17, 1930 (SL 3.192).

14 “Lord Dunsany and His Work” (MW 110-11).

15 Lovecraft, Letter to Clark Ashton Smith, December 19, 1929 (SL 3.96).

16 Lovecraft, Letter to Clark Ashton Smith, October 15, 1927 (SL 2.177).

17 Lovecraft, Letter to Frank Belknap Long, October 8, 1921 (SL 1.158).

18 “Azathoth,” Dagon and Other Macabre Tales (Sauk City, WI: Arkham House, 1986), p. 357.

19 August Derleth, “H. P. Lovecraft’s Novels,” in At the Mountains of Madness and Other Novels (Sauk City, WI: Arkham House, 1964), p. x.

20 Lovecraft, Letter (postcard) to Lillian D. Clark [c. November 24, 1924] (ms., JHL).

21 Lovecraft, Letter to August Derleth, August 7, 1935 (ms., SHSW).

22 “Notes on Writing Weird Fiction” (MW 113).

23 Lovecraft, Letter to J. Vernon Shea, February 4, 1934 (SL 3.357).

24 Lovecraft, Letter to Clark Ashton Smith, November 11, 1930 (SL 3.217).

25 Lovecraft, Letter to Clark Ashton Smith, March 2, 1932 (SL 4.25-26).

26 Lovecraft, Letter to Fritz Leiber, November 9, 1936 (SL 5.341).

27 Lovecraft, Letter to Edwin Baird [early November 1923] (MW 508).

POLARIS

“Polaris” was probably written in late spring or early summer 1918. It first appeared in Alfred Galpin’s amateur journal, The Philosopher (December 1920), and later in the National Amateur (May 1926), the Fantasy Fan (February 1934), and Weird Tales (December 1937).

HPL himself professed amazement that the story so strikingly anticipated the style and atmosphere of Lord Dunsany’s work, given that he would not read Dunsany until the fall of 1919. It is possible, however, that the dreamlike prose was derived from Poe’s prose-poems (e.g., “Silence—a Fable,” “Shadow—a Parable”), which themselves influenced Dunsany. The story was the product of a dream that HPL recounts in a letter to Maurice W. Moe (May 15, 1918): “Several nights ago I had a strange dream of a strange city—a city of many palaces and gilded domes, lying in a hollow betwixt ranges of grey, horrible hills. There was not a soul in this vast region of stone-paved streets and marble walls and columns, and the numerous statues in the public places were of strange bearded men in robes the like whereof I have never seen before or since. . . . I recall a lively curiosity at the scene, and a tormenting struggle to recall its identity; for I felt that I had once known it well, and that if I could remember, I should be carried back to a very remote period—many thousand years, when something vaguely horrible had happened. Once I was almost on the verge of realisation, and was frantic with fear at the prospect, though I did not know what it was that I should recall” (SL 1.62). This comment itself points to the true significance of the story: it is not a “dream fantasy,” as has commonly been believed, but rather a case of psychic possession by a distant ancestor; hence the poem inserted into the text, “Slumber, watcher, fill the spheres . . . ,” which suggests that the position of Polaris—the Pole Star, the star around which all the other stars appear to revolve—is not fixed above the North Pole, and that, as the earth wobbles on its axis, it takes 26,000 years for Polaris to return to its position above the pole. In other words, the protagonist’s spirit has gone back 26,000 years and identified with the spirit of his ancestor.

Further Reading

S.T. Joshi, “On ‘Polaris,’” Crypt of Cthulhu No. 15 (Lammas, 1983): 22-25; rpt. in Joshi’s Primal Sources: Essays on H. P. Lovecraft (New York: Hippocampus Press, 2003), pp. 154-58.

Ralph E. Vaughan, “The Horror of ‘Polaris,’” Crypt of Cthulhu No. 15 (Lammas, 1983): 26-27.

1 Cassiopeia is a constellation straddling the Milky Way on the opposite side of the north celestial pole from Ursa Major. Charles’ Wain is a now-archaic designation for the seven brightest stars in the constellation Ursa Major; better-known terms are the Plough and the Big Dipper. The two brightest stars appear to point to the Pole Star.

2 Arcturus is a brilliant star in the constellation Boötes. It is near Ursa Major (Great Bear), hence its name (“guardian of the bear”). Coma Berenices (“Berenice’s hair”) is a constellation in the northern hemisphere.

3 Aldebaran is a bright double star in the constellation Taurus.

4 Cf. HPL’s account of the dream that inspired the story: “I was . . . aware of this city visually. I was in it and around it. But certainly I had no corporeal existence. I saw, it seemed, everything at once; without the limitation of direction” (SL 1.62). HPL’s letter is a philosophical discussion of the need to establish objective criteria of truth: “If the truth or falsity of our beliefs and impressions be immaterial, then I am, or was, actually and indisputably an unbodied spirit hovering over a very singular, very silent, and very ancient city somewhere between grey, dead hills. I thought I was at the time—so what else matters?” (SL 1.63).

5 Olathoë is cited frequently in HPL’s tales; see “The Quest of Iranon” (TD 41); The Dream-Quest of Unknown Kadath (p. 158); “The Mound” (1929-30), ghostwritten for Zealia Bishop (HM 141); and At the Mountains of Madness (TD 286).

6 Gnophkehs is cited again in Dream-Quest (see p. 158) and in “The Mound” (HM 141). Gnoph-keh later appears as an entity in “The Horror in the Museum” (1932), ghostwritten for Hazel Heald: “. . . the sharp horn of Gnoph-keh, the hairy myth-thing of the Greenland ice, that walked sometimes on two legs, sometimes on four, and sometimes on six” (HM 230), suggesting that he was a kind of prototype of the race of beings named after him.

7 This is the first mention of this mythical work, the first of many invented throughout HPL’s career.

8 “Esquimaux” is the now-archaic spelling (derived from the French) of “Eskimo.” HPL uses this spelling throughout his career.

THE DOOM THAT CAME TO SARNATH

Written on December 3, 1919, “The Doom That Came to Sarnath” is one of the earliest tales written under the influence of Lord Dunsany, whom HPL had seen lecture in Boston in October. It first appeared in the Scot (June 1920), a Scottish amateur journal edited by Gavin T. McColl, and was reprinted in Marvel Tales (March-April 1935) and Weird Tales (June 1938).

Many features in the story betray borrowings from Dunsany, but all in externals. HPL thought he had come by the name Sarnath independently, but that he had later found it in a story by Dunsany; this does not, however, appear to be the case. Sarnath is also a real city in India (purportedly the place where Buddha first taught), but HPL may not have known of it.

1 Mnar is cited again in “The Nameless City” (p. 32) and At the Mountains of Madness (TD 286).

2 Kadatheron is cited again in “The Quest of Iranon” (TD 41) and Dream-Quest (p. 205).

3 This is an obvious borrowing from Lord Dunsany’s “Idle Days on the Yann” (in A Dreamer’s Tales, 1910): “. . . as I came to the outer wall of the city I suddenly saw in it a huge ivory gate. For a while I paused and admired it, then I came nearer and perceived the dreadful truth. The gate was carved out of one solid piece!” In the Land of Time and Other Fantasy Tales (Penguin, 2004), p. 155. HPL singles out this image in his discussion of the story in “Supernatural Horror in Literature” (SHL 68).

4 This image is also probably derived from Dunsany: In his play The Gods of the Mountain (in Five Plays, 1914) seven green jade gods are pictured sitting on thrones at the summit of a mountain.

5 Pnath is another name that would have a long history in HPL’s fiction, most commonly in the phrase “vale of Pnath”; see Dream-Quest (p. 187). See also the poem “To a Dreamer” (1920): “I, too, have known the peaks of Thok; / The vales of Pnath, where dream-shapes flock” (AT 54).

6 The Bnazic desert is also cited in “The Quest of Iranon” (TD 43).

THE TERRIBLE OLD MAN

The briefest of HPL’s tales, “The Terrible Old Man” was written on January 28, 1920, and first published in Charles W. Smith’s amateur journal, The Tryout (July 1921). It was later reprinted in Weird Tales (August 1926).

The tale is not generally thought to have been influenced by Dunsany, as it is not set in a fantasy realm, but it is reminiscent of many stories in Dunsany’s The Book of Wonder (1912), several of which similarly deal with attempted robberies that usually end badly for the perpetrators. Probably the closest analogy is with “The Probable Adventure of the Three Literary Men.” The three thieves—Angelo Ricci, Joe Czanek, and Manuel Silva—represent the three major non-Anglo-Saxon ethnic groups in Rhode Island (Italian, Polish, and Portuguese). The story creates the mythical town of Kingsport; only later, in “The Festival” (1923), did HPL identify it with Marblehead, Massachusetts, whose colonial antiquities had enthralled him when he first saw the town in December 1922.

The Terrible Old Man is a minor character in “The Strange High House in the Mist” (pp. 147).

Further Reading

Carl Buchanan, “‘The Terrible Old Man’: A Myth of the Devouring Father,” Lovecraft Studies No. 29 (Fall 1993): 19-31.

Donald R. Burleson, “‘The Terrible Old Man’: A Deconstruction,” Lovecraft Studies No. 15 (Fall 1987): 65-70.

THE TREE

“The Tree” was written in the first half of 1920; HPL first mentions it in a letter dated November 19, 1920 (SL 1.121), and in chronologies of his stories he usually places it after “The Terrible Old Man” and before “The Cats of Ulthar” (June 15, 1920). It was first published in The Tryout (October 1921) and reprinted in Weird Tales (August 1938). In early 1921 HPL sent the story through the Transatlantic Circulator (a group of English and American amateur writers who circulated and analyzed one another’s manuscripts), outlining the story’s main themes in an essay written for the Circulator, “The Defence Remains Open!” (April 1921; MW 156).

“The Tree” is the only one of HPL’s tales set in ancient Greece, whose mythology, literature, and culture had enraptured him ever since the age of six, when he read Nathaniel Hawthorne’s A Wonder Book and Tanglewood Tales, followed by Thomas Bulfinch’s The Age of Fable. HPL is careful to provide clues that allow a fairly exact dating of the events of the story to the period between 353 and 344 B.C.E. (see notes). See my essay, “‘The Tree’ and Ancient History,” Nyctalops 4, No. 1 (April 1991): 68-71; rpt. in Primal Sources, pp. 162-66.

HPL had conceived the story as early as 1918 (see letter to Alfred Galpin, August 29, 1918; in Letters to Alfred Galpin [New York: Hippocampus Press, 2003], p. 35), but held off writing it because he felt that Galpin himself, in the story “Marsh-Mad” (Philosopher, December 1920), had anticipated the core of his idea. This makes any influence of Dunsany on the story problematical, especially since Dunsany rarely set his work in ancient Greece (aside from the play Alexander [1925]).

1 “The Fates will find a way.” From Virgil, Aeneid 3.395.

2 Mount Maenalus was a mountain in Arcadia (in the central Peloponnesus) sacred to Pan.

3 The white marble quarried from Mount Pentelicus, near Athens, was particularly prized in antiquity.

4 See HPL’s early poem “To Pan” (1902; AT 12), recounting a dream of seeing Pan “in a woodland glen.”

5
Kalos in Greek means “handsome” or “fair”; Musides means “son of the Muse(s).”

6 Lydia is a territory in the west of Asia Minor (Turkey). Neapolis (Naples) was founded by the Greeks c. 600 B.C.E.

7 There were several tyrants of Syracuse (the most important Greek city in Sicily, founded by the Corinthians c. 734 B.C.E.). The first such tyrant was Hippocrates (c. 495 B.C.E.). Syracuse became a democracy in 467, until Dionysius I re-established a tyranny in 406; he and his son, Dionysius II, ruled until 344. The earlier period (495-67) is ruled out by HPL’s earlier mention of the Parthenon, which was begun in 447 and completed in 432; therefore we must assume that the tale is set sometime between 406 and 344.

8
Tyche means “Chance” or “Fate.” The worship of the goddess Tyche cannot be dated earlier than the late fourth century B.C.E.; the first known cult was established in Thebes sometime after 371.

9 This is the final clue to the dating of the story. Mausolus, the satrap of Caria, died in 353 B.C.E., whereupon his wife, Artemisia, built the celebrated Mausoleum. Therefore, the events of “The Tree” must date between 353 and 344 B.C.E., during the tyranny of Dionysius II (367-44).

10 Proxenoi were local citizens who received important visitors from other states or colonies.

11 Aiolos was the god of the winds (Aeolus in Latin), most prominently found in Homer’s Odyssey (10.1-79).

THE CATS OF ULTHAR

One of the most famous of HPL’s stories, and one that remained one of his own favorites, “The Cats of Ulthar” was written on June 15, 1920. It was first published in The Tryout (November 1920), reprinted in Weird Tales (February 1926; February 1933), and published as a separate booklet by R. H. Barlow (under the imprint of the Dragon-Fly Press) as a Christmas present for HPL in 1935.

As an expression of HPL’s lifelong love of cats, this tale would be difficult to surpass. His most exhaustive treatment of the subject is the whimsical essay “Cats and Dogs” (1926; MW 545-57). Once again there are several superficial borrowings from Dunsany, and the plot as a whole again reflects the tales of elementary revenge found in The Book of Wonder.

1 Ulthar was first created here, but then mentioned in many of HPL’s subsequent tales, ranging from “The Other Gods” (p. 50) to “Through the Gates of the Silver Key” (p. 269).

2 Meroë is not a region but a city in what is now the Sudan. Formerly the capital of the Nubian kingdom of Kush, it was in existence from at least the 8th century B.C.E. until its fall in 350 C.E. Ophir is an unidentified region cited in the Old Testament (e.g., Genesis 2:11) as being immensely rich in gold. It has been placed variously in East Africa, the Far East, and Arabia.

3 This first paragraph appears almost verbatim in a letter dated May 21, 1920 (SL 1.116-17); HPL then adds: “As I mused, a plot took form in my mind. A simple, yet a ghastly plot. And the plot will some day reach the amateur publick in the form of a tale to be entitled ‘The Cats of Ulthar’” (SL 1.117).

4 Cf. Dunsany’s “Idle Days on the Yann”: “And the Wanderers were a weird, dark tribe, that once in every seven years came down from the peaks of Mloon, having crossed by a pass that is known to them from some fantastic land that lies beyond.” In the Land of Time, p. 159.

5 HPL himself owned a black cat named Nigger-Man (a name later used for a cat in “The Rats in the Walls” [1923]), but it ran away in 1904, when HPL’s family moved from 454 Angell Street to 598 Angell Street.

6 The name is probably derived from Dunsany’s play King Argimenes and the Unknown Warrior (in Five Plays, 1914).

7 Later Atal becomes a priest in “The Other Gods” (p. 51), and then an old man in Dream-Quest (p. 160).

8 Both Hatheg and Nir are cited in “The Other Gods” and Dream-Quest.

FROM BEYOND

“From Beyond” was written on November 16, 1920. Rejected by several pulp magazines, it first appeared in the Fantasy Fan (June 1934) and was then reprinted in Weird Tales (February 1938). The story appears to be a fictionalization of some conceptions found in Hugh Elliot’s philosophical treatise, Modern Science and Materialism (1919), which HPL read shortly after its publication (see SL 1.134, 158). In particular, Elliot exhaustively discusses the limitations of our sense perceptions and goes on to note that most solid matter is largely empty space. The following entries in HPL’s commonplace book appear to reflect plot ideas derived from Elliot: #34 (“Moving away from earth more swiftly than light—past gradually unfolded—horrible revelation”); #35 (“Special beings with special senses from remote universes. Advent of an external universe to view”); #36 (“Disintegration of all matter to electrons and finally empty space assured, just as devolution of energy to radiant heat is known. Case of acceleration—man passes into space”) (MW 89).

In the original draft (revised much later for its first publication), Crawford Tillinghast was named Henry Annesley. Both “Crawford” and “Tillinghast” are two old and wealthy families of colonial Providence (both are mentioned in The Case of Charles Dexter Ward [1927]). “From Beyond” is, indeed, the first of HPL’s tales set in Providence.

Further Reading

Peter Dendle, “Patristic Demonology and Lovecraft’s ‘From Beyond,’” Journal of the Fantastic in the Arts 8 (1997): 281-93.

S. T. Joshi, “The Sources for ‘From Beyond,’” Crypt of Cthulhu No. 38 (Eastertide 1986); rpt. in Primal Sources, pp. 167-71.

1. Cf. a dream HPL had in early 1920 about a Dr. Chester: “The doctor had for the past two years been conducting secret experiments in a laboratory in the attic of his home, and beyond that locked door he would admit no one but himself. . . . The doctor was aging rapidly; lines of care—and of something else—were creeping into his dark, thin face, and his hair was going grey” (SL 1.100-101).

2. Benevolent Street is one of the major thoroughfares in the East Side of Providence, where colonial-era homes survive in abundance.

