Date: 2002-08-01 07:00:00+00:00
Keywords: Historical
Description: This book is historical adventure fiction with dramatic interest--it's the "backstory" to Shakespeare's "Hamlet" -- set in Elsinor Castle two decades before the events of the play, and featuring the political affairs and romantic entanglements that will lead inexorably to the events of the Tragedy of the Prince Hamlet. It has treason, murder, illicit love affairs, humor, pathos, and five jesters. And a sense of grim foreboding that mirrors the Bard's own, as one by one, jesters die in mysterious ways. We think it will be extremely popular with the middle-school to college age groups; with all

ALAS, POOR YORICK
a fool’s tale
by

CHELSEA QUINN YARBRO

HIDDEN KNOWLEDGE

SAN JOSE, CALIFORNIA

2002

The entire contents
of this edition

Copyright © Chelsea Quinn Yarbro

All rights reserved

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This is a work of fiction. Names, characters, places, and incidents, except for historical persons and places, are the products of the author’s imagination and are used fictitiously. All incidents involving historical persons and events are fictitious, and have been created for literary purposes only. Any other resemblance to actual events, locales, organizations, or persons, living or dead, is entirely coincidental and beyond the intent of the author or the publisher.

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— THE PUBLISHERS

Published as a digital book by

Hidden Knowledge

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First Edition (Release 1.06)

16 May 2005

For
my old friend
and colleague

Dennis Etchison

and under
the circumstances
with a nod to

Laetitia
and

The late, great

Pimpernel
my cats

Introductory Notes

In HAMLET, Shakespeare is a little fuzzy about the historical context of his play, and tends to adapt his own period to this uncertain-but-earlier time. I have made an effort to do the same thing; the clothes are Medieval but the musical instruments are Elizabethean; the food is some of each. Events external to the story—what few there are—are fudged over 150 years of European politics.

C. Q. Y.

First Gravedigger:

…Here’s a skull now: this skull has lain in the earth three and twenty years.

Hamlet:

Whose was it?

First Gravedigger:

A whoreson mad fellow’s it was: whose do you think it was?

Hamlet:

Nay, I know not.

First Gravedigger:

A pestilence on him for a mad rogue! a’ poured a flagon of Rhenish on my head once. This same skull, sir, was Yorick’s skull, the King’s jester.

Hamlet:

This?

First Gravedigger:

E’en that.

Hamlet:

Let me see. (TAKES THE SKULL) Alas, poor Yorick! I knew him, Horatio: a fellow of infinite jest, of most excellent fancy: he hath borne me on his back a thousand times; and now how abhorred in my imagination it is! my gorge rises at it. Here hung those lips that I have kissed I know not how oft. Where be your gibes now? your gambols? your songs? your flashes of merriment, that were wont to set the table on a roar? Not one now, to mock your own grinning? quite chop-fallen? Now get you to my lady’s chamber, and tell her, let her paint an inch thick, to this favor she must come; make her laugh at that.

HAMLET, Act V, scene 1

ALAS, POOR YORICK

CONTENTS

ONE

TWO

THREE

FOUR

FIVE

ELSINOR

It is easier to make the King laugh than the Queen. He is a staunch soldier, ready to be merry when battle is done. He is used to the rigors of the camp and the hardship of campaign, and he is happiest among his men, sharing their mead and their fortunes. I have followed him for more than a dozen years and have seen him in defeat and victory, where he has learned to find enjoyment how and when he might. But she? Ah, she is young, far younger than he, and this place is strange to her, our ways rough and clumsy compared to the court of her father, who rules in Lorraine. She is his second wife and everyone is waiting to see what sort of child she will bring into the world, for none of the first Queen’s chicks lived long enough to walk. He dotes on her, of course. I do not know what she feels for him beyond her duty.

There is feasting tonight, a celebration of the victory over the Swedes. Farmsteads for eight leagues around Elsinor have been raided for swine and bullocks and fowl in order to provide for the two hundred guests the King honors at his table. There are odors in the air from the kitchen that have had everyone slavering since sunrise. For once the peasants did not grumble at the demand for meat and grain and butter; the Swedes have taken much more from them than ever their King did, and they will not begrudge his soldiers their due. It is a good thing that the early crops have been plentiful and prices high, or the peasants might not have been so willing.

I have put on my cockscomb and my dagged chaperon made of yellow and red samite with bells at the points of the dags, and I have my sceptre with its two balls. I fear the Queen does not like how I use it, but the King bellows with laughter when I thrust it up the skirts of the women in the court. Tonight I will find a way to please them both, if the old Male Goddess does not desert me.

* * *

The Queen has miscarried, but four days after the triumphant feast. She is in the care of nuns, for the Abbess is skilled with herbs and has sworn to stop the bleeding and the fever. All of us have been told to pray, and so I have left flowers with my little statue of the Male Goddess, who is either a long-necked woman with big breasts or an upstanding cock, depending on how you look at it; all that is creative and fecund and mortal is contained in the Male Goddess, including the getting of children. Surely He-in-She will come to Gertrude’s aid.

There are priests everywhere and I have to keep my statue well-hidden; now He-in-She is under my mattress, to serve as inspiration as well as to have protection.

* * *

Fortinbras has sent a messenger to the King, stating that he is willing to accept the terms of alliance which were offered, and with only slight modifications. He, too, has felt the might of the Swedes encroach his borders, and is not willing to share his lands with them. Hamlet has declared that on Sunday all of Denmark will give thanks to God for our deliverance, and he swears that he will fast for three days to show God his gratitude for our vindication. He has already dispatched the youngest of his Council to Norway for the purpose of completing the understanding between himself and Fortinbras.

The Queen has left her chambers and has been at the side of the King for all the public audiences. She is pale, carrying herself with fragile dignity that entrances and baffles the King at once. Since she lost the babe she carried I have seen her smile but twice, and that with such brittle brightness that I fear they were not smiles at all, but the faces some women wear when their pain in greatest.

I have been sent to wait upon her several times, for the King believes that she must be cossetted and cajoled like a child, coaxed back to health. But Gertrude is not amused by watching me walk on my hands or listening to the songs I know. And as to the tales and jokes I tell, they offend her.

But I am ordered to her apartments again, and I must go there.

Her ladies receive me. Two are Danish girls, fair and well-born, subdued in manner by the teaching of the priests and the example of nuns: Ricardis and Margitha. The third is French, like the Queen, a winsome girl lithe as a fawn. She is Raissa.

“It is Yorick, my lady,” Ricardis tells Gertrude, keeping me standing before the door to her chambers.

Gertrude gives her answer in French, and I listen with full attention, as if I could learn the tongue that way.

“She is busy now,” Ricardis informs me. “Another time would be better.”

I bow my head. My hood and balled sceptre are in my room, and I have brought only my yawp, which I hold up to show the ladies. “The King asks me to play for her.” Ricardis sighs as if I have imposed a heavy burden on her. “He’s supposed to play for you. He has his yawp with him.”

This time Gertrude speaks in Danish. “The King sent him? You had better let him in, then.”

“Be welcome, Jester,” said Ricardis grudgingly.

I cannot come into the room until the ladies move aside, which they do slowly and with relish at making me answer to them, especially Raissa, who likes to taunt me with her body while she complains that I am improper to her. She watches me now, her lips full and pouting, as I bow and bob my way toward the Queen. Gertrude is working at her embroidery frame, the heavy draperies pulled back from the window so that the soft autumn light strikes the expanse of stretched linen and the brilliant woollen yarns, giving the picture she is making the brilliance of life. She does not look at me while she plies her needle. “You may find a seat, Yorick,” she says when I have gone down on my knee to her.

“Thank you, my Queen.” I know she intends me to select a stool or one of the stiff leather cushions that are used in France. Neither is comfortable for a man with a back like mine, but the leather cushion is the best of a bad bargain.

“Do you know ‘The Raven and the Linnet’?” asks Margitha when it is apparent that Gertrude will not tell me what she wishes to hear.

“Certainly.” I take my instrument and set the mouthpiece between my lips. This is always the telling moment, that first tone from its sloping bell. If the reeds are true and the touch correct, the yawp is as plaintive and sweet as the song of the nightingale—if the reeds or the touch fail, then it sounds as if you trod on an angry goose. I see Raissa watching me and I know she hopes I will justify her contempt for me with raucous noises. But today the Male Goddess approves me, and the voice of the yawp is clear. The descending tones are steady and the melody weaves the air, catching even the Queen in its net. All through the song the yawp does not falter, for my breath is steady as the western wind and my fingers ply the stops like dancers.

When I finish, the ladies exclaim and even Raissa manages to approve, though there is a look about her I have seen before in many others, and it shames me.

“You do that well.” Her smile makes her eyes seem hard. “Can you also play ‘Purcival and the Grail’?”

She has probably chosen that tune deliberately, “Alas, my lady, this pipe lacks the notes for that music.” If I had my long shawm, I might have obliged her, but the yawp has only one note beyond the octave, not six. “Is there another melody you would like instead?”

Raissa shrugs and glances at the Queen, inclining her head as if they were about to whisper secrets. “Do you want to hear anything, my Queen?”

She does not stop the steady movement of her needle, and her concentration is directed at the thread. “Oh, anything. ‘Frederick at Milan,’ perhaps,” she says remotely, choosing the tune at random, I suppose.

“I know that one,” I tell her, and prepare to play again. The story is not often told any more, for Denmark does not approve of what Emperor Frederick did at Milan. As I finger the stops, it occurs to me that Gertrude might have chosen the song because Hamlet does not like to hear it. There are three different moods in the song—the first martial, the second a brooding thredony wrapped around a cluster of three notes which burrow into the heart, the third a stirring anthem with a soaring line rising in eager jumps—and each is difficult in its own way. I cannot divert my attention from the yawp as I go from one to the other and then to the third, but I am aware that Ricardis and Margitha exchanging looks.

“You did that well,” says Gertrude when I finish, and for a moment she actually looks at me, though she does not change her distant expression.

“Thank you, my Queen.” I lower my head where I sit, trusting this will be enough. “It is my honor to please you.” “I suppose so,” she says, and resumes work on her tapestry.

“I would like to hear one more,” exclaims Raissa, with a sudden gaiety that takes us all by surprise. “‘The Cid and Ximene’. Can you play that?”

The song is demanding, full of turns and tricks, but I accept her challenge. “I have not played it in a while, but I think I can manage.” Once again I take the reeds in my mouth, pressing them just so with my lips as I begin. The note almost cracks, for it is high and soft, but the Male Goddess is good to me, and the pitch holds, like the heart’s anguish at the loss of love. I stumble only once in the whole melody, and that is at the part where there are three quick jumps with ornaments at the end of them. Many another player has come to grief at that place in the song. The rest is strong and faultless, and I know I can be proud of the way I have performed. I have not caused the Queen any disappointment.

This time when I finish, Raissa applauds with her fingers, her smile as wide as it is shallow. She leans forward a bit, innocent and tantalizing at once. “For a Danish jester, you play that piece quite well.”

“My lady is kind,” I say to her as I rise. My duty is complete and I do not wish to remain here to be the object of the women’s derision, which I am afraid may happen. “My orders are not to tire you, my Queen, and therefore I will take my leave, if you will permit. I am grateful for this chance to entertain you. It is the King’s wish that you have pleasant things about you, the better to bring about another child.” I try my best to behave as Gertrude has told me she prefers, but I can see from the way her mouth purses that she does not approve of my conduct. I drop to one knee and lower my head. There is not much more that I can do. No matter what Hamlet asks of me, he should not have required me to speak of children, I can see that now.

“Tell the King that I do not need to be entertained by his jester, though I am grateful for his concern. It will not be necessary for him to send you again, Yorick. I will improve if left to the company of my ladies and my confessor, as he is improved by the company of his officers.” She waves me away, breaking the rhythm of her sewing.

“My Queen,” I say before half-backing out of her presence. Ricardis and Margitha follow me to the door and close me out.

JESTERS

There are four other jesters at court, but I am the one the King has favored by designating me his own. For three of the four this is not cause for trouble, but Oduvit is ambitious. Hedrann is old, nearly forty, and he is simple as well; Tollo is not right in his head and his face is deformed; Mect is only here to spy for the Emperor and no one expects much from him. We get on well enough. But for Oduvit, all would be well. “Dallying with the Queen again, are you?” Oduvit asks, making a host of implications in his tone and the movement of his eyebrows. He has a voice as disturbing as his appearance, low and whispery most of the time, but when enlarged becomes twotoned, like defective reeds. “I do my King’s command,” I tell him, determined not to become embroiled once again in needless bickering. “And now he commands me to entertain his guests.”

He pays no heed to what I say. “And what does Hamlet command you? To make his Queen enough of a woman that she will welcome him to her bed again long enough for her to increase once more? No matter what the King may wish, someone will have to do it eventually, don’t you think. And given the state of their marriage, the King’s jester would be as appropriate a deputy as any. Better than one of his Captains, most certainly. How better to serve the King than to take on the tasks he dislikes.” Oduvit does a dance step—not an easy thing for one with such misshapen legs as his—and makes a motion with his hands that is unmistakable.

“Let King Hamlet see you do that, and you will suffer for it, I promise you,” I warn him. “You may say such things to me, but you had better not repeat them in the Great Hall. Not if you want to enjoy the King’s favor. He may laugh easily enough at the misfortunes of others, but he will not tolerate slights to his honor.” In the past Oduvit has not done what I have recommended, and this once I hope he will act contrary to my advice again.

“I am a jester, not a fool, Yorick,” Oduvit says, mocking me. “And you are the King’s dog, aren’t you. You will forgive him anything as long as you are in his favor.”

I bow to him, and try to leave his company, but he follows me, staying half a step behind me, his head permanently cocked at an angle, which makes his insinuations all the more grotesque. “You are the one he sends to his Queen, always you.” He clicks his tongue and kisses the air. “The rest of us are not permitted to approach her. You are welcome there. So the King must trust you. Or he knows you to be a eunuch, or one with such tastes as his own, and has no fear of what you could do.” He is often dressed in bright colors, and today his chaperon is a deep yellow, giving him the look of a malign sunflower.

“’I am grateful for the service he permits me to give him, and I carry out my appointed tasks the same as any knight would do,” I say to Oduvit, ready to make the argument more immediate if he insists. Most of the court is afraid to hurt jesters, because we are seen to be at such disadvantages because of our malformed bodies or blasted wits. But I have no such reluctance, and Oduvit is well aware of it.

“Is the King certain of you because he knows your heart is given elsewhere, O faithful hound? Does he send you to the Queen because he has already claimed you as his own? Have you pledged yourself to him in body as well as soul?” He jabs at my side with his elbow, as if he is playing.

But I am not deceived. I turn on him, forcing him to retreat. Only when he has his back pressed to the stones do I speak. “If you say such a thing again to anyone for any reason, I will silence you forever.” There is something in his eyes like a sickness, made up of fear and burning hatred.

“Leave me!” he growls, his voice soft. “Get away.”

I do not move. “I mean what I say, Oduvit. Speak one word against Hamlet impugning him and you will not breathe safely again.” Only then do I relent and step back, allowing him just enough room to move by me.

“You are despicable,” mutters Oduvit as he squeezes away from me, and turns down the first side corridor he reaches. I watch him go with trepidation, for I know that envious men gather injuries to themselves, to nurture their odium. Oduvit will believe before nightfall that I forced our meeting, and that I am responsible for any disadvantage that comes to him, for he will convince himself that I have asked the King to withdraw favor from him; he cannot believe that he brings most of his ill-fortune upon himself. These thoughts weigh heavily upon me as I hurry toward the main hall of Elsinor, where Hamlet has gathered his Council together to hear the words from Polonius, who has just returned from negotiations with Fortinbras.

COUNCIL

“There you are, Yorick,” declares Hamlet, who has taken his place on his throne. Though he wears the crown, he has more the look of a Captain of battle troops than a King. The King of Sweden is so high and grand that he could pass for Pope, but Hamlet has none of that hauteur in his bearing. He motions me to take my place at the foot of his throne and remain silent.

Polonius is offended at this interruption and he glares at me before he goes on. He is a very handsome young man, favored and rich, dressing well and bathing oftener than the priests would like. Half the women of the court sigh for him, and he pretends not to know it. “Fortinbras is willing to sign the truce as we presented it to him, my King, and I have, in your stead, signed the copy he has retained. As you see, his seal is affixed here already, and once your signature is placed on the parchment and the copies exchanged, the work is done.” “Excellent,” Hamlet approves, and gives the rest of his Council a hard stare to remind them that they are expected to endorse the truce without argument. “You have done very well for a man on his first mission. All Denmark has reason to be in your debt. You may rest content: I will show my gratitude more fully when the exchange of seals is made.”

One of the Counsellors glowers, but this is expected. He never looks upon any diplomatic arrangement with favor: He is of the old school and knows that only military victories have any lasting meaning for Kings. War is the stuff of life for Horatio. The rest of the Council regards him as woefully out of step with the world, but they indulge him because he was once the most formidable fighter in Denmark other than Hamlet himself.

Hamlet accepts the endorsement of his Counsellors with aplomb: had it been withheld he would have been outraged; he has castigated them before, and is fully prepared to do it again, as all of them are aware. I listen to the murmurs and statements of the Counsellors more carefully than my King does, for I know, if he does not, that treachery is often found in those closest to power. Most of the Council are noble, of distinguished family and high rank. It is thought that this makes them more reliable, but I am not as certain of this as Hamlet is.

“There will be honors given to those who have done me worthy service when Polonius returns,” Hamlet tells them all. “I want it known that service to the King is recognized in Denmark. Let all of you make note of what I say: those who serve me well will be worthy of my thanks.” He slaps his big, hard hands on the arms of his throne as if he is about to watch his troops muster. “Lack of advancement makes men sour,” he tells the Counsellors, who do not need to hear this. Polonius is trying not to look pleased; he knows that the rest of the Council is jealous and that to show his satisfaction too clearly would increase their envy. But he is not as old and skilled as many of the others are, and his face gives him away. He bows deeply to Hamlet, his heavy collar of office swinging with the motion. “You are most gracious, my King. I pray that I may serve you to your satisfaction and the benefit of the Kingdom.” He straightens up and goes on. “What one of us”—he offers the Council an inclusive gesture—“is not eager to do all that is in our power for the Throne and the Kingdom? No Dane may think himself truly pledged to you if he does not desire in his heart to show his dedication in service.”

Hamlet smiles. “Most admirable, Polonius.”

A wise man might have stopped here, but Polonius is so determined to be clever that he does something very foolish. “Let me vow here that I and all those of my household will forever be the protectors of the Crown of Denmark, and will at all times strive to put forward the cause of the Dane. It will be my constant purpose to defend the throne of Denmark. At no time will we count ourselves apart from the Crown, but will makes its purposes our own, embracing the King’s—”

“No more,” Hamlet orders, his manner kindly, but with that look of determination that his soldiers know well. Few things vex Hamlet more than lightly given oaths. Polonius, so young and consumed with aspiration, does not understand this. “We have other matters to discuss than the peace with Fortinbras.”

The Counsellors are delighted to see Polonius humbled in this way, and they show themselves very willing to take up other issues.

“I am informed that the storms of last month have badly damaged the crops of rye, and many fear that we will lose most of the grain before it can be harvested. More hands are needed in the fields if the crops are to be saved, and they are needed quickly.” Hamlet waits while the Council thinks of what this might mean. “I will require a commission to inspect the fields, and if the crop cannot be salvaged, we must move quickly to provide grain from our stores to give the farmers bread through the winter and new seed to plant in the spring; otherwise we will face famine next year, when there are no crops to reap, nor farmers to reap them.”

If Hamlet were speaking to his Sergeants, there would be instant understanding and agreement, for those men know that of all supplies needed by men, food is the most crucial. But these men are land-owners, of high rank and fixed purpose, and they do not readily part with their bounty. They bristle and look affronted as they search for reasons why they should be exempt.

“We have our own to consider,” says one of them, speaking for the rest. “If we give our grain to others, we will have nothing for our fields.”

There are nods and mutterings to second this.

Hamlet is not pleased, but he is prudent enough to keep his annoyance to himself, “That is why we must first have a commission, to see if such measures are needed. And if they are, half the grain will come from the stores here, from my own, so that none of you will have to bear more than a fraction of the burden.”

From where I sit I can see his hands, and I know he is dismayed, for the knuckles stand out like knots. He is not willing to accept these men and their greed.

One of the richest of the Counsellors, who has vast holdings near the German border, dares to defy Hamlet. “I will not be able to give assistance for this venture. Much as it is my wish to do my part, and my duty, it is not possible. Too many of my own tenants report that their crops are in danger, and I must tend to them before I give my assistance elsewhere.”

“If there is damage in your region, then the commission must visit there,” says Hamlet, his voice grown hard.

My back aches, and I long to rise and stretch, but I dare not. Hamlet wants me here as a witness, and to observe what happens, so that I may tweak these men when Hamlet wishes it, reprimanding them with barbs when Hamlet cannot; if this makes me his dog as Oduvit claims, then I will bark when I castigate these powerful lords, and howl when they must laugh at my jibes. I must be content to remain where I am, keeping silent and doing little to bring attention to myself. I call on the Male Goddess to ease my hurt.

The Counsellors are not pleased to hear this, and a few of them look angry.

“Good Counsellors,” Hamlet says to them, “we must make this provision for ourselves or we must appeal to the Emperor for aid.”

This ploy is successful, for the Counsellors are more distrusting of the Holy Roman Emperor than they are of Hamlet. With such a choice, it is certain that they will agree to lend their support to Hamlet rather than appeal to the dubious charity of Ludwig of Bavaria. “It might be just as well to appoint a commission,” says the old military lord, although it rankles, being outmaneuvered as he has been by Hamlet. “We may be in error about the extent of the damage.”

“That is possible,” says Hamlet, recognizing this for the surrender it is. He watches the Council, permitting them to make the next move. Attempting to regain his earlier approval, Polonius says, “Perhaps each of us should select one of our own retainers to make up the commission, so that every one of us will be certain that our interests are being considered. No one will then question the extent of damage or the assistance required to save the crops this autumn and next.”

The Counsellors are very pleased with this, but Hamlet is not. He says nothing for a short while, then nods once. “If this will assure you all that there has been no unfair impositions on any of you, then so be it.”

There are other questions the Counsellors must consider: building a new bridge at Haderslevby; the taxation of merchants coming from England; the granting of land to the Church for creating more monasteries in the north; the matter of deciding the rightful heirs of a vacant estate; the petition of Fortinbras to arrange a betrothal of his two-year-old son to a Danish noblewoman of not more than ten years in age, to ensure the conditions of our truce be kept. Since Hamlet has no girls of his own, he must depend on these men to provide the bride.

“You, Martinus, you have a girl of four,” Hamlet tells the tallest of his Counsellors. “She is noble and your family is ancient.” “My daughter has been taught duty,” Martinus says, to discover what Hamlet is prepared to offer to him for his daughter’s contract. If they can make an appropriate arrangement it will mean more power and position for Martinus, who has chafed at his station on the Council for years.

Hamlet knows that any noble would expect some distinction for such an offer. “She will be given the rank of Royal Duchess, of course, and you would advance your family to the status of cousins. It would be official from the hour the contract is signed.” The offer is reasonable for the favor asked, and all the men know it.

“My daughter is honored to serve the Crown,” says Martinus, by way of accepting the offer.

“Tell me her name again?” Hamlet requests, so that all the Council will know it.

“Thordis,” says Martinus, his head raised proudly; it is a name that the priests dislike, for it honors the old gods and not their Trinity, but they do not press a man of Martinus’ stature.

“A good name, a very good name,” Hamlet tells all of them. “A name that Fortinbras will like, and we as well, being old and honored.” He watches the Counsellors, looking at their faces as he tries to read their inmost thoughts. Being a soldier he is unused to the subtlety of these men, their ability to ruin and betray and have no mark of it on their visages. Which of them will tell the priests of Hamlet’s remark on Thordis’ name, I wonder? One of them will, surely, and that one will require the Church show him some advantage for his revelation. It will not bring any dissent from the Church because the priests know their place, and are not yet ready to challenge the Throne here as they have in other countries. If the Emperor were stronger, it might be different.

Polonius ventures to say something now, “I have a half-sister, great King. She is eight, in the care of nuns and said to be of good sense.” Martinus glares at him and many of the rest of the Counsellors stiffen with outrage that Polonius should attempt to gain so much for himself in so short a time.

But Polonius is young and has not learned the ways of covert treachery that these older men know. He continues as if none are insulted by what he has said, and that the fury in Martinus’ eyes has nothing to do with him. “She is called Egidia.” He says this with pride, for such a name will find more approval from the priests than Thordis could.

“She is eight, you say?” Hamlet asks, interested in spite of himself.

“And a few months. She is said to be well-conducted and of good nature, according to the nuns who teach her.” He bows to Hamlet. “It was probably unwise of me, but I thought of her when Fortinbras told me of his desire to seal the pact in this way. I said as much to him.”

“You did,” said Hamlet slowly, becoming very quiet and still. Those who have fought with him kmow he is never more dangerous than when he is thus, but Polonius is no soldier and goes on recklessly. “I said there were many who would want so high an honor, naturally, but I said that my half-sister was one of them, because any family would want such advantage for their daughters.” He looked at the rest of the Counsellors and favored them with a diplomatic smile. “By way of example.”

“And what did Norway say to this example?” asks Hamlet, his hands hard on the arms of his throne.

“He said nothing,” answers Polonius, catching something of Hamlet’s implacable mood in the tone of his voice. “He told me only that he was pleased there would be several to choose among.”

“Ah,” Hamlet says, and his hands relax. “Then it might be best to ask all of you to look among your relatives for a girl that would be suitable to our purpose.” He narrows his eyes again as he looks at Polonius. “Be careful in your choices, for the girls offered must be the device of Denmark in Norway.” He does not laugh at his witticism, but two of the Counsellors make themselves chuckle, “Any child who is recommended must be presented here to me and my Queen. We will recommend no child we have not seen and questioned, for it is not my wish to offend Norway with an unfit selection. If the girl is rebellious or bad-tempered or peevish or impertinent, it will go badly for the family who owns her.” “Certainly,” says Polonius. “Every one of us must expect to seek the approval and endorsement of the Crown.” He bows again, and takes his seat before Hamlet gives him the sign to do this. He is pleased with the display he has made, and every movement of his body proclaims his satisfaction.

“I want his pride diminished,” Hamlet tells me softly as the Counsellors depart. He is pointing to Polonius’ back. “At the banquet, make him the butt of your jokes, if you would.”

I am on my feet now, and bowing is not difficult. “What would you like me to say? What do you want most to be mocked?”

“His ambition, and his so-eager compliance in everything I have suggested. That man believes that I seek nothing but the nods of the Council, and he cannot understand that I want advice, not condescension.” He shoves himself onto his feet. “There are times I regret that we are at peace. In war, the questions are so simple, and the means are clear. In peace, everything is devious and indirect; I cannot tell if we are advancing or retreating.” He reaches over and lays his hand on my higher shoulder—gently.

“You have Fortinbras for an ally now, surely that is advancement,” I tell him. “His interests march with yours.”

Hamlet sighs. “I hope it may be, but I am not convinced. He may be playing a double game, holding Sweden at bay until his business with us is concluded, and then treating with them for favor as well.”

“He is going to marry his son to a Danish noblewoman,” I remind him, trying to hit on something that will lift the dreariness from his soul. “So he claims,” Hamlet says wearily. “And it may be so. And it may be nothing but a diversion, a means to keep a gracious look to a long bargain.” He stares off toward the door where the Counsellors have gone, but his thoughts are leagues away. He sounds distant as he contemplates that patch of air. “Am I being sensible, playing his game, or am I putting my foot in his trap?” He recalls himself, pats my shoulder twice, and steps off his dais. “What would your father say, if he were still alive to instruct me? Can you guess, Yorick?” “My father taught me well,” I answer, “but not so well as that.” As always, when I speak of him I miss him fiercely. He was a true scholar, learned and possessing sound judgment. He never saw my deformity as others did, for he was more interested in knowledge than in appearance; unlike my mother who looked upon me as living evidence of her failure. He traveled far in his lifetime—to Italy and France and England, reading everywhere, instructing where he could. It was one such journey that took his life, when robbers set upon the band of merchants he had joined. My mother, when she heard of it, covered her face with a veil and wore it for the rest of her life.

“I would give half my treasury to have him with me now,” Hamlet says. “He would see his way where I cannot.”

“I regret that only I am left to serve you,” I say, and although I speak the words playfully enough, there is a deep and hurtful truth in them.

Hamlet regards me for a short while. “Families suffer when plague comes,” he tells me. “And of your brothers, I am most grateful that you were spared, as you are the cleverest of all.” He is not offering me false coin, for there is a simplicity in his speech that does not seek to console or flatter.

I bow and kiss his hand.

* * *

There is no applause so genuine as the purring of a cat. One of the mousers sleeps in my little chamber, and when it suits her purpose, she permits me to scratch her ears. No nobleman is more honest in satisfaction than this brindled cat. She is relentless in hunting and honest enough to purr when she kills.

She has made herself a nest in my old, chaff-filled pillows and is industriously washing herself with her tongue. She pays no notice of me as I take my chaperon from the press and check its bells to be certain that none of them are in danger of falling off. Only the high sound of their jangling attracts her attention: she pauses in her work with a flag of pink showing beneath her nose. When I chuckle, she looks offended. “It’s only bells,” I tell her, shaking them again.

There are those who say the faces of animals are expressionless, but I can see how offended she is. She sniffs disdainfully and resumes her washing.

As I dress I talk to her, reminding her that she has mice to kill in the kitchen, for surely they will be swarming after the feast tonight. I flatter myself that she is entertained by my conversation, for when she finishes cleaning herself, she curls into a knot and watches me through the long fur of her tail, purring softly.

I have taken out my fringed leggings, the ones that are yellow-and-red, like the chaperon. The movement of the fringes catches the eye of the cat, and she lifts her head, her eyes growing narrower as she decides whether or not this is worthy prey. Slowly her eyes become huge and her breathing changes as she fixes on her purpose. As I tug the right one on, she attacks.

Her claws are small and very sharp and I howl as they sink into my calf. But I cannot bring myself to fling the cat across the room as many another would. The priests and the knights dislike cats and often kill them to cast out the devil, or for sport. She is only doing what she was made to do, and I will not punish her for that. The Male Goddess has always been kind to cats, for they are so like He-in-She—loving, protecting, sensual, and cruel. I admire how this cat keeps herself to herself and curries favor with no one. At court, such independence is a rare thing, and such unconcern without contempt is unheard-of. I grab the scruff of her neck and pull her off, and see her eyes sulking. “You must not hurt the one who feeds you if you like to eat,” I tell her as I put her on the bed again.

The scratches are sore but there is little blood, and it is on the red side of the leggings where no one will notice. I shake my head at her but I cannot reprove her more than that, which gains me nothing in her eyes; she curls up again, this time with her back toward me.

By the time I leave the room, she has already left it ahead of me, tail high, bound on errands known only to her. The room is not so pleasant with her gone.

JESTERS

It is a rowdy night, with a band of Hamlet’s Captains sitting at his central table, just below the King’s own tables, and below the salt. Most of the men have had beer and mead with their first serving of bread, and several are ruddy-cheeked and belching already. The men below the salt have been given vast trenchers of bread and have a first course of thick vegetable-paste to spread on the broken bits of crust. Because this is a celebration, the paste has been livened up with spices—cinnamon and ginger and cloves. Above the salt, where we jesters eat, the paste is served mixed with butter and hard-boiled eggs, along with expensive pepper. It is rich to the tongue and filling; those below the salt will eat twice as much and feel more empty than we.

Above the Banquet Hall there are two galleries. In one scarcely heard musicians play. In the other, much larger, the Queen, her ladies, and the wives of the men below have a feast of their own, less grand than the men eat but fancy in its way. Gertrude rarely looks down, and when she does, she does not often watch Hamlet.

Hedrann is the first of us to get to work, and he devotes himself to the men below the salt, distracting them with capers and antics while those above the salt fill this time with conversation. He tires quickly because he is old, and being simple, he does not try to continue beyond his strength, or seek to dissemble in order to appear more devoted to the King. As he steps aside, Tollo takes over while the servants carry in platters of broken chapters of roasted ducks and chickens for those below the salt, while whole roasted geese and swans with their skins and feathers wrapped around them are brought for those above.

For all his deformity and bouts of madness, Tollo is a very good mime, and he keeps the men laughing as he silently acts out both sides of a peasants’ courtship, and then the courtship of nobles. His actions cannot be misunderstood, and it is apparent from the expression on the Bishop’s face—he is sitting four places away from the King—that he wishes it were otherwise, for as the others roar their approval and cheer him on, he watches silently, pulling on his lower lip. Tollo is unaware of this, being wholly in the spell of his own illusion. Then he crosses his lovers, his peasant maiden with a noble knight, and a great lady amusing herself with a tenant. This brings more whoops and hollers, and the mead and beer are poured out again, and Tollo is saluted for his amusing performance by everyone except the Bishop, who glares at the distant door.

From his place on the dais, Hamlet toasts his Captains.

The various fowl are followed by fish—a thick soup of mixed fishes cooked in beer called Monks’ Stew for those below the salt, a broth-cooked gelleé with oysters and clams with the fish for the high tables—while we jesters are given a short while to eat and drink. We sit together on the floor at the edge of the dais, our trenchers full of good things, our faces stuffed with food as we try to make the most of the short time we have. It will be more than an hour before any of us can rest again.

Oduvit has been drinking mead and his eyes have taken on the telltale shine of intoxication, in his case from more than the mead. He laughs immoderately at his own jests and tells us all how he has hit upon the best entertainment for tonight that has ever come to his thoughts. “You’ll all be jealous of me, come morning,” he informs us as his cheeks bulge and he sprays us with bits of half-chewed bread.

Tollo is sulking, as he always does after he performs, and he pays no attention to Oduvit’s boast. Beside him Mect is uneasy, anticipating one of Tollo’s sudden bursts of rage or weeping; Mect is not comfortable with the rest of us because he lacks the gifts a jester must have. Most of the time it is not apparent, but when he is confronted with occasions like this one, it is obvious to almost everyone that he has no business here but service to the Emperor; he is regarded not as an intruder might be, but as one who has accidentally strayed into the wrong part of the castle and although lost cannot make himself ask the way. He watches Oduvit a short while as he finishes his tankard of beer. “Why should we be jealous.” “Yorick will be the most jealous,” Oduvit says with a smile that would horrify more than amuse. “Because I will be King’s jester then, and Yorick will be below the salt, performing antics for the lesser folk while I entertain the Counsellors and the Bishop at the King’s request. I have hit upon the very thing that Hamlet will reward.” He hoots at his own vision of my downfall and turns to give me a hard stare. “You are about to be dishonored beyond repair of your protests, and I will emerge triumphant.”

I will not be baited, especially now while I am composing myself for the evening to come. I speak softly so that only the jesters can hear me. “If that is what the King wishes, so be it.”

Oduvit, robbed of his chance to argue, becomes truculent. “You don’t believe that. You say it only in case you might be overheard by one of those men.” He gestures toward the table at our backs, his little eyes bright with victory and mead. He makes an obscene gesture with his left hand, adding to the insult. “You want to hang onto the things you have secured. But your day is over, and mine is beginning. Surely you will not have to be reduced to beggary, will you? After all this time and good service, there are gold coins squirreled away somewhere, aren’t there?” His concern is so exaggerated that it is nothing more than a malicious burlesque, which does not earn him much encouragement from the others.

“That’s the King’s decision,” said Mect, who has a greater understanding of the way of royal courts than jesters. “You may try to influence him, but he will not be guided by you alone, or by any man in this hall.”

Oduvit has no wish to know of this and raises his voice so that he will not have to admit that he heard Mect’s warning. “How do you think you will feel when the King dismisses you? You will crawl back to your little room and hide there in the darkness, with no consolation or hope of any.” He chuckles and drinks more mead. “I will come to your door and I will laugh so that everyone in Elsinor will hear the echoes.” I wonder if the Male Goddess will guard me from such a fate. It is said that He-in-She may do it, if it suits Their purpose. But who can read the purposes of such beings? I cannot ask the Bishop his opinion, that’s certain. No doubt the handsome, favored, young Polonius thinks tonight that he can behave with impunity, but I cannot make myself believe it. “If you come, everyone will listen.” Among us jesters only Mect smiles, and it is with such a private amusement that I know better than to enquire as to its purpose. He wets his lips and studies Oduvit for a short while. When Oduvit demands to know the reason, he answers mildly, “I was about to suggest that you be careful of the drink. There is so much you want to do tonight that it would be well not to fuddle your thoughts. Given the men you are entertaining, you will want to keep your thoughts clear.”

It is, in fact, very prudent advice, and Oduvit receives it as I expected he might. “It is nothing of yours, foreigner,” he growls, and takes another draught of mead, letting the sweet brown liquor splash over his chin.

Mect is not insulted; he shrugs and tears off more of his bread. “What comes to one may come to all,” he says obscurely.

I have listened to him with interest, but now is not the time to learn more from him. In time, I decide, I will have to seek out Mect and discover what it is he seeks here in Hamlet’s Denmark.

There are serving men coming into the hall again, this time with great crockery bowls of custards for those above the salt and honied gruel in tureens to be ladled out for those below. A few of them are already showing the weight of fatigue in their movements and their carriage, which bodes ill for them tonight. As I watch, one of the younger servers, a slender lad from the western region, staggers and nearly slops gruel over the floor. He stays on his feet but his eyes are wild, as if he is a young deer with huntsmen behind him.

It is time for me to present myself at the King’s table, while the rest are expected to entertain the rest. I get off the dais, square my chaperon, pick up my jester’s sceptre, and bow to the others. “Until they are all too drunk to understand anything we say and cannot follow four words in ten.”

“Some of them are there already, and will not remember a word of this evening once tomorrow dawns,” says Oduvit. “But they will be sober soon enough for my purposes.” He makes no acknowledgment of my bow but sits with his arms folded and a look of disgust that even a jester does not often encounter.

The other three give slight salutes with their sceptres, and Tollo does his best to hide a yawn.

I go to the King’s table and bow to Hamlet; he greets me by saying, “Ah! Yorick is come on duty.” As I bow to the others seated with him, I suppose he has spoken truly, and that I am now on duty, as much as any guard or sentry.

Polonius, still full of himself, raises his hand to me and says, “On this great occasion your wit must shine brightly, jester.” “As the blade of a sword, good Counsellor,” I answer him as I clamber onto the table. The bow I give him is a thought too respectful. Some of the company know what to expect from it, but Polonius does not.

I turn and bow toward the gallery where the Queen and her court are dining, hoping that this will give her some amusement. Then I swing around and start to work in earnest. I pretend to dress myself in the grand robes the Counsellors wear, with the wide collar of office around my neck; I place the imaginary narrow coronet upon my brow, standing as pompously as I can. Then I march down the table, pausing to apologize for every cup and tankard of mead or beer I kick over as I pass, and I kick over most of them. My apology is profuse and exaggerated, so extravagant and polite that with each new toppled goblet the laughter I have is greater. No one minds having the mead on their clothes, or if they do, they know better than to remark on it. I make a great sweep of the table, and end up beside Polonius once again.

“Good lord and worthy Counsellor, pray excuse my inattention to your splendid self; it is not from any desire to neglect you or treat you as less worthy than you are, but I fear you have left nothing in your goblet, and I am therefore forced to improvise. Pray excuse this clumsy gesture of recognition I offer you. I have needed every gesture, every action to ready myself for addressing you with sufficient magnificence. What man, I wonder, can behave himself as virtuously as you?” Before Polonius can discern my intent, I bend down and lift a half-empty pottle of mead, and with a great flourish empty it into his lap, watching the dark, sweet liquid flow over his robe, soaking him to the skin and running onto the dais. “Thus do I honor you, Counsellor.” It is clumsy, but the guests are drunk enough to be amused.

Polonius rises in his seat, shock and ire in his face, his robe clinging to him. But then he realizes that the rest are laughing, and settles back down, forcing a cackle that has little amusement in it. His glare would pierce armor, but it does not much trouble me, for it is what I expected. “Well done, well done, my Yorick,” declares Hamlet, clapping his hands and rocking with laughter in his state chair. “You are a prince among jesters.”

I drop to my knee in front of him, reach for the thigh-bone of a goose from the platter beside me. “Dub me, then.”

Hamlet laughs more loudly, and takes the gnawed goose bone. “All right,” he says, getting to his feet. He touches the bone to my right shoulder and then my left. “I dub thee jester-knight, vassal of the King.” With that he sits down again as those around him laugh.

I cannot tell how serious he is in this, but I sense that he was not simply jesting. I know I am expected to expand on this, and so I get to my feet and mime donning a sword. “It is a fine thing to be a knight,” I announce, and swagger down the table as the most arrogant of the fighters do. “Think of the honor. Think of the distinction. No man can want to be more than a knight, to bear himself in battle”—I take a swipe with my invisible sword at the remains of a swan, and kick the platter at the same time to make the ribs jump—“and best the foes of the King.” I swing around again. “And to steal treasure when the Captains are not looking. And to ravish the women of the enemy.” I move my hips to illustrate, my brows rising and falling in time to the thrusts. “And perhaps those of a few friends as well.” “Or the friends themselves,” calls one of the soldiers.

Most of the table is laughing merrily, but there are one or two of the men there, including old Horatio, who are insulted by my jibes. He straightens in his chair and directs a ferocious stare at me, his white brows drawing down over his eyes as if they were the visor of his helm. “No fighting man does that.” “No?” I approach him without art. “Yet these things do happen, don’t they? Someone must be responsible. It must be the trolls doing it, if the knights are not.” There is laughter, more knowing and sly. “Knights have oaths to honor,” Horatio insists.

It troubles me for an instant to have to mock this, because I know that Horatio has never broken an oath in his life: he is what a knight is supposed to be, and he supposes, against all experience, that others are the same as he. “Which they do in the breach,” I counter, and bow to him. “A man needs a reward or two when he has risked his life, and life is uncertain in war. Why delay the benefits? What better reward than money and women?”

“The King makes such disposal,” Horatio says emphatically. He is growing more choleric, his long, somber face darkening with stringent passion.

I give him a stare of extreme sympathy. “And a few anticipate his benefice, in case he should forget.”

Now Horatio is on his feet, reaching out to grab at my clothes. I retreat from him to the far edge of the table. “Take that back, here and now.”

“For what reason?” I ask, though I know the answer. “Take it all back!” Horatio shouts, and the hall goes quiet. Hamlet leans forward, his features grave. “What is the matter?”

“This jester of yours has insulted me beyond permission,” Horatio states. “I demand that he take back what he has said.” He points directly at my chest as if his finger were a lance. “Make him say it was a lie.”

The King turns to me. “And did you insult him?” “Of course not,” I answer, and it is the truth as far as it goes. “l do not say that he has done any of the things I have mentioned, only that certain fighting men do.”

“And he has faced me while he says it!” Horatio exclaims, unable to keep the wrath from his voice. “He has impugned my honor.” “He is a jester,” says Hamlet reasonably. “He is supposed to speak of things in jest and mockery.” He is leaning forward so that he can look at Horatio, but the posture is awkward and it adds to the upset of the incident.

“Surely,” Polonius interjects, “if I can be amused by having mead poured all over me, surely you can be amused by a slight toward knights who conduct themselves badly.”

However well-intentioned Polonius is, his remarks serve only to incense Horatio still more. “It isn’t enough that you permit this poppet-man to insult me,” he shouts at Hamlet, his face becoming ruddy, “you permit your underlings to chide me for defending myself.” He has already moved his chair back, and now he stands before Hamlet. “I regret that I cannot remain in this company, my King. For you I would cross the pits of Hell, but I will not be jeered by any man, no matter what favor he commanded from you. Or what jester,” he adds with all the scorn he can manifest. He looks directly at the King without apology or retraction coming to his lips.

Hamlet’s eyes are grave although his mouth continues to smile. “You do these festivities a disservice, good Horatio. I love you well and wish you no ill, nor do I see any here,” he tells the straight-backed warrior. “But I will not compel you to do the thing you despise. It makes too much of a minor entertainment, I promise you. We seek only to make merry, not to compromise.” He holds out his hand with his ring and waits while Horatio bows to kiss it. “Go, if that is what you want. But ask my leave before you come again.”

The hall is silent as Horatio bows his way out of it. And when the conversation resumes, it is too sudden and too loud. Hamlet motions me to be still.

Mect is the one who restores the humor; he stumbles toward the men below the salt, his gait that of a man far gone in drink. He blesses them all, and starts to roll out a ponderous and scrambled blessing in Latin so bad that even the lowest man at the table is able to laugh at it.

Oduvit, in spite of all his boasting, is too drunk to do more than bad tumbling this night.

POLONIUS

There is to be a wedding at Elsinor. In recognition of his service to the King, Polonius is going to marry Ricardis; the contracts have been signed by both families, and the affianced pair are given every courtesy. Everyone except the Queen is delighted, and she does her best not to appear downcast by her lady’s good fortune.

Hamlet has declared that there will be three days of celebration, with musicians and players to mark the event. Mid-summer Eve has been chosen for the hour, although the Bishop has protested; Hamlet does not much concern himself with the Church. He knows that the people still welcome an excuse to revel at the brightest night, and nothing the Bishop can say will change that.

It is customary to give jesters gifts at mid-summer, a remembrance of the time when the Male Goddess was worshipped openly and mid-summer was a holy day and not simply a festival. Hamlet has promised me a harness of armor since he has made me a knight. Occasionally he addresses me as Sir, which gives him much amusement and satisfaction but does not please the Queen at all, and earns me sniggers from some of the King’s officers. He has confided that my armor will be of leather so that my back will not suffer. The saddler who has been given the task has said he will strive to paint it the color of steel, though he warns that it may well rub off with wear. I have tried the breastplate twice and I must own myself more pleased than I like to admit. Until now, it had not occurred to me how much I think myself apart from the rest of men. My leather armor has brought it all home.

To cheer the Queen the King has ordered all his jesters to visit her and make her smile. Tollo has been excused from the task, for his wits are not strong enough to be reliable in her presence; Tollo has an enthrallment for high-born women and his conduct is not always desirable, even for a jester. Thus it falls to Oduvit, Hedrann, and me to provide the service; Mect is never given private audience with Gertrude for fear she will provide information to the Emperor through him.

With the wedding less than seven days away, the women are sewing frantically, not only their own finery, but to decorate Ricardis’ bridal clothes with every design of fortune and fecundity that they can create on the magnificent samite Hamlet has provided for the purpose. They give themselves to the task with determination, their dedication as much for Gertrude as for the bride.

Ricardis herself moves from joy to dread to hope to dread again as the day wears on. While the other women remind her of Polonius’ many good qualities, she sighs as if she were under sentence of death. She weeps at least once between noon and sunset, which the Queen and her ladies take as a good sign.

“Brides weep,” Gertrude says, so remotely that I must not be the only one who is perplexed by her seeming indifference to Ricardis’ sensibilities.

“It is fitting that a bride should feel so,” Raissa tells them all as they work a pattern of scarlet birds on the long train; her expansiveness seems to make up for the Queen’s reserve. “If she does not weep, she will be a frivolous wife.”

“Is that the wisdom in Lorraine?” asks Margitha, her smile brittle as new ice; she is not able to conceal her envy of Ricardis’ advancement in the world.

“That is the wisdom of all women,” Raissa says calmly. “It is for the wife to answer for the way of the marraige, and to do all she might to please her husband. Frivolous wives come to bad ends.”

“I am not going to be a frivolous wife,” protests Ricardis as she tries to stem her sudden tears. “I know what my duty is. Polonius is a fine man, and I realize my fortune in becoming his wife.”

Raissa offers her one of those wide, meaningless smiles she saves for those she dislikes. “You will have to listen to him speak, but that is a small price to pay for such advancement in the world.”

“He has done good service for the King,” says Gertrude distantly. “Raissa is right. He is going to advance in the court.”

Knowing what is expected of her, Margitha says as if the words have barbs on them, “He is the center of the Council now, with his negotiations with Fortinbras carried out so well. There is no question but that he will be Hamlet’s chief advisor for many years to come.”

“Oh, yes,” Raissa agrees, making her agreement a denial. “So ambitious, but with such style. A man of character, without doubt. Certainly he will go far if no one challenges him to defend himself with steel.”

Ricardis glares, and speaks as if she were reciting an oft-repeated lesson. “Polonius is an accomplished man; one who is destined to serve the King long and with honor. He will require his wife to comfort him, to give him heirs and see that they are raised with an understanding of their heritage. I am able to do those things. It is my honor to do them.” She plies her needle so well that she pricks her finger, crying out as a single drop of blood stains the pale cloth.

“It is fitting that there be a little blood, as we all know,” says Raissa significantly. “Polonius will look for it.”

“It will be there,” Ricardis says with a heated glance directed at Raissa. “I have no reason to fear that, at least.”

I have been sitting in the corner, my shawm in my hands, waiting for one of the women to command me to play something for them, though they have paid me scant notice all the morning long. They have refused other entertainments I have offered, claiming they interfere with their sewing. Not even the temptation of a story has been enough to lure them away from their craft. At last I place the reeds in my mouth and begin “Clotilda’s Lament,” which speaks of the sadness of lost love.

Raissa chuckles as Ricardis weeps more openly; Gertrude never looks up from her needlework.

PLAYERS

At last the players are come, a troupe of fifteen, with their two wagons and all their noise. They are given space in the main courtyard to set up their stage, and they set about it with dispatch, stretching painted landscapes at the back of the stage and setting out their finery for the evening performance. The leader of the troop is a strapping fellow about Hamlet’s age, lean and arresting in appearance, with a voice that rolls like thunder and a stance any Captain would envy. “A charlatan,” Oduvit dismisses him when I remark to my fellow jesters that I would sacrifice an eye to have such a voice as that. “The voice is just part of the trick. It is all show, with nothing behind it but words memorized and gestures. A magpie could do as well. Or an ape.” “You envy him,” says Mect, who has little patience with Oduvit’s spite.

“How can I envy him? He is nothing but a puppet, an engine for mimicry, while I rely on my wits to entertain the King. See there”—he flips his hand in the direction of the window that overlooks the courtyard where the players are rehearsing—“he cannot bring one new word to his scenario.”

“The other players would be hampered if he did,” says Hedrann, who is paring his nails. Like me, he admires the players and watches them with an expression in his eyes that is less than lust but more than fancy. He is already wearing his new garments—a short houpelande with huge dagged sleeves the color of mulberries, and leggings of yellow-and-black—and cuts the best figure of all of us.

“Then it’s to their discredit,” says Oduvit, “They are nothing but parrots, or as bad as prelates, reciting prayers. Where is the skill is that? Any fool can repeat the same thing over and over.”

“Perhaps the skill is in making it appear that it is new to them,” ventures Mect, who has been watching almost as closely as Hedrann, but without the yearning in his eyes. “It is no easy thing to hide boredom. Or familiarity.”

The leader of the players is reciting a speech now, one describing how a great hero battled a monster to save his lady and how she expressed her gratitude for her rescue; it is not a passage I know, though I have read many of the books my father brought from foreign lands with ancient texts in them. “I don’t recognize the piece. What role does he enact? What is the play? It isn’t familiar to me.”

“It is supposed to be Greek, but I’d wager they’ve never heard of it in Byzantium,” says Mect knowingly. “It may be a play that actors have taught one another from generation to generation. One of the old, bloody ones, like the one about the son taking his mother to bed. Or the brothers who kill each other in battle by accident. Or one of the Roman tragedies, with families dying for the honor of the House. This is stirring enough, but perhaps more Italian than—” “It is nonsense,” says Oduvit, spitting to show his opinion of it. “It has nothing to do with Elsinor, or how our King amuses himself.” He turns on his heel and strides away, cursing steadily.

Mect watches him go, his eyes allowing no revelation of his feelings. “He is going to choke on his own bile one day.”

* * *

It is a splendid play, full of confrontations and revelations and all the large vast sensibilities that tug at the hearts of the audience. The court watches, with faces of those caught in a dream. Often I have wished for such an opportunity to engage my listeners so whole-heartedly. But that is not a jester’s lot, and where it is praiseworthy in players, it is lamentable in us. I have to regard this performance for what it is, and not what I would want it to be for myself.

The leader of the troupe, rigged out in breastplate and helmet and brandishing a wooden sword, has fascinated everyone with his declamations of love and grief, and his battle with the monsters has the whole of Hamlet’s court holding their breaths.

“Tell me,” whispers Mect to me as the actors hurry to change the scene, “why did they choose this play, do you think?” “It is popular,” I answer without thinking. “They like it.”

“But a play about a tragic love for the celebration of a wedding—doesn’t that strike you as strange? I would have thought they would find a tale more appropriate to the occasion. I wonder who asked for it?” He scratches his stubbled cheeks. “You may be right, but I feel it is more than you suppose. I watch them and all I can imagine is that they are warning Polonius, or perhaps the King.”

“Why would these players seek to warn the King? And of what?” I turn to him and hope for an answer. “Have you heard something, Mect?”

But before Mect can speak, the play is resumed, this time with the leader of the troupe lamenting over the fallen body of his beloved. By the time the scene is over, I have no sense of the need to ask Mect anything more, so engrossed am I in the phantoms of the play.

Only at the conclusion of the drama, some time later, does Mect speak to me once again. “You’re not like the others. You’re not ambitious or addled or a clown. You see what is going on around you. Keep careful watch, Yorick. There are stakes here you have not realized.”

“What do you mean?” I ask him, although I have some notions of my own I would rather not mention to him.

“Just that you should keep watch, for your own sake and the sake of your King. There are games here that very few know of, let alone comprehend.” He smiles once, and the smile is so world-weary that I can think of nothing more to ask him that would not increase his soul-deep fatigue.

“I am grateful, Mect, but I’m not as apprehensive as you are,” I tell him, in part to relieve him of some of the burden that weighs him down. “I’ve been at Hamlet’s court longer than you have, and I have weathered worse gales than a wedding and a play.” “That is not the source of the danger,” says Mect, “And well you know it. One must look to the King himself to know where the hazard lies.” I regard him steadily. “I am not so sanguine that I think myself invulnerable because I am a jester. Many would not bother with the likes of you and me, for fear of making themselves obvious. And I do not think that most of those who are here for spite or treachery will be much troubled by me. Because I am a jester.”

“Then it might be best if you were more wary,” he says, unwilling to set aside his foreboding. “Hamlet uses you to sound out the court, and for that you are exposed to more than laughter or Oduvit’s jealousy. You are likely to be one of the first to feel the lightning strike.” “Mect,” I say, shaking my head but trying hard not to make a jest of his warning, “you have been too long among the mighty and think that Denmark is the same as Germany. They are quite different.”

Mect bows to me. “Nevertheless, there is danger, my friend.”

“I will be mindful of it,” I say, and watch him walk toward the stage where the players are waiting in all their trumpery grandeur to receive the adulation of those who watched them perform.

* * *

What a magnificent wedding it is! The gaudiness of the players is nothing to it. All the court is decked in full splendor, and Polonius has been permitted to wear a golden laurel wreath instead of the garland of flowers usually given to a bridegroom. His wedding clothes are an Italian houpelande of Damascus silk that is the color of poppies and a camise edged in lace from the Lowlands, delicate as the ocean spume. Beside him, Ricardis in pale, embroidered samite is glorious as a wax taper studded with gems. Hamlet has also given her a chaplet of gold to serve as his wedding present as well as a portion of her dowry.

It is a long service, lasting from dawn to just before noon, and afterward there is a feast for nobility and gentry alike, with bread and alms given to the poor.

We jesters are permitted to watch from the choir, for otherwise we could not see the event. As it is, we spend most of the time trying to keep Oduvit from speaking his soft-voiced and lewd remarks loudly enough for anyone but ourselves to hear.

“Think of what Polonius will do tonight,” Oduvit says, running his tongue over his lips. “What treasures he will taste in that sweet spring bud he has picked. What it must be like, delving into such a woman. Have you seen the way she walks? There is rich treasure between her legs, and it is his for the plundering. What pleasure he will have with her. Do you think Polonius knows enough to realize how fortunate he is, and how poor the rest of us are by comparison?”

“It doesn’t matter,” says Mect in quelling whispers. “He is the King’s man and he marries as suits the purposes of the King.”

“Lucky for him that the King didn’t find a hag of thirty-five to lie down for him. There’s no pleasure to be had between sagging thighs and withered dugs.” He grinned angrily. “But he might not get children off such a harridan. The younger girl is better, and much more enjoyable.”

“Be quiet,” I warn him.

“Do you think she looks forward to the night, to his hands on her? Imagine his hands on her breasts. She looks to have large ones, with big nipples to feed big children. Do you think he will squeeze them and mouth them? Is he one who bites to show his passion? Do you think he will leave his mark on her? How long will it be before he has left his token in her? Is he one who leaps at the first sight, or will he linger over the event? Will she cry aloud when he is on her? Or will she only cry afterward?” He stifles his amusement as the priests bless Polonius and Ricardis. “Hush,” I say.

“She looks the sort who will have a taste for it. Once she has learned the way, she will be a mettlesome filly, full of tricks and needing a master in the saddle. Polonius will be run ragged, trying to keep her faithful,” Oduvit announces in an undertone, his eyes glittering with anticipation. “And when she gets bored with him, who knows where her fancy will take her?”

“No more,” I whisper, for I suspect Polonius heard the last, judging by the set of his jaw and the way he is standing.

Oduvit makes a great show of putting his hand to his mouth, nodding several times as he does. “Oh, yes, oh, yes. Very serious occasion. Decorum at all cost. Mustn’t be overheard,” he mumbles through his fingers.

“You will disgrace yourself with Hamlet,” Hedrann cautions him, though his face is puzzled. “He wants this wedding; he said so.”

Oduvit is deaf to all of us. “I wager he’d rather have the girl for himself, instead of that sleep-walking Frenchwoman. Or a handsome boy. That might make a better prize for our King.” He smacks his lips. “Look at her—she moves as if she’s dreaming. No wonder she gives the King no children.”

“She is grieving for the child she lost. Women do that,” says Hedrann, whose three children all died of grey fever six years ago. His wife died the year before last, still filled with melancholy.

“Not she,” says Oduvit with a sharp look directed toward Gertrude. “She wants no children, not of Hamlet’s get.”

“Oduvit!” Mect admonishes him.

“Say what you want; I know I’m right. You have only to look at her to see it,” Oduvit insists, but falls silent as the wedding continues.

* * *

The leader of the players is called Hieronymous. He has accepted my invitation to take a cup of Rhine wine with me in what we call the Refectory, where the jesters dine. It is not far from the pantry and the succulent odors of the kitchen are always in the air.

“We play one more time this evening,” Hieronymous says as I fill his cup. “We are to do the Bride of Corinth, in four acts and nine scenes, one of them a battle. There are eighteen costumes in the play. Strange fare your King chooses for weddings.” He lifts his cup to me before he drinks.

“I have been told that play is the Queen’s choice,” I tell him, although I, too, think it is an odd selection.

“Well, we’ll do what they ask; that’s a player’s lot,” Hieronymous promises as he tosses off half the wine. “Not bad. Your King must have a good opinion of you to let you drink so well.”

The kitchen cat has ambled into the Refectory, tail aloft; she permits me to scratch her head and begs noisily for something to eat.

There are slices of cold meat set out for us, to accompany the wine, and I break off a little pork to give her; she takes it daintily then eats with dispatch, growling to herself.

“A pretty little thing, that cat,” says Hieronymous, watching the cat with some anxiety. “But don’t you find her unlucky?”

“Not I,” is my answer, “She is my good companion.” “Companion?” echoes Hieronymous, so shocked that he makes the sign to keep the Evil Eye away. “I wouldn’t take such a chance as that, having a cat so close to hand.” He shakes his head and reaches for the wine to refill his cup. “But a place like this has rats, I suppose. You’d want a cat for that.” “That’s true enough,” I agree, “There are no mice in my chamber.” I continue to rub her ears, listening to her gratified purr. I hope that the Male Goddess hears.

“But cats are dangerous. They stop the breath in the throat,” Hieronymous says, his apprehension undiminished.

“This one has never done such a thing to me, or to any of her kittens,” I tell him. “She is a good mother; better than many I have seen who walk on two legs.” I gesture around the Refectory, to change our subject. “Not too bad providing, is it?”

“Many jesters have to do with worse,” Hieronymous concedes, willing to talk of something other than the cat. “In Spain the King keeps only the mad to amuse him, and they are chained when they are not in his presence. The jesters in Burgundy might as well live in the stable for all the comforts they are given.” “They’d probably prefer to,” I say. “Live in the stable. Most horses are well-cared-for.”

Hieronymous pulls at his lower lip, making the movement an indication of his inward perplexity. “Don’t you find the life a little stifling?”

“Nothing like being a monk,” I point out to him. “And with such a back as mine, what else could I do if Hamlet did not employ me?” “It would be a quieter life,” he remarks.

“For those who seek quiet, I suppose it would be welcome, but I cannot be still, and kneeling hurts me. I can read and write, but to spend hours on a stool would be worse than the rack.” I give him more mead and have half that amount for myself. “If I were stronger, and my back straighter, I might have been a scholar like my father, but under the circumstances, that wasn’t possible.” The kitchen cat departs, paying no attention to either of us.

“A scholar, was he?” Hieronymous asks with interest. “With the King as his patron?”

“Occasionally. Most of the time he traveled, and was paid to teach what he knew. It was not a wealthy life, but we didn’t starve.” I pick up a morsel of pork and dip it in the mustard powder that has been set out. “The worst of it was that he was gone for long periods of time, and that made some hardships for the family.”

“It sounds as if his life was not unlike a player’s life, except his audiences were fewer and farther between. Still, he spoke to audiences, I would guess; we have that in common.” He grins, hefting his tankard again. “The new-wed pair, they are favored by the King, aren’t they? I have heard that the bridegroom has rendered great service to the Crown.” “That he has, and no one thinks so more than he,” I respond, wondering why this player should be interested.

“The pains of young success,” he says. “What man is noble enough to avoid them, or know them for what they are?” The question is surely rhetorical, and he gives me no opportunity to answer it. “I have seen it happen to actors. They learn a popular part and are well-received for performing a role that is designed to be well-received, and that in turn leads them to believe that they have accomplished more than they have; they do not realize that the role is what has succeeded, not their abilities. For some it is a crushing disappointment when such adulation does not continue.” He chuckles. “Is that Counsellor wise enough to avoid that later disappointment?”

“I don’t know,” I say, honestly enough, but with more reserve than I felt at the first, “Why do you speak of it?”

Hieronymous looks flamboyantly startled. “Oh, no reason in particular. Idle curiosity. Actors are forever watching the people around them, looking for things that will contribute to performances. I thought I recognized a characteristic pattern in that young Counsellor.” His smile is wide and candid, and for that reason alone I cannot trust it. “You know him better than I. It struck me that you could tell me if I had perceived this man correctly.” “I don’t know Polonius much better than you do,” I tell him as if it is a confession. “And I haven’t had much opportunity to study him. He came to court only two years ago and he has been gone on missions most of the time since, in other courts. He has been here for grand occasions, not for the daily routine. But I suspect you may be right in what you say.”

“Ah,” says Hieronymous, downing the rest of the mead, “Well, in time you will discover if he is up to the tasks the King will set for him.”

“In time,” I repeat.

“And in the meantime, he has a beautiful new wife to delight him, which has probably added to his sense of his own importance.” He leans back on his stool. “The King may have great plans for his young Counsellor.”

“Quite possibly,” I say, as much to give him no purchase on my opinions as to make myself appear attentive to his words.

Hieronymous shows me a satisfied mien, and I do what I can to mirror it.

ELSINOR

After the wedding and the departure of the players, Elsinor seems oddly empty and dull. The routine of the day, usually dependable and gratifying, after the excitement of the last few weeks now seems uninteresting and stultifying. Everyone goes about his work as if burdened. Everyone is restless. Hamlet is as much affected by this as anyone, and he confides in me one evening that he misses the days when he would gather his soldiers and take to the field. “There is no zest, no rigor any more. Oh, hunting may be fine sport and it gives some excitement for a day,” he admits, “but it is not the same as campaigning.”

“It is less hazardous,” I remind him.

This does not impress him. “Where’s the glory in safety? Or in killing stags?” His eyes are glum as he strokes his short beard. “It is well that we are at peace, I am well-aware of it, but it is infernally boring, too.” Before I can make any remark, he goes on. “Yes, I know that there are dangers aplenty around us. You don’t need to say anything, your silence is eloquent enough, Sir Yorick. But these dangers are not the dangers of cannon and lance and sword. Those are worthy opponents a man can face with a clean conscience. In peace, however, it is the subtle weapons one must fear—betrayal, poison, and scandal.”

There is nothing I can say that can deny this, or make it into a jest, so I reach for my jester’s sceptre and give it a good shake, as if to banish the doubts that have gathered around him. “There are more ways to rule at home than one.”

Hamlet turns to look down at me, and there is wrath in his gaze. “What did you say to me?”

I cannot help but retreat before those condemning eyes. “I…I said that…there are more ways to…to rule at home.” I swallow against the hard knot in my throat, but it will not budge. “I only meant that…that you could do more things, build new roads and bridges and ships. You can expand Elsinor or build a new castle. That’s all I intended. Nothing else.” What was it he thought I meant? I have guesses, but that is all they are, and I cannot bring myself to ask how I have given offense.

It takes several heartbeats for Hamlet to consider my hesitant explanation. “Apparently I’ve misunderstood,” he says, but there is still a condemning note at the heart of his implied apology.

“I spoke badly,” I tell him. “I never thought it would….” It is better not to go on, I realize. A moment later, I think of something else to say, oblique to what I suspect may be the reason for his condemnation. “Are you going to find another lady to replace Ricardis with your Queen?” The question might be ill-timed, but it serves its purpose.

“It’s expected of me,” says Hamlet, his eyes fixed on a point in the air halfway across the hall.

“She has not said so, has she?” I ask, knowing the answer; I have heard her speak to her remaining women and I know she does not want to be brought into the problem. “She says very little to me,” Hamlet sighs. “She is so quiet that sometimes I wonder if she is truly here, or if her heart is returned to Lorraine.” He continues that same, blank stare. Hamlet shakes himself as if to rid himself of clinging doubts. “Gertrude cannot be permitted to be without waiting-women; it isn’t fitting.” “Have you decided yet what family to honor?” It is an uncomplicated question, and I ask it as guilelessly as I am able.

“It isn’t as simple as that,” he tells me, frowning. “If I accept one woman, then another family is slighted. If I refuse a particular woman, all her cousins are affronted and—” He makes a motion as if ridding himself of something sticky on his hands.

“Has the Queen told you of any preference?” I ask. “She hasn’t said so. I think she is unwilling to decide. There are many who seek to provide Gertrude with companions. Everyone at court has a daughter or sister they would like to have here.” He purses his lips. “I haven’t yet decided what to do.” Relenting, he motions me back to the side of his throne. “My outburst was…I’m worse than a churl today.”

I make the most of my opportunity, and hope that the Male Goddess has not forgotten me. “Not worse than a churl—your clothes are too fine for that.”

Reluctantly he laughs, “All right,” he says, and I can hardly conceal the relief that comes over me; I have escaped his displeasure.

* * *

Word has come from Hamlet’s youngest brother that he is once again returning to court after more than seven years of travel and study; he declares himself eager to stand on Danish earth once again, though when he left it was with such scorn for this place that Hamlet was ready to throttle him. I hear the news from Hamlet himself when he informs his Council; I wonder how much remains of that discontented youth who claimed to want no part of his own heritage because he was convinced he would never rise beyond his place of Hamlet’s youngest brother. I try to calculate his age now—twenty-five or -six must be about right.

“Claudius has been in Constantinople, and Venice, and Milan, and Avignon, and will leave from Burgos at the end of summer, coming by way of Cherbourg and Bruges,” he announces. “It will be our highest purpose to welcome him home. With Frederick and Wilhelminus dead, he is more dear to me than any brother can be, for until my Queen presents me with an heir, Claudius must be the hope of my House.”

The Counsellors nod in somber agreement, all of them wishing to place themselves on good terms with the King’s only surviving brother; there is no telling what may come in time, and these men are canny, thinking to make the best of every new development at court.

“He is to be met with a suitable escort of knights and nobles, and his progress to Elsinor is to be accomplished with fitting grace and displays of esteem.” There is no disputing that tone of voice, and all the Counsellors know it.

“What festivities are in order?” asks Polonius, taking full advantage of his favored position.

“There must be some, and at more places than this,” Hamlet declares. “But I haven’t decided what is best to do. I will welcome your good guidance.” He inclined his head toward the Counsellors. “Let me know what you think is most appropriate.”

It intrigues me to watch how the Counsellors respond to this, though each of them attempts to hide his reaction from the others, for no matter how skilled they are, they cannot conceal the leap of hunger in their eyes, nor the quick tightening of their hands. This once I miss the stern honor of Horatio.

The rest of the meeting is filled with stifled zeal, and whether the need for a new road is discussed, or the quality of the early harvest, the excitement remains fixed on ambitions and the opportunity to gain Hamlet’s approval and favor; nothing else can eclipse that most compelling occasion.

CLAUDIUS

“I remember Claudius,” Oduvit remarks to the rest of us as we linger over the evening meal. “A mean-faced puppy, for all he was nearly of age, and jealous to a fault. He detested everyone who he thought belittled him, and could not be amused by anything but his own wit. He treated everyone like peasants except the King, and him he regarded as a potent force in need of constant placation. He despised his other two brothers, and made no secret of it. I heard him call Wilhelminus coward and a lover of boys; he dared not speak so of Hamlet.” He laughs, his brows raising as if marking a special tidbit of malice. “Not that it wasn’t probably the truth, from what was rumored at the time, but Willhelminus did not like to hear it.” “Best keep that private,” says Mect. “Hamlet seems to be pleased at Claudius’ return, and anyone speaking to his discredit may find himself in trouble.”

Oduvit spits a wad of crust into the corner of the Refectory. “I am a jester. Who expects me to cater to what others think?” “Hamlet does,” I remind him. “Hamlet expects us to be audacious,” said Oduvit mulishly. “And that is what I will be, or I will count myself unworthy to my craft.” His small eyes are hard and sour and his curving lips pout.

Hedrann listens to this with an expression of disappointment on his face. “I knew Claudius when he was a boy. He followed after Hamlet as if his brother were one of the angels, and grew angry when Hamlet would not play with him, nor allow him to participate in his training for war. Sometimes he would shout and rage for being neglected by Hamlet, and other times he would brood. I found him once, sitting in the armory, his face hard as tempered metal.” He glowers with the effort of bringing these things to mind, “Not that Claudius wanted to be a soldier. He hated the sight of blood and he was too much cossetted by his mother, he being her youngest and all.”

I, too, have memories of the young Claudius, and I tend to agree with Hedrann. “He was a very pretty youngster. He liked music.” “Wilhelminus ought to have been jealous,” Oduvit snickers.

“Frederick disliked Claudius,” Tollo says, coming out of the reverie that often possesses him. “They fought often.” “That’s true enough,” says Hedrann. He leans back on his stool and winks. “Frederick disliked everyone,” Oduvit declares. “It doesn’t surprise me that he fell in battle. I am only puzzled that it took so long for someone to kill him. I would have thought he would have fallen to—”

“Best not to say that where Hamlet can hear you,” Mect warns. “He took the loss of Frederick very hard.”

“Yes, he did,” I second. “And do not suppose that he will be glad to be reminded of the way Frederick got on with Claudius. It would offend him. He dislikes hearing the dead spoken of without respect.” It may be useless to say this to Oduvit, but I believe that I must make some attempt to curb his impetuosity, for the sake of all of us jesters. “What difference does respect make to the dead?” Oduvit asks, and reached for the last of the roast pork that has been the center of our meal. As he gnaws on the slice he has pronged on his fork, he waves his other hand in the air in blithe dismissal of the dead. “They are not part of the earth except as clay.” “Don’t say that,” Hedrann protests, crossing himself and looking about as if he fears there may be ghosts listening to our conversation.

“The dead are dead,” Oduvit persists. “When they were alive, they could be offended. But once in the ground?”

“Leave it alone,” recommends Mect.

Oduvit shrugs. “If you are too frightened to listen, then I suppose it’s best.” He favors Mect with a short, sarcastic bow. “I do not flee shadows, but perhaps my mind is freer than yours.” “Don’t confuse your mind with your tongue, and learn to guard the latter,” says Mect, his patience exhausted. “The day will come when you will have reason to regret your slights, otherwise.” Oduvit has more to drink. “The trouble with you, Mect, is that you don’t know what it is to be a jester, only a spy.”

Mect rises from his place and leaves the Refectory without speaking another word, ignoring Oduvit’s triumphant cackles.

RICARDIS

Ricardis has come to visit the court and to spend several days with Gertrude and her women. She arrives with Polonius and is received with pomp in the main hall where Hamlet has assembled all the Counsellors to honor them. As soon as it is seemly, she hurries off with the Queen once the formalities are over.

At Hamlet’s suggestion, I follow after them, shawm in hand, prepared to give them a few tunes while they talk, or to offer them other entertainment should their discussions flag. As usual, I am admitted with resignation and given a place at the far side of the Queen’s sewing room where I can be left to play, and where I will not intrude on their conversation. I settle on the hassock and give myself a little time trying to select a tune they would want to hear. Margitha is no longer truly fond of Ricardis, but she shows her the proper degree of cordiality. “It has been very different here with you gone,” she says, not adding that she has enjoyed a higher position. “I’ve missed you all, so very, very much,” says Ricardis, her voice low and full of feeling.” I didn’t realize how far away my husband’s family holdings are. It is as if we have reached the end of the world.”

“They are in the north, aren’t they?” asks Margitha, though it is clear enough that she cares little about Polonius’ estates.

“Very far to the north. The sea is around us on two sides and we are on a rocky inlet. I thought at first it was beautiful,” Ricardis tells them, “But it is very isolated, and I am often lonely.”

“It is hard to go to a distant place,” murmurs Gertrude. I have started “The Song of the Grail”, letting the strong, simple melody play itself while I bend my attention to what the women are saying. Now I have to fight the urge to let the shawm go silent and give up my pretense of not listening.

“Yes,” says Ricardis with sudden passion. “That’s why I’ve pleaded with my husband to bring me here, if only for a short while, so that I will not long feel I have disappeared like those Russian swans in the tale.”

“Surely it cannot be as bad as all that,” says Raissa.

Ricardis cannot share her amusement. “You would not think it is possible, to grow so desperate so soon after marriage, would you? I did not think it could happen when we set out, but that was weeks and weeks ago. I thought I would come to enjoy the place. Yet this last month I have been afraid I would go mad, with only the sea and Polonius’ mother for company, and she caring for nothing but that I give him an heir.” Color mounts in Gertrude’s face. Margitha smiles without any sympathy for her old companion’s plight. “Yet you have a husband, and his mother protects you. Where is the burden in that, but idleness?”

Raissa cocks her head like a bird, mischief in her eyes. “Pride has a price, or so they say in Lorraine.”

“Raissa,” says Gertrude very quietly.

For once Raissa is discomfited and looks about her as if she had done something shameful. “It was not my meaning, my Queen,” she says at last.

“No; I hope not,” Gertrude responds.