3. The following speech by Tillinghast appears to mirror a passage early in Hugh Elliot’s Modern Science and Materialism (London: Longmans, Green, 1919): “Let us first ask why it is that all past efforts to solve ultimate riddles have failed, and why it is that they must continue to fail. It is, in the first place, due to the fact that all knowledge is based on sense-impressions, and cannot, therefore, go beyond what the senses can perceive. Men have five or six different senses only, and these are all founded on the one original sense of touch. Of these five or six senses, the three of most importance for the accumulation of knowledge are those of sight, hearing, and touch. By these senses we are able to detect three separate qualities of the external Universe. Now, supposing that we happened to have a thousand senses instead of five, it is clear that our conception of the Universe would be extremely different from what it now is. We cannot assume that the Universe has only five qualities because we have only five senses. We must assume, on the contrary, that the number of its qualities may be infinite, and that the more senses we had, the more we should discover about it” (pp. 2-3).

4. Cf. Elliot: “Not only are our senses few, but they are extremely limited in their range. The sense of sight can detect nothing but waves in aether; all sensations of light and colour are no more than aethereal waves striking upon the retina with varying strength and frequency. And even then, it is only special aethereal undulations that give rise to the sensation of sight. The majority cannot be perceived by the retina at all; it is only when the waves follow one another within certain limits of rapidity (between four hundred billion and seven hundred billion a second) that sight ensues. If the waves are below the lower limit of rapidity, they do not give rise to the sensation of light at all, though they may give rise to a sensation of heat. If they are more rapid than the higher limit (as in the case of ultra-violet rays) they are not discernible by any sense at all” (p. 3).

5. HPL may here be having a bit of fun at the expense of René Descartes, who had implausibly conjectured that the pineal gland is the mediator between the material body and the immaterial soul.

6. This sentence was added after the initial composition of the story (it does not appear in the surviving manuscript). HPL discovered the work of Sigmund Freud only in the spring of 1921 (see SL 1.134), and, although finding it a useful weapon against religious idealism, he expressed skepticism regarding Freud’s tracing of many psychological traumas to the libido. A phrase in “Beyond the Wall of Sleep” (1919)—“Freud to the contrary with his puerile symbolism” (TD 11)—was similarly added after the initial writing of the story.

7. The final phrase was also added after the initial composition of the story. It is not clear whether the remark indicates that HPL was the victim of an actual robbery (he never carried a revolver on his person, so far as is known). His friends C. M. and Muriel Eddy (whom HPL first encountered in 1923) lived in a somewhat problematical section of East Providence (see SL 1.257), and HPL would frequently walk several miles from his home to theirs.

8. Cf. HPL’s discussion of “the old Updike house” in downtown Providence: “This place was in colonial times owned by Capt. John Updike. (The origin of this Rhode Island name is curious. It is of remote Dutch derivation—Op Dyck—the family having filtered into western R. I. from Long Island & the New Netherlands)” (SL 2.354).

9. HPL is here reflecting in a piquant way the common scientific fact that most supposedly solid matter is largely made up of empty space. Cf. Elliot: “Let us now . . . see what matter would look like if magnified to, say, a thousand million diameters, so that the contents of a small thimble appeared to become the size of the earth. Even under this great magnification, the individual electrons would still be too small to be seen by the naked eye. Small aggregations of these invisible electrons, moving in invisible orbits round a centre, would be aggregated to form atoms, and these again to form molecules, appearing (if they could be seen) to occupy the same volume as a football. The first circumstance that strikes us is that nearly the whole structure of matter consists of the empty spaces between electrons. Matter, which appears to us so continuous in its structure, is really no more than empty space, in which at rare intervals here and there an inconceivably minute electron is travelling at high velocity upon its way. It ceases, therefore, to be remarkable that X-rays can penetrate matter and come out on the other side. How should the tiny electrons obstruct their passage? It ceases to be remarkable that an electron from radium can be shot clean through a plate of aluminium; for, from the electron’s point of view, the aluminium plate is very little different from empty space” (p. 54).

THE NAMELESS CITY

“The Nameless City” was probably written in mid- to late January 1921 (it is mentioned as “my latest” in a letter dated January 26, 1921 [SL 1.122]). It first appeared in the Wolverine (November 1921), an amateur journal edited by Horace L. Lawson. Although one of HPL’s favorite stories, it was repeatedly rejected by professional markets (twice by Weird Tales alone) and finally appeared only in Fanciful Tales (Fall 1936), a semi-professional magazine edited by Wilson Shepherd and Donald A. Wollheim. HPL noted that that appearance contained “59 bad misprints” (SL 5.368).

HPL admits that the story was largely inspired by a dream, which in turn was triggered by a suggestive phrase in Dunsany’s Book of Wonder: “the unreverberate blackness of the abyss” (the last line of “The Probable Adventure of the Three Literary Men”). A more concrete source is the article on “Arabia” in the ninth edition of the Encyclopaedia Britannica, which HPL owned. He copied down part of this article in his commonplace book (#47), especially the part about “Irem, the City of Pillars . . . supposed to have been erected by Shedad, the latest despot of Ad, in the regions of Hadramaut, and which yet, after the annihilation of its tenants, remains entire, so Arabs say, invisible to ordinary eyes, but occasionally, and at rare intervals, revealed to some heaven-favoured traveller.” A later entry in the commonplace book (#59) is clearly an account of the dream that inspired the story: “Man in strange subterranean chamber—seeks to force door of bronze—overwhelmed by influx of waters.”

The tale is perhaps most significant as a precursor to At the Mountains of Madness (1931), where similarly a series of bas-reliefs are used to portray the history of an extraterrestrial civilization.

1 Memphis was a major Egyptian city on the west bank of the Nile, about fifteen miles south of Cairo. It was founded as early as 3110 B.C.E., but was gradually abandoned, especially after the Arab conquest of Egypt in 642 C.E. Babylon was a city in ancient Mesopotamia, in existence from before 3000 B.C.E. until its decline after the death of Alexander the Great (323 B.C.E.). Cf. “The Festival” (1923): “It was the Yuletide, that men call Christmas though they know in their hearts it is older than Bethlehem and Babylon, older than Memphis and mankind” (CC 109).

2 The first mention of Alhazred in HPL’s fiction, and the first citation of the couplet (used again, to much more dramatic effect, in “The Call of Cthulhu” [CC 156]). HPL would later date Alhazred to the 8th century C.E. and make him the author of the Necronomicon (first cited in “The Hound” [1922]); see “History of the Necronomicon” (1927; MW 52-53). On the origin of the Arab’s name HPL later wrote: “I can’t quite recall where I did get Abdul Alhazred. There is a dim recollection which associates it with a certain elder—the family lawyer [Albert A. Baker], as it happens, but I can’t remember whether I asked him to make up an Arabic name for me, or whether I merely asked him to criticise a choice I had otherwise made” (HPL to Robert E. Howard, January 16, 1932; quoted in Life 19). The formulation is unfortunate, as it contains a reduplicated article (Abdul Alhazred). A more likely coinage (although perhaps less evocative) would be Abdel Hazred. Hazard was a name in HPL’s maternal ancestry.

3 In Greek myth, Memnon was the son of Tithonus and Eos (Dawn). He became a major object of worship in Pharaonic Egypt. An immense statue of Memnon near Thebes, when broken, emitted sounds upon the rising of the sun.

4 This is an allusion to the events in “The Doom That Came to Sarnath” (p. 5).

5 HPL mentions Damascius and Gaut[h]ier de Metz in two consecutive entries (121 and 122) of his commonplace book (MW 94). Damascius, referred to by Photius I (9th century C.E.), a Byzantine scholar and the patriarch of Constantinople, was the author of books on “incredible fictions,” “extraordinary tales of the gods,” “extraordinary tales of souls appearing after death,” and “extraordinary phenomena.” It is not clear where HPL derived this information. The Image du Monde of Gautier de Metz (thirteenth century) was written c. 1246; it was translated into English by William Caxton as The Myrrour of the World (1481). HPL found a mention of it in S. Baring-Gould’s Curious Myths of the Middle Ages (1866), a book he owned. In the first appearance of the story the passage read: “. . . paragraphs from Poe and Baudelaire, and thoughts from the venerable Ambrose Bierce.”

6 The image is derived from the last sentence of Edgar Allan Poe’s “The Premature Burial” (1844): “. . . the Demons in whose company Afrasiab made his voyage down the Oxus.” T. O. Mabbott explains that “Afrasiab was the legendary bad King of Turân, leading enemy of Rustam in Firdusi’s Shah Nameh” (Collected Works of Edgar Allan Poe: Tales and Sketches [Cambridge, MA: Harvard University Press, 1978], p. 972).

7 From Alciphron (1839), Letter 4, lines 102-11, by the British poet Thomas Moore (1779-1852). HPL was curiously fond of Moore, citing him also in “Under the Pyramids” (TD 61).

8 In Revelation 9:11, Abaddon is the name of “the angel of the bottomless pit.”

THE MOON-BOG

This story was written for a gathering of amateur writers in Boston on St. Patrick’s Day (the meeting occurred on March 10, 1921, a week before the actual holiday) and was first published in Weird Tales (June 1926). It is one of the most conventionally supernatural tales in HPL’s oeuvre. The scenario of an American returning to the British Isles to rebuild his ancestral home strikingly anticipates that of “The Rats in the Walls” (1923). The story bears an accidental similarity in basic plot to that of Lord Dunsany’s first Irish novel, The Curse of the Wise Woman (1933), where the attempt of a development company to drain a bog evokes the ire of a “wise woman” (witch) whose curses may or may not have caused the destruction of the company’s equipment in a titanic storm.

1 This is the county in east-central Ireland where Lord Dunsany resided.

2 Kilderry is evidently HPL’s invention, unless it is an error for Kildare, a city in County Kildare, directly south of County Meath.

3
Ballylough: This is HPL’s invention.

4 Cf. “The Rats in the Walls”: “. . . I began to hire workmen for the reconstruction [of Exham Priory]. In every case I was forced to go outside the immediate locality, for the Anchester villagers had an almost unbelievable fear and hatred of the place” (CC 91).

5 According to the Leabhár Gabhála (Book of Invaders), a purportedly historical treatise dating to the twelfth century, the Greeks led by Partholan invaded Ireland around 1240 B.C.E. and settled near the site where Dublin would later be established, but three hundred years later they were wiped out by a plague and their bodies buried at Tamlacht (or Tallaght). Around 910 B.C.E. Nemed, a Scythian, invaded Ireland with 900 men; in a battle with the Fomorians (pirates) both sides were nearly annihilated, and the descendants of Nemed remained in Ireland until about 694 B.C.E. These events are almost certainly mythical.

6 This is HPL’s invention.

7 This is a curious allusion to “The Tree” (p. 15).

8 Demeter was the Greek goddess of grain; Cyane was a fountain near Syracuse in Sicily.

9 The combination of flutes and drums apparently had for HPL a peculiarly weird resonance, as he habitually cites it in connection with some of his invented gods; cf. “Nyarlathotep” (1920): “And through this revolting graveyard of the universe the muffled, maddening beating of drums, and thin, monotonous whine of blasphemous flutes . . .” (CC 33).

10 For a more benign use of moonbeams as a mode of transportation see “The White Ship” (1919): “Very brightly did the moon shine on the night I answered the call, and I walked out over the waters to the White Ship on a bridge of moonbeams” (TD 22).

THE OTHER GODS

Written on August 14, 1921, “The Other Gods” was repeatedly rejected by paying magazines and first appeared only in The Fantasy Fan (November 1933); it was later reprinted in Weird Tales (October 1938). The story is a textbook example of hubris, similar to many written by Dunsany (see, e.g., “The Revolt of the Home Gods” in The Gods of Pegaāna, 1905). It is perhaps the only one of HPL’s imitations of Dunsany that seeks to capture the cosmicism that HPL himself felt to be the distinguishing feature of Dunsany’s early work.

1 Mt. Ngranek, first cited here, would later serve a critical function in the Dream-Quest (see pp. 161f.).

2 Kadath, also first cited here, is later mentioned in a number of HPL’s tales, ranging from “The Dunwich Horror” (TD 220 [in a citation from the Necronomicon]) to At the Mountains of Madness (TD 308) to the ghostwritten tales “The Mound” (HM 131) and “Medusa’s Coil” (HM 182).

3 Lerion is cited again in Dream-Quest (p. 159).

4 Ulthar was first cited in “The Cats of Ulthar” (p. 19); the seven cryptical books of Hsan, first cited here, are mentioned again in Dream-Quest (p. 161); the Pnakotic Manuscripts and Lomar were first cited in “Polaris” (see p. 3 and n. 7).

5 Atal is first mentioned in “The Cats of Ulthar” (see p. 21 and n. 7) and later cited in Dream-Quest (p. 160).

6 This refers to Midsummer Eve (June 23), a festival of extreme antiquity in Europe. In the Middle Ages peasants hung garlands of oak leaves outside their windows to ward off witches, who were thought to be particularly active on that night. The plant St. John’s wort, if gathered on St. John’s Day or Eve, was also thought to be a protection against thunder, witches, and evil spirits.

7 Phlegethon is one of the rivers in the Greek underworld.

HYPNOS

One of the most thought-provoking of HPL’s early tales, “Hypnos” was written probably in March 1922 (HPL reports that he took the manuscript with him on his first visit to New York in early April 1922 [SL 1.176]). An early entry in HPL’s commonplace book (#23) provides the plot-germ of the story: “The man who would not sleep—dares not sleep—takes drugs to keep himself awake. Finally falls asleep—& something happens—” (MW 88). A recently discovered typescript of the story (in private hands) reveals a dedication, “To S[amuel] L[oveman],” written in pen, along with several other revisions. Loveman (1887-1976), a noted poet and man of letters (friend of Hart Crane, Ambrose Bierce, George Sterling, and Clark Ashton Smith), appears to have expressed considerable enthusiasm for the story when he heard HPL read it to him in manuscript. (“[I] received [from Loveman] the flattering verdict that it’s the best thing I ever wrote” [SL 1.176]); the story also reflects Loveman’s enthusiasm for Greek antiquity, exhibited in many of his poems, notably The Hermaphrodite (1926). On the story’s reflection of central aesthetic tenets held by HPL, see Steven J. Mariconda’s “H. P. Lovecraft: Art, Artifact, and Reality,” Lovecraft Studies No. 29 (Fall 1993): 2-12.

1 The citation is derived from HPL’s copy of Baudelaire: His Prose and Poetry, ed. T. R. Smith (New York: Boni & Liveright/Modern Library, [1919]), p. 214 (in a section titled “Rockets,” trans. Joseph T. Shipley, including notes found among Baudelaire’s papers after his death).

2 See n. 3 to “The Tree.”

3 Peter Cannon (H. P. Lovecraft [Boston: Twayne, 1989], p. 32) points out that this description recalls, both physically and psychologically, the figure of Edgar Allan Poe, who was forty years old at the time of his death (note also the “raven” black hair, the high forehead, and the sunken eyes). Frank Belknap Long, in Howard Phillips Lovecraft: Dreamer on the Nightside (Sauk City, WI: Arkham House, 1975), notes that on a visit to the Poe cottage in Fordham (a section of the Bronx), HPL “removed from his coatpocket one of his quite early stories, Hypnos, and dedicated it to Poe” (p. 237).

4 This is probably an allusion to Sigmund Freud (see n. 6 to “From Beyond”).

5 An allusion to Albert Einstein and the theory of relativity, first propounded in 1905 but not widely accepted by physicists until some eclipse observations in early 1923 appeared to confirm its fundamental principles. HPL discusses Einstein as early as 1920 in a letter to the “Gallomo,” a round-robin correspondence group consisting of himself, Alfred Galpin, and Maurice W. Moe (see Letters to Alfred Galpin, pp. 75-79), but in 1923, a year after writing “Hypnos,” he expressed horror and bafflement at the confirmation of the theory of relativity: “My cynicism and scepticism are increasing, and from an entirely new cause—the Einstein theory. . . . All is chance, accident and ephemeral illusion. . . . There are no values in infinity—the least idea that there are is the supreme mockery of all. All the cosmos is a jest, and fit to be treated only as a jest, and one thing is as true as another” (SL 1.231). That last remark echoes this passage in “Hypnos.”

6 The conception recalls Poe’s “The Man of the Crowd” (1840), described by HPL as “telling of one who roams day and night to mingle with streams of people as if afraid to be alone” (SHL 44).

7 This anomalous connection between a human being and a star is featured again in “The Dreams in the Witch House” (p. 312).

8 Hypnos is a relatively obscure god in the Greek pantheon. The god of sleep, he is said by Hesiod (Theogony 211, 756) to be the son of Nyx (night) and the brother of Death. There was a cult of Hypnos in Troezen (Pausanias 2.31.3).