Margitha does what she can to restore their congeniality, “So you welcome this interlude at court? Isn’t it more pleasant to be the mistress in your own establishment than a waiting-woman here?” “I would rather be here at Elsinor,” says Ricardis with feeling, and a single, angry glance at Raissa, “I miss having other women to talk to, and good food, and celebrations, and new-comers around the place, and even the jesters. I know I used to complain of it all, but I was wrong. There are many good things at court, and I long for them, even the things I thought I disliked. To be dependent on my husband and his mother for all my society is becoming unbearable. I know that this is the way wives live; it was what my mother had, and hers before her, but I cannot bear it. I cannot. It is his mother who rules his household, make no doubt of that, and I am nothing more than an interloper, or a servant to be put in her place.” Her sigh trembles, and she goes on as if compelled to speak. “His mother is my society there, and she wants no part of me. There is also his young sister, but she is nothing more than a child. She is delightful in her way but she understands so very little. And Polonius is away much of the time. And when he comes back, he—” She looks down at the length of linen that Gertrude is working with scenes of harvest and merry-making. Her chin trembles; she puts her hand up to conceal this and then she bursts out, “Why is it that men are so fast? It is over before it has hardly begun. It is unendurable.” She makes an attempt to moderate her emotions, though her good humor is an effort. “But I have not yet accommodated myself to him when…. My husband is a good man, and I am pleased to be his wife. I know that Fate has dealt kindly with me, to give me Polonius. I know I am well-honored for his name. Ours is a good marriage. I am truly cognizant of it. But he is…too quick. He has no more begun his work when it is over, and he is asleep! I know it is wrong to abandon myself to Lilith, I know it is sin to use the flesh for more than creation, I know it! but surely there is something better than—”

As I continue to play, I ask the Male Goddess to let them forget I am here, and to help me to keep silent about what I hear. The other women exchange uneasy, knowing glances, and for once Gertrude speaks, and although there is little inflection in her words, each one strikes like sleet in a storm. “They keep their own counsel. They never ask us, and are angry when we speak to them. Not even their whores can instruct them, I fear. They talk only among themselves, boasting and preening, and they say that they are experienced of women, and much sought-after because of their skills, when they know nothing of.… They share their ignorance and think that they comprehend us.”

“It is because they are fools,” says Raissa very softly. “All of them. And jealous of their place. They will give a flower to a woman when seeking her favor, but when that is obtained, then she is of less concern to them than the teasing of a mare. They assume compliance.”

Margitha looks away from Gertrude, but Ricardis does not. “I supposed that he might as well have taken pleasure with himself, for all he thinks of me,” she declares boldly, her chin up and her eyes bright. “I have tried to console myself with the thought that I will have children. He is very eager to have a son; he often tells me that he will be the proudest man alive when he has a son. Perhaps then he will be more mindful of me. If he has proof that we are united, then he might learn more regard.”

“I have heard that does happen,” says Margitha, but without much faith in her own assertion.

Now Ricardis is embarrassed at having said so much about her husband, and to these women. She takes a more optimistic tone. “This is a small matter, taken with the other factors. Complaints of this sort are less significant than the quality of his character. He is a generous man, and learned. His position is excellent. He has never beaten me. He has only this fault, if it is a fault, and his virtues far out-shine this one thing. There are those who say it is just his way, and in time I will learn.… But in all other things he is a good man, and I am grateful to be his wife.” “I warrant it is his mother who tells you that,” says Raissa with a quick, furious grin, “That you will learn to live with him without fleshly pleasure.”

Gertrude nods once as if her head were heavy with understanding. “She tells you that children will make a difference, doesn’t she? Perhaps they will; I don’t know,” she says slowly.

“There was a woman I knew when I was a child,” says Raissa suddenly, “She was reputed for her devotion to her husband, and his to her. But when she followed his coffin to the graveyard, she said that she was glad to have bested him at last. She said that all she had lived for these long years was the hope that she would survive him and could spit on his grave.” She stops, then adds, “She said that he had been indifferent to her, as if she were nothing more than a cooking pot. She could have accepted his hatred but she could never forgive his indifference.”

Ricardis puts her hands to her cheeks. “That poor woman.”

“She died not quite a year after he did,” Raissa went on. “Almost everyone said it was grief that killed her, but it wasn’t. I know it wasn’t.”

The women are silent for a short while.

Then: “I hope Polonius’ mother is right,” Gertrude says quietly. “I hope that you will be able to show him a better way, in time. But there seems to be no way to change them, not once they decide that what pleasures them must pleasure us as well.” She sighs once. “It would not require much—a gesture, a word, some token, a way of speaking to make it less a ritual and more a.…” “More a joy,” says Ricardis sadly. “Yes,” says Gertrude.

* * *

The kitchen cat wakens me with her determined kneading of my side, just below my ribs where the fat makes a little roll above my hip and only my thin rail is between her claws and me; the pressure and pricks of her taloned feet rouse me abruptly out of a troubling dream. I reach out even as I wake and move her so that she will not scratch me. She, being a cat, returns to her chosen place and resumes her self-set task.

Her purr is steady and determined, and her eyes are half-closed with contentment. “That’s painful,” I whisper to her, and pick her up a second time, placing her near my head where she can maul my pillow instead. I do not mind her claws, nor her affectionate contempt for me, because she is a cat, and in the way of cats she is being kind. How strange, I think to myself as I touch her, that I am afraid to give her a name, as if that would set her apart from the other cats and somehow expose her to new dangers. What would be the harm in a name? What is the danger in it? I have no answer for my own question.

I pet the cat and speak nonsense to her, but she will have none of it; she will not be catered to. Perhaps she is offended, or perhaps she senses my apprehension. With a contemptuous flip of her tail, she returns to my side, and is frustrated when I shift my position to lie on it. Disgruntled, she comes back toward my shoulder, still moving with determination while she selects another place, one of her choosing, not mine. As I fondle her ears, she turns and gently bites my hand, showing me that she is not going to be bribed, least of all by the scratches she thinks of as her due. Then she licks my palm with her raspy tongue before settling down to wash herself, for the time being ignoring me entirely as she sets her fur in order.

It is hard to watch her in the dark, to discern what shape is her and what is the night. I make a test of it for myself, refusing to touch her to confirm what my eyes struggle to make out. I think of the little Male Goddess hidden beneath the mattress, and wonder what He-in-She must see there in the perpetual shadow, and what the shapes must mean to Him-in-Her. I move so that only my head and pillow rest over the little figure, so that He-in-She will not have to bear all my weight as well as the isolation of His-in-Her hiding place. Once again the cat washes my hand, this time taking longer, as if she were caring for one of her kittens. She is methodical in what she does, and tenacious, holding my fingers open with her paws. When I turn my hand over, she keeps at her washing, taking special care to bite at my nails in the same way she cleans her claws. Occasionally she purrs her satisfaction in her work, and once she bites my knuckle as if to rid it of the knob of bone. I utter a single sound and she resumes her licking. It may be that she is preparing for her next birthing, for she is beginning to show her pregnancy.

“Thank you,” I tell her, so quietly that a mouse’s footsteps might be louder. “You are good to Yorick, little cat.”

She rises and stretches—I sense more than see the arch of her brindled back—and then she selects a place immediately next to my arm where she curls up to sleep, purring a little as she drifts into her dreams. A bit later she begins to snore.

* * *

It has been raining for two days and everyone is growing heartily sick of it. The roads are all but impassable and reports have been brought that there are two bridges in danger, one of them on the way Claudius is supposed to come. That is another cause for worry, of course—that Claudius will have to put up in some farmer’s hut because he cannot reach Elsinor.

“I should have sent a larger escort,” says Hamlet, irritation making his temper short. “It is hardly unusual to have rain in the autumn. I should have considered it when I established my plans. Now I cannot go myself, to meet him at Martinus’ castle, because I am as trapped as he may be.” He pauses, and goes on darkly, “Not that I would want him to have long days to spend with Martinus. That old fox is ambitious as Lucifer, and it would not do for him to advance his purposes with my brother before he and I are reunited.”

“He might not have landed yet, my King,” I point out to him as I do what I can to keep up with him as he strides down the long gallery toward the staircase that leads to the Throne Room. “Then he is on the ocean in a storm,” says Hamlet, refusing to be comforted. “His life might be in danger. I’d rather have him mired on bad roads than caught in the tempest. On the roads there is no chance of shipwreck, and he would be guarded from any misadventure. I hope he has been prudent. He was often impetuous when he was younger, but all his travels must have taught him some sense. He could have put in at the lower port, and be staying with Horatio.” At the mention of this name, his face darkens. “Horatio has not yet come back to court. He will not come without a plausible excuse. He might want to draw favor for himself by escorting my brother here to Elsinor.”

“It would be an unusual ploy for him,” I remark, thinking that the old Counsellor rarely did anything so politic; in general he gave offense for refusing just such opportunities.

“It might please Claudius to keep me at odds with Horatio. It would be like him, as he was of old. It is what he did as a boy: set me against the rest, and they against me.” He goes a few steps further, his brow furrowed with careful recollection, his eyes distant. “But he was the youngest, and our mother was careful with him, afraid that something would happen to him because he was small, and her babe. She wanted him to learn other tricks.”

I shrug though it hurts my back. “If you insist on thinking only of dire things, I can do nothing.” The rain has worked on me as well as the rest, and I cannot keep from asking goading questions. “Are you going to send out couriers? Or must you wait for news that cannot be brought to you?”

“How can I send couriers? The roads are as bad in one direction as the other. I’ll have to wait until the storm has passed before I can do anything but fret.” He glares at me, then shakes his head. “It’s not you, Yorick, I am brusque with everyone. It’s this infernal weather. It has come at the worst possible time.” His face darkens once more, his brow drawing down severely as he moves on. “Everyone despises it.”

By everyone, I suppose he means Gertrude. I know better than to tax him with this possibility, but I do not want to give him no response beyond my acknowledgment, so I frame my mouth in a resigned smile and I remark lightly, “Especially those whose joints are sore.”

Hamlet stops and looks down at me. “Ah. I should be flogged. No doubt you are wishing me in the inner circle of fire.” He puts his hand on my shoulder, “You suffer in this rain, do you not, Sir Yorick?”

“No more than many another,” I say, which is true enough. “Still, I have been unthinking,” he tells me, his face still somber. “Stand a moment; I will wait with you.”

Now that Hamlet has shown me such favor, I find it difficult to accept it. I stand as straight as my back will allow and I say to him, “Whether I move or whether I stand the hurt is the same. We might as well go on down the stairs as wait here for the hurt to go away. That will happen only when the rain abates.” “Spoken like a true knight,” Hamlet approves, his good-humor beginning to return. “Would that some of my fighting men were as staunch as you. Would you fall on your sword for me, I wonder? Are you Roman enough for that?”

I know that it is wrong to put too much faith in the praise of the high-born, but I cannot keep from smiling at these encomia. “Tell me where you want me to fight, and what enemy, and I will do it, rain or no rain.”

“I believe you would,” says Hamlet with a gesture of approval, and starts walking again, signaling me to follow him.

The ache in my bones is much lighter as I march after him.

CLAUDIUS

Claudius appears taller then when I saw him last, but it could be because he is much grander, his houpelande of fine brass-colored brocade with sleeves so vast that their dagged edges trail on the floor and the sleeves of the camisa beneath show their lace cuffs; his hair is cut in the manner of the French. His sword is from Lucca and his rings are Italian. His shoes have points on them, but not so long that he cannot walk up stairs but sideways with them. He goes on his knee to his brother with a grace that is not often seen in Denmark, and he speaks in well-modulated tones. He is easily the handsomest man in the whole Hall, and he carries himself as if multitudes trailed in his wake. “It does my heart good to look on your face again, Hamlet.”

“Welcome home, brother Claudius,” says Hamlet, and comes down from his throne to raise up and embrace this elegant courtier. “It is my greatest delight to see you here once again.” He pauses and steps back a pace from Claudius, the better to take in the splendor of his dress. “When you left you claimed you wanted nothing more than a fur-lined cloak and stout boots. Travel appears to have changed you.” “So I hope,” answers Claudius, with so dazzling a smile that I see at least three of the Counsellors all but gnash their teeth. Then he becomes more earnest. “There are only the two of us left, brother.”

I move a little closer, so that I am in front of the throne instead of behind; I can see Claudius’ features as he faces Hamlet. “You and I are all the hope of Denmark,” says Hamlet, and then gives Claudius a hearty hug, patting him on the back with determination, making sure that all the court sees what he has done. “Well, well, let us be ready to share our duties.” He grasps Claudius by the shoulder and swings him around to face the court. “Be sure that all know you are in the center of my favor.”

I have never seen an expression quite like the one Claudius wears now: it is compounded of greed denied and envious love. At the moment I do not doubt that Claudius is truly overjoyed to be received in this way, just as certainly as I do not doubt that he would rather pass through the fires of Hell than owe one iota of gratitude to his brother. I would ask the Male Goddess to bring contentment to Claudius, but I cannot believe that contentment is possible for him, nor would he know it if he were given it.

“Let each of you,” Hamlet is going on, addressing his Counsellors, “be happy to receive Claudius among you.”

Claudius has hung back from Hamlet, and it appears that this is more than royal reserve or the caution of one who has been away a long time; it seems to me that he has already started to resent his place at court, for he is still the younger brother of the King. He stands very straight, resplendent in fine brass-colored brocade, as out-of-place as a blackamoor would be.

I cannot tell if Hamlet is aware of any of this, for he is passing among his Counsellors and courtiers, his manner so cordial that one might suppose there was never an argument at court. Those Hamlet addresses are at pains to approach Claudius at once, and to inquire about his journeys, aware that the King does not often walk with his arm around the shoulder of another, no matter how favored. How could it be, I ask myself and the Male Goddess, that Claudius’ ambivalence is unknown to Hamlet? And, if it is apparent, why should Hamlet deny it? At a signal from Hamlet, Polonius comes into the Hall and raps the flagging with the end of his staff. He executes a splendid bow, then stands aside as the Queen and her ladies come forward to be made known to Claudius, making a lesser bow to his wife as she follows Gertrude down the long aisle.

Claudius stares as he watches Gertrude approach, his eyes like a famished man denied food at a banquet. I can see that he is rigid as he faces her, taut as a bowstring. After a weighty pause he bows gracefully and deeply to her, and she curtsies to him as if to Hamlet himself. “How fortunate for my brother that Heaven has graced him with so lovely and gracious a Queen.”

“Well done, well done,” Hamlet says amiably as he holds his hand out to raise up his wife “She is lovely, isn’t she? And as sweet-tempered and thoughtful as any man could wish. You are right, Claudius, Heaven was good to me when it sent me Gertrude.”

He beams at his wife and then at his brother. “It does my heart good to see so excellent a beginning made.” He turns to Claudius, adding, “I know myself to be the most fortunate of men.”

I scramble down from the dais and hurry to Hamlet’s side, pretending to be eager to amuse, but in truth to find what it is that has suddenly made the air feel as if there were lightning in it. I bow to Hamlet and Gertrude, then give a lesser bow to Claudius, doffing my hat with a flourish.

The look in Claudius’ eyes has changed to one a hawk might have when it finds its prey. His pale blue eyes are brilliant as ice as he again stares at Gertrude. “Well met, Queen and sister,” he says, so smoothly and deeply that I think the player Hieronymous would envy him. “Well met, my husband’s brother,” she answers, and there is a tremor in her voice that I have never heard before.

“Fortune has given you a treasure, indeed,” Claudius goes on to his brother although he does not look away from Gertrude.

“So I think, and thank God for it every day,” Hamlet declares. He looks from his wife to his brother and grins. “How good it is to have my family united once more.” “Yes,” says Claudius, his voice an echo.

Gertrude says nothing. When she looks at Claudius again her lips are moist.

* * *

It is Oduvit, of course, who cannot contain himself. “Did you see the way that popinjay devours the Queen with his eyes? Strips her bare and plunders her like a woman taken in war?” His laughter is more malicious than ever, and he rocks back on his bench. “There should be scorch marks on her clothing, for the way he looks at her.”

Hedrann is staring at the far wall of the Refectory, his wide, loose mouth turned down at the corners. “It’s a bad business.” “And Hamlet!” crows Oduvit. “He’s done everything but turn back the sheets for his brother. Mark my words, he will have horns before May Day.” His baleful merriment fills the rest of us with gloom, just as he intended. “How splendid an opportunity this is. What is wrong with you? Don’t the rest of you know how fortunate we are?” “The King deserves loyalty from us,” says Mect quietly. “And never more than now.” He pours more wine for himself but does not drink it. “I doubt he understands what has happened.” “Who?” demands Oduvit. “Not the King, no, he’s ignorant and happy. Like so many cuckolds. He thinks that he has made his wife and brother friends. Friends!” He hoots with derision. “And when he finds out—”

“You would be worse than a fool to appoint yourself the bearer of those tidings,” warns Mect.

“There may be nothing to find out, and no message to bear,” I remind him. “Claudius may look, and he may dream, but he is not so lost to honor that he would betray his brother’s wife.”

“Wouldn’t he?” Oduvit asks, his smile becoming sweet. “I think he would like nothing better than to claim something that was Hamlet’s as his own. The more Hamlet treasures it, the more Claudius lusts to have it. And what does Hamlet value more than his French wife?”

“You are treading on dangerous ground,” says Mect, his tone sharper and his face no longer composed. “For God’s sake, let be.”

This serves only to make Oduvit more determined to press on. “It is going to be very amusing. For once the jesters will have the better entertainment, and something the court will laugh about with us. Imagine how they will sneak and steal and lie. Ah, yes, especially lie.” He is giggling now, and he draws his knees up toward his chest, his face suffused with color. “Oduvit!” I speak his name like a curse, and have the pleasure of seeing him wince as if he had been slapped. “Listen to me, to all of us. We will not let you bring shame to Hamlet, not by jest and not by snare. You are not to meddle in this.”

“Of course not,” says Oduvit, though none of us believe him. “For once be guided by us,” Mect implores him. “There is too much at stake here for you to make light of it.”

“Certainly,” says Oduvit, less convincing than ever. He drinks his wine quickly and stares around the table at the four of us. “You don’t see the opportunity, do you? You’re as bad as the Counsellors, trying to put a good face on it when anyone can see that there is going to be nothing but problems here.”

“That is why we must put a good face on it,” Mect says. “We, more than any other, for in a court, the gossip will follow the jesters’ gibes more often than not. And we would do the King and ourselves no service to arouse him to wrath, or to mock him for his brother’s desires.”

“It is our work to jeer at what the mighty do, to show their folly and their frailties. It is our skills that make such things comedy instead of tragedy. And this has all the makings of a tragedy if it is not mocked.” He sets down his flagon and folds his arms, glaring at each of us in turn; only Tollo, whose wits are more disordered than usual, pays no attention to him. “If you speak of this, if you mock it, it will be a tragedy in the making, thanks to you,” I tell him flatly, no longer willing to dispute the matter with him. “If you make yourself a traitor to the King, you will also become my enemy.”

“What does that matter to me?” Oduvit asks with all the insolence he can display. “An enemy of a jester. How frightful.” “I have the right to challenge you; and jeer if you wish, I will do it,” I say with more heat than I had intended.

“Challenge me? What? To fight?” Oduvit drains his wine again and flings his metal cup aside.

“Yes,” I tell him, taking no heed of Mect’s hand on my arm.

Oduvit is laughing so furiously that there are tears on his cheeks. “You and your knighthood!” he howls. “You think it means something! Sir Yorick!” And with that he has to reach out to steady himself so that he does not fall off his bench.

“It’s bad to laugh like that,” says Tollo suddenly. “My mother said so.” He crosses his arms over his chest, his hands turned inward on his shoulders. His knees draw upward and he whines a little.

“Yes,” says Mect, “it is bad to laugh like that.” His face is hard as he regards Oduvit. “Listen to me, Oduvit,” he says quietly. “If you put us in danger, Yorick is not the only one who will turn against you.”

Tollo begins to weep in earnest. He looks from Oduvit to Mect and pales with fear. As he ducks his head, he sobs.

Oduvit’s laughter ceases, and he snorts to show his contempt. “Two jesters, and one of them more spy than jester. What have I to fear from the likes of you?”

* * *

Shortly before she departs for her husband’s estate, Ricardis spends one more afternoon with Gertrude, this time in the Ladies Hall, where Gertrude has taken to reading during the pallid hours as the distant sun fades. Most of the time she has Margitha for company, but today, as Ricardis is leaving at first light tomorrow, she sits with the Queen alone; I am there only to provide music for Gertrude, for which I am grateful.

I have my shawm and I sit on the far side of the Hall, as I often do, for the King wishes to make the days less burdensome to his Queen. Today I have been playing simple country tunes, the lively and the plaintive ones by turn.

“My husband tells me I will not be able to come again until May Day, for the festival then.” Ricardis holds an open book in her hands but has not looked at the words on the page. “I wish it could be sooner.”

“So do I,” says Gertrude, sounding almost half-asleep. Languidly she leans back in her chair, her attention fixed on the large tapestry hanging over the window to keep out the cold, and the light as well. She indicates the stitched scene of courtiers parading in a garden, blooming trees around them. “These eternal dark days. Don’t you wish it were spring?” “Yes,” Ricardis answers with feeling. “It is so…. She puts her hands to her face to conceal her tears.

“You mustn’t do that,” says Gertrude calmly. “It does no good and it weakens us. You must learn not to weep.” “How can I not?” Ricardis asks as her tears come faster, “They say that when women are bearing, they weep at nothing. And this is more than nothing.”

“Tears are never for nothing; that is why you must never let anyone know you have shed them,” says Gertrude with an intensity that she rarely shows, and adds, “Are you certain that you are bearing?” “Fairly certain, I cannot eat of mornings, everything oversets me, and”—she puts one hand to her breasts—“they’re so sore all the time.”

“Does your husband know yet?” Gertrude asks, once again in her remote way. “I haven’t said anything to him,” Ricardis admits tearfully, “I don’t want to tell him and then have him be disappointed.” “Disappointed?” Gertrude repeats. “He should think himself honored above his merits if you give him an heir.”

“And if it is a girl, what then?” Ricardis asks. “I have prayed and prayed that it is a son, but I am filled with terror that it could be—”

“A living child, sound in limb and wits—that is what matters,” says Gertrude. “All else is nothing but vanity.” Ricardis takes two long breaths but cannot stop her weeping, “It is so demeaning, giving in to this.”

Gertrude sits up and reaches out to her companion. “You cannot, because you must not, or you will lose all,” she says with great conviction and none of the listlessness she possessed until this moment. “You must never let them know that you can be beaten. If you do that, they will be at you and at you and the time will come when you will capitulate.” She puts her hands on Ricardis’ shoulder, not in the easy, nonchalant manner she does with the others, but with vigor, as if she is urging a solider back into the fray. “Make them think that you are indifferent to what they do, and they will not hound you.”

I set my instrument aside; I do not want either of them to notice me. They will remember I am here soon enough.

Ricardis has not regained control of her feelings, and though she listens, she shakes with her effort not to cry out. Her eyes are like one blind, staring at a distant place. She seems wholly caught in her misery as surely as if she were in a prison cell.

“Be resolute, Ricardis, and take care to guard yourself against all the assaults they make on you. Do not let yourself become their slave. It is what they want, but it is the way to defeat.” She takes Ricardis’ hand and holds it between her own. “Be like Elsinor, or Polonius’ castle, and close your gates to any who will to take you, either by stealth or by attack.”

“My Queen?” says Ricardis, with a tone in her voice now that hints at new understanding. “What do you mean?” “We are the citadel, and they will hold us in high regard only so long as we remain unconquered. We challenge them with our unassailability, and they show us attention and respect for as long as they cannot prevail. It is their way to want us to fall to them, and to despise us if we do capitulate at last.” Gertrude hesitates, and goes on with less determination. “And like citadels, we must be most careful of treason within. Our trust may defeat us more readily than foes could. We will suffer more for our own weaknesses than for their weakness.” She lifts her chin, and I see something in her expression that is there only for an instant, a look of a lonely child.

Ricardis is nodding, and she no longer weeps. She pulls her hand free from Gertrude’s and touches her guimp as if she could rearrange the hair beneath. She bends forward and whispers something to the Queen, and Gertrude shakes her head in sympathy.

What would the Male Goddess make of this? Does He-in-She have such misunderstanding? Does that-which-is-female fear that-which-is-male? Or has He-in-She resolved these battles which consume the Queen and the women around her? Does the Male Goddess triumph by truce or by unity? I keep my thoughts on these matters so that I will not be tempted to eavesdrop. “But it is very hard,” Ricardis says a bit later, no longer whispering. “With the child coming, I want to surrender to him, but not on his terms.” “They are the only ones you will be offered, and your capitulation is the only goal,” says Gertrude with resignation. She is not able to smile, though her mouth curves up.

“And if you try to tell him that is what he is demanding, he will laugh at you, or think you are a fool.”

“Like one of the jesters,” says Ricardis sadly. “Yes, Polonius often tells me that he wishes he had my simplicity of thought. He tells me that his life is made difficult because of the complexity of his mind.”

“Jester,” murmurs Gertrude, and looks around.

Ricardis puts her hand to her lips. “Do you suppose he is capable of changing his—”

“Yorick,” says Gertrude sharply. “Leave us.”

I rise and bow to her, then pick up my shawm and hasten to the door. As I step into the long corridor that leads to the gallery over the inner court, I notice that Claudius is walking there, a book in his hands, his noble brow slightly furrowed. He is in another one of his splendid houpelandes, this one of velvet the color of pine needles, I bow to him, expecting him to pay no notice to me.

“Wait a moment,” he tells me, holding up his hand.

I stop, offering him a bow; since he has arrived he has been a stickler for courtesy, and most of us have not wanted to dispute the question. It is easier to bow than to debate about it. “What may I do for you, my Lord?”

Claudius smiles at the sound of his title. “Give me your company for a short while. I must confess that Roman de la Rose is beginning to pall.”

“Guillaume de Lorris is hardly Aristotle,” I say to him, letting him take it as complimentary or derogatory, whichever he prefers.

After a pause no longer than the flick of an eyelid, Claudius says, “Ah, that’s right. Your father was a scholar, wasn’t he? My brother had him do tasks for him from time to time. He found books for him, didn’t he?”

“Occasionally,” I say, disliking the air Claudius has taken on.

“No wonder you know about Guillaume de Lorris,” says Claudius, satisfied that he has settled a question in his mind. “Yes, he is a light author. But pleasing in his way, and as sharp of eye as he is of wit,” says Claudius as he closes the book. “On such a day as this he brings greater enjoyment than weightier writers.”

“I suppose he must,” I say, wishing I had reason to leave him, for there is something in his eyes that speaks of obsession and longing.

Claudius cocks his head on the side. “You have been with the Queen?” “So the King commanded me,” I answer.

He gives a decisive nod as if it were his orders I followed, not his brother’s. “Good. Very good. My brother is a very prudent fellow. On days like this one, while it is snowing, there is so little any of us can do to be amusing. All the Counsellors are in terrible humors; I left them to their acrimony more than an hour since. I suppose even you and your fellows are at a loss at times like this.” He purses his lips, then regards me quizzically, “And how is she?” “She appeared well,” I tell him, and so that he will not press me for more, I add, “I am there to play for her, and I have to keep my thoughts on my music, not the conversation of the Queen and her ladies. It would not be fitting to do otherwise.”

“But do you—” Claudius begins.

I shake my head and hold up my shawm as a signal to stop him. “I am the King’s Jester. I am sent to her to help speed the hours of the day and give her ease. She does not impart her thoughts or concerns to me.”

“No, of course not,” says Claudius hastily, gesturing to show how important he thinks this is. “It would certainly be most improper if she did.” He smooths his free hand down the front of his velvet houpelande. “A great honor for you, though, to be sent to entertain her.” “Yes.” I bow once again—with Claudius such demonstrations are always welcome—and point down the corridor. “If you will excuse me, noble Claudius? The hour is growing late. It is dinner time for me; we jesters eat between your meals, so that we can entertain you while you dine.”

“What a sensible arrangement,” Claudius approves, and indicates with a wave of his hand that I may take myself off.

MID-WINTER

In spite of the snow we open the west doors to let the old year out to follow the setting sun, and the east doors to allow the new year to enter with the dawn. This honors the Male Goddess, but no one mentions it, not any more. Gertrude wears the Mid-winter Crown, with eight candles glowing brighter than a halo, a reminder of the sun’s return. Her cotehardie was made in Lorraine and was sent to her by her mother; it is a shade of blue the sky might yearn for, and she keeps her place with such serene elegance that not even Claudius can outshine her.

For all the dark of the year, the King has been busy with the celebration; yesterday he led the hunt that brought back the meat for this feast. Already boar and deer and elk have been brought to the kitchens to supply the fare. Tonight Hamlet does the work of host with good-will and good-fellowship, filling the goblets himself and cutting the slices off the huge elk turning on the old spit in the Great Hall. Everyone laughs with him and wishes him joy of the new year, and he is as amiable as the landlord at a posting inn. He greets each person by name, and gives them the blessing for the twelve months to come, asking for health and wealth and happiness for every house in Denmark. As each of the guests go to kiss Gertrude’s hand, he promises them all that this year will be one of joy and prosperity. Tomorrow he will lead us all to Mass.

On this night the musicians have more work than the jesters. We are expected to dance and to tumble when midnight comes, but generally we have little to do but watch the festivities, because the Bishop has ruled that there is to be nothing to honor the old gods, not worship nor masques.

“I noticed that Horatio has come back at last,” Mect remarks to me as we sit in the corner chewing on our slices of elk.

“Yes,” I say. “I spoke to him when he arrived. It must have cost him much pride to be here.” I have another swig of hot wine and continue to chew the tough meat. “His wife gave him a son a month ago. I am guessing that he wants to secure a place for him at court when he comes of age to be an esquire or a page.”

“He would hardly come here for himself,” says Mect. “He would wait until the end of eternity rather than appeal to Hamlet to readmit him to his Council.”

“True.” The elk has a good, strong taste but it is a test of teeth and jaws to eat it. “But he would not ask his son to carry that burden. He has come for the child, not for himself; depend on it.”

“With the burden of his father’s name he has more than enough,” says Mect, “True enough,” I agree.

Not far away a tabor-player starts pounding out rhythms, his two padded sticks blurred by speed. Mect shrugs as the noise gets so loud that he cannot be heard without shouting. He leans back against the wall.

I continue to labor on the elk and watch the dancing and the great pride that Hamlet shows in his wife. Claudius has been dancing with Raissa, and they make an arresting couple as they turn and bow and sway through the figures of the dances. They speak in French and laugh often, both of them showing themselves to advantage. “Is that a match?” Mect demands loudly a little later on, noticing the two I have been watching. “It could become one, I suppose,” I answer. “Hamlet may have other plans for his brother. Raissa is not from a very important family.” “Who else would Hamlet want for Claudius? The fellow won’t be satisfied with one of the Emperor’s girls—they’re plain as peasants and over thirty.” He pauses. “Though one of them is very good-natured.” He rarely alludes so openly to his knowledge of the Emperor’s court, and for that reason alone I turn to stare at him.

“You have heard something?” I ask.

“There were rumors when Claudius first returned,” said Mect, speaking just loudly enough for me to hear him. “But nothing has come of them so far.” “What were the rumors?” I inquire, surprised that I am not aware of them already. “No one spoke directly to me.”

“Nor to me,” says Mect. “But I was fortunate enough to be where I could overhear a few officers of high rank as they sat over their supper and their mead. It was worth the wait to hear what they spoke.” He reaches out and pats my shoulder. “They made bets as to how soon Claudius would marry.”

“Did they mention any offers?” I should not be asking these things, and Mect should not answer them. Still, there are good reasons for me to know these things, or so I tell myself so that I will not have to stop our talk.

“Nothing so open as offers,” says Mect, cutting another bit of tough elk. “A few random speculations, and then nothing. I guess that neither Claudius nor the Emperor’s daughter were interested.”

“Claudius is the only surviving brother,” I say, voicing my thoughts. “He will have to marry, and marry well.” “There is a young window in Norway,” says Mect speculatively. “She has one child already, and she is said to be fair and accommodating in her nature.”

“Hamlet has not mentioned her when I have been with him,” I tell Mect. “What has passed between the brothers in private I cannot guess.”

“No more can I,” agrees Mect.

* * *

By the time I return to my quarters, the kitchen cat is already occupying most of the bed, curled in the center of it in such a way that it is impossible for me to occupy any part of it without disturbing her. I take off my chaperon and unfasten my belt so that I can take the morsels of venison and boar from my wallet; I can see her stir as the odor of the meat reaches her, “Come,” I prompt her, “For you and your growing kittens.”

She raises her head and makes a soft cry as her nose probes the air.

I sit on the side of the bed and hold out my hand, the bits of meat piled on my palm, “Here, little cat. Your share of the feast.”

She has come to me, and now she sniffs delicately at the meat, giving it all her attention. She takes one of the bits in her teeth and bites on it, as if to determine if she can eat it at all. Then she eats eagerly, growling, catching the meat on her claws before she gobbles it down. Her concentration is so complete that she pays no notice to the gentle scratching I give her ears. For her there is only her food: nothing else matters.

COUNCIL

Hamlet faces Horatio across the Council table, the two men looking guarded and intractable, both in somber robes with golden collars, both showing their age. It is Hamlet who speaks first, but only because custom demands it of him. “It is good to have you at court once again, Horatio. Yes. We have missed your wisdom and good counsel in our deliberations.”

Horatio reveals little emotion as he hears this, but when the King is silent, he rises in order to bow. “I have kept away too long.” “Well, at least you are returned; your absence was noted by all, and now all may rejoice in your presence,” says Hamlet, doing all that he can to keep their talk cordial, “And at a good time.”

“As you say,” Horatio says, sitting down again. “And you are right welcome,” Hamlet persists. He indicates the jar of mead standing between them. “Let us drink to the restoration of our friendship.”

“Gladly,” says Horatio in a voice that sounds as if he were resisting great pain. “And let us drink the health of my son.” “Ah, yes, your son,” says Hamlet, his manner faintly wistful. “Let us hope that soon my Queen will provide your son a companion for play.” He reaches for the jar and with his own hand fills their tankards. “I could wish nothing better for my son than that he befriend yours,” says Horatio, with such grim determination that I am convinced that it must have been his wife who demanded he return to court. “Amen to that,” says Hamlet warmly, motioning to the servant standing near the door. “Bring us good French wine, the best we have, and let us toast our friendship.”

The servant hurries away while Horatio and Hamlet regard each other across the table and I wonder if I am to speak or attempt to vanish. Hamlet decides the question for me. “Yorick, do you come and play for us; not the plaintive songs my wife so loves, but the anthems of battle, music worthy of men, full of the pride of life.” He indicates Horatio. “My old friend has returned to me, and I am moved to recall our early days together, in the field against our enemies. Play us a piece about battle and determination and triumph. It is fitting that we remember how we gained the victory, all those years ago.”

“They were valiant days,” says Horatio grudgingly.

“So they were, and we were grand in what we did. The recollection of those heady times deserves the best of martial tunes,” says Hamlet. “Let us hear the song of ‘Joshua’s Triumph,’” he declares in answer to his own suggestion.

I bow two times to Hamlet, and reach for my shawm, setting the double reeds to my lips. They are not as moist as they should be and I am afraid they will crack and make that sound like an angry duck. But although the first notes are tremulous they are true enough, and as I continue into the melody, I take some comfort in the steady quality of the music.

“For a jester he is a most apt musician,” says Horatio, speaking awkwardly. “He has many skills, and his hearing is excellent; you may address him directly if you have praise for him,” says Hamlet, leaning forward on the table as he hums along with the song. “It is stirring, isn’t it? Yet the story of Joshua confounds me. What do you think, Horatio? Can the might of faith alone bring down stone walls?” “I have never seen it happen,” says Horatio, “but it is said that it can be done.” “Yes,” says Hamlet, and motions to his servant who has returned with a tray on which stands two silver goblets and a large bottle of good French wine. “The color is good—red and clear—and it has a fine savor.”

“Truly,” says Horatio, watching the servant at his work. “Which river fed these grapes, do you know?”

“The Rhone,” said Hamlet at once. “Far to the south in France, well below the lands of my wife’s family. My father-in-law, who is a few years younger than I, has a small estate in the south of France where the wines are made.” He sees that the servant has emptied the bottle and motions to the young man to leave. “The bottle is to be broken. See to it.” With those instructions he waves the boy away. “Between us we can easily put paid to this wine, and be fresh in our wits.”

“Yes,” says Horatio, but with less confidence in his boast than Hamlet reveals. “It would be sad to deal with the wine shabbily.”

“Yes,” Hamlet agrees as the stirring notes of Joshua’s call to battle sound, “it would.”

* * *

Melting snow has turned the roads to wallows and we at Elsinor are as isolated as we would be on an island in the middle of the ocean. Those few determined travelers who do arrive are spattered and smirched, their horses caked with mud, their wagons so covered with it that they have only the color of earth. Soldiers arrive so laden with it that they appear to be made of earth and not flesh.

“I forgot what it was like here in the early spring; I remembered the winters but not the infernal spring,” Claudius remarks as he stands in the gallery looking out toward the battlements and the spread of country beyond. “For another two months it will be like this.”

“Probably,” I say to him as I ponder why he has sought me out. I am dressed in my chaperon and I have donned my new shoes—long-toed with bells on the tips that are held aloft by slender cords tied to my ankles.

“You play for the Queen this afternoon, don’t you?”

“As I do most afternoons,” I say, uncertain why he has asked.

“She sits with her women and does needlework,” he continues, a fixed light in his eyes. “That is how they pass the time, isn’t it?”

“Usually,” I answer, growing more apprehensive with each moment that passes. “Yes,” mutters Claudius. He is very fine today, his houpelande of velvet the color of fir trees, the little standing ruff of Belgian lace around his neck worth more than most soldiers earn in a lifetime of battles. His short beard is curled and perfumed and he carries a lace handkerchief tucked into the cuff of his camisa.

When he says nothing for a short while, I speak up again. “’I ought not linger, good my Lord.”

This is sufficient to spur Claudius to respond. “How is it, Sir Jester, that the King always sends you to the Queen?”

“I suppose because I am his jester, the King’s jester,” I remind him, making no pretense at concealing my pride. “It is suitable that he choose me to attend his wife.” Then, for the sake of candor, I add, “And I am the only one of the jesters who can play the shawm and the yawp.”

“And the Queen likes to hear music?” Claudius asks as if it is a new idea to him. “She comes from Lorraine: of course she likes music,” I answer, so that he will know he has not deceived me. “Why do you ask me these things?”

Claudius makes a sound that is not quite a sigh, “’I would like to do something for the Queen, something she would enjoy. As her brother-in-law it is expected of me to show her courtesy. It is what I wish to do, in the name of family harmony. But I might as well be new to court because I have been gone so long, and I fear to make a misstep. I could easily offend her rather than show her the distinction I wish to, and that would be lamentable.” He is still looking out the window but now his eyes have that curious, distant glaze, as if he saw something many leagues away. “So I seek your assistance, Sir Jester, and your advice, in the hope that she will find my offering to her liking.” “Speak to your brother,” I advise him; I do not want to become entangled with Claudius and his schemes. “Gertrude is his wife. He will be the best guide on your quest.”

“Somehow,” says Claudius, his light, remote voice taking on an edge, “I don’t think that would be wise.” He is silent for a brief moment, and then, with a slight shake of his head, he recalls himself. “Do not be afraid of me, good Yorick. I will not ask you to compromise yourself, or to act against the interests of my brother,” he tells me in a voice that is no longer strange; his smile is self-effacing. “But I had hoped to make the most of my opportunity.”

“I am the King’s jester,” I remind him again. “Surely,” Claudius agrees. “But doubtless you will know the answers to a few questions I might have.” He turns and smiles at me: it is a practiced smile, brilliant and insincere. “That would suffice, just a word or two from you if the Queen would like my gift.” Against my better judgment I ask, “What had you in mind?”

Claudius makes an elaborate gesture, suggesting with it that there are myriad choices and that he has no notion how to select the most apt. “I have been told she has a private garden, where she raises flowers and herbs when the weather is mild. I have no idea if this is true—”

‘”She has kept such a garden in the past; I don’t know if she will do it again this spring. Ask her, if your brother will permit it,” I answer with care and misgiving, for he could learn that from any number of courtiers. I cannot rid myself of the thought that Claudius wants to have someone to blame if his plans go awry.

“But she must have said something while she sews. Think! Do you think she will do the same again this spring?” he prompts me, with that same politic smile he has shown before. He waves his hand toward the grey light beyond the gallery window, “Once spring has truly come, that is.”

“It’s possible,” I answer, “It isn’t for me to read the Queen’s mind.”

My remark is hardly funny, but Claudius makes a show of laughing anyway. “How precise you are, my friend. How very precise.” He preens a little, fingering the curls of his short beard. “I have been considering what she would like, and I have decided that there must be plants she would like to have in her garden. For this I seek your guidance. It would better come from you than one of her women, I think. There can be no harm in finding this out, can there? If I knew which ones she wanted that she has not yet acquired, I would be at pains to find them for her.”

Is Claudius always so persistent? “Do you think your brother would approve? Or that the Queen would want such a gift from you if her husband did not like it?” I know it is unwise to challenge Claudius, but I know if I do not question him now, I may have to answer for it later.

He swings around to look at me. “You would probably know that better than I,” he counters, relishing the challenge implied.

“Then it would be best if you speak to him before you search for the plants. It seems acceptable to me, but that means nothing; I am only a jester and I do not know what the King wishes his wife to have from other men—even from his brother.” I bow a little, taking care not to trip myself up on my elaborate shoes.

Unexpectedly Claudius chuckles. “Oh, I hope Hamlet knows what a treasure he has in you, Yorick. You are as canny as an Italian related to the Pope. If my brother were as well-served by his courtiers as he is by you he could content himself. It is a pity that his council is not as circumspect as you are, and that’s the truth before God.” He reaches into his embroidered wallet for a coin before he bends down and pats my shoulder once. “Very well; I release you. No more questions about the Queen. For today, at least, I will not bedevil you any more.”

“You are most gracious, good my Lord,” I say with a formal bow; his coin feels hot in my fingers. It is a French Angel, large and golden.

Behind Claudius’ amusement there is a cynical keenness. “I am glad you think so. But will my brother?” he asks, and strolls away without answering his own question.

ODUVIT

Oduvit is waiting for me in the Great Hall; the other jesters have not yet arrived and will not be here for a short while. He is wearing all the new clothes Hamlet has given him, and the brilliant greens and oranges of his chaperon and houpelande are impressive to see. He bows in very good form, and speaks with his court manner. “I guess I should thank you for coming early,” he says in a tone that implies the opposite. “It is such an honor for me, to have the great Yorick come when I call.” He puts his hand to his mouth as if to cover a mistake. “Oh, that’s incorrect. Dogs come when you call, don’t they? Not men; dogs.” His courtesy makes me wary; Oduvit is pleasant only to serve his own purposes. “You said it was urgent and required immediate attention,” I remind him in a voice that I hope conceals my ire, although I believe his purpose no more than he does.

He smiles, his mirth as nasty as the scum that clings to drains. “And you thought that you must do it for the King, didn’t you?” He comes toward me, swaggering a little. “You are nothing more than a hound, Yorick.”

“If I am, it is hardly urgent to tell me, for it will not change, nor would I want it to,” I say to him, wanting to put him to the test. “Was that the gist of your message?”

He stops and stares, and then laughs again. “My message. Yes. Clever, very clever.” He wags his finger at me. “Don’t you recognize a ploy when you see one? Or do you think you need only obey those things the King requires of you?”

“I think that when another jester asks me to attend him urgently that I am obliged to do it,” I say with great care. “I would do the same for Mect, or the others.” “Mect,” he repeats, musing, his mouth curved with contempt. “The Emperor’s eyes and ears at Elsinor. What claim does he have on you, that you would assist him? He is no more jester than he is a master of artillery.” He is ferociously amused at his own wit. “But perhaps you are like Mect in that way, as well. You could serve the Emperor and the King, couldn’t you? Come,” he prods. “They say you are as much as scholar as your father was. You may be as subtle, as well. Why not? It shouldn’t be beyond you to answer to Hamlet and the Emperor at the same time.”

I can feel the heat mount in my face and the strength of my pulse in my neck where the collar of my chaperon presses. “If you were not a jester, Oduvit, I would not tolerate such an impugning of my character. I would consider all you say to be born of malice, and for that I would have to demand some satisfaction, either from the King or from steel.” I can see the furious amusement my indignation affords him, “But as you are a jester and considered to be addled in your wits, I will not upbraid you this time. However, if I should learn that any hint of compromise has been laid to my door, you will answer for it, I swear by—” I stop, biting off the name of the Male Goddess.

“Oaths now,” mocks Oduvit. “You may come to regret such hasty words. That would be such a tragic thing, to cause you regret. The rumors one hears, if they are correct, would make your oath as false as the fealty of allies.” He folds his arms as portentously as he is able, “They say that Claudius is paying you to give him information about Gertrude; he is paying you very well.”

The remark is calculated to enrage me further, and for that reason alone I am able to contain my temper. “And who, besides you, says such a thing?” I inquire as politely as if Oduvit had spoken about the Bishop. I am rewarded by the sudden rush of color into Oduvit’s cheeks.

“It is known,” he says with bravado.

I will not allow him such an answer. “We have all warned you, Oduvit. And we are all watching you. If you try to work mischief against Hamlet or his wife, we will know of it and we will stop it before damage can be done.”

Oduvit is able to salvage himself enough countenance for one last expression of venom. “And what if I am telling the truth? What if Claudius is doing more than trying to keep himself in favor with Hamlet? What if his intentions are for his own victory? What if Claudius truly is pursuing Gertrude, not merely seeking to tweak the King’s jealousy? What if he succeeds in seducing her? Won’t you be worse than a fool then?” Those very questions have been haunting me for several days, and I have no answer to give him.

* * *

Long before dawn I hear the sound of wagons in the outer court; I half-rise only to be admonished by a small claw sunk into my upper arm to remain where I am. As I lie back I listen. The cooks begin to gather in the kitchen, many of them grumbling at their early awakening. The first scent of burning wood and the banging of the big cauldrons, like ill-tuned bells, well up.

The cat turns and regards me with her now-yellow-now-green eyes, and she begins to purr, anticipating the moment when she will have scraps and a dish of milk. There is a determination in her display that was lacking two weeks earlier. She relies on this more than usual, for her time is very near; she waddles from the burden of her kittens and she has become more fussy.

“There are new arrivals,” I tell her, speaking just above a whisper for no reason other than my room is still dark.

She blinks slowly and stares at me again, as if expecting me to do something for her.

“I’ll get your food shortly,” I promise her, only to be blinked at again. Is this acceptance of my offer or an indication that she wishes something else, something more? I reach out and scratch her neck and ears, enjoying her industrious purring. I hate the idea of moving away from her, but with such noise as there is coming from the kitchen now, I realize it is useless to try to sleep longer. I roll away from her and get to my feet.

“I will find out who has come,” I tell her as I get into my most comfortable clothes. The cat ignores me, beginning to set her fur in order with her tongue. “It is my bath day, as well. They will have the big tubs heated for the jesters.” The cat ignores me, going about her washing with awkward concentration as she struggles to reach around the expanse of her unborn kittens.

The head cook is a rotund fellow called Voss, and unlike most well-padded fellows, this one does not radiate good cheer. He is a demanding task-master and as volatile as any Frenchman. He rules the kitchen with iron determination, and it is said that none of the women who work there are safe from him. “Yorick!” he bellows as I step out of the short corridor which connects my room to the kitchens.

“Good morning, Master Voss,” I tell him, realizing that his pride does not let him hear the sarcasm in my greeting.

“They will need you in the courtyard gallery directly.” He scowls at one of the scullions, and the little lad cowers as if he has been whipped.

“Who is here?” I ask. “The servants of Fortinbras,” says Voss importantly, preening in anticipation of what is ahead. “To prepare for the wedding.” “Ah, yes, with Egidia,” I say, thinking that Polonius arranged it all very neatly. “Norway will be here before sunset, then, if his retainers have come,” I continue, adding that the Male Goddess will have to protect Fortinbras and his son.

“Two babes, neither old enough to know what they are vowing,” scoffs Voss. “Hardly a marriage, not the way I reckon it.”

What would it be like, I ask myself, to be so young a child and married forever to another child? It is often the fate of those who rule us to be more constrained in their lives than those of less privilege. “The boy will be King of Norway when he is grown. He must marry for alliances, as all royal children must.” It is what I have been taught since I was a child myself, and heard my father speak of Hamlet’s first marriage: he was betrothed at age six and married at nine, and they were bedded when he was fifteen. It was said to be a good royal marriage, as such things go. Hamlet’s marriage to Gertrude was also arranged, but only after he had seen her portrait and heard her character praised.

“Well, it is foolishness,” declared Voss with the full disapproval of a man who has risen too early, and he is testy at the best of times, “Who is to say either will live long enough to get between the sheets. Or that when they do they will like each other enough to provide heirs for the Kingdom?”

“It is their duty,” I remind him.

“It is foolishness,” Voss repeats, “and vanity,” and then swings around all his bulk to upbraid one of the women who make bread. “You are not throwing clay pots, you slattern. You are not pounding laundry in the river. You are making little breads for a royal feast, for the great to eat. See you remember that.” He reaches out and cuffs her shoulder. “If I have to correct you again I will do it with my ladle.”

She shudders as she works, for every one of the lesser cooks has felt the blow from Voss’ large iron ladle; none of them wish to endure it again. “They are slovenly and stupid, all of them,” Voss declares loudly, so that all of them may hear his opinion of them. “The King should search for his jesters here, except that none of these have wit enough to tell an amusing tale, and none can tumble except when they trip over their own feet.”

“They have hard work to do,” I say, feeling the terrible chagrin of the lesser cooks. “I do not think I could do such work.”

“Not with your back, no,” says Voss, dismissing the matter. “We will have to feed those Norwegian servants after the rest of the castle has been fed, and by then they will be famished, because they traveled most of the night in this infernal damp.” He folds his big arms over his massive chest. “There will be no liberty hours today, my fine idiots. None of you will be able to leave this place until after the first banquet this evening. I will hear no complaints.”

A young cook, a boy of no more than ten who is stirring the great pease-porridge in the largest cauldron, looks up wistfully. “My father is leaving today,” he says, his voice still treble and clear. “You told me I would be allowed to bid him farewell.”

“Not with Fortinbras arriving,” Voss tells him. “If he lives to come home from Poland, you may welcome him then. He is a soldier. He knows that you must not desert your post, not when the need is great.”

The boy is perilously near tears, but he will not permit them to fall, not where Voss could see them and jeer at him for being such a child. He continues to stir the pot with the long, jointed ladle, his eyes glazed and blank.

“They would all have some excuse, if I permitted it,” says Voss, again speaking loudly enough to make it plain that he will brook no opposition. “This one has a father leaving, that one has a sister about to give birth, another has a child with a cough.” He throws his hands upward in exasperation.

“If his father is leaving for the wars in Poland, it is well that his son wishes to bid him farewell,” I remark, and wait for Voss’ answer.

“His father will understand,” says Voss, unwilling to consider my meaning.

“But perhaps his son does not?” I suggest, remembering the times I had to wish my father a safe journey and the blessings of the Male Goddess. I hope that it gave my father some solace that I did; I know it made me more resigned to his absence.

“That boy is always sniveling over something. It is time he learned to conduct himself properly. We are not like the great ones, who can afford to give themselves over to weeping for love or pining at loss. Leave such excesses to them, and be glad we have been spared. We are the strength on which their might is built. If we indulge ourselves, we fail them, and we lose our worth to everyone.” He is roaring, using his words to batter at all the cooks in the kitchen.

I have heard Voss rant before, but this time it seems to me that he is more extreme than usual. He holds his ladle as if it were a sword, and when he rounds on another hapless assistant, he appears more frightened than angry. I bow to the master of the kitchen, and I say, “I had best break my fast and present myself to the King; with all these men arriving doubtless he will have tasks for all the jesters.”

“No doubt,” says Voss in a burst of temper.

“I will take my bowl,” I continue, going to the shelf where it waits. “Cheese and a slab of bread, and a cold joint of fowl,” I recite, as I have many another morning. “And a cup of milk.”

“Which you will give to that cat who sleeps in your chamber,” Voss accuses me, and makes a sweep with his ladle. “Go ahead. The Norwegians will want worse, you may be certain of it. They say Fortinbras is a fussy eater, not like our King.” “You will find out,” I tell him, and hasten to get my food so that I can leave the kitchen. As I start toward my quarters again, I bow once more to Voss, and call out my thanks before ducking back inside the chamber where I sleep.

The cat is pleased with the milk, and laps it up quickly, mewing when she is finished. By that time I have a few slivers of skin and flesh from the goose leg I have taken, and I offer these to her as I continue to gnaw at the bone.

By the time I finish with my clothes, the kitchen is roaring, with fires blazing and more than two dozen assistants scurrying to do Voss’ bidding. I keep to the narrow hall and get beyond their frenzy, grateful that the worst I will have to contend with now are soldiers and courtiers.

Mect is already in the gallery when I arrive, his clothing so neat that I suspect he has been waiting for this arrival most of the night, and was prepared for it long before anyone else was. He favors me with a negligent nod and hops up onto one of the chairs near the window. “Not quite a dozen wagons.” “How many more are to come?” I ask, unwilling to pretend that he lacks the information, “How large a company will be here?” “Eight more wagons, I believe, but they are with the King. Fortinbras does not travel as swiftly as his soldiers do, not for occasions like this one. It is for his guard to clear his way and for him to show himself to Denmark, and demonstrate his satisfaction at this wedding of two ignorant children.” He points downward toward a group of men in dark armor on grey horses. “There. Those sixteen men are his guards. There are another sixteen with him.” “Does he fear for his safety?” I ask. “He comes here for a wedding, to show the promise of uniting Denmark and Norway. Why should he bring over thirty soldiers to guard him?”

“Because they are born to it, of course, and it would be an insult to leave any of their number in Norway,” says Mect with an impatient click of his tongue. “The second son is offered for the King’s service, and of them only the most accomplished are chosen. It is a great honor reserved for those of ancient nobility.”

“It also gives Fortinbras a hold on those ancient nobles,” I add for him. “It is an assurance that the King’s Right will not be questioned.”

Mect grins. “What a cynic you can be, Yorick.”

FORTINBRAS

Young Fortinbras cries through the banquet and shrieks when I try to juggle for him, but his father is not dismayed, though he is a somber fellow who is not much inclined to laughter. The babe is given into the care of his nurse as soon as the feast is over, and she, with much scolding, carries young Fortinbras away, declaring that if he should be ill at the wedding it will not be her fault.

Polonius, still worn from the rigors of travel, sits next to Norway, and regales him with stories of Egidia’s goodness and piety. He is dressed with great finery and is only out-shone by Claudius, who has put on a huque of velvet and fur, with a pourpoint beneath of glossy Italian samite the color of amber.

Hamlet, with his grizzled beard and simple skirted pourpoint, might be mistaken for a guest instead of the royal host, were it not for the air of command that surrounds him, and the small golden coronet he wears; he watches the Norwegians gobble the collops of mutton in bread-shells Master Voss has prepared for them; tonight even those below the salt enjoy mutton, but theirs is in a stew with parsnips, turnips and onions, not the fine collops of lamb cooked with carrots, spices, and cream.

Gertrude keeps to her place, her eyes lowered though her color heightens from time to time, when Claudius is near. She is splendidly attired, her cotehardie embroidered in ten colors, showing the arms of Denmark and Lorraine. She tries to have some conversation with Polonius, asking twice about Ricardis, but aside from being told that she is well and will deliver before summer, there is little Polonius can tell Gertrude about his wife.

“You know how it is with women when they are nearing their time,” Polonius says with a wave of his hand to show how far beyond his comprehension his wife has become. “All her thoughts are fixed on the babe. Once the child is safely born, she will be herself once more.”

“I miss her,” says Gertrude, and concentrates on eating another few bites of the minced pork with pepper and ginger which Master Voss has made himself especially for her. “She will be pleased to hear that,” says Polonius with his own style of gallantry. “When she is able to come to court again, if God is good, both of you should be happy mothers.”

Again Gertrude’s face grows rosy, but this time for more than the presence of Claudius. “I….” Words fail her, and she reaches for her cup of wine, drinking recklessly. When she has mastered herself, she says, “Let us all pray for that time.”

Unaware that he has brought chagrin to Gertrude, Polonius continues in unctuous bonhomie, “It is that you and Hamlet are of such difference in age. Depend upon it, that is the source of the trouble. I have heard learned physicians discuss the trouble. Diverse ages in the parents make the creation of a child more difficult, because of the lack of continuity in the seed.” He looks as if he might pat her hand, so avuncular he has become.

“For a man of affairs, he is a fool,” Mect whispers to me, and I nod. “He may yet come to grief because of it.” “Hamlet has Polonius. We, sadly, have Oduvit.” I cock my head, chuckling a little. “He’s had too much wine, again. He’s laid out under the Norwegians’ table, snoring, the last time I looked.”

But Mect is not amused. “Be careful of him, Yorick. He is all spite, and most of it fixes on you.”

Tonight such warnings have no importance to me, and I lean my head back further. “If he is awake and sober, it might be so, but not as he is now.”

Once again Mect regards me with concern, and I am again perplexed by this attention he offers me, for I have done nothing to deserve it. “You don’t understand the depth of his hatred. He is more jealous of you than Claudius is of his brother.” He looks up sharply as a group of Counsellors gesture to him. “I must be about jesting.”

“And so must I,” I say to him, preparing to go to the High Table where two Kings linger over their dinners.

“Have a care, Yorick,” Mect says over his shoulder as he makes his way toward the Counsellors.

“I will,” I assure him even as I forget about it while I give my thoughts over to jibes that will amused both Denmark and Norway without affronting either of them.

* * *

The wedding is a curious event. The bride and the benedict are presented at the altar by their elders, and the vows are echoed by the adults. Not long after the service begins, young Fortinbras screams and flails at Egidia with tiny fists, this tantrum requiring the ministrations of his nurse and father to quiet. Once order is restored, the Bishop continues to intone the Latin phrases.

Polonius bends down and prompts Egidia when it is time for her to say “Volo,” and she asks again what it means. “I told you before; ‘I will,’ dear sister. It means ‘I will’.”

“Then why can’t I say that?” she asks, her voice querulous from nervousness and fatigue. She looks forlorn in her pearl-strewn wedding gown.

“Because we are in church,” says Polonius quietly, beginning to fuss with his velvet houpelande. “This is God’s house, and we are His guests. In church we talk in Latin, to please God.”

Again the service is resumed, and it finishes quickly. The nurse again takes charge of young Fortinbras, whisking him away to change his napkins before he is presented to the people. ‘”I am surprised we didn’t have to go to Norway,” says one of the Counsellors as we all stumble out of the church into the dazzle of spring sunlight.

“It was what Fortinbras would have preferred, but given the negotiations, it was more appropriate for him to come here, for he wants no Danish soldiers on his land,” says Horatio, who has resumed his place on the Council, “It is fitting that they sign their accords as soon as the marriage contracts are complete.”

I am a few steps behind them, and I listen intently, trying not to hear all the other discussion around me. Hamlet will want to know what his courtiers are saying about this match, and the new agreements with Norway.

“What if one of the children should die before their marriage is consummated?” asks the first, a man of excellent family who has always been thought to be lazy. He is named Lucius and he has recently become a crony of Claudius. “Was anything decided about that?” “Certainly. You ought to attend the Council more often,” says Horatio with a condemning air. “If the boy dies before they are fully wed, the marriage settlements stand as if through widowhood unless a second son is born to Fortinbras, in which case it will fall to him to honor his brother’s contract. If the girl dies, then an alternate match, acceptable both to Hamlet and Fortinbras, must be negotiated, or none of the wedding agreements will stand.” He squares his hat and moves away from Lucius.

I have an instant to decide if it is worth following either of them, and I have almost decided to continue on my way when I see that Claudius is signaling to Lucius. I move away from the surge of courtiers leaving the church and find a place where I can observe the two men. It is a strange feeling, watching Claudius whisper to Lucius while the highborn of Norway and Denmark eddy around them. I cannot hear most of what they are saying, but I see Lucius shake his head vehemently once, and Claudius scowl at him.

Then Claudius notices me, and he departs abruptly, leaving Lucius standing at the entrance to the narthex, his expression puzzled and crafty at once.

SPRING

Now that the days are growing warmer and the rain has lessened, Gertrude spends more time in her garden rather than in her sewing room, for she has decided to plant again this year. It is a small garden, enclosed by a stone wall with a single door to the outer courtyard at the far end; her women often sit with her while she tends her seedlings, but they are more fastidious than she and will not dirty their hands.

“It is a pity that flowers, which are so pleasant, should require so much that is disgusting,” says Raissa as she continues working a decorative border on a velvet hood. “They would be more enjoyable if it were possible to grow them without muck and dirt, and ruining the skin.”

“But it is not possible,” Gertrude answers her, holding a frail, four-leaved stem in her hands.

I have been playing my shawm for them, sitting in the shadow cast by the castle. Today everything Gertrude has asked to hear has been love songs, particularly those about doomed or unrequited love, the plaintive tales of dashed hopes and broken hearts. My playing must please her, for she occasionally hums the melody with my shawm. Raissa brushes at her skirts to show that she wants no part of the garden but the flowers. “If you are determined to do what peasants do,” she says, making herself the victim of ill-use with an implication of distress. “Peasants grow crops, grain and peas and other things to eat. They leave the flowers to those of our rank, who have the opportunity to grow them without sacrificing the earth or the time that peasants cannot spare.” She puts another seedling into the ground. “Some of the prosperous merchants let their wives grow flowers.” “Merchants and peasants!” scoffs Raissa, and looks to Margitha for support. “Would it not be better for the Queen to undertake more seemly entertainment?”

Margitha is subdued in her manner, her pale eyes downcast and her manner contained. She does not look at Raissa to answer. “If it pleases Majesty to plant flowers, then it is for us to approve it.” Raissa laughs. “Oh, very apt.” She claps her hands in mock salute, then resumes her needlework. “Well, if this is what is required, then so be it.”

Gertrude looks up from her self-appointed task. “In the summer, when this garden is full of blossoms, you will sing another tune, with the birds who will flock here,” she tells Raissa in French, unaware that I know the language well enough to sing in it. “And then it will be my turn to laugh.” There is heightened color in her face, and as she smiles I can see her eyes are very bright. “Is that one of the plants Claudius gave to you?” asks Raissa, determined to be playful since she cannot discourage the Queen.

“I…. I am not certain,” Gertrude answers unsteadily. “How strange a gift,” says Margitha in a subdued way.

“The King approved it,” says Gertrude as she continues to prepare more holes for her plants, using her trowel with inexpert determination. “I am grateful that Claudius seeks my good opinion.” “I suppose it is not inappropriate, given that he is the King’s brother. He has to be prudent,” says Raissa, her arched brows lifting, “But it is still a strange gift. Seedling plants! For herbs!”

Gertrude glances toward the small wooden box where the frail seedlings stand. “Rosemary,” she says distantly, pointing out the tiny plants as she names them, “And fennel, and pansy, and rue.”

“Not a very amorous selection; more anodyne,” says Raissa, and encounters a sudden, quelling stare from Gertrude.

“The King,” says Gertrude pointedly without looking up, “has given me young rose roots and sprouted violets. The daisies that were here last year should grow again, and the columbine as well.”

I have stopped playing, having just completed ‘Heloise’s Lament,’ and I observe Gertrude closely. She is not frowning, but there is a stillness in her face: something is troubling her and I cannot determine what it is.

“The King,” says Raissa in a tone almost as clear as the Queen’s, “should arrange a marriage for his brother before there is trouble.”

Margitha looks shocked and she moves her chair back, away from Raissa. “How can you say that to the Queen.”

“Oh, not that Gertrude would do anything,” Raissa continues hastily, “but Claudius could grow impatient, lacking all the things he wants. If he had a family he would be less dissatisfied, for as long as Hamlet has no son to come after him, Claudius knows he might yet be ruler in Denmark.”

Gertrude rises from her work. “If you speak such sentiments again, Raissa, you will return to France and a convent, where you may spend your days learning humility.” She brushes off her clothes and faces Raissa directly, her anger masked with coolness. “You want me to suggest to the King that Claudius marry. Am I wrong to think you would like to be his bride?”

Raissa meets her gaze directly, “You are correct,” she says.

“Brazen,” Margitha says to herself, so softly that only I hear her.

“Because you want the advancement, or because you are captivated by him?” Gertrude asks with disdain.

“I seek advancement, and Claudius is the most handsome man at court, with the manner to match his appearance.” Raissa is defiant now, and she stares at Gertrude. “You cannot have him. He is your husband’s brother. Then let him have me.” She clasps her hands in unexpected supplication, “Stop tormenting him, and yourself. Give him up.”

“I do not have him,” Gertrude says quietly but there are hectic spots in her cheeks that contradict her.

“But you do,” Raissa protests, then puts her hand to her mouth.

“I did not hear you say that,” Gertrude tells her quietly. “But if you repeat it, you will be gone from Elsinor.”

Raissa knows now that she has gone too far, yet she strives to put a good face on her embarrassment. “We are both overwrought. I will go to the sewing room until I am less agitated.” “Margitha had better go with you,” says Gertrude firmly. “So that you will complain only to her.”

Any protest Raissa could make now would be useless. She curtsies to Gertrude, gathers up her sewing, and goes to the door leading into Elsinor. “You should not be alone, my Queen.”

“Yorick is here, and the doors can be bolted; I will be protected,” Gertrude tells her with that same chilly courtesy. “Leave me, and do not come again until you can speak as a woman of your position ought, and ask my pardon for your effrontery.” She gestures to Margitha. “Stay with her.” Margitha curtsies and murmurs, “Yes, my Queen,” before she follows Raissa out of the garden.

Gertrude stands watching where they have gone, and then moves the mat she has knelt on to another section of the flower beds. “Play me something sweet, good Yorick,” she says as she prepares to continue her gardening. “Do you know ‘The Italian Lovers?’”

“I think so,” I answer, for there are two songs with that title. I set the shawm to my lips and begin the more familiar tune. “Is this the one?”

“Yes,” she says, and kneels down to continue planting, handling the tiny plants with tenderness and care. When I finish the song, she does not interrupt her work. “I will need another half hour, I think. But it is time you waited on the King.” She looks up swiftly. “I will not keep you, Yorick. Be on your way with my thanks for your playing.”

I bow to her, but I know it is wrong for me to leave her by herself. “You should not be alone, my Queen.” She laughs a little. “You are my good angel, jester; but truly, I don’t suppose any harm will come to me in this place. There are guards in the hall, and the gate at the end of the garden opens onto an old courtyard. What harm can befall me here, in my husband’s palace?” She motions me away with impatience. “If the King is displeased I will answer for it.”

It would be inexcusable to object to her order; I bow to her again and take up my shawm. “As you wish, my Queen,” I say before I leave her to her garden, alone.

* * *

A messenger brings word today that Ricardis is delivered of a son, a great lusty boy his father has named Laertes. Hamlet is the first to offer a toast to the babe, and to delight in Polonius’ good fortune.

“Let us all thank God for protecting the child,” says Hamlet, and cannot keep from glancing once at Gertrude.

The Queen reddens and her long fingers fidget with the edge of her wide sleeves. She reaches for her goblet and drinks the toast to Ricardis’ son, taking more mead on her first sip than is her wont. She watches Hamlet from the corner of her eye. “Let us also toast the King,” says Claudius, who is seated with the Counsellors. “It is a fine thing that Polonius has his son, but let us also pray that Hamlet will soon be shown the favor of Heaven with a son of his own.” The Counsellors are quick to join that toast, and I can see the pleasure in Horatio’s canny old eyes as he watches Claudius. “A worthy wish,” he says when the goblets are lowered. “And well-spoken.” Claudius preens and then makes a gesture of modesty, his handsome face wreathed in too-ready smiles. “Hamlet is my brother, and Denmark is my country. How can I not wish the greatest joy for both of them? And that would be an heir.”

“Which you are, at the moment,” Horatio points out with no apology for the directness of his words.

“But I have no wife,” Claudius says. “And that makes me a very slender limb on which to hang the hopes of this House.” He shakes his head. “Rather too many healthy sons than too few.”

“Certainly,” says Horatio, and drinks a third time.

Hamlet has already ordered more mead poured and the serving men are making their way around the table where the Council sits, holding opened barrels of the strong honey wine on their shoulders to make the pouring easier and more entertaining.

Claudius beams as the mead flows. “The mark of a good King,” he says to the table at large, “is his generosity.”

Several of the Counsellors raise their goblets once more, and a few look toward Gertrude as they do.

“It is the hope of us all,” says one of the most doddering of the Counsellors, an ancient named Willegius, “that the Queen will bring a son to her husband, as the hope of all Denmark.” “Yes,” second two or three others, hefting their goblets with enthusiasm.

The Queen is pale now, and she moves away from her place at the table, curtsying to Hamlet. “You have much to discuss with your Counsellors, my King,” she says with deference. “I will leave you to your talk. I am grateful you permitted me to come to drink to the health of Ricardis and her son.”

Hamlet gazes on her fondly, the warmth in his eyes so great that a few of the Counsellors turn away for fear of intruding; Claudius clears his throat as if embarrassed. I wonder what the Male Goddess makes of this, and what He-in-She would advise, for it appears to me that there is trouble in Hamlet’s affection.

“How does it happen,” says Hamlet as Gertrude starts to withdraw, “that you are more lovely with every passing day.”

Now it is Gertrude’s turn to be flustered. “It is my greatest pleasure to delight you, my King. You are all consideration, to show me such distinguishment in this company,” she says, all but rushing to the door. The King stares after her as if she were the greatest treasure in Denmark.

* * *

By the time Polonius leaves Elsinor, everyone is tired of hearing him crow. For once I find myself in accord with Oduvit, who has been mocking the proud father at every turn. At first his jibes were not applauded, but now there are a goodly number of courtiers who are unafraid to share his hostile mirth.

“Wait and see,” Oduvit predicts as we jesters take our evening meal together. “After all this promise of loyalty and devotion, Laertes will disappoint the King, and his father. It is always the way when children are over-praised. They become worse than traitors to their own House, and to the Kingdom. This Laertes will be one such, wait and see. He will bring down Hamlet’s House.” “That is too much to charge a baby with,” I remark in the hope that it will end this too-familiar complaint.

“I predict it,” Oduvit declares, unwilling to abandon his favorite topic for the moment. “I predict that Hamlet’s House will fall by Laertes’ hand.”

Mect is not willing to have another argument about the infant Laertes, “There will be time enough to condemn the boy when he is grown. He has yet to live a month, let alone a year.”

“But he is doomed already,” declares Oduvit with relish. “His father will require him to be his son, and that is not a fate to wish on anyone.” His laughter is raucous and he gives himself more beer. “Laertes is Ricardis’ son as well as Polonius’,” I say. “That should count for something.”

Oduvit scoffs at this notion. “It is the father who shapes the child. Everyone knows that.” He slaps his knee. “No wonder Polonius is so full of himself, seeing a lusty boy in his wife’s lap. The only male a man would like to see in his woman’s lap.”

I want to defend Hamlet from these affronts, but I know Oduvit well enough to be certain that if I speak a single word, the others might lend credence to what Oduvit is not quite saying. I notice Hedrann is picking at his food, his face creased with deep lines. While I wish him no harm, I am grateful to him for his pain. “What is the matter, old friend?” I ask him.

Hedrann turns to me and does what little he can to smile. “Nothing worth mentioning,” he says, breathing hard with each word.

Mect looks at Hedrann uneasily. “Do you hurt?”

“A stitch in my side,” he says, doing his best to dismiss it entirely. “No more than if I had run up two flights of stairs.”

“Tell the physician,” I recommendd, for I have seen others who have made such a complaint and were dead within a fortnight.

“He is an old woman,” says Hedrann. “It will pass.”

Mect shares my concern. “Speak to the physician anyway,” he suggests. “He may have something to ease you, and that is worth listening to his blather.”

Oduvit stalks out of the Refectory, his back stiff with contempt.

GERTRUDE

Since Gertrude has continued with her gardening, her women have taken to spending their afternoons sewing together in the Queen’s quarters, out of the sun.

I have been told to stay with the ladies, and with some ill-defined misgivings I have done as Gertrude asks.

This day is much like the last sixteen have been; I have played for the women as they sew, and aside from the absence of the Queen, it is as it has been for two years, except that today there is a new companion for Gertrude, a girl of fifteen whose father commands Hamlet’s ships. She is a pale creature, slight and self-effacing and given to starting at shadows, called Hildegarde, as unworldly as the saint she is named for. She has taken her place with Margitha and Raissa and has attempted to become invisible.

I want to cheer her, this poor youngster with the enormous sea-colored eyes, and so I play only spritely ditties on my shawm as the women ply their needles.

“I understand that today the Queen is planting lilies,” Raissa remarks with an arch look at Margitha. “Lilies are for the dead,” says Margitha in depressing tones. “We have no need of lilies.”

Raissa laughs, “Are the lilies another gift from Claudius, I wonder? Or has he found a more appropriate plant? A mandrake, perhaps?”

“If you do not want to find yourself returned to France, you had better keep such notions unsaid. Gertrude will not forgive you a second time.” Margitha is sorting colors, holding them up to the sunlight to be sure they match. ‘”I am from Lorraine, as she is. If she sends me home, she will have only the clothes sent by her father to remind her of what she has left behind; her memories protect me,” Raissa says, but she changes the subject as well. “How does all this seem to you, Hildegarde?”

“Very grand,” says Hildegarde just above a whisper. Her sewing is worked in minute stitches, as timid and perfect as she.

“That will not last,” Margitha assures her. “In a month it will all seem very ordinary to you.”

“How can that be?” Hildegarde asks, abandoning her sewing to listen to the answer.

“It is grand because it is strange and Elsinor is large. When I first came here I got lost at least once a day,” says Raissa. “And my Danish was poor, so I could not understand what I was being told. I thought I would always be a stranger here. But then I learned my way, and my Danish improved, and this place was no longer an enchanted island but a very big house with better tapestries than most. You have an advantage over me; you know Danish already. Elsinor will be familiar to you sooner than it was for me.”

Hildegarde listens with somber attention. At last she ducks her head once, picks up her needlework, and says, “’I hope it will be so.” Margitha reaches over and pats Hildegarde on the back of her hand, “Do not be put off by our ways. Everyone at court pretends to be unawed.”

As I begin the bouncing phrases of ‘The Two Blind Men of Paris,’ I glance over to see if the spritely tune has pleased Hildegarde; I see only her gilded chaplet over her pale hair.

* * *

At the end of the following week Margitha gives me a note to carry to the Queen in the garden when my playing is done. “See that she has it before she goes to wash,” she warns me. “I need her answer quickly.”

I bow and take the folded paper that is held with a pin. “At once,” I tell her, and start off toward the garden, note in one hand, shawm in the other. I hurry along so that I will not miss the Queen, and I enter the garden with hardly more than a knock.

Gertrude is at the far end of the garden, by the ancient gate; she is leaning against it, and I have the oddest thought that she has just closed it. Her eyes are bright when she turns to me, and there is a sound in her voice that is new. “Yorick. You surprised me.”

I bow to her and I murmur an excuse. “This is from Margitha, who asks that you read it at once.” I hold out the note and hope that my intrusion has not offended the Queen. She takes the note and draws the pin from it, reading quickly and with growing impatience. “She is determined to add to her importance,” says Gertrude with asperity as she puts the letter into a pocket of her apron; then she relents and says more gently, “Yet she may mean well.” The color in her cheeks is brighter and I notice that her camisa is unfastened at the neck.

“My Queen?” I say, still puzzled by Gertrude’s demeanor. Perhaps it is the warmth of the day, I think, or the sun. Many another gardener opens smocks and other clothes when the weather is so warm. Often those in the sun are rouged by it. Why does it seem to me that there is another cause? I despise my thoughts, for they only confirm what I wish least to know, and I must admit that Gertrude is unfaithful. Gertrude is gathering up her things, moving swiftly. “Tell Margitha that I have read her note. And tell her that I will give some heed to what she says.” Her apron pockets bulge and now there is a shine on her forehead and upper lip. She indicates her garden. “It is coming along well, isn’t it? I love this garden; I think I am happier here than anywhere on earth. In another month it will be wonderful.”

I obey her and look over the new plants. “The buds are promising. Some of them are bright already.” I point out where the edge of one bud has a tiny ruffle of deep pink where the flower will come.

She laughs a little. “Oh, Yorick, you are always so careful.” She takes the last of her implements and starts for the door. “Are you coming?” “Yes; in a moment.” I have bent to pick up something I have seen on the narrow stone path, a scrap of shiny bronze against the grey paving. I hold it in my fingers, letting the sun glint off it, and I try to remember where I have seen such glowing fabric before: it was not long ago, and the occasion was grand, a celebration. The brass-colored damask was…. My recollection brings me neither comfort nor satisfaction and I follow the Queen from the garden with such thoughts crowding my mind as I have not known before now, and wish I had never had.

* * *

My pillows have been taken over by the kitchen cat and her five kittens. She lies between them, her kittens at her tits, and purrs. They are such tiny, fragile things, these kittens. They move clumsily, their eyes still shut, blundering into things and one another, their high, plaintive voices the biggest part of them. The kitchen cat indulges them, and spends the greater part of an hour washing them, holding them down with her paw as she starts at the tops of their heads and works down, like a groom cleaning a horse. “You’re a proud mother,” I say to the cat, and add a few words to the Male Goddess to guard her and her babes. “I’ll bring you an extra portion of meat tonight,” I promise her. “As a birthing token.”

One of the kittens looses his purchase at the nipple and starts to cry, and at the same time keeps nudging his mother to find his food again. With his eyes closed he is helpless, and I consider reaching out to move him. But the kitchen cat sees my hand and bats it away, her claws out, and I accept her rebuke. “Yes,” I tell them all, “be glad that your mother takes such good care of you. She will guard you from all harm.”

I hear an outburst of sound from the kitchen, and then Voss is bellowing to one of the scullions and there are shouts and pleading. “You stay here,” I say to the kitchen cat, knowing that Voss has no patience with kittens. “If you must move your family, keep them in this chamber. Otherwise Voss will take them from you.” I scratch her ears, and she permits a little of this, and then moves just enough to be beyond easy reach. “Guard them well, little mother.”

The cat has no time to spare for the likes of me.

* * *

Once again Gertrude has argued with Raissa, this time about Hildegarde; Raissa finds the new lady insipid and makes her the butt of her sly remarks. In answer to this unkindness, the Queen has ordered her countrywoman to stay away from her for ten days. Raissa has taken this command with poor grace, complaining loudly to anyone who will listen to her, and promising to demand an apology before she curtsies to Gertrude again; though we all know that this is only a ploy, not a threat. She spends most of the time sewing, accompanying her embroidery with complaints.

During the afternoon I play for the women while the Queen continues to spend that time alone in her garden. I am uneasy about the arrangement, but Hamlet himself has approved it, and my misgivings shame me far more than they shame Gertrude: Oduvit’s poison must have infected me.

“She isn’t herself,” Raissa complains to Margitha as they fold their guimps in preparation for pressing them. “She’s using that child there as an excuse to keep me away from her. It is all a ruse, nothing more than a trick, a way to keep her women from knowing what she is doing. You’ll see. She has a secret and she doesn’t want me to learn what it is.”

“She seems well enough to me,” says Margitha. “In fact, I don’t think I have ever seen her in better looks in all the time she has been in Denmark.”

“I tell you, there is something different about her,” Raissa insists with a toss of her head. She glares around the room. “It is not only the way she has treated me. Until this last month she has never been so demanding, or capricious.” She glances at Hildegarde, who sits apart from the other two. “I think she is happy,” says Margitha, and looks over at Hildegarde, “Wouldn’t you say that the Queen appears happy?”

Before Hildegarde can answer, Raissa laughs. “What does she know? Gertrude is a stranger to her. She’s only just come here and she is frightened as a rabbit.”

“I think she is happy,” says Hildegarde in a small, shaking voice. “I do. I think any woman who is going to have a child looks happy.”

There is a moment of astonished silence. “Have a child?” Raissa asks in disbelief. “The Queen?” Margitha exclaims at the same time.

My playing falters, and I feel my heart slam in my chest as if it were suddenly much bigger. “It’s absurd. She can’t be right,” says Raissa to Margitha as if Hildegarde cannot hear them. “We are her waiting-women, and we are with her every day. How can she be with child? We would know it.”

“Well,” Margitha says with a touch of smugness, “you said yourself that she has a secret. Maybe the pregnancy is it.”

“She would say something, at least to me, as another Frenchwoman,” Raissa insists. “Possibly she would keep it from others, but she would tell us. We’re her women.” She looks back at Hildegarde. “Why do you say she is with child?”

“Because she has the look of it,” says Hildegarde tremulously. “Look for yourself. Everything about her is filled with life. Her eyes, her walk, all of it.”

I pick up my tune again, but I can no longer put the proper spirit into the wistful melody of “The Lost Bride of Scotland,” and as soon as I reach the end of the refrain, I begin ‘Isolda’s Potion’; that goes rather better because I know the tune well and need not think of it while my fingers find the stops. I know it is wrong, but I devote myself to listening to what the women say.

“There were hopes before,” Margitha reminds her, “and they came to nothing. It must be early days, and she does not want to raise the same hopes again, that might not be fulfilled.”

“She would tell us,” Raissa declares.

“If she is increasing,” adds Hildegarde, and makes a painful effort to explain. “I do not know that she is with child, but only that she appears to be with child. She might have another reason to appear so. I haven’t been at court here long, and I might be wrong about her.”

“It would account for her caprice,” says Raissa as if nothing else could. “Some women take odd notions while they are increasing.”

“Do you think we should ask her?” Margitha looks at Hildegarde. “I…. I don’t know,” says the young woman. “I have only just met her.” “I think we should,” says Raissa with determination.

“Will she tell us, if we do?” Margitha wonders aloud.

I continue to play, all the while remembering that scrap of bright, brass-colored brocade on the garden walk, and the gate at the end of the garden.

* * *

Such a secret cannot be kept long, and it is just two days later that Hamlet is accepting the congratulations and good wishes of his Counsellors.

“It was only a matter of time,” says Horatio, looking pleased in his severe way. “The worth of the King is richly rewarded. There is bound to be a son by Christmas.”

“Or earlier,” says one of the other Counsellors, determined to make a favorable impression on Hamlet. “A son of our King will not be content to wait. The vigor of his father will bring him into the world impatiently.” “Better that he does wait. Let the child come to full fruition before he enters the world. Early sons do not flourish,” says one of the others; from where I am sitting, I cannot see all those gathered around the table. “A full pregnancy to the Queen, and a delivery without danger.”

“Yes. Let us all pray that the Queen delivers her son safely, and that babe and mother come well through it,” says Martinus, his old eyes glittering with emotion. He has lost one wife—his second—to childbirth, and everyone knows he has not been the same since. His first wife died by her own hand, or so it is rumored, and the woman he married three years ago is much younger than he and not often in his company.

The Counsellors are just preparing to drink to the expected Prince when Claudius arrives, bowing to Hamlet and excusing his tardiness. “I fear I lost track of the time. I pray you will not hold it against me.”

“It happens easily enough,” says Hamlet, who would pardon any malfeasance today. “We are drinking to the Queen and the babe she carries—the Prince of Denmark.” Claudius is reaching for a goblet, but he stops as he hears this. He turns toward his brother and says in a strange voice, “The Queen? Is with child?”

“Yes. Finally she is with child,” says Hamlet, showing his pride with a grin and his thumbs thrust through his belt. “And this time there will be no loss of it. I have sent for the Bishop and Mother Bertrade, the Bishop to bless and pray for my son, and Mother Bertrade to tend to my Queen. The child will live and he will thrive and all Denmark will rejoice with me.” I have never seen so odd an expression as the one Claudius wears now. He is smiling at Hamlet, but there is more gloating than rejoicing in it, a curious look of triumph disguised as delight, and in his large, clear eyes I catch that hungry sorrow which always consumes him. “Well,” he says, clearing his throat, “to the Queen then, and the son she will give you.”

The Counsellors all endorse this, and a few of them cheer after they drink.

Hamlet goes to Claudius and claps his arm around his brother’s shoulder. “Ah, you are a worthy brother. I am glad of your good wishes, Claudius. It confirms my trust in you.” He himself takes a goblet and orders beer for it; the servants fetch the beakers at once. “I wish to drink another toast,” he exclaims. “To my House and my brother.”

Again the Counsellors lift their goblets, but I detect a subtle reluctance that was not part of their celebration of Gertrude’s coming child. Claudius acknowledges this fine gesture and regards Hamlet with cordiality. “It is like you to be so generous.”

All this good-will causes the Counsellors to beam. Old enemies forget their differences and fall to praising one another as if to show their approval of the brotherly spirit that has engulfed them all.

Even Horatio, who rarely unbends so far, prepares his goblet to offer a toast, lifting it and saying, “As my devotion to the King is ever staunch so will the devotion of my son Horatio be to my King’s child. I swear now that I will do all to make our sons companions. May they know the blessing of friendship as well as the reward of staunch loyalty.” After that he drinks little, but sits watching the rest, listening and revealing nothing of what he thinks.

The King’s brother is another matter. “I will welcome the Queen’s son as if he were my own,” cries Claudius when he has finished his third goblet of beer. “I will be his second father, I swear it to you, brother. I will hold him in—”

Hamlet laughs loudly and the Council joins in, a few of them too loudly. He drinks again to Claudius, saying, “I am heartened to know that if any ill befalls me, my son will have Claudius to look after the throne for him.”

“That I will,” Claudius affirms.

I sit by Hamlet’s raised chair, and as I prepare to entertain the Council, I try to banish the dread clutching at my heart.

* * *

It is now three weeks since the Queen’s pregnancy was announced. All but one of the kitchen cat’s kittens are gone; Voss has taken them and drowned them. She frets and calls for them, and hovers over her remaining kitten, moving him from hiding place to hiding place. She does not often sleep on my bed and I find that I miss her autocratic presence; I continue to bring her meat and milk, and she eats them quickly, nervously, before returning to her one remaining kitten. I have left offerings to the Male Goddess on their behalf, more to console myself than to bring comfort to the cat.

But the kitten is adventuresome and is given to exploring, as fearless as a tiger would be. He is greyer than his mother with the very ends of his thick fur tipped in black, and his eyes are orange. He is indifferent to what people do, but he has already begun to hunt under his mother’s careful instruction. He has turned one of my old leggings into a toy, and treats it as roughly as any child treats one.

I have taken to spending a short time before supper every evening playing with the cat and her kitten. We have little opportunity for amusement but we manage to make the most of what we can. I have tied a ball of old wool along with the scrap of cloth I found in Gertrude’s garden to a long cord, and I use it to trawl for the two of them, delighting in their pounces and leaps and murderous digging with hind claws.

If the kitten lives until he is half-grown, he might be able to survive at Elsinor for years; it was what happened to his mother. “I will help you guard him, I will help you keep him safe,” I promise the kitchen cat, as I stroke the kitten; she looks up at me with her inscrutable eyes, as if taking my measure. “I will,” I repeat, and she comes to knead my leg.

SONS

June turns warm, and in Gertrude’s garden there are flowers everywhere, all growing in such profusion that I am astonished that the ground can contain them. It is as if the Male Goddess is lavishing His-in-Her wealth on Gertrude. But is this opulence a promise or a mockery? Does He-in-She want to reveal a secret or honor Gertrude? I ponder the question without an answer, and find no consolation in the blooms. If I could bring myself to ask her, to find the gentlest way to discover if she has heard the gossip, and what her answer to it is. But such audacity is unthinkable. There is no one I can confide in, not the full extent of my suspicions; I disgust myself, and often I try to convince myself that I have invented the whole, and that my supposed certainties are more the product of Oduvit’s implications than anything I have witnessed. But I cannot forget that scrap of brass brocade in the garden; only one man at court has such a color in his clothing, and he is not the King.

“It will be in winter that the Prince comes,” Gertrude says as she cuts another of the branches from the columbine and lays it in the shallow basket she carries over her arm. “There will be nothing here but bare ground and snow.”

I continue to play “The Eagle and the Lark” for the Queen, glad that she does not expect me to speak to her. “I try to imagine what he will be like, the kind of baby and youth and man he will be,” she goes on, cutting other blossoms to put in her quarters. She pauses at her work and beams down at me. “What color will his eyes become? How will he stand? What will his strengths be, and his weaknesses? Who will he favor? I wonder how much he will be like his father.” She gestures to indicate I should go on playing. “You don’t have to say anything, Yorick. I am indulging myself, trying to determine what my son will be.”

That is a matter I do not wish to explore; I bow to her and damn myself for the thoughts that rattle my mind. The music pleases her and she hums with the shawm as we continue our stroll.

“At night I lie awake and try to feel him move. I think that I do feel him, light and so little that a feather would be stronger, from time to time, but it may be too early for that. Other women tell me that I cannot know that I feel him yet, but I know I do. I know that he is moving already. He is a flower unfurling.” She cuts one last branch and then puts her little knife into her apron, straightening up and looking around the garden, her eyes lingering on the gate. “You see, all those hours here in the garden? Don’t you think they were worth the effort?” She smiles at her flowers.

But my thoughts are on a different path, and try as I will, I cannot turn from it, and the loveliness around me is nothing more than players’ trumpery.

* * *

Oduvit makes endless jokes about the Queen’s pregnancy, but only to the other jesters. I hate to listen to him, but that serves only to fuel his determination to cast doubt on the Queen’s chastity. He delights in snide remarks and nasty innuendos. “Hamlet has been at her for quite some time and there was only a dead lump to show for it. Now that his brother is back, the Queen increases. What service to Hamlet’s House.” He pays no attention to the howling noise Tollo makes; none of us do.

Mect stares at the two loaves Voss has given us, as if he hears nothing. He cuts a piece of bread with his knife as if he were cleaving it with a sword. “What do you seek for yourself?” he asks Oduvit.

“What you seek for yourself, and the Emperor,” says Oduvit at once, and beams at his riposte.

Mect is unwilling to be goaded into a dispute. He speaks in the same steady voice he used at first. “Because as you are going, you will come to an early grave.” “I say nothing that the rest of the world is not thinking,” Oduvit says with a shrug. “Everyone is aware that the King’s brother and the Queen have become friendly. Anyone can see that Claudius is nearer Gertrude’s age, and his travels have made him a man more to her liking than her husband. Compare how they dress, Hamlet and Claudius. Who can blame Gertrude for preferring the handsomer, better-traveled man?” “It is not a question of her preference,” says Mect. “It is the contract between Lorraine and Denmark that is at issue. This is not some peasant’s wife liking her neighbor’s husband better than her own, this is a Queen you impugn.” “She’s a woman before she’s a Queen,” says Oduvit with a toss of his head. “You know what women are. Let them but see a well-favored man and all the vows in the world are nothing compared to him.”

“Gertrude knows her duty,” I say quietly.

“Knowing it and doing it are not the same thing, as we have seen,” says Oduvit. “And if Yorick had to swear to it, I doubt he could answer to Heaven for Gertrude’s purity.” He leans back in his chair, peering up at the ceiling, his little pointed beard quivering with his quiet laughter. “I would truly love seeing that,” he says. “l would love to see you, Yorick, having to defend the Queen’s honor, with what you must have seen, and everything you know.”

“I have seen nothing,” I say, knowing I have been maneuvered into it.

“But you have suspected,” Oduvit says, turning his head to the side to watch me and wagging his finger in my direction. “Oh, yes, you have suspected. Deny it if you like, it is in your eyes. It is in everything you say, that question that rankles. What do you say to Hamlet, I wonder, when he speaks to you of the coming child.”

“I have thanked God that Hamlet will have an heir,” I tell him. “Well, Denmark will have an heir, in any case, in the royal line,” says Oduvit with a smirk. “It comes to the same thing in the end, and it is the same bloodline.”

Hedrann has been eating with his head down and his old face scarlet. At last he looks directly at Oduvit. “If there are those who doubt the Queen, it is because you have spoken against her. If there are those who suspect that Claudius has lain with her, it is your suspicions they have. If you said nothing, there would be no whispers. You are the start of the doubting.”

“And wouldn’t court be dull without a little doubt, a few questions,” says Oduvit, reaching for his beer. “As it is, things are lively.” He chuckles. “Is it true that Polonius is bringing his son and wife to court before the end of the year?” The question is directed at me, and he sets the barb more deeply. “Surely Hamlet has said something to you, Sir Yorick.”

“Why should he?” I ask with all the pleasantness I can bring. “Oh, because you are his jester, and the situation is so amusing, it would be sensible to speak to you about it. You are the soul of discretion, and in these times, that must be of special value.” He tosses off the beer and has some more. “Besides, you play for the Queen and you know what she says to her women. You are with them when they sew. You play for them, so you can hear everything they say. What passes between them? What secrets do they reveal? You hear them all, don’t you? You would open eyes, wouldn’t you? if you shared the Queen’s gossip.” “I have vowed to Hamlet to repeat nothing of what I hear,” I remind Oduvit for all the good it does.

“Trusted knight that you are,” says Oduvit, and drinks, the spite in his eyes so intense it is almost palpable.

* * *

The kitchen cat has returned to her place in my bed, and her kitten, who has grown quickly to a good size, occasionally occupies the place at the foot. She no longer watches after him with anxious concern; now she permits him to come with her when she hunts and leaves him alone but for licking him before they sleep; occasionally she puts her ears back to him and hisses, and he is still young enough not to respond in kind. But more often now he absents himself from this chamber and his mother’s company, going off in search of his own game; he has made himself useful to Voss, killing off a nest of rats two weeks since, and for that he is given the pick of the scraps.

I lie awake and talk to the cat and the night and the Male Goddess. Since there is no man or woman in whom I can confide, I must take what aid I can from these. “I have never seen anything questionable, except that bit of brocade, and now I begin to wonder if I was right about it. He was wearing that brass-colored houpelande when he first returned to court, and I was certain that I had never seen that color cloth before, and in a brocade. That was what the bit of cloth was, a brocade, of a deep yellow with great shine, as that garment is. It was the same fabric, or so I thought. It could have been there by accident or perhaps Oduvit put it there to compromise— At the time I was certain, but now—” I feel the kitchen cat make herself comfortable in the curve of my arm, her head at my shoulder. “But Claudius has not worn that houpelande again, not since that day, not that I can recall. It may be that he has donated it for the poor, or it could be that he has some reason to conceal it. If he tore it while he was in the garden it may need mending, and if he has no spare sections of that cloth, he would put the houpelande aside. At least, I think he might.”

The kitchen cat sighs in her sleep and twitches as she dreams.

“What am I to say? What should I do?” I ask the night and the Male Goddess, but neither provides me an answer.

* * *

Ricardis’ son is a chubby, hot-tempered baby, given to sudden imperious screams and fits of angry weeping when he is denied what he wants. He sits in the middle of the carpet in the Queen’s apartments, Gertrude and her women gathered around him as he makes a determined attempt to crawl away from their attentions.

“He is a good boy,” says Ricardis, “but he has no patience. He hates being swaddled, and he wants no opposition from anyone. He will be a hellion when he is older, but for now he is my fine, stalwart baby, and that is all that matters to me.”

“What man does like opposition?” asks Raissa, and laughs.

“He is very fair,” says Hildegarde, who is more hushed than usual.

At the Queen’s request I have brought my yawp instead of my shawm, and I am playing simple country tunes, cheerful melodies intended to brighten the day for an inquisitive little child.

“Yes; his hair is almost white,” says Gertrude, pleased that there is something she can say about the boy. “And his skin is so fine and rosy.”

“And soft,” agrees Ricardis. “I am always amazed at how perfect he is.” “You are a fortunate mother.” She gets to her feet, more awkwardly than she would have a month ago, and finds a chair. “I remember how you told me how easily you were overset,” she says to Ricardis. “It seems to me that I was another person,” Ricardis admits.

Gertrude sighs. “It is not weeping with me. I am cast into gloom and despair,” she says, embarrassed to say it. “There is always something,” says Ricardis. “At least neither of us have given way to rage as some women do.”

“May God be thanked,” Gertrude exclaims. “I would rather endure these morose reflections than do anything that could bring harm to me or the babe.” Ricardis’ smile is indulgent. “Yes. Always there is that concern. The child must be safe.” She looks abashed. “But you know that from the…the one….”

Gertrude does not leave her floundering. “The babe I miscarried,” she says directly. “Yes. But that one was lost earlier, and so, perhaps, it had no chance to become strong enough to stay in the womb. They tell me that the infants are weakest when they are first made, as all things are.”

Laertes now asserts his rights, sitting upright and uttering four piercing shrieks.

The women gather around him, fearing he has hurt himself, and although his mother is first to attend him, she alone smiles as she picks him up, soothing and stroking him, delighted that he is so imperious so young. “There, little one, little sweeting,” she croons. “Your mother will not leave you, not ever. You are safe now, and nothing can harm you.”

The little child pummels his mother’s cheek with his tiny fists, and screams twice more. There are no tears in his eyes.

“He’s a brave, brave boy,” Ricardis approves as she confines his hands in one of hers. “Such a brave boy.” They say that the Male Goddess loves all children and adores none of them. As I watch Ricardis with her son, I wonder what He-in-She would make of this, if He-in-She would find Ricardis a worthy mother or an unworthy one. “What does he want?” asks Hildegarde in her whispered voice.

“Food, probably, or cleaning,” says Ricardis. “Or both.” She holds Laertes up, shaking him gently. “Very well, you greedy little lout. But you cannot drain me no matter how you try.” She unlaces the front of her clothes and presents the baby her breast; he takes it eagerly, attempting to clasp it in his little hands.

“He is a determined boy,” says Hildegarde.

“Oh, yes. When he is grown, I think he will be of a passionate nature. It troubles me, sometimes. But I would rather have a son of mettle than one who lacks courage.”

“He has a good appetite,” says Margitha.

“Yes, and I dread the day he grows teeth,” says Ricardis, and the women laugh.

I have kept my distance, playing the airs requested. I keep to my stool and watch the women gather around Ricardis, and the Queen sitting a little way apart from the rest. “You have no wetnurse for him?” asks Gertrude from her chair.

“No. Polonius’ mother does not think they give good milk, and when they do that they become too attached to the babe.” Ricardis tries to look put-upon but without success.

“Ah,” says Margitha, nodding. “My grandmother says the same thing.”

Ricardis laughs, the sound low and warm. “Besides, it is a great pleasure to hold your son and give him milk.” She turns toward the Queen. “You will know the delight of it soon enough.” “Yes,” says Gertrude abstractedly, her gaze fixed at some point far beyond the wall.

YORICK

Just before we enter the Council Chamber, Hamlet pulls me aside. “I need your help, Yorick,” he says softly. “You have only to name it, my King,” I answer at once, starting to bow.

Hamlet stops me. “Never mind that. I need you to make….” He has trouble going on. “You have heard the rumors.”

“Rumors, my King?” I ask, knowing beyond doubt which he means.

“The rumors,” he repeats impatiently. “You are a jester. You hear everything.” His expression is exasperated, but there is something more, a desperation that I have not seen in him, even after a costly battle. “You know what they are whispering. You always know. Don’t bother to deny it.” “But there are so many whispers,” I say to him, and it is true enough.

“The whispers about my Queen and my brother,” Hamlet says bluntly, staring into my eyes. “You have heard those rumors, haven’t you.”

At another time I might be tempted to disclaim, but not now. “Yes,” I tell him quietly, “I have heard the rumors. Some are more fantastic than others.”

“Um,” says Hamlet. “Fantastic or not, they are all lies.” His chin is set so that his clipped beard thrusts forward, and his brows are drawn down into a fearsome scowl. “Is that understood?”

“They are lies,” I agree.

“And I want them stopped,” he says grimly. Then he gives a hard sigh.

“You are King; you may order it stopped,” I remind him, although I know how little such an order accomplishes. “And fan the flames?” Hamlet asks. “No, I want no one saying that I have given such an order because I am afraid the rumors are true. I will not have my son’s legitimacy questioned by anyone.” He faces me, and the lines by his mouth seem deeper than ever, the fretwork around his eyes more strongly marked. “I want you to make the most of them. Tell every rumor and make them all laugh about it until they choke.”

His vehemence surprises me. “Are you certain?” “I promise you I will laugh the loudest and longest of any of them,” he says with steely determination.

I am more doubtful than before, but I am Hamlet’s jester and his to command. I bow and say, “If that is what you want, I will do it.” “Make them howl, Yorick. Stuff them full of every item of slander and innuendo you can, the more outrageous the better. Give them surfeit of it.” He straightens up and puts his hand on my shoulder. “I will be grateful to you for the rest of my days if you can put these rumors to rest.”

I bow again, and follow him into the Council Chamber where the Counsellors and their ladies are gathered with the Norwegian ambassadors for our festivities honoring Fortinbras on this feastday of Saint Olaf of Norway; Polonius has already been sent to Fortinbras’ court to represent Hamlet for this occasion.

The King takes his place on the three-staired dais, and motions to Claudius to join him where Gertrude would usually sit. “I fear that this babe my Queen carries saps her strength. She is resting and asks that you excuse her,” he announces off-handedly as Claudius approaches him.

I find my place at the bottom stair and sit down, willing to be unnoticed until Hamlet calls me; I try to bend my thoughts to how I can do as he commands me. The activities of the court disrupt my cogitation.

“Is she ill?” asks Claudius as he takes his place next to his brother. He is wearing his brass-colored houpelande; he has had a new, claret-colored lining put in the enormous sleeves. Is it for fashion, I wonder, or was there a tear in the damask?

“No more than any other woman in her condition,” says Hamlet. “But since she has lost one child already, she is taking more care of herself than another woman might do. She says she would prefer to disappoint me by missing a celebration than by losing a second babe.”

“Yes,” agrees Claudius emphatically.

Hamlet gives his signal and the festival of Saint Olaf begins. The drummers and the musicians with courtauts, cornemuses, curtals, and rackets parade through the Council Chamber playing the “Prayer of Saint Olaf”. The Counsellors move aside to permit the musicians to pass, showing them a courtesy that they would not ordinarily give. When the anthem is finished the musicians withdraw to the end of the room and take up a position there, prepared to resume playing at Hamlet’s order. Hedrann is seated beside them, looking very tired.

The Norwegian Ambassador steps forward, and bows to Hamlet; he is a bluff fellow, bearded and portly, with hearty smile and wicked eyes, “My King has authorized me to say how much you honor him with this celebration of the Feast of Saint Olaf, who, like Fortinbras, was King of Norway. It is fitting that our two countries, united as we are by treaty and marriage, should share the festivals of our people. Rest assured that on the birth of your heir, great Hamlet, Norway will have feasts of thanksgiving and celebration to honor you and your House.”

From the looks that the guests exchange it is clear to me that all of them know what is being said about the Queen; so does the Ambassador, I think, for the bow he gives is low enough to be insolent.

“You are most gracious, good Count Holberg; your King gives us much reason to rejoice. You are worthy of the confidence Fortinbras reposes in you.” He motions to one of the servants, who has been waiting for this moment and now brings forth a small casket “Here we have a token of our love and esteem for Fortinbras and his House. It is a medal struck in gold, commemorating the marriage of his son and Egidia.” He holds up a massive chain of heavy links with the medal depending from it so that the Counsellors may serve as witness to the gift. “We instruct you as the deputy of Fortinbras, to carry this to him as swiftly as horse and ship will take you, and to this end we will provide you proper escort for the day after tomorrow.” Holberg takes the medal and bows again. “My King will be much pleased with this,” he says, his voice rich and unctuous, his eyes like vitriol. “In his name I express the gratitude of Norway.”

Claudius watches all this half in boredom, half in avidity. He leans toward his brother, and then away from him. His curly hair is cropped in the latest fashion, and his neat beard is trimmed and perfumed; in his brass-colored clothing next to his dark-robed brother he is very grand. “Hamlet,” he says, determined to be more than an observer, “is there nothing more you would want to send in token to Fortinbras?”

Hamlet glances at him, frowning. “Is there something you would advise?” he asks, doing what he can to have it appear that this is not a surprise.

“In the Queen’s garden,” says Claudius with a broad smile, “there are rare blooms and plants not often found in Denmark. Would not the gift of cuttings from these be a goodly symbol of the ambitions you and Fortinbras now share?”

To give Claudius what is due, the suggestion is a clever one, and both Claudius and Hamlet know it. The King inclines his head to his brother. “A most fitting tribute, yes,” says Hamlet with a hard smile. He turns to Count Holberg once more. “The Queen herself will prepare the donation for you to carry, and present to the wife of Fortinbras, in the name of our growing trust and friendship.”

“Most truly kind,” murmurs Count Holberg, and steps back from the dais.

There is mead passed around, and new summer beer. The Counsellors and their ladies quaff their fill, and in a little time the gathering is merry; my heart is leaden in my chest as I see Hamlet motion me to rise.

I bow, first to him and then, with less respect, to Claudius. Behind me the babble of conversation has become a buzz as the Counsellors hush themselves to listen. Remembering what the King has told me to do, I ask him, “Is it true what they say, my King? That a crown eases the ache of wearing horns?”

The Council Chamber is utterly silent; Claudius is so still he might have been carved and painted oak. Count Holberg puts his large, soft hand to his mouth. Hedrann, who has been dozing, is suddenly awake.

And then Hamlet chuckles; it starts in his shoulders as a rhythmic shaking, then moves down into his chest where it becomes a low rumble like wagon wheels over stones. At last he laughs outright: the Counsellors do their tenuous best to join him.

“It is a good thing for a boy, to have a spare father,” I continue, less uncertainly. “It saves him trouble later in life. Or it causes it.”

Again Hamlet laughs, and this time the Counsellors join in more readily; even a few of the ladies giggle. Claudius has done nothing.

“Does it seem to you, my King, that the world is full of cuckolds, or it is only the whispers of the envious who make it seem that way?” I reach for a tankard of beer and lift it to Hamlet. “And if the world is full of cuckolds, then it would seem to be a noble company, if half the whispers are true.”

At last Claudius speaks. “You are impertinent, jester!” he thunders.

I bow to him. “Naturally. That is my job.” Then I bow again to Hamlet. “If I offend, my King, you may claim my head for it.”

Hamlet makes a sign that he wishes me to go on, “You are most amusing, Sir Yorick. I am not offended. Do not let my brother’s too-sensitive dignity hamper you. Say on.” He glances quickly at Claudius. “If you dislike what Yorick says, Claudius, you may leave.”

That is the one thing Claudius does not dare to do. He sits in stony silence as I continue.

I begin a tale of the Ottomite ruler who was so in fear of being cuckolded that he locked all ninety of his wives in a castle and set an army of eunuchs to guard it; the clever wives gave the guards sweet wine to drink that had been drugged with a potion that would make the guards remember only that they had remained at their posts, and while the guards slept, they had the luxury of their lovers.

All through the story, with its complications and ruses, Hamlet laughs as if the shadow of betrayal could never touch him, and when I am through he presents me with a ring set with fine blue stones. “Have you more such lessons to teach?” he asks, and makes a little nod to tell me what my answer must be. “I have dozens of them,” I answer truthfully, hoping he will not ask to hear them all. “Tell me the best of them,” says Hamlet, and nudges Claudius with his elbow. “These stories. They are instructive, aren’t they?”

Claudius makes his mouth stretch wide, but it is no smile he gives his brother. “Vastly amusing.”

There are tittles from the Counsellors, and a few of the ladies turn their faces flirtatiously aside.

“With all this talk of cuckolds, I suppose it is not strange that a jester would know so many tales.” Hamlet looks encouragingly at Claudius. “Have you heard any story you can add to those Yorick has told? In your travels, weren’t there tales of the fate of cuckolds? Tell us one, Claudius.”

I could almost find it in my heart to be sorry for Claudius at this moment. He is furious and he is chagrined, and he blames all of it on Hamlet. I decide to intervene before things are said that the Counsellors should not hear. “I know a tale that is said to be from the Great Khan’s court, about one of the Princes there.”

Hamlet relents. “Tell the story, Yorick. And mind, Claudius, if you think of one we do not know, be prepared to tell all.”

TOLLO

I am wakened by a pressure on my arm, but it is not the paws of the kitchen cat but Mect’s hands that shake me. “Hurry. Get up.” He holds a candle and I see his face is very somber.

“What’s the matter?” I ask, rubbing my face and shaking my head to chase the sleep from them. “What hour is it?”

“Very late; after three.” He thrusts my clothes at me. “Hurry.”

I struggle to pull on my clothes and only then hear the faint, mewed protest of the cat from where she has curled beside my pillows. I reach out and stroke her to reassure her, but my attention is on Mect. “Why do you want me at this hour? Has something happened?”

“Tollo has taken a fit,” says Mect. “Worse than the other times.”

It is a shocking thing to hear, and I stare at him in the candle’s unsteady light. “How, worse?”

“He lies on the floor twitching. There is foam around his mouth and he has started to vomit twice, but so far nothing has come of it.” He shoves my boots at me. “He is the color of old cheese.”

I mutter a few words, making them indistinct; the Male Goddess understands, and Mect will not. “Has the physician been summoned?” “Oduvit is looking for him now,” says Mect.

“Oduvit?” I exclaim as I jam my feet into my boots.

“He dare not fail,” Mect assures me as I get to my feet. “Are you awake now?”

“Awake enough,” I say, and glance back at the kitchen cat, who has turned her back on me and has made herself into a circle on my pillow. “Where is Tollo?”

“In the alcove off the Audience Chamber,” says Mect, his candle held in the protection of his hand.

We make our way through the kitchen; the embers of the banked fires give an eerie, red light, as if the stones themselves were about to burst into flames. “What was he doing there?”

“No one knows. And Tollo cannot tell us,” says Mect, his concern revealed in the brusqueness of his answer. “A scullion found him, not quite two hours ago.” We hurry up the short flight of stairs, then hasten down the hall toward the first of two galleries that will lead to the Audience Chamber.

“He was fine when we ate,” I remark when we have gone half the distance; I have been thinking about how Tollo has been behaved for the last few days. “He made no complaint beyond the lack of salt in the soup.”

“And he was in good humor in the afternoon,” Mect agrees. “But now he is suffering the pains of the damned.” His candle nearly flickers out and he stops to let it flare once more. “When did it begin?” I ask, thinking of the other fits I have seen Tollo endure.

“We don’t know. After we ate and before he was expected to sleep,” says Mect in deepening concern as he begins walking again, at a bit slower pace for the sake of the candle.

“And it is still upon him?” It would mean that the fit has lasted more than three hours, and I have never known one of his fits to last so long. “It was when I came to fetch you.” We are through the first gallery and have just entered the second. It is a larger, handsomer room, with paintings on the ceiling and tapestries over the walls; because it is summer the room is stuffy but in winter it is cozy and warm. Just beyond the double doors is the alcove where Tollo waits.

“Who is watching him, if Oduvit has gone for the physician?” I ask. “Not Hedrann?”

“He is the only one we can trust.” He looks over at me. “You know we’ve been keeping Tollo’s fits a secret. And that if they were known, he would be given to the monks and locked in a cell.”

“I will be silent,” I promise.

A moment later we reach the alcove, and there on the floor is Tollo lying in a pool of vomit and blood. Hedrann is kneeling beside him, one hand on his hair, as if Tollo were sleeping.

“It is all over,” says Hedrann quietly.

Mect blesses himself, and I whisper a few words to the Male Goddess. “When?” asks Mect.

“Just now. One moment he was jerking like a gaffed fish and the next the blood came with the vomit, and he was gone.” Hedrann sits back on his heels, “I didn’t know what to do.”

Mect puts his hand on Hedrann’s shoulder. “You could do nothing. No one could.”

It is strange, seeing Tollo dead. Already he stinks, but his blood is so fresh that it has just started to congeal. What did he think of dying, I ask myself and the Male Goddess, poor Tollo and his disordered wits?

There is a noise from the other end of the alcove, and the door swings open. Oduvit hurries in, leading the physician who usually treats the servants. “There.” He points to Tollo, and then realizes that he is dead.

The physician wears the resigned look common to his calling. His approach to the body is grave and deliberate, and as he reaches it, he put three fingers in the spread of blood and sniffs them. “You say he had a fit?”

“He has had them before,” I answer when no one else is willing to.

The physician snorts and wipes his fingers on his old-fashioned bag-sleeved huque. “This was no fit,” he announces ponderously.

“No fit?” Mect asks sharply.

Before he speaks I know what he will say, and I steel myself to hear it.

The physician satisfies himself that he has all our attention. “This man died of poison.”

* * *

Tollo is buried at the end of the chapel, under the floor. There are few mourners, and the priest makes his service short. We jesters attend, and a few of the servants; none of the court or the Council are with us.

Afterward we go to the smaller gallery where a meal has been set for us, and we toast Tollo’s memory until the pain of his death is dulled.

At the end of the evening, when our speech is slurred and our eyes wander, Mect says to me, “Be on guard, Yorick.”

I stare at him, my eyes not quite focused. “On guard?” I repeat. “Why?”

“Tollo died of poison.” He waits until I nod. “Men do not die of poison by accident. Someone killed him.”

I consider this as best I can. “He had no enemies.”

“He had one,” Mect corrects me.

AUTUMN

Summer passes into autumn early this year; the end of August sees the first leaves turn. The flowers in Gertrude’s garden fade and wither as she grows clumsy with her pregnancy; she is content now to sit with her women once more, doing needlework while I play my shawm for them. Peasants grumble at the first of the harvests, and complain that some of their later ones will be lost if the rains return too soon.

Polonius comes back from Norway filled with news and himself. He proclaims his successes to all who are willing to listen, and he basks in the flattery of the court and the respect of the Council. By the time he leaves Elsinor to visit his wife and son, he is sleek and burnished as a favored horse. Claudius is not so sanguine. He has busied himself with the affairs of the Council, but is beginning to chafe at his subordinate position. He takes to hunting stags and boars, and spends his evenings roistering and playing games of chance away from the confines of Elsinor; Hamlet makes no effort to stop him.

Oduvit is less boisterous than he was before Tollo’s murder. Mect continues to warn us of possible enemies, and for once Oduvit has taken someone’s advice to heart; his spite is no less than it ever was, but he is more skillful at concealing it. When we are alone, he is scathing as ever, but before the court and the Counsellors he depends more on his tumbling and wide range of impersonations instead of his sharp tongue.

And the kitchen cat sees her son depart, to be Voss’ favorite and lord of the pantry; when they meet now, it is he who lays ears back at her. If this causes her any anguish I cannot detect it; I continue to bring her food and she continues to sleep on my bed, and I thank the Male Goddess for the privilege of her company.

Through the autumn a routine sets in, one that verges on dullness but for the occasional whispers and the annoyance of boredom.

Then, on a squally night in the third week of November the Queen goes into labor, and all Elsinor is caught in the uproar. Raissa, Margitha, and Hildegarde all rush to attend her, and Mother Bertrade is summoned from her apartments by Hamlet himself. In the kitchen Voss prepares broths and hot wine, and orders his staff to remain at their posts until the heir is born. A Captain of the Guard is kept at the ready, his horse saddled, waiting to carry the news through the country.

About midnight Hamlet summons me to his side in the reception room just beyond the Queen’s apartments. There is a fire blazing on the hearth and occasionally the tapestries flap with gusts of wind. Hamlet leans on the mantlepiece, his head bare, his features deep with worry.

“My King,” I say to him, bowing. How am I to amuse him on such a night? I have brought my shawm in case he would rather have music than antics. “You can’t hear anything from this room,” he says after short silence. “I think I can hear her scream, but it is impossible.” He rubs his forehead. “They have nothing to tell me yet.”

“Some babes take a long time to be born.” My mother often told me that, and I repeat it now in the hope that Hamlet will take some consolation from it.

“They do, so I understand,” says Hamlet, and motions me to one of the stools in the room. “No need to stand. This may be a long time.”

“She will be safe, my King, and your heir.” I hope it is true.

Hamlet nods as if his head were stone. He gives me no further orders, and I wait to learn what he wants of me. Eventually he says,”I probably should not have married her, but Denmark needs an heir. And she is a pretty thing.”

“She is a worthy Queen,” I tell him, wondering if I this is what he wants to hear. “Yes; Yes.”

A servant arrives with a tankard of hot spiced wine for Hamlet, and he asks that a second be brought for me. When we are alone again, he says, “Claudius is away, at one of the hunting lodges.”

“Just as well.” There is no reason to give the court a chance to remember the rumors of last summer; I wish my own memories of that time were less disturbing. I take my shawm and begin to play “The Oath of Sir Edward”.

Some time passes and Hamlet has finished his wine and mine has grown cool. I have gone through another four songs and my mouth is feeling stiff.

Mother Bertrade enters the room, very dignified in her black and white garments and her voluminous guimp over her grey hair. “The Queen is doing well. You have no cause to worry for her safe delivery,” she says, looking directly at Hamlet. “If you are as most men are at this time, you will have imagined every horror.” “Is she—” Hamlet breaks off before he can form a question.

“Bringing a babe into the world is hard work; make no doubt of that, my King. But your Queen is a strong lady and she knows what reward awaits her when her efforts are over. Set your fears aside. She will be tired when she is done, but nothing more than that.” Mother Bertrade gives a twitch to her skirts and curtsies. “Your son will be here with the dawn. Until then, content yourself; you have done your part. Let your Queen do hers.” Without any more display of courtesy, she withdraws from the reception room.

When the door is closed Hamlet curses roundly, and adds to the air, “He had better be here by dawn, and he had better be he, old woman, or you will answer for it.”

HAMLET

During the night the squall becomes a proper storm, and so the first fading of night goes unnoticed. In the reception room next to the Queen’s apartments the fire has burned low, and for the last hour Hamlet has dozed in one of the chairs while I have done my best to stay awake in case there should be a summons.

But Mother Bertrade comes to Hamlet, Raissa and Hildegarde with her. There is blood on her apron now, and in her arms is a tiny, red, wet, howling infant, half-wrapped in swaddling linen.

Hamlet starts at the babe’s cries; he stands up slowly with awe on his face, nodding to Mother Bertrade.

She is in her glory now, and she says as if she were announcing the arrival of tire Emperor, “My King, I have the honor to present your heir.”

Hamlet’s eyes brighten as Mother Bertrade holds the precious bundle out to him. Custom requires that he take the infant, to show that he acknowledges it is his, and Hamlet does this with alacrity, holding the child awkwardly but with fierce protection.

“And the Queen?”

“She is well,” Mother Bertrade says. “Margitha is bathing her, and then she will be given broth and put to sleep.”

“The child?” Pride and anxiety war in him, but I can see that pride is steadily vanquishing all other responses. “He is flawless, my King,” Mother Bertrade assures him. “He has the right number of everything he should have.”

Again Hamlet nods, and calls over his shoulder, “Yorick, I want you to witness this.” I scramble to my feet and hasten to his side, bowing twice. This is an honor that I had supposed would be reserved for Claudius or Horatio or one of the elder Counsellors; for a jester to witness such a portentous moment is remarkable.

“Here is my son and heir,” says Hamlet in the ritual phrase, and watches as Raissa and Hildegarde curtsy and I bow again. “Hamlet,” he names the boy. “Prince of Denmark.”

* * *

Within ten minutes everyone in Elsinor knows about the Prince. Bells ring from the chapel steeple and there is cheering in the soldiers’ barracks. The whole palace is a blaze of lights in the dark, blowing night. The messenger rides off to carry the joyous tidings through the countryside and to the cities. Hamlet orders that flagons be filled with beer and mead, the better to drink the health of his son.

“A fine day for Denmark,” says Mect as he lifts his tankard and drinks deeply.

I cannot help but wonder if the Emperor will agree when Mect sends his report, but I touch the rim of my flagon to Mect’s, saying, “True; the King is a happy man tonight.”

“More fool he,” mutters Oduvit as he takes a long draught of the mead.

“Enough of that,” I warn him. “It is sufficient to know that Hamlet recognizes the boy as his.”

“You were there to see it done, weren’t you?” Oduvit asks nastily. “Strange, to use a jester instead of one of the Council.”

“I was in attendance,” I remind Oduvit and the others. “I was the one he asked because I was there, and Hamlet did not have to delay establishing the legitimacy of the child, which he would have done waiting for a Counsellor.” “He gave the boy his name,” muses Hedrann. “He can have no doubt of his fatherhood to do that.”

“Or he wants to put such rumors to rest,” Oduvit says quietly, his nose in his tankard. “What better way than to make it appear he has no doubts about the boy?”

“You have a vile tongue, Oduvit,” says Hedrann.

“I am a jester,” Oduvit answers with an exaggerated bow. “And I have eyes in my head. I know what I see.”

“But you have no sense,” says Mect. “The King will not welcome the jibes he has endured these last seven months, not now that he has a son.” He regards the rest of us carefully. “It was one thing to make jest of the rumors before the child was born, but now Hamlet will not permit any of us to question his son’s Right.”

I agree with Mect, and nod as he speaks, adding, “How are we to deal with the rumors now? They will not stop because the King has a son.”

“We can ridicule them,” Mect says, and gives another hard look to Oduvit. “Keep in mind that we are the servants of Hamlet, father and son.”

Oduvit laughs. “You are the servant of the Emperor, and we all know it,” he says without apology.

Mect glares at Oduvit, “This is enough from you.”

“Oh? Do you say I lie? Will you answer for it?” Oduvit’s face grows a mulberry color from anger. “I will not challenge you,” says Mect, his features weary and hard. “But you are putting yourself in danger when you say such things, along with the rest of us.” He sets his tankard aside and folds his arms. “Because we are all jesters.” “How unfortunate,” murmurs Oduvit with a sly smile.

“Yes, it is,” says Mect severely.

Oduvit gives no answer to Mect.

* * *

The King is pacing his Audience Chamber alone when I answer his summons. His countenance is lined with worry and there is a light in his eyes that comes from unshed tears. “My Queen has taken a fever,” he tells me as I bow to him. “Because of the birth?” I ask, dreading the answer, for the fevers of childbearing claim many women every year.

“So they tell me,” Hamlet says, putting his hands to his face. “I cannot lose her, Yorick. She is everything fine in my life. I cannot lose her.” “No,” I say, and add a prayer to the Male Goddess in my thoughts.

“She isn’t strong, Gertrude isn’t,” he goes on, as if the words alone will ease his misery. “She is fragile. I am the most damned of all men if she dies.”

“She will not die, my King,” I assure him, for no good reason.

“She mustn’t,” he insists.

“No, she must not,” I echo him. It is distressing to see Hamlet in such travail, and I try to find some comfort for him. “It is a bad thing that she has to suffer, my King, but it may be that the Queen is trying too hard to recover, and has worked herself into a fever through her efforts. My mother often said that women would do that, especially with a first child. She said that they want too much to tend their babes.”

Little as that is, Hamlet seizes on it. “Yes,” he declares. “That must be what has happened. Gertrude is attempting to rise too quickly, to nurse our son, and she is fevered because of it.” He comes to my side and puts his hand on my good shoulder, “Thank you for your good sense, Yorick. I was half-mad with worry.”

I would have put the madness as greater than that, but I say nothing of it. “She is young, and youth has its own strength,” I tell him, “That is what made her want to rise too soon to give suck to her boy.”

“There is the wetnurse for that,” says Hamlet. “But Gertrude has said she wants to tend him herself. She thinks that her milk will be better for him, because he comes from her body.” He shrugged. “Women have the strangest notions about their children.”

“What can it hurt, to have her nurse the babe?” I ask, wanting to give him less reason for distress.

“Nothing, I suppose, though it is the task of humble women to care for children,” Hamlet answers, then gestures in the direction of the Queen’s chambers. “But they tell me that the boy is fussy, and so it may be that he will do better with his mother than a wetnurse.”

“It is possible,” I venture. “And if it is what the Queen wants, it will give her reason to improve quickly from her fever.”

Hamlet smiles as if this were a new thought to him. “Of course. I had not considered that. She will be pleased to know that it is decided. I will have her informed promptly that she will be allowed to take care of our son, at once, so that she will strive to get well.” He reaches for the bell to summon one of his servants, but I forestall him.

“’I will carry the message for you, my King. I am here already, and it pleases me to do your bidding. Her women know me and they will not question what I tell them, as they might question another.” “You are the most sensible of men, Yorick,” says Hamlet. “And I thank my Guardians that you have been here to advise me. By all means, take the message to my Queen’s women.” He nods in the direction of the door leading to the corridor. “Be on your way, then, and return to me when you are done.” I bow and hasten to the task, going as quickly as I can without pain. There are several servants in attendance at the Queen’s chambers, and they regard me with narrowed eyes when I arrive, but none of them denies me the right to enter.

Raissa is sitting in the outer chamber, her sewing neglected on the frame in front of her. She stares at me as I come to her side, bowing to her as if I were going to play the shawm for her instead of deliver the Kings message. “Well, well, does the King want to amuse his wife out of her illness?” Raissa asks sharply. “No,” I answer her with deference. “No, I bring word from Hamlet to his Queen. He has agreed to permit her to nurse her son as soon as the fever has departed. It is not the usual thing, but if it will give the Queen reason to improve, the King endorses it for her sake and the sake of their son.”

Raissa watches me and claps when I have done. “Vastly pretty, Sir Yorick. Worthy of a courtier.”

There is no advantage in bandying words with her. “See that the Queen is told this at once,” I instruct her, not wanting to listen to her pointed observations. “I will want to tell the King that she knows of his decision.”

“All right.” She rises, setting her work aside, and goes into the room where the Queen lies. She returns shortly, her face ruddy and stiff with embarrassment. “Tell the King that the Queen is most grateful for his concession, and thanks him for his consideration.” She recites this as if for a zealous priest.

“I will,” I tell her with another bow. “And when the Queen desires entertainment, she has only to send for me.”

Raissa laughs once. “It isn’t the Queen who needs entertainment, but her son. He is forever fussing.” She regards me with less ire than before. “Do you think you could do anything to distract him?”

“I have brothers and sisters, and I have tended infants before,” I assure her. “If it is necessary to take care of the Prince to aid the Queen, it would be my privilege.”

“Well, I will ask Gertrude if she would object to your presence. With your shoulder, she may not want the boy to see you.” Raissa once again goes into the Queen’s chamber, and when she emerges, she looks at me with curiosity. “The Queen bids me tell you that she would be most truly grateful if you would find some way to entertain her son.”

“I will do what I can,” I promise. “I will carry her answer to the King, and then return to the Prince.” As I bow a third time, I find my head is swimming, and I have much to do not to stumble. “I will return shortly,” I say as I leave the chamber.

By the time I reach Hamlet’s Audience Chamber, the faintness has passed, and I have decided it was due to the closeness and warmth of the Queen’s chambers. I present myself to Hamlet, my bow no longer making my head light. “The Queen wishes to thank you for permitting her to nurse your son. And she has asked that I return to her, to entertain the child.” “Entertain?” Hamlet repeats with incredulity. “What does a four-day-old boy want with entertainment?”

“They tell me he is fussy and they hope that I can provide him some distraction, so that he and his mother can recover from his birth.” I hesitate before adding, “I have already said that I would, and if that displeases you, I will do what I can to explain to the Queen.”

Hamlet waves this caution away. “If it is what Gertrude wants, she must have it,” he declares as if making a proclamation. “Do what you can for the boy, and with my thanks as well as the Queen’s.” He regards me with some concern. “You don’t suppose there is something wrong with the boy, do you?”

“No, my King, I think he is like most babes: eager for food and rest and caring little for anything else except keeping safe.” I look toward the high windows of the Audience Chamber, where watery winter sunlight is lending the room its pale radiance. “The christening is two days hence, is that right?”

“Yes. The Archbishop will come from the Emperor to perform the Mass, and to christen my son.” Hamlet straightens up. “The priests have already blessed him, to protect him.”

I recall the prayers I have addressed to the Male Goddess on the Prince’s behalf, and I say, “He is a most fortunate child, to be so wanted.”

“He is the hope of Denmark,” says Hamlet simply.

* * *

There is a pale fuzz on the Prince’s head, and his eyes are a disturbing shade of blue-grey that is like storm clouds blowing over the sky. His expression is intent and puzzled, in the way of so many babes, and he locks his little fingers tightly around whatever they can grasp. He has strong lungs, for when he cries, and he cries often, he demands the same attention as a Sergeant of the Guard giving battle orders.

How can I amuse such a little whelp as he? This is the second day I have made the attempt; the first time I did nothing more than chuck him under the chin. Today I have brought my jester’s staff, but the boy only screams at the sight of it. I try girning, making as many grimaces as I can, but the Prince does not seem to notice the changes in my features, and continues to mule and whine. He wags his little fists at me, and his face screws up with temper or pain, I cannot distinguish which. So I take him up and sling him across my high shoulder, and for once the babe quietens.

Raissa appears at the door of the Queen’s bedchamber and is about to admonish me when she sees that the Prince has become tranquil. “Well, that is remarkable,” she says in a soft voice. “None of us have had any success with him.”

“I did this as a last resort,” I admit to her, and begin a bouncing walk down the room, taking care to hold the babe so that he will not fall from his place. “Who would have thought that your deformity would have such a use?” Raissa says in her sweetest tone. She does not look for long.

I will not rise to her bait. “Be glad it is here for the Prince,” I tell her, so that she will have nothing to answer me. “Amen to it, Sir Jester,” she says with the first genuine emotion I have seen in her for well over a year.

As I turn to look at her, the Prince trembles and his little hands dig into the high collar of my chaperon. I reach up for him at once and hurry to Raissa, “Get his nurse. He will need a change.”

Raissa giggles. “What a chance you take, carrying him that way.”

“He is worth the hazard,” I say as the new nurse—a portly young matron called Sigtha—hurries out of the Queen’s bedchamber, reaching out for the Prince with all the authority of her position.

“How does the Queen?” I ask Sigtha as I hand the babe to her.

“She is improving,” says Sigtha in her abrupt way; then she clucks over young Hamlet as if she were a hen with one chick. Then she is gone, the Prince cradled against her large bosom.

“Gertrude will not be strong enough to attend. Tell the King,” says Raissa as she indicates the outer door.

“I will,” I tell her, bowing before I take my leave. “I will come tomorrow, in case the Prince needs calming. Or you can send for me at any hour.”

Raissa is about to make a curt remark, but then she thinks better of it, offers me a little curtsy, and follows Sigtha into Gertrude’s private chamber.

* * *

Polonius and Ricardis are the Danish godparents of the Prince; with Count Holberg standing as Fortinbras’ witness to the christening. Claudius is there as the guardian of the Prince, dressed twice as grandly as his brother, and wearing an expression of ferocious good-will. The Archbishop, a doddering old pirate with a cast in one eye, recites the office in a sing-song voice that suggests he has long since forgotten what the words mean. Gertrude is not at the christening, her fever having increased during the night. She is in the care of her women and the physician who has been sent from the Cathedral to attend her; there are prayers said for her recovery during the Mass. So it is left to the King to present his son to God; Hamlet carries the babe as if he were made of glass, hardly daring to put his big soldier’s hands around the infant for fear of bringing some hurt to him. He is stiff with pride, his beard bristling with the force of his feelings as he holds the babe out to the high-ranking cleric for the oil and water that will enroll him in the company of those protected by the Church.

The Prince squalls his way through the ceremony, his little face tense, his fists striking out at the Archbishop as the blessings are administered. He is not in swaddling bands, but in miniature court dress; he throws up on his lace christening gown before he nearly pulls the mitre from the Archbishop’s head as he is given back into the care of his father. Sigtha stands behind the King, ready to take the babe if he becomes too troublesome or distressed; she is ruddy with pride and embarrassment to be in so august a place.

I am the King’s witness, and I stand at his side, because I was there when Hamlet gave his son his name, and I am filled with the honor of the favor I am being shown. I am also touched by the knowledge that it seems the Prince has taken a liking to me, and is willing to be calm when I handle him.

When the ceremony is over, I follow the King out of the Cathedral into the thin rain, and to the waiting carriage that will take the King and the christening party back to Elsinor. As I clamber into the seat between the King and Polonius, the King gives his son to me. “Can you do anything with him?” he asks, for the babe is crying with a dogged persistence that has turned his skin quite ruddy, and Sigtha, in spite of her best efforts, has not been able to ease him at all.

“I will do what I can, my King,” I say with what confidence I can muster. I bounce the child in my arms a short while, and then sling him up across my shoulder as I did a day ago, letting him rest between my higher shoulder and my neck, where he can tug at my hair as the carriage moves off toward the castle. The Male Goddess favors me and the Prince settles into place, for he stops complaining, and the others in the carriage—Claudius and Polonius—take relieved breaths.

“A very remarkable gift you have there, Sir Yorick,” says Polonius a short while later. “I wish it is something my wife could learn from you.”

“I have no notion what the gift is,” I say with all candor. “Your son might not be satisfied with what I do as the Prince is.” “True enough,” says Hamlet, with a quick wink at me. “Each babe has that which will please it most. This Prince is no different than any other. Yorick pleases my son; he also pleases me.”

“You are expert in what pleases infants, are you, my brother?” Claudius inquires with so much respect that it is impertinent.

“I am familiar enough with what I have been told over the years,” says Hamlet, and adds, with a degree of apprehension, “When my first Queen was alive, her babes were all of different temperaments, and although none of them lived long, it was apparent that what delighted one did not delight all of them.” He looks at his new son and gives a tentative smile. “This babe is well and lusty, I am told.”

“He has a strong will,” says Polonius. He makes the words emphatic, recalling that his own son has a hasty temper and great determination. “He will need it in days to come,” says Hamlet, his expression remote as he stares at the boy. “A Prince must have strength and will if he is to lead the kingdom. He must learn patience, too, and reflection as well, or he will come to ruin.”

“Do you think he will rule well?” asks Claudius, making the inquiry so politely that Hamlet turns and stares at him. “It will come to him, won’t it?” He asks the question with the appearance of candor. “In time he will be King here, and although none of us wish for that day, we must know it will come.”

Hamlet accepts this without cavil, “I think it is possible he will be a great ruler, once the crown is his. There is great promise in him, or so the astrologers have determined from their calculations. They tell me he will carry his burdens with honor and will acquit himself valiantly against his enemies. It is what I hope for him, and pray he will achieve.” There is a warning in his words, and the two brothers watch one another warily. “He will have to strive for what is his, as must all Kings. But you will help him, will you not?”

“Certainly,” says Claudius, too quickly.

“I am grateful to you for that,” says Hamlet, and watches while I hold the Prince.

* * *

We jesters are in the antechamber between the bath house and the kitchens, eating toasted onions and cheese in front of the great hearth where huge logs crackle and smolder. It is very late on a blustery winter night, and we have been permitted this indulgence because an envoy has arrived from the Emperor to deliver the recognition of Hamlet’s heir; we were asked to entertain the envoy and his company on very short notice, and we all missed our suppers.

Shortly before, Voss has brought out a vat of pickles, which we are allowed to take without regard to quantity. He also presents us with another sack of little onions and a pail of warm beer. “It will keep the cold out,” he says, with an inclination of his head to all of us, his manner as grand as any Margrave or Hertzog. The kitchen cat’s son has taken a place by the fire, but ignores us all as being beneath his notice, for we are eating nothing he wants; earlier he sniffed the cheese and found it contemptible.

Oduvit has another tankard of the beer, and he waves Voss toward the door with a mockery of the cook’s manner. “We will fend for ourselves, Master Cook. The fare is humble, to remind us of our place, but it satisfies us. Get you to bed, for the dawn comes early after such a night as this.”

Voss is offended at this cavalier dismissal and he stiffens at the remark. “Take nothing more than what I have provided you,” he tells us all, but directing his admonition at Oduvit. “With such grand company at Elsinor, I will need everything I have in stock in order to show him sufficient honor.” “Stuffing him to the gunnels is surely an honor,” says Oduvit, who then rounds on Mect. “What do you say? Does the Emperor want his envoy fed to bursting as a sign of respect, while we go on cheese parings and monks’ stew?”

“I do not know what the envoy expects, or the Emperor,” says Mect brusquely.

“But in your position, you must be aware of… something,” says Oduvit, enjoying himself hugely. “Surely you know the ways of the Emperor’s court better than any of us.” He opens his eyes very wide, to make himself appear innocent, or at least naive. He prongs another onion and holds his fork toward the fire, waiting while the pale yellow skin cracks and blackens.

“Why do you persist in attributing such knowledge to me?” Mect demands of Oduvit. “I admit that I occasionally inform the Emperor of what I have observed here at Elsinor, and for this the Emperor has shown me some favor. But I am not one of his court, and I do not know what he likes from those who serve him, other than clear language.”

“You are the Emperor’s spy,” says Oduvit with satisfaction, as if this were new to us and reason to excoriate Mect. “You are here to serve his ends. Who else is there?” “If there is such a person at this court, I know nothing of it,” says Mect, tiring of the game, and with an expression of doubt that is gone from his face as quickly as it comes; it strikes me that Mect worries about who may be watching him. “I would like it if you were less willing to challenge everything I say in regard to the court.” “You might like it, but I would not,” says Oduvit firmly as he draws his fork back and gingerly fingers the onion he has toasted. Satisfied, he blows on it several times before popping it into his mouth and chewing heartily and noisily.

Mect shrugs his shoulders as if to show his helplessness. “You must please yourself, then.”

“Always,” says Oduvit around a mouthful of onion.

* * *

Far into the next night the kitchen cat brings me a half-dead rat, dropping it ceremoniously on the end of the bed as she mews to wake me. At first I do not realize what she has done, but as I feel the stricken rodent scramble, chittering in dread and rage, to escape and watch as the cat strikes at him with her claws, tossing the rat into the air and slapping it as it falls, I come fully awake, sitting up and pulling my legs up to get away from the chase. “What a thing to do, little cat,” I say to her, trying not to sound alarmed, and hoping that the Male Goddess will not be distressed at this slaughter so near He-in-She; I can sense the little statue where it is hidden beneath the mattress as if it had suddenly become hot.

The kitchen cat stops in her game to look at me, her eyes shining in the thread of light that comes from the torches in the hall. Then she is after the rat once more, leaping on it with care so as not to end her amusement too quickly. She appears satisfied with herself as she swats the rat halfway across the room. “What a good cat you are, killing rats,” I tell her as soothingly as I can, since this is her task and it is wise to praise a task done well.

For an answer, she bounces onto the bed again, the rat dangling from both sides of her mouth; surely the creature is close enough to dead as can make no difference to it. I watch as she puts it down and paws delicately at it, hardly touching it at first, then buffeting it, as if to encourage it to flee once more. When the rat remains limp, she picks it up at the neck, gives it a hard shake, and then sets about the business of eating it.

“Not on the bed,” I say with conviction, and move her and her prize to the dish where I usually put her food.

The cat growls as I move her, and her ears angle back, but she accepts this change without too much protest once she realizes I am not going to take the rat from her. She eats steadily, diligently. When she is through, only the tail and the feet remain. Then she climbs onto the bed and settles herself against my side, purring contentedly and kneading my hip when she is not washing herself with her tongue. Sometime while she is at this, I fall asleep, her purring making my dreams sweet.

MID-WINTER

Gertrude is on the mend at last, and all over Elsinor the preparations for the Mid-winter celebrations become more eager. There is a lightening of spirit in everyone that reveals how great the apprehension had been while the Queen was ill. Now her returning health is seen as a good omen for the Prince and for the new year.

Claudius is the most vocal of those who are planning the festivities, which are ten days away. “Last year it was enough to have the customary ceremony. But this year there are more reasons to celebrate, and we would be remiss in having nothing more than the usual festivities. We must show the world that we are thankful for all the good things that have occurred since the dark of last year.” He looks at the rest of the Counsellors with a kind of good nature that he has not displayed before. “Don’t you agree? Would you not like to share in my brother’s joy?” Old Horatio is the first to take up the question, his grave features turned to unfamiliar smiles. “It would suit the purposes of the King very well if we were to make the Mid-winter celebration a grand occasion. He has been given many favors by Heaven and it is well that he show his thanks. The court would also be able to reaffirm loyalty to Hamlet and his heir.” He says this with an underlying grimness that is more like him than this unwonted geniality.

Polonius adds his opinions to the discussion, “It would be most fitting for the celebration to be a fine one, in order to provide the King the opportunity to show the world his hope for his son. And to present the Queen to the people again now that she has recovered.” He smiles, basking in what he supposes is Hamlet’s approval. “It would be a splendid gesture for you and your Queen, to show your son to all the world, my King”

“Yes, it would,” says Hamlet. “And it will quell the rumors that continue to circulate in regard to the parentage of the boy,” he adds with asperity.

“No one gives any credence to those rumors,” says Polonius quickly. “It is merely the working of idleness and vice.”

“Then this court has been permitted to be most lax,” says Hamlet to the Counsellors. “I want no more of it. And I want these festivities to put an end to the guesses and speculations that have been rife for months.” He looks around at the confusion of the Council. “You think that I have been unaware of it? After all the pains I have been at to ridicule the rumors? Yet they have not ceased, and so it is my duty to my Queen and my heir to end them at last.”

Horatio speaks for the other Counsellors. “No one here has any doubts about the Prince, my King. We have no reason to question the fidelity of your wife, and therefore no grounds to question who might be the father of your son.” His solemn eyes dwell on the other Counsellors in turn, measuring each man carefully, and none more than Claudius. “All of us stand as witness that your wife is faithful to you and to her sworn duty to Denmark.” Several of the others endorse this with murmurs and nods.

“The Queen is above reproach and suspicion,” says one of the oldest of the Counsellors, “No man here can doubt that.” Hamlet listens to this with a sour satisfaction; his response is given drily, “I am grateful to have such support from my Council.”

Claudius must feel the sting in these words, for the flushes, and rises to say, “The Prince has been recognized by the Council and you and the Emperor. Any man who questions his Right commits treason.” He crosses his arms on his chest with the look of one who expects further challenges.

“So he does,” says Hamlet, his gaze on his brother. One of the Counsellors, a nobleman from the western coast with brindled beard and a shining pate, leans back in his chair and says, “Why not have more than one celebration? Can you not authorize many of us to have feasts and ceremonies on your behalf, so that the whole of Denmark can share your rejoicing? There is time for us to arrive at our lands, still, and arrange the celebrations.”

“An excellent notion, Fabricus; let it be at Twelfth Night, though, so that you and the others from distant holdings need not rush away,” Hamlet declares, and is seconded by the nods of several of the Council. “And in these peaceful times, it will not put too great a demand on the treasury, which I fear could be the case were we at war.”

“Our alliance with Fortinbras protects us,” says Claudius. “That, at least, is our hope,” says Hamlet, his manner prudent and careful. “Not that I fear any treachery or dishonor, but the Poles are restive and it may be that we will have to meet them in battle before too much time passes.”

“The Emperor holds them in check,” says another of the Counsellors, whose land is near the southern border, and who has maintained an uneasy peace with the Poles for many years. “As long as Kiel stands, and Schleswig, we are beyond their powers to hurt.”

“They say that the Poles are raiding villages, as our ancestors used to do,” Horatio remarks. “That would be unfortunate, if it is true.” “They are only rumors,” says Fabricus, “And what fool raids in winter, in any case? There is too great a risk for too little return.”

“But the spring will come, and if we must repel them, how are we to prepare if we have squandered our wealth.…” Horatio warns, his bushy eyebrows lowering so that it appears he is trying to hide behind them.

Hamlet holds up his hand. “It is a moot point, at best, old friend. The celebration would do much for the people, and would make the Prince twice welcome in their hearts.” He claps his hands twice. “Let it be arranged. There will be Mid-winter festivities at the Epiphany throughout Denmark, and they will be splendid. We will arrange for gold to be paid for the extra expense of the ceremonies and feasts.” He looks toward me. “And we will have the players back. They do not often travel in winter, but I think we can make it worth their while to perform for us at Twelfth Night.” He is grinning now at the thought of what is to come. “I will inform my Queen this evening, so that she may say what will please her the most.”

“She will not change the old celebrations, will she?” asks Fabricus with apprehension. “Being foreign as she is, she may not want to continue as we have done for so long.” His worry is shared by some of the others; they express their concern in side-glances and covert nods.

“The Queen is Queen in Denmark,” says Hamlet firmly. “She will not forget that when I speak with her,” and he adds pointedly, “Her son is Prince here, and she will not want to compromise him.”

“Of course not,” says Claudius.

I am glad that Oduvit can hear none of this, or he would turn it to the vilest innuendo, which would lead to just what Hamlet wishes to avoid. And in spite of my liking for him, I am relieved that Mect is absent, also, for I would not like reports of this to reach the Emperor; no matter what Mect claims, we know his duty is to the Emperor before it is to Hamlet.

“The celebrations are to honor my son,” Hamlet continues, warming to the notion. “Each of you will be at pains to make it understood that the babe is the Prince, and to be regarded as my heir.”

Fabricus looks at his fellow-Counsellors. “He is a welcome child, may the Saints witness I say it.” He fixes his eyes on Claudius, “If anyone doubts the babe, let him say it before us now, that we may end the matter at last.”

Claudius’ color heightens, but none of the men at the table speaks. Gradually the tension that had been mounting in the room diminishes, like a long, silent sigh.

“Very well,” says Hamlet. “Let us decide how best to present the Prince who will follow in my steps when I am gone.”

HEDRANN

Hedrann is sitting alone in the Refectory, his face ashen, when I come in answer to his summons, carried to me by one of the scullions. He looks up as I enter and attempts to show a look of reassurance.

“What is the matter?” I ask as I rush to his side. I can smell his sweat, all salty and sharp before I touch him, and I can see the slick sheen on his lip and forehead.

“I…don’t know. A pain,” he says, pressing just below his ribs. “It was sharp a while ago, but it is duller now.” “When did this happen?” I put my arm around him and feel for the pulse in his neck, which is rapid and thready.

“A short while ago. I had finished my breakfast and was dawdling over my morning ale when the pain began.” He winces as I try to make him more comfortable. “It will pass, or so I thought.” “Then it has happened before,” I exclaim in spite of my determination to be calm.

“Not as severely as now,” says Hedrann, panting a little as he speaks. “This is the worst. I feel hot and cold at once.”

I know that Hedrann is a simple man, one who has never tried to draw attention to himself or dissemble in any way but jesting, so I am certain what he has said is accurate, and that troubles me. “When this happened before, how severe was your pain?”

He makes an effort to recall, squinting as he answers. “After some meals, I have an ache just here,” he shifts his hand a little to show me. “It is dull and fades after a short while.” “This pain isn’t dull, is it?” I ask as gently as I can, anticipating his answer. “No,” he says emphatically.

“Yet it began as the other did,” I persist.

“I thought it was going to be the same again. I’m used to it.” He shivers suddenly, and his features contort. “My wife is a good woman. She has given me herbs to end the pain. Send for her. Tell her I need her.”

“I will,” I say, fearing already that this time his wife will not be able to help him, “Let me call for assistance.” “Very well,” says Hedrann, trying to prop himself against the wall as I ease away from him.

At the door of the Refectory I find Voss himself, not quite listening. He straightens up and says at once, “It was not the fault of the food. I ate the same thing myself and have suffered nothing.”

I have no desire to quibble over the breakfast. “Hedrann wants his wife. Send one of your helpers for her. She is in the town; the Guard will know where to find her.”

Voss nods, saying, “I will do it,” and hurries away, shouting for one of his minions and barking his instructions.

Hedrann moans, and then buckles at the middle. His face is alarmingly pale now, but there are red spots in his cheeks and along his neck. He gasps for breath, his hands clutching at his throat as if to open it. I rush back to his side, trying to forget the way Tollo looked when we found him; I am afraid that the same thing may be happening to Hedrann. As I try to comfort him, Hedrann turns to look directly at me.

“It is over for me,” he says breathlessly.

“Over?” I repeat, and do my best to deny what I am convinced is true. “You are not so gravely ill as that. You will recover with physick.”

“No,” says Hedrann quietly, and with such conviction that I know further cajoling is useless, “This puts paid to me.”

I lay my hand on his shoulder, and let the tears come. “I am sorry,” I say, and feel that there should be something more I could tell him that would give him sympathy, but the words will not come, and I fall silent in the face of his nearing death.

“Take care of the Prince,” says Hedrann in a strange, strangled voice. Then he spasms, and there is foam on his mouth; his eyes roll and then go blank, fixed at a place on the far wall where I can see nothing but stones. He twitches, and his hands shake, but I know this is nothing but the spirit breaking free of the useless flesh.

I speak a few words to the Male Goddess, and move away from Hedrann’s body. I realize that I must tell someone what has happened, yet I find it difficult to move. As if my feet were rooted in the floor, I linger, unable to look away from Hedrann’s corpse, my thoughts full of miserable reflections and speculations about dead jesters and the workings of hidden enemies; the more I dwell on these things, the less the world seems real to me. It is as if I have moved several steps behind myself and can no longer control my limbs and thoughts as I have. And thus I remain until a short time later when Mect arrives and startles me out of my dismal reverie. “What happened to Hedrann?” he asks when he has determined that the other jester is no longer breathing.

“He had a pain, high in his guts.” I find it hard to recall what Hedrann said to me before he died; it is as if the whole event had been shrouded in mist, or seen through a thick window. With an effort I put my mind to remembering. “It was not the first time but it was by far the worst.”

“How do you mean?” Mect demands.

I shrug, then say, “He told me he had had something like it before, but not as severe.”

“When did he die?” Mect’s questions are deliberately blunt, and I know he is doing this to break through my paralyzing cogitations. “A quarter of an hour since, perhaps slightly more.” I discover that I can move without mishap, and I venture closer to Hedrann.

“What did he say to you? Before he died, that is. Anything of use?” Mect picks up the bowl that Hedrann had overturned; he sniffs at it and sets it aside with dissatisfaction.

“Only that he was in pain; he could hardly breathe at all, and his face—” I answer, feeling more a part of the world again, and not liking the sensation, “He wanted me to look after the Prince.”

Mect shakes his head. “Very strange, that he should say that at such a time. But perhaps he didn’t realize he was dying.” “Oh, he realized it,” I say with sudden vehemence that startles me as much as it does Mect. I look down at my feet, confused at my outburst which was nearly an accusation. Of what? I do not know, “I did not intend any offense.”

“I know that.” He starts toward the door. “I will have Voss post a servant here while you and I go to inform the Captain of the Guard what has happened.”

I feel my cheeks grow hot as I recollect that this is something I should have done as soon as Hedrann breathed his last. I look directly at Mect, “You are right. I am in error.” “Not in error, I think,” says Mect, becoming very pragmatic. “You could not leave the body unguarded and therefore had to remain here until someone came to assist you.” He sounds so sensible that I permit myself to be persuaded. “If anyone is at fault, it is Voss, for not sending one of his scullions to help Hedrann and you.”