THE LURKING FEAR

“The Lurking Fear” was written in mid- to late November 1922. It was the second story (following “Herbert West—Reanimator”) commissioned by George Julian Houtain for his mildly risqué humor magazine, Home Brew, appearing serially in the issues of January, February, March, and April 1923; it bore illustrations by HPL’s new colleague, the poet, short story writer, and artist Clark Ashton Smith (1893-1961). (Smith had a bit of fun with these illustrations, drawing trees and vegetation in the shape of male and female genitalia.) The story was reprinted in Weird Tales (June 1928).

As with “Herbert West,” HPL was asked to write the tale with a mini-climax at the end of each two-thousand-word segment; he received five dollars per installment. In this case, however, Houtain provided synopses of the previous segments at the head of the final three episodes, so that HPL need not summarize them in the text itself, as he had done with “Herbert West.” The tale continues the theme of hereditary degeneration found in “Facts Concerning the Late Arthur Jermyn and His Family” (1920) and continuing through “The Rats in the Walls” (1923) and “The Shadow over Innsmouth” (1931). The setting in the Catskill mountains, echoing that of “Beyond the Wall of Sleep” (1919), may have been inspired by accounts of the region that HPL received from the aged amateur poet Jonathan Hoag (1831-1927), a lifelong resident of the area. HPL himself would not visit the Catskills until 1928. The name Martense, however, probably derives from Martense Street, a thoroughfare very close to the apartment of Sonia Greene at 259 Parkside Avenue in Brooklyn, where HPL had stayed twice in 1922. There is a Jan Martense Schenck house (1656) in Brooklyn, the oldest existing house in New York City, but HPL did not visit it during either of his 1922 visits.

1 The name is probably derived from Harold and Chester Munroe, HPL’s childhood friends in Providence.

2 Cf. HPL’s harsher description of the Catskill mountain denizens in “Beyond the Wall of Sleep”: “. . . strange, repellent scions of a primitive colonial peasant stock whose isolation for nearly three centuries in the hilly fastnesses of a little-travelled countryside had caused them to sink to a kind of barbaric degeneracy, rather than advance with their more fortunately placed brethren of the thickly settled districts” (TD 11-12).

3 For Abaddon, see n. 8 to “The Nameless City.”

4 Recall a poignant comment made years later in a letter: “The past is real. It is all there is. The present is only a trivial and momentary boundary-line—whilst the future, though wholly determinate, is too essentially unknown and landmarkless to possess any hold upon our sense of concrete aesthetic imagery” (SL 3.31).

5 HPL means the Albany Congress, a meeting of the representatives of seven of the British colonies in North America held in June-July 1754 in Albany, New York, to plan military, political, and economic strategy in preparation for the Seven Years’ War (French and Indian War), 1756-63.

6 Acheron is one of the rivers in the Greek underworld.

7 This is presumably derived from Poe’s poem “The Valley of Unrest” (1831), originally published as “The Valley Nis.” HPL, however, had himself used the term in the prose-poem “Memory” (1919; MW 31).

8 The narrator of “Pickman’s Model” (1926) similarly succumbs to a phobia of subways after experiencing the events of that tale: “You needn’t think I’m crazy, Eliot—plenty of others have queerer prejudices than this. . . . If I don’t like that damned subway, it’s my own business” (TD 78).

THE UNNAMABLE

Written in September 1923, “The Unnamable” first appeared in Weird Tales (July 1925). It is less a story than a fictionalized treatise on supernatural horror—specifically on stolid bourgeois unresponsiveness to the weird tale. As such it bears comparison with the In Defence of Dagon essays of 1921 (see MW 147-71), where HPL first defended his brand of weird fiction as appealing only to “a very limited section of the public” (MW 147). The story represents the first of several reprisals of the character of Randolph Carter, who first appeared in “The Statement of Randolph Carter” (1919) and would return to experience adventures in dreamland in The Dream-Quest of Unknown Kadath and its sequels. Carter’s antagonist, Joel Manton, is clearly based upon his longtime friend Maurice W. Moe (see note 3), although the name may come either from a character named Manton in Ambrose Bierce’s “The Middle Toe of the Right Foot” or from Manton Street in Providence. The story also explores the sense of lurking horror in New England history and topography, a dominant topos in HPL’s later work. Influences on the tale may include the work of Arthur Machen (see note 4), especially the episodic novel The Three Impostors (1895), which features two characters debating at length on the nature of the supernatural, as well as Bierce’s “The Suitable Surroundings” (in Tales of Soldiers and Civilians, 1891), in which a writer challenges his friend to read his horror tale under the “suitable surroundings” of a haunted house at night.

1 Cf. HPL’s discussion of the tale in a letter: “There is actually an ancient slab half engulfed by a giant willow in the middle of the Charter St. Burying Ground in Salem” (SL 2.139).

2 The reference is to the credulous spiritualism that Conan Doyle (1859-1930) adopted following the death of his son in World War I.

3 This description makes clear that HPL had Maurice W. Moe (1882- 1940) in mind. Moe, whom HPL had known since 1914, was an English teacher at West Division High School in Milwaukee, and was fervently pious; the truth and efficacy of religion were frequent topics of disputation in their letters. HPL onced remarked acerbically: “Possibly it is better to be nearsighted & orthodox like Mo[e], trusting all to a Divine Providence, R. I.” (SL 1.57).

4 The reference to “ecstasy” betrays the influence of Arthur Machen’s treatise Hieroglyphics: A Note upon Ecstasy in Literature (1902). For the general thought see In Defence of Dagon, where HPL presents his tripartite division of literature into romanticism, realism, and fantasy: “Both romanticism and realism have the common quality of dealing almost wholly with the objective world—with things rather than with what things suggest. The poetic element is wanting” (MW 147).

5 No such magazine then existed, although many years later Stuart David Schiff edited the successful semi-professional magazine Whispers (1973ff.). The title of Carter’s story may reflect Ambrose Bierce’s “The Boarded Window” (1891).

6 This event uncannily anticipates the temporary banning of Weird Tales in the state of Indiana as a result of C. M. Eddy’s story of necrophilia, “The Loved Dead” (revised by HPL and published in the issue for May-June-July 1924). It is possible that HPL revised “The Unnamable” prior to publication to incorporate an allusion to this event.

7 HPL owned a first edition of Mather’s Magnalia Christi Americana (1702), a copy that had been in his family for generations. HPL states: “The paragraph in Mather’s Magnalia . . . on which the tale is based is a bona-fide one, and represents the extremes of credulity to which this strange character went in considering vague popular rumours” (SL 2.139). The passage in question is as follows: “At the southward there was a beast, which brought forth a creature which might pretend to something of an human shape. Now, the people minded that the monster had a blemish in one eye, much like what a profligate fellow in the town was known to have. This fellow was hereupon examined; and upon his examination, confess’d his infandous Bestialities; for which he was deservedly executed” (Book 6, Chapter 5, “The Tenth Remark”).

8 For a similar disquisition on the Puritan age see “The Picture in the House” (1920; CC 34-35); also SL 3.174-75: “It is the night-black Massachusetts legendry which packs the really macabre ‘kick’. Here is material for a really profound study in group-neuroticism; for certainly, no one can deny the existence of a profoundly morbid streak in the Puritan imagination.” HPL goes on to describe at length the morbidities of the Puritan temperament.

9 Meadow Hill in Arkham is cited frequently in “Herbert West—Reanimator” (1921-22).

10
St. Mary’s Hospital: This is later cited in “The Festival” (1923; CC 117).

THE SHUNNED HOUSE

“The Shunned House” was written in mid-October 1924. It was the first of HPL’s major stories to be rejected by Weird Tales, editor Farnsworth Wright maintaining in September 1925 that it began too gradually. Curiously enough, a few months earlier HPL had submitted it to Detective Tales, edited by Edwin Baird. Baird was Weird Tales’s first editor (1923-24), who had accepted everything HPL had sent him, but he rejected the story. W. Paul Cook, HPL’s amateur associate, initially wished to use it in his magazine, The Recluse, but the one and only issue ever published (1927) had too much other material to accommodate the story, so Cook decided to publish it as a separate booklet. Although he set the story in type (Lovecraft read the proofs in June 1928) and printed three hundred copies, financial and personal misfortunes prevented Cook from binding them. A few copies were bound by R. H. Barlow in 1934-35, but the story did not receive widespread distribution until it appeared in Weird Tales (October 1937).

The story, although set in Providence, was inspired by a house (now destroyed) in Elizabeth, New Jersey, which HPL had visited in early October 1924. HPL describes the house as follows: “on the northeast corner of Bridge St. & Elizabeth Ave. is a terrible old house—a hellish place where night-black deeds must have been done in the early seventeen-hundreds—with a blackish unpainted surface, unnaturally steep roof, & an outside flight of steps leading to the second story, suffocatingly embowered in a tangle of ivy so dense that one cannot but imagine it accursed or corpse-fed. It reminded me of the Babbitt house in Benefit St., which as you recall made me write those lines entitled ‘The House’ in 1920” (HPL to Lillian D. Clark, November 4-6, 1924; ms., JHL). HPL refers to his poem “The House” (Philosopher, December 1920), based on the house at 135 Benefit Street in Providence occupied by Mrs. C. H. Babbitt; during 1919-20 HPL’s aunt Lillian D. Clark had served as a companion to Mrs. Babbitt, and HPL may have entered the house at that time. It was built around 1763, and HPL’s description of it in the story is quite accurate; it has, however, never been unoccupied. The figure of Elihu Whipple seems clearly based upon HPL’s uncle, Franklin Chase Clark (1847-1915), who had been HPL’s literary mentor when he was a teenager.

1 Poe (1809-1849) courted Sarah Helen (Power) Whitman (1803- 1878) during 1848-49. She lived at 88 Benefit Street. HPL owned Whitman’s Poems (1894) as well as Caroline Ticknor’s Poe’s Helen (1916), an account of Poe’s involvement with Whitman.

2 The Golden Ball Inn was built in 1784 by Frank Rice. It no longer survives.

3 HPL had long been fond of St. John’s Churchyard—the burial-ground adjacent to St. John’s Episcopal Church at 271 North Main Street (1810), which can be entered from Benefit Street. He invariably showed it to out-of-town visitors. In August 1936 HPL, R. H. Barlow, and Adolphe de Castro sat in the churchyard and wrote acrostic poems on the name Edgar Allan Poe.

4 An immense cemetery at the junction of North Main Street and Branch Avenue, North Burial Ground figures prominently in The Case of Charles Dexter Ward (1927).

5 Although based upon HPL’s uncle, Franklin Chase Clark, Whipple’s surname is a clear allusion to HPL’s maternal grandfather, Whipple Van Buren Phillips (1833-1904).

6 This is “an American name for Monotropa uniflora, a leafless plant with a solitary drooping flower, of a uniform pinkish-white throughout, parasitic on the roots of trees” (OED).

7 This image (and, accordingly, much of the supernatural premise of the entire story) appears to be derived from a brief anecdote, “The Green Picture,” in Charles M. Skinner’s Myths and Legends of Our Own Land (Philadelphia: J. B. Lippincott Co., 1896), which HPL owned. Skinner writes: “In a cellar in Green Street, Schenectady, there appeared, some years ago, the silhouette of a human form, painted on the floor in mould. It was swept and scrubbed away, but presently it was there again, and month by month, after each removal, it returned: a mass of fluffy mould, always in the shape of a recumbent man. When it was found that the house stood on the site of the old Dutch burial ground, the gossips fitted this and that together and concluded that the mould was planted by a spirit whose mortal part was put to rest a century and more ago, on the spot covered by the house, and that the spirit took this way of apprising people that they were trespassing on its grave. Others held that foul play had been done, and that a corpse, hastily and shallowly buried, was yielding itself back to the damp cellar in vegetable form, before its resolution into simpler elements. But a darker meaning was that it was the outline of a vampire that vainly strove to leave its grave, and could not because a virtuous spell had been worked about the place” (Vol. 1, pp. 76-77). Skinner goes on to cite the episode in Exeter, Rhode Island, in 1892, to which HPL refers later in the story (see n. 17).

8 Sidney Smith Rider (1833-1917) was a prolific editor and publisher as well as the author of a number of historical tracts about Rhode Island. Thomas W. Bicknell (1834-1925) is most noted for his five-volume History of the State of Rhode Island and Providence Plantations (1920), one of many historical works he wrote over a long career.

9 Captain Abraham Whipple (1733-1819) was a noted Rhode Island naval figure. HPL was descended from him through his great-great-grandmother, Esther Whipple. Whipple led a party of fifty men in burning the British schooner Gaspée on June 9, 1772; the ship had run aground on Namquit Point in Warwick, R.I. Some scholars believe that this daring exploit was the first overt act of the American Revolution. It is mentioned again in The Case of Charles Dexter Ward (TD 125).

10 Obadiah and James Brown established the first Brown commercial house, largely in shipping. After the death of James in 1739, Obadiah went into business with James’s four sons, John, Joseph, Nicholas, and Moses—the famous “four Brown brothers.”

11 Actually, Obadiah died in 1762, whereupon the four brothers took over their uncle’s business and renamed it Nicholas Brown & Co.

12 Cheapside was a shopping district in colonial Providence, on North Main Street between Market Square and Waterman Street.

13 Rehoboth is a small town in Massachusetts, just across the Rhode Island border; population in 1937: 2777. HPL and his boyhood friends would ride there on bicycles, and built the Great Meadow Country Clubhouse there around 1907.

14 Nabby Gardner, wife of Nahum Gardner, was similarly confined to an upstairs bedroom in “The Colour out of Space” (CC 182). This once-common New England practice is the basis of one of the greatest horror tales in all literature, Charlotte Perkins Gilman’s “The Yellow Wall Paper” (1892).

15 Exeter originally was part of North Kingstown but later became a separate community; it was incorporated in 1743.

16 This is a region north of Exeter, around the village of Nooseneck (population in 1937: 402). The hill is 511 feet in altitude.

17 See Skinner (n. 7): “In northern Rhode Island those who die of consumption are believed to be victims of vampires who work by charm, draining the blood by slow draughts as they lie in their graves. To lay this monster he must be taken up and burned; at least, his heart must be; and he must be disinterred in the daytime when he is asleep and unaware. If he died with blood in his heart he has this power of nightly resurrection. As late as 1892 the ceremony of heart-burning was performed at Exeter, Rhode Island, to save the family of a dead woman that was threatened with the same disease that removed her, namely, consumption” (Vol. 1, p. 77). See further Faye Ringel Hazel, “Some Strange New England Mortuary Practices: Lovecraft Was Right,” Lovecraft Studies No. 29 (Fall 1993): 13-18.

18 This was the original name for what is now College Street, where HPL lived from 1933 to 1937. The “new college building” is University Hall, built in 1770 and for many years the only building on the campus of Brown University (established 1764).

19 On April 22, 1775, the Rhode Island Assembly approved the raising of fifteen hundred men, under the command of General Nathanael Greene, to serve in an army in the event of a war with Great Britain. In May three regiments were formed, with Greene as brigadier in charge of them; they shortly joined other colonial regiments upon the outbreak of hostilities. Greene (1742-1786) became a major general in April 1776, at the age of thirty-four. He was quartermaster-general at Valley Forge in 1778; he took command of the Southern Army in 1780, distinguishing himself in many battles in the South. HPL later visited his gravesite at Savannah, Georgia.

20 Israel Angell (1740-1832) became a colonel in 1777, serving in Rhode Island, New Jersey, and New York; on June 23, 1780 he led his troops in a victorious battle at Springfield, New Jersey.

21 Elizabethtown was the eighteenth-century name for Elizabeth, New Jersey.

22 The Great Bridge was an immense bridge—the widest covered bridge in the world before its recent removal—that spanned the Providence River, which separates the older East Side of the city from the newer West Side.

23 This appears to be the Francis W. Carpenter house at 276 Angell Street (built in 1896, not 1876 as HPL states), an example of the French Rennaissance Revival (Carrère & Hastings, architects).

24 Rathbone (or Rathbun) is an old family name in Rhode Island, and HPL was related to the line through his great-grandfather Jeremiah Phillips (1800-1848), who married Roby Rathbun.

25 The Vigilant was a schooner built in 1812 at Newport, Rhode Island. It saw its first action in the fall of 1813. Capt. John Cahoone commanded it during its engagement with the British privateer Dart during the War of 1812.

26 The Battle of Fredericksburg (Virginia) took place on December 13, 1862. HPL visited the town in 1931.

27 Dr. Chad Hopkins apparently is fictitious, although Hopkins is a prominent name in colonial Rhode Island.

28 The newspaper—the first daily paper in Providence—began in 1762 and continued to 1825. In his youth HPL read the entire run of it at the Providence Public Library (SL 1.298).

29 A paper founded in 1841 as the Daily Transcript, becoming subsequently the Daily Transcript and Chronicle (1844-47), the Daily Evening Transcript (1847-48), and the Daily Evening Transcript and Free Soil Advocate (1848-49).