As I move toward the door my legs feel as if they are made of wood. “The fact of the matter is that I was so struck by Hedrann’s death that I could not do anything.”

“If there had been someone with you, I doubt that would have been the case,” says Mect as he opens the door and steps into the corridor. “If we wait for Voss to come here, too much time will pass. Let me go find him. You remain here. He will have to post someone at the door until the Guards take over the task.”

Now that I am close to the door, I yearn to be away from the dead man, but I nod my agreement, and place myself across the doorway so that no one can enter the Refectory. As soon as Mect is gone, I glance over my shoulder, hoping to find that Hedrann is alive, that the death was only a performance, such as the players give. But he remains still and his body smells of death now.

By the time Mect returns with Voss, I have lost the veneer of distance that had served to protect me from the knowledge of Hedrann’s murder; I cannot deceive myself that this was another case of eating something that caused an antipathy. The image of Tollo has returned to haunt me, joining Hedrann in my mind. When only Tollo was dead, I could account for it as mischance, the ill-fortune of a foolish man who overheard something or witnessed what he should not; Tollo had been the victim of his own witlessness, or so I had convinced myself before Hedrann’s death. With two of our number dead, and dead in the same way, I cannot reconcile either man’s fate with single mischance; for reasons I do not comprehend, jesters have become the targets of deliberate malice. But who is killing jesters, and for what reason?

Voss stops on the threshold and stares, his big face going the color of the dough he turns to griddle cakes. “Devils and Angels!” he swears.

“As you see, the body must be watched, to be certain it is not disturbed until the monks can have a look at it,” says Mect as calmly as he can. “Put one of your most reliable and closed-mouthed scullions to guard the door.”

“That I will,” says Voss, clearly eager to be away from this site of death. “I will do it at once.” Big man though he is, he scuttles off in unseemly haste.

“Do we continue to wait?” I ask, although I try not to. “Until the scullion arrives, yes,” says Mect, going back to Hedrann’s body, his nose wrinkling in repugnance. “The monks will have to tend him, The Guards will not touch him, and the physician would have to be ordered by the King.”

“Perhaps the King should be told,” I suggest, wanting to do the task myself, as much to take some action as to get away from this place. “It would be wise,” says Mect reflectively, “In private. At the moment he is closeted with Polonius and Count Holberg; it would not do to interrupt him with this news.” He regards me silently for a short while. “Yes. It would be best if you inform him, I think. He trusts what you say to him.”

“And what will it be?” I wonder aloud.

Mect answers as if the question were directed to him. “It would be wisest if you tell him what you saw and heard, from the time you found Hedrann until I came. Leave nothing out, or assume it is not important. He will want to know everything you can remember, for something that is trivial to you may have meaning for him.” He comes back to the door, his irregular features drooping with sadness and something more I cannot fathom. Who would have thought Mect would grieve for Hedrann? There is a sound in the corridor and around the corner comes the biggest of the scullions, a lad of about thirteen whose beard has just started to grow. He is pale but resolute as he approaches the Refectory, giving himself courage by behaving as if he already possesses it. “Voss sent me. To stand watch.” He swallows hard as he reaches the door, and he cannot stop himself from looking in at Hedrann. “Good fellow,” says Mect, the words coming more readily to him than to me. “We will be back soon, with the Guard.”

“The Saints be thanked,” says the scullion; he steps into my place as I move aside to permit the lad to take up his post. There is a look of gratitude on the youngster’s face.

* * *

“Another jester killed!” Hamlet marvels in distaste when I finally manage to get a few minutes of his time as he hurries between the Council and his Reception Chamber. “Hedrann is dead, you say?”

“Yes. He is lying in the Refectory now. The Guard has put a watch over him.” I did not see this for myself, but Mect swore to arrange it, and enough time has gone by that I was sure it was so. “The monks have been sent for,” I add, having done it myself.

“You are certain his death was no accident,” says Hamlet, lowering his voice as we hasten through the gallery toward his Reception Chamber, the press of his schedule showing on his face.

“Unless Tollo’s was an accident as well, no, it was not,” I say, surprised at my strong feelings on the matter. “They died the same way, from all I can tell, and that makes me doubt that either death was accidental.”

Hamlet nods. “Since none others at Elsinor have had such sickness, I am forced to concur; both men were killed, probably by the same hand.”

“And for the same reason,” I add, wishing I knew what the reason might be, for I am beginning to think that I am not as safe as I had hoped.

Hamlet asks, “What were they doing, that they should be killed?”

“I don’t know,” I admit, trusting that it was not true. We have almost reached the door to the Reception Chamber; Hamlet turns back to me.

Hamlet pauses and says rapidly, “I must tend to court matters now, but when I am done, I want to know everything you can tell me about how Hedrann died. Come to me before we eat.”

I bow to him, wanting to find comfort in his concern, and yet not succeeding. My shoulder aches, and I tell myself that it is the bitter weather that weighs on me, and not my grief, or my fears. As I leave the King to his audiences, I find my spirits lowering into gloom. Try as I will, I have no way to jest or mock the darkness away, and that causes me grave concern as I make my way back toward the Refectory where Mect and the Guard must be waiting.

But as I let my thoughts wander, I discover that they continue to return to the problem of the reason for the murders. No matter how I try, I am not able to put the questions behind me for long. Who would want two jesters dead? And are the rest of us going to have to suffer the same fate as Tollo and Hedrann? I shiver in spite of my own stern inner warning not to. There is danger in showing fear, I remind myself as I walk, and do what I can to amble as if I had little to occupy my thoughts—certainly not death by poison, or the unhappy speculations of a man who feels himself a target. I implore the Male Goddess to give me warning of enemies; for once I think of the kitchen cat as more than a pleasant and friendly companion. She will lend me her protection, I am certain of it; not because of devotion to me, but because she will keep her den safe at all costs.

Mect greets me as I near the corridor leading to the Refectory. “The monks have come,” he tells me in a calm way, but with a cautioning gesture to indicate we might be overheard. “They will tend to the body and will learn the poison used before they put him in the blessed earth.”

“Well enough,” I say, and having nothing else to add, I start back toward the kitchen.

“Oduvit has come, as well,” says Mect, his words stopping me. “He has talked Voss into giving him a tankard of mead, to assuage his sorrows, or so he claims.”

I cannot keep myself from saying, “He must grieve constantly, for all the mead he drinks.”

Mect smiles sourly. “True enough. He is one who must have his mead every day.” He cocks his head. “The monks are coming. We had better move aside for them.” I hear them as well, and I move quickly, for it is true that to impede the monks at their serving the dead can bring misfortune. “When will they bury him? Did they say?”

“No; nothing of that,” whispers Mect as the first of the Capuchins come into view. There are eight of them, one marching at the head, his hood drawn down to conceal his face, then six of them bearing a covered pallet where Hedrann must surely lie. The last of their number brings up the rear. All of them chant as they walk, the steady rhythm of the Latin verses making a marching pace for them. As they pass, Mect crosses himself, and I do the same, knowing that the Male Goddess will understand that I intend Him-in-Her no disrespect.

“I would like to know where he is buried,” I tell Mect when the monks are gone. “I would like to leave a token for him.”

“Jester to jester?” Mect ventures. “I will ask the Abbot if it is possible to do this when he sends word of what poison was used.” He frowns, showing concern at last. “We must all be on our guard now, I fear.”

“And I,” I say, as the stone corridor carries back echoes of the monks’ prayers for the dead.

* * *

“So I rely on you to protect me,” I tell the kitchen cat, only half in jest, that evening as I lie back in my bed and she kneads my side in contented determination; her eyes are half-closed and she purrs steadily. “Wake me if anything untoward happens, or there are suspicious fellows lurking about.”

The cat continues to knead without any sign of having heard me, let alone comprehended what I said to her.

“I know your language is not mine, but I hope the Male Goddess lends you understanding, for both our sakes,” I tell her as I attempt to pull my blankets higher, for the night is cold and sere, and at this bitterest part of the year this small room gets little warmth from the fires in the kitchen. The glowing banked coals of the big hearths lend a ruddy splash of light near the door, but the warmth does not carry so far.

Gracefully the kitchen cat reaches out and puts one paw on my bare arm, extending her claws enough to inform me she will not tolerate being interrupted. Then she mews plaintively and looks at me with steady, somnolent eyes as she once again resumes her kneading; her purr is louder.

Only when she is through and curled in the crook of my elbow do I dare to pull the blanket up over my shoulder.

REVELS

Claudius is grandly decked out in a new houpelande of Florentine velvet with a pattern of leaves worked in it; the color is a deep, rich brown. The lining of the dagged sleeves is a warm golden color, like summer peaches, in samite brought from Asia. His camisa is of silk tissue which he claims comes from Egypt, but whether this is true or not, who can say? As he has arranged the celebration, he stands at the main entrance to the Great Hall, flanked by Horatio, who is rigged out in a deep green huque in honor of the trees that do not die; Polonius is on his other side, very splendid in a long Burgundian pourpoint of dark red with vast bagged sleeves and a small lace ruff framing his face and close-trimmed beard in frothy white. At the far end of the Great Hall, Hamlet and Gertrude wait on the dais to receive the Mid-winter revelers. They are in full ceremonial dress, Gertrude with the Mid-winter crown on her head, the little candles glowing, making her face luminous.

Beside them is the cradle where the Prince lies. He is fretful, and I have been given the task of tending him while all the guests arrive. Hamlet has told me he does not wish his son’s crying to mar the occasion, and I have given my word that I will try to prevent such a display, a pledge I trust the Male Goddess to help me keep. It is to be my entire obligation for the evening: to tend the Prince and keep him happy.

The company tonight is very fine. All the nobles of Denmark, and several of Norway have come here for this occasion. There is even a small company of lesser nobles sent by the Emperor; they are shown every courtesy as they meander through the guests. Two consorts of musicians play at either end of the Great Hall, their melodies blending uncertainly toward the middle of the cavernous room where the confusion is the greatest.

In the adjoining chamber, Voss has prepared a feast that surpasses anything I can remember seeing at Elsinor. Central on the table are a dozen roasted swans, their skins and feathers replaced so that it appears that they are still alive. They are set on a vast silver tray with crabs and oysters set out around them, as if for the swans to feed upon, instead of the guests. Two sides of beef hang on tremendous racks at either end of the table, Voss’ assistants standing beside them with great knives at the ready to slice away the meat requested. There are also four wild boars stuffed with apples, raisins, onions, and clams. More assistant cooks wait to carve these as well. Trays of braised venison with mushrooms and pepper flank the swans, the aroma almost a palpable presence in the chamber. Two huge wheels of cheese, all white and creamy, stand ensconced by piles of bread, with four tubs of fresh butter between them. Vats of beer and mead are watched by stewards who supervise the first pouring for the guests. Beyond this are trays laden with roasted pigeons, snipe, and cranes seasoned with pepper and dill and stuffed with sausage; collops of mutton in broth with sour cream steam in huge pots near the hearth. At the far end of the room is another table, this one decked with pies and spiced cakes and honied fruit and pots of custard, for the end of the feast. This is fare the Emperor himself would be proud to offer his guests, and Hamlet knows it, as does everyone in attendance.

With only Mect and Oduvit to make merry for the celebration, Claudius has wisely chosen to have the music take up the greater part of the evening, so that the guests may dance, and thus entertain themselves and one another. He has made sure that these musicians are adept with all the popular dances, so that no one will be disappointed.

An hour after the dancing has begun, when most of the guests have arrived, curtals, crumhorns and cornets hail the start of the meal, signaling the guests that they are at liberty to avail themselves of the delights of the table as well as the exercise of dancing. At a signal, Voss’ minions take their places to serve, and Claudius, as the evening’s host, announces that the feast is ready.

“My Queen,” says Hamlet, holding out his arm to Gertrude so that she might join him in leading their guests to the banquet.

“My King,” she says, putting her hand on his arm and coming down the few steps with great care, so as not to displace any of the candles in the Mid-winter crown. As she walks, her eyes stray toward the elegant figure of Claudius, who has come to the door leading to the banquet room.

I have been told to bring the Prince and join the rest for the meal, but young Hamlet is starting to whine, and I decide to remain behind with him until he is in better humor. This permits me to observe the magnificent gathering more closely than I might have done.

As Mect enters the banquet room, he pauses to speak with Claudius. They stand together at the edge of the doorway, heads bowed and slightly averted; I see each of them nod once, and it is possible that Claudius hands something to Mect, but I cannot be certain; then Count Holberg intervenes, claiming Claudius’ attention with a courtly bow and what would appear to be lavish praise for the evening.

The Prince is waving his little fists in the air. He is nearly a month old now, and I have noticed what close attention he pays to his surroundings; I think he frets because he cannot discover everything at once. That would appear to be the case now, for he is coughing with the effort to rise in his cradle. Carefully I reach down and, speaking soft nonsense to him, lift him to my high shoulder, where he can ponder the world in peace.

All but a few of the guests and the second consort of musicians are in the banqueting room by the time young Hamlet is composed enough to be carried there. I signal to one of the servants to bring the cradle, and I bear the Prince through the doors to the end of the High Table where Hamlet and Gertrude sit in state, engaged in conversation with those sitting beside them. Claudius is on Gertrude’s left, and he must be telling her something amusing, for she smiles at him and shakes her head, which almost oversets the Mid-winter crown. In haste she reaches to steady it, but Claudius is quicker than she, and he rights the crown for her. He touches the crown tenderly, and the back of his hand brushes her cheek.

A few moments later, I bow to her, taking care to hold young Hamlet steady on my shoulder. “He is getting tired and hungry, my Queen,” I tell her. “Shall I send for Sigtha?”

Gertrude sighs. “I suppose it would be better if she came than if I left,” she says after a thoughtful pause. “At least all the guests have seen him. They know he is in good health, and is alert, without blemish.” She puts her hand out and brushes the babe’s face very gently.

The Prince takes hold of her fingers in his own, hanging on with persistence as I try to move away.

I wait while Gertrude disengages herself, and then I put young Hamlet back on my shoulder again, and start off toward the corridor that will take me to the Prince’s apartments where his nurse is waiting for him.

“Ho, there! Yorick!” It is Claudius waving at me to come to him, Polonius sitting next to him. “You’re not leaving, are you?” “The Prince is tired, good Lords,” I tell them with a nod in place of a bow so that young Hamlet will not be disturbed. “I am bidden to take him to—”

“Then you will come back here,” says Claudius with a sweep of his arm, “You must eat; then, many of us would welcome your amusements.”

“Most of your amusements,” Polonius corrects, making it clear that he does not want to be the target of anything I might do or say.

“I beg you will forgive me. I am supposed to stay with the Prince,” I tell them. “The King requests it.”

Claudius is not to be denied. “When the child is asleep, you may come back. We will expect you within the hour. We will try to save some of this fine dinner for you.” He chuckles as if he has been very witty.

“That is kind,” I say, and attempt to depart.

But Polonius stops me with this observation; “The boy is not very like his father, is he? The hair is lighter than the King’s was in youth.”

“The Queen has light-brown hair,” I stare at Polonius, and I can feel my heartbeat in my neck and chest, so great is the power of it. “What do you mean?”

“Oh, nothing of that sort,” says Polonius with a dismissing wave of his hand. “Never anything like that. It is only that Hamlet—that is, the King’s—temperament is forthcoming and valorous, while the son would seem to be—I would suppose I would call it inward. He is not a very active child, is he?”

“It is winter and the babe is hardly a month old,” I say with asperity. “What would you expect of him? Do you think all children must be as imperious as your son to be regarded as forthcoming?” To my regret I notice that many near us are listening to my defense of the Prince. I realize I must soften my remarks at once or place the King in another awkward position. “Hamlet gave the Prince his own name, to show how alike they are. His father can see his own qualities in his son, and that is sufficient recommendation for the boy to me.”

“Most adept,” says Polonius quietly.

“Return when you can, Jester,” says Claudius, as if I have already bored him.

“That I will,” I tell him, and bear the Prince out of the banquet hall, though the Great Hall to the corridor. On my shoulder, Hamlet is grunting, and I can smell his linens now. Sigtha will have to tend to him when I hand him over to her. “Mark those two,” I say to the babe as I hurry along toward his quarters. “They are vipers, the both of them. All ambitious men have that in them, but those two possess it in abundance.”

The Prince begins to whine. By the time I reach Sigtha, he is squalling, and I hand him over gratefully, watching as she shakes her head and clucks at him, bearing him away to his own room like a treasure ship billowing into safe harbor.

“Will you need me?” I call after her.

“No,” she answers from the next room. “Get you back to the celebration. The King will have more need of you than this boy.”

Wishing for a reprieve, I whisper a few words to the Male Goddess as I make my way back toward the Great Hall as if I were bound for the battlefield.

* * *

The players arrive in the wake of a fierce blizzard that has left Elsinor and the surrounding country mantled in white; the Guards spend the better part of a day clearing the road through the village so that the few travelers abroad at this time will be able to reach shelter. It lacks two days to Epiphany, which suits Claudius very well, for it means the players will have an opportunity to rehearse before they perform for us.

Hieronymous’ beard is greyer than it was when he was here the last time, and there are four new troupers I have not seen before; three of those I met previously are no longer with the company, and I remark on that to Hieronymous as we take mead together in the quarters the players have been provided for their stay; I do not like sitting in the Refectory with Hedrann’s death still lingering there.

“Yes. It is always the way with players. Some come and some go, and in the end the troupe is what matters. One of the players—Sorrell, you remember him, don’t you?—he ate tainted meat and died of it. Young Ferdinand caught the eye of a lecherous old nobleman in Bavaria and has been set up there in good style. And Magnus has a place with the Players to the King, in France. He is the one I hated to lose more than the other two. He’s the best actor I’ve had in years.”

“No doubt that is the reason he was given his new position,” I guess.

“No doubt,” says Hieronymous, and goes on more heartily, “So, Sir Yorick, how has it been with you while we were on the road?” He has taken a long draught of mead and is smiling at its potency. “Well enough for me,” I tell him. “And excellent well for the King and Queen, or so I hear,” says the leader of the players. “That is why we have been summoned at this impossible season, to assist the court in rejoicing, or so I have been told.” “They have a healthy son,” I agree. “Everyone in Denmark must be happy for this child. The King has given the babe his name. He is a promising boy, with quick eyes and an air about him. Surely you will see him before your stay is over.” I have been drinking hot, spiced apple juice with whipped egg-whites on the top, but I decide it is better to drink mead and when I drain the tankard, I refill it with the dark-golden mead.

“A blessing for them, and the Kingdom,” says Hieronymous. “Yes,” I say, lifting my tankard in salute to them all. The mead tastes oddly bitter after the apple juice with its spices. “How was the journey here?” “Cold,” says Hieronymous with feeling. “Damned cold, and heavy going. One of my hands has a broken ankle from levering us out of a frozen rut. Had we not been promised a place for the rest of the winter and five gold Angels apiece, I doubt we would have come.” “Well, it is a pleasant thing to have you here,” I tell him, and for some reason I cannot understand, I add, “You may have heard that two of the jesters have died since you were last here.” “Actually,” says Hieronymous drily, “I heard that two of them were killed, one not much more than a week ago.”

“It’s longer than that,” I say, recalling his newly dug grave too clearly, under bare birch trees at the back of the monks’ graveyard. “Though not so long as a month. He had a hard death.”

“May he rest with God. But the rumors are…confusing,” says Hieronymous, filling his tankard a second time. “If I were to believe all of them, I would have to think that all the jesters here had been done for twice over, at least.” When he realizes I do not share his mirth, he makes a gesture of apology. “I didn’t mean to imply anything to your discredit.”

“No offense is taken,” I tell him, knowing that this man is not aware of what has happened here at court. “I have heard some of the rumors as well.”

“Doubtless you have.” Hieronymous winks. “I realize that no one knows the court as well as the jesters do. It’s true everywhere. The Emperor has his jesters guarded day and night, because of all they know.” Then he chuckles. “But the Emperor’s jesters have their ways to slip away from their guards.”

“Do they?” I ask, intrigued in spite of myself.

“You may be certain of it,” says Hieronymous.

“Be certain of what?” Mect inquires from the door, and then ambles into the room. He is wrapped in a sodden cloak and the lines of his face seem deeper than they were. “Is Yorick making you welcome, good Player? May I come in?” “Certainly. All jesters are welcome here, for we players are very like you, which is why, I suspect, that Yorick is showing me such hospitality,” says Hieronymous, without showing any sign of being interrupted. “But I was saddened to learn that some of your number have died.”

“Were murdered most horribly, by an unknown. Who knows if he will strike again,” mutters Mect, coming near the fire and shrugging off his cloak. “The wind has moved around to the east.” “A cold night, then,” says Hieronymous. “Have some mead to warm your sinews. Any man who likes the cold so much that he will not drink mead is worse than a fool.” This time his wink indicates that he speaks in jest.

“Yes, a cold night,” I second, for my bones ache with the coming of the obdurate winter and continue through to the spring. I have thought many times that the grip of winter was from a great jaw of ice that fixed its freezing teeth in the flesh and sapped away all the warmth and strength of life. The mead is as warming in its way as the hot apple juice was, and I am glad of both of them. “Tell me,” says Mect with greater geniality than I have seen from him in many days, “how is life at the court of the Emperor?”

“We were there in the autumn,” says Hieronymous. “And we performed for him twice, the second time at his express command.” His smile of justifiable pride fades. “There is talk of war, of course. There are discontented nobles who want more for themselves and less for their neighbors, and they petition the Emperor to assist them in gaining their spoils even as they seek to bring about the ruin of their fellows. The Emperor listens to all of them, and weighs their holdings and wealth against the force he will have to put into the field if the French advance again, or the Duchy of Milan tries to secede from the Empire again.” “I have heard that the Swiss are willing to provide the Emperor mercenary troops but will make no alliance with him,” says Mect.

“The Swiss are a very careful lot,” says Hieronymous. “They have been under the thumb of Emperors before and do not wish to be so again. And they have excellent mercenaries; I’ve seen them. Pikemen and halberders, for the most part, and some who can manage cannon and catapults—not that the Emperor would entrust those he has to the Swiss, but still.” “Do you think the Emperor will go to war this year? What do you think? You have seen the Emperor’s court; what do you expect will happen?” I do not want to know this as much as I want to discover just how much Hieronymous has actual knowlege of, instead of guesses and rumors.

“It may come to that,” says Hieronymous. “And war is always bad for players.” He sighs. “Troops never pay when you entertain them; they save their coins for drink and whores. And once a war comes, no city wants players.” “You might do worse than remain here,” I suggest, not quite on impulse, but with the hope that Hieronymous might think it worth his while to stay in Denmark for a while.

“So I might. If the King will have me and my troupe, it would be a relief to us all.” He says this without his usual flourish and for that reason I am convinced of his sincerity.

“Let me broach the matter with him,” I offer, before Mect can speak. “He might well be pleased to have you, with his jesters in such short supply. I know that it would be most helpful to us to have another amusement here at court.” Hieronymous nods. “If the King is of a mind to house us and feed us through the year, it would be a boon for us, no doubt of it. We could prepare new material here, and put our wagons back into proper form for our work.” He glances at Mect. “This last year we have not had the chance to repair our scenery and costumes, and they are looking a bit shabby.”

“A familiar complaint for those who must make a good appearance,” says Mect, a bit distractedly, then glances around the room. “Where are the others?”

“Bathing. I have been there already.” He indicates his damp hair and newly trimmed beard. “After our days on the road in this weather, we were all in need of thawing out.” Mect appears to lose interest in the other players and directs his questions to Hieronymous himself. “What do you plan to present at Epiphany?” Hieronymous lifts his shoulders and shows the palms of his hands. “No one has discussed the matter with me. I have been told that the King’s brother will make the arrangements with us. All I can say is that he had best speak to me by tomorrow or we will not be ready.” “He will visit you shortly, I am certain,” says Mect, rubbing his hands together. “How is it that cold can burn so fiercely?” He is not anticipating an answer and so looks startled when I speak.

“I don’t know,” I say to him. “But my father used to claim that it was the excitement of the humors of the body that caused the heat; the choleric humor always responds too quickly.”

“That’s right; your father was a scholar,” says Mect, his eyes narrowing for an instant, and then the grins. “No wonder you can make such easy work of Polonius and the likes of him.” I have the oddest notion that Mect has some other reason for taking note of my father, but I cannot think of what it would be; I warn myself against being too suspicious. I have no reason to think ill of Mect. “My father did teach me when I was young, and I have taken those lessons to heart.” “Very wise,” says Mect, and once again speaks to Hieronymous. “They say that Poland is moving its men toward the Emperor’s border. Is there any truth in the rumor?”

“Not that I could see,” says Hieronymous. “Not that we were looking, mind you, but it is said that now that Hamlet and Fortinbras are allied against the Pole, there is little threat to the Emperor’s lands from that direction. At least, that is what we were told on our way north. Who knows what will change come spring?” He puts his tankard down with finality. “That will do me until after the evening meal. I don’t want to be fuddled when the King’s brother speaks with me.”

“Of course not,” says Mect.

I watch the two of them, listening with more attention than I usually give such talk. Why I am so curious I cannot decide, but some tugging in the guts keeps me here longer than I intended to stay, saying little, hearing much.

THREE

CLAUDIUS

Claudius is with the Queen when I answer her summons to come to the Prince. It is near the time for the players to begin and I had hoped I would be able to watch them, but apparently that is not to be. Claudius is decked out for the Twelfth Night play in a Florentine lucco of mulberry-red velvet lined with chestnut-colored satin; his beard is newly trimmed and curled and he smells of sandalwood. Beside him, Gertrude’s damask silk of blue-and-silver looks plain; even her ermine tippets are not enough to outshine her husband’s brother.

Gertrude has banished Sigtha to the servants’ room in the Prince’s apartments, and she has just finished suckling her son when I make my bow to her. She laces her bodice closed and indicates young Hamlet in his cradle. “He will want company while the court is at the play,” she tells me. “See that he is not unhappy.”

I bow to her again. “I ask you to tell the King that you have set me this task. He will otherwise expect me to attend him during the play,” I say as I come and look down at the boy. He has changed a great deal in the six weeks of his life, and as many times as I have seen this in infants, it always astonishes me, for who would think that any human could alter so in such a short time? “Winter children are always hardy; it is their nature,” says Claudius to Gertrude. “Ask anyone you like, they will tell you the same. Be at ease, my Queen. You have no reason to fear for your son.”

“I have heard that about winter children,” she responds, doubt in her voice and her eyes. “But I cannot help but worry, though he is flourishing. He does not grow fat as most other babies do. I have ordered Sigtha to feed him more, as I am doing. Laugh if you wish; you don’t know how a mother treasures a child when she has lost one, as I did.” She stares down into the cradle where the Prince is already half-asleep. “There are more dangers at court than the cold,” she adds. “I think of Hedrann and Tollo, and it fills me with apprehension.” “What do two dead jesters have to do with a living Prince?” Claudius inquires, gently wheedling. “I would not encourage you to be lax if I felt this boy of yours was at risk in any way. He is as dear to me as he is to you. If you worry for anyone, Madame”—he uses her French title so gracefully that I long for the courage to tread on his foot—“worry for those who are standing watch in this miserable weather.”

“But if there is treachery—” she begins.

“The boy will be safe. Think of who he is, and you will know that nothing ill can befall him.” Claudius has an expression in his eyes that for once is unguarded; how he yearns for her! “That babe is our hope for the future, Gertrude.”

“All the more reason to be wary,” she insists; her eyes seem huge in her pretty face. She reaches out to Claudius, then draws her hand back. “What would become of us all if anything should happen to young Hamlet?”

“Post a Guard at the door, if you are troubled,” Claudius recommends. “The Guard will keep him from harm.” He achieves a belated smile for me. “And Yorick will protect your son: won’t you?”

“Certainly,” I say. “He is the heir to the throne, and I am the sworn servant of the throne.”

“You mean of the King,” says Gertrude with a hint of a slighting smile.

“He is the throne. And one day the Prince will be. So I will serve them both to the limit of my strength,” I say with all the power of my feelings in the words. “My loyalty is to Denmark. The King is Denmark.”

“Dear me,” says Claudius, amused at my emotion. “Does that mean that you would bend the knee to the conqueror, as well? Or the usurper?”

“Not so long as there was a true claimant to the throne, no, I would not,” I answer, more hotly than I had intended.

“How very noble, and for a jester, at that,” says Claudius, looking at Gertrude after a single glance at me.

“I wonder if Hamlet knows?” Gertrude muses.

At this Claudius gives a bark of laughter. “Not he. Never he. He does not look beyond his nose, except to examine his borders. Anything between is beneath his attention.” He is pleased that Gertrude is amused, and takes it as a sign to go on. “My brother is a very worthy man, in the field, and he has good men to represent him in negotiations; which is just as well, for he has not the patience for it. No, he is at his best in war. How unfortunate for him that we have at last arrived at a peace.” He gives an indulgent chuckle. “He may have outlived his usefulness.” He reaches out and touches one fair tendril that has escaped from the jeweled net of her chaplet.

But this is more audacity than Gertrude will permit. She puts her hands to her face and turns away. “You must not say such things to me.” Claudius holds out his arm to her, as if attempting to apologize. “It was only an idle observation, such as the soldiers make when they are kept too long at rest. I spoke no ill, I promise you, dear Gertrude.”

“But you are not a soldier,” says Gertrude.

Both of them have forgot I am here; I do not want them to remember, and so I remain still, watching the Prince as they talk. “No; I leave that to my brother, who has a talent for it.” The words are light and easy but there is something in his eyes that cuts like honed steel. “I have been told he is matchless in battle,” says Gertrude, a bit wistfully. “Even the Counsellors do not fault him in that.” “They would not,” says Claudius, scoffing at the notion they would. “They are like young children, ready to cling to anyone who protects them.” “And Hamlet does that,” says Gertrude. She looks down at her son again, and sees me. For a moment she is silent, and then she manages a giggle. “How this must sound to you, Sir Yorick. And the things we have said, in our game of wits; how you could misconstrue them. Anyone might be excused for thinking the worst. Yet I suppose we must expect to hear it all again, during dinner?”

“Not if it would give you displeasure,” I tell her with a bow.

“You would remain silent?” asks Claudius in disbelief. “When our bantering has been filled with jibes you must wish you had thought of yourself.” His grin is a threat, a face such as wolves make.

“It does not profit me to speak against those who provide my supper,” I say with all the humility I can muster.

Gertrude looks shocked. “But all the dreadful things you have said about the Prince’s lineage. You have told stories of cuckolds when….” Her cheeks turn rosy and she lowers her eyes. “I have done as my King has asked me,” I say, and look down at the Prince. “Not to harm this boy, but to silence the whispers by making them absurd.”

Claudius draws his breath in with a hiss, “So. My brother has outflanked his opposition again, has he?”

I stare directly at the King’s youngest brother. “Perhaps you have underestimated his skills, my Lord.” I show my best, most addled grimace, to keep him from his thoughts. There is silence in the room until the Prince coughs and starts to cry in that steady, persistent way infants have that is so like falling rain.

Gertrude bends down at once and picks him up, holding him close to her, letting him fuss. She looks at Claudius. “I hate to leave him when he is like this.”

“You have a duty, my Queen,” Claudius reminds her, becoming the respectful courtier once again, smooth of tongue and conciliating in manner. “Yorick will take care of him, and Sigtha is in the next room. You have only to call her, if you think the jester is not able to do what the Prince requires.” “Yes,” says Gertrude, speaking to her babe.

“Madame, put the boy down and come with me,” says Claudius, more forcefully. “It is fitting.”

She sighs and returns young Hamlet to his cradle. She stares at him for a short while, then rises and looks directly at Claudius, “I am ready,” she says. “What play are they doing for us tonight?”

“It will surprise you, my Queen,” says Claudius, holding his arm for Gertrude to rest her hand upon. “It is called The Prince of Riddles. They learned it in Vienna, or so they claim. Who knows if that is true or not? but I am assured that they have not played it north of Rouen, and therefore it is a fairly certain thing that few at court will know it.” He opens the door and allows her to pass through it. Then he, too, is gone.

I watch the babe in the cradle and do my best to keep from recognizing the thoughts that fill my mind; in the depths of my soul I know what I have seen, but I have no desire for such understanding. So I tell the Prince stories, all that I can think of, while the court attends the play, and the winter storm keens over Elsinor like the souls of the unavenged dead.

* * *

“How went the play?” I ask Hieronymous the next day as we meet in the corridors leading to the bath house, whither both of us are bound; for this is the day and time that we who entertain use the great wooden tubs filled with hot water, and the small rooms above where the steam was a thick, sweltering fog. This is one of my favorite times at Elsinor, because I have an inordinate fondness for bathing. My father used to say of me that I had the makings of an old Roman, because I would be content to bathe every day if custom and good sense allowed it.

“Well enough, given our preparation,” comes the answer in a thickened voice. “But I fear I have taken a chill. I hope to sweat it out of me today, before it can make my voice any worse.” “Good cess to you, then,” I say, noticing that his eyes have that heavy look that comes with a chill. We have almost reached the door, when I add, “I will speak with Hamlet this evening, while he plays with the Prince. Something will be arranged, I promise you.” “Mect told me the same thing,” says Hieronymous. “That something would be arranged.”

As I pull the door open for us, clouds of steam billow out, and the smell of dampness is all around us. “Have the attendant put birch leaves and bark in your bath,” I recommend, repeating my mother’s old nostrum for the aches and fever that come with chilling. “Make sure you rub them on your skin.”

Hieronymous looks at me in mild astonishment that does not conceal a sudden doubt. “Why? What is the purpose of birch leaves and bark?”

“To lessen your illness,” I tell him as blandly as I can, for I do not like having my motives so obviously questioned. “It is an old remedy that has worked well for me for a very long time. I use it myself.”

“Birch leaves?” he asks. “In the bath-water?”

“And bark. The bark is important, according to what my mother told me,” I say as the heavy door swings closed behind us, and we are caught in the muted light of the bath house. “She used to make a tea of it, as well. I will have some prepared for you, if you like.”

He considers this offer as if he were afraid I would deceive him. At last he nods his head. “Yes. All right. I’ll try it. I cannot continue as I am, that much is certain.” This last is nearly an accusation and he stares hard at me before one of the attendants, a good-looking young man with a soft expression, comes to lead him to his alcove where a tub and its pleasures are waiting.

Before he is obscured by the wraiths of steam, I see him lean over and say something to the attendant, who says, “Yes. We have birch here.”

My attendant hands me a drying sheet and a ball of soap wrapped in a washing cloth, then leaves me alone. As I climb out of my clothes, I stretch, trying to loosen the ache in my shoulder where I have been carrying the Prince. I know the discomfort is a small price to pay for the pleasure it gives the child, but this morning, I can find it in my soul to begrudge him a little of his delights so that I can sleep without waking from twinges. I take my statue of the Male Goddess from the deep outer sleeves of my pourpoint, and put it with the soap, where I hope no one will notice Him-in-Her.

I always bring the statue to the bath, and I always conceal it in the same way. For the Male Goddess is of the water, and it shows homage to bring the statue to the water. As I climb up the short ladder into the enormous wooden tub, I guard the statue with my body, and put it into the water before I get in. The long-necked, big-breasted woman who is also an erect cock darkens in the water to a rosy-tan shade, making it appear more like true flesh than it usually does. Fortunately the priests at court pay no heed to jesters, or they might see this as a rival baptism, and protest. I take care to wash it carefully before I wash myself, for the Male Goddess is worse than a cat when it comes to requiring attention.

There is something quite magical about soaking in hot water. I lean back and let the water hold me up, and the fatigue which held my muscles locked begins to ease. The kindness of the Male Goddess fills me with satisfaction. I see that the attendant has brought me a cup of warm milk with honey in it, as he always does. I take the cup and and sip from it, letting myself sink to my neck in the water in order to get the full benefit of the milk. It seems almost a shame to wash when I am held by such a delightful lethargy. But I have to present myself to the Queen to entertain the Prince in two hours. With a sigh of resignation, I reach for the cloth and the soap and set to work, starting at the top of my head and working down, as the Male Goddess recommends, or any groom can tell you is the right way. By the time I climb out of the tub, my skin is rosy and my hair is a mass of easy, burnished ringlets and I smell of rosemary and pine from the oils in the soap.

I put the statue of the Male Goddess back in my outer sleeve and reach for my winter camisa, which is made of fine-spun wool, not the light linen of summer. As I tie the six closures, I hear certain unmistakeable sounds from the alcove beyond. So Hieronymous is amusing himself with the bath attendant. Well, I remind myself, he is not the first nor the last, and the attendants are chosen for their liking of such things as much as for their low station in life. Still, I think, Hieronymous will have to wash twice now, and I grin.

DIPLOMACY

On the first morning in March the Counsellors gather in the Audience Chamber to receive the envoy from the King of Poland. He is a tall, lean fellow with a nasty scar that runs from the edge of his jaw to his neck and disappears under the high collar of his gipon, running who knows how far down his chest. He is one of the King’s cousins, and made a name for himself in the cavalry. He has on those foolish, long-toed poulaines, with the points so exaggerated that they have to be tied by gold laces to just below his knees. They say that these are the greatest fashion in Poland, and tells me more than I like to know about the Poles, whose reputation for recklessness seems well-earned. He speaks in Latin, since he has no Danish and would not admit he understands German even if he were as fluent in it as the Emperor himself.

“I am here at the behest of the King of Poland,” he says in his impressive, rasping voice, after he has made his bow to Hamlet. “It is in regard to the harbor disputes that flared up again not so many weeks since.”

“Harbor disputes,” says Hamlet, his Latin sounding less practiced than the envoys. “I recall no harbor disputes.” He looks down at me once, and winks with his averted eye, so as not to offend the envoy.

“Surely you must know, good King, that there have been unreasonable taxes levied against Polish ships landing at Danish harbors,” the envoy says pleasantly. “My King made sure word was sent to you.”

“We have a letter in hand from King Ladislaw, but we have answered it already,” Hamlet assures the envoy. “We are honored that the King sends us his envoy, and we welcome you to Denmark most willingly, for your own sake and the sake of your King.” “Surely your response in the letter is…the result of a misunderstanding. You were informed that there had been an increase in the taxations made on Polish goods and ships, and yet nothing has been done to change that.” He is one of those men who look as if their skin will crack if they smile, and so his effort now is most noticable. “What would you wish to have changed? You charge an extra tax to Danish ships in Polish harbors, don’t you? Why do you object if we do the same?” Hamlet proposes his question as if there is no reason for the envoy to protest.

“It is not our taxes that are being discussed, good King; it is yours.” He has taken on the look of a man struggling with a determined priest, not an envoy treating with a King. He attempts to restore the demeanor he wishes to present. “What my King wishes me to convey to you, Denmark, is that we will not let our ships be taxed unfairly without protest. It is the wish of my King that you make some reasonable provision for our cargos so that what profits we make are not taken up by your customs agents.”

This is considerably more blunt than Hamlet expects such men to be, and he straightens on the throne. “What our agents do is in accord with our mandate. If your King wishes an explanation, we will provide him with a record of our orders on this head.” The envoy realizes his gamble has failed. “I will present any document you wish to provide me to my King, for his assessment and the review of his advisors.” His face looks stiff and I cannot convince myself he will speak well of Hamlet to Poland.

“We will give instructions to our remembrancers to attend to this,” says Hamlet with greater formality than before; he is aware that this audience is not going as he had hoped, and is taking refuge in courtly form. “In the meantime, we ask you will join us this evening. We have players here at court and they offer much enjoyment to all of us. Let us plan to gather in the late afternoon, to see a comedy before our evening meal.”

Polonius rises and bows to Hamlet. “Would you wish me to make the arrangements with the players, my King?”

Hamlet motions him to sit down. “No. Yorick will tend to it.” He signals to me. “I leave it to the players to select the comedy. Inform them of the occasion and ask them to be wise in their choice.”

I also rise and bow to Hamlet, and then nod to the Polish envoy. As I leave the Audience Chamber, I see Claudius leaning over to whisper something to Polonius, who looks thoughtful at what he hears.

LOVERS

Raissa is laughing as she recalls the performance of the players given two afternoons ago. For once she has been in good humor with Hildegarde, and includes her in her conversation, which excludes Margitha. The two of them giggle as if they were maids in the same laundry.

Gertrude interrupts her sewing to interject, “I had never seen The Heir of Amalfi before, and I thought it would be a tragedy, and not the tangle of counter-currents that this was, with three heirs all vying for the title. The confusion was delicious, each claimant with a witness and a will! And when the victor is told how much in debt the Duchy is!” Her smile is genuine, without the strain that often blights her happiest mood these days. “It surprised me.”

“Did you see Mect?” asks Margitha, less animated than the other two waiting women. “He was almost convulsed with laughing. I have never seen a jester so amused,” “Yes,” cries Hildegarde. “When the third claimant to the title arrived, I thought he would split himself.”

Gertrude motions for the women to lower their voices. “Remember my son.” “We should be careful,” agrees Hildegarde, “The Prince is asleep.” She turns toward me and gives me an encouraging half-smile. “Sir Yorick will make sure he is not disturbed.”

“The third claimant,” says Raissa speculatively, the tip of her tongue moving over her lips. “That player is a very comely fellow. I have remarked it several times.” “That player is a player,” says Margitha with ill-disguised contempt. “Comely or not, he is hardly worthy of notice.”

“Any man with such fine skin and splendid eyes is worthy of notice,” Raissa says sharply. “And any woman who will not deign to notice is without good sense; there are few pleasures in life that cost so little as admiring a handsome man.” “If that man is worthy of admiration,” Margitha says, her back straighter than it was. “Otherwise, the woman cheapens herself in admiring a man who is not—”

“Worthy of her notice,” Raissa finishes for her. “If you will blind yourself willingly, who am I to stop you?” She looks over at Gertrude. “What do you say, my Queen? Would you notice a handsome man?”

Gertrude flushes and her expression is confused. “I…don’t know. It is not an easy question to answer.”

Raissa is aware that her inquiry is ill-phrased, and so she adds, “Did you notice the player we have been discussing?”

“You have been discussing,” Margitha corrects with heavy emphasis on you, to make it more apparent that she wants no part of this speculation. “I have been attempting not to discuss him.”

“Yes,” says Gertrude, the color fading from her cheeks, “A very well-disposed young man, without doubt. I see no harm in being aware that he is good-looking; it is certainly the reason he was put in that part, so that he has reason to win the heart of the Duchess of Milan in the end.” She glances toward Raissa, and says, “But do not pester Margitha. It may be he is not to her taste.”

“Not to her taste? With hair like honey and a face an angel would wish to have?” Raissa is incredulous.

“Yes. Perhaps Margitha does not prefer fair men.” This is offered as a means for the dispute to end, and Margitha seizes on it.

“Yes. I prefer men who have dark hair and strong bodies,” she says, her eyes bright with challenge. “Fair, slender men always seem weak to me. Too girlish. If I want such beauty, I can find it more readily among women, which is not where I would wish to go for such indulgence.” “More fool you,” says Raissa, pouting a little for having failed to gain the admission she sought. “Handsome men are as rare as clean pigs, and well-mannered ones are rarer still.”

In his cradle, young Hamlet is sleeping. He is becoming a fairly active baby, given to sudden bursts of concentration and energy that send him rushing about only to be followed by equally sudden slumbers as he recruits his strength for another sally, though he is no match for some I have seen; he is more inquisitive than adventuresome. I have spent most of the morning keeping up with him. I would not mind having the chance to nap with him now, but it is not possible, so I continue to play soft airs on my shawm, hoping it will make his dreams sweet. “Do you think what they say about the players is true?” Raissa continues, with a quick look at Margitha, whom she is determined to torment. That is her way: there must always be someone she is needling or she is unhappy. “That they are all lovers of men, which is why they make women of the youths in the troupe?”

Margitha does her best not to be shocked, but her efforts are not sufficient to silence Raissa. “All the more reason to pay no heed to them.”

“If it is true,” says Hildegarde.

“Why would it not be true?” asks Raissa, looking innocent. “What better way to gain access to women safely than to have it thought they are not to your liking,” says Gertrude in sudden heat; again her face grows rosy. “Even sensible women would be caught unaware with such a ploy.”

“Surely no man would let such a thing be believed of him if it were not true!” exclaims Hildegarde with feeling. “It is unthinkable.” “It may be, but men have done it, and quite successfully,” says Raissa, an edge in her voice that catches my attention and gives me to wonder. “And women have been persuaded by the suggestion that they could turn a man away from his own sex to ours. It is a matter of pride as much as lust. Two great sins at once.” “Players, and musicians, and those of that ilk,” says Margitha, once again looking haughty. “Not necessarily,” says Gertrude suddenly. “There was a page at my father’s court who…who seduced a number of ladies by claiming he feared that the love of men would disgrace him, and he convinced the women that they would save him from grave sins as well as disappointing his family if they would teach him how to love women. He said that no other woman but the one he approached had ever stirred him in the flesh, which gave him hope.”

“And the women believed him,” said Raissa. “They all but lined up at his door for the chance to show him he would like women better than he claimed to like men. Each woman thought she was his only salvation, and therefore was obliged to do everything she could for him, for their vanity as much as a wish to aid him. As I have said already, it is pride and lust together that makes women fools over such men. If the man is good to look at, he is the more dangerous because surrender is so much more enjoyable, and the man is seen as the greater prize. At least that was what I saw in Lorraine.” She looks around at Gertrude, “What finally became of him?”

“He was wounded in battle, six years ago,” says Gertrude quietly. “He lost a leg and a hand. He lives on his family estate with his brother.”

“Lucky to be alive, with such wounds,” murmurs Hildegarde, who has lost her father to the mortification of a wounded foot. “He does not often think so,” Gertrude says. “He has become bitter and angry for the cruel trick that fate has played upon him. Or so I have been told by those who have seen him.”

“So might we all,” says Raissa in a light, rallying tone. “Become bitter. Why, if we were to brood on our lot, what would any of us do but despair?”

Hildegarde shakes her head. “Do not say such things, Raissa. God will not be pleased with you if you mock His gifts.”

“And what gifts are those, pray?” Raissa counters with false good-will. “Life? It is nothing more than air in the lungs and blood in the veins. We are no more favored than a rat or a fish. Thought? Surely that is the greatest trap of all, for it leads us to error and sin more often than to virtue. Courage? Is any man, or woman, for that matter, truly brave? Are we not, rather, given to stubbornness and pride which we call courage to make them seem noble? Love? An itch in the flesh which has been clothed in pretty colors to render it attractive. What have we to thank God for?”

“There is no dealing with you in such a humor,” says Hildegarde, and picks up her sewing.

“Perhaps not,” says Raissa, pleased at having won the skirmish. She look at Gertrude again. “Have I overstepped the bound, my Queen?”

“No more than usual,” says Gertrude distantly.

I continue to play soft airs on my shawm while the women work silently through the afternoon; I think as I play that vanity wears many faces.

* * *

“Never let anyone tell you that the high-born are one whit better than the rest of us,” Oduvit announces to the players as we gather for our supper in their quarters; he is in a brash frame of mind and has already drunk two tankards of new ale to fuel his wit. “They are high-born by the accident of birth, not by favor or the will of Heaven. The priests teach us our low station to serve their own purposes, and to make themselves the companions of the powerful.”

I have taken a place near the warmth of the fire, where I have set myself the task of writing down the rumors I have heard in regard to the Polish envoy. As Oduvit holds forth, I fold my vellum and put it in my wallet, along with the charcoal stick. With luck the words will not be too smudged to read when I take it out again. “These are things you should not say aloud,” warns one of the players, his mobile face apprehensive.

“’I am a jester. I am expected to think and say the outrageous. Unthinkable things are my stock in trade. If I do not use it, then I will no longer be worthy of my hire, and I will have to become a beggar,” says Oduvit. “Or join a troupe like yours, and seek to gain acceptance by currying favor with those who like to be entertained.”

I lean back, bracing my shoulder against the wall, and hope that I am not dragged into this dispute.

Hieronymous regards Oduvit with an expression of fatigue. “Since you are determined to tell us your thoughts, go ahead. There is nothing to be gained from questioning your motives, or in offering any prudent cautions.”

The other players nod with their leader, and one of them—the handsome young man who causes such a flutter in women’s breasts—puts his hands to his head and declares, “We await the benefit of your wisdom, Oduvit.”

Oduvit pays no attention to the sarcasm in the player’s words, but lurches erect and addresses the gathering. “The high-born are not the deserving pillars of might and excellence they claim; they are more fragile than the rest of us because they are told that they will be given attention. It makes them vain and weak. Especially the women, who are cosetted and pampered until they are sapped of all power, and think that the flattery they receive is adequate compensation for what they have lost. The flattery is the most debilitating of all. It makes them believe in their own importance, which undermines their character; the priest is right about that. You look askance, Hieronymous. But it is true. Let me offer an example, to make my point. Just this morning I found that new page, Osrick, puking his breakfast because he is homesick!” He whoops with laughter, and I recall the complaints Raissa made a week ago. “Nine years old, and he cannot bear to be away from his mother, or so he says. Who among us is so timorous that we would shame ourselves with such display?”

“The boy is just a boy,” says one of the players. “If this is his first time away from home, it is not surprising he would miss it.”

“But he lords it over those like us, because his birth gives him the right to do it,” says Oduvit, his resentment making his jest sour. “We are to bow to him, a half-grown child who loses his breakfast for want of his mother. We are expected to defer to him because his father lives in a castle which his father, or his father’s father left to him. Where is the justice in that? The son and the son’s son had no part of earning the castle, yet we are told we must regard them all with the respect their fathers’ fathers earned. There is no reason to admire the descendants of the brave leaders of the past, yet we are all required to do it. They are born to it, or so they claim, and their birth entitles them to our deference.” He thumps his tankard on the table. “Surely you know a comedy or two that makes such a point. Why not perform it?”

“Because we wish to remain here through the summer, and we will not if we insult the King,” says the handsome player, whose name is Pars. “’I do not like to gain the enmity of those with power—whatever you may think of their claim to it—because I wish to continue to perform, and eat.”

“How courageous of you,” says Oduvit, spitting on the floor, “Worthy of the King in battle, certainly.”

I watch these two fence with words and I realize Oduvit would prefer to kill in truth, not merely wound with jibes. I never before knew he was so deadly.

“This has nothing to do with courage,” says Hieronymous. “It has to do with what we have been employed to do. We were not asked to teach moral lessons to the King and the court, we were engaged to entertain them. If we fail to do that, it matters little what else we may do.”

“If you are so contemptuous of the high-born, then why not leave your post here, and make your way in the world as a strolling clown?” Pars clearly does not expect his suggestion to be taken seriously.

“That would teach a lesson of its own. Besides,” Mect adds, “if you think such lessons are necessary, why not teach them yourself, Oduvit?”

Oduvit tosses his head back and laughs, but I do not think there is any mirth in this display. Instead, I hear an echo of the cry of rage that some animals make when they are hunted. Perhaps Oduvit has come to realize that his remarks are not always heard as jests; perhaps he fears he will be held accountable for them one day. I glance at Mect, hoping to catch his eye, but he has gone to the door and, as I watch, he slips out into the night.

“Why do you have such a poor opinion of the world?” asks one of the players, prompting Oduvit to continue his harangue. “Why do you castigate everyone so relentlessly?”

“Look at me,” Oduvit cries, and speaks with the passion of his soul; his voice is low but everyone hears each word. “Look at what nature made of me. Look! How can you wonder why I despise the world, when I live in this misshapen flesh? Can you guess what it is to have the people in the streets turn away from you rather than let the sight of you blight their day? Do you know what it is to be condemned as a monster, by those whose deeds are more monstrous than yours have ever been? Better to depise all of creation than to long for what I cannot have.” His humor changes at once, and he directs his remark to the comely Pars, intending every word to sting, “You are cast in the image of some kindly god who likes insouciance and courtesy. The god who made me is a rougher creature altogether; he does not approve of tribute and courtesy. There are no flowers on his altar, no sweet incense rises to him, and he has no place in his worshippers for those who seek the languour of happiness and voluptuous amusement. The god who made me knows that all of you are misshapen in your souls, as I am in my body, and has shared his knowledge with me. I have been given the vision of the god who made me, and I see the world as it is, without the gloss of vanity most require to bear their lives. I tell you what I see, nothing more or less.” He folds his short arms on his chest and glares, daring anyone to dispute with him. Hieronymous holds up his tankard and watches Oduvit narrowly, “If that is truly how you know the world, then I can say nothing to you that you will want to hear.”

Beside him Pars shakes his head and drinks his ale.

“I see that pity,” says Oduvit scornfully to Pars. “You tell yourself that you would not be as I am if your body were like mine. Well, my handsome, young, foolish player, I say you would!”

Pars looks up and regards Oduvit coldly. “If that were so, then Yorick would be more caustic than you are, for he is more deformed in his body than you. But such is not his way.”

I wish I could vanish into the floor; all the players and the rest of the troupe turn to look at me, as if they expect me to take up the argument on Pars’ behalf. I do my best to shrug and I say, “Everyone does as well as he can in this world. Oduvit has chosen his way; I have chosen mine.”

“More of the same mewling,” jeers Oduvit. “Since they have given him the Prince to guard, his wits have lost their keeness.” He rocks back on his heels, his small, bright eyes as hard as poison as he looks across the room at me. “He is another plaything for the Heir.”

“He is the King’s jester,” says Hieronymous. “And you wish that you were, don’t you, Oduvit?”

“What? Me?” He bows deeply. “And have to dance attendance on the King and the Queen at every hour of the day and night? To have to soothe them with melodies from a pipe when they are worn or out-of-sorts, to have to flatter them when they have been disappointed in their schemes, to have to lie for them to keep their lies regarded as truth?” His laughter grows shrill. “Why should I envy such a toad his task, when I have the chance to speak my mind? I am not one to coo over a brooding infant! Yorick may do as he likes, but I want no part of the nursery.”

“Precisely,” says Hieronymous bluntly, and reaches for a leather case where the texts of their plays are stored. As he opens it, he says to the players, “I want you to review your parts in Foolish Virgins and The Disolute Man’s Punishment. We will need new fare for the court in a little while and this will make it possible to give them some variety. Streiter,” he says to the most corpulent of his players. “I want you to learn the part of Rosemary in the Virgins. Simper all you can with the role.” He selects a few of the pages and shoves them toward Streiter, then swings around to Pars. “Do you still know the role of the lead in Punishment?”

Pars frowns, which does not alter his handsomeness. “I had better review it. It has been half a year since we performed it.”

One of the players, a man of middle years and worn features, grins impulsively, “Do you recall how the Emperor applauded? It was a great thing, having him reward us so well.”

Hieronymous gives the man a quick, forbidding look. “That was some time ago.”

“Six months,” says the player, which catches my attention, for I understood that these players had not been to the Emperor’s court in more than three years.

With a significant nod of his head, Hieronymous says, “Yes. We were fortunate to encounter him during his travels.”

Pars takes up the cue a bit too obviously, “We surely were. Who would have thought we would have such an august audience in so remote a castle?”

The other players chime in now, and I listen with consternation. Why have the players said they have not been to the Emperor’s court when it is plain as a rotten fish in the stew that they have? And if the Emperor liked their work, why have they not boasted of it, as any player would? I keep my questions to myself, and listen to the others more closely, hoping for some clue to this new puzzle.

GARDENS

In the fine spring rain Gertrude’s garden smells of fresh-turned earth. The Queen wears her hood up to keep from getting wet as she inspects what the gardeners have done to her neat beds. Her ladies follow after her, all of them displeased to be out on this soggy morning. I bring up the rear, carrying the Prince, who has been squirming since we stepped outside—if a walled garden inside a castle’s grounds can be thought of as outside. “The flowers will come again, and soon,” Gertrude is telling Raissa, who looks as if she has been given spoiled eggs to smell.

“This is the work of peasants and servants,” she says, unwilling to show much enthusiasm for the Queen’s plans.

“It is fitting that I turn my hand to humble work,” Gertrude says, and waits for Raissa to recant in some way. “Those of us who are given much privilege need to remind ourselves of how common people live, so that we will not be lured into contempt for them through our own blindness.”

“As you say, my Queen,” Raissa whispers, lowering her head and going on with soft defiance. “I will turn my hand to milking goats, if it is your wish I should do it. So that I, too, will know how a farmer’s wife starts her day.”

The women say nothing, none of them wishing to be given tasks so unsuited to their position in life.

“When do Claudius and Polonius leave on their mission?” asks Raissa a bit later.

“In a week,” says Gertrude, too quickly. “All the plans are made and their escort is arranged. If the weather holds, they will leave for the harbor in seven days.” She is unable to conceal a sigh. “The Low Countries are friendly enough to Denmark and Norway,” says Margitha, relieved to be speaking of something so safe as diplomatic missions. “And my father, in Lorraine, will receive the Emperor on his way back from Antwep.” Gertrude stops and bends to inspect the new stalks of a plant I do not recognize sprouting from the earth. “This bed will need tathing,” she says.

“Surely you do not expect to spread the dung yourself,” says Raissa. “It is one thing to want to grow flowers, but there is a place where you must give over the work,” “Raissa,” says Gertrude, “I will not permit you to cast aspersions on what I am doing here. You may wish to convince me that this garden is foolishness, but I will not believe you, not on this point.” She gestures toward the largest of the beds and goes on, “Here I will have sweet herbs; more than last year, so that we may have sachets for our wardrobes and pillows.”

Hildegarde approves of this; her smile is immediate and bright with sincerity. “My mother always made sachets of rosemary and lavender,” she says. “Her clothes always smelled as sweet as spring. If you will allow me, my Queen, I will make bags for the herbs, so that when they are ready, you will have a place to put them.”

“Excellent, Hildegarde,” Gertrude approves. “And together we will fill the bags when summer is high.” She looks around toward me, and sees that her son is trying to climb down from my arms to forage among the turned flower beds. “Hamlet! Whither away, my lordling?” As she reaches out for him, he strikes her hand with his tiny fist. She rubs the place and says with a look of fond satisfaction. “Quite a blow. How ferocious you are.” “He meant no harm,” I tell her as she lifts him to her breast, unfastening the lacings of her clothes with an ease that is so practiced now it is almost invisible, like a conjuring trick.

“He struck you, just the same,” Raissa remarks.

“And well I know it means nothing,” she says, and signals to Margitha. “I will go in shortly. Do you find the chief gardener for me and tell him to start the seedlings as I ordered. I will want to begin planting in another fortnight.” Margitha does not enjoy such errands, but she curtsies and says she will attend to it at once. As she starts away, the Queen gives one more instruction.

“Tell the chief gardener that the hinges on the gate at the back of the garden are still rusty. I want them oiled regularly. I expect it to be done tomorrow.” She smiles at Margitha and ignores the glances her women exchange as they follow her back into the castle.

I remain in the garden for a short time, letting the rain soak into my clothes, and hoping all the while that it would wash away the doubts that fill my thoughts.

* * *

Out on the field behind Elsinor the cavalry are drilling, their horses spattered with spring mud as they shed out their heavy coats, making them look riddled with mange. From the balcony where Hamlet watches we can see the Captains upbraiding their men to pay attention and follow orders, faulting them for growing lax in the long, inactive months of winter.

“If the Poles grow more obstreperous, the cavalry may have to spend the next winter in tents,” says Hamlet softly.

“You expect war, then, my King?” I ask.

‘”I do not expect it, but I fear it is coming,” Hamlet replies. “All the signs are for it. If word comes from the Emperor, then we will be hard-put to get into the field to block the advance of Ladislaw’s men.” He shakes his head and rubs his close-trimmed beard. “I hope the men will be ready when the order comes.”

I note his choice of words. “And is that why Polonius is off with Claudius to the Emperor while he visits the Low Countries?”

“One of the reasons, yes,” says Hamlet. “The two of them can do much to discover what the Emperor expects of Denmark and Norway.”

“I suppose so,” I say, not wanting to think what other mischief they could be up to, so far away.

“Polonius’ wife and son will come to Elsinor shortly, to remain here while Polonius is away.” Hamlet glances down at me. “Do not tell the Queen; let her know nothing of these plans. I am aware she pines for her old friend, and I wish her to have a pleasant surprise when Ricardis arrives.”

“I will say nothing,” I assure him, and stand on tip-toe again, the better to see the ranks of mounted men practice wheeling their lines.

“Polonius tells me that his wife is increasing again,” Hamlet remarks, a bit wistfully. “She will deliver in the autumn, or so the woman says.”

“Polonius must be a happy man,” I say, not knowing what else to tell the King, who has been praying for another child. “Let us wish for a safe birth and a healthy child.” “Yes,” says Hamlet, leaning forward and concentrating on the movements of his troops. For a while he is fully occupied with observing the maneuvers of the cavalry, and I see in his face something of the same single-mindedness I have often noted in the Prince. At last he speaks again. “There will have to be a great celebration when Polonius and Claudius return, to mark their success. For it will have to be a success. I will ask you to arrange something with the players, to mark the festivities with an appropriate performance.” This startles me, and I draw several breaths before I say, “What do you mean, appropriate?” Hamlet shakes his head. “Use your best judgment. I will be busy with my army for the rest of the spring. We will have to drill in preparation for campaigning, in case it comes to that. I cannot be worried about such matters as what the players will do for this occasion, or that event.” He frowns suddenly as he sees two of his men unhorsed. “That will have to stop,” he mutters.

“But, my King—” I begin, and he interrupts me. “You are my jester, and that distinguishes you from the others. I am depending on you to supervise the enjoyments for the court for me while I tend to the pressing business of readying for war. You decide what is to be the fare we have. I will not question your decisions, and I will approve whatever you wish me to approve. Only use your good sense, which I know you possess in abundance, to be certain that all the festivities are marked and all the ceremonies are correctly presented.” He lays his big hand on my good shoulder, “I depend upon you, Sir Yorick.”

For such assurances as that, I would have trod on hot coals. In my heart I ask the Male Goddess to enable me to carry out this task to my credit, and Hamlet’s. “I obey to the best of my poor abilities, my King,” I tell him as I bow.

* * *

I have put raisins with the statue of the Male Goddess as an offering, so that I may choose the plays that will please Hamlet and suit the occasion most appropriately. Between caring for the Prince and this assignment, the King has distinguished me so that I am at a loss to know how to proceed. Yet he relies upon me to do the work he has set for me, and I cannot permit myself to disappoint him. So I make my offerings and trust that He-in-She will inspire me.

The kitchen cat nudges my hand as I put the statue and the raisins back under my mattress. She is purring steadily, and her eyes are half-closed. I lift her into my arms, and for once she is content to remain here, her head shoved against my hand to enable me to scratch her more easily. “Good girl, good cat,” I whisper to her, taking solace from her presence. “What play do you think Claudius and Polonius would regard as being proper recognition of their accomplishments in the Low Countries? Um?” I realize it would be more sensible to discuss the matter with Hieronymous, but at present I prefer the counsel of my cat, who has so little interest in this that she yawns as I speak.

I leave a portion of my dinner meat on the wooden plate for her, and she departs my arms at once, to undertake the killing of the cooked pork. She does this with glee, tossing the collops into the air before snagging them with her claws; I could find it in me to pity any mouse who comes within range of her leaps. When she actually stops her sport long enough to gnaw on the hunks of meat, she purrs with the satisfaction and pleasure of one who is certain she has done her work well.

Before I put on my night-rail, I visit the latrine, and find one of the players there before me, retching.

“I won’t be much longer,” he says when he can draw his breath. “Take the time you need,” I tell him, debating with myself if I should leave him, call for help, or wait; it is easiest to wait.

“It is the seasoning in the stew,” he explains a little later. “There are certain spices I cannot tolerate, and the cook used one of them in the pork tonight.” He wipes his mouth with a rough cloth. “I guess I should have mentioned it.” “Probably you should have. It would be sensible to do it now, so that he will not serve it to you again,” I suggest, thinking that Voss will not be glad to know of this, so much pride does he take in his cooking.

“Yes. I will speak to him in the morning,” says the player, with a nod to me before he hurries off toward the quarters the players have been given.

I have just finished my business when I hear someone else approaching. At this hour of the night, I suppose the fellow has had more than his share of drink, or is suffering as the player was. I am about to call out when I hear Mect whisper a name I do not recognize. On impulse I remain where I am, and silent.

“Have you news, Leipzig?” asks the unknown.

“Not much. There is little to tell our Sovereign that he will not know already,” Mect answers in a voice so quiet that I have to hold my breath to hear him clearly.

“Because of the two envoys,” says the unfamiliar voice. “You think they will be carrying all the information Ludwig must have.”

“In part yes, I think that, and in because there is little to tell. Not much has happened here that will have significance to Ludwig.” “What of the Poles?” asks the other, his voice a bit louder and harsher.

“All that will be told in the Low Countries; Polonius and the King’s brother will present Hamlet’s case to the Emperor with more details than I can possibly supply. And if Ludwig does not have men in the Polish court, he is not the ruler I give him credit for being. He will need to learn little from me; he will have more information than he wants.”

“Does Hamlet want this war?” the other persists. “I doubt it. But he is getting ready for it, as you have doubtless already seen. He has men going about the countryside buying up horses and livestock for the army.” Again his tone lowers. “He will be prepared to march by the end of spring, I am sure.”

“Then you do have news for Ludwig” counters the stranger. “I have observations that you or countless others might make, that is all. And as I have said already, the information Claudius and Polonius carry is apt to be more to the point than what I have to report,” Mect is not as careful to keep his words low, and I hear him readily now. “If there is any doubt that the army is preparing to march, or is not provisioned, tell Ludwig that I think he is almost prepared to march, and that his confidence is not misplaced.” “Well enough,” the other whispers, more cautious now than Mect, “Do you need anything more from me, before I leave?”

“You know well what I require. I will have to have more by the end of summer.” More what? I wonder.

His tone is curt now. “And money, of course.” “Of course,” says the other man with astonishing cynicism.

Mect is offended by this, and he protests. “If you think what I do is not demanding, then you take over my work. I will relinquish my post to you, and gladly.”

The unknown man laughs once, a low, wheezing sound that makes the hair rise on my neck. “How could I? I am no jester.” His amusement fades at once. “You will have what you want at the beginning of June, if that is soon enough?” “Perforce,” Mect accepts. “We will meet here, in the same way, at the same time.” The man is growing eager to be off. “Until that time, be aware that Ludwig must be informed of everything you note. You are the one who must show where the truth lies, for the reports may be deceptive. That’s why you’re here, Leipzig.”

“I realize what my duty demands of me, and I will do it, however distasteful. I will honor my oath, do not fear it,” says Mect stiffly, and then I hear him move away.

After a moment, the unknown man goes off.

I am shaking now, with a fear I did not know I could feel. It penetrates my vitals and makes my eyes feel over-large in my head. What would have happened to me, I do not like to wonder, but am unable to stop, if I had been discovered here? The two men were bent on treasonous acts; they would not balk at being rid of an interloper. It might be awkward to explain another dead jester, but— This wakens notions in me regarding the deaths of Tollo and Hedrann, and I despise myself for the suspicions I feel; but now that they are stirring, I cannot quiet them again. I ease the latrine curtain open, expecting at every instant to feel a knife in my guts. Could Mect do that? Could he kill me?

But the little courtyard is empty; I make my way back to my quarters with unseemly haste, and when I get there, I bother the kitchen cat by insisting on holding her as a child holds a favorite toy, taking comfort in her life and her annoyance.

It is very late when I finally fall asleep, and my dreams are filled with visions of betrayal and the dead crying silently in their tombs for revenge; the kitchen cat abandons my pillow and curls at the end of the bed where my tossing cannot disturb her rest.

RICARDIS

There are three wagons in the main courtyard, each with postillions and out-riders for escort, and at the rear, surrounded by mounted men-at-arms, a carriage. A crowd gathers and surrounds the new arrivals. As the door opens and the steps are let down, a waiting-woman is the first to emerge, and then Ricardis descends; a nurse brings up the rear, Laertes howling his indignation to the sky.

Hamlet himself greets these new arrivals, and he favors Ricardis with many kind words about her husband, and adds a jocular comment about her pregnancy. “You will set a fashion among the court ladies, Madame, I would wager, for you are in great beauty just now.” “They say women often bloom brightest when they nurture new life,” Ricardis remarks, with as much of a curtsy as she can easily manage. “I am grateful to God that my babe grows and strengthens.”

I have been standing slightly behind the King, and now I bow to Ricardis. “Welcome back to Elsinor, my Lady.”

“It is good to see you, Yorick,” she answers with a smile that is as sweet as it is forced. She holds out her hand to me, reluctantly allowing me to kiss it. Hamlet gives a signal and four pages hurry forward. The nearest two bow to her on behalf of the rest; Ricardis glances at the King.

“What is the purpose of this honor?” she asks, her eyes perplexed although she still shows a joyous expression.

“They will lead you to the Queen,” says Hamlet, and indicates one of the boys. “If you will permit Osrick, he will present you to Gertrude.”

“Very well,” says Ricardis, still puzzled by what she has been told. “Do I have my old quarters back?” “No,” Hamlet says. “You are the wife of my trusted Counsellor now, and you will have a suite of your own, not far from my Queen’s. Three servants have been assigned to you. Two are from your husband’s staff.” His face registers regard for Polonius, which Hamlet enforces by saying, “All Denmark owes Polonius a debt of gratitude, my Lady; I am sensible of it every day.”

“The King is most gracious,” says Ricardis after an instant of silence. “It is the privilege of the true subject to serve the Crown.”

Hamlet nods, and at last moves aside. “My Queen will be at her sewing just now. She has not been told you are coming, only that she will have another waiting lady.” He winks once, sharing his minor deception with Ricardis.

“You mean that I will be a surprise to her?” asks Ricardis, her smile tinged with an emotion that could be apprehension. “You will be, I hope,” says Hamlet, and nods to the pages. “Give Polonius’ wife her deserved escort.”

Ricardis looks troubled as the pages set off, two ahead of her, the rest flanking her and her sons’s nurse, who carries the hot-tempered child. “Do you go after them,” says Hamlet to me when the little party is around the bend in the corridor. “Tell me how my Queen receives her friend.”

I bow deeply, and look aside, for it occurs to me that the King is not as confident of the success of this gesture as he claimed to be at the first.

“You will find me in my quarters after supper,” he says as I move away from him down the corridor. As I walk, I notice that there are a number of Counsellors standing in clusters, deep in conversation. This catches my attention because they lower their voices or stop their discussions completely while I pass near to them, which rarely happens. I ponder the importance of it as I climb the stairs to the next level. Why should men like Horatio fear me? for surely they must be apprehensive or they would pay me no mind. Is their worry of what I might hear, or is it something having to do with the King? And if it is the King, what do these whispers portend? I have to pause outside the Queen’s quarters to restore my mind to better humor than I have had, for on this occasion, I must not be seen to frown, or Gertrude would take it amiss. I ask the Male Goddess to assist me in my duty, and then I knock on the door.

Raissa answers my summons, with frown enough for both of us. “It is only Yorick,” she announces with no greeting to me. “Have him come in,” calls the Queen, in such good humor that I very nearly do not recognize her voice.

Hildegarde is sitting on the floor with the Prince in her arms; Ricardis reclines near her, on two large cushions thrown onto the floor for this purpose. She is attempting to restrain Laertes, who is determined to get to the other infant; he is starting to cry with vexation at being deprived of the treat of pummeling the Prince, which amuses the women. Gertrude has drawn up her lowest chair and is watching the two babes fondly, satisfied that her son is in no danger from the larger, older Laertes.

“You have brought your shawm,” approves Hildegarde. “The Prince will be glad to hear it.”

The women are all smiling, with greater cordiality than I would have thought possible just a few days ago. As I take my place on the stool near the window, I catch sight of Raissa, and see in her unguarded expression some of the anger that has consumed her for so long. But she notices my glance and in a flutter of her eyes, her face is smooth once more and her smile as amicable as that of a peasant given Mid-summer gold and the promise of a good harvest to come. “Laertes is a very strong babe,” says Hildegarde, with a timorous hint of a smile toward Ricardis.

“Yes. He bodes well to be a rare knight,” his mother declares with a combination of fierce pride and complacency. “This new babe”—she puts her hand across her swelling belly—”will have much to do to keep up with him.”

“If your child is a boy,” says Raissa slyly.

Ricardis sits upright. “He will be another son. I can feel it in my blood. This will be a second heir for Polonius, to add to the glory of his House.” “And if it is a girl?” suggests Gertrude, a distant expression in her eyes.

“Why, if it is a girl—although that isn’t possible—we will wed her to your son, of course,” Ricardis says humorously but with underlying intent that stifles the laughter in her throat. She goes on with the assumption of practicality, “He will need a good wife, and he will be pledged young, won’t he?”

“That he will,” says Gertrude, sighing a little. “Hamlet will insist on it.” She does not add that the wife chosen for her child will probably be a foreign noblewoman, made young Hamlet’s bride for reasons of state, not the affection of parents.

The women nod somberly.

I have started to play “Lament of the Swan,” but it is too mournful, and Raissa glares at me.

She speaks with precision. “If you must make that horrible noise, at least let it be with a merry tune, not that lugubrious—”

“Raissa,” Gertrude admonishes her. “The tune is soothing and restful.”

“It is melancholy,” declares Raissa, “and do not hold it against me if your son should become melancholy as well, from listening to it.”

“If my son becomes melancholy, it will be because he knows his world is uncertain and the burdens of a kingdom are heavy to bear,” says Gertrude. “He will know his duty, that much is certain.” “Duty,” says Hildegarde, making it sound a word for play as she holds out a small wooden crown to the Prince, laughing as he clutches at it with all the determination of a seasoned commander, and not a babe of five months’ age.

“These boys have much to do in the world,” remarks Margitha, with an angry look at Raissa. “It is hard to be young when so much is weighing on them.”

“Yes,” says Gertrude with a quick, sad look. “Their days of play will be short; it is always thus with the sons of high-born fathers.” She gives a single, small shake to her head and makes a signal to Margitha. “Make sure he is warm enough. I do not want him to take a chill.”

Margitha hastens to follow the Queen’s orders, taking a large embroidered shawl and trying to put it around the Prince’s shoulders. “He will take worse than chills before he is grown,” Ricardis predicts confidently. “I have already found Laertes in the kitchen, playing near the hearth, with water boiling on a hook not far from his head. And he was struggling to reach it. I nearly fainted at the sight.” She sounds more proud than apprehensive as she tells of her son’s narrow escape. “He is forever getting into mischief. He is demanding by nature and he seeks to have mastery of everything around him.”

“And proves it with his mother’s doting,” Raissa appends, trying not to look too disgusted. “You are raising a monster, Ricardis. He will never learn to govern his impulses if you will not castigate him for indulging them.”

Ricardis flushes deeply and moves as quickly as her pregnancy allows, reaching out to grab for Raissa’s clothes, “You cannot say that about my boy!” she yells.

Raissa easily eludes her, “Look at him,” she recommends. “He is unruly already, and you reward him for it. You praise his demands. You positively crow with pride at his recklessness.”

“I know that my boy must be able to fend for himself in the world, and that hesitation will not win the day,” says Ricardis, going stiff and formal, “You have no children of your own. You cannot understand what is awakened within a woman when she is a mother.” There is a subtle triumph in her face, and her rebuke is listened to with greater attention than Raissa likes.

I watch so intently that I miss a few notes in the tune, but only I notice the lapse.