30 The Narragansett Indian tribe, for which the town of Narragansett, Rhode Island, was named, was dispersed by King Philip’s War (1675-76).

31 John Throckmorton was one of the thirteen original proprietors of Providence, having come from Massachusetts with Roger Williams in 1636.

32 This was the original name for Main Street, one block south of Benefit Street.

33 This was the original name for Arlington Avenue.

34 The Rhode-Island Historical Society is located at the John Brown house (1786-88) at 52 Power Street. The Shepley Library was a private library founded in 1921 and located at 292 Benefit Street. It is no longer in existence.

35 East Greenwich is a town fifteen miles south of Providence, incorporated in 1677; population in 1937: 3666.

36 This is an error by S. Baring-Gould (see n. 39) for the town of Cande, in northwest France, twenty miles west of Angers.

37 Edmund Andros (1637-1714) was Governor of the “Dominion of New England” (the region now occupied by Massachusetts, Maine, Rhode Island, Connecticut, and New Hampshire) in 1686; later his administration extended over New York and New Jersey. He was deposed in 1689 because of his interference with colonial rights.

38 Pardon Tillinghast (1622?-1718) was a leading businessman in colonial Providence. He constructed the first warehouse and built the first wharf on the Providence River.

39 This entire passage is taken directly from John Fiske’s Myths and Myth-Makers: Old Tales and Superstitions Interpreted by Comparative Mythology (Boston: Houghton Mifflin, 1872), an important book in the development of HPL’s views on the anthropology of religion. Fiske writes: “In the year 1598, ‘in a wild and unfrequented spot near Caude [sic], some countrymen came one day upon the corpse of a boy of fifteen, horribly mutilated and bespattered with blood. As the men approached, two wolves, which had been rending the body, bounded away into the thicket. The men gave chase immediately, following their bloody tracks till they lost them; when, suddenly crouching among the bushes, his teeth chattering with fear, they found a man half naked, with long hair and beard, and with his hands dyed in blood. His nails were long as claws, and were clotted with fresh gore and shreds of human flesh.’ This man, Jacques Roulet, was a poor, half-witted creature under the dominion of a cannibal appetite. He was employed in tearing to pieces the corpse of the boy when these countrymen came up. Whether there were any wolves in the case, except what the excited imaginations of the men may have conjured up, I will not presume to determine; but it is certain that Roulet supposed himself to be a wolf, and killed and ate several persons under the influence of the delusion. He was sentenced to death, but the parliament of Paris reversed the sentence, and charitably shut him up in a madhouse” (pp. 114-15). At the beginning of this passage Fiske is quoting from S. Baring-Gould’s Book of Were-wolves (1865); but HPL could not have derived his information on Roulet from that book, as he did not read it until 1934 (HPL to Clark Ashton Smith, [February 11, 1934]; manuscript in private hands).

40 The armory at 375 Cranston Street, erected in 1907. It currently houses the Rhode Island National Guard.

41 For HPL’s response to Einstein’s theory of relativity, see n. 5 to “Hypnos.” “Intra-atomic action” refers to the quantum theory propounded by Max Planck (1858-1947) in 1900, which asserts that the action of certain subatomic particles is inherently random. HPL accepted the theory only grudgingly (see SL 3.228), and in a manner that involved a fundamental misunderstanding of its true import. See S. T. Joshi, H. P. Lovecraft: The Decline of the West (Mercer Island, WA: Starmont House, 1990), p. 20.

42 The Crookes tube was a device invented in 1878 by Sir William Crookes (1832-1919) involving an electrical discharge between two electrodes. The device later led to Röntgen’s discovery of X-rays.

43 Daylight saving time had first been introduced by Germany, Great Britain, and the United States during World War I. Opposition by farmers, however, led to its repeal over a presidential veto on August 20, 1919; it was not adopted again in the United States on a national basis until 1942.

44 The Revue des Deux Mondes is a leading French journal, founded in 1831 and still published. Franklin Chase Clark produced translations not from French but from Latin, notably the Georgics and Aeneid of Virgil.

45 The Rhode Island School of Design Museum currently is at 224 Benefit Street. It originally was housed at 11 Waterman Street, where HPL visited it in his youth. He describes it as “an enchanted world for me—a true magick grotto where unfolded before me the glory that was Greece & the grandeur that was Rome” (HPL to Lillian D. Clark, October 4, 1925; manuscript, JHL).

46 The Providence Athenaeum is a private library at College and Benefit Streets, established in 1831.

47 This image seems analogous to the conclusion of “Under the Pyramids,” written only a few months prior to “The Shunned House” in February-March 1924. There, what the narrator takes to be a “five-headed monster as large as a hippopotamus” proves to be “that of which it is the merest fore paw” (TD 77).

48 Cf. HPL to Donald Wandrei, April 12, 1927: “People not yet aged can recall the famous ‘Yellow Day’ of Sept. 6, 1881, & I have myself seen many strange illuminative anomalies which ought to be celebrated in weird literature.” Mysteries of Time and Spirit: The Letters of H. P. Lovecraft and Donald Wandrei, ed. S. T. Joshi and David E. Schultz (San Francisco: Night Shade Books, 2002), p. 74. The Providence Daily Journal (September 7, 1881, p. 1) reported that the previous day, the atmosphere throughout New England was “pervaded with a yellowish light, which lends a strange appearance” to the landscape.

THE HORROR AT RED HOOK

“The Horror at Red Hook” was written on August 1-2, 1925, and first published in Weird Tales (January 1927). HPL notes in a letter to Frank Belknap Long, a lifelong New Yorker, that the story “deals with hideous cult-practices behind the gangs of noisy young loafters [in Brooklyn] whose essential mystery has impressed me so much. The tale is rather long and rambling, and I don’t think it is very good; but it represents at least an attempt to extract horror from an atmosphere to which you deny any qualities save vulgar commonplaceness” (SL 2.220). HPL records in his 1925 diary that he visited Red Hook on March 8. It was then one of the worst slums in the New York metropolitan area. Sonia H. Greene, HPL’s wife, claims to supply the inspiration for the story: “It was on an evening while he, and I think [James F.] Morton, Sam Loveman and Rheinhart Kleiner were dining in a restaurant somewhere in Columbia Heights that a few rough, rowdyish men entered. He was so annoyed by their churlish behavior that out of this circumstance he wove ‘The Horror at Red Hook’” (The Private Life of H. P. Lovecraft [West Warwick, RI: Necronomicon Press, 1992], p. 12). Whether it was any single incident, or the cumulative effect of HPL’s New York experience, that led to the writing of the story remains in doubt.

HPL’s original title for the story (as recorded on the autograph manuscript, now in the New York Public Library) was “The Case of Robert Suydam.” His later supernatural detective story, The Case of Charles Dexter Ward (1927), bears many resemblances to “The Horror at Red Hook.” Much of the magical mumbo-jumbo in the story was copied directly from articles on “Magic” and “Demonology” in the Encyclopaedia Britannica.

1 This excerpt is from “The Red Hand,” first published in Chapman’s Magazine (December 1895) and included in Machen’s The House of Souls (1906). HPL owned the story in the Knopf (1923) edition of The Three Impostors, where the quotation appears on p. 255. “The Red Hand” similarly concerns the survival of primitive rituals in a large city (London).

2 Pascoag is a village in the far northwestern corner of the state.

3 Chepachet is a town about three miles southeast of Pascoag; population in 1937: 1693. It was in this general area that HPL and C. M. Eddy went to look for “Dark Swamp” in October 1923; despite a long trek through the wilderness, they never found the supposedly haunted region (see SL 1.264-67). Earlier, in September, HPL and James F. Morton had gone into the Chepachet area in an effort to ascend Durfee Hill, but they failed to do so for lack of time. HPL gives his first impressions of the town: “Chepachet . . . is a veritable bucolic poem— a study in ancient New-England village atmosphere, with its deep, grass-bordered gorge, its venerable bridge, and its picturesque, centuried houses” (SL 1.251).

4 Woonsocket is a city in the northeast corner of Rhode Island; population in 1937: 49,376. In later years HPL expressed indignation that the city had been heavily colonized by French-Canadian immigrants (they made up three-fourths of the population in 1937).

5 The name Red Hook derives from the Dutch Roode Hoek (Red Point), referring to the color of the soil. The region had been sold by the Indians to the Dutch in 1636.

6 HPL means Trinity College, Dublin, founded in 1591 and the only college in the University of Dublin.

7 Phoenix Park is a region in the western part of Dublin. The large eponymous park in the district is one of the most beautiful in Europe.

8 The Dublin Review was a magazine published in London from 1836 to 1906. HPL apparently did not know that J. Sheridan LeFanu (1814-1873) was a longtime editor of and contributor to the Dublin University Magazine, where many of LeFanu’s famous horror tales and novels appeared.

9 The first sentence of “The Man of the Crowd,” first published in The Casket and in Burton’s Magazine (both December 1840) and included in Poe’s Tales (1845): “It was well said of a certain German book that ‘er lasst sich nicht lesen’—it does not permit itself to be read.” T. O. Mabbott, in his edition of Poe’s tales, states that the source of Poe’s quotation has not been found, and remarks: “Here he [Poe] took this to mean that the book was too shocking for a reader to peruse it completely; but the meaning of the source may have been that the book referred to was execrably printed, or that no copy was available” (Collected Works of Edgar Allan Poe: Tales and Sketches, 1.518). HPL, like Poe, probably favored the former interpretation; cf. entry 56 in his commonplace book: “Book or MS. too horrible to read—warned against reading it—someone reads & is found dead. Haverhill incident” (MW 90).

10 This sentence suggests that one of HPL’s models for Malone is Arthur Machen, who, as a Welshman, could be considered a Celt. For the use of the word “ecstasy” in connection with Machen, see n. 4 to “The Unnamable.” Machen had similarly written poetry in youth (Eleusinia [1881; rpt. West Warwick, RI: Necronomicon Press, 1988]) and had also lived a life of poverty in London, as recounted in his autobiographies, Far Off Things (1922) and Things Near and Far (1923).

11 Aubrey Beardsley (1872-1898) was a celebrated British artist and book illustrator whose stylized and occasionally risqué line drawings contributed much to the atmosphere of the “Yellow Nineties.” HPL owned a volume of his artwork, The Art of Aubrey Beardsley (1918).

12 Gustave Doré (1832-1883), celebrated French illustrator. HPL was tremendously fond of his illustrations for Dante’s Inferno (1866), Milton’s Paradise Lost (1866), and Coleridge’s Rime of the Ancient Mariner (1876). The Ancient Mariner illustrations, which he stumbled upon at the age of six, fostered his interest in weird fiction (see HPL to J. Vernon Shea, November 8, 1933; quoted in Life 19-20), while the illustrations to Paradise Lost may have helped to inspire his dreams of “night-gaunts” (see n. 19 to The Dream-Quest of Unknown Kadath).

13 Butler Street is a very short street roughly equidistant between Brooklyn Heights (where HPL lived at the time he wrote this story) and Red Hook.

14 Governor’s Island is a large island in New York Harbor used for a variety of military purposes; it is also a base for the Coast Guard. A large star-shaped fort, Fort Jay (for a time named Fort Columbus), was built there in 1794. The channel separating it and the Red Hook peninsula is called Buttermilk Channel.

15 Clinton and Court Streets are two parallel streets that run northeastward from Red Hook to Brooklyn Heights. HPL lived at 169 Clinton Street at the time he wrote this story.

16 Borough Hall is a fine Greek revival building on Joralemon Street in Brooklyn, built in 1846-51; it is the location of the government offices in the borough. It was the city hall of Brooklyn prior to the city’s incorporation into New York City in 1898.

17 Cf. HPL’s description of one of his neighbors at 169 Clinton Street: “once a Syrian had the room next to mine and played eldritch and whining monotones on a strange bagpipe which made me dream ghoulish and incredible things of crypts under Bagdad and limitless corridors of Eblis beneath the moon-cursed ruins of Istakhar” (SL 2.116).

18
The Witch-Cult in Western Europe (Oxford: Clarendon Press, 1921) by Margaret Alice Murray (1863-1963), a professor of anthropology at University College, London, is a treatise maintaining that the European witch-cult was the product of a primitive pre-Aryan race that lived on in remote areas. The theory was met with some skepticism when first broached, and it is now regarded as highly unlikely. HPL was, however, taken with it, since it apparently offered a scientific confirmation of the fictional conception embodied in Arthur Machen’s “Little People.” HPL read the book no later than the fall of 1923, as it partly inspired “The Festival” written at that time. It is mentioned again in “The Call of Cthulhu” (DH 128).

19
Turanian refers to a nomadic people believed to have preceded the Aryans in Europe and Asia.

20 Suydam is an ancient Dutch family that settled in Brooklyn in the seventeenth century. Many Suydam graves are in the churchyard of the Flatbush Dutch Reformed Church in southeast Brooklyn. There is a Suydam Place and a Suydam Street in the Williamsburg section of Brooklyn, northeast of Red Hook.

21
Flatbush: This refers to a section of Brooklyn southeast of Red Hook, on the other side of Prospect Park. Sonia H. Greene’s apartment at 259 Parkside Avenue, in which HPL resided from March to December 1924, is in this section.

22 The Flatbush Dutch Reformed Church (1793) is a magnificent specimen of 18th-century architecture at the corner of Flatbush and Church Avenues in Brooklyn. HPL first visited the site in September 1922 (SL 1.198); it inspired “The Hound” (1922).

23 Martense Street is a short street off Flatbush Avenue four blocks south of Parkside Avenue. There does not seem at present any structure corresponding with the mansion HPL here describes. Cf. the Martense family in “The Lurking Fear” (1922).

24 The Kabbalah is a body of Jewish mystical teaching, much of it consisting of secret doctrines that were transmitted orally. In the Middle Ages debased forms of cabbalistic thought concerning the unity of all existence were utilized by alchemists in search of the philosopher’s stone. One of the main sources of cabbalism is the Zohar, cited in The Case of Charles Dexter Ward (TD 102).

25 Sephiroth is the Hebrew word for “numbers”; in cabbalism, it refers to the emanations and manifestations of the Godhead. Ashmodai is a variant of Asmodeus, a demon of lust and drunkenness in the apocryphal tradition of the Bible. Samaël is the creator-god in the doctrines of Gnostic Christianity. Interestingly, like Azathoth, it is a blind god.

26
Corlear is HPL’s misspelling of Corlaer. Jacob Van Corlaer was a seventeenth-century farmer after whom Corlaer’s Hook (now Crown Point) in Manhattan was named. There were no Corlaers in New York in 1925. There were, however, a few Van Brunts. There is a Van Brunt-Cropsey house (c. 1715) in the New Utrecht section of Brooklyn.

27 Ellis Island is a small island in New York Harbor very close to the New Jersey coast. It was established as an entry port for foreign immigrants in 1892 to deal with the unprecedentedly large influx of immigrants occurring at that time. It is now a museum.

28 Parker Place cannot be located.

29 The church in question actually existed in Red Hook, although it has now been destroyed. See Crypt of Cthulhu No. 28 (Yuletide 1984): 9. The church was in fact used as a dance hall. HPL’s Free-Will Church in “The Haunter of the Dark” (1935), based on St. John’s Catholic Church on Atwells Avenue in Providence (now destroyed), is similarly regarded dubiously by its neighbors.

30 This is a reference to the followers of Nestorius, a fifth-century monk in Constantinople who asserted that the human and divine Jesus were two conjoined but not unified aspects of his being. He was condemned as a heretic in 430, and his followers scattered to Persia, India, China, and Mongolia.

31 This is a reference to the pre-Buddhist religion in Tibet known as Bon, to which shamanism (a religious system in which mystics cure the souls of the sick and perform other functions by the use of magic and talismans) is central. HPL refers to the “Bonpa priests” in “The Last Test” (1927; HM 19).

32 Kurdistan is an archaic term for a region in what is now portions of Turkey, Iraq, and Iran, inhabited by Kurds. The Yezidis were a sect of Kurdish-speaking peoples in Iraq and Syria who worshipped a god who, they believed, was originally the creator of evil but who later became good. HPL appears to have derived his information on the Yezidis from the opening of E. Hoffmann Price’s story “The Stranger from Kurdistan” (Weird Tales, July 1925): “‘You claim that demonolatry went out of existence at the end of the Middle Ages, that devil-worship is extinct? . . . No, I do not speak of the Yezidis of Kurdistan, who claim that the Evil One is as worthy of worship as God, since, by virtue of the duality of all things, good could not exist without its antithesis, evil . . .’” E. Hoffmann Price, Strange Gateways (Sauk City, WI: Arkham House, 1967), p. 52. HPL was not acquainted with Price at this time, although they later became voluminous correspondents.