“What sort of woman would I be if I had a child when I have no husband?” Raissa snaps back, her fine eyes flashing, and I remember how the Male Goddess fixes His-in-Herself in the heart of those who are drawn to Him-in-Her.

“Yes, what sort of woman?” challenges Ricardis. Raissa tosses her head, though there is more bravado than bravery in this gesture. “Some of us do not need husbands to give us a place in the world.” “More’s the pity, then, that you have not found a suitor who appeals to you,” says Ricardis. “As you are certainly a prize beyond measure, not needing a husband. You may select which of your suitors you will have.”

“Both of you, stop it,” says Gertrude, sounding worn out. “I do not want more of your bickering.”

“Are we bickering?” marvels Raissa, “I thought we were having a needed discussion. Surely that is what Ricardis intends, being a matron of experience and the wife of a great man.” She looks down at Margitha, who is tending to Prince Hamlet, trying to keep him wrapped in her shawl, though the babe is making determined attempts to free himself. “He’ll defeat your best efforts. He is that kind of child.”

“Perhaps,” says Margitha, who refuses to be drawn into Raissa’s skirmish yet allowing no aspersions to be cast on the Prince. Hildegarde looks worried, her pretty eyes moist. “This is hardly suitable conduct in the Queen’s presence.”

“Or anywhere else,” Ricardis adds with a mordant smile.

Raissa laughs in brittle amusement. “Suitable conduct for the Queen’s presence means many things, it would seem, if half of what one hears whispered is right,” she says pointedly. “We, being her waiting women, do not believe the calumnies hinted at. But if we were courtiers instead of ladies, who knows what we might do.” “Raissa, that’s enough,” Gertrude insists, moving forward where she is sitting, her features set with contained vexation. “Fine welcome you give Ricardis. If you will not mind your tongue, you may leave this chamber.”

“Like a wilful child, expected to have no supper when he has offended his family. It is fitting.” She laughs in merry wrath. “Very well, I surrender the field, since I must. If you ask it, my Queen, it is my pleasure to obey,” she says, with a curtsy as if at a court ceremonial, her skirts around her like an unfurling flower bud, then rises and sweeps out of the room, leaving Ricardis the victor.

“I regret my return has occasioned such…ingratitude,” says Ricardis, setting the seal on her triumph.

“Hardly ingratitude,” says Gertrude, then goes on briskly, “But you have reminded me that I have been lax. I have kept Raissa by me longer than I ought. She is in need of a husband, and I am duty-bound to find one for her, and see her happily established. Her father allowed her to accompany me to Denmark because he had been assured his daughter would find a noble husband at this court. I have not done all that I ought to bring it about.” She sighs once. “I will have to speak to the King, and ask if he has any man he would deem suitable.”

“Do you suppose Raissa would deem him suitable,” says Hildegarde, an unspoken question in her statement.

“Why would she not?” asks Gertrude. “She knew the reason she was sent with me when we left Lorraine. It is fitting that she wed a man of good reputation and position at court.” She stares down at her son, who is busy trying to unknot the shawl around him. His little hands are not skilled enough or strong enough to free him. “He is too proud to weep.”

“That he is,” approves Margitha, trying to comfort the little boy; he wants no part of her sympathy and thrusts her away with his dimpled fists.

“That is badly done, Young Hamlet,” says Ricardis, “You must not lash out at those who help you.”

Hamlet gives a single, indignant cry and his face turns very red as he continues his struggle with the wool. “What a determined boy, and determined so young. See how he works at the problem he has set himself,” Margitha approves, and unties the shawl. “You will want it again, soon enough, when you realize how cold it is.”

But the Prince is happier for his freedom than his warmth, it would seem. He crawls off rapidly, bound for the large embroidery frame where his mother is working. He nearly reaches her when Hildegarde bends down and scoops him up in her arms.

Perplexed, Hamlet looks around, then gives Hildegarde a long, angry stare, and his body grows stiff in his silence.

Laertes has found a cushion and he is pummeling it for all he is worth, whether to draw attention to himself or to release his high spirits is anyone’s guess; Ricardis hurries to her son, clucking approval and warning at once. “Not so fierce, my fine, strong boy. You will have to curb your temper here with this gentle company.”

“Yorick,” says Gertrude firmly, signing to me with her hand. “Take the Prince. He always calms when you tend him.” I put my shawm aside and hurry to Hildegarde, reaching out for young Hamlet as I get nearer to him. “Hey, my Prince, what’s this?” I say to him as I take him out of Hildegarde’s grasp. “Why so pokered up? What petulance. Show me how you can laugh. One would think you were the Emperor—they say he laughs only at the misfortune of his enemies—and not the Heir of Denmark.” I sling him over my shoulder, where he likes to ride, and I give him a quick kiss, making it smack; he usually laughs at the sound and the face I make when I kiss him. This time he does it reluctantly.

“Doesn’t it worry you to have the Prince tended by.…” Ricardis gestures in my direction.

Gertrude shrugs. “Why should it? Yorick is devoted to the child and the King trusts no one more.” She guesses some of the meaning and has the kindness to flush. “The Prince will take no injury from him.”

“But to let him ride on so crooked a back …” Ricardis says in dismay. “What if the Prince does not grow straight?”

“His father will see that he does,” says Gertrude with unexpected rancor. “He is determined to make young Hamlet in his image, a soldier with unblemished honor.”

I know it is not wise to listen, but I am unable to stop. My attention is wholly given to what the women are saying, which irks the Prince, who begins to pull at my hair. I reach up and swing him down where I can look into his face. “No, little monarch. You are not to do this. It hurts your servant,” I tell him as I free my hair from his fists.

“You are very patient with him,” remarks Gertrude in that off-handed way she has of speaking when her thoughts are elsewhere. “He’s too young not to be,” I say to her, and wish I could learn what it is that holds her attention so constantly.

Young Hamlet yawns with the huge suddenness of the very young; it is all I can do not to yawn with him.

“The Prince is getting tired,” says Hildegarde, once again coming to hover near him, ready to take him from me and put him in bed.

“He’s been busy for so young a boy,” I remark, bouncing him a little; he rewards this entertainment with another yawn. “Yes,” Gertrude agrees. “He should be put to rest in his cradle,” she adds, motioning to Margitha to take the babe from me.

“My son will have to play alone then,” says Ricardis, proud that her boy should have more endurance than young Hamlet. Gertrude turns and regards Ricardis with sharp eyes. “You would do well to let him sleep now, as well. He will fuss later if you do not.”

Ricardis smiles, having made her point, and goes to pick up Laertes, taking him into her arms with a sudden, protective gesture made awkward by her pregnancy. “Come, my little love. It is time to rest, since the Queen will have it so.” Laertes’ sudden squalls of fury mark his departure in his mother’s arms; Margitha sighs as she bears the Prince off for his nap.

* * *

All of Elsinor is in a bustle; the news is that Claudius and Polonius are returning in three days. Everyone is striving to celebrate the event with proper satisfaction and approval, for according to what has been learned from the messengers, Claudius and Polonius have achieved wonders on Hamlet’s behalf with the Emperor, and it would be unwise to be thought lax in observing their success—at least, that is what the courtiers have convinced themselves, and Hamlet permits them to think it true.

“It will be good to have them here once more, and better to have their good advice in regard to Ludwig,” says Hamlet as his Counsellors leave the Council Chamber at the end of a long morning.

“True enough,” says Horatio, his face dour as ever.

Mect is waiting in the doorway, and I cannot help but wonder what he has overheard, and how he will use what he has learned, if he has learned anything; in the last few weeks he has demonstrated a resentment toward me I have never encountered before, and I am still at a loss to know how best to respond. How dangerous is he? I wish I knew how to determine that. He bows to Hamlet as the King leaves the Council Chamber, Horatio a little behind him. “God keep you, my King.” He refuses to look at me, though I stand at Hamlet’s side.

“And you, Mect,” says Hamlet, signaling me to come with him. “I will be pleased to see what entertainments you have to honor my brother and Polonius when they arrive here.” The day before he put Mect in charge of arranging for the welcoming festivities, and it is apparent to me that he is apprehensive of what may happen because of his trust. “May what I do please you, my King,” Mect says with a bow and a quick, sullen glance in my direction.

Hamlet sees this and says, “I have been keeping Yorick with me more than is my wont; I depend on his recommendations to prepare a proper reception. Be sure that your part will be acceptable to Yorick and it will be acceptable to me.” He is walking faster and I have to almost run in order to keep up with him. As soon as we have rounded the corner in the hall, Hamlet lowers his voice. “When Claudius and Polonius return, he will have something from the Emperor, no doubt,” he mutters, as much to himself as to me.

“Mect?” I ask, knowing that Hamlet is referring to Mect. “How will he get word?”

“Someone will bring it, of course,” says Hamlet with asperity. “Someone with Polonius and my brother.”

“Do you know who that will be? What could the Emperor require of Mect that we do not already know?” I do not want to consider the notions I have had, because such thoughts seem disloyal to Hamlet, but I cannot stop the suppositions that turn in my mind; that it would be like Claudius to curry favor with the Emperor while he undermines Hamlet.

“I cannot think what it would be; and I may never discover,” he admits; I suspect that he is afraid of what such a discovery would mean to him and to his House, yet I do not speak of this. “But if you can learn, tell me what you know. I depend on you for this, Sir Yorick.” He speaks softly but with great feeling and my heart goes out to him. “No matter what you learn.”

I pause long enough to bow. “I will,” I promise him, keeping my reservations to myself, in the hope that they are in vain.

PLAYERS

Hieronymous is getting rigged out in elaborate vestments like those of the highranking Churchmen of Rome: his clothes are of a purple that puts old wine to shame, and he has a head-dress sitting out on the table with his face-paints and mirror that is a tall, diamond-shaped structure edged in small, glittery metal buttons meant to shine like gems. He has lit the candles on either side of his mirror and is now applying lines of dissipation to his own features, sinking his right eye in shadows and the appearance of puffiness, then emphasizing the arch of his nostril. His pleasant, rather bland face is becoming one I do not recognize. “The play will intrigue the King and those near him; at least Mect thinks it will, and he is the one who has chosen it.”

I no longer put as much faith in Mect’s judgment as I once did. “Let us hope that Mect is right,” I say.

“Oh-ho,” Hieronymous exclaims, though the brush in his hand remains steady and his eyes never leave the mirror; he is shaping the right side of his mouth, making the lower lip appear to droop, giving an impression of depravity. “Rivalry amongst the jesters.”

“Not as you mean it, no,” I tell him.

“You have no idea how I mean it,” says Hieronymous. He nods at the curtain which separates his area from that of other players, as if reminding me that everything we say is overheard. “It is the way of the high-born, to be certain that those serving them remain at odds.”

“Remain at odds,” I repeat, mulling this over, and thinking of Claudius, who was born at odds with his oldest brother. “Yes, I suppose there are rulers who would do that,” I say. “But Hamlet is not one such.”

“They all are one such,” says Hieronymous, in cynical, philosophical resignation. “Some are more skilled in how they do it, and others are clumsy, but all of them do it.”

“You are certain of that,” I say, although it is a question. Hieronymous sets his brush aside and looks at me. “I have seen noble courts from here to Italy, and never have I seen one where the ruler did not encourage his underlings to vie with one another for attention and favor. Except where the ruler is abusive and capricious, the manipulation is successful; it keeps the court loyal by making sure they never trust one another, only the ruler. Your King is masterful in his use of it. He does not appear to encourage rivalries for no reason, and he is at pains to keep the rivalries from escalating into angry court factions.”

“Court life lends itself to factions,” I remind the player. “All the nobles make it a contest to see who can become nearest the Crown for favor.”

“So they do,” says Hieronymous. “Especially where there are ambitious younger sons and eager courtiers. And every court has eager courtiers; the rulers attract them as a corpse attracts maggots. And many rulers have younger brothers.” His chuckle is light and malicious. When he calms himself, he adds, “Half the plays in the repertoire are based on such rivalries.”

“Including the one you perform tonight?” I ask, making it more of a challenge than an inquiry.

“No,” he says, and laughs; his face is half a mask of debauchery and half a flour-whitened expanse unmarked as new snow, and it is strange to watch him. “In this one the rivalry is within in the Church, not among sons, and the stakes are not the power and title of King, but the right to order the worship of God, and judge the world in His name. Different goals altogether.” He touches the mitre, his fingers caressing the false jewels, “But I suppose the principle is the same.” “You suppose,” I echo, and glance toward the cloth partition. “Mect chose the play, is that right?”

“He and I together,” Hieronymous corrects me. “We both wished to find a tale that would honor the occasion without causing doubts in the King’s heart. Given the errand his men were sent upon, it would be astonishing if Hamlet did not have an occasional suspicion about the high degree of success they claim to have had.” He picks up his brush and resumes his painting, now working on the left side of his face.

“And would that be your reason for making the Church the villain now?” I do my best to ask lightly, as if I find the question amusing.

“Not the specific reason, but Churchmen are the safer target in this part of the world. This isn’t France, or worse, the Papal States, or Austria. Here they do not speak of torturing witches as they do in Spain, or imprisoning heretics, as they do in Venice, or exiling questioners, as they do in Dalmatia, or stoning doubters, as they do in Bohemia. In those places we do not take the Church to task, for fear of what the Church might demand in return. Here we have fewer constraints. So we may mock the Church without fear of recrimination.” He is adding red color to his paint-sunken cheeks, and stops talking to complete the process. “In those places where the Church is the greater authority, we make the Kings and courtiers villains.”

I watch him with interest, fascinated and repelled by turns at how a few shadows and lines can transform a pleasant visage into something quite hideous and wholly unfamiliar. To cover any offense my staring might give, I remark, “Jesters do not use paint to change their faces,” and add inwardly: they have already been made strange enough; the Male Goddess is not repelled by such things, as the Christian God is, for the Male Goddess is not interested in perfection, but in life. The Male Goddess does not regard the soul and the flesh being at odds, but two essential parts of the same fabric, necessary to one another and inseparable.

“You are a canny fellow, Yorick, no doubt about it,” says Hieronymous, continuing to distort his features. “Hamlet is lucky to have you.”

“You have said something of the sort before,” I remind him. “But I thank you for such praise.”

“Do you?” says Hieronymous. “Some would worry that I might be selling my understanding to those who do not wish Hamlet well.”

I nod in acceptance of this. “Yes, you could be doing such mischief, and so could those in your troop.” I remember what I overheard while I hid in the latrine, and think again that someone is certainly watching Hamlet’s court with more care than is outwardly apparent. It is hardly worthwhile to continue this speculation, and I try to think of ways to shift the subject without being obvious when Hieronymous interrupts my ruminations.

“All courts swarm with spies. Knowledge and influence are the coinage of courts. They spy on one another and themselves, all to gain a grain more of power than others have.” He sighs and in his eyes is a look that borders on despair. “No wonder they demand entertainments and make us their companions, for we—and jesters and players are the same in this—have little to gain from spying, beyond favor, which makes us support the ruler over his court. Or so it is believed. That we see more than most is certain, for the great ones pay little heed to us, and think us only there for their amusement, like small dogs. Yet they come to need us, in their way. We can ease the burdens of statecraft and treachery with our antics. And clever rulers know this. They turn us to their purpose and find willing tools.”

“Then why would any player or jester be a spy?” I ask, thinking of his warning. “What would it profit him, given the risk he must take?”

“I can think of reasons a man might do it,” says Hieronymous, regarding his reflection with narrowed eyes, letting the wrinkles guide his brush. I sense his dislike of the question, and I cannot stop myself from pursuing it. “Tell me what they could be.”

“Advancement with a greater ruler, I suppose, or the satisfaction of harming someone more important than himself, like a fishing boat sinking a caravalle; it is a shame that the grander ship was lost, but how few fishing boats can boast of such a lost catch?” says Hieronymous, so languidly that I realize he will not venture anything more; tomorrow he might regret having said so much. He adds more lines at the corner of his eye, and regards his reflection critically. “What do you think? Is this blatant enough, or should I redden the inside ends of my eyes?”

“The very image of corruption,” I say to him, and see a hint of a smile on his now-sneering mouth, “You need do nothing more to convince anyone that the man is dissolute, carnal, debauched, and licentious.”

“So I trust,” says Hieronymous, lowering his voice as he does for the role in the play, “They will want to hate me before we are through tonight, and then they will praise me for making them loathe me.” His smile, with the paint on his face, is obscene, which is what he intends it should be. “Who can blame them if they feel such?” I ask, bowing with a flourish. “What man would not earn the detestation of all for what your Churchman does? Murder is the least of it.”

“A very juicy role, such a depraved man,” says Hieronymous as he reaches for the gaudy rings he will wear: I have the uneasy sensation that I have seen more than the player intended, and that this lapse into his character is a veiled threat; though I do not know why he should threaten me, or why he has tipped his hand, unless he means to alert me to danger. Yet what reason does he have to warn me, if he is answerable to the Emperor or another ruler? And what does the warning—if it is a warning—portend?

* * *

The kitchen cat’s pregnancy is advanced, and she moves heavily, promising a greater number of kittens this time than the last. It is no longer easy for her to bend to wash her nether-parts, which causes her some distress. She has taken to burrowing into my cast-off clothes, which I keep to make patches for the new, where she purrs contentedly in her sleep as I return to change into the new garments Hamlet has provided me for this evening’s festivities. “Sleep, little mother,” I tell her as I put my chaperon aside and take up the new garments, with a particolored pourpoint of red and green with bag-sleeves and inner sleeves of bright yellow. There are leggings as well, one leg a solid yellow, one checky in green and red. This is by far the most splendid attire Hamlet has ever provided me, and I swear to myself that I will be at pains to keep it unsmirtched. As I discard my old leggings, the kitchen cat wakens and looks at me inquisitively. She reaches out one paw and snags my chaperon, dragging it near her, her eyes large in concentration.

“Improving the fortifications, are you?” I ask her, and reach down to rub her ears. “Well, as long as you are careful how you manage, it will satisfy me. Do not tear the cloth too much, will you?” I do not begrudge her the garments she claims when they are past use, but I do want to have enough of the fabric unmarred so that I can use it to cover the holes in the new clothes when they come.

She leans into my hand with that craning of her neck that makes me certain she is smiling. Her paws work steadily on the chaperon, as if to shape it to her satisfaction. The inner lids of her eyes are almost wholly closed, but her outer lids are open, making her look like those ancient crones whose sight is blighted as with frost, or one of the ancient seers, whose greater vision strengthened as their eyes faded. This realization distresses me, and I scratch her more vigorously so that she will look directly at me. At last she finally deigns to fix me with her stare and makes a single yowl of protest at the force of my hand.

“Good girl, good, good girl,” I approve as her pupils narrow to slits. “If you will wait until later, I will bring you supper from the feast,” I tell her as she butts her head into my palm, rubbing hard, “They are serving venison and boar tonight, and geese stuffed with oysters. You wouldn’t mind a taste of any of that, would you? Better than kitchen mice, I’ll say that.”

Her purring is louder as if to approve my offer. She gives my fingers a desultory lick, then rises, turns around, and settles with her back to me.

I continue to dress in silence, unwilling to disturb her slumber.

ENVOYS

Claudius is very grand tonight; his clothes are the most lavish of anyone at Elsinor; a straw-colored damask houpelande in the bench style, with tremendous triangular sleeves with deeply dagged edges piped in very deep brown, inner sleeves of pale samite, the sleeve lining in heavy Italian satin in a shade between russet and rust. He wears a link-collar of gold with the Emperor’s Order of the Gauntlet depending from it, his brow is circled in a wreath of ivy, and he has cropped his beard very short, in imitation of the Emperor’s mode, and has perfumed it with oil of sandalwood and saffron. Beside him, Polonius has managed to be more ostentatious without equaling Claudius’ magnificence. He wears a many-pleated huque of blood-red velvet over a long, fitted Venetian giaquetta of deep shadow-purple shade. The edge of his collar is lavishly embroidered and a small ruff of Lowlands lace rises from it. He also has a link-collar, this of silver, with the Badge of Denmark.

“You are most heartily welcome back to your home,” says Hamlet, his long Burgundian houpelande of deep chestnut nowhere near as eye-catching as the garments worn by his brother and Polonius. He stands as the two come to the foot of his throne and go on their knees to him. “Up, up,” he continues, motioning them to rise, a generosity that holds the attention of the gathered court. “Come and give me what news you bring from the Emperor.”

This is nothing more than a formality, and everyone knows it. The real report has been delivered the night before, in private meeting, not half an hour after the two arrived at Elsinor.

“We bring greetings from the Emperor and trusts of his many loves of Denmark,” says Claudius, his fine voice carrying through the hall. “He commands us to give you this token of his esteem.” He holds out a polished brass case and opens it, revealing a very massive link-collar in gold with the Order of the Teutonic Crusaders of the Holy Roman Empire. “You are invested in the roles of the Teutonic Crusaders, at the pleasure of Emperor Ludwig, which he most graciously bids us present to you before all your court as his deputies.” Watching this, I cannot stop myself from wondering just how far Claudius sees his duties as deputy extending. I move in closer to the throne, and notice Oduvit near the door to the banquet hall, his face pale and intent, no trace of humor about him, not even his usual contemptuous smirk. This holds my attention amid the jostling and whispers of the court, and for a short while I heed little else.

A consort of crumhorns announce the arrival of the Queen, who appears behind the musicians in the main entrance, her ladies following her. She has donned a dress I have not seen, a beautiful garment in sculptured velvet the color of new cream, the sleeves tight to the elbow and then with long, narrow outer sleeves and close-fitted inner sleeves of tawny damask. The bodice is also molded to her form, then blossoms into long, deep-petaled skirts. She is like a beeswax candle, light and slender, her face the living flame, alight with pleasure and something more.

“My Queen,” says Polonius before Claudius can speak. She comes forward, seeming to glide over the floor, so smoothly does she move; her ladies accompany her as a wake trails a boat; Raissa alone dressed in a dark mulberry color, which distinguishes her from the rest, who are wearing pale shades to compliment Gertrude’s attire. “I must thank you, Polonius, Claudius, for bringing me this present from my father,” she says, indicating her clothing. “It is a generous gift. You have been kindness itself; I am grateful.”

Claudius takes her hand and bows over it. “For my brother’s wife, there is no task I would refuse.”

Gertrude flushes, and I see careful, calculating nods among the courtiers watching; Oduvit makes a quick, obscene gesture and is rewarded by the chuckles of those near him. If Hamlet notices, there is no indication on his face.

The Queen’s ladies take up places on the dais behind Gertrude’s throne; Ricardis stands as near to her husband as she may properly do. “We have much to impart,” says Polonius, hoping to cover the awkward moment, and not quite succeeding; his wife encourages him with a quick, hidden smile, and Polonius prepares to resume his presentation. This is the recitation of things that Hamlet has decided are safe to be heard in public. “The Emperor speaks of you often, my King, and most affectionately. He has considered your position here, and the actions of the Poles. He has sent word to King Ladislaw of Poland, to say that he would have to mount opposition to any thrust across his borders. He calls you and the noble Fortinbras his Guardians of the north, and everyone is aware that this good opinion is well-merited. He commends your wise governance and prudent alliance, the which he has used as example to many others in like circumstances, to guide their treaties.” Any Bishop would be proud to give a sermon half so well. “And Poland? What of Poland? What has been the response to the Emperor’s message?” asks Hamlet, unwilling to spend long minutes in the fripperies of statecraft for no reason other than to hear himself praised, “Has Ludwig had an answer from Ladislaw? Has the Emperor informed you of it?”

I look about for Mect, and to my apprehension, cannot locate him. This is what I thought he would be most determined to hear, yet I do not see him. Where is he? I ask myself, troubled by his absence. “Not that we have learned,” says Claudius with a dissatisfied expression. “We were told that no answer had come when we left. And no word has come after us, therefore I assume that King Ladislaw has told the Emperor nothing.”

“Then what does the Emperor tell Denmark in regard to Poland now?” asks Hamlet, making his voice level with an effort, though this is not news to him; he is distressed to see his Counsellors glower and shake their heads.

Polonius scowls, not liking to be deprived of his reflected eminence, but he knows better than to challenge the King in this instance. “Yes. It may be necessary for the incursions of the Poles to be contained, and for that reason, the Emperor asks that you ready yourself and your men to march on the day orders arrive by Imperial messenger; the Emperor agrees that there is danger to the Empire and to Denmark as well, from these rambunctious Poles. You will have to march over the Emperor’s lands to contain the Poles, but Ludwig would not consider such a march an act against him.”

Hamlet does not speak at once; he allows the meaning of Polonius’ report to sink into the minds of the courtiers and Counsellors gathered for the occasion. When he is satisfied that they understand, he says, “Then it will be war.” He says this somberly, his eyes on the open door as if he expected the Emperor’s messenger to be standing there already. “Let every noble do his part toward our victory.” He looks toward Polonius. “And in three days’ time, do you, good Polonius, leave us to carry our message to Fortinbras in Norway.”

Polonius bows, torn between satisfaction at the honor he has been shown and dismay at the need to travel again. He glances at Claudius, and I see a flicker in his eyes I cannot read.

Gertrude prevents the moment from turning disagreeable by saying to Polonius, “I am pleased to have your lady-wife to be my companion for the summer, if it is acceptable to you.” She turns toward Ricardis and smiles at her, though she continues to address Polonius, “Doubtless you are apprehensive on your wife’s behalf. You need not fear. Her care and safety will be my watchword while you are gone. She will be guarded and cared for. My own midwife will see your new son into the world.”

“How good you are, my Queen,” Ricardis enthuses, and looks at her husband. “Surely it would be unforgivable to refuse such an invitation. To have the Queen’s own midwife bring this child into the world is a high honor and the best possible start for him in life.”

This is not what Polonius has had in mind, but he is a clever man and knows when to concede. “Yes, it would be.” He bows to Gertrude. “How gracious you are, my Queen, to permit my wife to remain at court with you.” Gertrude is no more deceived by Polonius’ soothing words than any of the others are, but she answers as if she were. “Then it is happily settled.” She has a bright smile for everyone.

I see Oduvit whisper something to the young page standing near him; Osrick puts his hand to his mouth to conceal his giggles. For a child who was terrified of the court such a short time ago, he has accustomed himself to its ways with alacrity.

Hamlet has grown impatient of these dealings, and now says, “I will need to meet with my Council to plan our requisitions. That will be first thing in the morning. I expect every one of you to attend promptly. I will have my Captains join us, to make our tasks easier.” He extends his arms. “Let us all attend the players, to see what has been readied for us.” The court is quick to obey, the nobles nearest the door moving first, making way for the King and his Queen to pass without relinquishing their advantageous place. There is a new excitement among the courtiers, and they speak in low, urgent voices as they make their way in the direction of the gallery where Hieronymous has had their stage built. For once I do not walk close to Hamlet, who has taken the lead with Gertrude, but linger in the Grand Hall, to see who might falter in obediance of Hamlet’s order, and to what purpose. It is then that I catch sight of Mect standing at the far end of the chamber, under the Musicians’ Gallery; his sharp face is alert and anxious as he watches the courtiers leave the Hall.

Claudius and Polonius have little choice but to remain close to the King, and they are making an effort to show their devotion to him. But Horatio frowns at this, and shakes his head; he does not try to reach the King’s side, but finds himself a position at the rear of the court. He looks my way once, curious, but not alarmed, and then directs his attention to three of the Counsellors who have drawn to one side of the vast chamber.

“What do you think?” Oduvit asks suddenly at my elbow.

It is an effort not to jump at this question, and his abrupt appearance. “I think we will have war.”

Oduvit cocks his head, his mouth set in a contemptuous grimace. “Don’t play the fool with me, Yorick. Of course it means war. Hamlet would never have permitted Claudius to go to the Emperor if he had doubted there would be war. But why is it coming?” His chuckle sounds like pebbles ground under wagon-wheels. “If you doubt it, look at what is laid for the feast. Hardly any beef, because it is all being laid down in salt for the troops. The same with hard cheeses. Oh, there is pork and lamb for the guests tonight, but only because the army will not need them.”

“The Poles are restive,” I say, not wanting to voice the deeper concerns that trouble me.

“And ambitious, and proud, and all the rest of it,” says Oduvit with a sneer. “But they have always been so. And they have made many forays against the Emperor’s territory in years past, just as the high customs taxes on Danish ships are nothing new. Why does the Emperor concern himself with it now?” “You have a notion, haven’t you?” I ask, doing my best to sound bored with his theories and opinions, but not quite succeeding, for I cannot shake the feeling that there is something important hidden in his innuendos beyond his unrelenting malice.

“Certainly, and so do you, or you would not be watching the way you are. And you would not be misled by the King’s purpose, or believe his promises.” His look of triumph is nasty. “You might not think it possible, but I am not readily deceived by you, Sir Yorick.” From his tongue, my title is a slight. “You underestimate me. You always have. You think me spiteful and corrupt, but you are wrong. I am not like you, hankering after the high opinion of the King or any other who will look at me without cringing. I have pride, Yorick, and I know my worth. I am a man, not a slave, and because you have put yourself beneath Hamlet’s heel, you will not see it; you dismiss me because I am not willing to make myself a lapdog to the King, or anyone.”

“It may be so,” I answer, noticing from the tail of my eye that the three Counsellors have concluded their talk and are now hurrying after the rest of the court; Mect remains in the shadow of the Musicians’ Gallery.

“Then own yourself blind, Yorick,” Oduvit demands. “You are so in the thrall of Hamlet that you forget yourself on his behalf. No jester can do that with impunity.” At that I round on him. “Why not?” “Because they will sacrifice us, the great ones. They will give us to the wolves for their own preservation. It has ever been thus.” He is deeply angry as he speaks, as if recalling old, unhealed wounds. “We are nothing to them; a convenience they permit to keep warm at their fires so that there will be someone to die for them, as if a place on the hearth is worth a life.”

Until this instant, I never realized how frightened, terrified, Oduvit is, and for the first time I am not offended by what he says. “Hamlet will not treat us so shabbily.” “Because he laughs at you?” Oduvit challenges, his voice rising. “Because he uses you to watch his wife for him? Because you let his son ride on your hump?” His laughter is harsh, grating as a saw through green wood, “Why should any of that matter to Denmark?” He says the last as a curse. “Hamlet is a good man,” I tell Oduvit. “It may be that there are other Kings who are as you say, but he is not one of them. He has prided himself on his fair dealings with his subjects, and so we jesters are.” I want to fold my arms, but that would be too provoking to Oduvit, so I tighten my hands into fists to keep the urge from enveloping me. “You do not know him.” “There you are wrong. They are all that way, including this hale King,” says Oduvit, making his pronouncement throb like the knell of doom. “They may show good-fellowship, and in their way be sincere, but they will not endanger themselves if another can take the risk for them.” “You are wrong,” I insist. “Am I?” Oduvit mocks. “You are marked already; as all of us jesters are, and have been since Tollo died.”

This jibe strikes home, but I do what I can to pretend it does not. “That would not be honorable, and the King is wholly aware of his honor. Hamlet is a great commander,” I remind Oduvit, puzzled at myself for my need to defend the King to this hate-filled man. “He has led his men in battle many times. They have never doubted his courage.”

“That is a different matter altogether.” Oduvit dismisses my remarks with a wave of his hand. “It is necessary for a King to defend his land, for he is the land, in the eyes of other Kings. But treachery is not battle, and it is not run in the same way.” He leans back and stares up at the ceiling, “You will say this is nothing, but you are wrong, Yorick; Hamlet faces greater hazards here at Elsinor than he will in the field against the Poles.” “I will not dispute that,” I tell him. “But it does not mean that he would permit others to suffer for him.”

Oduvit leans forward, and rubs his stubby fingers over the front of my new chaperon. “You are so easily bought, Yorick. A few baubles, a new suit of clothes and you are biddable as water.” “I give loyalty where I find it,” I reply, “This King has always shown me respect and affection. If this is not loyalty—”

“Loyalty? From Hamlet? What lunacy is this?” His laughter is like a wolf baying at the moon. “How can you think that you have enough value to Hamlet that he would be loyal to you?” He calms himself enough to go on, “Oh, no doubt he wants your loyalty, and claims to honor you with his, but he is King, and you are a jester.” “Nevertheless,” I protest, wanting to say that Hamlet holds me in high enough regard to trust his son and the chastity of his Queen to me, but I fear that would place me at a disadvantage where Oduvit is concerned; so I tell him, “I do not believe Hamlet could be so base.” “You are deluded,” says Oduvit flatly, and walks away from me toward the antechamber where the servants wait to serve the feast that will follow the play.

I watch him go with foreboding; when I look around the Great Hall, I find it empty: even Mect is gone.

* * *

When the kitchen cat comes to settle next to me that night, I find myself talking to her, treating her as if she were the messenger of the Male Goddess and willing to relay my reflections to Him-in-Her. As she curls in the crook of my arm, I rub her neck and ears, musing to her as I stare into the darkness, “It is not an easy thing to trust, is it? There is always doubt, and it eats away at the trust, wearing it away as the ocean wears away rocky cliffs.”

The cat reaches her paw out and delicately catches my fingers with it, as a way to warn me that she does not want such ministrations. I let her carry my fingers to where she would like them to be, and scratch her there on her chest once she releases my fingers and gives them an approving lick.

“It was a very good play,” I tell her. “There were terrible secrets hidden until near the end, when it was learned that the Churchman’s nephew was not only his son, but had been got of his sister. You could feel the shock of it when the tale was told. Then the young hero killed his father, who revealed with his dying breath that he had poisoned his son, who then followed his father into death. They acted it well, too. They had great satisfaction in their work, that was plain,” I think of how much relish Hieronymous had giving his condemnation of virtue as the greatest pride and vanity of all, of how he had roared like a storm wind, his arms held wide as if to include the audience in the numbers he condemned.

With a finicky shake of her head, the kitchen cat pushes at my arm with her feet in an attempt to shape it to her will. I watch this with a fascination that surprises me, for I had not realized how determined she could be. She cannot curl up very well, and her belly rises, making her look like an over-stuffed pillow. As she drifts into sleep, she tucks her paws under her chin, for all the world like a precocious child.

I lie awake, my thoughts in disorder, as I try to recall what I heard Mect say to Polonius while the players were taking their bows at the end of the performance. Was it, “I have never been asked such a thing”? or was it “I have never been tasked with such a thing”? The difference is minor, but enough to keep me awake long into the night, my ears sharp to sounds of danger, and wishing that I had been able to hear whatever it was Polonius answered.

YORICK

Hamlet is frowning as he prepares to meet with his Counsellors. He signals me to come to his side, and I obey with alacrity. “Have you seen my brother this morning?” he asks me without any greeting. “No, not this morning. I saw him yesterday evening, after he had been to the bath house.” I report this without any feeling of worry; Claudius sometimes bathes as often as once a week, “I do not know that he has left his apartments yet today.”

“What of his servants?” Hamlet asks impatiently. “Have you spoken to any of them? Have you seen them?” “I saw his man when I finished breakfast,” I say. “He was coming from the laundry with a filled basket.” As I say it, I recall seeing Tobias, and I am no longer as sanguine about his mission as I was an hour ago. “I supposed the basket was for his master, but what specific items were in the basket I cannot tell you.” It is strange how such an ordinary thing as a basket of laundry can suddenly seem to be so dangerous. I realize that many things could be concealed among the sheets and clothing, and this goads me into saying, “I never thought I should question the man. It was an oversight. I could have stopped him and found an excuse to see what he carried, but it did not occur to me until now that I ought to do it.”

“For good reason,” says Hamlet, looking directly at me. “You are not to challenge anyone. Let them do their mischief, if it is mischief they do. It is more useful to me to have you watch and report than to have you make it known that you are doing this for me; I want those who oppose me to suppose that they are unobserved, for they will become careless if they are unaware of what you are up to. Once they are alerted to your task, they will make it more difficult for you to do it, and that would not suit me, or you.” He smiles at me, the lines around his eyes deepening; I stare at him, unable to convince myself that his good-will is false, no matter how persuasive the claims of others may be. “Be prudent for my sake, Yorick, if not for your own. Take a page from my book. Do not draw attention to what you do, so that you will not be stopped from doing it. A wise fighter battles only when he must, not when it pleases him. There are campaigns enough in life that we cannot avoid; why seek out those we can?” “Truly,” I tell him as I bow. “Remember the Emperor has his own reasons for wanting to keep his sentinels in place at this court. His border is as much in danger as ours. He has more at stake here than many realize, and could lose much more than the north end of the Empire. If he comes to think that he is compromised, his support for this Polish incursion may well vanish, and then I would invite disaster if I took my army over his border to repel the Poles.” Hamlet folds his hands and stares into the middle distance as if he reads the future there. “That would be a very poor legacy for my son.”

“But this is impossible, and…. Surely the Emperor would not suppose you would rise against him?” I exclaim, now more apprehensive than ever; in spite of my best intentions Oduvit’s warnings ring in my mind. “Many another has,” says Hamlet wearily. “Why would my protestations be more credible than any others’?” He nods in the direction of the Council Chamber, his face suddenly weary. “Some of them worry that the Emperor has permitted us to cross his lands against the Poles in order to have an excuse to come into Denmark as a conqueror. They would rather have the Poles tax and sink all our ships than offer the Emperor the least excuse to arm against us.” He fixes his gaze on the tapestry at the end of the corridor, one that shows a violent storm at sea, even mighty whales tossed about as carelessly as empty barrels. “Do you fear it?” I ask, keeping my voice low.

“Occasionally; late at night. But I am more afraid of the smiling face that conceals a treacherous heart.” He says it lightly enough but I can see the anguish in his eyes. “You are my bastion against deceit. You are the one who can discern those who are as trustworthy as they protest they are, and those whose oaths are made on water.”

“I?’” My vitals are wrung by what Hamlet has said. “How can I do this? I am a jester.”

“Because you are a jester,” says Hamlet, with great conviction. “You have already heard things I could not hope to discover on my own, and could not trust a courtier to tell me.” He puts his hand on my good shoulder. “You have burdens enough, I know, but I can rely on no other but you.”

I am certain he has other watchers to guard him, but I say nothing of it as I go on my knee to him, thinking as I do that Oduvit would jeer if he could see this. “I am your man for life, my King.”

“Then, when I go to war, be the guard of my son. Do not leave him alone, and do not entrust him to anyone but yourself. His nurse will care for him in the night, but at all other times do you put yourself at his side. No matter what the Queen may order you to do.” His voice is low with great feeling, and I can see a pain in his face that he is striving to conceal.

“But, my King, do you expect some mischief?” I think back with distress to all the warnings I have received in this regard, and I wonder if it is fitting to tell Hamlet of them.

“Not mischief, but the Prince is an easy target, one who is helpless and often….” He wipes his hand over his eyes as if to banish something from his sight. “While Gertrude is in her garden, if she wishes the babe with her, go there, too. If she orders him brought into the Great Hall, be at his side. I want no one to approach my heir if his devotion is in the least doubt.” He makes a sudden, sharp gesture. “I will have no harm come to the Prince. You will not permit it, Sir Yorick. I charge you with his safety.”

It is more of a burden than any I have sought or wanted, but I bow my head, hoping that the Male Goddess will lend me the insight I will need to perform the duty given to me. “I will do all that is in my power to ensure the safety of the Prince,” I say to Hamlet, going down again upon my knee; the joint is stiff today and it pops, rendering my act comical, The King chuckles as I lower my head to him.

“Sir Yorick, you remind me of my own mortality,” he remarks as he motions me to rise.

This time my knee is silent, and I try to restore my dignity with a curt nod. “Guard my son,” Hamlet says to me. “When I am gone.”

GERTRUDE

Gertrude is delighted at the new plants in her garden. Only a few have buds, but they are enough to make her feel such pleasure that she announces she will spend the afternoon there, among the shoots and the new frill of leaves on the young trees. “Yorick, Margitha, take my son inside. It is too chilly for him to remain here. I will join you in a while, when my garden is in order,” she says, indicating the half-open door. “But my Queen,” says Margitha, as if her protest were not remarkable. “Ricardis is with her husband. She has taken Raissa with her, and Hildegarde. What will we do with the Prince while you are here, without escort, and the castle so full of officers and soldiers? It isn’t suitable for you to remain alone. You wish your babe to be indoors, and I cannot leave you by yourself, my Queen.”

“Let Yorick attend to him,” she says with a fond look for her babe. “Hamlet always likes Yorick. You have said yourself that he is constantly amused when Yorick cares for him. Well, since the King is good enough to let Yorick care for his son, make the most of his help.” She tosses her head.

“You mean that Yorick should take the babe and I remain with you?” Margitha asks, and I think she sounds more deliberate than before. “This is my garden, Margitha. What can befall me here, with the walls on three sides and the castle on the fourth?” Gertrude shrugs to show how ridiculous Margitha’s fears are. She has reached for the small hand-rake and starts to work the earth around a bed of new plants, taking care not to disturb the fragile roots.

“I would be pleased to spend the afternoon with the Prince,” I tell Gertrude, and I smile at her to show I am sincere, for I am, no matter what misgivings may possess me.

Gertrude sounds almost bored. “The Prince should not stay outside too long. It’s too cold for him and he will suffer for it.” She indicates the door. “Margitha, give the Prince to Yorick. Carry him to my apartments, good Yorick. His toys are there, and he will enjoy himself and you more than he would here.” “If that is what you wish, my Queen, it is my honor to do it,” I say, bowing to her. She laughs at once, lightly, like a girl. “Oh, Yorick, you are so…so noble.”

Again I bow, knowing she intends no insult, but is truly astonished that one such as I would aspire to honor. “I will see that the Prince stays warm,” I assure her as I take the babe from Margitha and sling him over my shoulder.

Young Hamlet starts to wail, then realizes where he is, and smacks with satisfaction instead.

“There, you see?” Gertrude exclaims, pointing the Prince’s antics out to Margitha. “It is more necessary that you attend him than that you watch me garden.” She resumes her task with vigor. “I will tend these plants for an hour or so, then I will go to the bath house and wash off the dirt. You may ask one of the footmen to watch the courtyard door, if you fear for me.”

I glance once at the gate in the wall at the end of the garden and wonder if there is any guard posted there even as I chastise myself for such thoughts. If this garden is unsafe, what place is secure?

Margitha flushes deeply, curtsies, and turns on her heel, saying nothing to Gertrude as she leaves.

“Now I have offended her, as if she had given me no offense,” Gertrude whispers as much to herself and her plants as to me. “She is determined to guard me, whether or not I require it. I am suspected by my own women.” Her glance in my direction is emphatic. “I will take the Prince out of the wind, my Queen,” I say, knowing it is what she demands of me, and disliking the sense of dismay that runs through me. I make my way back through the garden to the door. As I reach it, I hear someone beyond the wall whistling, and I stand for a moment to listen, wishing that whistles were as readily distinguished as voices. The tune is a French one, and its words tell of a happy encounter between lovers. I am tempted to find a place to watch from, but I dare not keep the Prince outside any longer; since Gertrude wishes me to take young Hamlet inside, I obey her, though the echo of the whistle lingers in my mind and finds its way to my shawm as I play for the Prince while his mother remains at her chosen vocation in the garden.

MECT

Hieronymous and Mect are sitting at table, the last of their dinners spread out on platters before them; I have taken a low stool near the hearth. Most of the players have gone off to ready themselves for another performance, this time of The Children of Granada, a tale of twins separated at birth, one raised by Islamites, the other by Christians, who finally are reunited in deadly combat, only to discover their kinship as their life’s-blood mingles on the field of honor.

“The King gave his approval,” says Hieronymous, a little the worse for the mead he has drunk. “We are to play it in two days.”

The King has battle on his mind,” says Mect. He provides another tot of mead to the player, and goes on, “Your play will be a welcome diversion and it will serve to remind the Council that war is a hard business.”

“Good drama, though,” says Hieronymous, his words a little too crisp in his effort to keep them from slurring. “War and murder and all the rest of it make for good plays. Everyone knows that.”

“So they do,” Mect agrees with relish, and it seems to me that he is more cynical than Oduvit at his worst.

“How do you think the court will like it?” asks Hieronymous, “Some of them will have to fight, as will their sons and brothers.”

“They will love it,” Mect predicts confidently, “Because of the valor of the brothers. Men always think that war will bring them glory before they fight.” He nods in my, direction. “Ask Yorick, if you doubt me. I have never gone on campaign, but Yorick here has. He has seen the King at war before.” I am alarmed at Mect talking of war.

“That was years ago,” I say, wishing their attention otherwhere. “But you know what a fervor there is for battle,” Mect insists, his voice persuasive, and his expression so assiduous that it seems to me his scrutiny is for other reasons than the one he claims. “You see the men drilling on the field, and you hear them talking when we caper for them at supper. They boast of the feats they will accomplish and the honors they will receive. Each of them sees himself crowned with laurel and lavished by royal favor and the attention of beautiful women.” He throws back his head and laughs. “Isn’t that what they think, Yorick?”

“Some of them, certainly,” I answer, and, knowing that I must enlarge on that or risk more needling from Mect, I add, “Not all of them are so deluded. The men who have fought with Hamlet before are not so ambitious for glory. They have reputations to maintain, and that draws them on. And some seek to defend their homes.”

Mect nods. “It is thus everywhere.” He nudges Hieronymous with his elbow, “Your players are on their mettle, aren’t they? when they begin in a new place, or start a new play? Isn’t that much the same thing?”

Hieronymous considers his answer carefully. “The worst we have thrown at us is rotten eggs. Soldiers face greater harm than that.” He drinks more of the mead. “Not many players die because they displease an audience.” “True enough,” says Mect, pretending to drink from his tankard. “But you rarely find a place to stay long. Like an army, you are always on the march.”

“The King has been good to the troupe,” Hieronymous responds, sounding a little smug as well as drunk. “He has already said we are to remain here while he is away with the army, so that the court does not become too apprehensive. We are tasked with ridiculing rumors of defeat, and performing plays which show courage and valor.” The last word gives him some trouble and he repeats it four times in an effort to say it correctly. “Like us, you are to help them forget the danger to the King,” says Mect, nodding to show how great his understanding is. “The King has told Oduvit and Yorick and me that we are to hold ourselves ready every evening that he is gone. He wishes to banish worry from the court. We are to take our orders from the Queen, and we are to see that everyone is amused. Most especially the Queen herself, so that she will not miss her husband overmuch.”

“Yes, yes,” says Hieronymous, nodding. “It is fitting. The Queen will know best of any of them. With her husband at the wars, she will want cheering most of all. She will need diversions of all sorts, won’t she? She could keep half a dozen troupes occupied.” His crack of laughter is loud. “Do you want to cheer her?” asks Mect, this innocent question made salacious by the avidity in his eyes.

“Yes, yes, yes,” says Hieronymous, unaware of Mect’s intent. “Cheerful Queens are grateful as well.”

“As Claudius cheers her?” asks Mect slyly.

I get to my feet, facing the two of them with a purpose that puzzles me, for I have long since decided I must not be goaded into another unguarded challenge. “Do not say so, either of you.” “Well,” Mect gloats. “At last I have your attention, Yorick.” He seems so much like Oduvit just now; I don’t want to think why this should be. “You will not speak against the Queen, or Hamlet’s brother, not while I can hear you,” I tell them. “For your own safety if not for the honor of the King.”

“Very determined, aren’t you, Yorick?” asks Mect, dawdling over his words. “And yet, you of all of us should know that there is reason to make these…suppositions. You are the one who spends his time in the company of the Queen and her ladies. You must have tales to tell.” He smacks his lips. “Not to you,” I answer with heat. “And not to any players, who are not bound to the court by anything more than patronage.” If it would not go against my instructions, I would leave the room. As it is, I make myself bow to the two of them. “You have great skills, both of you, to move your listeners.” Then I applaud.

Mect is not pleased, but Hieronymous only grins as Mect continues, “This is a hazardous post you keep, Yorick. You have put yourself into the King’s hands, and that is a very dangerous place to be,” he declares, pointing directly at me, as if aiming a crossbow’s quarrel at the center of my chest. “He can crush you there.”

“I am not afraid of that,” I tell him, raising one eyebrow to make my point. “More fool you. This is not old Rome, nor is there any honor in falling on your sword,” Mect mutters as he pours the last of the mead into Hieronymous’ tankard, and leans back as the player slurps it up. “You trusted me once, Yorick, and now you treat me as little better than a dancing bear without a muzzle. Why is that?” His question seems genuine enough, and I decide to answer him.

“You are as much the Emperor’s man as I am the King’s. That causes me to wonder what your purpose is, given the master you serve. When Hamlet’s purposes marched together with the Emperor’s, we were allies. Now those loyalties are not as certain, and I must put my cause with Hamlet’s.” I see a spark of feeling in Mect’s sunken eyes, and I add, “It might be different if Tollo and Hedrann were still alive.”

“Ah, yes, Tollo and Hedrann,” says Mect reflectively. “They do make a difference, being murdered.”

“Yes, they do,” I say, meeting his eyes steadily. Hieronymous’ tankard falls from his fingers and he leans back in his chair, announcing his sleep with a loud snore.

“What does Hamlet want with these players?” asks Mect at the sound; his small eyes are bright as a hawk’s, and as keen. “What purpose can they serve?”

“Must players serve a purpose beyond playing?” I ask, making the question as light as I can.

“Certainly that is all most expect of them,” Mect answers, his voice hard. He has nothing laughable about him now, and but for his clothing none would think him a jester. “But not at this court, as you well know; better than I. What does Hamlet want of them? Come, come, you have the King’s confidence, you know his worries and his fears. You must have some notion regarding his intentions. Hieronymous deserves to know what sort of tool he is. What does the King tell you of the players?” At once I feel a coldness at the base of my spine, and I answer with only part of what I think, for I do not like what suspicions are roused in me, that someone other than the King has had dealings with the players and intends to use them against Hamlet. “With Tollo and Hedrann gone, I suppose Hamlet wants to be certain that the court will be well-entertained, as you proposed. War breeds rumors and corruption faster than the plague spreads. If there are ways for the court to find amusement that do not add to the suspicions and hazards for those away, so much the better.”

Mect shakes his head. “Are you really so blind as to think that is the whole of it? What is wrong with you?” he asks, and answers for himself. “You are Hamlet’s eyes.”

I will not deny it.

RAISSA

Raissa paces the center of Gertrude’s sewing room, her brow dark and her eyes snapping. “When did the message arrive? How long have you had it?” she demands of the Queen.

“It came last night, or so I was informed. It was given to me after morning worship,” Gertrude answers as if she has taken no insult from Raissa’s lack of courtesy. “The King told me to give it to you, with his wish that you accept the offer, for your sake if not for his and your father’s. It is a very favorable contract, and does honor to Lorraine and Denmark. The grants to you are most generous.”

Raissa nods. “There is no surprise in that, or the King would have said nothing to you of it. For his sake and my father’s, if not mine,” she muses, then shakes herself. “This message, how was it carried? And who brought it? You say it came last night? At what hour?” She stops and stares at the window, and then looks down at young Hamlet who is trying with all his tiny might to pull my yawp apart. “Should they hear this?”

“It is nothing to me,” says Gertrude, then adds, “I would rather Yorick remain here, in case the Prince become upset by the sound of our voices.”

“He will know from the King in any case, won’t he?” says Raissa with an angry toss of her head. “Very well, I will consider this offer, whatever it is.”

“Hamlet has already said he would like to have you marry the Norwegian Count. He has dispatched a letter to your father to say he will accept on his behalf if it is suitable to you. It is a good match, Raissa.” Gertrude smiles, but there is something forced about it, and the corners of her mouth quiver downward. “That’s very well for you to say,” Raissa snaps, and stares down at the parchment she holds. “You do not have to go to a strange country to a man you do not know, all for the advantage of Kings and the Emperor.” As soon as her hasty words are out, she blanches, and looks wildly at Gertrude, contrition in her eyes.

For the space of three heartbeats Gertrude says nothing, and then she lifts her hands in a gesture of negation. “Shall we agree that last is unsaid?” “Yes, please yes. Oh, Gertrude, I am scared.” Raissa starts suddenly to weep; hearing her, young Hamlet pauses in his assault on my yawp to look around in dismay, his attention suddenly fixed on the Queen and her lady. Then he begins to wail. I rush to pick him up as Gertrude reaches out to Raissa. For a short while the only sounds in the Queen’s sewing room are a counterpoint of sobs.

I sling the Prince over my shoulder, just as he likes, and I rock him gently as I pace the room, doing what I can to quiet him. His little body trembles with the force of his weeping. I hum one of the tunes the babe favors, not so loudly that the two women can hear me.

Finally Raissa moves away from Gertrude and wipes her eyes with the end of her sleeve tippet. “What do you know about this Count Axel? Have you anything you can tell me about the man? If my life is to be tied to his, I want to know who he is and what his reputation holds.”

“He is said to be of good name, and has a sizeable fortune as well.” Gertrude handles her smile better this time. “Fortinbras numbers him among his favorites. He is thirty-two, has two daughters from his first marriage.”

“What became of his wife?” asks Raissa uneasily. “She took the bending fever,” Gertrude answers, doing her best to calm her waiting-lady. “Count Holberg told Hamlet that Count Axel was a devoted husband, treating his wife with affection while she lived and honoring her memory when she died. He mourned her a full year and had his whole household grieve for her.” “Commendable in form, at least. And if anything should happen to me, I suppose he— You have already spoken to Count Holberg?” Raissa asks, shocked out of her tears. “How could you do that, when you had said nothing to me?”

“I wanted to be able to tell you something about the man recommended to you for a husband,” says Gertrude. “How was I to learn anything of him without approaching one of the Norwegians? How could I advise you without some knowledge of the man? Surely you would rather I spoke with Count Holberg than ask Polonius, wouldn’t you?”

Raissa puts her hand to her face. “Saint Cecilia, yes!” she exclaims. “That is nothing against Polonius, but . . . I know the other women will be gossiping about this before dinner today, but I can’t bear the thought of Ricardis’ smugness if she knows more than the others.” Young Hamlet is beginning to doze. I find a comfortable place to sit and both of us lapse into silence that I hope will provide some invisibility.

Gertrude reaches for her needle and takes her place at her embroidery frame. “You cannot stop the gossip,” she says, her gaze on the flowers she is working in pale silks. “Gossip is everywhere, rank as weeds, and no matter how you strive, it will flourish. Be resigned to that, Raissa.”

Raissa sighs and draws up one of the low stools near Gertrude’s chair. “And I am as guilty of it as any of the others. Who does not like to be first with the news? But now that the news is mine, I am horrified that there are others who want to do what I myself would do if it were any other who had received this offer.”

“True,” Gertrude says with a faint smile. “How are we to change the world for—”

It is a moment before Raissa can achieve a rueful laugh, “So you serve me my own dish. Well enough.” She takes the letter and reads it again, smoothing the page with her hand as she traces the words down the sheet. “Now Count Axel seeks me as his bride and the King favors the match. Very well, I will need an evening to think the matter over, and then I will tell you what I have decided. Not tonight. In the morning.” This last is announced as she rises to her feet again. “Did they send a portrait of him? Doubtless he has had one of me.” “None was given to me,” says Gertrude carefully.

“That bodes ill,” Raissa says, making it a jest. “I will have to speak with Polonius about the man, I suppose, since you have already spoken with Count Holberg. If he is hideous, I had best know it at once, to accustom myself. Polonius will tell me what the man looks like and how he behaves.” She goes to Gertrude’s side and puts her hand on the Queen’s shoulder. “I will miss you.”

“And I you,” says Gertrude softly; it is decided, though no word of acquiescence has been spoken.

“But you can find consolation, and friends to comfort you,” Raissa counters with some of her familiar brittle archness back in her words. “Who knows if there will be any for me?”

Gertrude puts her hand over Raissa’s, “If the match is truly repellant to you, Raissa, refuse it.”

Raissa does her best to smile. “And then what? In a year there will be another proposal, possibly less desirable, and the King will insist that I accept, and will not like my hesitation, for in a woman growing older, good matches are rare.” She pulls her hand away and curtsies. “I will tell you in the morning what I will do.”

Now Gertrude puts her hand to her eyes, in an effort to ward off her own tears. “You have been my one friend from France while we have lived here. Once you go, Lorraine will be a memory I cannot share with anyone.” “The same fate is mine,” Raissa reminds her as she leaves the chamber.

Prince Hamlet is silent now, dozing in the abrupt way of children. Carefully I lift him from my shoulder and hold him gently. His little hands are folded around his thumbs, and I cannot help but think of the opening buds in the Queen’s garden. I carry the Prince to his mother and offer him to her.

“Oh, yes, thank you, Yorick,” says Gertrude in a breathless rush. “I am grateful to you for this.” “You are kindness itself, my Queen,” I tell her, keeping my voice low so that the babe will not waken. She takes the child in her arms and draws him close to her, “You see why I have forbade using swaddling bands?” she asks quietly as she watches the Prince, her eyes avid with hope. “He is learning to grasp for things already. He is learning to take what he wants. If he were in swaddling bands, he would not be able to do that, and that would hamper him. This will make him stronger, I am sure of it. A Prince must always have a strong grasp, don’t you think?”

I recall the many times this little boy has reached out for my chaperon or my pipe and I nod to her. “He is very strong.”

“I think so, too,” whispers Gertrude as she continues to embrace her son with the same tenacity of the swaddling bands she so deprecates.

WAR

Hamlet faces his Counsellors with the air of one well-satisfied. “We will march in three days,” he announces, and although he is only confirming the rumors all of us have heard for days, the Counsellors do their best to appear surprised and delighted.

“And the Emperor?” asks old Horatio, his stern features showing more determination than anxiety. “What will he do?”

“He has approved our march. He will send us couriers so that he may be informed of all progress made against the Poles.” Polonius all but bows, gratified that he has made this arrangement.

“How fortunate,” says Horatio, unimpressed by Polonius’ feat, though several of the Counsellors show increased respect to Polonius, acknowledging his accomplishment.

“And the army is ready?” asks one of the Counsellors from the north.

“It will be in two days,” Hamlet informs them all. “We are gathering the last of our supplies—food, weapons, and horseshoes—for our campaign.” He raises his head and his voice together. “Denmark triumphant!”

The Counsellors all rise and echo his cheer, most of them flushing with emotion. Only a few do not seem to share the enthusiasm of the rest, though they do their best to counterfeit some degree of happy anticipation. I watch them all from my place, following Hamlet’s orders, noting the demeanor of the men and listening to unguarded remarks, in case any should be to Hamlet’s discredit.

Polonius is preening, his smile so openly self-congratulatory that I wonder he is not recognized for the toad-eater he is. Many of the Counsellors wear similar smiles, but not so blatantly as Polonius does. He approaches Hamlet and whispers something to him, which gains Hamlet’s attention. Polonius indicates the Counsellors with a single gesture and then says something more. “You have the right of it,” Hamlet concedes, making a gesture of concession. “It is fitting that you should know that today the lady Raissa sets out for Norway, to her marriage to Count Axel. She is going with a small escort—smaller than I would like, but with so many men needed in the field, I can spare only a few of the Guards to carry her to her bridegroom. There is no slight in her escort or the manner of her leaving the court. Do not think this is intended to disaparrage the match. This marriage is fortunate for all of us, and I most heartily wish them long life together, and many sons.”

Again the Counsellors echo the King’s sentiments, though a few look puzzled that there is no feast for her, nor other celebration at court to mark her departure, as befits a lady of the Queen.

I notice that three of the younger Counsellors look displeased. Could it be they wanted Raissa for themselves? How foolish, when they all know her purpose is to compound alliances, linking Houses of the mighty. With Gertrude married to Hamlet, the need for another woman of Lorraine married to a Dane of rank is small; no one at Elsinor paid her serious court, for it would have earned Hamlet’s disapproval. These men do not have fortunes enough to meet her bride-price, even if it were possible that such a match would be condoned. But I mark them, to tell Hamlet of their displeasure before he leaves, so that he may be alert to any reports of discontent at home while he is away. “It is my wish that my brother be Regent to my son while I am away.” Again, this is known, but the Counsellors make it clear that they approve the appointment. “I will hold his judgment to be the equal of my own.”

There is less certainty in the endorsement of the Counsellors, but Hamlet pretends that all is well. He strides off his dais and begins to single out certain men for a few private instructions. The other Counsellors watch while trying to seem not to watch. I share their predicament. Hamlet is aware of these things, and his courtesy is most apparent when he is speaking with the Counsellors whose lands are near the southern border of the Kingdom, for he then raises his voice in order to include the others in his remarks. “If we need more supplies, my couriers will bring you word before carrying it on to Elsinor. I depend upon you to dispatch what is needed as quickly as possible, with suitable escort. If you cannot spare the men needed for escort, then send at once to your neighbors for armed men. I do not want our supplies falling into unfriendly hands at the time we need them most.”

The Counsellors all nod gravely, and a few speak up, vowing to be prepared to assist the King at a moment’s notice. Yet there are a small number who frown, their expressions more reserved. Old Horatio is one of them, his dour countenance revealing a dissatisfaction that is surprising in him, given that he has sought this war with determination since word came that the Emperor would support it.

“What troubles you?” Hamlet asks of Horatio, seeing the reserve in the old man’s stance.

Horatio is ready with an answer. “I have said before that this war helps the Emperor more than it helps Denmark, and yet, the favor of the Emperor is needed if we are to keep our borders safe, and not have to be at arms so often that.…” “I know,” says Hamlet, making sure everyone in the room hears him. “It is a gamble, as all statecraft is a gamble. As all war is the greatest gamble of all. We are supposing the Emperor will prevail and we will benefit from it. Well, what prudent man would not entertain such a risk at this time, with the Poles raiding our merchants and seeking for more land?” He pauses, waiting for one of those in the chamber to protest. When nothing is said, he goes on. “It is my intention to leave an undisputed Kingdom to my son, when he comes to rule. For that, the Emperor must be our ally. If you cannot see the truth of this, speak to Polonius; he will explain it to you.”

There is an uneasy grumble in the room, as if weights were shifting. Then Theodoric, whose holdings are far in the south, next to the frontier with Germany, speaks up, “It is fitting to keep on good terms with the Emperor, and to preserve Denmark against the displeasure of Ludwig. I, for one, welcome this war if it makes our borders secure at last.” Several others have said the same thing over the last weeks, but now his words are greeted with cheers and approval that is startling to all of the men in the chamber. Those who have been glowering now take on grim smiles that show they, too, long for such certainty as Theodoric proposes. Hamlet gives a sign to me, and then moves to the center of the chamber. “There will be a feast tomorrow night, and then the army will depart. Let the players perform a work of farce, so that we may all have a good laugh before we undertake this grim business.”

Now there is concerted cheering, and the Counsellors all begin to talk at once, to make it plain that they never faltered in their resolve, but they were not as convinced that their fellows were equally disposed to fight, and so held their tongues to avoid any rancor in the chamber. Some of them actually believe this, but most realize it is nothing more than a convenient fiction to excuse their hesitation in the face of war; now each affirms that Hamlet may rely on him utterly, no matter how the fortunes of war may run.

I keep to my place, listening and watching, and wishing that I, too, was leaving with the army; I see less danger on the battlefield than I do here, within the walls of Elsinor.

* * *

Hamlet is up late tonight, his maps spread over his writing table; his face is wan and his eyes appear sunken and dark as he continues to study the valuable charts. “It is crossing rivers that troubles me most,” he tells me as I come into his apartments, bowing as I close the door behind him. “There are not many good fords, and they are all vulnerable. If I have half my mounted men in the river, how could we hold off an attack on the foot soldiers?” “You would need to break up your troops, I would guess,” I answer, knowing it is the very notion he has had. “Send mounted men and foot soldiers together, in small units, so that no single body of the army would be exposed at one time.”

Hamlet grins at me and for an instant the fatigue is banished from his hewn features. “Yorick, you listen closely. It has been well over a week since I talked this over with my Captains. I wasn’t aware you heard it.”

“Of course I did,” I respond. “You told me to pay attention, and so I have.”

“Closer than I expected,” Hamlet concedes.

“And I have learned much,” I tell him.

“More than others reckon, I warrant,” says Hamlet, rolling two of his maps closed. “Gods help us if any of these fall into Polish hands.”

I can think of nothing to say to endorse this fervent wish, and so I remark, “The Poles must have maps of their own.”

“That they do, and I would give half a dozen pikemen to know what those maps contain,” Hamlet says, and the exhaustion is back in his face. “I leave you to a more subtle campaign here, with no maps to guide you.”

I shrug. “What matter? I will do all that I can to guard the Queen and the Prince, and I will listen to the whispers in the court.” I recite my instructions to reassure the King that I am steadfast in my task. “I will send you word through your courier with the regular dispatches, so that you will have my report once a month. I will follow any instructions you send to me.”

“I don’t doubt that, Yorick,” Hamlet says slowly, and paces along the room. “In particular, attend to what my wife does, and with whom. In my absence I fear my brother will seek to fix his interests with her. He is a taking fellow with a smoother tongue than ever I have had, and she longs for the ways of Lorraine.” He sighs suddenly. “I knew when we married I was too old for her. She has done all that she may to convince me this is not so, but I can see the look in her eyes when handsome young men give her attention. She has never looked so at me.” His voice is very quiet. “She is loyal to you, my King,” I tell him, hoping it is so.

“For the sake of our son, I know she must be,” says Hamlet, his words sharp as fish spines.

“She knows her duty. No matter what flattery she is offered, she knows where her devotion must lie.” Of that, at least, I am confident. I make myself comfortable on a low stool and watch the King continue to pace.

“I suppose she does,” says Hamlet, his face set, his eyes more like coals than ever. “If she brings disgrace on me while I am gone, I will have to send her back to Lorraine. Remind her of that if you discover any behavior on her part that might force me to do that action. No temptation is great enough for her to risk being separated from our boy.”

I listen with new-wakened despair in my heart, a despair for Prince Hamlet, who, all unaware, is being given the monstrous burden of his mother’s fidelity. For so little a child to have to carry such a weight! What peasant’s son, working in the fields, bears so tremendous a load? It is all I can do not to beg Hamlet to desist from this course. But I know the King of old, and when this state of mind overtakes him, he cannot be dissuaded. I rise and bow. “I wish I were going with you,” I blurt out, hating myself for such blatant cowardice.

Hamlet achieves a weary smile. “Bold Yorick, ready to face the Poles.” The Poles in battle seem less daunting than the Danish court. “I would rather be at your side, my King.” It is true, and I speak with great feeling. “And I would want you there, but I cannot spare you. Someone who is completely trustworthy must remain to protect my son. Young Hamlet is the hope of Denmark. He will reign after me, and for that reason, you must keep him from all harm, Yorick,” He is not able to smile now, but he softens about the eyes. “And you must see that my dear Queen is not disgraced.” “I will obey, my King.” My courage is no greater than it was, but my love of Hamlet is enough to overcome the fear that clutches at my vitals with cold, skeletal fingers. “Good. Good.” Hamlet comes back to his maps. “Keep an eye on Mect for me, as well, if you will. Tell me when he sends dispatches south to Ludwig. Learn to like him again, if you can. And ferret out the names of those who help him at Elsinor, for he must have allies among the servants and the guards. Keep me informed of the progress you make.”

“I will, my King,” I say, wondering how I am to convince Mect that I seek his friendship after all that has passed between us, or how I am to conceal from his scrutiny the doubts I have regarding him.

Hamlet draws up his chair and drops into it, slouching against the high, carved back. “I want this over. I want my kingdom at peace. I want to see us thrive and grow prosperous without the envy of our neighbors.” He rubs his eyes with his thumb and forefinger. “I feel age in my bones, Yorick.” “You are not so old, my King,” I tell him heartily, although many men younger than he have gone their way to the grave content in the fullness of their years. “Your father’s father lived nearly to sixty.”

“True enough,” says Hamlet quietly; he goes on dreamily as his memories tweak at his thoughts. “He ruled long and well, and died full of honor. And his reign all but ruined my father.” He sighs at the memory of his predecessor, who more resembled Claudius in temperament than himself. “I suppose I cannot blame my brother for hankering after the throne. Our father had to wait most of his life to rule, and he did it badly when he at last gained the crown.” He shakes his head. “My grandfather had the training of me, when he could not reach my father. I think of myself as cast in the old man’s mold. Claudius may hold that against me as well. But my quarrel with our father began before Claudius was born.” Suddenly he slaps his hands on the table. “Enough maundering.” He makes himself sit upright. “’I have requisition lists to review before I can retire. Were it not my last night at Elsinor, I would leave Gertrude to sleep, but I will have my pleasure of her sweet body before I rest.”

I recall the Queen’s lament that the King did not love her as she wished to be loved. At another time, if the King were not so pressed and the times not so filled with peril, I might find the courage to tell him of her disappointment, and urge him to look to her enjoyment as well as his own. But tonight he does not seek such lessons from me, and would not heed them in any case; what man wishes to be told that the delight he finds in coupling is not shared by the woman he lies with? I ask the Male Goddess to inspire him tonight, to leave Gertrude with a memory she treasures as a means to seal her faithfulness.

“You look tired, Yorick,” says Hamlet abruptly as he looks up from reviewing his lists. “Get you to bed. I will see you in the morning before I leave. Wait upon me after Mass.” He waves me away.

I bow deeply and withdraw, trying not to yawn.

Before I reach my quarters I find Oduvit sitting with his back against the kitchen corridor wall. He is snoring with the sound of marshalling drums; a spilled flagon of mead dangles from his hand. I stop beside him, considering whether it is wiser to leave him here, and risk his scathing remarks in the morning, or to wake him and help him to his quarters and receive his condemnation now, I am no weakling, but I cannot lift and carry him, which is what I would prefer to do.

He settles the matter for me, stretching suddenly and belching prodigiously. He opens one bleary eye and mumbles, “So it’s you.” He turns aside. “I am going to vomit.” In the next instant he casts up a mess of ill-smelling swill which steams on the flagging. He stares at it for a short while; I hope for an excuse to escape. Then Voss appears in the archway, his big features thunderous. “What is the matter with you two?” he demands loudly enough to send echoes up two levels. “Drinking with the soldiers, no doubt, or the players.” He strides past me, shoving me out of the way to seize Oduvit by the collar in order to haul him to his feet. “Get you out to the latrines before you disgrace yourself more foully.”

Oduvit sputters with embarrassment and rage, lashing out with his arms in a futile attempt to break free of the massive cook. “I will make you regret this.”

“I regret it already,” says Voss, shoving Oduvit ahead of him toward the courtyard door. “It is time that you regret it as well.”

I stand aside and allow the two to tussle their unequal way out of the corridor toward the cooks’ courtyard beyond. I see Voss drag Oduvit in the direction of the slaughterhouse and for a brief moment I cannot keep from a burst of laughter which I smother at once with both hands. I hear Oduvit swear by all the filth he knows and I am shamed at my mirth. It is hardly fitting that I should be amused by anything Oduvit does; he will be outraged enough if he recalls that I saw Voss deal with him at all, come morning. In my chagrin, I look around the kitchen to see if any of the scullions are awake and have seen me laugh; I notice that there are half a dozen burnt chops of mutton sitting out on a sideboard, and on impulse, I take the smallest of them, asking the Male Goddess to protect my theft as an offering to Him-in-Her, Then I hurry on to my quarters where the kitchen cat is waiting to upbraid me. “Here.” I hold out the chop to her while she complains to me of my neglect.

She half-rises on her hind legs, stretching out one furry paw to the chop. The movement is delicate and deadly, as admirable for the way her claws snag the food as for the grace of her movement. Since she has had her kittens, she has been famished, and restless, going from my quarters to the place she has hidden her kittens where Voss cannot yet find them, to the kitchen, in a continuous round of activity. I miss having her sleep beside me.

I put the chop down on the battered old plate that is her dish, and watch as she moves nearer, ready to keep the meat from running away. “It is your supper, cat,” I tell her as I stand up and lick my fingers.

The kitchen cat launches herself at the meat, growling and purring at once. She works with determination to pull the charred flesh from the bone, her eyes brilliant with excitement.

“How do you like it?” I ask, although I have no need to.

The kitchen cat continues to worry her food, reveling in the pleasure of it, biting at the meat while she holds it down with her paws. There is grease on her whiskers but for the time she is eating it means nothing. Later she will lick it off, when she neatens herself and once again has the look of a child’s fluffy toy and not the Male Goddess’ creature she is, fierce and splendid at once.

HAMLET

Armies move slowly, and Hamlet’s is no exception. It takes the greater part of the morning for the troops and wagons to line up, and another hour before they are all underway, moving along to the steady beat of drums and the thunder of hooves and wheels. The air shakes with the rattle and rumble of it all. By now, a carriage would have reached the next town, but the army is more ponderous than a carriage. I stand on the battlements and watch the great force start the long march that will lead them to war with Poland. As at last they advance to the south, I can hear the sounds they make, a continuous thunder of feet, wheels and hooves, with a clanking of arms and equipment, the groaning of wagons under their loads, and the neighing of the horses. It reaches the battlements as a kind of pulsing murmur even when they have left the walls of Elsinor behind them.

By afternoon only the great cloud of dust shows the progress of Hamlet’s forces; they are at last too far from Elsinor to be heard. Everyone in the castle marks the course of the army, though all do it secretly, as if not wanting to admit their interest in the matter for fear it could bring bad luck to Denmark. No one wants to admit that some of those leaving will not return; everyone hopes that the losses will not be theirs.

The Prince is fussy, and while I play with him he has sudden bursts of temper and weeping. I mention this to Margitha, who has been tending to her needlework, taking advantage of my presence to do something other than play with the child; with Gertrude tending to her garden in the afternoon, the Prince is left to me and the Queen’s women, so moments of such satisfaction as Margitha has now are rare. “Laertes is worse,” she says with a little shrug and a piece of a sigh. “He will not do anything but by contraries. Yesterday he refused to eat only to displease me and cause worry. Thank goodness his mother has the care of him today. I could not cope with both of them alone.” “Hamlet is usually a more sweet-natured babe,” I remark; it is true, for today nothing I do seems to entertain him, or to hold his attention for more than a moment. He is not willing to be amused or distracted. “He is a more inward babe,” Margitha corrects me. “I do not know that he is all sweet-natured.”

The Prince has got hold of the end of my chaperon and is tugging on the cloth, his face growing red in his determination to have it off me; he has finally found something worthy of his concentration. His tiny fists are so tight his knuckles are white with his efforts. He strikes out at me, crying loudly in his frustration; I try to comfort him and have my hands battered back for my trouble.

“He is sleepy,” says Margitha. “He should be laid down for an hour.” She sets her needlework aside and rises from her chair. “I will take him, Yorick.”

“Be careful, he is in a fine state,” I tell her, avoiding the increasing rain of miniature blows the Prince is directing at me.

“Have no fear,” says Margitha, bending down and scooping the child up so quickly that he has no chance to gain purchase against her. “Come back when the Queen returns from gardening. He will be ready to be entertained then. With all the excitement, he has not had enough rest, and the strain is telling on him. He has become too excited and must sleep to restore himself.” Humming one of the songs young Hamlet usually likes, she carries him into his bed, leaving me alone for a time.

Having been so thoroughly dismissed, I have little to do but please myself for the warmest part of the afternoon. Oddly, being set at liberty does not give me any satisfaction; left to my own devices I wander disconsolately along the corridors and galleries of Elsinor, thinking of the army, and the long time the men will be away at the grim business of war. At last I climb the steep, narrow stairs to the battlements in order to see how far the dust cloud has gone. I can make out the movement on the flank of the hill to the south, and the dust curls around it like a plume on an officer’s hat. If only Hamlet had taken me with him.