33 The Brooklyn Eagle was a long-running local newspaper (1841-1955). Walt Whitman edited it from 1846 to 1848.

34 Gerritsen is another ancient New York Dutch name. There was a Gerritsen’s Mill on the west side of the Storm Kill in Long Island (destroyed 1934). Several Gerritsens married Van Brunts in the eighteenth and early nineteenth centuries (see n. 26 above). Bayside is a region in the far northwestern section of Queens, bordering on Little Neck Bay. It is almost fifteen miles from Flatbush.

35 This incantation is copied from the article on “Magic” (by Edward Burnett Tylor [1832-1917], a leading anthropologist of the nineteenth century and author of the landmark treatise Primitive Culture, 1871) in the ninth edition of the Encyclopaedia Britannica, which HPL owned (hereafter cited as Tylor). In his discussion of Greek and Roman magic, Tylor writes: “The worship of Hecate, the moon, sender of midnight phantoms, lent itself especially to the magician’s rites, as may be seen from this formula to evoke her: ‘O friend . . .’” Tylor notes that “This magical record [is] preserved by an early Christian writer.” Gorgo is a variant of Gorgon, a generic name for creatures in the shape of women with snakes in place of hair; chief among them was Medusa, who was killed by Perseus. Mormo is a female spectre the Greeks used to frighten children.

36 HPL derived the following incantation directly from Tylor, who prefaced the quotation with the remark: “But in compelling the spirits he [the Jewish magician] can use Hebrew and Greek in admired confusion, as in the following formula (copied with its mistakes as an illustration of magical scholarship in its lowest stage)—. . .” The article did not translate the utterance. On one occasion HPL was asked to do so. His translation was published as “The Incantation from Red Hook” (The Occult Lovecraft [Saddle River, NJ: Gerry de la Ree, 1975], pp. 23-30). It is probably an extract from a letter, perhaps to Wilfred B. Talman. In the following note, HPL’s comments are given in quotation marks and with his initials attached (text silently corrected).

37 “Hel is clearly the Hebrew el, meaning Lord or Deity. Illiterate translations always take liberties with aspirates” [HPL].

“Heloym, by the same token, is Elohim, the Hebrew word for deity in its less tribal and more generalised sense” [HPL].

“Sother is simply bad Greek for Soter, meaning Deliverer” [HPL].

“Emmanuel is Hebrew for God-with-us, usually applied to the prophesied future incarnation of deity in the Old Testament, whose fulfilment Christ is assumed to be” [HPL].

“Sabaoth is an Hellenised form of the Hebrew Tsebaoth, meaning hosts found in the scriptures in the Lord God of Hosts. It was a favourite word with mediaeval occultists and with them probably came to signify hosts or armies of elemental spirits. I have often wondered if this, rather than sabbath (day of rest), is not really the parent-word for the term sabbat (Witches’ Sabbath) applied to the hideous secret orgies of the witch-cult followers. Surely a word signifying throngs is much more appropriate for the obscene convocations of May-Eve and Hallowe’en than is a word signifying a weekly rest period” [HPL].

“Agla is a frequent word among occultists, being often engraved on the wands and knives of magicians. It is formed of the first letters of the Hebrew words composing the sentence ‘Thou art a mighty god forever’” [HPL]. HPL derived this information from Tylor. The word is cited in an incantation by Joseph Curwen in The Case of Charles Dexter Ward (TD 147).

“Tetragrammaton is a Greek term of magical conjuration identified with a certain cabalistic diagram. It represents a mystical symbolisation of the four elements—air, water, earth, and fire, and is used for evoking their elemental spirits—respectively the sylphs, undines, gnomes, and salamanders. There are four generally recognised magical diagrams which recur repeatedly in occult rites. The other three are the triangle (equilateral), sign of the Trinity or mystical threefoldness of things; the double triangle or Sign of Solomon, representing the Macrocosm or Entire Universe; and the all-potent pentagram, or five-pointed star, which represents the star of Bethlehem and is the greatest of all conjuring forces. With one point up, the Pentagram is the sign of Christ and an aid to White Magic. With two points up it is the Sign of Satan and the Black Magicians’ ally. But this is a digression” [HPL]. Originally, “Tetragrammaton” referred to the four Hebrew letters usually transliterated YHWH or JHVH (Yahweh or Jehovah) to represent the name of God, for the reasons HPL gives below (see Adonai).

“Agyros is probably a misspelling of the Greek agora—an assembly ” [HPL]. Actually, the word is derived from aguris (itself an Aeolian form of agora), meaning “a gathering, crowd.”

“Otheos is probably an even worse misspelling of the Greek Othneios , meaning strange” [HPL]. Possibly derived from the verb otheo (“to thrust, push”).

“Ischyros is good Greek meaning mighty” [HPL].

“Athanatos is also good Greek and means immortal” [HPL]. Literally, “deathless.”

“Jehova is the common modern pronunciation of the Hebrew Yahweh meaning the supreme and awe-inspiring tribal god whose name was too terrible to be pronounced save by a high priest once a year” [HPL]. Also cited by Joseph Curwen (TD 147).

“Va? I give up. Can’t make head nor tail of it” [HPL].

“Adonai is the Hebrew alternative word for Yahweh—used commonly because the familiar use of the real god-name was forbidden” [HPL]. Also cited by Joseph Curwen (TD 147).

“Saday is another term beyond me, although I have seen it repeatedly in the many ancient formulae which I have copied from different sources as colour-touches for future tales” [HPL].

“Homousion is probably a decadent variant or compound involving the Greek Homou—together” [HPL]. HPL is considerably in error. The term means “of the same substance,” and is generally taken to refer to the orthodox Christian belief that Jesus Christ is of the same substance as God.

“Messias is the Hebrew anointed, and under the more common form Messiah is a frequent term for Christ” [HPL].

“Eschereheye stumps me again—it being only a guess of mine that the barbaric word involves the Greek meaning in a line or in a row” [HPL]. HPL appears to be referring to the word scheros (found only in the dative case, scheroi: “in a line, one after another, uninterruptedly, successively”), but it is unlikely that this is a proper definition of the word in the incantation.

38
Cunard Pier: This refers to a pier on the southern tip of Manhattan where, beginning in 1840, the Cunard Line debarked for transatlantic voyages.

39 The Social Register is a listing of the names and addresses of “prominent families” in New York, issued from 1887 to the present day.

40 This is a reference to the script (a kind of hieroglyphics) of the ancient land of Chaldaea in southern Babylonia near the delta of the Tigris and Euphrates rivers. Its capital was Ur.

41 Lilith was a Sumerian goddess of desolation. In some traditions she is thought to have been the first wife of Adam, or the queen of demons and Satan’s consort. According to Lewis Spence, “Lilith was the prince or princess who presided over the demons known as succubi. The demons under Lilith bore the same name as their chief, and sought to destroy new-born infants” (An Encyclopaedia of Occultism [1920; rpt. Secaucus, NJ: Citadel Press, 1977], p. 251). HPL owned this book.

42 HPL’s diary for 1925 reports several occasions early in the year in which he walked along the Gowanus Parkway (now the Gowanus Expressway), which proceeds from southwestern Brooklyn and goes directly into Red Hook to the waterfront. The entry for March 15-16 reads: “Sonny [Frank Belknap Long] & H P walk Gowanus—waterfront—streets” (“Diary: 1925,” manuscript, JHL).

43 Incubi are demons in male form who were thought to approach women in their sleep and copulate with them. “Succubae” is a rare feminine plural form of the hypothetical word succuba (for succubus ), a demon in female form who would approach men in their sleep and copulate with them. Hecate is the Greek goddess of the moon as well as the patron goddess of witches. Magna Mater is Latin for “Great Mother,” an attribute of Cybele, the Phrygian mother goddess. Walter de la Poer invokes “Magna Mater!” at the conclusion of “The Rats in the Walls” (1923; CC 108).

44 This is a generic designation of the Greek Aigipan (“goat-Pan”), referring either to goat-footed Pan or to the son of Zeus and the nymph Aex (“she-goat”). In Greek art, Aigipan is represented as half-goat and half-fish. The word is not attested in OED. This passage was probably inspired by one in Arthur Machen’s “The Great God Pan”: “The figures of Fauns and Satyrs and Ægipans danced before his eyes . . .” The Three Impostors and Other Stories, ed., S. T. Joshi (Oakland: Chaosium, 2001), p. 30.

45 Moloch is a variant of Molech, a god to whom human sacrifices were offered in the ancient Middle East. Ashtaroth is, properly, the plural of Ashtoreth, although taken by many to be merely a variant of it. Ashtoreth is a deliberate Hebrew mispronunciation of Astarte, the Canaanite fertility goddess.

46 See HPL to Margaret Sylvester, January 13, 1934 (manuscript, JHL): “Walpurgis-Night is the season of superstitious fear, when demons are supposed to be abroad, coming on the night of April 30-May 1. It was originally a prehistoric tribal festival, & in the Middle Ages became famous as one of the two annual meeting times of a secret cult of degenerate worshippers. It corresponds to Hallowe’en—& its name is that of a saint [i.e., St. Walpurga, d. 779] whose feast happens to fall on the same date.”

47 In early Roman mythology, these were the hostile spirits of the unburied dead (generally referred to in the plural, lemures).

48 The quotation translates to: “Have there ever been demons, incubi, and succubae, and from such a union can offspring be born?” HPL copied the quotation, obtained from Edward Burnett Tylor’s article “Demonology” in the Encyclopaedia Britannica, in his commonplace book (MW 97). It derives from Disquisitionum Magicarum Libri Sex [Six Books of Disquisitions on Magic] (1603) by Martin Anton Del Rio (or Delrio) (1551-1608).

49 Greenwood Cemetery is an immense cemetery (478 acres) about a mile southeast of Red Hook in Brooklyn. It was constructed in 1840.

50 HPL derived the phrase from Poe, who in turn derived it from Joseph Glanvill. The epigraph to “A Descent into the Maelström” reads: “The ways of God in Nature, as in Providence, are not as our ways; nor are the models that we frame any way commensurate to the vastness, profundity, and unsearchableness of His works, which have a depth in them greater than the well of Democritus” (from Glanvill’s Essays on Several Important Subjects, 1676). The phrase is also cited (without source) in “Ligeia”: “something more profound than the well of Democritus.” Democritus (460?-370 B.C.E.) is the co-founder (with Leucippus) of the atomic theory and a significant influence on HPL’s philosophical thought; his work survives only in fragments. Mabbott (Collected Works of Edgar Allan Poe, 1.332) believes the expression to have been based on a fragment that reads: “Of truth we know nothing, for truth is in the depths.”

IN THE VAULT

Written on September 18, 1925, “In the Vault” was first published in The Tryout (November 1925). It was, to HPL’s surprise, rejected by Farnsworth Wright of Weird Tales when it was submitted to him in November 1925; Wright gave as a reason the fact that (in HPL’s words) “its extreme gruesomeness would not pass the Indiana censorship” (HPL to Lillian D. Clark, December 1, 1925; manuscript, JHL). The reference is to the banning of Weird Tales in Indiana in 1924 (see n. 6 to “The Unnamable”). Weird Tales did publish the tale in April 1932, after it was submitted by August Derleth without HPL’s knowledge.

The story is dedicated to Charles W. Smith, editor of The Tryout, who had supplied the kernel of the plot in August 1925. HPL describes it in a letter: “. . . an undertaker imprisoned in a village vault where he was removing winter coffins for spring burial, & his escape by enlarging a transom reached up by the piling-up of the coffins” (SL 2.26). The story is one of HPL’s most conventionally supernatural tales, and he attempts to write in a plain, homely idiom that he would later use with somewhat greater success in “Pickman’s Model” (1926).

1 Charles W. (“Tryout”) Smith (1852-1948) was a longtime editor of The Tryout, an amateur journal to which HPL had been contributing since 1916. HPL met him in 1920 at Smith’s home at 408 Groveland Street, Haverhill, Massachusetts, and on several subsequent occasions.

2 Cf. the frequent mentions of the Fenners (a family in colonial Rhode Island) in The Case of Charles Dexter Ward (1927).

3 HPL’s great-great-grandfather on the maternal side was Asaph Phillips (1764-1829), whose grave in Foster, Rhode Island, HPL would see in 1926 and 1929. Sawyer is a name HPL would use again in “The Dunwich Horror” (1928).

THE STRANGE HIGH HOUSE IN THE MIST

“The Strange High House in the Mist” was written on November 9, 1926. HPL submitted the story to Weird Tales in July 1927, but it was rejected. In 1929, he let W. Paul Cook have it for the second number of The Recluse, but when it became clear in the spring of 1931 that the issue would never appear, HPL resubmitted it to Weird Tales, which published it in its October 1931 issue.

HPL admitted that he had no specific locale in mind when writing this tale: he states that memories of the “titan cliffs of Magnolia” (SL 2.164), on the east coast of Massachusetts, in part prompted the setting, but there is no house on the cliff as in the story; a headland near Gloucester called “Mother Ann” (SL 3.433) also inspired the setting. HPL may have had in mind a passage in Dunsany’s Chronicles of Rodriguez (1922) about the home of a wizard on the top of a crag.

Further Reading

Donald R. Burleson, “Strange High Houses: Lovecraft and Melville,” Crypt of Cthulhu No. 80 (Eastertide 1992): 25-26, 29.

Nicholaus Clements, “‘The Strange High House in the Mist’: Glowing Eyes and the Prohibition of the Impossible,” Lovecraft Studies No. 40 (Fall 1998): 11-15.

Cecelia Drewer, “Symbolism of Style in ‘The Strange High House in the Mist,’” Lovecraft Studies No. 31 (Fall 1994): 17-21.

S. T. Joshi, “Lovecraft and Dunsany’s Chronicles of Rodriguez,” Crypt of Cthulhu No. 82 (Hallowmass 1992): 3-6.

1 For the invention and location of Kingsport, see the introductory note to “The Terrible Old Man.”

2 The Miskatonic River was first invented (by implication) in “The Picture in the House” (1920), which cites the “Miskatonic valley” (CC 35). Miskatonic University in Arkham was first cited in “Herbert West—Reanimator” (1921-22). Arkham was first cited in “The Picture in the House.”

3 For the Great Bear (Ursa Major) and Cassiopeia, see nn. 1 and 2 to “Polaris.” Dragon is the Anglicized name for the constellation Draco, in the northern hemisphere near the north celestial pole.

4 HPL refers to several governors of the Province of the Massachusetts Bay: Jonathan Belcher (1730-41), William Shirley (1741-49), Thomas Pownall (1757-60), and Francis Bernard (1760-69). HPL owned an edition of Shirley’s Correspondence (1912; 2 vols.).

5 The name may have been derived from Olneyville, a district in Providence named after Thomas Olney (1605?-1682), the first treasurer of Providence and later town councilman and clerk. HPL, reflecting Rhode Island pronunciation, pronounced the name with a silent l.

6 The Orne family is one of the major denizens of Innsmouth in “The Shadow over Innsmouth” (1931). See also Simon Orne in The Case of Charles Dexter Ward (1927). Orne is a family of ancient standing in Salem, deriving from one of the earliest settlers, Deacon John Horne.

7 The arduous climb up to the house, and the fact that its front door faces an abyss, appear to be derived from a similar passage in Lord Dunsany’s picaresque novel The Chronicles of Rodriguez (New York: G. P. Putnam’s Sons, 1922), telling of a climb to a wizard’s house made by Don Rodriguez and his companion. Consider this passage: “In the wall that their hands had reached there was no door, so they felt along it till they came to the corner, and beyond the corner was the front wall of the house. In it was the front door. But so nearly did this door open upon the abyss that the bats that fled from their coming, from where they hunt above the door of oak, had little more to do than fall from their crannies, slanting ever so slightly, to find themselves safe from man in the velvet darkness, that lay between cliffs so lonely they were almost strangers to Echo” (p. 67). HPL read the novel in early 1923; see HPL to Samuel Loveman, April 29 [1923]; Letters to Samuel Loveman and Vincent Starrett (West Warwick, RI: Necronomicon Press, 1994), p. 17.

8 Poseidonis is believed by occultists to have been the last portion of the continent of Atlantis to sink into the ocean. HPL probably learned of it in W. Scott-Elliot’s The Story of Atlantis and the Lost Lemuria (1925), a work cited in “The Call of Cthulhu” (CC 142).

9 An allusion to the events in “The Other Gods” (p. 50).

10 Nodens or Nodons was a Celtic god of healing. HPL probably learned of him from Arthur Machen’s “The Great God Pan” (1894), in which a Roman inscription is translated as follows: “To the great Nodens (the god of the Great Deep or Abyss) Flavius Senilis has erected this pillar on account of the marriage he saw beneath the shade.” Arthur Machen, The Three Impostors and Other Stories, p. 49.

11 This is first cited in “The Other Gods” (p. 50). HPL was already at work on The Dream-Quest of Unknown Kadath when he wrote this story.