I turn aside from the sight, and glance down into the courts and gardens of Elsinor, and a movement catches my eye. At the gate to Gertrude’s garden there is a flash of color, a swift flicker of brass-and-blue that vanishes before I can clearly make it out. I blink twice and stare at the garden, assuming the Queen is there, but I discover the place is empty. If only my eyes were sharper or my body quicker! As it is I can only guess at what I have seen, and that is worse than certainty. I clamber down from my place to the rear courtyard and give a quick inspection of the area behind the garden, but she is nowhere to be found. Perhaps, I tell myself, she is also watching the last of the army’s dust, waving farewell to Hamlet. One of the guard towers would give her the best view. I look up, but see only stones.

* * *

Oduvit is missing from dinner this evening, to no one’s astonishment. He has claimed illness as his excuse, and knowing how he fared the previous night, I suppose he has a malady of sorts; ordinarily I would not mind his absence, but on a night which promises to be demanding, his scathing sallies would be a welcome distraction. Mect and I are left with the task of cheering up the nobles who remain at court, of making light of their worries for their friends and brothers and fathers and sons who may not come back as they left. “Do we trumpet for glory?” Mect asks me with an odious grin. “Or do we quip about the fate of the wounded?”

“Who of them would want to hear either?” I ask him, taking my shawm and putting to my lips so that I will not have to speak with him further. “Hieronymous will have another farce ready for tomorrow night,” says Mect, “I am told he will want to perform it.”

I nod approval and continue to play, inventing a little jig that keeps turning sad for all that the notes leap.

Mect gives me a long, thoughtful look. “You have no reason to trust me, Yorick, I will allow that. And you have your oath to the King to bind you. But I hope you will listen when I tell you that you must be on guard, for yourself as well as for the Prince. Hamlet has enemies here as much as he has them on the battlefield.” He wags his head, “You will have to protect the King’s son and yourself diligently if you are to be here to welcome Hamlet back from Poland.”

Without ceasing to play, I bow to him, enough to show I have understood his warning. I hope that I have.

Then Polonius claps his hands loudly and calls for Mect and for me, summoning us to entertain the court while they dine.

As I stop before the high table to bow to Gertrude and Claudius, I cannot keep from wondering where she was in the afternoon when her garden was empty. I want to believe that, like the rest of us, she had found a vantage-point to watch the army. I caper toward her and spring into the air, clicking my heels. Yet I will not permit my apprehension to blight my entertaining. “Lovely lady,” I tell her as I drop to my knee, “end my doubts.” Along the table the courtiers nudge one another, a few of them chuckling at this ridiculous courtship.

Polonius stifles a muttered condemnation as Ricardis nudges his side.

“And how may I do that, Sir Yorick?” asks Gertrude with a delighted smile and a gracious inclination of her head.

“Plant me in your garden, to grow in your care, your steady sentry and constant protector,” I ask; it was not what I had intended to say, and it takes me aback.

Gertrude laughs aloud, and her merriment is contagious; shortly all the Counsellors and courtiers join her. She motions me to continue, reaching for the end of her outer sleeve to dab at her eyes.

Baffled by this response, for I thought my quip was not very funny, I try to summon up more of the same patter. “As candid as a daisy, I will turn my face to you as the daisy turns her face to the sun. I will sway in the wind caused by your garments as you pass along the way.” My manner is so obsequious that I find some relief that the King is not here to see this. Gertrude continues to laugh, and I realize that I have struck on some secret language of her own; the humor she knows is a private jest she has with herself, and I have stumbled on it accidently; what amuses her only she truly knows. Yet the rest of those dining with her know they must laugh when she does, and so my inane remarks are touted as inventive wit. “So long as your cause is true and you are not rue or pansies, or a vile weed, then bloom there, Sir Yorick, and welcome,” she says at last, lifting her goblet to toast me. “Be willing to bloom for me, summer and winter, and I will tend you faithfully.” Her smile is bright as the sun.

I bow repeatedly, as low as my back will allow, and then I reach out and pluck her kerchief from her sleeve. “To wear as favor,” I cry, and tie it around my arm as I would if I were going into battle.

Now Polonius is laughing so hard his face is the color of mulberries. Beside him Ricardis does her best to appear in good humor, but her eyes are bright with fear. What have I said? I ask myself. What message have I sent, all unintended? I continue to cavort along the high table, and I take every opportunity to exaggerate the honor Gertrude’s kerchief bestows on me. I stop in front of Claudius and flip the ends of the kerchief in his direction. For an instant there is wrath in his face, and he starts to his feet as if he would tear the favor from my arm. Then he recalls himself and once again sits down, his rich, insincere laughter resounding over the rest. “How well you teach us the foolishness of our actions; your instruction could serve as lesson to a Bishop. You have a clever way, Sir Yorick. A most excellent fancy. Without doubt. Treasure that you are, I wonder that my brother did not take you with him to drive away the tedium of campaign, and to cheer him when the battles are done.”

“He trusts the Poles to do that, my lord,” I say with a deep bow, and am rewarded with another surge of laughter from everyone including Claudius, who dares not fail to laugh at such a jibe.

“More than he may want,” Claudius whispers so that only he and I can hear. Polonius is swabbing his eyes with the edge of his capacious sleeve. He is pleading me to stop, that he can endure no more hilarity. Beside him Ricardis smiles and smiles as if her face is about to crack.

Gertrude signals to me. “Good my cavalier servant,” she calls, “let me set you a task to prove your adoration.”

I hasten back to her and bow again. “Whatever pleases you must also be my delight, my Queen,” I say as I clasp my hands over my breast. “Be good enough to joust for me,” says Gertrude with a glitter in her eyes that does not come from wine.

“Certainly,” I tell her at once, puzzled that she could make such an odd request. “But how? If I am to grow in your garden, it will be a great task for me to enter the lists, except as a token dropped from your hand to the honor of a more mobile champion than I would be, no matter how I bloomed.”

“Not as a flower, as the fellow you are,” she says and her invitation masks a deeper purpose.

“I would please you in every way, my Queen,” I say, letting the courtiers snicker at the impossibility of it. “But I fear I must disappoint you. There is no tourney planned until the King’s victory.”

“Oh, so far as that goes, you are correct. No knights are to joust while the King is at war. But you can, can’t you? Why not have a jesters’ tourney?” she wheedles. “You can mount yourself on one of the bear-hounds, and face off against a player on a donkey, can’t you? Since it would delight me?”

“A jesters’ tourney?” I repeat, sensing I have played my way into a clever trap. “What do you mean?” “What I have said; you may enter the lists as my champion if you will arrange it for me.” She continues to smile, but the light in her eyes has nothing to do with wit.

“You mean jester against jester?” I cannot fathom her purpose. “Battling for your favor?”

“Yes, almost,” says Gertrude. “You and one of the players will meet on the lists of honor tomorrow, to achieve my favor.” She tosses her head. “In the afternoon.”

“If it is what you wish, my Queen, it will be done,” I say, but with great uncertainty. “I will speak to the players tonight.”

“You must,” Gertrude insists, no longer bothering to laugh. “I desire it.”

I bow deeply, and make some trivial comment that causes many of the courtiers to laugh again; then I back away, leaving the place clear for Mect. This one time, I wish Oduvit were entertaining now; he would deride the notion of a tournament so completely that the Queen would have to withdraw her order or face unendurable ridicule. But Oduvit is belowstairs, his mead-sodden body shaking as with ague. “I warned you,” whispers Mect before he rushes forward to present himself to the courtiers at the high table.

As Mect cavorts and recites outrageous ribald verses, I keep to my place, no longer hungry, and quite unable to laugh with the rest. I watch the Counsellors and courtiers and I wonder who among them is my enemy, and why? And I ask what reason Gertrude has to treat me this way? What have I done to deserve her scorn? Alas, I find no answers in any of their faces, and the Male Goddess will not reveal their souls; I pass the evening in growing apprehension which I dare not express.

FAVOR

“A worthy steed,” Gertrude approves as she puts her hand on the massive head of the bear hound I have chosen from among the oldest and laziest of the huge dogs; his long, pink tongue lolls, and he licks her hand generously, and she wipes her hand on her skirt afterward. Mect blows a cow’s horn for fanfare, which hardly holds the dog’s attention, so indifferent has he grown with years.

The court has assembled in the largest of the courtyards within the walls. Benches have been hastily set in place, and a dozen servants hurry about putting up poles to mark the field of honor. It is a breezy day and pennants flap from the courtyard eaves and the players’ wagons. “This is ridiculous,” complains Hieronymous as he watches Guilaume don the sham armor of players. “What is the Queen trying to do?” “Direct the gaze of the court away from herself,” I say, which is the answer I have arrived at after a sleepless night. “She is too much watched and does not wish to be. By bringing attention to this ludicrous contest, she frees herself of scrutiny and the wagging tongues that plague her. Now that she is seen to be courted by such as we, other suitors will be less noticeable.” I have her kerchief tied around my arm over my armor as a favor for battle. Hieronymous makes an impatient gesture. “Surely something less…preposterous than this would serve her purpose.”

“Possibly,” I tell him. I have donned the leather armor Hamlet had made for me, and I feel sweat on my back already. “But in making this a joust for her favor, it paints all such dalliance in this spirit of tomfoolery, and—”

“A-a-h,” Hieronymous sighs in satisfaction. “Adroit, very adroit. Yes, a clever solution to her troubles with gossip and rumors, I would think. She is a very canny woman, this Queen Gertrude. Who would not chuckle at her flirtations after such an episode as this one?”

“Or who would dare not chuckle?” I ask quietly.

Hieronymous smiles at Guilaume, the player who is to face me. “The donkey will not move faster than a walk, no matter what you do. So try to remain in the saddle until Yorick is close enough to strike you with his jester’s staff.”

Guilaume does his best to look pleased, but is not very successful. “I will do it,” he says faintly. He is hardly older than a page; a stripling, not yet grown.

“And take care not to strike Yorick with your baton. Let him strike you in order to win. He is to be the victor today, for the Queen’s amusement,” adds Hieronymous. “Just drop your baton when you are touched. Then we can get back to rehearsing The Spinsters of Hamburg.” It is the farce they will present tonight.

Guilaume, who is to play the youngest of the three spinsters, stretches out his hand as if expecting it to be kissed. “Lord preserve me, good sir, from rogues like you,” he exclaims in high, girlish tones.

“None of that,” Hieronymous tells Guilaume sharply, “You are to be the challenging knight. Be sure you do your role.”

“It is more fit for Italian clowns than for players,” scoffs Guilaume.

“Do it, and be pleased that we have done a service for the Queen,” says Hieronymous sharply. He ties the last of the mock-armor to Guilaume’s back. “Come. It is time we were about this japenapery.’”

“All right,” says Guilaume, straightening up and reaching for the baton he is to carry against me. He pauses and glances down at me. “Two passes, and you strike me down. That is what we decided.”

“If the animals will co-operate,” I remind him, “If they will not, I will strike when I can. Let us hope that we do not have to end it so quickly that the Queen asks for a second bout.” “Do you think she would?” asks Hieronymous, distressed at the notion.

“She might,” I answer, sensing that Gertrude is determined to have as much amusement from this as she can. “Watch her, and gauge what you do by her actions. If she is laughing, all is well.”

“Yes,” agrees Guilaume, holding out his hand to me.

I slap my palm to his—neither of us wish to endanger our fragile gauntlets with a strong grip—and touch the visor of my helm. “Fortune favors the brave.” “So it does,” says Guilaume, “but how does she view the ridiculous?” I shrug. “Well, do the best you may, for the Queen.”

We allow Hieronymous to escort us out into the sunlight for this travesty of a tourney.

Mect sounds his cow’s horn in greeting, and I see the bear hound raise his large head from his paws at the sound.

Hieronymous has appointed himself herald. He strides to the Queen and bows in imitation of Polonius’ elaborate style. “A contest for the favor of Queen Gertrude, between Sir Yorick of Elsinor and young Squire Guilaume of Bruges.” He signals to Mect for another honk.

“Sir Yorick wears my favor,” calls out the Queen, and nods to Claudius, who sits beside her. “A fine champion, my Yorick.”

Claudius achieves a sour smile.

Now bemused Guards are leading up our mounts to us. The bear hound has been muzzled and a kind of bridle improvised for it. For a saddle there is a rug secured around his body with a belt. I shake my head once and look to the Guards for assistance. One of them grabs me under the arms and with a grunt swings me onto the big dog’s back.

The dog grumbles at this, and stiffens with my weight on him; he has had children on him before, but never a dwarf jester in leather armor. He makes a sound that could become a growl, and I try to find a seat that will serve me for a little while. The dog’s back is tense and I worry what he will do when the Guard releases his hold on the muzzle.

Coaxing the dog with clicks and kisses, the Guard takes him to his place for the start of this battle. I cling to the belt securing the rug and hope it will not slip. The burden of my staff is so great that I am no longer certain I can aim it well enough to strike Guilaume with it, assuming we actually get so far as meeting.

Claudius makes a point of betting on Guilaume, laughing and pointing at the donkey with such bonhomie that I can’t find it in my heart to be angry with him.

Many more bets are being laid, some of them as ridiculous as these lists themselves. I try not to be distracted by the wagers as they are called aloud, but it is impossible to shut them from my mind.

The bear hound dislikes having his head tugged around by the muzzle, and he pulls hard against it, with the result that he and I turn in backward circles, to the vast amusement of the court. Hieronymous is helping Guilaume into the pack-saddle on the donkey, and trying to point them toward me and my recalcitrant mount.

Finally I am able to start the hound forward. I cling to the securing belt as I strive to keep the dog moving toward the donkey. I hate the mockery I must endure as I strive to do the task set for me. Have I not performed honorably? The sooner this disgraceful incident is finished, the more satisfied I will be. Gertrude might well claim after this that any ill report I give of us her is revenge for this humiliation. But, I remind myself as I wrestle with my mount, Gertrude is not one who thinks it is possible to disgrace a jester, and so this may mean little to her.

Guilaume is having less luck with the donkey than I am with the dog. The beast is unwilling to move at all, and has lowered his long-eared head so that it can kick out with his rear hooves. Poor Guilaume looks distressed under his trumpery armor, and clings to the pack-saddle with the same desperation that I cling to the belt around the dog’s middle.

In order to complete the confusion Mect sounds the cow horn a third time, and the donkey brays in answer, swinging around to face the noise as if it were the challenge. Guilaume tugs on the reins to no purpose. The court cheers and squeals with laughter. Fortunately the muzzle keeps the bear hound from barking, but he gives a series of determined coughs that all but shake me from my perch.

“Sally forth, Sir Yorick,” the Queen cries gaily, waving her hand as if to urge me on to battle. She has brought Hildegarde up beside her, and orders her lady to raise Prince Hamlet into the air to watch this fiasco.

A sudden, unexpected shame burns in me like vitriol, and I pull with renewed determination on the dog’s head, clicking my tongue angrily to make him move. Why I am so abashed by her encouragement, I cannot guess, but I feel it possess me as if it were the oldest god of storms in Denmark. I force the dog to move near enough to the donkey that I can take a swipe at Guilaume, the anger in my arm making my staff strike the donkey on the poll.

The donkey stretches out his neck and tries to bite the bear hound.

All the court is in the thrall of laughter, incapable of anything but shaking derision.

Then the bear hound lunges at the donkey, muscles bunched for a fight, a growl rumbling in his chest. I am all but flung from his back, where I am pitched about like a boat in a tempest as the dog closes with the donkey, who spins and lashes out with his rear hooves.

The hound gives a muffled howl as the hooves clip his side. Luckily the kick is a glancing one or the dog would be badly hurt.

For an instant I see Guilaume’s eyes, wide with terror, as he attempts to scramble from the donkey’s back without injury; he lets himself slip to the side of the saddle where he hangs on with the tenacity of a limpet. It is an unwise move; the donkey swings around again, and this time his hooves hit Guilaume’s leg as he drops off the saddle and tries to roll away from the furious animal. A loud shout followed by a hissed string of curses inform the world that Guilaume has been hurt.

The court falters in its jubilation, then resumes with renewed outbursts.

The donkey, unencumbered, turns and flees at a jarring canter as the bear hound pursues it, and I, willy-nilly, take up the chase with him.

Three Guards stop the dog, and one of them takes me from his back. “Quite a ride you had,” he says in grudging approval. “Is Guilaume—” I begin, my ire vanished and my ignominy forgotten. Hieronymous has already reached his fallen player and is kneeling beside him. He looks toward me. “I don’t think it’s broken. But he’s bleeding.”

I take the Queen’s kerchief from around my arm and hold it out to Hieronymous as I rush toward him.

Gertrude gets to her feet, her eyes enormous as I tie Guilaume’s wound with the kerchief. If she feels that this an unworthy use of her token, I will defend myself later, I promise inwardly.

Polonius is now trying to restore order among the courtiers, though none of them are paying heed to him.

Guilaume moans and stares up at me. “What happened?”

“You were kicked when you fell,” I say, and feel relief as Hieronymous interrupts.

“You did very well, Guilaume. Your leg is not broken, but you have a very bad bruise. You will have to lie down for a few days until it is better.” His voice is soft and persuasive, musical as a lullaby. “We will take care of you.” “I tried to do what you said,” Guilaume remarks distantly.

“You did very well,” I assure him, and look up as Claudius strides up to us, his face set in uncompromising lines.

“Is the player hurt?” he asks bluntly, staring down as if on a nest of vermin; his lip curls to show his reluctance to so much as touch one so far beneath him.

“His leg is bruised, and he has some bleeding; the hooves cut through his skin of his thigh, and his shoulder is badly pulled,” I tell him, getting to my feet and bowing. “He will not be able to joust a second time.”

Claudius shakes his head. “I should think not. It would not amuse anyone, in any case, not now. It would look too dangerous to be funny. How did he come to have such ill-luck?” He does not look at Guilaume directly but rather inspects him from the tail of his eye. “The Queen fears that he has suffered on her behalf and bids me tell the player that the aid and care of all the court physicians are extended to him, with her sincere condolences.” He glances over his shoulder toward Gertrude and adds softly, “She wanted only to make fighting an entertainment, for the sake of those who have men going to war. She never intended this misfortune.” “Of course not,” says Hieronymous, with the smoothness of one long used to the favor of the mighty. “It was an accident, the eeriest mischance. Everyone saw that it was.”

I feel my indignation return, but I keep it to myself, for well I know that it would be a mistake to voice disapproval of any sort at Claudius; the only answer he gives to such protests is jeering. I regard the King’s brother with patience, and then I say, “How do you intend to compensate these players for the time Guilaume will not be able to perform? Surely there should be some payment for this.”

Claudius looks displeased but he nods. “A purse will be provided, and the injuries will be tended,” he says with a guarded look, “Not a large sum, for much money is needed for the war, but enough to make it worth your while, good player, and to reward your courage and your suffering.” He gestures to Hieronymous, his features set in disapproval, “Be certain that your place here is safe. The Queen promises it in her husband’s name.”

“You are most generous, lord,” says Hieronymous with a covert wink in my direction. With a deferential bow to Claudius, he goes on, ‘”I fear that we cannot perform tonight the farce we had planned, for Guilaume is needed in one of the most important roles and none of the troupe can learn the part in three hours. But we can do an evening of comic sketches that might please the court.”

“The jesters will perform tonight,” says Claudius abruptly, ignoring my oath of dismay. “You will do your sketches tomorrow night, when we are all convinced that the young player is improved.”

As he walks away I call after him, “Is Oduvit in any condition to entertain tonight? Mect and I are tired.” “He will be,” says Claudius and continues on his way back to the Queen. “Be certain of it.”

Gertrude welcomes him with a warmth that I am troubled yet resigned to see. There is little discretion in the pleasure she reveals. I watch Claudius approach her, and see Gertrude wave to him, her eyes dancing with a gratification I have rarely found in them at any time. She motions to Hildegarde, and her lady obediently raises Prince Hamlet high in her arms again; as the boy squalls, his mother laughs and I hear her say, “See? He is sorry he did not get to see a proper fight, aren’t you, my little treasure? You would have delighted in a true contest of great warriors, wouldn’t you? No wonder you yell so. What a royal temper you have.”

Hamlet continues to make a high, distressing bleat as Gertrude beams at him while Claudius comes to her side, apparently unnoticed.

“What does she want of the child?” Hieronymous asks me quietly as the Guards prepare a bearing-cloth for Guilaume. “Doesn’t she realize he’s frightened?”

I watch the Queen a short while longer before I answer. “I don’t know.”

DISTRACTIONS

“They cannot keep on this way,” Hieronymous complains more than a week later, his big hands waving as if to an unseen audience instead of the players and jesters sitting at the long plank table over our evening meal, “We are all ready to drop, and still the Queen wants entertainment every night.”

I yawn as I dawdle over my supper, not relishing the hours I will have to caper and cavort for Gertrude when I am finished eating. Voss will summon me shortly, and I want to delay that moment as long as possible. “She does not want the court thinking of war, as they must if they are left to their own devices every evening.”

“She also wants to keep her eye on all the courtiers,” adds Mect knowingly. “She is eager to prevent those left behind from dealing together in private, where they might plot against the King.” He rests his elbows on the table planks and grins at the rest of us. “She is a very clever woman, no doubt of it.”

“Is this the King’s command, do you think?” asks one of the players, a rotund fellow with a massive nose and features as malleable as soft clay.

“I doubt it,” I answer, and realize that it is only my supposition, for as well as I believe I know Hamlet, I cannot say beyond doubt what his intentions would be now. “He likes amusements of an evening, but not on the scale the Queen has done them.” I want to claim that my knowledge of him is great enough that I could be certain that he would undertake no such ploy, but I realize as I speak it is not as true as I wished it to be. Hamlet surely gave orders to Gertrude that I know nothing of. “What about that posing dandy?” asks Guilaume, who still has bruises from our engagement on the field of honor; they have now reached the purple-and-yellow stage.

“You mean Polonius?” Mect asks, and goes on with authority, “He has some influence, but—”

“Not Polonius,” says Guilaume impatiently. “The regent. The brother.”

“Claudius,” says Oduvit with ill-omened relish. “Yes, this could be his style, I think. He is one who uses display to cover his schemes, and this might well be such a case. He could finagle the Queen into these endless distractions so that he would be free to pursue his own ends. He always seeks to find a way to achieve all to his advantage. And he is a covetous devil, isn’t he?” He gestures obscenely. “With the Queen as much as with the court.”

“Do not let them hear you say it,” Mect warns him, and adds to the players, “Keep away from whatever is between Claudius and the Queen. It is more dangerous than praising the Poles.”

Hieronymous leans forward. “Then there is something.”

Mect shakes his head. “Not that I know for a truth. There are endless rumors and many of the courtiers claim knowledge they do not possess. But there is the look of a fascination between them; that is no secret. And Hamlet made sure to turn it to a jest before he went away to war. Think whatever you wish to think—you are players and that is your right—but do not speak your thoughts, should they hit too close to Claudius’ plans, if you want to remain at Elsinor through the summer.”

As I listen to Mect, a greater foreboding comes over me than I have known before. I drink the last of the ale in my tankard and wish it would make me truly drunk, so that I would not have to remember what I am hearing; it seems to me that this is a kind of treason, to allow them to speak so without challenge.

Hieronymous clears his throat and looks about with the air of one scenting baking bread on the wind. “Is it generally known that Claudius is ambitious?”

“How could it not be?” asks Mect. “He stalks the halls of Elsinor with the look of a hungry wolf after lambs.” “Or after a she-wolf,” adds Oduvit slyly.

“Then we could perform a play about ambitious men,” says Hieronymous, his eyes lighting at the prospect. “Men whose ambitions bring them to a bad end?”

“Yes, it is possible,” Mect allows. “If it is not a story of a younger brother seducing a Queen,” he adds in caution as I wish I could vanish from the place and have no one aware I had gone.

“No; I was thinking of the story of The Bishop of Liege,” he says. “He aspires to become a Cardinal, and does it by finding the means to make it appear his superior was mad, and he the savior of the Bishopric, as a way to bring attention to himself. At first he is successful; that could be a problem.”

“And what becomes of him?” Mect inquires.

“His superior truly goes mad and accuses his young Bishop of being the tool of the Devil. There is an inquiry and in the end the man is sent to the stake for permitting his superior to fall into evil hands. He fails in his ambitions completely, and through his own machinations.” Hieronymous grins in anticipation of doing the work. “We have not acted the play in more than a year; it was well-received then, but the Bishop disliked it, and so we have not played it since. We would have to work on it, but we could have it ready within the week.” “An excellent notion,” says Mect, and nudges my arm. “What say you, Yorick?” I do what I can to conceal the dismay I sense rising in my soul. “It could be taken as a warning against the men of the Emperor, which might not be wise,” I say, hoping to dissuade them from their scheme. “For the time being, it would be best to select your plays as prudently as you can.”

“What is imprudent in this?” asks Mect, “It presents corruption in the Church, which the Emperor is always determined to bring to an end wherever he discovers it.” He makes a gesture of support to Hieronymous. “I think such a story would be welcome now. But Yorick may have a point.” “Yorick is always careful in what he does,” Hieronymous remarks, and it is not intended as praise. “A rare thing in a jester.”

“It is why he is the King’s jester and has been knighted,” says Oduvit bitterly. “Hamlet has made him his eyes and ears in the court; bear that in mind when you consult him on your plans. You might as well say it to the King as to Yorick.” He spits and reaches to refill his tankard.

“Well enough,” says Hieronymous. “We do not want to give offense to the King, for all he is at war. It wouldn’t be wise, taking on a man fighting for his land.” He signals to his players. “Time to be at practice, comrades. Let each of you bring his part for The Worthy Burgher’s Wife. We will ready it for three nights from now. And think about The Bishop of Liege. I am inclined to want to perform it, if the rest of you want to. Theo, you will do the part of the seduced nun if we revive the work. Let’s have no objections, and make sure you shave as close as may be. See you learn the lines, too. I want no hitches in the play.” He stretches, lifting his long arms high above his head so that his knuckles all but scrape the ceiling. “Tonight we do The Fox and the Raven; that’s ready enough, but the Burgher needs our attention if we are to play it well, The Queen is not pleased with ill-prepared actors.”

Even Guilaume rises, his movements stiff and awkward as an old man’s. He reaches for a wooden crutch to help him hobble after the others.

“Poor fellow, to have been cut up so badly,” says Mect, looking after the departing players. “And all to amuse the Queen.” “It wasn’t planned,” I remind him, and wish my guts did not feel so cold. “He suffered a mishap, as have we all. You fell off the high table last year when the servants overset the platter of roasted cranes. That was an accident for all you lay abed of a week for it.” “True enough,” says Mect, sighing. “And each of us has had some such misadventure in the past. But the player’s accident comes at a bad time, when anyone might suppose there was more reason for it than chance.” He hitches his shoulder in Oduvit’s direction. “You would think that for all he drinks, he would suffer more…accidents than he does.” “He has the fortune of a sot—he is never injured when he tumbles,” I say, thinking of the way Oduvit has behaved the last two months, always sluggish with drink. “He fell down the gallery stairs night before last. You can still see the bruises on his arms and face if you look; he would have been killed had he been sober, I think.” “What does the King want with such a fellow?” asks Hieronymous, to make safe conversation. He looks after his players as they leave the room. “I don’t know that the King does want him, but being away at war, he has no reason to concern himself,” Mect answers, pulling on his lower lips with his blunt fingers. “I suppose he would rather have Oduvit’s poisonous tongue where it is recognized for what it is than turn him loose in the world to spread his malice among Denmark’s rivals.” Hieronymous nods. “It would be prudent at this time to be careful.”

I get to my feet as I hear Voss approaching. “They are waiting,” I say to Mect.

“Yes,” says the Emperor’s man. He swings round on Hieronymous, determined to make his point with the player. “Do The Bishop of Liege, by all means. The court will find it diverting. Tell the Queen it is what you would like to do, for her pleasure. Say that it is a piece you do not perform for the louts of the market-place, but save for a distinguished audience. How can she refuse?”

Hieronymous regards Mect with interest. “An interesting ploy. We’ll try it; and I thank you for suggesting it.” With a flourish he bows and hurries out of the door after his troupe, for all the world as if he were leaving a stage.

* * *

Ricardis is looking weary this morning as she and Gertrude play with their children in the sewing room of the Queen’s apartments. An August thunderstorm is raging, making the sky rattle and the earth shake with its tantrum. With every crash of thunder, Laertes screams and drums his heels; young Hamlet sits silently and stares out the window, his shoulders hunched, his eyes enormous. When the lightening flashes, he winces but he does not look away. Against the sound of the tempest, my shawm is as nothing, though I continue to play, letting the notes weave their way around the ruction.

“I don’t like this weather,” says Gertrude as the first drenching rain comes down, looking like fine skeins of grey silk. “Neither do I,” agrees Ricardis with an ill-concealed sigh. “This new child is proving to be less easily formed than Laertes.” She rubs at her belly as though to make her womb a more hospitable place for her babe. “You should lie down,” recommends Gertrude, echoing the advice given by the physician and the midwife. “You harm your babe if you become exhausted, and in this weather, a shock could injure you and be passed to the babe. Think of the child, if not of yourself.” “I don’t know. If I lie down I feel as if ants are crawling all over me and I am eager to be moving again.” Ricardis rises restlessly from her chair and goes to take Laertes in her arms; this is awkward for her because her belly is bigger now with the new child, and the double weight bends her back like a bow. “I think this boy is possessed by the Devil.”

“Never say that, even in jest,” Gertrude exclaims, crossing herself to guard against harm. “The Devil comes where he is welcome. If you speak so, you give him a path to your son’s soul.” She calms herself with an effort, and goes on more temperately, “Say, rather, that he is of impetuous mettle, and strong in his passions, so that he will not be in danger.”

Ricardis is taken aback by this outburst and as she holds her struggling son, she says, “Very well, I will do as you suggest, my Queen.”

Again Gertrude crosses herself. “Thank you, Ricardis. I do not want to appear filled with Roman misgivings, but the priests have always taught that to avoid the Devil’s work, we must not let our souls be left open to him.” She leans back in her chair and looks at the embroidery she has been stitching. “Your boy is a good child. You have every reason to take pride in him.”

“Yes, I know,” says Ricardis with innocent satisfaction.

“He will bring credit to you when he is older,” Gertrude murmurs while she looks covertly at her own, silent son. “My babe is more…thoughtful.” She rises suddenly and goes to where young Hamlet is sitting. She begins to stroke his hair as if she were showing favor to a treasured animal, much as I pet the kitchen cat. Leaning down, she whispers softly, “Such a good Prince. My handsome, clever son. Such a very good Prince.”

“I wonder that you are so proud of him,” says Ricardis, and hastily adds, “I mean, he has been so quiet a babe. Does this never trouble you?”

“A King should be reflective and wise,” says Gertrude in defense of young Hamlet, “He is not volatile, as Laertes is, which speaks well of his sagacity when he rules. He will know to keep his thoughts to himself and to listen to what is said around him.” A strike of lightning is so near that the thunder drubs Elsinor in almost the same instant, and the air is filled with the burnt smell of lightening. There are shouts and alarms below us. The two women look about in fright, blinking against the brilliance of the flash. Laertes begins to shriek in wrath. “What will become of us if the castle is….” Ricardis is not able to finish her question with words.

I have put my shawm aside and now I approach the Queen. “If you wish, I will arrange for you to go to a more sheltered chamber.”

“That is not necessary,” says Gertrude, her mouth turned down with distaste. “We will remain where we are. There is no reason to teach our sons to be craven.” “No one would think that,” I tell her at once. “They might say you are prudent to remove yourself from the reach of the storm.” I watch her consider what I have said.

“It is not so near that we have reason to be afraid,” says Gertrude a heartbeat later, after a swift glance toward the windows. “And my son is fascinated with the storm. He will not relish being taken away from it.” “No,” Ricardis says with much less confidence than the Queen. “But if Laertes only would not scream.”

“You are being too severe with him,” Gertrude admonishes her. “You have said yourself that your child has great passions. Then it follows that mighty clashes such as thunder in the heavens will rouse him, or any great convulsion of nature.” She does her best to smile at the screeching boy. “It is essential to his character, this passion, or so you have said.” “Doubtless,” Ricardis says flatly, having had enough of her son’s passions.

At this Gertrude laughs a little, the sound high and fragile. “If you would rather go to the women’s rooms—”

“And sit with waiting maids?” interrupts Ricardis, “No, thank you, my Queen, but I would rather be singed by lightning than be seen among those creatures.” “Then resign yourself to the thunder,” advises Gertrude. She sighs once, the air going out of her lungs in a hard rush. “I hope my garden is undamaged.”

The tone of her voice makes me uneasy, and so I do not address any comment to her. Instead I take my shawm and begin to play again. But try as I will, I cannot turn the tunes to merry; always the phrases fall at the end, in a perpetual lament.

* * *

Oduvit is relatively sober three nights later, when we gather at the side of the Great Hall. He has put on his best motley and is adjusting his chaperon as I come through the door, thinking to have a little time to myself. “Gracious,” he exclaims, “they have let you roam without a leash. How kind of the Queen to indulge you.”

The anger disguises his fear enough to deceive most, but not me. I do my best to ignore his remarks and their implications.

“Ah, yes, you think you will not deign to respond to my observations, Yorick. But I can see you do not take my truths kindly. What a pity. Just at present I am in charity with you. I could help you keep out of harm’s way, if you would only listen to me now. Later I might not be so inclined to aid you.” He puts his hands together and looks at me over the steeple of his fingers, “Is it very difficult, keeping the confidence of the Queen? Or does she reward you for your fidelity?”

I do what I can to look unmoved, but I am not entirely successful.

“Do you run your hands up her soft thighs? You may be certain that Claudius does.” Oduvit rocks back on his heels. “If you think that her license goes unnoticed because of that travesty of a tourney, you are much mistaken.”

Against my own better judgment, I round on Oduvit. I have no wish to wrangle with him, but I cannot let his charge go unanswered. “You may think what you want of the Queen, but for now you will keep your thoughts to yourself. Unless you want to sow dissention at court so that scandal-mongers will do what the Poles are attempting; destroy Denmark.”

“Surely a Queen’s lapses are not so damning as all that,” says Oduvit, cocking his head to the side; I surprise myself as I realize I would rather he were drunk than so venomous in his wit. “By the way, where is Mect tonight? Dancing attendance on those who curry favor with the Emperor.”

“Mect is ill,” I tell him, although I am sure he is aware of this. “He has taken the flux.” It is an uncomfortable reminder of the deaths of Tollo and Hedrann, and I cannot entirely shut out their memories.

“How sad,” says Oduvit in a tone that implies the opposite. “Then we must compensate for his absence.”

Before I can challenge what he means by that, a page steps through the main door and bows to us. “You are expected,” he announces with all the youthful dignity he can muster. “I thank you, good page,” I tell him. “Give us a private moment and we are then at your disposal.”

The lad—it is Osrick—hesitates, not knowing what is expected of him. I nod toward the door and say, “It will take but an instant. There is something unsettled between us.” Oduvit laughs aloud. “And a moment will not change it.” He shoves his way past me and presents himself to the page with a ribald flourish. “I’ll wager they long for you in the bath house,” he says as he brushes against the youngster, sniggering as the boy flushes. “So young and all untried. The innocence leaves them so fast. Which of the men please you the most, stripling?”

“Don’t bother him,” I tell Oduvit as I resign myself to following him, our animosity nearly tangible.

The page walks quickly, leading us between the two lower tables to the foot of the high table, where Gertrude sits with Claudius on one side of her, Polonius on the other. All three of us bow, the page crimson with embarrassment as Oduvit runs his hand along the back of his leg, then turns to wink at me. I cannot entirely mask the disgust I feel at being made to seem part of his little conspiracy. There is a fanfare as the first dishes are brought, and that distracts the court from Oduvit and me. I am happy to discover that the page has made good his escape before Oduvit can dream up a greater humiliation to heap on the young man.

HIERONYMOUS

The Bishop of Liege is being played again tonight. This is the third time the Queen has ordered Hieronymous’ men to perform it for her, and they are settling into their roles with confidence born of approval. She has said that she likes the way in which the ambitious hero brings about his own downfall through his designs for his own advancement. She says it instructs in the error of pride, and how it can ruin even the best of men. Whether or not it is because of this excellent moral lesson, the rest of the court has taken the play to their bosoms and lavished praise upon it, the more to ensure the good opinion of the Queen than to approve the drama.

Hieronymous is looking worn out as he faces his mirror and applies his paints. His part in this work is not large, but it is crucial to the finale of the play. He is the Inquisitor who condemns the ambitious priest to the flames; he has two thundering speeches that make the hairs on your neck tingle. I have listened in awe to the denunciations, and been transfixed by the power of the man. At the moment there is little of the righteousness and umbrage that mark the role; instead he is slumped in his chair and his hand trembles as he holds his brush.

“How do your players like the success of this work?” I ask him as I draw up a stool.

“They like it well enough,” says Hieronymous. “Great futtering saints, I wish I felt stronger.”

“What is the matter?” I ask, sensing his worry in his words. “I don’t know. Something in my gut.” His smile is ghastly as a skull. “If it were bad meat, all the rest would have it, too.” He presses his hand to his stomach, going pale around the mouth as he does. “It came on suddenly, about an hour ago, not long after our meal.” He reaches for a rag to dab the sweat from his forehead. “Never mind. I’ve played with a fever and I’ve played when my throat felt like a furnace. And I’ve played when there were cannon at the gates. I will play now, as well, and none will know I am not quite myself.” He clears his throat experimentally. “It is easier with sore guts than with a cough. I can be glad of that.”

“Should I summon the physician?” I ask, not liking what I see. “After the play, if I have not improved,” he says with a dismissing wave of his unsteady hand. “As you wish,” I tell him. I sit and watch him apply his paints, and notice that the work is not as careful as usual, that his eye is not as sharp nor his hand as sure. As he turns away from his mirror, I make one last effort. “Let me find someone to help you, Hieronymous. You do not seem—”

“I will be fine,” he says defiantly, and lurches to his feet. “All players know how to put their ills aside for their roles.”

“But—” I protest, only to be silenced by a savage swipe of his hand. “I am all right,” he insists, then groans and doubles over, his arms crossed tightly over his belly.

At once I am at his side, trying to support him, and reeling with him as he staggers, spews vomit, then totters. I get away from his grip just as he falls, collapsing like a puppet with cut strings. He spasms as if taken with a fit, and then there is a sound in his throat that heralds the end. His eyes are fixed and his jaw is slack; it is over. “Guilaume!” I call out, then yell for Pars and Streiter as well. I bend over Hieronymous, though I know it is useless to search for life in him.

Pars stumbles through the curtain, his painted face unable to conceal the shock of finding Hieronymous’ corpse twitching on the floor. He cries out, and heedless of the ruin of his face, he presses his hands to his eyes as he starts to weep. Streiter is only a step behind him; he is very light on his feet for so large a man, and he is able to move aside not only from the body but from Pars as well, who has dropped to his knees beside Hieronymous.

At almost the same moment, Guilaume appears. He looks at the other two players in bewilderment, and then, reluctantly, he stares downward. Then he wails in despair. “How?”

“I don’t know,” I answer, trying to keep my voice level. “We were talking. I told him I thought he did not look well. He complained of a pain in his guts, and then…he was taken with a seizure and—”

“Send for a priest,” cries Pars, as he attempts to take the body in his arms. “I’ll go,” says Streiter, grateful for an excuse to leave this place of death.

Guilaume continues to gaze at Hieronymous, “He was well this afternoon,” he muses aloud.

“What happened?” Pars demands, already in tears. “He…died,” I say, and I recall how Tollo and Hedrann died.

“So suddenly,” says Guilaume, more to himself than to me. “It came on him very fast.” He glances down at me. “I will have to tell the others.” He has mastered his feelings, whatever they may be, “Will you tell the Queen that we cannot play tonight?” I nod twice. “If you would rather not do it,”

“I would rather not,” he confirms.

“Then I will speak to Gertrude for you,” I promise him. “And I will send someone to look after the body.”

“No,” says Guilaume quietly. “We will do it.”

I bow, and back away from them, knowing that no matter how my friendship with Hieronymous might be viewed, I am now an intruder; the troupe will close in on itself until the loss of Hieronymous is mourned. As I make my way toward the Queen’s quarters, I cannot banish the dread of poison that has come over me. But why should Hieronymous be poisoned? And by whom? These answerless questions pursue me relentlessly as I climb to the next floor, and follow me down the hall as ominously as a flock of ravens.

* * *

By midnight the kitchen cat has still not returned from her hunting, and I am worried for her. I have made a place for her next to my single pillow, and I try to doze, but any rest eludes me as I think again of Hieronymous’ death the night before. Why should anyone kill a player? For the same reason a man might kill a jester? These are questions that have plagued me, and I long to talk with the kitchen cat about it, for she alone is safe counsel for me now.

I feel under the mattress for the little statue of the Male Goddess, and I ask Him-in-Her to extend protection to the kitchen cat and to me. I feel exposed and vulnerable, and I cannot tell from which direction danger may come. So I fret and toss on my bed, telling myself I will sleep as soon as the cat arrives. It is not a time I want to be by myself, but I dare not bring anyone nearer to me for fear of placing them in danger. Perhaps the Male Goddess will be inclined to sharpen my eyes and my wits so that I will be able to protect myself. I know it is necessary for me to be on guard, as surely as the kitchen cat guards her kittens. Though that has not saved them from Voss; when he has found her kittens, he drowns them.

It is some hours later that she finally arrives, proudly bearing a rat in her jaws which she proceeds to eat at the end of the bed, leaving the tail and feet there when she is through. Later she vomits a wad of bones and hair, meticulously covering this with one of my leggings before settling herself on the pillow.

* * *

“I wish the players were still here,” Mect complains eight days after Hieronymous‘ death; they have departed under the dual leadership of Guilaume and Streiter some three days since, and the brunt of entertaining the court has fallen to Oduvit, Mect and me.

“I wish they were, as well,” I tell him. “I wish Hieronymous had not been killed.” Had the players asked for a physician, all our questions could be answered; but the players had refused.…

“You cannot be certain of that,” Mect warns me. We are sitting in the courtyard, in the last glow of the summer evening. The air is ripe with the first odors of harvest, and the sky is alive with a deep burnished glow.

“You were not there. He died as Hedrann did, of a pain in the guts. There was a look about him, and I can only think it was poison.” I do not like speaking the word aloud, especially to Mect, who might have reasons of his own to doubt me.

“It could also have been a mortification. The guts are prone to mortification, at least the court physician says so. You have seen men die of that, and swiftly. Players may be taken with mortification as well as any other.” Mect drains his tankard of beer and shakes his head sagaciously. “You recall Horatio’s nephew was taken by such a mortification, three years ago.”

“He did not die as Hieronymous did,” I remind him, “His pain came on gradually, and he suffered from a raging fever before he died.”

“So this came more suddenly,” Mect agrees. “Who is to say that Hieronymous, being older than Horatio’s nephew, did not succumb more quickly, since he did not have a young man’s strength.” He fills his tankard again from the pitcher of beer Voss has provided for us from the new barrel.

The beer tastes of grass and yeast together, and I let a little dribble onto the earth for the Male Goddess before I drink more of it. Truth to tell, I have slight interest in the beer; I am morose enough without it. “At least the Queen paid them generously,” I mutter.

“As the King would have done, had he been here,” says Mect. He glances around the courtyard. “Where is Oduvit?”

‘”I do not know,” I answer, wanting to add that neither do I care. I set my tankard aside and rub my face, the sprouting beard prickling under my fingers.

“How sullen you have been since Hieronymous died,” says Mect. “Best to sweat it out of you, before you corrupt your constitution with ill humors. You could develop a mortification of your own.” I am not pleased with this good advice, but I nod to show I have heard him. “We do not have to perform tonight,” I observe.

“No; the jugglers have been given the evening.” Mect shakes his head. “I have never seen such a band as theirs,” he goes on. “Where they learned their skills, I cannot fathom.”

“They are Italians,” I remind him. “Juggling is much-praised in Italy, and so are other such skills. They perform masques of great beauty.” I recall how my father spoke of the fanciful capers he saw performed in Italy during his travels. “They do great work with puppets, as well.”

“As fine as English mummers,” scoffs Mect.

“English mummers are well enough,” I say to him. “Some are skilled.”

Mect laughs once. “Then your brains are addled, Sir Yorick, if you think so.”

There is no point in this dispute. I get to my feet slowly, “I think you are right; I will go to the bath-house and sweat. And have the barber shave me, as well,” I add. It is the prudent thing to do, so that I will carry no contagion to the Prince. It would be unforgivable of me to harm young Hamlet in any way. “And rest, for tomorrow the Queen expects her jesters to keep the court laughing until the lamps gutter.” He intends to speak flippantly, but there is resigned distress behind his quip, and I find a surge of fellow-feeling warming my veins.

“I will be better then,” I assure him. “You will not have to rely on Oduvit alone,”

“Thank God fasting,” says Mect with something very like devout piety.

AUTUMN

Harvest is everywhere around us. In the fields beyond Elsinor, the peasants have begun haying, stacking up the bounty of the fields against the lean months of winter. The hay is sweet-smelling, and pervasive; it reaches even to the Queen’s apartments on this late afternoon in September where Gertrude has summoned her ladies. I have been playing with the Prince, and so am permitted to stay.

“It is very boring with the players gone,” Gertrude complains at once as Ricardis comes heavily through the door, carrying her squirming son in an uneven embrace.

“That is unfortunate,” says Ricardis, sounding more tired than anything else. Margitha and Hildegarde are already here and have taken up their needles.

“Something must be done. Mect and Oduvit and Yorick cannot keep on as they have. They are all running out of new amusements for us,” Gertrude makes an impatient gesture. “It is not their fault that they can do little, since court life is dull at present.”

“Except for gossip,” says Ricardis, her mouth becoming a hard line.

“Yes; gossip thrives when there is nothing else to occupy the senses. Therefore we must have something else. The courtiers do not like to dance for hours and hours. Most of those who like dancing are fit enough for battle and are away at war. We have no minstrels here, though I have hoped we might.” Gertrude is speaking quickly, with an urgency that seems greater than the circumstances demand. “What are we to do to fill the hours?”

“The Bishop would be pleased to sing Mass more often,” says Hildegarde softly.

“Ah!” Gertrude exclaims. “No doubt he would, to garner more influence with the court than he has now. But the King does not want to barter power with the Church, and so we will not do that.”

Margitha lifts one shoulder. “Are there not teachers who could instruct the court? Have we not some travelers to distant lands who could describe the adventures they have passed in foreign places?” She watches Gertrude as the Queen stares out the window. “You can send someone to the market to look for foreigners.” “If we were not at war, that would be a fine notion,” says Gertrude, less hastily than before. “But since we must guard against spies, it might be best if we do not bring in strangers.”

The three women nod.

Young Hamlet catches sight of Laertes and shrieks at him. The older child looks around, ready for the fray.

“Put that child into his bed,” Gertrude says sharply to me. “It is time he napped, in any case.”

I bow to her, and carry Hamlet into the next room where his cradle waits. Then I take up my place beside him, and wait in the gathering darkness, listening to the murmur of women’s voices, but can distinguish no words, from the chamber beyond.

* * *

“So there are some fellows with trained dogs coming,” says Mect as he and I leave the bath-house a few nights later. It is chilly at night now, and the first ghosts of breath hang in the air before our faces.

“The Queen will be pleased,” I say to him.

“The Queen is desperate,” says Mect bluntly, “She is hearing more talk about her and Claudius, which redounds to neither’s credit. She intends to distract the court with this display.” He stops on the path, his sharp features cut by the spill of light from the kitchen door. “It is a guilty woman’s precaution.” “Don’t say that,” I tell him. “It is unpardonable to question the Queen’s loyalty.”

Mect is sanguine. “Then all the court has turned traitor.”

“That may be,” I answer. “But we cannot take it as an excuse to forget our oaths to the King.”

“My oath is to another,” Mect reminds me gently, “And the Emperor will not like to learn that the Queen’s fealty is in question.” “Must you report it?” I feel the evening cold leach away the warmth of the bath. “Certainly I must,” he answers. “As you must warn Hamlet of what is being said.” He looks cynically amused. “You have told him the rumors, haven’t you?”

“Yes,” I admit unhappily. In my last dispatch, carried to the front just a fortnight ago, I warned Hamlet that all the jests I could make would not stop tongues wagging, more for the preening way Claudius behaves than from any special attention shown by Gertrude. It was not quite an accurate representation, but I could not in good conscience describe my suspicions as certainties, nor tell him the court tales as gospel.

“Well, then, you know why I am bound to report to the Emperor what I know.” He glares at the paving stones as if they were enemies.

“It will trouble Hamlet a great deal,” I say, giving voice to my thoughts. “Better he should know it now than return from the war to a sudden discovery.” Mect studies me briefly. “You have put the King’s interests ahead of your own. I hope you will not come to regret it.” “Not the King’s,” I correct him, “Denmark’s.”

“That is more difficult still,” says Mect, “In this world it is hard enough to be loyal to one person over all others. To try to serve a country above its ruler is a task for Hercules and Mercury together.”

“A telling observation,” I say. “How often have you used it?”

“Not often,” says Mect without taking offense. “It is too good to waste on half-drunk courtiers.”

“So you save it for a fellow jester,” I marvel. “You honor me.” Mect gives me a single bow and starts to turn away. “I thank you for your concern,” I tell him as he begins walking.

For once, Mect has no answer to give me.

BETRAYAL

Margitha tells me that the Prince is with his mother in the garden; on this sultry day in early September, I am not surprised that Gertrude has taken the child outside, for with the air so dense and warm, the walls of the castle seem too close when you are within them. I take my shawm and make my way to the garden, hoping as I go that the brassy heavens will cloud over so that rain will end the stifling, dank pall that has fallen over Elsinor.

The door to the garden is closed, and I ease it open without announcing myself; I have taken such liberties from time to time, and I do so now without thinking. As I step into the full glare of the swollen sun I am dazzled. Then I see the Prince in his basket lying in the shade of a tree playing with a harvest poppet, and beyond him, Gertrude and Claudius, all but naked and tangled in an ardent, carnal embrace. I blink, thinking I have not seen clearly.

The Queen’s thighs and haunches flash as she wraps her legs around her husband’s brother’s waist; her head is thrown back, her eyes closed, her face like a saint in rapture as Claudius buries his head in her bosom as passionately as he has buried his cock in her nether parts. Her hands are locked in his hair, his arms surround her. Both of them are so lost to their growing ecstasy that they do not know I am here; they are oblivious to all but their fleshly link. Gertrude is breathing in high, little gasps, saying, “Yes; yes; yes; yes,” with every long, deliberate stroke he makes into her, and he growls with the pleasure of it.

I stand aghast and stupefied for a moment, and then I retreat through the door, closing it with care, as I try to understand the magnitude of what I have seen. My heart batters my chest, all but stopping the breath in my lungs. I cannot speak; I can hardly see, so great is my distress. All the world knows that the Queen and Claudius are drawn to one another, that has never been in question, but to act flagrantly, to flout their duty so completely is beyond anything. They have transgressed in the one way that could jeopardize the entire line. What they do is the vilest treason against Hamlet, father and son.

Yet I call no one. I do nothing but wait for a time, unable to denounce their adultery for fear of compromising the Prince, who has been entrusted to me by his father. With the King gone to war, his son is precariously enough situated without any outcry against his mother. I have given my oath to protect the Prince, and if I bring down his mother, I must damage him beyond repair.

Finally, when I am certain Gertrude and Claudius must be finished with their coupling, I begin to whistle with a buoyancy I do not feel, and I take my time opening the door once again.

Gertrude is flushed and her hair in disarray, but she is alone with her son as I come out into the glare of the sun. When she turns, she moves as gracefully as if she were dancing. She smiles at me, a smile of such glowing contentment that I feel a pang of sympathy for her before I turn my thoughts to young Hamlet, who has just begun to fuss. “Take him into my apartments, will you, Yorick?” says Gertrude as she busies herself with plucking spent blossoms from the trailing columbine. She tosses these aside onto that part of the grass where she has lately taken her pleasure with Claudius, as if making tribute to their lubricity. “I fear the heat is too much for him.” As if to confirm this, young Hamlet looks up at me and yawns, then starts to whine. I suspect he is hungry, but I cannot deny that I am worried for the welfare of the child; this day he has been exposed to more than the summer sun. “I hope the weather will break soon. The heat may be too much for many of us this day,” I say to her as I gather up the Prince’s basket. I am afraid to look at her, for fear I may betray my knowledge of her trespass, and yet I cannot look away.

“I will stay here a while longer.” Again she offers me a luminous smile and tilts her head back toward the sky. “I think I love the heat. It warms my vitals. I hope winter never comes.”

As I bear the Prince away into the castle, I feel a sensation at my back like a cold wind blowing and I am dismayed.

DUTY

The King’s messenger has come, a Captain in a dusty surcote over his armor, his horse lathered from the ride. He is fatigued and hungry, but he staggers up the stairs to the Council Chamber, his dispatch held out to Polonius as he enters the room. I watch and listen from the corridor where I have spent most of the morning in the hope of gleaning some information about the King’s enemies at court. So far I have learned precious little and I am starting to feel like a fool in truth. “How goes the war with the Poles, good Captain?” asks Polonius in form as he takes the dispatch and kisses Hamlet’s seal as a sign of his fealty. He is rigged out in deep blue velvet that must be uncomfortably hot on this warm afternoon. His greatest extravagance is the ruff that frames his face, making it appear that his head is being presented on a point-work pillow.

“The Poles have many men in the field, and they are hard fighters, but Hamlet, thus far, has carried the day,” reports the Captain. “I myself have seen him put them to rout after a hard charge.”

“Then the King is well?” asks one of the Counsellors. “When I left he had nothing more than a minor scratch to bother him. The greatest ills he has had to contend with are mosquitos and flies.” He puts his hand to his head, and holds out his other arm for balance. “Are you all right?” asks Polonius, drawing back from the Captain as if fearing his touch. “I am tired,” says the Captain. Polonius signals for a page to bring a stool, and then opens the dispatch from Hamlet. He regards the vellum narrowly, reading Hamlet’s angular scrawl with some difficulty. “It appears that Hamlet will have to winter in the field. The army has taken a few crucial fortifications and will need to hold them into the spring in order to hold the advantage they have secured.” He looks up at the rest of the Counsellors, and frowns. “He will need more money and men if he is to keep the pace of their advance before winter locks them inside.”

At this unwelcome news the Counsellors look grave, and a few of them shake their heads. I hear a few low mutters from the older men, one of them claiming with some heat that in his youth war was not so expensive as it has become now.

Polonius reaches for his staff and taps it once to gain the attention of the rest. “I will draft a letter to Fortinbras, to discover what support he may lend us at this time. It may be that we will not have to levy higher taxes if Norway will aid us.”

This suggestion is endorsed with many profound expressions of regard and approval; monies gained by the demands of others are always more welcome to the Council than are those measures they must impose on the populace at large; higher-born men than they have been brought low for demanding too much of their people.

The Captain sinks onto the stool the page has brought him, and lowers his head. He reaches into his wallet for a second dispatch, which he holds out to Polonius. “This is private for you. And there is one for the Queen, and one for Yorick.”

“One for Yorick?” demands Polonius as he reaches for his own.

“The King desired me to present it to the jester himself, and to the Queen. I will fail my charge if I do not present them as he instructed me to do,” the Captain says with feeling. Though he has been quiet a while, he is still breathing deeply and having some difficulty in restoring himself.

“That is most irregular,” says Polonius in strong disapproval. “The Queen is with her women; I will send a page to fetch them. I don’t know where Yorick is.” “I am here, worthy Counsellors,” I step through the door and approach the Captain, paying no notice to the stares of the gold-collared men. “What does the King send to me, good Captain?” Standing this close to him I can see that he is grey with fatigue and his face is pinched from hunger and thirst. No matter what he says to assuage the fears of the Council, it is apparent that the fighting has been horrendous.

The Captain regards me, as if trying to recall if he knows me, “You are Yorick.” Then he reaches into his wallet and brings out a twice-folded sheet of vellum. I go on my knee to accept it, and kiss the seal before breaking it.

“Tell me what the King sends to you,” says Polonius in an imperious manner. “Forgive me, Lord Polonius,” I say with a great show of respect as I read over the first few lines, “but I am not at liberty to do so. The King specifically enjoins me to silence concerning the subject of his letter. I regret I must refuse to obey your order in this regard.”

Polonius stares at me, bristling with offense. “I cannot see that you may do so. I am responsible for—”

“Your pardon,” I dare to interrupt him, “but I know no authority in Denmark greater than Hamlet’s.”

For a long moment Polonius wears just such a look of mulish obstinacy as I have often seen in his little son’s countenance. Then he shrugs. “It may be that Claudius, as regent for the Prince, will demand to see the missive.” “I would still not be free to show it to him,” I say, and start toward the door. “I will require a short while to read this. When I have done, I will return and tell you all as much as I may about the contents.” With a bow, I hasten away from the Council Chamber, searching for a place where I may read the letter in peace, and where I will not likely be spied upon. I come at last to an old embrasure at a tall, narrow window, and there I sink down, the stones at my back, and in the slice of bright autumn light I read what the King wishes me to do.

Sir Yorick,

As I have trusted you before, so I trust you now, not as a King, but as a father and a husband, to tend to the safety of my family. I must depend on you to keep all this in utmost confidence, telling no one what I write here, but what little you must to guard against greater intrusions and deceptions. For you may be certain that there is deception all around you, and that many a man who wields a dagger smiles as he does it.

You are to begin to teach my son the tales of the heroes of Denmark. Use songs and rymes and any other means you can to instill in him a sense of the grand history of our country, so that he will anticipate with joy his ascendancy to the throne upon my death. I have seen what neglect of this instruction can do to those of my House: my youngest brother is a lamentable example of one who has never achieved a sense of his place in the House. You may say that the Prince is not yet a year old, but for what he will have to do in his life, that his hardly too young to begin, for if this campaign drags on, he will be called to act while he is yet a stripling. Make him eager to be King, and to value his advancement for its obligations as much as its might.

I also beseech you to continue to deflect all assaults on my wife’s fidelity with every nuance at your command, not only for her sake, but for the sake of young Hamlet, who might well be stigmatized as the fruit of her lusts if such calumnies are not made to appear ridiculous. It is probably too much to demand that she remain chaste while I am gone. I have not secured her heart so devotedly that I can hope for her devotion. She is young and her appetites confound me. If she embraces such folly, I implore you to mask all her doings with the armor of your wit. You may order the players to do the same, and to show cuckolds in their performances as well as all other manner of men. Tell them that nothing ends gossip so quickly as ridicule.

The longer I am gone, the greater the chance that she will become flagrant, especially if my brother remains the object of her desires, and she of his. He wants to make his dealing with her a public conquest, to add to his consequence. If it becomes impossible to protect her, then I order you to protect the Prince, and uphold his right to rule. See that he is prepared to fight for his place in the world, and that his mother is not permitted to undermine his determination to follow me as King. The child has my name and he has my right. Tell him of what we do against the Pole now, and teach him to hold valor in highest regard, so that he will be resolute in ruling when I am gone.

When I return you will have proof of my gratitude to you in measure with your success in these endeavors.

Hamlet

By Grace of God, King of Denmark

When I return to the Council Chamber, I present myself to all the men with a deep bow. “The King has asked me to undertake the Prince’s early instruction. That much I may tell you.”

Polonius again appears shocked. “I had thought the King would appoint that task to me.”

Again I bow. “You forget, Lord Polonius, that my father was a scholar, who taught me much of what he learned, and surely the Prince does not need a master of Latin rhetoric quite yet.”

This evokes a chuckle from many of the Counsellors, and earns me a glare from Polonius. “It is hardly fitting that a jester teach a Prince,” he says, and once more I see his son in him.

“Pray that by the time the Prince needs a grammarian, the war with Poland will be over and the King himself will have the choosing of his son’s masters.” I say it with a good blend of humility and staunchness, and the Council approves. “You have tasks here, Polonius,” adds one of the Counsellors, his voice weighty with implications. Polonius nods. “True,” he agrees with remarkable simplicity. “Well, Yorick,” he goes on with a smile that would not fool a babe of two, “until such time as Hamlet relieves you with more…accomplished scholars, I will accept your word that you are doing the King’s bidding. Should it turn out that you have exceeded the mandate given you, I do not doubt that you will be held accountable.”

“I am well satisfied,” I tell him, pleased that he has spoken so in front of the rest of the Council. It may well be that I will want witnesses in future.

TREASON

Rain has driven the Queen in from her garden before her women expect her; she is flustered and snappish, and she sets about her needlework in discontent while I sit at the side of the Prince’s cradle and sing him the “Ballad of King Eric and King Ingo”, about the dealings of the King of Denmark and the King of Sweden before the time of the Crusades. I have sung it to him every day for a month, and I know he has come to recognize many of the phrases. He listens carefully, and there is a keenness in his eyes that give me to hope that he is taking some of the tales to heart.

“For a wise and prudent King

Will rejoice in everything;

And any man possesses naught

If he is bereft of thought.”

The Prince waves his little hands in time to the meter of the song, and does what he can to match the sounds.

The door opens and Claudius rushes into the chamber. His fine damask huque is spattered with water and his golden hair is darkened and wet. “I waited for you,” he says uncautiously.

Gertrude lifts a warning hand, and nods slightly in my direction.

This is enough for Claudius to recover himself. “I was afraid that you and your son would be caught in the storm,” he adds, with a smoothness that would do credit to a moneylender. “When I realized it was raining, I went to find you, to assure myself you were not harmed in any way. When I reached your garden and found it deserted, I feared that you were caught outside, seeking shelter.”

“How very good of you, Claudius,” says Gertrude, her lips slightly parted and a naked longing in her face that makes me feel an interloper, “As you see, we are both safe and dry, young Hamlet and I.”

“Thank God for that,” says Claudius, stepping closer to her.

She makes herself look away from him. “You will want to put on dry clothes as well.” “Eventually,” he says, his desire for her unguarded. “I do not mind a little dampness if it brings sweet rewards.”

Gertrude flushes and looks down at her embroidery as if she had never seen such things before. “If I give you such a reward, then I am…grateful.”

“You give a greater reward than that,” Claudius tells her warmly, closing on her, and reaching out to touch her face with reverent, possessing hands.

“Yorick,…” she whispers, to remind him I am there.

“He will say nothing,” Claudius says, dismissing her fear. “It could be harmful to the Prince if he did.” He turns toward me. “Isn’t that so, Sir Yorick?”

I recall all that was in the King’s letter, and I nod slowly. “I am sworn to protect Hamlet.” I can feel my knees shake with anger and fear, and it stuns me to realize how intensely I can despise the man.

“Then you will have to keep our secret—”

“Secret!” I spit, knowing as I do it that I have weakened myself. “Our secret,” Claudius says emphatically. “You are adept at making the rumors about us appear absurd. You will continue to do this, won’t you? So that no one will cast aspersions on that babe.”

I cannot remember a time in my life when I wanted more to kill someone than I wish to kill Claudius now. I feel heat mount in my face, and I am about to say things that will endanger me when young Hamlet, sensing the anger in the room, squalls loudly in response. Immediately I give my attention to the Prince. I pick him up and sling him over my higher shoulder, where he always likes to ride, and I begin to say those nonsensical things that quieten children.

Gertrude has the grace to lower her eyes, abashed. “You take great care of my son, Yorick.”

I do not trust myself to speak to her without further distressing the Prince, and so I remain at my task of soothing young Hamlet, taking a bouncing turn about the room. “With winter coming, we will have to depend on your discretion,” says Claudius with the confidence of one who has already achieved his ends. “You will serve as our protection.”

Gertrude shakes her head no.“He is devoted to the King,” she whispers.

“And he has been given the task of caring for his son. I doubt he will want to expose us. Not only would it bring the boy’s legitimacy into question, it would serve to bring dissention to the Council; which my brother would not like, for it would compromise the succession. While he is at war, such questions could bring him disaster here in Denmark.” He smiles at me again, with the same air of contempt in his manner. “So you will protect Gertrude’s good name and the place of the Prince. And you will not allow anyone to discover the Queen and me together.”

More than I want to keep blood in my veins I want to throw this betrayal back in Claudius‘ face. But he is right. Any victory I achieved would be short-lived and catastrophic. So I meet his gaze with my own. “You will not interfere with my instruction of the Prince,” I demand.

“Why would I do that?” Claudius asks, with such a look of candor that I must again restrain my urge to smash at his face.

Hamlet whimpers, and I rock him. “’I will have your word on it. Now.” For what little it is worth, I add to myself. Claudius has shown that his word is writ on water. Yet I must secure that promise from him, so that if there is any question, Gertrude will support me on the Prince’s behalf. “All right. You have my word. You may instruct the Prince and I will not interfere.” He regards me a moment. “I suppose you will tell my brother.”

“Not while he is in the field,” I answer, knowing that it would do the King no service to let him know the extend of his brother’s perfidy while he was powerless to act upon it.

“Very wise,” says Claudius. “Then take up your post. Tell the Queen’s women that she is warming herself in her bed, having sustained a soaking in the rain. If you tell them not to disturb her, they will obey you.” With that, he holds out his hand to Gertrude and lifts her to her feet, in the same motion pulling her into his arms.

I cannot watch them as they start toward her bedchamber; I rock young Hamlet on my shoulder, and again repeat the lines of the ballad:

“For a wise and prudent King

Will rejoice in everything;

And any man possesses naught

If he is bereft of thought.”

BIRTHDAY

“A dancing bear for the Prince’s natal day!” cries Oduvit in mock horror when the stiff major-domo has finished reading the Queen’s proclamation to those of us gathered with Voss in the kitchen, as much for warmth as for the bits of food. “Pray that the monster does not decide to devour the celebratory feast all by itself.”

“And French tumblers,” says Mect, “from the Queen’s father.” He smiles a little, his brows rising upward. “There is also Polonius’” wife,” says Voss with an appreciative chuckle. “Look at the size of her. She could interrupt the celebration with another birth.”

“She is not due quite yet,” I tell them, for I have heard Ricardis calculate the days many times now. “It will be another six weeks, they say, and the Prince’s natal day will come in three.”

“Little you know about it,” says Oduvit. “Women birth when the baby is done. That is always the way it has been. And wouldn’t it be like Ricardis to do such a thing?”

Voss has taken to encouraging Oduvit, and so he ventures, “Why do you say that?” Oduvit takes the same tone as Voss, but with mockery in it. “Why, only that she takes such pride in giving her husband two sons in less than three years. Most wives don’t manage that.” He sneers. “And the Queen dare not give Hamlet a second child just now, dare she? Which leaves all the glory to Ricardis.”

Many of the kitchen staff laugh at this, no one more than Voss, but I do not; I dread what could become of the Queen if her dallying with Claudius should bring about a child. Daily I remind myself that the Queen has had trouble conceiving before, which is my only consolation. There is also the possibility that someone other than I will catch them in their passion, and that causes me poor sleep at night.

“It is a good sign that the Prince is thriving. So many sons are lost in the first three years,” says Voss’ assistant, an angular fellow with huge hands and a way with game. “Those that do not thrive in their first year will probably not thrive at all.” “He is strong, and he pays attention to everything around him, and he learns quickly,” I say hotly in defense of young Hamlet, unmindful of the doubts of others. “He will be a credit to his father and his House.”

My words are greeted with friendly chuckles and one of the scullions remarks, “Listen to the nursemaid praise his charge.”

I swing around and stare at the youth. “He is more than my charge, he is the hope of Denmark.”

“Bravo, bravo,” says Mect drily. “How wisely you defend the lad, who has no one to guard him with his father gone to war. And do not take up cudgels with me, Yorick. You do your task well, we all know it.” He rocks back on his heels and listens to the pelting of the rain outside. “It will be a wet winter, so they say. Thank God that I am not in the field with the King. War is bad enough. War and mud is impossible.”

Voss looks around the kitchen at his assistants and scullions. “Let’s hear no more complaints from any of you, not now with the King at war. Think of how the army is faring and count yourselves fortunate.”

“The King will have all that and more to contend with,” says Mect slowly. “And once the snow comes, it will be hard on him and his troops. I doubt we will have such regular dispatches as we have seen through the summer and early autumn.”

“To have a messenger once a month with news is fortunate indeed,” says Voss with emotion; he has two nephews gone with the King to the war. “It has made the waiting tolerable.” “That may be,” says Mect, pulling a shawl more closely around his shoulders against the drafts from the corridor. “But news travels slowly in winter.”

“And there have been no other special dispatches from Hamlet but the one Captain at the end of summer, only the regular couriers with general reports,” says Voss, taking comfort in this, for it indicated that the progress of the war had not taken an unexpected turn. “What will the Queen demand for the Mid-winter festivities, with Hamlet not here to officiate?” asks Oduvit with a sly look. “It will be up to her to command our revels. What would a woman like Gertrude want for that time?”

“A great feast, that much I know,” says Voss with a mixture of exasperation and pride. “It will not be so grand as last year, since much of our stores went with the army; and we will have to rely on the generosity of the peasants in giving up some of their bounty to us, and we have the Prince’s natal day to celebrate before.” He shakes his head, anticipating the hugeness of his tasks. “I will want some of you,” he warns his underlings, “to visit the marketplace for fish the day of the feasts. We will need fowl as well, and any newly slaughtered pigs for mid-winter. Leave the mutton for the townspeople. I have already ordered the huntsmen to bring game to me. I think I will do well to have thirty roebucks to serve.” “They say that the Council, on the King’s order, has sent word to Fortinbras to have his court come here for the celebrations.” This from a Guardsman, who has ducked inside to restore himself. “I heard that the heralds have carried off the invitations but two days since.” There are mutters of disbelief, which Voss puts to rest. “It is my understanding that we will see some of the court of Norway here again. I have been told that I will have to plan to have food enough for twenty visitors.” “Not the whole court, then,” says Mect with an expression that is not quite surprised. “No, not the whole court. Fortinbras would not send it during this time of year in any case, and with the war on, it is fitting that he keep to his post,” says Voss, repeating what he has been told.

“Do you know anything about this, Yorick?” asks Mect suddenly. “As much as I have heard here,” I admit, then relent. “And a bit more,” I add, pleased that I have knowledge beyond what they know. “But since the invitation has not yet been delivered, I suggest we make no firm plans to entertain the Norwegians. They may not think it wise to come here in the middle of winter.”

“It is true enough that they have not had a chance to say whether or not they will come,” Voss counters, his demeanor that of a man well-versed in the caprice of royal courts, “but it is also true that we had best be prepared to receive them. I would rather have too much food in the larder than not enough.”

This prudent remark is met with endorsement from all except Oduvit.

“Oh, come now, why should we put ourselves to such labor if there is a chance that it will be for nothing?” He makes a face and waves one arm in disapproval. “Not that it would not be pleasant to dine well all through the winter. I am as glad as any man to have a generous chop with my bread. But why must we make such efforts for those men of Fortinbras? And at a time when we may have to fete them twice. Do not we ourselves warrant such care? Who is the Queen that she is willing to deny us the best of our land, but will offer it to strangers?”

“Allies; they are our allies,” Mect reminds him sharply. “If they come it is to show that Norway stands firm with Denmark against the Poles. That is worth a feast or two.”

Oduvit stares at Mect in scorn. “Is that what the Emperor wants? He wishes to be sure that we will guard the north for him, and all he need do is send an occasional word of approval in order to keep us at his service?”

The two jesters glower at one another, and I watch them in growing alarm. I make myself speak, “Whatever the reason, we will have to be ready to entertain them through the mid-winter celebrations, and the Prince’s natal day as well; we will need all our wits for that, for the Queen will be relying on us to make the occasions merry. It makes no sense to waste time in these idle speculations.”

“Always the peace-maker,” says Mect.

“You mean always the King’s lick-spittle,” says Oduvit fiercely. “What purpose do you seek to serve now, Yorick? What is your intention?”

“To spare us all greater exhaustion than is necessary,” I answer with as much honesty as I can summon. “I am near the limits of my strength now. Aren’t you? Do you want to have to spend the winter in fatigue as well as cold?” “No, I don’t,” says Mect. “You’re right about that.” Oduvit glares at me, his mouth severe in his disapproval. “Your worry on our behalf is touching, if that is truly your purpose.” He swaggers toward me. “Is that all your reason for showing us such great concern?”

I give them no answer beyond a nod; I am haunted by memories of Tollo and Hedrann. And Hieronymous.

COUNCIL

We have been told to expect the Norwegians to arrive within the week, if the rain is not too great; the roads have become mires and bogs, and all travel has slowed to a walk. They will arrive in time for Prince Hamlet’s natal day and will remain through Epiphany.

“I never thought I would pray for snow and ice,” says Polonius to the Counsellors on a wet November morning, “but I do now; at least one may use sleighs over snow. In mud nothing will do.”

There is a silence among the Counsellors that does not bode well for Polonius this morning; usually when he says something so obvious and without controversy, some of the Counsellors indicate their agreement with him. Finally the doddering Leocadius totters to his feet and suggests that a party of soldiers be dispatched to meet the Norwegians when they land.

I draw my stool nearer the great hearth where two huge logs have just started to burn; this will not only keep me warmer, it will make me less conspicuous than if I continue to sit near Hamlet’s chair, as has been my wont. “Those men have already left,” says Claudius, who has deigned to sit with the Council this day. He has been at pains to deal well with these men since the invitation was sent to Fortinbras. I suspect it is his desire to have them speak no malice of him to their King. “Then we need only make ready to receive them here, on the King’s behalf,” says Polonius, as always eager to please and to put himself forth as Hamlet’s deputy. He is wearing a fur-lined gonel of French cut with huge square outer sleeves and lavish inner sleeves of heavy linen, as if attempting to set a new fashion at court.

“Tell me,” says Claudius, “how are we to make merry with these men of Fortinbras’ without having it appear that we are without care for the King and our army? Should not we show gravity as well as festiveness?” His questions are cool, and his eyes show his sense of calculation. He favors Polonius with a nod that might be seen as a bow.

“We will do what is expected of us,” says Polonius. “We will entertain in the King’s stead, so that the Norwegians will know we are confident of victory, so that when the time comes for them to face the Poles, they will have no reason to refuse because of our trepidation.”

The Counsellors listen to this closely, each trying to determine which man wields the greatest influence with Hamlet and Fortinbras. The older men show little in their faces, but the younger ones have not yet schooled their features to mirror nothing. I cannot help but watch, enthralled by the subtle play of calculations these men strive to conceal.

“Fortinbras will hear reports from all those who are our guests,” says Claudius. “It would be best if the reports are to our credit.” “Truly,” agrees Polonius at once. “And the King requires no less of us. But we must also mark the occasion in a solemn way, so that it will not seem we take no heed of the travail of our soldiers and kin who are defending Denmark.”

This time the Counsellors answer more quickly, and with less circumspection than before. All of them wish not to appear laggard in endorsing the war, for it is still more favorable to them than not. “Might not this campaign be longer than we hoped?” ventures one of the Counsellors, a portly man with drink-reddened cheeks and nose; he is one who often speaks of his valor and looks to find it at the bottom of tankards. “It is possible,” says Polonius at his most stately.

“And if it comes to pass that the King must be absent for some long time,” says Claudius, picking up the thread, “it is for us to aid him in his battle, to lend him our assistance in any way we can.” He sits back, his expression fixed and his attitude that of a man making a statement of conscience. “We must also strive to maintain Denmark as he would tend it himself if he were home.”