THE DREAM-QUEST OF UNKNOWN KADATH

This short novel was begun in October 1926 and completed on January 22, 1927. HPL did not prepare it for publication during his lifetime, and it first appeared in the second Arkham House omnibus of his work, Beyond the Wall of Sleep (1943). HPL had difficulty deciding upon a title, and on the verso of one page of the manuscript are found these variant titles: The Dream-Quest of Randolph Carter; A Pilgrim in Dreamland; A Dreamland Quest/Pilgrimage; The Seeking of Dreamland’s Gods; Past the Gate of Deeper Slumber; In the Gulfs of Dream; A Seeker in Gulphs of Dream; The Quest of the Gods on Kadath; The Seeking of Unknown Kadath.

Reprising Randolph Carter for the third time (after “The Statement of Randolph Carter” [1919] and “The Unnamable” [1923]), this meandering novel sets the stage for his return in “The Silver Key.” HPL, however, expressed considerable doubts about its merits: “I . . . am very fearful that Randolph Carter’s adventures may have reached the point of palling on the reader; or that the very plethora of weird imagery may have destroyed the power of any one image to produce the desired impression of strangeness” (SL 2.94). And elsewhere: “Actually, it isn’t much good; but forms useful practice for later and more authentic attempts in the novel form” (SL 2.95). That “later” attempt occurred sooner than HPL expected, as he began The Case of Charles Dexter Ward immediately upon the completion of the Dream-Quest. Indeed, the two novels, although very different in subject matter, are linked by their emphasis on HPL’s need to return to his New England roots—a message he felt very poignantly after two dismal years in New York City (1924-26).

If there is any dominant literary influence on the novel, it is probably William Beckford’s Vathek (1786), which is similarly an exotic fantasy written without chapter divisions. HPL may also have had in mind the curious novel Etidorhpa (1895), by John Uri Lloyd, a “hollow-earth” tale in which the protagonist, like Randolph Carter, appears to descend into the bowels of the earth. HPL had read Etidorhpa (“Aphrodite” spelled backwards) in 1918 (SL 1.54-55).

The novel seeks to unite most of HPL’s previous “Dunsanian” tales, but in so doing it appears to create some confusion, suggesting that these stories were set in the dreamworld when clear internal evidence points to their setting in the distant past of the real world. HPL, however, does not seem to have been concerned with rigid consistency of this sort.

Further Reading

L. D. Blackmore, “Middle-Earth, Narnia and Lovecraft’s Dream World: Comparative World-Views in Fantasy,” Crypt of Cthulhu No. 13 (Roodmas 1983): 6-15, 22.

Peter Cannon, “The Influence of Vathek on H. P. Lovecraft’s The Dream-Quest of Unknown Kadath,” in H. P. Lovecraft: Four Decades of Criticism, ed. S. T. Joshi (Athens: Ohio University Press, 1980), pp. 153-57.

S. T. Joshi, “The Dream World and the Real World in Lovecraft,” Crypt of Cthulhu No. 15 (Lammas 1983): 4-15; rpt. in Primal Sources, pp. 90-103.

Giuseppe Lippi, “Lovecraft’s Dream-World Revisited,” Lovecraft Studies No. 26 (Spring 1992): 23-25.

1 Carter’s quest appears superficially similar to that of the unnamed narrator in HPL’s novel-fragment, “Azathoth” (1922): “When age fell upon the world, and wonder went out of the minds of men . . . there was a man who travelled out of life on a quest into the space whither the world’s dreams had fled” (D 357). But the conclusion of the Dream-Quest, in which Carter returns to the real world of Boston whose beauties he had overlooked, appears a direct reversal of the putative theme of “Azathoth.”

2 Fomalhaut is a first-magnitude star in the southern constellation Piscis Austrinis (referred to by HPL in his astronomy columns as Piscis Australis). For Aldebaran, see n. 3 to “Polaris.”

3 Azathoth was first created in the fragment of that title (see n. 1). He subsequently appears in many HPL tales, generally described (as he is in “The Whisperer in Darkness”) as a “monstrous nuclear chaos beyond angled space” (CC 251).

4 Nyarlathotep, first cited in the 1920 prose-poem of that name (CC 31-33), is also frequently cited in HPL’s work. The imagery here is echoed in Sonnet XXII (“Azathoth”) of Fungi from Yuggoth (1929- 30): “They danced insanely to the high, thin whining / Of a cracked flute clutched in a monstrous paw, / Whence flow the aimless waves whose chance combining / Gives each frail cosmos its eternal law. / ‘I am His Messenger,’ the daemon said, / As in contempt he struck his Master’s head” (AT 73). For the imagery of flutes and drums, see n. 9 to “The Moon-Bog.”

5 This is a reference to the events of “Celephaïs” (1920; CC 24-30).

6 HPL alludes to the events of “Polaris” (p. 1).

7 The reference is to Atal the priest and Barzai the Wise in “The Other Gods” (p. 50).

8 This is evidently a cryptic gesture of the hands intended to ward off evil. See the sonnet “The Messenger” (1929): “Surely, I mused, it was a pleasantry / Devised by one who did not truly know / The Elder Sign, bequeathed from long ago, / That sets the fumbling forms of darkness free” (AT 64).

9 This is a reference to the events of “The Cats of Ulthar” (p. 19).

10 See n. 4 to “The Other Gods.”

11 The Giants’ Causeway is a geological formation on the northern coast of County Antrim, Northern Ireland, consisting of a lava flow that, as it cooled, produced an unusually regular series of hexagonal columns twenty feet tall. It is also cited in At the Mountains of Madness (TD 281).

12 Leng was first cited in “Celephaïs” (CC 28), where it appears to be in the dream-realm fashioned by the imagination of Kuranes. It is next cited in “The Hound” (1922; CC 84), where it is said to be in central Asia; after its citation in the Dream-Quest, it is mentioned in several later stories, including At the Mountains of Madness (TD 249f.), where it is identified with the city of the extraterrestrial Old Ones.

13 This figure recurs in sonnet XXVII (“The Elder Pharos”) of Fungi from Yuggoth (AT 75).

14 This is a reference to the travels of Basil Elton in “The White Ship” (1919; TD 21-26). In that story, however, Elton is not said to be from Kingsport, as that city would not be invented until “The Terrible Old Man” (1920).

15 This event is probably an echo of a similar one in the True History of the ancient Greek satirist Lucian; it is one of several borrowings from classical literature and myth in the novel.

16 Cf. the description of Wilbur Whateley in “The Dunwich Horror” (1928): “. . . only generous clothing could ever have enabled it to walk on earth unchallenged or uneradicated” (TD 223).

17 The scene is perhaps meant to recall Edgar Allan Poe’s “The Pit and the Pendulum” (1842), in which a man, imprisoned in a dark circular dungeon, attempts to ascertain its circumference by pacing around its edge.

18 The general imagery of this entire scene with the cats, and some of its language, may have been derived from Frank Belknap Long’s “Felis: A Prose Poem,” published in HPL’s amateur journal, The Conservative No. 13 (July 1923): 3-4. Consider this passage: “Some day I shall drown in a sea of cats. I shall go down, smothered by their embraces, feeling their warm breath upon my face, gazing into their large eyes, hearing in my ears their soft purring. I shall sink lazily down through oceans of fur, between myriads of claws, clutching innumerable tails and I shall surrender my wretched soul to the selfish and insatiable god of felines.”

19 The night-gaunts were among the earliest creations of HPL’s imagination: They were the product of dreams he had when he was five years old, inspired by the gloom of his household following the death of his maternal grandmother in January 1896: “I began to have nightmares of the most hideous description, peopled with things which I called ‘night-gaunts’—a compound word of my own coinage. I used to draw them after waking (perhaps the idea of these figures came from an edition de luxe of Paradise Lost with illustrations by [Gustave] Doré, which I discovered one day in the east parlour). In dreams they were wont to whirl me through space at a sickening rate of speed, the while fretting & impelling me with their detestable tridents” (SL 1.35). A later letter gives a physical description of them: “The ‘night-gaunts’ were black, lean, rubbery things with bared, barbed tails, bat-wings, and no faces at all” (SL 5.335). Their most memorable appearance is in this novel, but see also sonnet XX (“Night-Gaunts”) of Fungi from Yuggoth (AT 72).

20 Possibly an allusion to the events of “The Temple” (1920), in which a German submarine commander discovers the ruins of an ancient city and temple at the bottom of the Atlantic Ocean.

21 Thok was first cited in the poem “To a Dreamer” (1920); see n. 5 to “The Doom That Came to Sarnath.”

22 In earlier texts of this novel the reading here was dholes, which led some critics to assume a relationship with the “Doels” cited in “The Whisperer in Darkness” (CC 251) or with the “Dhol chants” cited in “The Horror in the Museum” (1932; HM 217).

23 HPL wryly alludes to the events in “Pickman’s Model” (1926), focusing on the artist Richard Upton Pickman, painter of weird canvases, of whom it is said that “he wasn’t strictly human”; at the end of the story the narrator states, “he’s gone—back into the fabulous darkness he loved to haunt” (TD 89).

24 Cf. two entries in the commonplace book: “Ancient cathedral—hideous gargoyle—man seeks to rob—found dead—gargoyle’s jaw bloody” (#76); “Unspeakable dance of the gargoyles—in morning several gargoyles on old cathedral found transposed” (#77). George T. Wetzel has made a plausible case that these two entries were derived from George Macdonald’s Phantastes (1868).

25 HPL’s use of ghouls probably derives in part from William Beckford’s Vathek (1786), although his depiction of them as canine and rubbery appears to be a product of his own imagination. His first significant use of ghouls was in “The Hound” (1922; CC 81-88).

26 The Granary Burying Ground on Tremont Street is one of the oldest cemeteries in Boston, with interments dating to 1660.

27 The vaults of Zin were also first cited in “To a Dreamer” (AT 54).

28 The name is perhaps designed to recall Samarkand, a city in modern-day Uzbekistan and formerly the capital of the ancient realm of Sogdiana, conquered by Alexander the Great in 329 B.C.E. and later controlled successively by the Arabs, the Muslim Turks, and the Mongols. HPL was fascinated by the oft-repeated line “We take the golden road to Samarcand” found in James Elroy Flecker’s play Hassan (1915). See HPL to Donald Wandrei, March 13, 1927; Mysteries of Time and Spirit, p. 52.

29 For the Charter Street Burying Ground see n. 1 to “The Unnamable.” Col. Nehemiah Derby is apparently mythical.

30 Ilek-Vad is cited also in “The Silver Key” (p. 263). The citation here probably predates that in “The Silver Key” (written November 1926), since it is there suggested that Randolph Carter had become a “new king” of Ilek-Vad.

31 This is another borrowing from Dunsany (and also from himself). See n. 3 to “The Doom That Came to Sarnath.”

32 This passage reflects one in “Celephaïs” in which Kuranes, in a hashish-dream, encounters “glowing gases [who] study the secrets of existence”; there is a later mention of “a violet-coloured gas” (CC 28). Cf. HPL’s comment in an early letter: “Our philosophy is all childishly subjective—we imagine that the welfare of our race is the paramount consideration, when as a matter of fact the very existence of the race may be an obstacle to the predestined course of the aggregated universes of infinity! How do we know that that form of atomic and molecular energy called ‘life’ is the highest of all forms? Perhaps the dominant creature—the most rational and God-like of beings—is an invisible gas!” (SL 1.24).

33 A pharos is a lighthouse. The term derives from Pharos, an island in the Bay of Alexandria, celebrated in antiquity for its lighthouse. See sonnet XXVII (“The Elder Pharos”) of Fungi from Yuggoth.

34 Mt. Aran is first cited in “Celephaïs” (CC 26). HPL probably believed Aran to be his invention, unaware of the Aran Islands off the western coast of Ireland. See J. M. Synge’s The Aran Islands (1907).

35 These are a triad of cities first cited in “The Doom That Came to Sarnath” (p. 5).

36 Cf. sonnet XIII (“Hesperia”) of Fungi from Yuggoth, speaking of a “land where beauty’s meaning flowers”: “Dreams bring us close—but ancient lore repeats / That human tread has never soiled these streets” (AT 69).

37 The scene recalls a passage in “The Festival” (1923), in which the narrator, having descended into a crypt under a church along with other celebrants of the Yuletide, is pressed to mount one of “a horde of tame, trained, hybrid winged things that no sound eye could ever wholly grasp, or sound brain ever wholly remember” (CC 116).

38 See n. 10 to “The Strange High House in the Mist.”

39 Cf. the description of Cthulhu in “The Call of Cthulhu” (1926): “A mountain walked or stumbled” (CC 167).

40 This formulation may echo a celebrated phrase in Act 3 of Dunsany’s The Gods of the Mountain: “Rock should not walk in the evening” (a reference to the green jade gods who appear to have left their thrones on the mountaintop). HPL was particularly delighted with this phrase; see “The Defence Reopens!” (1921): “The essence of the horrible is the unnatural. The thought of a rock walking is not necessarily repulsive; but in Dunsany’s Gods of the Mountain a man says with a great deal of terror and repulsion, ‘Rock should not walk in the evening!’” (MW 149).

41 This image appears to reflect one of HPL’s phobias, as described in a late letter: “I know about claustrophobia & agoraphobia, but have neither. I have, however, a cross betwixt the two—in the form of a distinct fear of very large enclosed spaces. The dark carriage-room of a stable—the shadowy interior of a deserted gas-house—an empty assembly-room or theatre-auditorium—a large cave—you can probably get the idea” (SL 5.418).

42 It is interesting to note that the “real” world—at least the real world inhabited by Randolph Carter—encompasses both the actual cities of Salem and Marblehead and the fictitious cities of Arkham and Kingsport. HPL frequently asserted that Arkham was an approximate fictional analogue of Salem and Kingsport an analogue of Marblehead.

43 Antares is a first-magnitude double star in the constellation Scorpio.

44 Vega, the fourth-brightest star visible to the unaided eye, is a first-magnitude star in the northern constellation Lyra.

45 Cf. “The Whisperer in Darkness” (1930): “To Nyarlathotep, Mighty Messenger, must all things be told. And He shall put on the semblance of men, the waxen mask and the robe that hides, and come down from the world of Seven Suns to mock” (CC 219).

THE SILVER KEY

“The Silver Key” was written in early November 1926, during the time HPL was writing The Dream-Quest of Unknown Kadath; its events manifestly take place after those of the Dream-Quest, and in fact they link all the Randolph Carter stories into a sequential unity. More an allegory or philosophical apologue than a short story, “The Silver Key” was understandably rejected by Weird Tales in the summer of 1927; but it was then accepted a year later, appearing in the January 1929 issue. Editor Farnsworth Wright informed HPL that the story was “violently disliked” by many readers (HPL to August Derleth [August 2, 1929]; manuscript, SHSW).

As Kenneth W. Faig, Jr. (“‘The Silver Key’ and Lovecraft’s Childhood,” Crypt of Cthulhu No. 81 [St. John’s Eve 1992]: 11-47) has exhaustively demonstrated, the story is largely a reenactment of HPL’s visit in October 1926 to the western Rhode Island town of Foster, where his maternal ancestors dwelt. Details of topography, character names, and other similarities make this conclusion unshakable. In some ways, “The Silver Key” is a retelling of “The Tomb” (1917), in which Jervas Dudley discovers in his attic a key that allows him to unlock the secrets of his past.

1 This paragraph relates to the events in The Dream-Quest of Unknown Kadath.

2 “Contrary to what you may assume, I am not a pessimist but an indifferentist —that is, I don’t make the mistake of thinking that the . . . cosmos . . . gives a damn one way or the other about the especial wants and ultimate welfare of mosquitoes, rats, lice, dogs, men, horses, pterodactyls, trees, fungi, dodos, or other forms of biological energy” (SL 3.39).

3 Cf. HPL’s criticism of the realism of Theodore Dreiser: “The amount of real interest in the draggled flounderings of a muddled lower-middle-class mind in the toils of social inhibition would seem to me to be definitely limited” (SL 2.80).

4 Cf. “The Defence Remains Open!” (1921): “. . . humour is itself but a superficial view of that which is in truth both tragic and terrible—the contrast between human pretence and cosmic mechanical reality. Humour is but the faint terrestrial echo of the hideous laughter of the blind mad gods that squat leeringly and sardonically in caverns beyond the Milky way. It is a hollow thing, sweet on the outside, but filled with the pathos of fruitless aspiration. . . . I cannot help seeing beyond the tinsel of humour, and recognising the pitiful basis of jest—the world is indeed comic, but the joke is on mankind” (MW 156-57).

5 The relationship of fantasy and religion is emphasized in a late letter: “. . . religion itself is merely a pompous formalisation of fantastic art. Its disadvantage is that it demands an intellectual belief in the impossible, while fantastic art does not” (SL 4.418).