“Yes,” seconds Polonius, trying not to sound too pleased. “So we must.”

I listen to them and I feel my strength flee. How am I to carry out my obligations to Hamlet with these men conniving to bring him to ruin through the appearance of aid? The question continues to perplex me long after the Counsellors have left the Chamber and gone about their various tasks. Only the need to tend to the Prince rouses me from my dire speculations.

CELEBRATION

It is Prince Hamlet’s natal day, and I have never felt more the traitor than I do in this hour, standing beside Gertrude and Claudius like one of their creatures as the feast is set forth; six whole oxen roasted with entire hams and a bushel of onions inside them; fifty snipe and herons dressed in a sauce of eggs and cream with sweet herbs; nine roasts of venison with crushed mustard seed and ginger; clotted cream with honey to be served with spiced breads; a soup of shellfishes; two dozen braised geese filled with new cheese, leeks and butter with coriander; and four huge fish, newly caught and poached, with a dressing of egg-and-oil with dill and French garlic. Musicians play sweet dances for the Prince and the rest of the court; they are seated in the gallery so that the sound of crumhorns falls plaintively on the air, and the beat of the tambor sounds like a distant heart. Nothing is too loud, for such things distress young Hamlet, who is more interested in chewing anything he can reach than in listening to the lilting airs which so delight the people around the dais.

The Prince himself is little impressed with these festivities; his nursemaid has rubbed mead on his gums where the first teeth are coming through, and it has made him drowsy. For the greater part of the banquet he dozes in his cradle next to his mother’s throne, where I can reach him and play my shawm for him, not that I suppose he hears the tunes over the braggle of conversations that fill the Great Hall.

Most conspicuous at the high table tonight is Ricardis, her belly so ripe that it is an effort for her to sit in her chair. Beside her, Polonius makes no attempt to disguise his pride at her pregnancy, and when she asks to be permitted to retire before the end of the meal, Polonius all but preens as he leads her from the Great Hall, basking in the attention his wife commands.

As they depart, Claudius leans over and whispers something to Gertrude which brings a quick smile and a rush of color to her face. One among the Norwegians notes this; I can see the inquiring lift of his brows as he watches the two of them. Then he is distracted by the arrival of Oduvit, who begins by snatching a tray away from one of the pages and distributing its contents in the most inept and chaotic way possible.

Oduvit is shining tonight, performing many outrageous antics and showing himself to be a fine and brilliant fellow, up to more tricks than the most determined village cutpurse. Even his scathing remarks at the expense of the Norwegians and Fortinbras are met with hilarity. He capers along the space between the tables, jibing here, tweaking there, and all the while gamboling as if he were a young lamb in the field. I watch him and long for the chance to do the same, but I am ordered to remain where I am, and for the sake of my vow to the King, I must do it. I am also troubled that I am the only guard mounted over the Prince, for what protection can I afford him should any deliberate harm be worked on him?

When Oduvit has finished, he bows lavishly, and then stands aside for the other entertainments, accepting the praise that follows him as his due.

The animals come next, two bears, three small dogs and a long-armed red ape so old his face is grizzled with age; one of the bears is snuffling with what I suppose is hunger at the scent of food. Its trainer jerks hard on the chain linked to the collar on the bear’s neck. I wince for the pain the animal must feel at this treatment, and for the next half hour, I devote myself to playing old tunes for young Hamlet while the bear is made to cavort at the sharp commands of his trainer, for I do not like to see the great animal made such mock of. The Male Goddess despises that which denies nature, and His-in-Her judgment is often severe.

The court watches the animals in fascination as the dogs draw the ape in a little cart, and the bears roll large balls in the pattern of a star, the dogs following them balanced on their hind legs, and the whole ending with the ape standing on the shoulders of the bears with the dogs in his hands and on his head. They are rewarded with applause as favorable as any Hieronymous’ players received, and I feel a deep offense on their behalf, that the court should not know that players are more accomplished than dancing bears.

Then musicians are brought down from the gallery to play cornemuses, courtauts, sordones, crumhorns, and rackets for the assembled company, going largely unheard over the clatter of talk along the tables, as the meal is not over and no one is yet ready to dance. I listen to their tunes and join them on my shawm, hoping that the Prince will take some pleasure in the sweet strains.

Young Hamlet wakens once, after the trenchers and chargers have been cleared away, and stares about him, his eyes very large.

I lean over his cradle, saying to him, “Do not trouble yourself, little King, This is for you, to make you happy.”

His features soften in the first touch of returning sleep, and he puts his hand up awkwardly to his mouth, shoving his knuckles against his four tiny teeth. He is about to fuss, but then he slips back to dreaming.

At the conclusion of the evening, Gertrude and Claudius make a great show of bidding one another good-night, and parting with meticulousness at the yawning door of the Great Hall.

“May this mark the first celebration of a long and glorious life for the Prince,” says Claudius, his full attention on the Queen.

“Amen,” answers Gertrude, and is echoed by many of the courtiers and Norwegians who witness this final gesture of the evening. “And may Denmark thrive in the might of the King,” she adds, and smiles as the other courtiers cheer in response.

As I follow the nurse bearing the Prince down the hall, several paces behind the Queen, I realize how much I want to return to that time when all I had to do was think of ways to amuse the court.

* * *

The animal trainers do not mix with jesters as the players did; they keep to themselves, with their beasts on the far side of the stables, where no one is welcome; and so Oduvit, Mect and I are once again reduced to our own society. We gather in the Refectory, hunched over our loaves of noon-day bread-and-cheese, and try not to think of the terrible things that are taking place in Polonius’ apartments, where Ricardis lies in agony, unable to deliver her babe though she has labored now for well over a day.

“She’s going to die,” says Mect at last, when our attempts at conversation have flagged for the eighth time. “They will have to kill her to save the child. Or they will lose them both.” “A pity,” says Oduvit bluntly. “But she has given her husband one living son, which is more than many wives do.”

I stare at him, too exhausted to upbraid him for his indifference to Ricardis’ fate. “The woman suffers.”

“As must all daughters of Eve,” says Oduvit with the same great indifference as before. “It is the way God told them to have children when He got tired of making new men and women.”

Mect stares at Oduvit, “Where did you get such a notion as that?” He blesses himself, a thing I have rarely seen him do, even in church.

“It was what the priest taught in my town,” says Oduvit, his bluster unsuccessful. “It is heresy,” says Mect with great conviction. He shakes his head slowly. “No wonder you place such small value on those around you.” Oduvit draws himself up, “Do not blame the priest for that, Mect; I have come by my contempt honestly. If I am a heretic, it is my own conversion that makes me so. I have seen what is in men’s minds, not the great aspirations, but the true, small deeds that multiply until the aspirations are weighted down with a thousand little nastinesses and cannot be achieved. And I have heard how these men account for that; how they blame their wives or their children or their masters, to be rid of any obligation in their own corruption.” He leans back and glares at Mect. “Can you tell me that you do not see the same thing?”

“Oh, I see it,” says Mect, “but I do not take it as an excuse for my own laxness, but as an example of what to avoid.” He sips the hot cider Voss has poured for us, and points a finger at me. “And you, Yorick? You have been strangely silent.”

I regard the two of them, thinking of all the sins I bear on my shoulders, and all the betrayals I am afraid I have had to make in order to keep my oath to protect the Prince, torn as I have been between the two Hamlets. After a moment I say, “I think that no matter how we argue these points, poor Ricardis is dying, and that is all that concerns me. It is unfair that she die in this manner, but I do not expect death to be fair in anything except that soon or late it comes to all of us.”

“And do you tell the Prince that?” asks Oduvit, his pose of contempt once again firmly in place.

I answer him without reservation this time. “Yes.”

“And do you think he understands?” Oduvit challenges in disbelief.

“As well as any of us do,” I reply.

* * *

“So Polonius has a little girl, like you,” I tell the kitchen cat on the evening after Ricardis’ obsequies. “And he is without a wife at mid-winter.” Gertrude has ordered that the celebrations in a week be somber ones, fitted to the official mourning mood of the court. “Laertes has been crying for his mother every hour. It is pitiful to hear him, even when he rages.” The kitchen cat continues to knead my hip in determined, purring bliss. She has had two collops of mutton from me for her meal and is now readying herself to settle with me for the night. How carefully she prepares the place she is determined to curl up, and how magnificently she purrs; she feels as if her purr would tangle her tongue and choke her with rapture, so contented is she.

“She was laid under the floor in the church,” I go on, aware that she enjoys the sound of my voice. “It was too cold to dig her a grave in the churchyard, and so, though she was not noble enough for the honor, the Queen ruled that Ricardis should rest in the church itself, as part of her household. Polonius was so pleased with the distinction that he smiled through the whole of the ceremony, though he tried not to.” I stare up at the ceiling, only faintly visible in the dark of my little room. “It will be difficult for him with his two children. They are to be sent to his mother when spring comes, with Hildegarde to act as their governess.”

As the kitchen cat puts her head into my hand to encourage me to scratch her ears and her ruff, I roll onto my side so that my shoulder does not ache so tenaciously; the Prince is getting heavier and carrying him as he likes to be carried is becoming more of an effort for me even as it has become a more frequently demanded pleasure for him. I try to ease the stiffness from my body, but without much success. I decide that I must go to the bath-house oftener, so that my joints will not stiffen and crack.

“Poor children, to have no mother, and so young,” I say to the kitchen cat, who has once again had her kittens taken from her. “And poor mother, to have lost your babies. You will know how that infant feels.”

The kitchen cat turns around and curls against my side, still purring all to herself, leaving me to my sore sinews and restless thoughts.

MID-WINTER

For the coming of the new Year, Gertrude once again wears the Mid-Winter Crown, its candles making her face appear to float above her dark mourning clothes, giving her a spectral look. The west and east doors are open to the clear, cold night, and the feast lasts for more than four hours, the courses being presented by servants in splendid livery which throughout the evening is increasingly smirched with grease and smuts from the fare they bring.

Claudius occupies the seat beside Gertrude, glorious in a black houpelande of Venetian cut velvet with a fan-ruff of thick amber lace, the amber silk-lined triangular sleeves so long they are knotted in order to keep them from trailing too much on the floor; rarely has mourning been so flattering, or so ostentatious. He is easily the most elegant man in the room, and he knows it, taking pains to sit and move to show himself to advantage.

Polonius is absent, and so Fortinbras’ ambassador, Count Axel, occupies his place.

“They aren’t laughing,” complains Mect when he has done his stint for the guests. “It is because of the funeral,” says Oduvit, and spits to show his opinion of this observation. He has been at the mead again and already his words are slurred; and still his fear is visible to me.

“And the war,” I remind them. “With no news for six weeks, they are growing worried.” And I am one of those who worry, I add to myself.

“But they knew there would be little news through the winter,” Oduvit protests, disdain making his mouth curl.

“Nevertheless, they are worried,” I tell him, unwilling to permit him to dismiss these concerns as unimportant. “Then they are fools, far more than we,” Oduvit declares, and glances again in the direction of the high table. “Look at them. They want us to think they miss the King. All they’re worried about is Hamlet’s return; they hope it will never come. They are all but mounting each other there on the table.” “Oduvit,” I warn him. “If you cannot see it, then you are blind!” Oduvit hurls this accusation at me as if it had physical weight.

Mect studies the rushes. “Perhaps he is just mindful of his position,” he suggests mildly to Oduvit.

Oduvit turns on him. “By which you mean to say I am not?”

“No, you are not,” I tell him. “And you are willing to imperil all of us for the sake of your assumptions about the Queen, who can turn you out of Elsinor with nothing more than your clothes if you push her too far.”

Oduvit laughs in my face, “Do you think she would dare?” “I think she would do anything she must to keep her place unquestioned.”

Mect takes up the matter. “And no one at court would question her act, given all you have said. Do not think otherwise.” “What about you?” Oduvit demands of Mect. “Have you eyes enough to see what is going on? Do you know how they conduct themselves in private? Are you so naive that you think they are only praying? And have you courage enough to name what they do?”

Mect shrugs.

Then young Osrick comes to take me to perform, and whatever the rest of the argument between Oduvit and Mect brings, I do not hear it.

* * *

Hildegarde’s pale features are composed as she stands in the courtyard to take leave of the Queen; behind her is the traveling carriage that will take her, the wetnurse, Laertes and his nurse, and the babe Ophelia to Polonius’ holdings in the north. The first, fragile signs of spring are showing in the trees, and the wind, though cold, is gentle.

Laertes, in his nurse’s arms, is crying passionately, waving his fists in the air as if railing at Heaven itself, calling out “Mamer, Mamer,” when he can get enough control of himself to do it. His face is red and his features tightened up so that they seem pulled together in his head.

On the Queen’s orders I have brought the Prince to bid Hildegarde and Laertes farewell; he is on my shoulder, hanging onto my hair with both hands, and bouncing in good spirits, though a short while before he was sulking for not being permitted to put my shawm in his mouth; these days he tries to taste and chew everything he can reach. The ache is welling in my back now, and extends from my hump down my arm.

Gertrude is still in mourning, her deep-mulberry cotehardie unadorned to show her grief. She embraces Hildegarde once and does her best to smile, though the attempt is unsuccessful. “Travel in God’s favor, dear Hildegarde.”

“Thank you, my Queen,” she replies, doing her best not to weep. “Think of Ricardis, and love her children on her behalf.” This admonition does not give Hildegarde the purpose it is intended to.

“But how?” she cries out. “I know so little.”

Gertrude puts her arm around Hildegarde, and pats her affectionately, “You know the ways of the court, which these children will one day have to know. They are the children of a great man, and as such will have to be worthy of him. Teach them to honor and serve the King and Denmark, and show them that you are there to defend them, and they will thrive.”

Hildegarde lowers her head. “As you wish, my Queen.”

“It is not what I wish, but it is the best we can do, given what God has done. If I had my wish, Ricardis would still be alive and you would be able to remain here in my company, and we would all know only joy at the birth of Ophelia.” She achieves a faint smile. “But God has had other plans for us, and it is our duty to acquiesce in His will; we have our tasks in this world, and it is for us to perform them as best we may.”

“Parting is hard, my Queen, no matter how necessary.” Hildegarde catches the last word in her throat and stifles the outburst that threatens to overcome her.

I nod in sympathy with Hildegarde, and this causes the Prince to fix his hands in my hair more firmly than ever. “I will not let you fall, young Hamlet,” I promise him, trying to work his fingers loose; Hamlet does not release me.

A small escort of Guards come to the carriage, their horses restive, waiting to leave.

“It is time,” says Gertrude, and offers Hildegarde a single kiss on the forehead before she steps back.

Hildegarde nods in mute acceptance, and turns to climb into the carriage, looking for all the world as if she were being sent into exile in disgrace. Once seated inside, she slides open one of the windows and leans out, as if by looking at it, she can remain at Elsinor for as long as possible.

As the carriage rattles out through the gates, I cannot help but think of how it was when Ricardis arrived, coming to this very courtyard in that same vehicle, to keep the Queen company while the King was gone to war. Young Hamlet drubs his fist on my head and gives a single shout of protest as the gates close behind the carriage and its escort.

* * *

Voss has laid down two sides of beef in salt, and has filled his pickling vats with the winter vegetables from his kitchen garden, so that the whole of his domain smells of brine and pepper. He has condescended to turn a pig on the spit so that we might all have something to eat tonight; he has already sent a great Lenten spread to the court, a vast selection of fishes in many sauces, three kinds of eggs, a dozen sorts of fancy breads, and apples fried in batter. We are permitted the pork because when it is cooked, it is white, and for peasants and servants, the Bishop has said that pork does not violate the rule against meat.

“No frolicking tonight, eh, Sir Yorick?” Voss asks me, knowing the answer full well. “It is Lent, so we must be penitent; it’s part of the mourning. The Queen has ordered the court to observe it strictly, and to pray for the success of the army. Nothing but sermons for enjoyment.” I have drawn a stool up near the fire, and my shoulder is slowly giving up its pain to the heat; I hope the Male Goddess will not mind that I must keep Lent with the rest of the court.

“Mect has taken the time to go on a visit,” says Voss, as if imparting amazing news.

“To his old aunt, or so he claims,” I finish for him. “And Oduvit is abed with a cough and the flux. So you have only me to wile your hours away for you.” The odor of roasting pork is making me so hungry I find it hard to put two ideas together. “Elsinor will be thin of company until Easter, or so I suppose,” Voss announces, as if he expected the pig on the spit to dispute his statement.

“No one is expected to come,” I agree, grateful that I will not be required to do more than keep up with the Prince for the next several weeks. “But we may have news from the war, and that sooner rather than later. Now that the roads are passable, Hamlet will surely send us his messenger.” As I speak, I miss my King with an intensity that all but makes my eyes water. “Polonius has already dispatched his messenger to the south.”

“And the fellow can expect to arrive there anytime between now and May,” says Voss, sighing. “Still, with the countryside bare of livestock, it is just as well, I suppose, that we need not take anything more from the farmsteads around Elsinor; the farmers would not like to part with their stores. Not,” he adds judiciously, “that they have it to give.” “Truly,” I second. “The farmers and peasants are all pushed to the limit. If they starve, the castles starve. It is a pattern known of old.” I recall the many times my father read to me the acts of the Kings of Denmark, and how they inevitably shared the fortunes of the meanest of their subjects, whether it was their wish to do so or not. Voss’ attention has wandered, and he checks the roasting pig, pricking the skin with a long fork so that the hot fat comes sizzling out, blackening as it falls to the hearthstones; the smell is so potent it might be chewed.

One of the scullions sighs as the roasting continues, almost smiling in anticipation of the meal to come.

“Sweet as a sinner in hell,” says Voss, admiring his handiwork. He laughs at his own wit, saying to me when he is done, “You may repeat that if you like. There are those who could profit from a reminder of what befalls those who break Commandments and oaths of fealty.”

I nod twice, and wonder if I dare do such a thing with Hamlet at war and his court ruled by his Queen and his brother. Doubtless in time I will learn.

* * *

This year the spring is boisterous and eager, with plants all but erupting from the ground, ready to bloom. With Lent over, the court once again demands entertainment; for a week these duties fall to Oduvit and me, for Mect has not yet returned from his visit. When he comes back to Elsinor a few weeks later, he is met with such a welcome as might flatter him unduly, so glad are we all to have another jester to fill the evening hours and find new sources of amusement, though that jester is the Emperor’s spy.

“What word from the war?” Mect asks as we sit in tubs in the bathhouse, a sheet hanging between us.

I can hear the note of apprehension in his question, and I know that he is asking for his master as well as for himself. “The regular courier was here on Maundy Thursday,” I tell him, letting the water splash to give me a moment to think. “He brought word that the army is on the march again, having wintered near Lubeck. The Poles have not engaged them in combat yet this spring, but they were keeping Lent, too.”

“Yes,” says Mect unhelpfully.

“Hamlet has informed the Council that it is his intention to advance as far as he can before he meets the Poles in battle, to take as much ground as he can without having to fight for it. He would not want to have to fall back over ground already captured.” Everyone in court is talking about this plan, and doubtless Mect has heard it before now. “The Council has approved the plan.” “They are more fools than we,” scoffs Mect. “They do not suppose that their endorsement is needed by the King, do they?”

I hear this with some trepidation; it sounds to me as if Mect is unaware of the dangers the King faces from enemies at home, and since this cannot be the case, I fear he has allied himself with those enemies against Hamlet. I sink deep into the water to let the heat soak the hurt out of my shoulder, and then, I let him have my response. “Any King who believes all the foes are in the field is not clever enough to keep his crown. And Hamlet is not one such; his dispatches are as much to warn his enemies at home as to report his progress against them in the war.” Whatever Mect answers, I cannot hear it, for Oduvit has arrived and is bellowing the most licentious verses imaginable. I let myself rest in the water, and prepare to face the court come evening.

MARGITHA

The Queen is in a petulant mood, and this is reflected in the way she trowels the earth in her garden. She is discontented with the finery of spring. As she readies new beds for her seedlings, she glares at the ground.

I am following the Prince, who has not yet started to walk, but who is pulling himself along with great speed, sometimes crawling, sometimes supporting himself on the stones that outline the flower-beds. He goes with determination once he is moving, but he often ponders where to move next. It is difficult to keep up with him. “Your instruction is lacking, Sir Yorick,” the Queen tells me suddenly. “Your pupil has not spoken more than a few sounds.” She pushes back to her knees on her mat. “Do you take him inside and try if you can at least get him to prattle.”

It is still within me to be disappointed by her disloyalty to the King, but I know there is nothing to be gained by entering into a dispute with Gertrude. I bow to her, “As you wish, my Queen,” I say, and go to scoop up the Prince, who has dragged himself upright by the slender trunk of a half-grown cherry tree. “Come, young Hamlet. Time for lessons.”

“See that he rests when you are done with your teaching,” says Gertrude, with a quick, uneasy glance toward the gate at the end of the garden. “I will be in later.”

“I will tell Margitha,” I say as I trudge for the inner door, the Prince slung over my shoulder; the boy is uncomfortably heavy now, and I long for the day he walks and I will be permitted to set him down when he is too much a weight for me.

Gertrude makes a distracted gesture with her hands, and then looks toward the gate again.

By the time I reach the Queen’s apartments, Hamlet has begun to doze. I decide it is not the best time to instruct him with ballads and lays and little rhymes, and instead carry him to Margitha, saying, “The Prince is tired.”

“Of course,” says Margitha knowingly. “The Queen is gardening, isn’t she? What could be more natural than that the Prince should be tired?”

“Margitha,” I warn her as I put Hamlet down into his cradle. “It may be true, what you suspect, but it will not do to have you speak of it.”

“Oh, only with you,” says Margitha, her manner suddenly circumspect. “But what can I think? I am her close companion, and she says things to me.…” Her courses have not come this month, nor last. Unless God has rendered her barren, I can think of no reason for it than that she is with child again. And since the King is at war.…” She shrugs. “If she sends me away from court, what will become of me? And how can she not, given what I know?”

I go to Margitha’s side, and put my hand on her back to reassure her. “Do not think that. She will have to keep you here for that reason. If she does not, she cannot be certain you have not confided her secret.” I frown as I say this, for I cannot think what will become of Margitha if it is true that the Queen is pregnant. Just thinking the word shames me and I shudder to consider what could become of Gertrude if Hamlet ever learns of it. As if sensing my thoughts, Margitha says, “I do not know what will happen to her. It is not possible for the King to acknowledge a child of hers as being of his issue from the time he has been away. But if he banishes her, it could go badly for him in Lorraine, and all of France, if her father defended her.” She folds her arms as if trying to protect herself.

“I do not know how to deal with her. I don’t know what to say to her. If I mention my fears, she rails at me.”

This is so like Gertrude that I am moved to smile, albeit sadly. “Do not think too badly of her,” I say to Margitha, “She has been seduced by a man determined to embarrass the King.” Margitha flushes. “She says he loves her.” This with the same stubbornness the Queen would show if she were defending herself. “She says that he wants to be her lover honestly and openly, but that it is impossible.”

“No doubt it is what he tells her. And no doubt he means it, at least when he says it, for he would not be convincing otherwise. How else would he contrive to make her forget her duty?” I notice the bitterness in my own voice and it shocks me. I think of all the things I have heard Gertrude and her ladies say while I played for them before the Prince was born, and now I feel that I am the greatest traitor of all, for I said nothing to Hamlet so that he could fix the Queen’s affections as well as her responsibilities before he left for battle. If I had spoken, the King might have shown her the attention and tenderness she seeks, and she would not have listened to Claudius’ wooing. “It is fortunate for him that he will not have to put his vows to the test.” “Last night she was distraught,” says Margitha.

“Small wonder, if she has reason to think she is pregnant,” I say, hoping the Male Goddess will forgive me for what I am considering now: if Gertrude has miscarried before, might she not miscarry again? Or might something worse happen to her?

“I am afraid for her. In this state she could work herself an injury.” She says it in a sideways manner, as if she were squeezing through a half-open door.

I guess what she wishes me to say. “Women who are overwrought often do not carry their babes to delivery. It is remarked upon by all midwives.”

“So it is,” says Margitha. “And who is more distressed at fruitfulness than the Queen?”

At this I can only nod, and turn my attention to the Prince. “No one will question your Right, young Hamlet. You are your father’s son, and so it shall be always.”

“Every son is his father’s child,” says Margitha absently as she busies herself in the chamber. “It is seen everywhere.”

“Yes, everywhere,” I agree as I stand watch over the Prince.

* * *

Oduvit, of course, suspects the worst. He throws his head back and crows. “Do you see how she walks? Her back is starting to bow with the weight of her sin. By autumn she will waddle, and no lie she tells will convince anyone that this is the result of rotten meat—unless Claudius has a pox, and then the corruption will run through her like a spring tide.” He nods toward the banquet hall where the court is gathered for the usual evening meal and entertainment. “See how he leans over her. He has done that before, you may be sure of it. And look how he dangles his fingers on her hand. He might as well crawl inside her clothes and nuzzle her dugs. He is as much as tupping her with his eyes right now.”

“If he hankers for the Queen, more fool he,” says Mect as if the subject bores him. “And if she succumbs to his blandishments, more fool she.”

“Oh, she has succumbed, no doubt of that.” Oduvit drinks more mead, and I decide to serve him often tonight, so that anything he says while he entertains will be thought of as drunken maundering. His spite is well-known, and he is never more vicious than when he is drunk; the courtiers make jokes about it among themselves, for which I thank the Male Goddess for the sake of the Prince I serve.

No word has come from the front for more than two weeks and everyone is growing restive, though no one wishes to speak about it. I can read the anxiousness in the eyes of the Counsellors, and I hear them whisper their doubts, one to another, as speculation as to the meaning of the silence reaches absurd heights. I glance in Oduvit’s direction and see that his cheeks are growing ruddy, which pleases me and serves my purpose well. “The Queen,” I say to catch his attention, “is loyal to the King.”

“That again,” scoffs Oduvit, and refills his tankard. “It is unwise to drink too much,” I warn him, knowing that nothing is more likely to goad him to inebriation than being cautioned against it.

“Tell me that you do not think she is pregnant,” Oduvit charges me. “You do not lie well, Yorick. So face me and tell me she is chaste.”

“Whatever she is,” I answer in deliberate evasion, “she is the Queen and it is our task to honor her for the sake of Hamlet.”

“Father or son?” asks Mect with a lift to his shaggy brows. “Both of them,” I answer. “For both of them are Denmark, and never more so than now, when the King is at war and all the hope must rest with his son.” I help myself to a little of the mead so that it will not appear I am avoiding drink entirely, though tonight I do not want to hamper my wits any more than I must.

Mect laughs more readily than Oduvit. “A shame you cannot serve on the Council, Yorick. Hamlet would be better off with you there than half of the men who are. You, at least, are loyal and would serve Denmark before you sought to advance your own interests, and that would be an astonishing event for the Council. It would also be a welcome change for Hamlet to have one true ally, other than Horatio; you are not cantankerous.” He tugs on his chaperon. “It is time I went and made a few jibes about spring plowing and planting. They expect it of us.”

“Be careful of Polonius,” I remind him, taking his words to heart. “Now that he is back at court, he is determined to advance himself through his diligence. In the Council he has made himself the model of rectitude. He has the excuse of his wife’s death to be demanding of us. He may decide that such matters as we talk of are too frippery for his ears.”

“Ah, Polonius,” says Oduvit with a show of teeth. “Yes, so very pompous and grave now that he is a widower. As if no man has ever lost a wife before. He has made himself unwelcome almost everywhere. Poor fellow.”

“Nevertheless, do not cross him, or it will go badly for all of us,” says Mect. “And you will not have anything important to tell your master, Ludwig,” laments Oduvit sarcastically. “How unfortunate, to leave you in such a coil. You will have to make things up to compensate for your fall. Or tell him of the Queen’s pregnancy, no matter how vehemently she denies it.”

I refill his tankard, and say to him, “Oduvit, your spite is worse than poison. It will not save you in your hour of need; remember that.” “So full of good advice you are,” says Oduvit, and makes a hoist of his tankard in Mect’s direction as he trudges out to caper for the high table.

GERTRUDE

Three weeks later Gertrude grows ill, listless and peevish; the malady comes on suddenly, with the first real heat of spring, and she takes to her bed, allowing only her women to approach her. Nothing Margitha can supply her eases her suffering, and she languishes, ordering me to remove the Prince along with myself, so that he will not have to watch his mother in pain. Then she lies back in a half-swoon born of low fever, sore limbs and profound cramps in the guts.

I comply with her orders, spending my time in her sewing room, watching after young Hamlet, doing my poor best to keep the child from fretting, though he is keenly aware of the emotions around him. In the evening, two Guards are summoned to stand at the door to protect the Prince and the Queen, and a nurse is set to care for each of them, worthy women who have the endorsement of the Bishop as well as the Chamberlain of the castle. The boy is guarded, which I trust gives Gertrude some comfort in her travail.

On the second day, the Queen grows worse, and Margitha begins to worry for her. She hurries out of Elsinor on an errand only she knows, and I am left with a young chambermaid to press cool cloths to Gertrude’s brow, trying to offer her the solace of tales and occasional cups of herb-water.

In the next room, the young page Osrick is given the task of caring for the Prince, amusing him while his mother battles the illness that has seized her.

By the time Margitha returns with an ancient crone from the woods near the town, the Queen’s mind is wandering and she is murmuring phrases in Lorraine-French that I hope only I can understand, for what she mutters could bring catastrophe upon her. I recognize adored and desire each associated with Claudius. It frightens me on her behalf that she shall be in more danger than her illness demands. The little chambermaid is terrified, and her eyes are huge as she watches Gertrude toss and pick at the covers.

Margitha signals to the old woman to approach at once. “You can see, she is not improving.” “The evil is still in her,” says the old woman with certainty as she advances on the bed. “She will have to be purged. And quickly, or the trouble will cause her to sicken and die.” It is an abrupt decision, but given with the force of experience behind it. “I will need a basin. And you must bring me hot water and a large, clean cloth to make a poultice for her belly. I have the herbs ready. She will have to be rubbed until it is finished. I will tend to that, but you must do the rest.”

The chambermaid scurries away, grateful for any reason to be gone from the room, and I long for such an excuse. “What do you wish me to do?” I ask, reluctant to remain. “You go and take care of the Prince,” says the old woman, dismissing me as unnecessary. “This is no place for a man, in any case. The Prince will have need of you; I do not.” It is all she is willing to say to me, and she shoos me out the door with the same motions of her apron as she might drive away the chickens in her yard.

I bow to her, saying, “I will want to know how she fares.”

“Certainly, certainly,” she promises impatiently, “Now get you gone.”

With a mixture of relief and foreboding, I leave her to her work, trusting the Prince will not demand to see his mother, for now that he is speaking a few words, he has become quite autocratic, and as his servant, it falls to me to carry out many of his orders.

Hamlet is fussy; his teeth are hurting him as they grow, and he senses the apprehension around him, which causes him to worry. I try to play the shawm for him, but he will have none of it, threatening at one moment to take the instrument from me and smash it against the floor, then screaming because I will not allow him to play with the fine needlework the Queen has been working on. At last I pick him up, throw him across my shoulder and lope around the room, singing a breathless little song about the boy who learned to cheat death; while in the other room, Hamlet’s mother cries out, making me tremble as I romp with the Prince.

* * *

“The Queen is recovering,” I report to the kitchen cat a few nights later. I am grateful to the Male Goddess for having delivered Gertrude from her illness and her bastard at once; the fact that I suspect the events are related is something I dare not speak aloud even to the cat.

The kitchen cat continues to gnaw at the meat left over from my supper; it is venison, and the sinews are very strong. Yet she is more than willing to do what is necessary to devour the food; indeed, she seems to find extra enjoyment in her eating because of the chore it is.

I watch her eat as I undress and throw myself onto my bed, the two quilts now a bit too warm for the night. I close my eyes and tell myself I am ready to fall asleep, but of course, no sleep comes. For the next hour—revealed by the chiming of the clock in the Guards’ Tower—I do my resolute best to shut out the world and find sleep. But the more determinedly I pursue it, the more sleep eludes me. At last I sit up and strike spark to the rushlight.

The kitchen cat has curled up at the foot of my bed, her head resting on my covered feet. She looks at me in disapproval as I move; anything that disturbs her earns her displeasure.

“It’s nothing to warrant your ire, merely my own disquiet; pardon my inconveniencing you,” I tell her with all the courtesy I can summon, and as much to account for my sleeplessness to myself as for any real need, I pull on a chamber-robe and march out to the latrines. When I have finished my business there, I return to my room, passing by the Guard station at the back of the castle, where I hear a familiar voice. “…done well,” he is saying to what I must suppose is one of the officers.

“It is an honor to serve you, Regent,” says the officer in just such an unctuous tone as Polonius might use.

I pause where I am, leaning up against the wall to borrow shadows and safety from it; I try to breathe silently, the better to listen and the better to hide.

“You dedication is deeply appreciated,” says Claudius. “The Queen will reward you, as soon as she is risen from her bed.”

“Time and enough for that,” says the officer, and there is the sound of coins chiming together. “This is more than sufficient thanks, in any case.”

“Yet you will let her distinguish your service,” says Claudius with such purpose that the officer coughs once. “Very good, Captain,” he approves.

“It is nothing, to be rid of an old woman, and such an old woman as that one is a danger to everyone, anyway,” the Captain declares. “She was ancient enough that she could have been blown away by a heavy wind.”

“But we cannot depend upon such good luck, can we, Captain?”

“If you say so,” the Captain replies, and again the coins sing their soft golden chorus.

He waits for a heartbeat or two, and goes on as mellifluously as he would do if he were speaking to a beautiful woman. “You may have all the advantage of favor or all the weight of disfavor; it will be as you decide, Captain.”

“I have sworn myself to you and I will uphold my oath with my life, if it comes to that,” the Captain says.

“I am pleased to hear it, though I join your hope that such drastic actions will not be necessary,” Claudius tells him, and then puts a question to the Captain about game in the forest, and what might be expected to happen to any unfortunate left to battle against the hungry denizens of the wood.

I hasten away from my vantage-place and make my way back to my room with an uneasy mind. Has Claudius paid the Captain to murder the old woman whom Margitha brought to help Gertrude? It seems so to me, but I know that I may be mistaken. As I throw my chamber-robe aside and draw the quilts up to my shoulders, I speak to the kitchen cat, who has come walking up my body to nuzzle me under the chin. “It could be that they do not mean that woman. It could be she is not dead. I want to be wrong in what I fear, little mother.”

* * *

The kitchen cat kneads my chest, her sturdy paws working steadily, as I try again to find surcease in dreams, all in vain.

WAR

A company of wounded have arrived at Elsinor. These are the ones who have been hurt badly enough that they are not worth much in the fray, but are not so badly wounded that traveling would worsen their injuries, They are received as great heroes by the court, and there is much celebration all through the day and into the evening, when I am sent to their barracks to entertain their feast; tonight the court will content itself with the tunes of the musicians and the pleasure of dancing.

Finding amusement suitable to the soldiers is difficult; it is not like making merry at the court, for these veterans are more blunt in their tastes, and they prefer broad pranks to honed wit. Therefore I and the other two jesters are at pains to cut capers more in tune with the marketplace than the halls of Elsinor. We are welcomed with hoots and hollers that are as genuine as the most delighted applause offered by the high-born of the court. While the soldiers dine on roast pig, baked lamb, new cheese, pease porridge, monk’s stew, bread, and Rhine wine—a gift from the Emperor—we do what we can to keep them cheerful as well as happily fed.

Mect limits himself to juggling, for he has very little experience of soldiers to guide him, and his mind does not recognize the things that make them merry. Still, when he juggles two daggers, a short axe and a haunch of ham, they whoop and stamp their feet for him, and approve his skill with ribald suggestions as to what else he might be able to juggle, and how.

Oduvit is pleased and contemptuous at once, for he does not like to use his talents for such as these, though his two-sided jests are richly approved by the soldiers. He drinks along with the soldiers and before they are finished with eating, he is too drunk to stand upright, and his tales have gone from salacious to lewd.

I begin when his speech becomes so slurred that not the most indulgent of the soldiers can pretend to understand him. I scamper over Oduvit where he sits, reciting the most obscene lyrics I have ever heard him speak; I bow to the soldiers, and survey their obvious injuries, from missing limbs and eyes to shocking burns and scars that would affright young children. “So,” I say to them, “if you are so ill-used, what does the enemy look like?”

This is welcomed with a cheer and a hearty guffaw, and one man with an eye gone with half his face, shouts, “Worse than this!”

The men drub their tankards on the table and howl approval, a few of them going so far as to throw torn crusts of bread at the speaker. They chant blasphemous oaths in cadence with their pounding tankards. “Right you are!” I concur as bravely as I can, leaping upon the bench and from that to the table, where I make my way through the remains of the meal, pointing out first one dreadful token and then another. “Where did you skewer the other man, then?” This to a man with an arm hanging limp at his side, the sinews cut by a ferocious wound to the shoulder.

“Through the heart,” he cries, and points to my humped back. “I’d have got his shoulder if it were as big as yours.”

I laugh along with the rest of them, and do a jig as I continue on my way down the line. “You!” Singling out a fellow with his leg gone at the knee, “So long as the Pole did not walk away.”

“He did not move,” promised the soldier, to another round of cheers. “He will be sprouting forget-me-nots shortly.”

“And you!” I round on a stripling who breathes with great effort, the result of broken ribs. “Did you leave the foe any air at all?”

The lad is pale and not as quick as some of them to make light of his hurts. But he rallies and declares, “Not a breath of it, for I have need of it all.”

More cheers and a few friendly thuds on the table endorse his answer.

I choose another fellow who is nursing a mangled hand, “What did you require of the enemy?”

“Not enough. He lived to crawl away.” Then he adds, “His guts trailing behind him.”

The man who started this roistering, the one with the ghastly face wound and gaping eye socket, bellows at me, “Too bad that hump isn’t hollow. Then all soldiers would want one.”

Some of the men are so convulsed with laughter that they cough heavily, their faces darkening.

I make my way back to the one-eyed soldier, reach for his tankard and empty its bounty of Rhine wine over his head, much to his delight and the delight of those around him. “If this were hollow, I should carry more weapons than you can imagine in it. And enough food for a winter in tents. In fact, I would make it larger, so that I could shelter in it during bad weather.” There is little invention in what I say but the men are so used to hilarity that they laugh anyway. I bow to them all and scamper down the length of their tables, patting my hump and grinning.

The one-eyed soldier wipes the wine from his hair and eyes, and looks up at me; it impresses me strangely, to have that single, bright blue orb shining next to such corpselike ravages. “The King’s own jester has christened me, and I am new-born,” he exclaims, and is seized with giggles so encompassing that he draws his knees up to his chest and shakes.

I bow to him, and once again wander down the table, selecting one then another to exchange verbal buffets with. As I go, I cannot help but wonder what will happen to them, these men who have already spent the strength of their manhood in battle.

Later that night, as the two of us sit in the Refectory, I pose the question to Mect, who shakes his head, “Some will recover, and they will go back to the work they began as lads. But some will not be able to. They are the ones who will live to curse their valor, and the name of the King. Farmers need both arms, and though a man with a wooden leg can drive a horse, he is hard-put to ride one.” “It isn’t impossible,” I point out. “When I was a boy, I knew a man who had lost a leg and who had a saddle made for him that would permit him to ride. It even had a scabbard for his crutch. He was a factor for several merchants, and so did not need his leg for his labors.”

Mect nods. “But a saddler needs both hands, and the hands must be strong.” He stares at the wall. “Some will eventually go to the Church, and it will take them in as monks, or other servants. Those whose wounds are too disfiguring will have to be given work where they will not often be seen, so that they will not be stoned by the peasants for bringing bad omens to them.”

“The man with the missing eye—” As I say this, I think of him again, calling him sharply to mind. “He is horrible to look upon.”

“That he is,” says Mect. “For all his scars make him a hero, they also make him a monster.”

“What do you think will become of him?” I ask, for it seems to me that if my face had been as misformed as my body, his fate might well have been my own.

“If he does not become a beggar, he will be set to work that keeps him apart from the rest of the world. He has not lost his wits, as some who are hideously injured do, and therefore he can be trusted with duties that the mad cannot accomplish.” He leans back and fixes his gaze on the dying fire in the small grate. “It is lamentable that valor should have such a high price. But it is the nature of war to destroy.” “Does the Emperor know you think that?” I ask him, astonished that he could hold such deep convictions when I have not seen them clearly until now. “I do not say that war is unnecessary,” Mect corrects me. “It is the way of the world, and nations will vie with one another. But there is always a cost, and it is more truly measured in flesh than in conquered ground.”

I look at him in continuing surprise. “You speak as if you know of these matters from life.” His curt reply is one I half-expect. “My father was a soldier, and two of my brothers were as well. If I had not been…as I am, I would have followed them into war for the Emperor.”

“And what became of them? Your father and your two brothers?” For a moment I doubt he will answer me, and then he shakes his head as if driving off a miasmic presence.

“One of my brothers is a Captain in the Emperor’s army. The other died of wounds when I was little more than a boy. My father is still alive, but he has not been himself for many years. He often wakes in the night, screaming that he has been left on the battlefield among the dead and that pigs and bears are coming to eat him. It happens, you know; the wounded are devoured along with the dead.” His voice is distant and dreamy, and he recites these calamities as if he speaks of someone else entirely, someone in a story or the object of a jibe in a play. “My uncle is a priest, and he has come to exorcise these demons from his mind not once but many times, and still he wakes in the night.”

I can think of nothing to say.

“He prays for God to forgive him for his sins, and then he declares that not even God can do that. When he is most bedeviled, he subjects my mother to treatment that would shame a Turk.” Mect puts down his tankard and directs a hard look at me. “He deserves better than pity.”

“Most certainly he does,” I agree at once.

“He is not a coward; he has not forgotten his duty to the Emperor. He has done all that a man might who wishes to serve those who rule him. This is an excellent thing in a man of valor. He fought with courage and he was victorious over the enemy, which is the greatest service he could render.” Now there is more force in his words, and a kind of anger I cannot redress with sympathy or scorn. “It is terrible for him that his sons are not able to accomplish what he has done.”

“And you have shown him honor by doing the Emperor’s work in another way, one that is just as dangerous as meeting the foe on the field,” I tell him at last, hoping that this is what he seeks to hear.

“Yes, I hope this is so, not that my father will ever know of it, given that my tasks are secret. But it is all I can do, given how God made me.” He drinks down the last of his wine and shoves himself to his feet in one long gesture.

I watch him stand and only then do I realize that he is very drunk; until now he has not shown it in his manner or his speech. But his attempts to keep upright reveal that this is almost more than he can do; as I watch, he reels out of the room and makes his precarious way down the corridor, headed toward his chamber; very soon after, I go to mine.

HAMLET

All through the spring and into summer I tend young Hamlet while Claudius and Gertrude dally in her garden, secure in their treason; my shoulder aches constantly from young Hamlet’s increasing desire to be given ever-longer rides, and as the days wear on, I put more emphasis on telling him tales and singing ballads. Slowly, and with many errors, the Prince begins to sing along with me the words of the great sagas of heroes and Denmark. His interest extends beyond our borders, and he often asks for the lays of those who have left their marks on history, particularly ones that recount the perils of independent thought or the hazards of unhallowed love, though what a child of his age can know of either puzzles me. He is especially fond of “The Adventures of Abelard the Frenchman,” and often does his best to sing the refrain:

“Let everyone pray for his soul

And praise his greatness of mind;

He sought an unreachable goal

For the glory of all humankind.

Yet the price he paid

For the love of a maid

Exceeds all rewards he could find.”

Margitha often keeps us company, her manner remote enough to make me think she feels shame in being made to keep the secret of her Queen. If that is why she holds herself aloof, I cannot think ill of her for doing it. But it means that there is little conversation between us, and so I devote my time to the Prince, repeating his prattle and singing ballads to him I trust the King would approve.

Young Hamlet is growing into a slight but sturdy child, with straight hair that is prone to fall into his eyes. He is not as noisy as many babes, often spending long hours staring out the window, his eyes alight with curiosity as he points out one thing and then another. I tell him what each one is in turn, and he sometimes repeats what I say, usually in an abbreviated form. He is learning to take stock of the world around him, and doing it at a very early age. By the end of June he is making his first essays at walking, and though he does not achieve great success, he continues with a determination that reminds me of the King, and brings him praise from his mother.

By the start of summer, old Horatio’s son arrives at court with his older sister to accompany him—and find a husband. The boy is a stubborn child, with a set to his jaw that promises an intractable old age; he is clumsy in his overtures of friendship, the more because he is not at an age to behave gracefully. He and Hamlet do their wary best to be friendly, but it is hard-going, and often their encounters end in fits of sullens from both of them. At those times, Horatio’s sister, the nine-year-old Eglantine, scolds her brother for not setting an example, since he is older than the Prince. Hamlet is not often reprimanded by Margitha, who is too much shocked by Gertrude’s conduct to enforce her will on the Prince.

In July comes word that Hamlet and the Danes have won a great victory, and for the next week, Elsinor celebrates the news with feasting and more entertainments. Mect is more pleased to learn of it than is Oduvit, who is now drinking from midday until he falls asleep over his tankard at night, making him all but useless for the festivities, or anything else.

A troupe of mummers arrives for the August celebrations of the first haying, and takes to entertaining the court with their dancing and odd performances that are half dumb-show and half play, with strange costumes and traditions that puzzle me and Mect. They are from England, and only their driver speaks Danish, so we are reduced to eating together in noisy nonunderstanding, doing with mime and repeated gestures what we cannot accomplish with words. Their leader is a non-descript man nearing forty years, with a cheerful face and deep-set eyes who chuckles at his own jokes and shakes his head in disbelief at the appalling sight of Oduvit sprawled at the foot of the long table, his face pressed into his trencher.

Mect and I do what we can to make a better impression on the English mummers, but as they cannot comprehend our jibes and jests, they have no way to tell if we are skilled at what we do or not.

After a month the mummers depart again for England, their leader taking the time to do his best, in the few words of Danish he has learned, to thank Mect and me for serving as their hosts. Then he mimes standing on the deck of a rocking ship, the wind at his back; it is his last performance here.

When the mummers are gone, Mect and I are again sent to entertain the newly arrived wounded, and again we do what we can to make the burdens of their wounds more bearable. Oduvit accompanies us, but does little more than drink with the soldiers and tell them rambling, scurrilous stories about the court.

Then one night in mid-September, when thunderstorms skulk in the night sky, Oduvit suddenly announces his intention of speaking the truth for a change; his audience is the assembled servants of Elsinor, and they are eager to hear whatever tidbits he can offer them. He is only half-sprung, and therefore he makes a modicum of sense when he talks. Hands on his hips, he paces down the length of the servants‘ hall, declaring that it is time to set aside the lies we had all embraced and to put our hearts to the task of dispelling all mendacity. Everyone listening supposes that this is meant as an opening salvo to outrageous statements, and so they whistle and stamp their feet to encourage him. For once he is offended by this endorsement and regards them all with scathing contempt. “You do not want to see what transpires here, under your very noses. You make yourselves blind and so doing you defile yourselves.” He flings up his hands. “If you seek dishonor so ardently, who am I to deprive you of it?”

“How do you mean, dishonor?” asks one of the understewards, at the same time nudging his neighbor with his elbow. “We listen to you. Isn’t that enough?” “Dishonor,” says Oduvit with determination, “because you will not speak out against treason and adultery where it is so plain that a man without eyes would know it from the odor of rut on the air.” He bends down and farts deliberately. “You can smell that, can’t you? Then why do you not decry the stench that rises from the Queen’s bed?”

His anger is making some of the servants uneasy, especially those who have good reason to suspect that Oduvit really is speaking the truth, as he vowed he would.

“You are willing to serve a Queen who betrays the trust of the King and Denmark nightly in the arms of his brother!” The speaker is an under-steward, a man who has worked within the walls of Elsinor for twenty years.

“At least she keeps to the blood,” says one of the clerks, who fancies himself a bit of a wag. “Who can fault her for preferring the more gallant of the brothers? Half the women of the court sigh for the Regent.”

“They say the Prince is Claudius’ child,” declares one of the others, emboldened by the reckless statements Oduvit is making. “And well he might be,” says the clerk who spoke before. “Not that the King would be willing to say so. Nor the Queen, come to that.” “And with the King gone, and the Queen so young, is it any wonder she seeks comfort in her loneliness?” asks a young footman who has a growing reputation among the women of the castle as an engaging cad, greedy for favors but chary of affection.

Oduvit is laughing at this steady recitation of malice. “It would astonish the Queen to know that her servants see so much, for she believes that she is circumspect and discreet.” “If this is discretion, what is folly?” asks the clerk.

“Having that child she was bearing live to be delivered,” says Oduvit, and relishes the shock he has created all around. “They say she was taken ill from bad food, but it wasn’t that. She had no rotting of the guts and no bloody flux, but there was blood enough when it was over. And we all know what makes women bleed.” He snickers and shoves his elbow into the side of the scribe sitting at the end of the bench.

“All women have monthly courses,” says the scribe primly.

“So they do, but when they are with child,” agrees Oduvit. “And afterward they bleed for all the months they retained the blood to nurture their babe.” He chuckles and looks in my direction. “Ask Yorick. He is often in the presence of the Queen and has reason to know her secrets.”

I bow to the other servants, and then, very pointedly, to Oduvit. “You will have to forgive me, but I cannot speak of what I learn in the Queen’s confidence,” I remind them all. “It would be worth more than my life, or yours, to repeat anything, whether it is so little a thing as what the Queen prefers to eat in the morning.” “We know that already,” declares the senior serving-maid, a woman of middle years with a shapeless body under her more-shapeless clothing, “And we do not expect anything else. Yorick is right. He is not permitted to repeat what he hears in the presence of the Queen, or the King.”

The servants acknowledge this with varying degrees of satisfaction, a few of them going so far as to reveal their dissatisfaction with this arrangement by blowing out their cheeks and whistling around their tongues. “Yes, it is true enough,” says Oduvit. “And those who break the rule may shortly find themselves broken as well. I do not think that any of us would live long if we had any actual knowledge of the doings between our Queen and the Regent. But we can give testimony of what we see. And the sight of the King’s brother panting over his wife, and her naked yearning for him, should be enough to make all of you aware that Hamlet is being betrayed in his own bed.”

“Have you seen it?” asks one of the understewards.

“Of course not. If I had, I would not be breathing still. Gertrude may be lax but she is not a stupid woman. I know that she is determined to keep her position, for the sake of the Prince if not for herself.” His laughter indicates that he does not put much faith in her determination to protect her child.

“You should not speak so,” warns Voss, who has been growing irate as he listens to the claims Oduvit is making. “Whether what you say is true or not, you could bring ruin on yourself for speaking it, and on all of us, for listening to you.” “What better way to confirm the rightness of my claims than to do away with me?” asks Oduvit with malefic innocence. “If they are guilty, they dare not harm me, for that unmasks them as what they are. It is fitting that they should answer for their treason. If they are only caught in the toils of unfulfilled lust, then they have no reason to silence me, or punish you for listening to me; those without sin have nothing to fear from wickedness, or so we are taught.” He rocks back on his heels and nearly oversets himself. “I say that the whole of Denmark is disgraced, and that the curse of this wantonness will follow the Throne until the last of Hamlet’s line is dead of it.”

The servants stare at him, astonished and bemused at the fury of his outburst, and one of them turns his head toward the door, as if to see if any of this is observed. Finally Voss reaches over and fills Oduvit’s tankard, sighing profoundly. “It is folly to listen to a sot when he is half-sprung.”

The others nod and mutter agreement amongst themselves, grateful for some good reason to pay no heed to what Oduvit has been saying.

“Have your jest, Oduvit,” says Voss with all the authority of his size and his position “but be careful to say these things only to those of us who know that you are drunk and will take no offense at your tirades.”

“Yes,” says an elderly footman, “and keep your assertions about the crimes you suspect of the Queen to yourself. You have bandied such rumors about for more than a year and nothing has come of it, but that you have caused a good woman distress.” He nods once and this gesture is echoed by several of the gathered servants.

Oduvit has taken a long draught of his mead and now he glares at those gathered around him with contemptuous wrath. “So. None of you has the courage to speak the truth. Not one of you has enough honor to point out treason, though it is at the very heart and root of Denmark.” He throws back his head and brays. “They deserve you.”

I feel my face redden under the lash of this accusation, and I leave quickly, knowing that most will think that my shame is for being a jester like Oduvit, rather than my sharp knowledge that I am the worst of them all, and most deserving of the excoriation Oduvit has delivered. But I am the King’s jester and his knight, though no one puts much stock in my title but I, myself. I know what is required of me and I commit myself anew to the mission Hamlet has given me. Let Oduvit, or anyone, say what he might, I will be loyal, no matter what the cost.

COUNCIL

At the end of September, a courier brings word that the army will be in the field through the winter once again, and this time the requests for supplies and more men is not met with favor in the Council, for the sacrifice required has less promise of later bounty than when the campaign first began. Polonius himself admits to doubting the outcome of the war, and recommends that Fortinbras be asked to send men to the battle. “For although we have pledged to use only Danish soldiers, I believe it is fitting that we broach the matter with him now, and ask that he honor his promise of support with greater zeal than he has before.”

A number of the Counsellors nod gravely and make signs of agreement. A few of them have an attitude of disapproval which they did not reveal when the army was preparing to march.

“We must not undertake to compromise our standing with Norway,” says Claudius, in unexpected endorsement of his brother’s appeal to the Council for more supplies. “If we show ourselves craven now, they may repudiate their alliances with us, and then instead of a foe to the east and a friend to the west, we may well find ourselves isolated, with only the Emperor to the south to endorse us. And he has reasons not to engage in our disputes with Fortinbras, because of his treaties there.” This warning is received unhappily, the more so because it is well-founded. I listen in surprise, and cannot keep from wondering as the debate goes on, whether Claudius is more determined to protect Denmark or to keep his brother on campaign, far from Elsinor and his Queen.

The Counsellors are prepared to debate the issue, several of them puffing up to bluster; I watch them from my place by the King’s chair, and I long for a needle, to poke them with.

Claudius stops the dispute before it can begin. He rises from his place. “Until we know more specifically what is required, we will not be able to act on the King’s request. I recommend that we do nothing now. When the specific orders of requisition arrive, we will be better able to assess the amount of assistance we may need from our allies. In the meantime, I suggest that each of you send word back to his estates to determine what you have that you can send to the campaign when it is asked for.” Polonius looks shocked, then collects himself, “These points are well-taken,” he says in a pompous voice that bids ill for his conduct in old age. “I, too, think it is wisest if we all prepare to deliver to Hamlet those things he requires, and to that end, I advise all of you to determine what you can most readily spare for the King. Do not be laggardly in your valuations,” he admonishes them further. “It is no time to be niggardly in our support of the King’s efforts in the field.” Trimalchius, an aged Counsellor from the west, totters to his feet and regards Claudius with ire. “You do not deceive me with these prudent words you spout. You are trying to make the people resent your brother, but it will not succeed, to blame him for their hardships and their losses. They know that Hamlet goes to war for their protection, and that if they want their men-folk to come home, they must see his army is not left without supplies. You cannot use this ploy to bring about dissention anywhere in Denmark but in this chamber.”

A few of the Counsellors applaud his statement, but many of them eye him askance.

“Trimalchius is old,” says Claudius, making it an apology. “You will all have to understand he is inclined to see spectres.” His understanding chuckle grates on all of the Counsellors. “Trimalchius,” says one of the younger Counsellors, “is a loyal subject of King Hamlet, and we would all do well to emulate him.”

This time there is more enthusiasm in the remarks of the Counsellors; Claudius and Polonius exchange uneasy glances. “It is fitting that we serve the cause of the King, as all Denmark must,” Trimalchius declares, riding on the sudden swell of support.

“Yes, of course it is,” Polonius interjects before Trimalchius can work himself up into a proper harangue. “And we will discuss it as soon as you Counsellors have got your inventories from your estates.” With that, he signals for a dismissal of the Council.

“A near thing,” observes Trimalchius sarcastically as he leaves the Council Chamber. “Who knows what would have happened if you had allowed us to continue?”

I consider the question as I make my way toward the Queen’s garden, hoping that I will arrive there before Claudius does.

HAMLET

Hamlet has learned a number of words, and he practices them with steady determination. He often sits alone and recites all of them, repeating them in his soft, childish voice. The Queen has renewed her interest in the child and she speaks of him in a loving way that is much like her devotion to him when he was born.

But I perceive another purpose in her care; she wishes to bind him to her, and to know everything she can about him, so that she will not be given away by some chance remark made by the Prince when the King returns. If her son is determined to protect her, she will have nothing to fear from his father. When I am summoned to play and sing for him, Gertrude joins us, and adds her sweet voice to our song. Young Hamlet basks in this new-found affection, and quickly learns which of his antics most delight his mother. It is important to him to please her, and he is at pains to make her glad of his company. He is occasionally joined by young Horatio, who is fascinated by the Queen; the Prince resents the attention given to the older boy, and becomes truculent when Horatio is praised.

So it is that in late October we have gathered in the Queen’s apartments, smelling the deep, earthen smell of the first rains. I have brought my theorbo to accompany the songs I know will be demanded of me, and I take up my post on the low stool by the fire, where I busy myself tuning my lute while Gertrude sits on the floor, encouraging her son to run as best as his squat little legs will let him. Margitha watches all this with a simpering smile, as if this display of motherly concerns banishes the Queen’s sins. “What song will you have today?” Gertrude asks young Hamlet as she catches him in mid-hurtle; the boy is laughing wildly and squirming merrily in his mother’s grasp.

“Let go! Let go!” the child shrieks, trying to wriggle out of her hands.

“What song will you have today?” she repeats with so fond a smile that the boy cuddles next to her and lets her touch his soft hair. “If you do not tell Yorick what will please you, he will think you do not like his songs, and will be troubled.”

Young Hamlet looks up at me, his eyes huge. “Yorick.”

He spoke my name shortly after he said “Mama,” and it still gives me great pride to hear him struggle to mouth my name. He does it very well, though I would be gratified even if he made a complete hash of it. “Tell me what you want to hear, my Prince,” I say to him, plucking the strings of my theorbo, listening to the drones hum in sympathy with the chords I have touched.

Hamlet watches me, considering his choices, then cries out “Sentry.” He makes a single, determined twist and manages to break free of Gertrude’s hold on him. With a crow of accomplishment, he scampers away from her, and a moment later falls down, a victim of his own exuberance. As he starts to whine Gertrude reaches for him again and gathers him in, comforting him. “Sentry. What does that mean?” she asks me as she pats his hair and cradles him against her bosom. “I think he means the ‘Legend of the Black Sentry.’” I make the answer a careful one, for the ballad is not one the Queen approves of. “With the headless monk and the ghost on the ramparts?” Gertrude asks, looking faintly scandalized. “What … why should this child like so … bloodthirsty a tale as that one?”

I shrug and answer as truthfully as I can. “I have observed over the years that children often revel in the most horrendous tales. They delight in the macabre, and take pleasure in that which offends older minds.” I begin the first chords of the song. “If it will make him happy, I will sing it.”

For once Gertrude does not cavil; she makes a slight gesture giving me permission to sing.

As I begin the tale of thwarted love, Hamlet falls silent, no whimpers or sobs mar his attention. By the time I begin the third verse, he is humming along with the melody as best he can, and when I near the end he is trying to keep up with the words as the ghostly sentry declares his vengeance is achieved. With the closing chords, Hamlet demands that I sing it again.

“One time a day is enough,” says Gertrude, who has listened with her mouth in a straight line through the last of the song. “I am sure Yorick has other songs you like to hear. Well, then.…”

“Well,” I say to Hamlet, starting up the jaunty strains of “The Cowherd and the Highwayman”, “I think you will like this adventure as well.”

The Prince is not as satisfied with the clever ploys the cowherd uses to outsmart the rapacious highwayman, but toward the end of the song, he taps out the rollicking rhythms with his feet, and squeals when the song describes how the cowherd kills the highwayman by throwing him into the midden.

“Why do children relish such things?” Gertrude wonders aloud, her expression fond. She releases the Prince, and he bounds away, crying out a jumbled version of the last stanzas of the song. “I am sure I never wanted such songs when I was young.”

I regard her seriously. “You may not have, but if you did not, you were a very strange child, my Queen. I mean no offense in saying it.” This last is hastily added, and I cannot tell if she is willing to accept my apology or not.

“He is a good boy, my son is,” she says to me rather suddenly. “He will be a good King when his time comes.”

“If nothing prevents his reigning,” I add, and encounter a sharp look of disapproval from her. “He is still very young, and not all children live to grow up,” I remind her, and cough delicately. “Young Hamlet is a sturdy boy and he has great promise, but he will have to live long enough to see his father buried before he can wear the crown.”

Gertrude’s face is sad now. “It is true enough. Three of my brothers did not see age five, and two of my sisters were dead before ten. It would be folly to leave the Prince unguarded at any time, and from any harm.”

“It would be better,” I say as circumspectly as I can, “to have more children, my Queen. That way the hope of Denmark would not rest on a single branch but on several.”

Gertrude flushes. “With the King at war….” “Yes,” I agree when she fails to continue; then I decide that it is my one opportunity to remind her of her duty. “But he will return eventually, and then he will be eager to ensure the succession. It is not my task to tell you what you already know is your purpose. You are a noblewoman, raised to be a good wife to your husband, and free of the expectations you might have had as a burgher’s daughter. As Denmark’s wife, you have an obligation greater than that of most wives, to give her husband the heirs he requires, for those heirs are Denmark as well as your children.”

She looks at me, a number of emotions playing across her face as she considers her answer. “No doubt you are right,” she tells me at last in a tone that is as flat as her features are animated. “When the King returns . . . “

“When the King returns, you will do what you must,” I tell her, and see her sad smile as she nods.

Then the Prince oversets her embroidery-frame and shouts in triumph and aggravation, demanding the attention of his mother and me. And when everything is set to rights again, Gertrude asks that I sing “The Tale of the Sea Raiders”, during which long recitation Hamlet falls asleep, and I am sent away, the song unfinished.

ODUVIT

For the Prince’s Natal Day celebration, Oduvit and I are given new chaperons, with bells on the points of the caps; Mect is provided a new suit of clothes in bright colors, with a new staff with painted bladders attached to it. The Queen has arranged for a number of jugglers to come to Elsinor, and her father has sent two French troubadours to entertain the court. Claudius has led the hardiest of the courtiers into the forest to bring back stags and boar for the feast, and as the evening festivities begin, he strides about, accepting the admiration of the courtiers for his daring in the hunt.

“You’d think he’d fought a mother bear with a single knife,” scoffs Oduvit as he overhears Claudius describe how he and two others ran down a boar and speared it from horseback. “What chance did the boar have, I ask you? And what bravery is needed in such an unequal contest?” “Best not to mention it when you are performing,” warns Mect as we watch from our place in the gallery where the musicians will soon play. “There are too many at court who are now basking in Claudius’ favor to want to hear his reputation smirched.” “They are fools, then,” Oduvit says with scorn, “Thinking that Claudius will be able to reward them for their sycophancy.”

“Such a great word for a jester to toss about,” Mect remarks, arching his brow.

“It is one we all come to know well.” Oduvit gives Mect a hard stare, then looks back toward the men around Claudius. “What else would you call that? They are lickspittles, all of them.” “They are the lords of this court,” says Mect without showing any signs of deference because of it. “They are stronger than you or I. Hamlet is not here to save us. They could crush us with a word.” His voice is distant, as if he were talking about the flights of birds or the portents of weather.

“Not you; they wouldn’t dare. And not Yorick,” he adds, rounding on me. “You are the favorite of the Prince, and his mother shows you a regard that she exceeds only with Claudius. They could not harm you without offending the Queen and the Prince, which is dangerous.” “Perhaps it is,” I say, preparing to go down to the hall below to entertain. I tug my new chaperon more closely into place and think that the kitchen cat will be pleased to have the old one to use as a nest.

“But they could put paid to me, like that,” whines Oduvit. “They could make me vanish as quickly as a conjuror would, and no one would ask where I had gone, or care. You do not know what it is to live with such fear.”

I wish I could disagree with this statement, but the words will not come. I do not want to argue with him, not about this, in any case. I look over at Mect to see if he has anything to offer; when he remains silent, I clear my throat. “Only two large roasts, and half the usual number of cheeses. The feast is not as grand as it was last year, no matter what the courtiers claim.”

“They’re sending food to the army,” says Mect distantly. “There are less than two bullocks laid down in salt in the pantry. And half the cheeses are gone, as well; until the war is over, we must say farewell to lavish dining.”

“The King must feed his army,” agrees Oduvit. “And the court has no need of all the dainties they hanker for.” He laughs abruptly. “The courtiers can congratulate themselves on the sacrifices they make for the King.”

“It would not be wise to say so tonight,” I caution him, planning to select the most recalcitrant of the courtiers and aim my jibes at them, so that the court will be able to laugh with a clear conscience, and those who have spoken against Hamlet’s campaign will know that their conduct has been noticed. “I would be cautious if I were you; it would be an easy thing to make you the target of the court’s displeasure.”

“Make me the target? For speaking the truth? Why should that make me a target, Yorick, any more than any jester is? Because the Queen would not like it? Or that poppinjay Claudius?” He flings out his hand in the direction of the object of his contempt. “Look at him. No woman was ever more vain than he. All rigged out like an Italian dancing master, all velvet and lace and silk, his hair as bright as a candleflame. Most courtesans are not so handsomely adorned.” He gives Mect and me a scathing look as if we selected Claudius’ wardrobe. “In his way Polonius is worse,” says Mect, nodding in his direction. “You would think he had fifty years on him, the way he behaves.”

“He is become so since his wife died,” Oduvit declares, and cannot resist the urge to continue. “Mourning has given him the right to assume a gravity that is not fitting in a man his age. Mourning or gloating.”

I look at the two of them and bow slightly. “I am going down. The musicians are coming, and they will want the gallery to themselves.”

“Very well,” says Mect, glancing over his shoulder in time to see a tall young fellow with a curved crumhorn in his hands step through the curtain at the back of the gallery. “We’re just leaving.” Oduvit points to the musician. “See that your infernal pipe keeps its tune, will you? Why do crumhorns always stray from true?”

“They are curved,” the musician says by way of answer, which is no answer at all. By the time we descend the narrow stairs, the court is preparing to sit down to supper, those below the salt jostling for seats while those above go to their appointed places. There is a steady tide of conversation sweeping over us, and the first notes from the horns and pipes above us has begun.

The festivities have that forced sense of delight that too often comes when the kingdom is not thriving as one would like it to thrive. Polonius makes his way gravely through the room, speaking in measured tones and calculated aphorisms, determined to impress upon all the men in the room how sagacious he is. A few of the servants follow in his wake, distributing little buns stuffed with pepper sausages and pouring mead for those who wish to warm themselves.

On the dais, Margitha is trying to hold Prince Hamlet’s attention, wagging a toy in front of his nose and making cooing sounds, though he will have none of it. He stares about the room, occasionally pointing out something that interests him and crying aloud to identify it. He is alert, watching everything with an attentiveness that promises great things for his rule. Those around him pretend that he makes no such outbursts, for they are not appropriate to this splendid gathering.

By the time Gertrude takes her seat beside Claudius, the musicians have made headway and are able to announce the beginning of the feast with a splendid fanfare that is marred only slightly when the crumhorn, predictably, loses pitch.

The Queen raises her tankard and calls for God to bless the King and the army with honor and victory, and waits while the assembled guests get to their feet to endorse her toast. The heartiest echo of them all comes from Claudius, who adds his own request that God return his brother and all his good men home without harm. “For now the whole of Denmark rests on the infant shoulders of young Hamlet.” “Return the King unharmed. And say you all, amen,” intones Polonius, nodding at the flurry of “Amen’s” that follow.

This is my signal, and I bound out to make my bow to the Queen and the Regent, which I do as courtesy demands. But when I bow to young Hamlet, I bow as if he were his father; I show the depth of my respect and devotion in the style of my bow, and only the most brazenly drunk miss the significance of what I do; young Hamlet points to me and shouts my name, and for once the court laughs at this antic.

In the course of the next two hours, the banquet becomes more unruly as the mead flows and the conviviality increases. The servants begin to stagger under the weight of all the viands they bring to the guests, and Claudius castigates them for their laxness. I perform again, more outrageously than before, since the court now longs for broader humor. When I am finished—and my garments are spattered with food and mead—the call for Oduvit goes up.

“He’s had so much to drink, I doubt we can get him on his feet, and if we can, he’ll be in no condition to speak,” whispers Mect to me as I move into the area under the gallery where we are assigned to wait.

“Where is he?” I ask, looking around as I swab my face with a rough towel. “Where has he gone?”

“Out the corridor,” says Mect, shoving his elbow toward the corridor leading toward the rear of the castle, and the latrines. “How long ago?” I cannot shake off the sense of trouble that grips me then.

Mect shrugs. “A little time since. ‘You know how he is when he is bibulous. He complained of being bored. He said he did not want to be forced to listen to your prating. He condemned the whole evening as a waste of time and said he had better be sick now or risk throwing up on one of the Counsellors.” He has the grace to look embarrassed.

Beyond us, the diners are calling for Oduvit in a ragged, insistent chorus, stamping their feet and thudding their tankards on the table, rowdy as soldiers on leave now that the eating is nearly done and the carousing is about to begin. Through it all, I can hear the single, high cry of Prince Hamlet, upset by the noise. “We”d better find him,” I say to Mect, “They want him out there.” “They certainly do,” says Mect in agreement, “I‘ll go. You finish tidying up.” He pats my arm and is about to go when I decide to go with him.

“It may take both of us to bring him back, if he is very drunk,” I remark, wishing I could make a joke of it; I toss the towel over my shoulder in order to neaten myself when Oduvit is found.

“So it might,” Mect concurs, and stands aside so that I can venture down the hall ahead of him.

The torches make long, irregular shadows of our passage, and the cries of the guests quickly become a steady baying that follows us out toward the rear part of the castle.

“Ah.” I say as I catch sight of Oduvit sprawled against the wall, his chin on his chest. “The drink was too much for him.” I hurry toward him as quickly as I am able, and I reach down to shake Oduvit’s shoulder, my fingers knowing before the rest of me is aware that Oduvit is stiff. I stifle a sudden cry and draw back, bending down to get a better look at him. Oduvit’s eyes are open, staring blankly into the darkness where his soul has gone. I draw my hand back and ask the Male Goddess to protect him, and me. “What’s the matter?” asks Mect as he comes up to me. Then he pauses, and I realize that he knows Oduvit is dead. “It must be the drink,” he whispers after protecting himself with a Christian blessing. “It was certainly something,” I say, feeling that I am babbling. I pull the towel from my shoulder and put it over Oduvit’s face. “They will have to be told,” I add, not wanting to leave Oduvit alone; it is bad enough he is dead, but to be abandoned as well is unthinkable.

“I will go find someone,” offers Mect, glad for some reason to be away from here at this time. “A Captain of the Guard, do you think?” My first inclination is to say yes, but then I think of how the Guards gossip worse than women around a quilt. “Make it one of the senior stewards. And have the court physician sent for.”

Mect has already started away from me, but now he asks, “Why?” “Because Oduvit is dead.” I put my hand on his shoulder, as if to guard him in death as I never wished to do in life.

“And that is reason enough, do you think? to have the physician come? Oduvit was a sot.” He starts to laugh, but cannot do more than make a slight, strangling sound as he stares at the corpse.

“If he died for more than drink, it must be known,” I remind Mect, trying to keep my voice steady, though not quite succeeding. “It would mean that there is danger close to the Queen, and the Prince.”

“The Queen and the Prince, yes, it is possible.” Mect cocks his head. “You say nothing of the Regent.” “No, I do not,” I answer, and set my mind to the task of watching over the body. It is hard not to stare at Oduvit’s husk, but out of respect I turn my attention toward the courtyard beyond, with the baths on the far side, steam arising from the windows even now; the soldiers must be bathing, I think inconsequently. Or the women who are not of high enough rank to dine with the court. The image of the kitchen cat floats through my mind as I consider these women, and I know she is grander by far than any of them could aspire to be; I have to stifle a chuckle.

No more than a breath later I hear a footfall behind me; I start to turn. Something strikes my head and I fall across Oduvit’s outflung legs. When I awaken, dawn is near and my head is throbbing; it hurts to breathe too deeply but I cannot stop gasping for air, as if I had lain in the depth of the sea and not on the stone floor. Gingerly I assess the damage I can reach: there is a swath of scratches on my face caused by the rough stones where I fell. My hands are scraped on the knuckles; closing my fingers aches. I can feel a knot in my skull the size of a hen’s egg. My eyes are gritty and my mouth is like dirty flannel. When I try to stand up, I have to steady myself against the wall, my gorge rising with the effort. I squint my eyes closed and put one hand to my head. Finally when I am certain I will not vomit or fall, I slowly open my eyes once again, and peer through the grey morning gloom.

The courtyard is empty, the corridor deserted, and aside from a swath of cleared ground, Oduvit is gone. Mect is missing, and I feel terribly alone, as a deer facing a hidden archer must feel alone.

* * *

The kitchen cat seems troubled about me as I stumble into my chamber in the first cold light of morning, glad of the darkness I find there. She twines around my legs, tail up, making urgent cries up at me, occasionally half-rising on her hind legs to butt her head into my hand. It may be that she is only hungry, or anxious that I did not sleep in my bed as I usually do, but I flatter myself she is aware that all is not right with me and she is concerned because of it. As I sink onto my bed, she jumps into my lap—most unusual for her—and begins to knead at my thigh, purring. “Enough of claws, little mother,” I warn her quietly, petting her head slowly and telling myself that the touch of her long, soft fur makes my hand feel better, which it may do.

She pays no heed to me whatever and continues at her self-appointed task.

I lean back noticing now that my whole shoulder is deeply sore. The hump tingles as if it were frozen and only now coming back to life, filling me with twinges and stretches that promise a day of misery. Belatedly I search under the mattress for the image of the Male Goddess, and I hold it against my chest, asking Him-in-Her for solace, and relief.

“Oduvit is dead,” I say aloud, equally to the kitchen cat and the Male Goddess, “Someone killed him. He was murdered. I saw his body. I fell across his legs. But this morning he was gone.” I do not like the implications of my words, and though I groan from the hurt in my shoulder and back, I know that some of the emotions fueling the sound come from dread. “Mect was supposed to bring him aid, but he never returned.” The kitchen cat shifts her position, seeking a more advantageous stretch of flesh to knead. Her purring is so steady and loud that she is like a millstone running in late spring and I wonder that all of Elsinor cannot hear her.

Finally I make a nest for myself, with my blankets drawn up around me, the kitchen cat for once content to be nestled against my chest with the Male Goddess.

A few hours later young Osrick awakens me, demanding that I attend the Prince. Then he sees my face, blanches, and hurries away. Shortly thereafter Voss surges into my chamber, a basin in one hand, a cloth in the other.

“What happened to you?” he demands as he holds up his rushlight to get a better look at my face.