6 This attack on the bohemian lifestyle is found throughout HPL’s thought. See a letter of 1923: “. . . I despise Bohemians, who think it essential to art to lead wild lives. My loathing is not from the standpoint of Puritan morality, but from that of aesthetic independence—I revolt at the notion that physical life has any value or significance. To me the ideal artist is a gentleman who shows his contempt for life by continuing in the quiet ways of his ancestors, leaving his fancy free to explore refulgent and amazing spheres” (SL 1.229).

7 This paragraph may reflect HPL’s disappointment with what he took to be the decreasing element of pure fantasy in the work of Lord Dunsany. In a late letter to Fritz Leiber he discusses his conception of Dunsany’s literary development: “As he gained in age and sophistication, he lost in freshness and simplicity. He was ashamed to be uncritically naive, and began to step aside from his tales and visibly smile at them even as they unfolded. Instead of remaining what the true fantaisiste must be—a child in a child’s world of dream—he became anxious to show that he was really an adult good-naturedly pretending to be a child in a child’s world” (SL 5.354).

8 This passage relates the events in “The Statement of Randolph Carter” (1919), in which Carter and Harley Warren descend into an ancient crypt (apparently in Florida) from which Warren never emerges.

9 This passage relates the events in “The Unnamable” (p. 82).

10 This paragraph is largely an echo of a passage in HPL’s letter to Frank Belknap Long (October 26, 1926; SL 2.82) in which he describes his visit to Foster, Rhode Island, in the company of his aunt Annie E. P. Gamwell. The reference to the “oddly vanished” ancestor is an allusion to HPL’s great-grandfather, Jeremiah Phillips (1800- 1848), who died when his frock coat got caught in the machinery of a mill on his property. HPL’s mother, Sarah Susan Phillips Lovecraft (1857-1921), and his maternal grandmother, Rhoby Alzada Place Phillips (1827-1896), were born in a house in Foster, which HPL visited at this time (SL 2.85).

11 HPL apparently refers to the house of his great-uncle James W. Phillips (1830-1901), which he had first visited in 1896 (SL 2.86).

12 The name is apparently a conflation of two names: Benejah Place, the owner of the farm across the road from the house where HPL stayed, and Emma (Corey) Phillips, the widow of Walter Herbert Phillips (son of James W. Phillips), whose grave HPL probably saw.

13 The wife of HPL’s great-great-grandfather Stephen Place was named Martha. HPL saw her grave in Foster (SL 2.86).

14 HPL alludes to the American poet Alan Seeger (1888-1916), who joined the Foreign Legion and who died at Belloy-en-Santerre in July 1916. See HPL’s poem “To Alan Seeger” (1916; AT 417-18).

THROUGH THE GATES OF THE SILVER KEY

HPL had come into contact with E[dgar] Hoffmann Price (1898-1989), a prolific writer for the pulp magazines, on June 12, 1932, when the two authors met in New Orleans; Price had been notified of HPL’s arrival by their mutual friend Robert E. Howard. At that time Price suggested a sequel to “The Silver Key,” but HPL demurred, not convinced of the aesthetic soundness of sequels. Price on his own initiative wrote a sequel, “The Lord of Illusion,” in August (this version has been published in Crypt of Cthulhu No. 10 [1982]: 47-56; reprinted in Tales of the Lovecraft Mythos, ed. Robert M. Price [Minneapolis: Fedogan & Bremer, 1992], pp. 137-52), hoping that HPL would revise it and allow it to be published as a collaboration. HPL was reluctant to undertake the task but finally, in April 1933, completed his extensive revision of it (see SL 4.175-80), retitling it “Through the Gates of the Silver Key.” It was initially rejected by Weird Tales but later accepted, appearing in the July 1934 issue.

In a letter to Price (October 3, 1932; SL 4.74-75) HPL spoke of the need to revise Price’s version radically to bring it in line with the original “Silver Key,” but in the end—in spite of Price’s own testimony that “I estimated that [HPL] had left unchanged fewer than fifty of my original words” (“The Man Who Was Lovecraft” [1949], in Lovecraft Remembered , ed. Peter Cannon [Sauk City, WI: Arkham House, 1998], p. 291)—HPL adhered to the basic framework of Price’s tale as best he could. The quotations from the Necronomicon are largely Price’s, although somewhat amended by HPL. HPL was not satisfied with the tale, feeling it represented an awkward mingling of the ethereal philosophy of “The Silver Key” with a pulp-adventure account of Randolph Carter’s voyagings into esoteric realms of hyperspace. Price, for his part, felt that this sequel left open the possibility of at least one more sequel, but HPL resolutely declined any further collaborations.

1 Col. James Churchward (1852-1936) claimed that a Hindu priest led him to a cave containing ancient clay tablets written in what the priest called the Naacal language, which told of Mu, a continent that had sunk into the Pacific. HPL did not actually read any of Churchward’s books—among them The Lost Continent of Mu (1926) and The Children of Mu (1931)—but only “fairly indicative reviews of them” (HPL to E. Hoffmann Price, February 15, 1933; manuscript, JHL).

2 HPL had himself used this name as a pseudonym when he published certain poems in the amateur press in 1918-21.

3 This description makes clear that Marigny is meant as a stand-in for Price himself: “Price is a remarkable chap . . . He is dark, & trim of figure, not very tall, & with a small black moustache” (SL 4.87).

4 The date of December 1919 for the disappearance of Harley Warren tallies with the date of the dream that inspired “The Statement of Randolph Carter,” as first recorded in a letter dated December 11, 1919 (SL 1.94-97). In the story itself no date is given.

5 For Irem see the introductory note to “The Nameless City.”

6 The Book of Thoth is one of a multitude of magical texts attributed to Thoth (the Egyptian god whom the Greeks identified with Hermes Trismegistos). Clement of Alexandria (2nd c. C.E.) believed there were forty-two such books.

7 The name is probably derived from Yian, an imaginary realm (apparently in China) created by Robert W. Chambers in the novelette “The Maker of Moons” (in The Maker of Moons [1896]). Yian itself is cited in “The Whisperer in Darkness” (CC 215), and Yian-Ho is used extensively in HPL’s revision of Adolphe de Castro’s “The Diary of Alonzo Typer” (1935; HM 303-22).

8 Yog-Sothoth had first appeared, nebulously, in The Case of Charles Dexter Ward (1927; TD 178), and made his only genuine appearance in “The Dunwich Horror” (1928), when he impregnates a woman and begets the twin monsters in that tale. In a late letter HPL speaks of him whimsically: “Yog doesn’t always have long, ropy arms, since he assumes a variety of shapes—solid, liquid, and gaseous—at will” (SL 5.302-3). The mention of the “crustaceans of Yuggoth” refers to the entities in “The Whisperer in Darkness” (1930), but Yog-Sothoth is mentioned only in passing in that story, and it is strongly suggested that those entities worship Nyarlathotep (CC 219). Yuggoth had first been invented in the sonnet cycle Fungi from Yuggoth (1929-30) and then, in “The Whisperer in Darkness,” identified with the newly discovered planet Pluto.

9 Tsathoggua had been coined by HPL’s associate Clark Ashton Smith (1893-1961) in the story “The Tale of Satampra Zeiros” (written 1929; Weird Tales, November 1931), set in the mythical northern realm of Hyperborea. HPL was so taken with the creation that he cited it frequently in his own tales, notably the ghostwritten story “The Mound” (1929-30) and “The Whisperer in Darkness.”

10 Yaddith had first been invented in sonnet XXXII (“Alienation”) of Fungi from Yuggoth: “He had seen Yaddith, yet retained his mind, / And come back safely from the Ghooric zone” (AT 77).

11 For the bholes see n. 22 to The Dream-Quest of Unknown Kadath.

12 Nython is presumably unrelated to the planet Nithon cited in sonnet XIV (“Star-Winds”) of Fungi from Yuggoth: “This is the hour when moonstruck poets know / . . . what scents / And tints of flowers fill Nithon’s continents” (AT 70).

13 The city of R’lyeh, sunk under the Pacific Ocean with the baleful entity Cthulhu trapped within it, was created in “The Call of Cthulhu” (1926).

THE DREAMS IN THE WITCH HOUSE

“The Dreams in the Witch House” was written in February 1932. HPL’s working title was “The Dreams of Walter Gilman.” Stung by the rejection of At the Mountains of Madness by Farnsworth Wright of Weird Tales the previous summer, HPL refused to submit the tale to Wright, but August Derleth, in spite of his low opinion of the story (see HPL to Derleth, June 6, 1932: “your reaction to my poor ‘Dreams in the Witch House’ is, in kind, about what I expected—although I hardly thought the miserable mess was quite as bad as you found it” [manuscript, SHSW]), submitted it to Wright without HPL’s knowledge or permission; it was accepted, appearing in Weird Tales for July 1933.

The story is, as Fritz Leiber has demonstrated, HPL’s ultimate modernization of a conventional myth (in this case, witchcraft) by means of modern science. Leiber notes that it is “Lovecraft’s most carefully worked out story of hyperspace-travel. Here (1) a rational foundation for such travel is set up; (2) hyperspace is visualized; and (3) a trigger for such travel is devised.” Nevertheless, the tale suffers from plot holes and florid prose and cannot be ranked among his better later efforts.

Further Reading

Fritz Leiber, “Through Hyperspace with Brown Jenkin: Lovecraft’s Contribution to Speculative Fiction” (1966), in Lovecraft Remembered, ed. Peter Cannon (Sauk City, WI: Arkham House, 1998), pp. 472-83.

1. Cotton Mather (1663-1728) had defended belief in witches in Wonders of the Invisible World (1693). See further n. 7 to “The Unnamable.”

2. HPL visited Haverhill, Massachusetts, frequently, chiefly to see his old friend Charles W. “Tryout” Smith, editor of The Tryout. See his essay “The Haverhill Convention” (The Tryout, July 1921).

3. For the Necronomicon, see n. 2 to “The Nameless City.” The Book of Eibon was invented by Clark Ashton Smith in “The Door to Saturn” (Strange Tales, January 1932). Von Junzt was invented by Robert E. Howard in “The Children of the Night”(Weird Tales, April-May 1931). Howard attributed to him a book entitled Nameless Cults; August Derleth, after considerable discussion with HPL and others, devised the German title, Unaussprechlichen Kulten, but it is faulty German (it should be either Die Unaussprechlichen Kulten or Unaussprechliche Kulten). HPL later supplied von Junzt’s first and middle names, Friedrich Wilhelm.

4. A court of Oyer and Terminer is one that inquires into (oyer, to hear) and determines (terminer) all treasons, felonies, and misdemeanors. It was used widely during the Salem witchcraft trials. See The Case of Charles Dexter Ward (TD 128).

5. John Hathorne was one of the most notorious of the witchcraft judges in Salem. Nathaniel Hawthorne was his direct descendant.

6. In the witch-cult, this was a name for the Devil, who was often said to appear as a black (not negroid) man. HPL derived this conception from Margaret A. Murray’s The Witch-Cult in Western Europe (1921); see n. 18 to “The Horror at Red Hook.”

7. May-Eve (April 30) and Hallowmass (October 31) are the two most important celebrations of the Witches’ Sabbath, the other two being Candlemas (February 2) and Lammas (August 1).

8. For Max Planck, see n. 41 to “The Shunned House.” Werner Karl Heisenberg (1901-1976), basing his work on Einstein and Planck, produced the Indeterminacy Principle in 1927, which reduced natural “laws” to statistical averages. For Einstein, see n. 5 to “Hypnos.” Willem de Sitter (1872-1944) was instrumental in introducing the relativity theory into the English-speaking world in a series of articles in 1916-17, but later devised a theory of the universe quite different from Einstein’s. HPL heard him lecture in Providence on November 9, 1931 (see SL 3.437).

9. Georg Friedrich Bernard Riemann (1826-1866) was a German mathematician who, developing the theories of Karl Friedrich Gauss, devised a theory of geometry based on a rejection of several of the central principles of Euclidean geometry, specifically the parallel postulate, which argues that parallel lines can never converge.

10. This is possibly a recollection of HPL’s boyhood friend Ronald Upham, one of a group that had built the Great Meadow Country Clubhouse in Rehoboth, Mass., around 1907 (see SL 1.150).

11. Father Iwanicki had initially been created in an early draft of “The Shadow over Innsmouth” (1931): “I hardly wondered at the naive credulity of superstitious Father Iwanicki” (MW 65). The mention was excised in the final draft of the story.

12. For Azathoth see n. 3 to The Dream-Quest of Unknown Kadath.

13. For Nyarlathotep see n. 4 to The Dream-Quest of Unknown Kadath.

14. Hydra is a constellation in the southern hemisphere. Argo Navis was a constellation identified by Ptolemy in the southern hemisphere, but it is not recognized as a constellation by modern astronomers; it is now divided into the constellations Carina, Puppis, Pyxis, and Vela.

15. Patriots’ Day is April 19. It is designed to commemorate the battles against the British at Lexington and Concord on April 19, 1775, thought to be the beginning of the American War of Independence.

16. The figures represent the barrel-shaped, extraterrestrial Old Ones from At the Mountains of Madness (1931), although there seems to be no legitimate purpose to their appearance in this tale.

17. A tongue-in-cheek reference to his own tale, “The Rats in the Walls” (1923).

18. For a very different treatment of the same idea, see “The White Ship” (1919): “In the Land of Sona-Nyl there is neither time nor space, neither suffering nor death; and there I dwelt for many aeons” (TD 23).

19. For the name Orne, see n. 6 to “The Strange High House in the Mist.”

20. Joe Czanek is one of the robbers who attempts to steal the Terrible Old Man’s gold (see p. 12).

21. The exact nature and purpose of the goddess Shub-Niggurath (first mentioned, oddly, in HPL’s revision of Adolphe de Castro’s story “The Last Test” [1927; HM 47]) has remained unclear, in spite of HPL’s frequent citations of her throughout his fiction. It is often assumed that Shub-Niggurath is herself the Goat with a Thousand Young (thereby making her, perhaps, a kind of fertility goddess), but HPL suggests otherwise in a late letter: “Yog-Sothoth’s wife is the hellish cloud-like entity Shub-Niggurath, in whose honour nameless cults hold the rite of the Goat with a Thousand Young” (SL 5.303).

THE SHADOW OUT OF TIME

The remarkable discovery of HPL’s autograph manuscript of this story, which in the course of half a century traveled from Providence to Florida to Mexico to Hawaii and back to Providence, has been related by John Stanley in The Shadow out of Time (New York: Hippocampus Press, 2001), pp. 27-28. This manuscript not only allows for the correction of hundreds of errors existing in previous editions of the story, but provides valuable clues as to the circumstances of its composition.

HPL began writing the story in the fall of 1934. At that time he actually finished a sixteen-page draft, but not surprisingly he found it unacceptable: “Thin and unconvincing, with the climactic revelation wholly unjustified by the hash of visions preceding it” (SL 5.71). In late December he speaks of a “second version” that “fails to satisfy me” (SL 5.86). He finally finished this version (or perhaps wrote a third version, as he suggests at SL 5.346) on February 22, 1935, as noted in the autograph manuscript. Because of repeated rejections of some of his best tales, HPL was highly discouraged with the general state of his fiction writing; he accordingly made no effort to type the story, but instead circulated the handwritten draft in the hope that some of his colleagues would take the trouble to decipher his crabbed penmanship and give a positive verdict on the story. The only one who did so was HPL’s young friend Robert H. Barlow (1918-1951), who, when HPL was visiting him in De Land, Florida, in the summer of 1935, not only read but surreptitiously typed the manuscript. HPL was overwhelmed by the gesture and, in spite of the fact that Barlow’s typescript was marred by serious errors, he circulated the typescript among his friends. It eventually reached Donald Wandrei, who on his own initiative took it to F. Orlin Tremaine, editor of Astounding Stories. Tremaine had recently accepted At the Mountains of Madness, and he quickly took “The Shadow out of Time” as well—apparently without reading it. The story appeared in the June 1936 issue, full of textual errors (particularly in regard to paragraphing). But HPL professed to be pleased with the published version. The emergence of the autograph manuscript finally allows the text to be read as HPL intended it.

Further Reading

S. T. Joshi, “The Genesis of ‘The Shadow out of Time,’” Lovecraft Studies No. 33 (Fall 1995): 24-29.

Paul Montelone, “The Vanity of Existence in ‘The Shadow out of Time,’” Lovecraft Studies No. 34 (Spring 1996): 27-35.

Will Murray, “Buddai,” Crypt of Cthulhu No. 75 (Michaelmas 1990): 29-33.

Darrell Schweitzer, “Lovecraft’s Favorite Movie,” Lovecraft Studies Nos. 19/20 (Fall 1989): 23-25, 27.

1 HPL seems to have obtained the name of his protagonist from that of Nathanael Peaslee, Jr. (d. Sept. 9, 1730, age twenty-three), found on a headstone in a cemetery in Haverhill, Massachusetts, which HPL had visited in late August 1934.

2 For Haverhill, see n. 1 to “In the Vault” and n. 2 to “The Dreams in the Witch House.”

3 Peaslee’s “amnesia” (1908-13) coincides almost exactly with HPL’s own period of relative hermitry after his withdrawal from high school and prior to his initiation into amateur journalism.

4 HPL’s friend Harry Brobst reports talking to a schoolmate of HPL’s who “described these terrible tics that he had—he’d be sitting in his seat and he’d suddenly up and jump. . . . I guess he scared the student body half to death.” Will Murray, “An Interview with Harry K. Brobst.” Lovecraft Studies Nos. 22/23 (Fall 1990): 34.

5 The estrangement of Peaslee’s wife may derive in part from Walter de la Mare’s The Return (1910), in which a man is possessed by the spirit of a man from the eighteenth century to such a degree that his face takes on the cast of the deceased man. From that point his wife refuses to have anything to do with him. At one point she cries: “Where is my husband? that is what I am asking you now. . . . And from this moment, please, we are strangers.” The Return (1910; rev. ed. London: William Collins Sons, 1922), pp. 61-62.

6 HPL was seven years and eleven months old when his father died. Cf. entry 167 of the commonplace book: “Boy rear’d in atmosphere of considerable mystery. Believes father dead. Suddenly is told that father is about to return. Strange preparations—consequences” (MW 99).

7 This is probably an allusion to “The Nameless City” (p. 30).

8 HPL alludes to the Endless Caverns near New Market, Virginia, which he explored in July 1928. “But the climax of the whole Odyssey was my excursion, by train, to the ‘Endless Caverns’ in the exquisite Shenandoah Valley. Despite all the fantasy I have written concerning the nether world, I had never beheld a real cave before in my life—and my sensations upon plunging into one of the finest specimens in the country may be better imagined than described. For over an hour I was led spellbound through illimitable gulfs and chasms of elfin beauty and daemonic mystery—here and there lighted with wondrous effect by concealed lamps, and in other places displaying awesome grottoes and abysses of unconquered night; black bottomless shafts and galleries where hidden winds and waters course eternally out of this world and all possible worlds of mankind, down, down to the sunless secrets of the gnomes and night-gaunts, and the worlds where web-winged monsters and fabulous gargoyles reign in undisputed horror” (SL 2.246).

9
Cultes des Goules was invented by Robert Bloch, probably in “The Grinning Ghoul” (Weird Tales, June 1936), which HPL read in manuscript in November 1934, just as he was beginning to write “The Shadow out of Time” (see Letters to Robert Bloch [West Warwick, RI: Necronomicon Press, 1993], p. 55). HPL began using the name d’Erlette in referring to his colleague August Derleth (1909-1971) around February 1932. Derleth claimed that there were actual Comtes d’Erlette in his ancestry, but this is apparently a fabrication. Bloch probably learned of the name from HPL himself, who in June 1933 wrote, “Glad you’ve heard from the noble Auguste-Guillaume, Comte d’Erlette” (Letters to Robert Bloch, p. 21). Bloch invented the name Ludvig Prinn around August 1934 for “The Secret in the Tomb” (Weird Tales, May 1935), where the title of Prinn’s book was cited as Mysteries of the Worm. (HPL read Bloch’s story in manuscript shortly after it was written; see Letters to Robert Bloch, p. 52.) HPL supplied the Latin title for the book and also a Latin incantation from it when reading “The Shambler from the Stars” (Weird Tales, Sept. 1935) in manuscript (Letters to Robert Bloch, p. 65).

10 For Unaussprechlichen Kulten and the Book of Eibon, see n. 3 to “The Dreams in the Witch House”; for the Necronomicon, see n. 2 to “The Nameless City.”

11 North Station is located at 120 Causeway Street; opened in 1894. At the time the station served the B. & M. (Boston & Maine) Railroad.

12 William Stanley Jevons (1835-1882) was an English economist and logician who probed the relationship between natural forces and economic change.

13 For Einstein, see n. 5 to “Hypnos.”

14 In Henri Béraud’s Lazarus, the protagonist, Jean Mourin, carries out similar research into cases of amnesia and split personality: “After a great deal of hesitation he suddenly decided to take up the study of his case. Libraries had been written by specialists on the variation of personality. Jean began to frequent with assiduity philosophical and medical book-shops. He kept, with a sort of uneasy shame, at the bottom of a trunk which was always locked, books by Ribot, Bourru, Hesnard, Edward Angel, Betchterew, Sloeving, Decourtis, Esquivol. He lived in a sort of nightmare while he was reading these authors. At last he began to feel his reason giving way, and he locked them up, together with certain novels in which troubles like his were used as the foundation for surprising and shocking adventures.” Henri Béraud, Lazarus, translated by Eric Sutton (New York: Macmillan, 1925), pp. 82-83.

15 Cf. “The Whisperer in Darkness”: “‘There are mighty cities on Yuggoth—great towers built of black stone. . . . The sun shines there no brighter than a star, but the beings need no light. They have other, subtler senses, and put no windows in their great houses and temples’” (CC 248-49).

16 Cf. entry 10 in the commonplace book—“Dream of flying over city” (MW 87)—which inspired the story “Celephaïs” (1920).

17 The Permian period extended from 280 to 225 million years ago. The Triassic period extended from 225 to 190 million years ago. In HPL’s time these ages were thought to be somewhat more recent, hence their citation here in the context of 150 million years ago.

18 The Palaeozoic era (encompassing the Cambrian, Ordovician, Silurian, Devonian, Carboniferous, and Permian periods) extended from 570 to 225 million years ago. The Mesozoic era (encompassing the Triassic, Jurassic, and Cretaceous periods) extended from 225 to 65 million years ago.

19 Cf. “The Call of Cthulhu”: “Theosophists have guessed at the awesome grandeur of the cosmic cycle wherein our world and human race form transient incidents” (CC 139). HPL had corresponded with E. Hoffmann Price concerning theosophical texts in 1933. See Robert M. Price, “HPL and HPB: Lovecraft’s Use of Theosophy,” Crypt of Cthulhu No. 5 (Roodmas 1982): 3-9.

20 Cf. “The Whisperer in Darkness”: “To shake off the maddening and wearying limitations of time and space and natural law—to be linked with the vast outside—to come close to the nighted and abysmal secrets of the infinite and the ultimate—surely such a thing was worth the risk of one’s life, soul, and sanity!” (CC 237).

21 In philology, agglutinative speech characterized by agglutination, “the combination of simple or root words into compound terms, without material change of form or loss of meaning” (OED). OED gives examples from English as arrow-head-maker, castle-come-down, and John-go-to-bed-at-noon.

22 Cf. the speech of the extraterrestrial entity in “Beyond the Wall of Sleep”: “‘You and I have drifted to the worlds that reel about the red Arcturus, and dwelt in the bodies of the insect-philosophers that crawl proudly over the fourth moon of Jupiter’” (TD 19).

23 These are the Old Ones featured in At the Mountains of Madness. It is odd that HPL refers to them as “earthly minds,” since it is plainly asserted in the novel that they had come “to the nascent, lifeless earth out of cosmic space” (TD 299).

24 This is an allusion to Robert E. Howard’s “The Shadow Kingdom” (Weird Tales, August 1929), in which King Kull of the prehistoric realm of Valusia battles serpent-men: “But they surged forward again, seemingly willing to fling their lives away in order to drag down the king. Hideous jaws gaped at him; terrible eyes blazed into his unblinkingly; a frightful fetid scent pervaded the atmosphere—the serpent scent that Kull had known in southern jungles.” Skull-Face and Others (Sauk City, WI: Arkham House, 1946), pp. 322-23.

25 For Tsathoggua, see n. 9 to “Through the Gates of the Silver Key.”

26 August Derleth invented the T cho-T chos for “The Lair of the Star-Spawn” (Weird Tales, August 1932; with Marc Schorer).

27 Cf. “Beyond the Wall of Sleep”: “‘Next year I may be dwelling in the dark Egypt which you call ancient; or in the cruel empire of Tsan-Chan which is to come three thousand years hence’” (TD 19).

28 This is an allusion to “Polaris,” in which the land of Lomar is overrun by the Inutos, “squat hellish, yellow fiends” (p. 2).

29 The name seems to be a conjoining of the names of two of HPL’s mythical deities, Nug (the twin-brother of Yeb) and Yog-Sothoth.

30 The name seems to be a play on Tiberius Sempronius Gracchus (163-133 B.C.E.), who with his brother Gaius Gracchus (154-121 B.C.E.) urged the redistribution of land to impoverished citizens and was killed in a riot by a group of senators. The name Blaesus is found in the work of the poets Statius (Silvae 2.1.191) and Martial (Epigrams 8.38). Lucius Cornelius Sulla (138-78 B.C.E.) was a Roman general who marched on Rome and became dictator in 82, but resigned and retired into private life in 79. A quaestor was a treasury official.

31 The name is perhaps adapted from Khephren (Khafre) (reigned c. 2558-2535 B.C.E.), for whom the Sphinx was supposedly built. The 14th Dynasty dates from c. 1715 to c. 1650 B.C.E.

32 “The Temple” (1920) is about a German submarine commander whose vessel sinks to the bottom of the sea and who is “Confronted at last with the Atlantis I had formerly deemed largely a myth” (TD 33). HPL discusses the origin of the Atlantis myth in a late letter (SL 5.267-69).

33 The Incas were an Indian civilization that flourished along the western coast of South America (what is now Ecuador, Peru, Bolivia, and Chile) from c. 1200 until their conquest by Francisco Pizarro in 1538. There was no developed civilization in Peru before the Incas, the land having been occupied by groups of people devoted to farming, hunting, and fishing.

34 Bactria was an ancient kingdom in central Asia roughly corresponding to modern Afghanistan and the Hindu Kush. It was conquered by Alexander the Great in 329 B.C.E. and was ruled by a succession of satraps from the Seleucid dynasty from 250 to 140 B.C.E. The name Theodotides is attested in a fragment of the comic playwright Cratinus.

35 This is an allusion to Robert E. Howard’s tales of Conan, a chieftain of Cimmeria. Crom is the god worshipped by the Cimmerians.

36 As early as 1906 HPL had conjectured three possible means of traveling from the earth to the moon: by firing a projectile from an immense cannon; by interposing between the earth and the vehicle a screen consisting of a material impervious to gravity; and by sending off “a projectile by electrical repulsion” (“Can the Moon Be Reached by Man?” Pawtuxet Valley Gleaner, October 12, 1906; reprinted in The Pawtuxet Valley Gleaner, second edition [West Warwick RI: Necronomicon Press, 1986], p. 11). He considered the third option to be the most probable.

37 Dinosaur is the name applied to a variety of extinct reptiles from the Triassic to the Cretaceous. A pterodactyl is a well-known extinct winged reptile of the suborder Pterodactyloidea, known from the Upper Jurassic to the Cretaceous. An ichthyosaur is an “Order of shark-like aquatic reptiles known from the Triassic to the Cretaceous” (CNH). A labyrinthodont is an “Extinct subclass of primitive amphibians known from the Palaeozoic and Triassic” (CNH). A rhamphorhyncus is a type of flying reptile. A plesiosaur is an “Extinct suborder of aquatic reptiles known from the Jurassic and Cretaceous; body up to 15 m. long, limbs paddle-shaped, neck short” (CNH).

38 The first true bird was Archaeopteryx, which emerged in the Jurassic period (145 million years ago), hence just after the time of Peaslee’s “dreams.” However, the first mammals (evolved from a group of reptiles known as the therapsids) date to the Mesozoic era (180 million years ago), so it is odd that Peaslee should not have seen any.

39 Crinoids are “Sea lilies, feather stars; class of shallow to deep-water echinoderms” (CNH). A brachiopod is a “Phylum of solitary, unsegmented marine coelomates possessing a bivalve shell and typically attached to the substratum by a stalk (pedicle)” (CNH). A coral is a small marine animal with a stony skeleton. Ichthyc pertains to fish (from the Greek ichthyos, fish).

40 This political system exactly mirrors that recommended by HPL in his later letters and essays, especially in “Some Repetitions on the Times” (1933), where he states that economic recovery would “involve the state coördination and operation of the wider fundamental industries on a basis of service rather than profit” and that “we must expect any adequate government to be of the sort now generally called ‘fascistic’—forming, as it were, an oligarchy of intelligence and education. Office-holding must be limited to men of high technical training, and the franchise which elects them must be granted only to those able to pass rigorous educational examinations (emphasising civic and economic subjects) and scientific intelligence tests” (MW 281, 283).

41 This too is an echo of “Some Repetitions on the Times.” Having maintained that “in a highly mechanised nation there is no longer enough work to be done, under any conceivable circumstances, to require the services of the entire capable population if each individual is worked to his maximum (even an humane and rational maximum) capacity,” HPL postulates that the only feasible alternative is that “the hours and conditions of labour . . . be artificially regulated with a view to distributing work among the whole population, no matter how little is left by machinery to be done”; as a result, “Education . . . will require amplification in order to meet the needs of a radically increased leisure among all classes of society. It is probable that the number of persons possessing a sound general culture will be greatly increased, with correspondingly good results to the civilisation” (MW 273, 281, 282).

42 Presumably a reference to the “Cthulhu spawn”—“a land race of beings shaped like octopi” (TD 303)—who in At the Mountains of Madness were said to have battled the Old Ones for supremacy of the earth.

43 The Eltdown Shards were invented by HPL’s associate Richard F. Searight. Searight had devised an epigraph from the work (very slightly revised by HPL) for his story “The Sealed Casket” (see SL 5.112), but it was not published with the story (Weird Tales, March 1935). HPL discusses the Eltdown Shards at length in his segment of the round-robin tale “The Challenge from Beyond” (1935). Yith was a name coined by HPL for Duane W. Rimel’s poem cycle, “Dreams of Yith” (Fantasy Fan, July and September 1934), as a substitute for Rimel’s “Dreams of Yid.”

44 No such journal or society existed in HPL’s day, although an American Psychological Society was established in 1988. An American Psychological Association was founded in 1892; it now publishes a journal titled American Psychologist (1946f.). There is also an American Journal of Psychology (1887f.), not affiliated with any society.

45 This is an allusion to the British explorer William Dampier (1652- 1715), who visited Australia in 1688 as a supercargo and returned on an expedition in 1699, exploring the northwest coast. HPL owned a book by Dampier, although it is not clear which one.

46 This was the British name for Australian aborigines. HPL always believed that they represented an inferior race: “Of the complete biological inferiority of the negro there can be no question. . . . Equally inferior—& perhaps even more so—is the Australian black stock, which differs widely from the real negro. This race has other stigmata of primitiveness—such as great Neanderthaloid eyebrow-ridges. And it is likewise incapable of absorbing civilisation” (SL 5.77-78).

47 This information is taken directly from the entry on “Australia” in the ninth edition of the Encyclopaedia Britannica: “The only idea of a god known to be entertained by these beings [the Australian aborigines], is that of Buddai, a gigantic old man lying asleep for ages, with his head resting upon his arm, which is deep in the sand. He is expected one day to awake and eat up the world. They have no religion beyond these gloomy dreams.”

48 Major (later Colonel) Peter Egerton Warburton (1813-1889) was one of the pioneer explorers of Western Australia. In 1873 his expedition proceeded from Alice Springs (in the central portion of the Northern Territory, the province directly east of Western Australia) to the De Grey River.

49 This would be a spot south of Warburton’s 1873 expedition and roughly equidistant from Joanna Spring to the northwest and Emily Springs to the northeast.

50 The Miskatonic Antarctic Expedition of 1930-31 is described in At the Mountains of Madness. Dyer’s first name is never given in that story.

51 In November 1934, when the story was being written, HPL became the custodian of a letter written c. 1853 by the great-uncle of the recently deceased amateur writer Edith Miniter named George Washington Tupper, a prospector in California in the days of the Gold Rush. See HPL to Clark Ashton Smith [c. January 1935] (manuscript in private hands).

52 Cf. “Mars and the Asteroids” (“Mysteries of the Heavens,” Part VII), Asheville Gazette-News (March 9, 1915): 8: “Of the real nature and physical constitution of the asteroids [between Mars and Jupiter] nothing definite is known. It was formerly believed that they are the fragments resulting from the explosion of a large planet; indeed, this theory has never been wholly disproved.” It is currently believed that the asteroids are the remnants of matter that failed to condense into full-fledged planets at the origin of the solar system. See Charles T. Kowal, Asteroids: Their Nature and Utilization (Chichester, UK: Ellis Horwood, 1988), pp. 49f.

53 See n. 36 to The Dream-Quest of Unknown Kadath.

54 Cf. 1 Corinthians 2:9: “But as it is written, Eye hath not seen, nor ear heard, neither have entered into the heart of man, the things which God hath prepared for them that love him.”

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