“Someone attacked me. I think,” I answer carefully. “Last night, after the banquet. I came upon Oduvit—”

“When was that?” Voss interrupts without apology. “When did you see Oduvit? He is missing, and the Queen is furious. She says that he went too far in his jesting and she wishes to hold him to account for his jibes. He made such accusations of her that she will not turn away on the grounds that he was only mocking gossip.” He comes to my bed, and bends down, his girth more impressive from this angle than any other. “I suppose he came to his senses and has taken to the woods for a day or two, until the Queen is no longer angry.” “He was…lying in the corridor when I saw him,” I answer and wonder at my own reluctance to say that he was dead when I found him. Or to tell him that Mect saw the corpse, as well. If only I could speak with Mect, to find out what he has done.

“Drunk. Well, he could be anywhere, then. He sometimes goes into the stables to sleep in the hay with the rats. He’ll turn up when he’s sober enough to walk,” Voss chuckles as he reaches down for my jaw, turning my head so that he can better examine the damage done. “No loose teeth? Best watch for that.” He goes on as jovially as he can. “You’re going to look pretty fearsome for a couple of days; you’ll have to stay out of view, that would be best,” he says at last. “I will send word to the Queen that you need to remain abed for the time being until you are fit to be seen in general company once more. Go out like you are and you’ll scare the horses. Let alone what the ladies might think.”

“That would be kind of you,” I mutter, and hope that none of my teeth have been loosened by the bruise.

“Let me clean you up a bit,” he goes on, wetting the cloth in the basin. “I will have one of the bath attendants prepare a tub for you with pansy and willow. That should help.” He is about to lower himself to one knee when the kitchen cat emerges from her place among the blankets and hisses at him. “So this is the one you have such a fondness for. She is a good ratter.”

“She is a cat,” I say, watching with sadness as she hastily leaves the room as if on important and just-remembered business.

Voss hangs his lamp on the hook over my bed and sets about cleaning me up, all the while speculating on where Oduvit might have taken himself. I am grateful that his ministrations make it awkward for me to speak, or I might say that they should speak to Mect, and then look deep in the midden, where offal and refuse are put to ferment together.

* * *

Three days later I am heartily sick of my own company, now that my body no longer hurts with every breath; now that I am improved, I am restless, and I am filled with foreboding. My chamber seems little more than a tomb, and even the kitchen cat does not linger with me long enough to alleviate the sense of ennui which has seized me when I am not overcome with an abiding fear of impending doom. Oduvit’s disappearance is still the talk of the court, or so I hear from Voss and Mect, who visit me often with news.

“He probably went too far this time, and has not been able to return because of the weather,” says Mect on the third afternoon when he makes an unexpected visit to my chamber. A storm is stalking about the castle with growl and threats but without the snow it promises yet. “When I finally came back—with two saddlers who laughed at me—no one was to be found.”

“You saw him,” I remind him. “You know where he went. He went to the grave.”

“I saw him lying on the floor. You did not permit me to get near him, so I must take your word that he was dead. It was not the first time I came upon him thus collapsed, nor was it yours.” He pares his fingernails thoughtfully. “You were the one who said he was dead, not I.”

“You agreed with me,” I remind him, trying to recall more clearly what we said to each other that night.

“Of course. You were too determined to be persuaded to listen to reason, weren’t you?” He nods toward me. “He has always picked at you, for being advanced to Hamlet as his own. He seeks to deceive you. He may be deceiving you now, and will discredit you when he returns. And you have said before, many times, that Oduvit was taking foolish risks, speaking against courtiers and the Queen. You thought the time would come when he would have to answer for what he said. So you expected to find him dead, as Hedrann and Tollo were found dead.” He gives me a short time to think about it.

“And Hieronymous was murdered, too,” I remind him, and think that I sound more petulant than certain. I do not want to argue with him, not now while I feel so many doubts.

“That he was. And no one was more pleased to have the players gone than Oduvit was. He is missing, that is all I know; anything more is only supposition.” Mect steps into the room and looks critically at my face before deliberately changing the subject. “How are you healing? It is nearing the Mid-winter festival, as you no doubt remember. If you cannot perform, I will have to make arrangements for some other… entertainment. Claudius is worried that we will have poor fare to offer, which is not to his liking. The court must show itself in good heart or the Poles will know that we are worried about the outcome of the war. It would be prudent to let him know what you will be able to do.” His smile is quick and insincere.

“How should the Poles know the temper of this court, pray?” I ask, more to annoy Mect than because I do not know the answer. “There are spies everywhere,” says Mect with the confidence of one who takes pride in his work. “What shall I tell Claudius?”

“I could perform now if I did not have to caper too much. But I think I will compose some ballads to sing for the New Year, and that ought to satisfy the Regent. He will have my wits, which is what is wanted.” I had no such intentions until the words were out of my mouth, but now that I have announced my intentions, I am well-pleased with them.

“You will be able to do that in so little time?” asks Mect, making no effort to conceal his disbelief.

“I will,” I tell him, my confidence growing as I speak. “I will make three ballads.” “And you will perform at supper, as well?” Mect asks with the same doubts as before.

“Of course.” Of this I am less certain, but I dare not abandon my enterprise now. “I will excuse myself from tumbling, but I will sing instead.”

Mect bows to me, his false smile returning, and leaves me to myself.

GERTRUDE

Young Hamlet claps his hands with pleasure when I present myself to him and the Queen. The Prince is dressed in a fur houpelande, as fine as any that might be worn by grown men. There is even a small dagger through his belt where a sword would be for men, though it has been dulled and blunted, and it is lashed to his clothing so that he cannot draw it. Now that he has passed the age of two, he is regarded as a more promising child; and the court is taking a greater interest in him, for his chances of survival look better than they did when he was born. The Queen has not been unaware of the advantage her son provides her, especially with her husband still away at war, and so she has been devoting herself more openly to young Hamlet’s welfare, taking time to show him affection and distinction usually bestowed on older children. “We were sorry to hear of your misfortune, Sir Yorick; my son has missed your company,” says Gertrude as she rises from where she has been playing with her son. “I have asked that the Guard look for any roughian who may have had cause to injure you, and have ordered they be called to account for their actions.” She manages a look of sympathy, which I suspect is not wholly false. “If it was not Oduvit himself who did the deed.” “It was not. Oduvit…was incapable of moving when I discovered him,” I reply, aware that it is not welcome news that another jester had been murdered. “Then the culprit must be found and made to answer for his crime,” says Gertrude with a gracious nod. “Young Hamlet has been asking for you these last four days. I have told him you would return.” Hamlet has reached my side and is pulling at the tippets on my chaperon. “I want to ride,” he tells me.

Though my back still aches and the Prince has become heavier than I would like, I set my theorbo aside, reach down and hoist him up, my body protesting as I move. “There,” I say when he has perched on my hump, where he so likes to be. “I am your charger, my Prince.”

Hamlet laughs merrily, and I feel that all my aches are banished; he is so rarely a happy child that to share his joy brings me a pleasure that ends all suffering. I let myself laugh with him, and I start to make my way around the room, lingering for a time by the fire, for it is cold throughout Elsinor.

“I am told you are going to offer new songs at Mid-winter,” Gertrude says in her studied way. “Isn’t that quite unusual for you?”

“I have done it before,” I tell her; it is true enough, for when I first came to the King’s service, I often sang while I learned the other skills I would need as a jester. “Long ago. You would not remember.”

Hamlet pulls at the horns of my chaperon and urges me to move again. “What will you sing of?” Gertrude persists. I see now where this is leading; she does not want to be embarrassed by anything I might say.

“The King, most surely, and the Prince, and then of the old Kings of Denmark. It would be fitting for the new Year to recall those who have come before.” I give the answer easily enough, and know that to an extent it is true, for when Hamlet’s first wife was alive, these songs were a favorite with her. I begin to circle the room in a slow skip, to give young Hamlet the sense that he is galloping over the world. “That seems appropriate,” says Gertrude, and looks away toward the bright window where the pale sunlight gleams with the deceptive promise of warmth. “How long will the song be?” “Long enough,” I answer, starting to be winded by my efforts.

The Prince hoots in pleasure, and drums with his heels. “Yorick is my horse. Good horse, Yorick.”

“Thank you, my Prince,” I tell him.

Gertrude must hear my fatigue, for she gestures to me to stop. “Get down, my son,” she says, coming to lift him from me. “It is not wise to tire a willing mount, lest he become less willing.”

Hamlet sulks as he is put on the floor; his eyes smolder with outrage but he says nothing. His mother brushes his hair back from his forehead. “Laertes is coming for Mid-winter. And his little sister Ophelia. Do you remember her?” There is a slight catch in her voice as she speaks. “Her mother and I agreed that you and Ophelia would marry, if your father made no other arrangements for you.”

“What about Horatio?” asks Hamlet in that oddly grown-up manner he has been taught to have. “Will he be here?”

“Of course he will. He is your play-mate.” Gertrude looks over her shoulder at me and gives a slight shrug.

“You will have friends around you, my Prince,” I say, suspecting that it is Gertrude’s wish to have this done. “You do not often see children of your own age. This way you will have welcome companions.”

“Yes,” the Queen says at once. “You will have the start of your own court, my child, and you will have to learn how to conduct yourself at court, readying yourself for the time when you are King.” She lowers her eyes and shakes her head, “You will be King one day, my son. Never forget that.” “I will not,” says Hamlet in that grave way children have. “And when I am King, Yorick will…” He has not learned the words to say what I will do. Then his somberness vanishes and he points to my theorbo. “Play me.”

I bow promptly. “What would you like me to play?” I ask, dropping onto the floor and reaching for my instrument at the same time. “Tell me the song you want me to sing for you, my Prince.”

“About me,” says Hamlet, glancing once at his mother to see if this is permissible, “A good song about me.” Gertrude nods her permission and says to me, “If you have some song that will serve his purpose?” So I begin to pluck out the chords of “The Magic Mill”, substituting Hamlet’s name for Ahmlodi’s through the whole tale of intrigue and revenge; all the while the little boy watches, his eyes rapt.

MID-WINTER

A courier has come not an hour ago, bearing news that the Poles have agreed to a truce and that the war has ended. Never have I seen Elsinor thrown into such chaos as it is now, for suddenly the Mid-winter festivities are to be linked with a victory celebration, which will be on a far grander scale than anything the court has prepared for, though the day of the celebration is not yet upon us.

Since the arrival of the courier, I have been on the battlements, wearing my warmest garments against the new snow that is coming down steadily from vast swaths of clouds, looking to the south as if I might be able to watch Hamlet’s army approach as I watched it depart so many months ago. I realize it is folly to do this, and eventually the cold drives me indoors.

Voss is distraught, tearing about the kitchens, issuing orders for more food and better preparations from all of his staff; suddenly confronted with the demands of so fine an occasion, he has rallied himself by bullying his underlings, commanding them to work at many, often contradictory, things at once. His face is red with effort and determination, and his cooks jump at the sound of his voice as he continues to bellow instructions. The understewards have been drawn into the fray, and they receive his brusque orders with feigned hauteur.

I pause to watch all this consternation as I make my way toward my chamber, thinking as I go that I will have to make another song for the occasion, and finding no words whatever coming to mind.

The kitchen cat greets me from her place on my clothes. She yawns hugely, showing her teeth and her curling pink tongue, then settles down again.

“Hamlet is coming back,” I tell her as I sit down.

She drops the end of her plumey tail over her nose, showing how little the return of the King means to her; she pretends to fall asleep. “He and the army will be here within the month; that’s what the dispatch said.” I rub my face with my hands, wincing a little at the remaining twinges at my jaw. “They are going to make the Mid-winter festivities a victory celebration.” I repeat these things as if they are in a foreign language, one I barely comprehend. “Claudius sent a courier to Fortinbras to ask for envoys to attend the festival. There is not enough time for that, but they will be here soon enough, and then we will have banquets and hunts and there will be dancing and all the entertainments the Queen likes. Though she will have to give up her favorite entertainment when Hamlet returns.” Just speaking of it makes me fatigued; the events have not yet occurred and already I am weary of them; the thought of what I know of Gertrude and Claudius seems a massive burden. “And what will I tell the King?” This last question comes unbidden, and I hear it in dismay.

The kitchen cat languidly rises from her resting place and comes across the end of the bed to me, making a soft mewing sound as she settles down again in the deep fold of my badger-lined surcote.

“If I say anything, I compromise the Queen,” I continue on, unable to keep myself from weighing these matters. “If I do not speak, I betray the King. I know the King told me I was to tell him everything, but he also said that first and foremost I had to preserve the Prince. But any doubt of the Queen would compromise the Prince, and Hamlet would not want that to happen.” I hate the starkness of the problem. With a finicky shifting of paws, the kitchen cat shifts nearer to my side, a steady, contented purr coming from her in accompaniment to my complaint.

“What am I to do?” I ask, as much of the darkness as of myself or the Male Goddess. “What am I to do?”

For an answer, the cat continues to purr.

* * *

Gertrude wears the Mid-winter Crown and holds her son in her arms. Both of them are dressed in rare Venetian velvet the color of the summer sea—a deep, luminous blue with shadows of green and grey in the depths of it. Gertrude’s cotehardie is a dark, clear blue like a midnight sky, edged in silver, its narrow planchette fretted with beadwork, the enormous trumpet skirts spangled with small silver buttons; the Prince’s ruff is of silver lace. The light from the candles casts its glow on them so that they resemble the great statue in the Cathedral.

The consort of instruments in the musicians’ gallery breaks into the familiar strains of “The Saga of the Grail Knights”, another ploy to underscore the presentation of the Queen as more than Gertrude of Lorraine.

“No doubt Claudius decided on their clothes as well as the music,” whispers Mect to me as we watch the court rise to honor the Queen and the Prince. “It has his touch.”

On his mother’s shoulder, Prince Hamlet yawns and peers up at the candles in her crown, his face uncertain. “Won’t some of them think it sacrilege?” I cannot help but worry the impression is as likely to offend as it is to enthrall. “The Bishop will certainly not like the impiety of this presentation.” “If anyone does, they will keep silent about it. You can see how the others are taken with the sight.” He smiles tightly.

“What would the Emperor say about this display?” I inquire, my voice low. “The Emperor would not let anyone know his reaction, not at this event. It wouldn’t be fitting. Perhaps years later, Claudius would have a private audience with Ludwig and would learn what impact this bit of theatricality had upon him.” He raises his voice a little as the music crescendos. “Not that the Emperor would concern himself with the festivities of Denmark.” “Then why did he send you here?” I expect no answer, nor do I get one.

Given the shortness of preparation time, Voss has outdone himself and made the name Elsinor odious to all the farmers and peasants who live within a day’s ride of the castle. There is a subtiltie of chopped meats—mostly pork and beef—mixed with saffron and cooked in the shape of a man on a throne, made golden by a coating of eggyolks. Around this central figure are five poached fish, each as long as a woman is tall, garnished with pickles, shredded cabbage, and hard-boiled eggs. There are heaps of new cheeses baked in crusts with minced onions and dill, and aged cheeses softened with beer. Five large goats stuffed with brine-olives and rosemary steam beside a dozen geese stuffed with oysters and shrimp, all covered in soured cream and powdered ginger. Roasted herons glazed with honey and filled with dried apples are stacked on a brass platter. Collops of lamb float in a gravy of wine and mushrooms with pepper. Venison ribs are served broiled with mead and bay leaves. Tubs of new butter wait surrounded by wheat-and-oat loaves still warm from the ovens. And there are small meringues topped with candied flowers, as well as a vast array of honied pastries filled with custard for the finish of the meal. The scents and odors rising from the feast are enough to make a man drunk.

“What will be left for the King when he returns, if the court dines like this tonight?” asks Mect as he follows me to the table.

“The farmers will be angry,” I agree, thinking of the relentless demand for provender that the return will occasion, not only for the celebration but for the men of the army, who will surely deserve a grand welcome. All of which the farmers and peasants and fishermen will be expected to supply.

Most of the courtiers are warmly dressed, for the west and east doors are open, to let the Old Year out and the new Year in; most noticeable is Polonius, very grave and grand in a slate-colored huque lined in marten-fur, and accented with grey sleeves of fine Antioch silk, and a neat, standing ruff of impeccable white. And then Claudius arrives, glorious as a sunrise in rose-colored damask, square sleeves trailing on the floor and lined with burnished gold samite. His ruff is gold and frames his face like a halo which has slipped just far enough to be a noose. His shoes are long-toed and lavishly embroidered. He greets Gertrude with a bow, the sun paying homage to the moon. Young Hamlet begins to cry in a steady, determined way that reveals his exhaustion and surfeit of excitement. “What will the King think when he hears of this?” Mect says quietly, savoring the possible scandal. “Never has he shown so much deference to his Queen.”

“It is not his way,” I answer, feeling distracted by the opulence around me. I see a number of Counsellors gather together near the end of the feast table, a few of them shaking their heads.

“No. He would let those who dine below the salt be part of this celebration, but Claudius will not. He courts the court, not the people, which he may yet come to rue.” Mect puts his hands together as if in brief prayer. “And what do we say to them tonight?”

“I will mock the misfortunes of the year that is leaving, as I always do,” I answer, as much to hear myself speak as to answer Mect. “Ah, yes. They expect that of you, don’t they?” He summons up his chuckle once again. “Too bad it is snowing so hard. We will have all the court here at the castle until the roads are passable.” “They would remain until Hamlet’s return, in any case,” I remind him.

“But it will be harder to feed them with the castle cut off by drifts,” says Mect with a philosophical shrug. “I suppose it will be managed somehow.” “It had better be,” I say, thinking of Voss.

Mect and I wait while the guests are seated, then we start to our places for entertaining. I am about to begin when Mect says, “You have not attended many meetings of the Council of late.”

I am taken aback by this casual observation. It worries me that he is paying so much attention to my actions, for why should he concern himself with my doings? “No,” I say at last. “I have been occupied with entertaining the Prince.” “Ah,” says Mect, and winks. Then he turns and begins to make his way down the table, making sharp comments as he goes, leaving me standing in bewilderment and an increasing sense of menace.

* * *

Count Axel is among those arriving from the court of Fortinbras, along with Count Holberg and a goodly company of nobles, a few of their ladies, and their armed escorts. A fortunate shift has occurred in the weather, from snow-driven storms to steady rain; they have made very good time along the wood-shored roads and have arrived here in twelve days from their setting out. They have brought a dozen barrels of salt beef, ten barrels of chickens drowned and preserved in wine, fifty smoked hams, twice that number of slabs of bacon, and a hundred-weight of smoked salmon as the Norwegian contribution to the celebration of the war’s end. The court gathers to welcome the Norwegians; the stables are filled with horses and the whole castle is alive with guests, their servants and escorts. The stewards of Elsinor have their hands full finding accommodations for all of them.

With Count Axel comes Raissa, heavy with child, and stiff with pride. She makes her curtsy to Gertrude as if they were strangers, following the most correct form, and answering the Queen’s questions as if she were a student in class. “It would be a welcome honor to pass an hour with you, good Queen Gertrude,” she says formally in answer to an invitation. “After so long a time, it is flattering to receive such an invitation. On behalf of my husband, I accept your kindness and will do myself the pleasure of waiting on you in your apartments tomorrow at mid-afternoon, if that is to your satisfaction.’”

Puzzled and saddened, Gertrude nods and watches her old friend withdraw. Then she straightens herself on her throne and puts her thoughts to meeting the rest of the Norwegians.

* * *

Laertes has taken a marked dislike to young Horatio; the two little boys sit at opposite ends of the Queen’s apartments, leaving Hamlet in the middle with Hildegarde and the baby Ophelia; the two of them do not know how to play together, and just now, young Ophelia is sniffling back the end of tears from the pranks young Hamlet has played on her. I have pulled up my stool and now sit with my theorbo across my lap, strumming a few idle chords while the women tend the children.

Margitha has gone to get hot cider, so that only Gertrude remains with Hildegarde and me to watch the children.

“It has been a long time,” says the Queen when Hildegarde is silent. “Yes,” she answers, and stares down at the fragile little girl who had cost Ricardis her life. “To me it seems as if years have gone by. Polonius is not often with us, and his mother does not know anything of the great world. I have heard so little about the court.”

“It is the Danish court,” says Gertrude, trying to break through Hildegarde’s painful reserve. “You know what the Danish court is.”

“I remember,” says Hildegarde. She looks at young Hamlet, and tries to find the right thing to say. “I don’t know if I would have recognized him. He is getting to be so big. So strong, and speaking so well. How proud you must be. He’s a very promising child now, isn’t he?”

Now Gertrude smiles with satisfaction. “That he is. And he is a clever boy, as well; he may need that cleverness in time to come.” She reaches out and pulls her son into her arms so suddenly that he yells in protest. “You see, he is like all boys, wanting to be held only when it is his idea. Be still my little love, and let your mother hold you.” She keeps her grip on him until he stops squirming. “That’s better, more like a Prince,” she says to him, kissing his brow. “Mama,” he protests, trying again to break free.

“All right, but you must conduct yourself properly,” says Gertrude, releasing him. She turns back to Hildegarde. “There are times I wish I did not have to let him go, ever. Though I will have to, and sooner than I would like. Now that the King is coming back, he will want to supervise his son’s time.”

Hildegarde looks embarrassed to hear this confidence. “You will be consulted, surely.”

“I hope I will,” says Gertrude wistfully.

“What else would the King do, having been at war for so long? He will be as much a stranger to his son as he will be to most of the Norwegians,” says Hildegarde, with the same, curious distance in her manner. “You must speak to him, my Queen, if you fear you will not like what the King requires of his Prince.”

“Yes,” says Gertrude, capitulating, “You are right.” An uncomfortable silence falls between the women, and then young Hamlet romps up to me and asks me to sing “The Magic Mill”, meaning the version of it I have done for him substituting his name for the hero’s.

Obediently I start to finger the tune on the frets, and start the tale of the young Danish Prince deprived of his kingdom and needing the magic mill to reclaim it. The mill has been stolen by an evil sorcerer who has carried it far away, and the Prince must go very far and brave many perils to recover the mill When that is done, he returns to Denmark nearly a stranger, where he faces and defeats an ambitious usurper in order to reign as the rightful King. Hamlet follows along, singing the parts he can remember with me, humming through the rest. “That’s all stuff,” says Laertes when I finish.

“It is not,” Hamlet objects, rounding on the older boy, ready to defend his favorite tale.

Hildegarde intervenes, carrying Laertes off to the next room; by the time she returns, Margitha is back with the hot cider, and everyone settles in for a pleasant afternoon. The day fades quickly into close evening; Raissa never comes.

HAMLET

Advance guards from the army have been arriving at Elsinor for the last two days, all of them complaining of rain and mud on the road which is slowing the King’s return. Spring is a long way off, though the winter has not been a severe one, and around Elsinor the farmers and peasants are starting to complain of the trouble they are having feeding the court as well as their families. Claudius orders the Guard to go farther afield to bring food, and the grumbling diminishes while the court contents itself with austere meals and simple fare, all in anticipation of the great celebration to come when the King returns. The preparations at the castle continue, but in bursts of activity rather than a steady stream of it, for such uncertainties make planning difficult for all of us. The men of Fortinbras join in the hunting, and strive to be pleased with the circumstances, but they cannot conceal how they chafe at the bit, waiting for Hamlet to come.

I spend as much time as I am able with the Prince. It pleases the Queen to have me do this, and I persuade myself that I am more likely to protect young Hamlet near him than keeping my distance. The other children do not always join us when I visit the Prince, for the Queen has ordered that her son must have certain hours when he keeps to himself; when he is King, he will have to be able to do this, and he will not know how unless he has acquired the skill in youth. The Prince has now learned three songs, and often sings them himself all the way through, his lisping, baby’s voice making the heroic words sound odd. He is most fond of “The Magic Mill,” thinking it is about him when his imagination soars. The second one he likes, to my surprise, is “The Raven’s Song,” and he often repeats the refrain: “never will I forget you, though wolves should eat my bones”. The third is “The Faithless Knight,” about a hero who brings himself to grief by seducing and betraying a married lady. I have often noticed that children have the most blood-thirsty delights, relishing revolting tales of disaster and mayhem that dismay their elders. And the better-behaved the child, the more blood-curdling the tales they love. This, I suppose, must be one such, for the Prince is not a child who shows any other indication of ferocity; if anything, he is too circumspect for a youngster. Or so I tell myself as I do what I can to entertain the nursery party.

It is a very blustery morning, with great, dark clouds massing overhead, and Hamlet has demanded “The Raven’s Song” four times in succession. I have done my best to comply, for it is that or give the Prince rides on my aching shoulder. Young Horatio has joined us, his somber eyes on the dancing fire as I sing the last of the tragic tale.

“They say ravens are not of this world,” Horatio murmurs when I at last set my theorbo aside. “They say they are the souls of the dead who die unavenged.” He looks about in satisfaction, as if he anticipated some vindication of his pronouncement at once.

“Yes, it says so. It’s in the song,” says Hamlet, and sings the refrain again, then looks directly at me and sings the refrain again; “Never will I forget you, though wolves should eat my bones”.

I look directly at the Prince and say “Thank you,” for I sense he has made a pact with me, young as he is, and he will abide by it as long as he lives.

Then the door bursts open and Osrick, the page, hurries into the room, announcing in a breathless voice that a messenger has arrived from the King. “Not more than a minute since,” he asserts, although this is obviously an exaggeration.

“From my father? What does he say? When is he coming? When will he be here?” The questions tumble out of young Hamlet, who has been giddy with excitement at the thought of seeing the King at last.

“His messenger says that he is near, very near. He will arrive the day after tomorrow,” exclaims the young page, his eyes shining. “He will be here before sunset, with his officers to escort him.”

Young Hamlet breaks into enthusiastic screams and races toward the hall, his little legs working as hard as they can to keep him moving and upright.

I look across to Horatio, and wonder what he is thinking behind those smokey eyes.

LOVERS

Gertrude and Claudius stare at each other in dismay, their passion still upon them as they lie under the fur coverlets of the narrow servant’s bed. I watch them, trying not to notice how their hands shape one another’s flesh. “Day after tomorrow?” Claudius repeats. “You’re certain of that.” “The page departed not a quarter of an hour ago, and his word came directly from the courier; I heard them talking in the ante-room to the Council Chamber.” (Though it smacked of poor manners, I had to be the one to tell them; and I had to do it at once.) “They will shortly make it official, and inform you properly. Someone will be dispatched from the Council, my Queen, and you must be prepared to receive him. The courier is with the Council now, and he will not need much more time to complete his report.” I try not to address Claudius at all, but I cannot entirely avoid it, for well he knows his absence will be noticed.

“Who would have thought he could come in February?” asks Claudius, his vexation showing briefly as his fine brow lowers, then clears. “Yes,” Gertrude says distantly, her mind now on other things. “Thank you for this…alert, Yorick.”

“It is for the Prince, my Queen,” I remind her. “I have sworn to protect him, and that means guarding you as well, for what comes to you touches him,” I bow slightly to her, and back toward the door. “They will come to your apartments directly. It would be best if they find you there.” Gertrude tosses her head to show her lack of care, but she is already moving to rise, shrugging off Claudius’ hands and stepping into the chill of the little chamber near the entrance to her garden.

“Not yet,” Claudius protests, and for the first time I think that there is some honest passion for Gertrude in him.

She draws her cotehardie around her. “I must. You know that I must.”

He meets her direct gaze and nods. “Yes. And I will have to give you up to Hamlet once he returns.” The familiar petulance is back in his voice. “Still, you are right, dear love. Go on. The Council must not be allowed to question your loyalty now, of all times.”

Gertrude smiles at him, her face radiant in a way I have never before seen. Then she hurries to the door and rushes down the little corridor to the stairs leading up to her own apartments. I follow after her as quickly as I can, wanting to call no attention to myself, but having no desire to remain with Claudius, where I would no doubt have to listen to him justify what he has done with the Queen; it is nothing I want to hear, not now or ever. Finally Gertrude slows her rapid ascent to permit me to catch up with her, and says to me over her shoulder, “I must know. For the sake of my son, if for no other reason, what … After all that has happened here … What will you say to the King when he returns?”

“Nothing that could harm the Prince, on my oath; I have sworn to protect young Hamlet, and I will do so, you may put your faith in my vow,” I answer at once, knowing what must be troubling her. “Then how will you face the King?” She asks the question that most vexes me.

I give her the answer I have settled on for my own peace of mind. “My first duty is to the Prince, as the King himself requires. Therefore I must not do or say anything that would be to his discredit.”

“And if there are rumors, what will you say?” she demands as she reaches the top of the stairs.

‘”I will say there are always rumors. Hamlet knows this. He heard the whispers about Claudius and you before he went to war. And with Claudius left as Regent, it would be surprising if there were no rumors, given what a place the court is.” I have already thought this out and can answer her with all the swiftness she desires. “So there are,” she responds, satisfied. “I will trust you, Sir Yorick.”

“It is the Prince who may trust me,” I say, and wonder when the words are out, if it is wise to admit so much to these two.

RETURN

Flags and pennons hang like neglected laundry in the steady rain. The musicians huddle in the shelter of a narrow awning, shivering as they prepare to welcome the King into Elsinor once again. Inside the main entrance to the castle, the court has been assembled for the last hour and more, all in their grandest ensembles, and are now trying not to be bored with waiting. The pages and understewards are massed at the rear of the Great Hall, their livery fresh and neat; they whisper among themselves, making a point of saying that they know the King will be here in the next hour.

Gertrude is on her throne, her cotehardie emblazoned with the arms of Denmark; young Hamlet in his cradle beside her, Margitha tending to the child as he begins to fret, plucking at his fine clothing in steady determination to be rid of it.

Mect and I stand on either side of the entrance to the castle, ready to fling the door wide as soon as Hamlet is once again in the courtyard. My shoulder is aching from the two long rides I gave young Hamlet this morning, and from the steady, penetrating damp. “Do you think he will arrive before noon?” asks Mect quietly after a long sigh.

“He should,” I answer. “The courier said he would begin his march with only his Captains at dawn, and that would mean he would be here—”

“An hour ago,” says Mect. “True enough. There could be trouble on the road.”

“Or celebrations,” I remind him.

“Naturally,” says Mect so drily that I would like to throttle him.

A skirmish at the main gates attracts our attention: it turns out only to be two warders disagreeing over a wager they had made.

“This is going to make the evening difficult,” says Mect a short while later. “After all this waiting, they will be testy, and the King will have to allow the feasting to run long into the night. It will be closer to dawn than sunset when we see our beds again.”

“True enough,” I answer, having long since realized that this will be a grueling night for us jesters and the musicians as well.

Mect fiddles with the knobs on his jester’s sceptre, his face set in disapproving lines, and for an instant I think I can see in him what it was the Emperor saw when he made Mect his man. Finally he sighs and stares at the gentle, relentless rain. “I would not like to have to travel in that.” “Nor would I,” I agree, knowing what a ferocious mess an army can make of a good road in the best of times. “If it were snow, at least the ground would be frozen.”

“Harder on the horses, though,” says Mect.

“Yes,” I say, and again we fall silent.

Behind us, young Laertes has broken away from Hildegarde and is running around the Great Hall, screaming glad release of frustration, his arms windmilling to keep him upright and moving. He throws back his head and hoots his defiance at Hildegarde and Polonius, who are converging on him, with a few of the pages jockeying for guard positions to block any escape he may try to make. Young Hamlet cries out, his little fists reaching for Margitha’s hair, the better to pull himself to his feet. He is no longer content to lie back patiently while the court around him grows steadily more restless. “I want up,” he says to Margitha.

Gertrude leans down, smiling. “When your father gets here,” she promises. “Then you will stand up to do him honor.” “You said that before.” It is an accusation; there is no trace of concession in his manner. “He is coming. He will be here shortly,” says the Queen, some of her composure deserting her. “How soon?” asks young Hamlet. “Quite soon,” she answers evasively, and looks toward the door as if she expects the King to appear there by magic.

The Prince sits up, his eyes bright. “I will watch, too.” “Fine,” says Gertrude, looking to Margitha for her support.

There is another flurry of activity outside, this time on the battlements, and a shout goes up from the Guards posted to watch.

Inside the Great Hall, the courtiers are on the alert, their faces bright with the assurance that the King is arriving. Their covert glances at their fellows do little to conceal the air of rivalry that marks this occasion. They smooth their clothes and rub their faces as if to fix them with their best expressions, preparing to make the best of the festivities.

Even Mect adjusts his garments, remarking as he does that we stand a great chance of being overlooked in all this finery, so we had best make as good an appearance as possible. I take his warning to heart and go to work on my own clothes, making sure that my chaperon is hanging correctly over my leather armor.

The men on the battlements are cheering now, and the main gate is being drawn open, the people gathered in the courtyard applauding as the trumpets sound their welcome in the rain. The celebration is less enthusiastic than many would expect, but that, I am convinced, is because of the rain.

“We must be ready to perform,” whispers Mect just before the court takes up the cheering in the courtyard, making the stones of Elsinor ring like enormous bells.

He is riding a big, raw-boned blood-bay, one of those English horses famous for its strength, and I can see that the horse is tired as Hamlet comes through the enormous gate at the head of his men. Officers flock around the King as he pulls in to a stop and prepares to dismount, his long cloak clinging to him like a sail to a mast. I cannot see him come out of the saddle, but I can see he does it slowly, which is unlike him. Behind him, his Captains are dismounting, too, and their exhausted horses are being led away by Guards. The King pauses to embrace two of the officers before entering the castle.

Claudius rushes forward and goes down on his knee to his brother, embracing him as he is motioned to rise. For once Claudius is dressed with restraint, but whether that is out of respect or because of the rain, I cannot guess.

As he approaches the entrance to the castle, I can see that Hamlet is still moving slowly, although this may be only because of the press of people around him. Claudius is falling in at his side, walking on Hamlet’s left. As I watch them approach, I cannot rid myself of the fear that the King has been badly injured. I hear the musicians behind me move into place and brace myself for the noise of the fanfare that is coming to mix with the cacophony of paeans.

Both Mect and I drop to our knees as the main door is flung wholly open and the buisines, horns, cornettas blare out a great shout of victory. The cheering increases to the level of a riot.

Hamlet pauses in the door and the court falls silent. He looks around the chamber, which is the first time I see there is a patch over his right eye and the red weal of a scar above it, marking his brow with a stretch of red. He is thinner than when he left, his hair is all white, and his mouth is a single firm line above his beard; he stands straight, but I can see that he is worn to the bone. If he is aware of Mect and me, he gives no sign of it; he fixes his attention on the court and the Queen.

Polonius steps forward, bowing as deeply and as gravely as he would to the Emperor. His huque, lined in marten-fur, is splendid to see. His leggings, of the finest wool, mold to his well-turned calf. Next to Hamlet, he is like a dancing master in a play. “Thrice welcome to your own castle, my King.”

There are the ritual cheers again, and the musicians sound another peal of joy. “How gracious you are, and how royally you welcome me home,” Hamlet answers, his voice rough and low. “What an occasion you have made of this,” he goes on, his single eye sweeping the room, its gaze piercing in its intensity. “My men and I are very fortunate to have such a welcome on so wet a day.” He makes his way toward the thrones, where Gertrude has risen. “’I thank God for your victory and safe return, my King,” she says, her voice unsteady. Sitting in his cradle, young Hamlet pushes his little fists into his mouth and tries not to whimper. “How kind of you, my Queen,” he says, his voice heavy with irony. He mounts the stairs to the throne, shedding his water-logged cloak as he goes; young Osrick hurries to gather it up and earns a sharp look from Claudius for his efforts. “How good it is to be received so gallantly, and after so long a separation. I am…grateful to you for this, you must know I am.”

Gertrude is taken aback by this cynical greeting, and she blanches as she looks at her husband. “I pray you will take your place by my side.”

“Is it warm still?” asks the King, glancing once at his brother and then back at his Queen. “Very well, let us get this done and over with.” He glances over at the cradle where Prince Hamlet is standing, his little face working in concern at the emotion surging around him that he does not understand. As the King bends over him, his son draws back. “So. Prince Hamlet.” The King turns to his Queen. “How is my heir?” “He thrives, my King,” says Gertrude, glad to be on safe ground.

“And he has the look of our line, wouldn’t you say?” Hamlet asks her, his single eye jeering as he strokes the boy’s hair. “He is a fine child,” says Gertrude, her voice rising.

“He may be quite handsome when he is grown,” says Hamlet with a significant look at Claudius.

“May God make him worthy of his crown, not his face,” says Claudius at once, his manner still subdued.

“Amen,” says Hamlet, staring at his brother. He rubs his beard and sighs. “All right. My thanks to you all for your service to Denmark while I was gone to war,” he says loudly, so his words carry throughout the room; his voice is harsher than I remember it being. “Your many good deeds will be fittingly rewarded in time. For now, I ask that you allow me and my Captains an hour to bathe and dress as befits this occasion. We are wet and mired, not suited at all for this place, or the grand company gathered. We do not want to offend any with our unkempt appearance.” He claps his hands twice, and a few of the musicians are alert enough to sound a ragged fanfare. Hamlet bows to Gertrude. “Be of good cheer and wait a little longer. I will join you within the hour, my Queen.” He starts down the steps, without having actually occupied his throne. A buzz of speculation follows him as he makes his way toward the corridor leading toward the baths; Hamlet continues on his way as if he hears nothing. Then, as he reaches the arched doorway, he signals to me, “Yorick. Come with me,” he orders.

My anguish turns to relief as I hear this. I bow quickly and rush after him, leaving Mect to stand alone in the drafty, half-open doorway.

* * *

“We lost too many good men, and that is the great crime of war, that the finest men must fall in its path, like lambs to the sacrifice,” Hamlet tells me a short while later as he sits in the largest of the tubs, the hot water rising around him, enveloping his face in wreaths of steam. “It is very hard to see good men die. I did not think we would have such losses, but the Poles.…”

“It is hard to see anyone die,” I remark, handing him the soap. “The Poles are hard fighters, let no one tell you otherwise. They hold their lines to the very limit.” He rubs at the back of his neck. “I will have to let the barber at me before we carry on with these festivities. I feel shaggy as a goat.” He motions to me to go. “The barber, Yorick.”

I hurry off on this errand, and shortly come upon the handsome new bath attendant, a fair youth with shining dark hair, like a raven’s wing, and large, melting eyes any girl would kill to possess. His name is Esmond and he is putting brushes out at the tubs the King’s Captains will soon occupy. He smiles at me in his most winning way, and says, “Was that the King who came in with you just now?” “Yes,” I answer.

“He will need his hair and beard tended to, no doubt,” says the bath attendant, his eyes greedy at the thought of doing service for his King.

“No doubt. He has sent me for his barber.” I say this to some purpose, and wave a dismissal toward him. “There are others who will be pleased of your help.”

“Officers,” says the young bath attendant. “Captains,” I correct him as I hasten on my way.

But by the time I find the barber and lead him back to where the King is bathing, the young attendant has already set about the task himself, lathering Hamlet’s hair with soap mixed with woolfat and oil of pine. The barber turns to me in disgust.

“He has more help than I will give him,” he tells me before turning on his heel and venturing toward one of the Captains.

I stand where the barber has left me and watch in terrible fascination as the new bath attendant ministers to the King, his lithe young flesh growing ruddy; I stare in spite of my certainty that I should not, until I can no longer bear to see what I am seeing, and hasten away.

TRIUMPHS

For the next week the court rejoices in the King’s triumphant return; Mect and I are kept busy entertaining them all at suppers and promenades and such displays as the wretched weather will permit. The Norwegians present the various honors and gifts Fortinbras sends to Hamlet, along with letters on the progress of young Fortinbras, who, it would seem, is growing up admirably.

After a short Council meeting, Hamlet pulls me aside, and indicates one of the old galleries in a neglected part of the castle. “How has it been while I was gone?” he asks me when he is certain that.we are not being followed or overheard. “What has been the character of the court? I was warned some time ago that Polonius has thrown in his lot with my damned brother.”

“They have acted together many times, certainly,” I say in answer, speaking softly in spite of the privacy the King has assured us.

Hamlet stops pacing and looks down at me. “Not you as well, Yorick. No courtesy, if you wish to serve me honorably. Give me plain answers, I beg you.”

I duck my head. “Yes, it has seemed to me from time to time that Polonius and Claudius were acting in concert. But I have never seen them together in such as way as would make me suppose there was any plot laid between them.” This last I add hastily, so that Hamlet will not conclude that those men are his enemies, though I dislike everything about their association.

“Not that they could not make such time,” says the King in a measuring way, rubbing his chin slowly and meditatively. This time when he glances in my direction, there is a sterner light in his eyes. “How is it, Yorick, that you are not willing to speak against them?”

“Because I know of no reason, beyond my own suspicions, that would warrant I do so,” I say to him, feeling again that I am speaking to a stranger, someone who has lost all common ground with me.

“Then tell me your suspicions, Sir Yorick,” Hamlet orders me.

Never have I thought that I would want to escape Hamlet’s company now that he is returned to Denmark, but now, in this place, I do, which troubles me deeply. “It is based on little more than my own poor opinion of each man,” I say, trying to deflect the blow I fear will come, and afraid it will harm the Prince far more than Claudius or Polonius. “If I had higher regard for either of them, I might well suppose that they were less questionable in what they do.” “I understand that,” says Hamlet impatiently. “And I will keep it in mind when I hear you out.”

There is nothing for it but to reply. “I think that your brother is as jealous of you now as he was when you were younger. I think that he yearns to show you up. And I think that Polonius seeks high position however he can obtain it, and with little regard to what the consequences may be to others, or to Denmark, for that matter.” Hamlet smiles wolfishly. “How keen your sight is, Yorick. But it is the thing a jester needs most, I would suppose.”

I do not know how Hamlet would like me to answer him, so I content myself with a shrug. “And these men of Norway—and I thank God that they will leave for home in another six days—what of them? Are they here for more than the festivities of what we are all pleased to call my victory?” He leans toward the gallery window as if he expects to surprise a Norwegian hanging beneath, listening. “They are courtiers, doing whatever service Fortinbras has required of them. He has sent good men here, men of high repute. But why would they not celebrate your victory? And why do you not think it one?” I regard Hamlet in concern, for his words have distressed me. “We stopped fighting because we were running out of men and supplies, the Poles as well as my army. We made a truce because there was nothing else we could do without wasting lives to no purpose.” Hamlet puts his hand on the hilt of his sword; I see that this rankles with him. “It was a victory only because there were men alive enough to go home. We regained a few fields and secured a port. That was the extent of it. And I hope the Emperor is pleased with our accomplishment.” Now he sounds bitter, and I have the oddest sense that I am talking to a stranger.

‘You will know of it soon enough,” I tell him, repeating the current rumor at court. “Word will come soon.” “No doubt,” Hamlet answers, folding his arms and deliberately changes the subject. “How fares my son?”

How much more easily I answer this question. “He thrives, my King, as the Queen has told you. He is growing quickly. He is alert and observant, more than many other little boys his age.”

“And his temperament?” asks Hamlet sharply, and I realize that this is not a simple inquiry.

“He is…thoughtful, and more inward than children usually are. That is not to say that he is unsteady in his mind, like some of those children who can only stare into space and rock themselves.” I try to explain my perception of the Prince more concisely. “I think he is perceptive beyond his days, and he lacks the experience to know what he perceives.”

“Would that we all might be so innocent,” murmurs Hamlet.

“I do not…worry for him, not as I would for a child like Laertes, who is forever at the mercy of his impulses. Young Hamlet will not err for passion, but he might err for thought.” I cough, and see that Hamlet’s single eye is fixed at a place beyond me.

“How long have you been there?” he demands.

“I have only just arrived, my King, and did not know you wished to be private,” says Polonius, bowing deeply. “The Counsellors wish to have the benefit of your instruction this afternoon, in regard to fixing new tariffs now that our ships are free from the scourge of Polish raiders.” Hamlet’s manner is not as accommodating as it would have been two years ago. He rounds on Polonius and says, “Having disposed of one robber, they propose to take the Poles’ place?”

There is shock in Polonius’ face, but he contrives to chuckle, “A very clever conceit, my King.” He starts to withdraw, then adds, “What shall I tell them?” “Tell them it must wait until tomorrow; there will be time enough then to set our tariffs.” He holds up his hands in a gesture of mock surrender. “I know. We must somehow recoup the costs of the war. And who better to pay for it than those we have saved.”

“Tomorrow then,” says Polonius, and leaves us alone. “I don’t like it that he found us so easily,” the King mutters when we are once again alone. “It isn’t fitting that I be so closely watched.”

“No, my King,” I agree with apprehension.

Hamlet watches me closely, then says, “I want no one to know where I go now. Guard my back. If anyone, save Horatio, asks for me, say nothing.”

I nod to him, not wanting to know where he is bound. “I will not tell anyone but Horatio.”

He then tells me what I wish least to hear, “I will be with Esmond.”

What am I to say to this? If he desires that young man, what place is it of mine to say anything against it, knowing what I do of the Queen and Hamlet’s brother? I can offer no reason to him why he should seek his pleasure with Gertrude. Surely nothing good can come of this. I bow my compliance, saying nothing; my apprehension grows as I watch him stride away, starting to whistle.

* * *

“The King has long been happier in the company of men than women,” I tell the kitchen cat that night as I attempt to sleep. “All the court knows it, and has known it of old. It was better understood by his first Queen than by this one, though I suppose Hamlet is more taken with Gertrude than he was with his first wife. When he married the second time, it was known he wanted an heir; in fact, he had to have one, with two of his three brothers dead. The crown was in danger of passing away from his House. So he chose a woman he liked, thinking that this would remedy the error of nature. He likes her still, though he does not burn for her. That has made for…” I cannot put a name to it.

I have been fretting all evening, thinking back to the few words I had exchanged with Horatio, who approached me at sunset to inquire where the King had gone. I told him then that I supposed he was bathing. Horatio looked at me for a short while in silence, then made a motion to dismiss me. I could not object to this, for I reckoned he was as troubled by this intelligence as I was. “Now that the King has an heir, it is not as crucial that he take all his enjoyment with his wife, but…this, and so soon after his return, it does not bode well. There are those who would like the succession more secure than one boy can make it.”

“Is this a return to his old ways, then?”

“I fear it may be.” He had not wanted to say so much.

“But he is so fond of his Queen,” I told him. “Gertrude pleases him greatly.”

“And he is jealous of her, as well,” Horatio said with a sigh. “Because he is fond of her. Who knows where it may lead?” These words chase in my thoughts, and I can find no phrase or prayer to still them, and no ease for the night. The kitchen cat settles against my side, her claws pricking the skin of my belly as she kneads. Her attitude is one of great satisfaction, for the matters causing such distress to me are wholly unimportant to her. Her long, soft fur is pleasant under my hand and I scratch her head and neck absently as I think again of all I have seen in these days since the army and the King returned.

Perhaps the Male Goddess will send me peace and understanding; I hope that He-in-She may, for try as I may, I can conceive of no other way I will attain either. With a soft mew the kitchen cat reminds me not to move, for I am now in the posture that suits her.

“Of course,” I tell her softly, and wish that it could be so easy a thing to serve the King, the Queen, and the Prince. Much later that night the kitchen cat departs to hunt; I am still half-awake when she goes, my mind no more at rest than it was when I first settled down to sleep. “May your mice be less elusive than my dreams,” I whisper after the kitchen cat.

PLAYERS

One last fete will see the Norwegians away from Elsinor, and this one has been ordered to be the height of courtesy, to show honor to Fortinbras. Luckily the weather has turned mild, spring making a soft beginning, and so it is possible to have some of the entertainments outside in the afternoon. Thus the inside of the castle is left to Voss and his staff, the court taking less formal pleasures before the grandeur of the evening to come. Once again there are performers brought to Elsinor for the occasion, in this case Swiss puppeteers, with clever figures they control with rods and strings. With only two jesters left at court, the Queen has insisted that other forms of entertainment must be offered, or the guests will be offended; hence the Swiss Puppeteers. They set up their stages in the interior court, and rebuff all overtures of friendship Mect and I profess. “You are jesters,” says their leader, as if that were reason enough for them to pay no attention to our presence. “Go away.”

“There is a room near the kitchen where you can eat in peace,” I say to him. “It’s called the Refectory. The cook will bring you a meal there, if you like.”

“Is that where you eat?” asks the leader of the puppeteers.

“Occasionally,” I answer, deliberately evading the thrust of his question. I have not been able to like the place since Hedrann died. “Perhaps we will go there,” the leader says begrudgingly. “If there is time for us to eat at all.” He nods towards the trunks which are not yet unpacked, and his troupe, most of whom are at work fixing the scenery for their little stages. “You must leave us to our tasks now.”

“If you want beer or mead, we will be pleased to arrange for some to be brought to you,” says Mect, doing all that he can to be pleasant.

The leader of the puppeteers shrugs and shoos us away, making no excuse for his brusque behavior.

“Well, we need not wait our meal for them,” Mect observes with disgust. “How is it that these…craftsmen, with their rods and strings, can hold themselves above those of us who must use our bodies and wits to entertain? They are little more than children playing with wonderful dolls, telling stories we all know.”

This outburst from Mect surprises me, for he has not often shown much pride in being a jester, and I am not prepared for so vehement a defense. “They might well think we need no skills to do our work, which is improvising, but they have to master a craft. It is their ignorance speaking.”

“Then they should take lessons in humility from the Bishop,” declares Mect, his face turning pale. “They give us insults.” “Complain to the King, then,” I suggest to him, not wanting to share in his indignation, but still feeling that I should speak up, for the honor of our jesting, “Or I will tell him.”

Mect shrugs, “Let us see what kind of work they do, and how they present it, before we ask him to condemn their work.”

His prudence does not astonish me; he is so political a creature that all I can do is pretend that he truly cares what the world thinks of jesters. “When their entertainment is over, then.”

“If it goes badly, so much the better,” Mect tells me as he makes his way in the direction of the castle.

* * *

The performance is a disaster. The puppeteers have selected a tale of an old King far gone in vice, whose lavish favors given to his stripling attendants finally so outrage his court that his virtuous sister marries an honorable noble and bears him a son in secret so that they may offer an acceptable candidate for the throne. Then they gather the last of the untainted courtiers for support and they murder the King and his coterie of Ganymedes. The only blessing—and it is a small one—is that Hamlet and Gertrude are not attending; they are with the leaders of the Norwegians, tending to the last ceremonial preparations of official letters for Fortinbras, and therefore are not subjected to this tactless display. Halfway through the tale, the audience is buzzing, most of those watching not knowing whether to continue or to cry out in disapproval at the play offered; in the end, most of them remain to see the puppet-play through, but interrupt the tale with jibes and hoots that lead to more outrageous behavior. There are times it is not possible to hear the puppeteers recite their lines for all the badgering the court summons up. After a while, the Norwegians join in, adding their own comments which do nothing to calm the occasion.

I have taken up a position at the edge of the audience, near the front where I can see the puppeteers at their work rather than only watch the action of the drama they present. It is a vantage-point for many things, I realize when I understand how badly the performance is going.

“Who is responsible for this?” I hear Polonius demand of one of the puppeteers as the action of the play takes them from one little stage to another. “A courtier,” says the puppeteer, looking much shaken by the reception the play has received. “Middle-aged, I think. He said it was his duty to arrange this.”

I listen closely, thinking it would be unlike Claudius to order such an obvious affront himself. And I am reasonably certain that he is the one who has brought this about, for who else would seek to cause Hamlet such embarrassment.

“Who was it?” Polonius insists. “Point him out to me.”

The puppeteer breaks away from Polonius, saying, “I must be ready for the next scene,” and scurries off before Polonius can detain him any longer.

Polonius turns away, a scowl marring his features. He hesitates, and then, as the action of the drama picks up once again, he goes back into the audience.

As the story winds to the triumphant end when the infant son of the dead King’s sister is proclaimed King, the court grows silent again, as if their invention in the face of such an insult has failed. When the play is over, it is met with more silence.

“What will become of the puppeteers?” one of the courtiers asks Horatio as they leave the courtyard.

“They will be sent away unpaid,” says Horatio bluntly. “To reward anything so disgraceful is to add to the disgrace.” “But surely they must be questioned first, and thoroughly,” the courtier—I recognize Trimalchius—protests. “The King will have to know how they came to perform that play.” “Of course,” says Horatio. “But they are Swiss and the Emperor will want them back in good order.” He has contempt for the problem and it shows in the tone of his voice and the way he holds his head. “And surely if we show too much regard for the play, the Emperor might suppose that there is more reason for concern than he has supposed until now. In the wake of the war, it would not do to lose the support of Ludwig and his lieutenants, especially over such a thing as a puppet-play.” Trimalchius lays his first two fingers against his lips, a sign of curtailing talk. “I will try to reason with some of my fellows, to ensure that this occasion is no more awkward than it must be.”

Horatio bows to him, and moves away into the quiet crowd, certainly seeking out other Counsellors for the same purpose he had when he approached Trimalchius.

BETRAYALS

Hamlet has three oil lamps set out on his table where maps are awaiting his attention; his fine Crusader’s gown is over his night-rail, keeping him warm in this chilly room, for the fire has long since been banked.

“What else did they say?” he asks me, wringing every last piece of information from me. In the hours since I have answered his summons, I have answered this question in myriad forms. “I think most were offended,” I conclude as I began. “It was fortunate that you were with Claudius and Counts Holberg and Axel while the performance was going on, otherwise it might have been much worse.” I have been offering this to him for more than two hours, in the hope it will calm his worry.

“True, true,” he says quietly. “And the letters they carry away at dawn were signed before all the uproar began.”

“It will go well,” I promise him, seeing how filled with anguish he is, and wishing I could find the one phrase, the one explanation that will banish his anxieties.

“And they will be gone in a few hours, no matter what they make of the stories they have heard tonight.” He glances down at the maps. “They can show Fortinbras the new boundary with Poland, and be satisfied.” “They will be,” I say with conviction.

Dreamily Hamlet stares into the dark grate, as if drawn by the red, winking eyes of the last few smoldering coals. “I did intend to care for Gertrude.” “And you have, my King,” I tell him again.

“She pleases me as much as any woman ever has. What a pretty girl she was when she came here, and how well she has tried to please me, even now. I am captivated by her charming ways and her sweetness.” He sighs. “But the rest is only my duty, and I doubt I have ever concealed that from her, not as I wished to.” I do not know what to tell him, for I recall the many times I have heard Gertrude and her women discuss their private dealings with men, and I know that the King is not the only one who felt distressed. I try not to yawn, for it is very late and I have not had anything more to eat than a stuffed bread to break my fast the previous morning.

“If I had not gone to war, I might not have succumbed as I did,” Hamlet goes on in the same remote way. “While I was with Gertrude, I knew it was my duty to get sons of her. And I made sure she increased.”

“That you did, my King,” I say to him, wishing I did not have to listen to this.

“If she had not lost that first child!” He slaps the map again. “But she did. And then young Hamlet came, and with him, the whispers. They were more damning than outright accusations would be, and they made me think again of.… I might have been able to forget how I missed.… But Hamlet came after Claudius returned, and the rumors flew. I wanted to put the thoughts from my mind for the sake of Denmark and the succession, but.… There were constant reminders in the knowing way courtiers looked at my son. And he is my son.”

“You declared him so at his birth,” I remind him.

“He will be King of Denmark when I am gone. That, at least, is certain. And he will be ready to assume the throne when I die.” He gets up and goes to stand near the dying coals. “If I have done nothing else, I have given Denmark a worthy Prince. When he becomes King …” He looks over toward me. “You have done so much for the boy. That he still knows me is your doing, I am sure of it.”

“He is a child who loves tales of valor, my King. It was a small matter to remind him that his father is just one such hero.” I try to make light of what I have done, for the sake of the Prince if not for the King; I cannot keep myself from adding, “I hope he will not forget me when he is grown.” “He will never forget you,” Hamlet says emphatically. “There will be no chance for that. You will be at his side when he mounts the throne.”

I commend that wish to the Male Goddess and lower my head. “It is ill to fix the future so rigorously.” The King considers this and nods. “Very well. My son will not forget you. That much I can say without doubts.” Then he stretches. “It is very late, and we are both tired.”

“Yes,” I say to him, and this time let the yawn escape.

“You have been kept too busy, you and Mect. I must find another jester, to ease your burden.” Hamlet smiles at me and for once I take no satisfaction in his apparent approval. “We have been able to manage thus far,” I say cautiously.

“But there will be more for you to do now, both of you, and without help, I am certain one of you will falter. So rest content: you will be relieved.” He reaches down and touches my shoulder. “Besides, you have more to carry than simply amusing the court. You have the Prince. And the burden of your knowledge.” I regard him with dawning apprehension. “None of these things is too great a weight for me to bear, my King.” To my dismay, I end on a yawn. “But you are tired. And so am I.” He waves in the direction of the door. “Then get you to bed, my friend. Neither you nor I will be able to decide how I am to deal with the court and the Queen, not now, not at this hour, or whether one or two new jesters are wanted. Wait upon me after the Council meets and we will have an opportunity to assess how far-reaching the damage of that puppet-play might be, as a first concern.” He rubs his eyes and then scratches absently at his chest.

I bow to him and look toward the door, then turn back to say the one thing that has remained uppermost in my thoughts all evening. “You must not be forced to bargain in weakness. No one questions your valor, my King, or your courage, certainly not the Emperor, or all the Danes. If you will use both strengths with wisdom, you will win through.”

Hamlet cocks his head. “Do you think so? It may come to that, I suppose. I may have to consent to campaign again to protect my reputation and my son.” His laughter is soft and sad, as if he were recalling a dead friend. “I will bear that in mind while I go about my work with the Council tomorrow.” He makes a signal of approval. “You are ever my most trusted friend, Yorick.”

This tribute brings tears to my eyes and I do not trust myself to speak, for I am already so sleepy that I have said things I did not intend to, and suddenly my dread seems more the product of fatigue than any genuine danger. Hastily I withdraw, vowing to guard the Prince from all harm; as I close the door behind me, I lean against it to ease my shoulder and back, trying to work the deep, hard ache from them before going down to my little chamber.

So it is that I hear the inner door of Hamlet’s chamber open, and someone come into the room.

“Is it done?” Hamlet asks, with such sorrow that I can only feel for him that he should know such anguish. “Yes; as you have ordered.” The other voice is Mect’s.

I lean against the door now with more purpose than lessening my pain. Who has been made to suffer so terribly? And what has Mect to do with it? “If he did not know so much, he could be spared,” Hamlet says with a weary sigh. “You have waited as long as you dared, my King,” says Mect with no hint of sympathy in his word.

“You think too long,” says Hamlet. “So you have told me time and again. And the Emperor as well.” He pauses. “If it had not been for Ludwig’s order, I would not have consented.”

“It would still happen,” says Mect, “The throne is in danger and you must protect it from all who would compromise it.”

“I know,” Hamlet responds as if to surrender, “Is it quick?” “Yes. Very.”

“And painless,” Hamlet persists.

Mect does not answer at once. “It does not last long.” Again Hamlet is silent; I strain to hear what is transpiring in the chamber behind me. “Poor reward for one who loves me,” Hamlet says at last.

Immediately I think of Esmond, and all the trouble his devotion to the King has caused. Poor reward, indeed, I think, trying to decide how I will face Mect in the morning, knowing what I know.

“But necessary, my King. Absolutely necessary.” Mect’s voice is cold as mid-winter.

“I would not have allowed it if it weren’t. Yorick may be loyal, but he knows more than any of you,” says Hamlet, and then orders Mect to leave him. “I will expect to hear from you before the Council meets.”

“Be certain of it, my King.”

There is another short pause, and then I hear Hamlet add, “If you fail?” “I will not fail.” No sentence of death was more fatally pronounced than that one. “Have I ever failed?”

“See to it,” Hamlet says in mourning benediction.

With that, I flee, seeking the haven of my bed and the glorious ignorance of sleep.

YORICK

Voss has left a plate of supper out for me; it is on the trunk where I keep my clothes. And the kitchen cat has helped herself to my meal, as I can tell by the cubes of mutton that have been gnawed by the cat.

Now she lies on the floor, still and cold, her tongue sticking out, all swollen, dried foam on her nose and whiskers, and her paws drawn up to her taut belly, her lovely fur matted with vomit and piss.

I stand beside her for a long while, weeping in silence, all but numb with grief for her, and shamed that she died because she ate my food. She trusted me to care for her and her reward is this. That she should die for me! I feel rage burn within me, and a grim determination to see her avenged, even as I admit that I will not be able to do it; for Mect expects to find me dead in the morning, not my cat. With a sudden impulse I draw my statue of the Male Goddess from underneath my pillow and put it next to the pitiful carcass, vowing that she will not have died without purpose, though I may have no means to fulfill that vow. In time she will be vindicated—the Male Goddess will see to it. But the Male Goddess does not expect men to be perfect, and does not ask them to apologize for not being gods when they do not prevail. With that for comfort, I finger the kitchen cat’s ears for the last time, and touch her stiffened paws. Then I pick her up and wrap her in my old chaperon, the one she was wont to sleep on, and carry her out through the waning night to the midden, and use the great paddle to push her well into the hot interior, so that no one will find her and discover how she died.

They will succeed, no doubt of it. Mect is more the King’s tool than ever I have been, as Tollo and Hedrann and Oduvit surely have reason to know. Last night was only a fluke, and it has cost me my one ally; I begrudge them that more than my own betrayal. I now have a last duty—to honor my oath and serve the King with my life. What can I do but fulfill my pledge? What other course is open to me?

If they do not kill me today, then tomorrow, or in a week or a month when my guard has lessened. The King has ordered it, who has laughed at my wit and antics and made me his jester and a knight. I must prepare for it, and strive to face it, to die well, for the Prince’s sake. And my own.

The End

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The End

Table of Contents

ELSINOR It is easier to make the King laugh than the Queen. He is a staunch soldier, ready to be merry when battle is done. He is used to the rigors of the camp and the hardship of campaign, and he is happiest among his men, sharing their mead and their fortunes. I have followed him for more than a dozen years and have seen him in defeat and victory, where he has learned to find enjoyment how and when he might. But she? Ah, she is young, far younger than he, and this place is strange to her, our ways rough and clumsy compared to the court of her father, who rules in Lorraine. She is his second wife and everyone is waiting to see what sort of child she will bring into the world, for none of the first Queen’s chicks lived long enough to walk. He dotes on her, of course. I do not know what she feels for him beyond her duty. There is feasting tonight, a celebration of the victory over the Swedes. Farmsteads for eight leagues around Elsinor have been raided for swine and bullocks and fowl i

JESTERS There are four other jesters at court, but I am the one the King has favored by designating me his own. For three of the four this is not cause for trouble, but Oduvit is ambitious. Hedrann is old, nearly forty, and he is simple as well; Tollo is not right in his head and his face is deformed; Mect is only here to spy for the Emperor and no one expects much from him. We get on well enough. But for Oduvit, all would be well. “Dallying with the Queen again, are you?” Oduvit asks, making a host of implications in his tone and the movement of his eyebrows. He has a voice as disturbing as his appearance, low and whispery most of the time, but when enlarged becomes twotoned, like defective reeds. “I do my King’s command,” I tell him, determined not to become embroiled once again in needless bickering. “And now he commands me to entertain his guests.” He pays no heed to what I say. “And what does Hamlet command you? To make his Queen enough of a woman that she will welcome him to her

COUNCIL “There you are, Yorick,” declares Hamlet, who has taken his place on his throne. Though he wears the crown, he has more the look of a Captain of battle troops than a King. The King of Sweden is so high and grand that he could pass for Pope, but Hamlet has none of that hauteur in his bearing. He motions me to take my place at the foot of his throne and remain silent. Polonius is offended at this interruption and he glares at me before he goes on. He is a very handsome young man, favored and rich, dressing well and bathing oftener than the priests would like. Half the women of the court sigh for him, and he pretends not to know it. “Fortinbras is willing to sign the truce as we presented it to him, my King, and I have, in your stead, signed the copy he has retained. As you see, his seal is affixed here already, and once your signature is placed on the parchment and the copies exchanged, the work is done.” “Excellent,” Hamlet approves, and gives the rest of his Council a hard star

JESTERS It is a rowdy night, with a band of Hamlet’s Captains sitting at his central table, just below the King’s own tables, and below the salt. Most of the men have had beer and mead with their first serving of bread, and several are ruddy-cheeked and belching already. The men below the salt have been given vast trenchers of bread and have a first course of thick vegetable-paste to spread on the broken bits of crust. Because this is a celebration, the paste has been livened up with spices—cinnamon and ginger and cloves. Above the salt, where we jesters eat, the paste is served mixed with butter and hard-boiled eggs, along with expensive pepper. It is rich to the tongue and filling; those below the salt will eat twice as much and feel more empty than we. Above the Banquet Hall there are two galleries. In one scarcely heard musicians play. In the other, much larger, the Queen, her ladies, and the wives of the men below have a feast of their own, less grand than the men eat but fancy in

POLONIUS There is to be a wedding at Elsinor. In recognition of his service to the King, Polonius is going to marry Ricardis; the contracts have been signed by both families, and the affianced pair are given every courtesy. Everyone except the Queen is delighted, and she does her best not to appear downcast by her lady’s good fortune. Hamlet has declared that there will be three days of celebration, with musicians and players to mark the event. Mid-summer Eve has been chosen for the hour, although the Bishop has protested; Hamlet does not much concern himself with the Church. He knows that the people still welcome an excuse to revel at the brightest night, and nothing the Bishop can say will change that. It is customary to give jesters gifts at mid-summer, a remembrance of the time when the Male Goddess was worshipped openly and mid-summer was a holy day and not simply a festival. Hamlet has promised me a harness of armor since he has made me a knight. Occasionally he addresses me as S

PLAYERS At last the players are come, a troupe of fifteen, with their two wagons and all their noise. They are given space in the main courtyard to set up their stage, and they set about it with dispatch, stretching painted landscapes at the back of the stage and setting out their finery for the evening performance. The leader of the troop is a strapping fellow about Hamlet’s age, lean and arresting in appearance, with a voice that rolls like thunder and a stance any Captain would envy. “A charlatan,” Oduvit dismisses him when I remark to my fellow jesters that I would sacrifice an eye to have such a voice as that. “The voice is just part of the trick. It is all show, with nothing behind it but words memorized and gestures. A magpie could do as well. Or an ape.” “You envy him,” says Mect, who has little patience with Oduvit’s spite. “How can I envy him? He is nothing but a puppet, an engine for mimicry, while I rely on my wits to entertain the King. See there”—he flips his hand in the

ELSINOR After the wedding and the departure of the players, Elsinor seems oddly empty and dull. The routine of the day, usually dependable and gratifying, after the excitement of the last few weeks now seems uninteresting and stultifying. Everyone goes about his work as if burdened. Everyone is restless. Hamlet is as much affected by this as anyone, and he confides in me one evening that he misses the days when he would gather his soldiers and take to the field. “There is no zest, no rigor any more. Oh, hunting may be fine sport and it gives some excitement for a day,” he admits, “but it is not the same as campaigning.” “It is less hazardous,” I remind him. This does not impress him. “Where’s the glory in safety? Or in killing stags?” His eyes are glum as he strokes his short beard. “It is well that we are at peace, I am well-aware of it, but it is infernally boring, too.” Before I can make any remark, he goes on. “Yes, I know that there are dangers aplenty around us. You don’t need to

CLAUDIUS “I remember Claudius,” Oduvit remarks to the rest of us as we linger over the evening meal. “A mean-faced puppy, for all he was nearly of age, and jealous to a fault. He detested everyone who he thought belittled him, and could not be amused by anything but his own wit. He treated everyone like peasants except the King, and him he regarded as a potent force in need of constant placation. He despised his other two brothers, and made no secret of it. I heard him call Wilhelminus coward and a lover of boys; he dared not speak so of Hamlet.” He laughs, his brows raising as if marking a special tidbit of malice. “Not that it wasn’t probably the truth, from what was rumored at the time, but Willhelminus did not like to hear it.” “Best keep that private,” says Mect. “Hamlet seems to be pleased at Claudius’ return, and anyone speaking to his discredit may find himself in trouble.” Oduvit spits a wad of crust into the corner of the Refectory. “I am a jester. Who expects me to cater to

RICARDIS Ricardis has come to visit the court and to spend several days with Gertrude and her women. She arrives with Polonius and is received with pomp in the main hall where Hamlet has assembled all the Counsellors to honor them. As soon as it is seemly, she hurries off with the Queen once the formalities are over. At Hamlet’s suggestion, I follow after them, shawm in hand, prepared to give them a few tunes while they talk, or to offer them other entertainment should their discussions flag. As usual, I am admitted with resignation and given a place at the far side of the Queen’s sewing room where I can be left to play, and where I will not intrude on their conversation. I settle on the hassock and give myself a little time trying to select a tune they would want to hear. Margitha is no longer truly fond of Ricardis, but she shows her the proper degree of cordiality. “It has been very different here with you gone,” she says, not adding that she has enjoyed a higher position. “I’ve mis

CLAUDIUS Claudius appears taller then when I saw him last, but it could be because he is much grander, his houpelande of fine brass-colored brocade with sleeves so vast that their dagged edges trail on the floor and the sleeves of the camisa beneath show their lace cuffs; his hair is cut in the manner of the French. His sword is from Lucca and his rings are Italian. His shoes have points on them, but not so long that he cannot walk up stairs but sideways with them. He goes on his knee to his brother with a grace that is not often seen in Denmark, and he speaks in well-modulated tones. He is easily the handsomest man in the whole Hall, and he carries himself as if multitudes trailed in his wake. “It does my heart good to look on your face again, Hamlet.” “Welcome home, brother Claudius,” says Hamlet, and comes down from his throne to raise up and embrace this elegant courtier. “It is my greatest delight to see you here once again.” He pauses and steps back a pace from Claudius, the bett

MID-WINTER In spite of the snow we open the west doors to let the old year out to follow the setting sun, and the east doors to allow the new year to enter with the dawn. This honors the Male Goddess, but no one mentions it, not any more. Gertrude wears the Mid-winter Crown, with eight candles glowing brighter than a halo, a reminder of the sun’s return. Her cotehardie was made in Lorraine and was sent to her by her mother; it is a shade of blue the sky might yearn for, and she keeps her place with such serene elegance that not even Claudius can outshine her. For all the dark of the year, the King has been busy with the celebration; yesterday he led the hunt that brought back the meat for this feast. Already boar and deer and elk have been brought to the kitchens to supply the fare. Tonight Hamlet does the work of host with good-will and good-fellowship, filling the goblets himself and cutting the slices off the huge elk turning on the old spit in the Great Hall. Everyone laughs with h

COUNCIL Hamlet faces Horatio across the Council table, the two men looking guarded and intractable, both in somber robes with golden collars, both showing their age. It is Hamlet who speaks first, but only because custom demands it of him. “It is good to have you at court once again, Horatio. Yes. We have missed your wisdom and good counsel in our deliberations.” Horatio reveals little emotion as he hears this, but when the King is silent, he rises in order to bow. “I have kept away too long.” “Well, at least you are returned; your absence was noted by all, and now all may rejoice in your presence,” says Hamlet, doing all that he can to keep their talk cordial, “And at a good time.” “As you say,” Horatio says, sitting down again. “And you are right welcome,” Hamlet persists. He indicates the jar of mead standing between them. “Let us drink to the restoration of our friendship.” “Gladly,” says Horatio in a voice that sounds as if he were resisting great pain. “And let us drink the healt

ODUVIT Oduvit is waiting for me in the Great Hall; the other jesters have not yet arrived and will not be here for a short while. He is wearing all the new clothes Hamlet has given him, and the brilliant greens and oranges of his chaperon and houpelande are impressive to see. He bows in very good form, and speaks with his court manner. “I guess I should thank you for coming early,” he says in a tone that implies the opposite. “It is such an honor for me, to have the great Yorick come when I call.” He puts his hand to his mouth as if to cover a mistake. “Oh, that’s incorrect. Dogs come when you call, don’t they? Not men; dogs.” His courtesy makes me wary; Oduvit is pleasant only to serve his own purposes. “You said it was urgent and required immediate attention,” I remind him in a voice that I hope conceals my ire, although I believe his purpose no more than he does. He smiles, his mirth as nasty as the scum that clings to drains. “And you thought that you must do it for the King, didn’

FORTINBRAS Young Fortinbras cries through the banquet and shrieks when I try to juggle for him, but his father is not dismayed, though he is a somber fellow who is not much inclined to laughter. The babe is given into the care of his nurse as soon as the feast is over, and she, with much scolding, carries young Fortinbras away, declaring that if he should be ill at the wedding it will not be her fault. Polonius, still worn from the rigors of travel, sits next to Norway, and regales him with stories of Egidia’s goodness and piety. He is dressed with great finery and is only out-shone by Claudius, who has put on a huque of velvet and fur, with a pourpoint beneath of glossy Italian samite the color of amber. Hamlet, with his grizzled beard and simple skirted pourpoint, might be mistaken for a guest instead of the royal host, were it not for the air of command that surrounds him, and the small golden coronet he wears; he watches the Norwegians gobble the collops of mutton in bread-shells M

SPRING Now that the days are growing warmer and the rain has lessened, Gertrude spends more time in her garden rather than in her sewing room, for she has decided to plant again this year. It is a small garden, enclosed by a stone wall with a single door to the outer courtyard at the far end; her women often sit with her while she tends her seedlings, but they are more fastidious than she and will not dirty their hands. “It is a pity that flowers, which are so pleasant, should require so much that is disgusting,” says Raissa as she continues working a decorative border on a velvet hood. “They would be more enjoyable if it were possible to grow them without muck and dirt, and ruining the skin.” “But it is not possible,” Gertrude answers her, holding a frail, four-leaved stem in her hands. I have been playing my shawm for them, sitting in the shadow cast by the castle. Today everything Gertrude has asked to hear has been love songs, particularly those about doomed or unrequited love, the

GERTRUDE Since Gertrude has continued with her gardening, her women have taken to spending their afternoons sewing together in the Queen’s quarters, out of the sun. I have been told to stay with the ladies, and with some ill-defined misgivings I have done as Gertrude asks. This day is much like the last sixteen have been; I have played for the women as they sew, and aside from the absence of the Queen, it is as it has been for two years, except that today there is a new companion for Gertrude, a girl of fifteen whose father commands Hamlet’s ships. She is a pale creature, slight and self-effacing and given to starting at shadows, called Hildegarde, as unworldly as the saint she is named for. She has taken her place with Margitha and Raissa and has attempted to become invisible. I want to cheer her, this poor youngster with the enormous sea-colored eyes, and so I play only spritely ditties on my shawm as the women ply their needles. “I understand that today the Queen is planting lilies,

SONS June turns warm, and in Gertrude’s garden there are flowers everywhere, all growing in such profusion that I am astonished that the ground can contain them. It is as if the Male Goddess is lavishing His-in-Her wealth on Gertrude. But is this opulence a promise or a mockery? Does He-in-She want to reveal a secret or honor Gertrude? I ponder the question without an answer, and find no consolation in the blooms. If I could bring myself to ask her, to find the gentlest way to discover if she has heard the gossip, and what her answer to it is. But such audacity is unthinkable. There is no one I can confide in, not the full extent of my suspicions; I disgust myself, and often I try to convince myself that I have invented the whole, and that my supposed certainties are more the product of Oduvit’s implications than anything I have witnessed. But I cannot forget that scrap of brass brocade in the garden; only one man at court has such a color in his clothing, and he is not the King. “It w

YORICK Just before we enter the Council Chamber, Hamlet pulls me aside. “I need your help, Yorick,” he says softly. “You have only to name it, my King,” I answer at once, starting to bow. Hamlet stops me. “Never mind that. I need you to make….” He has trouble going on. “You have heard the rumors.” “Rumors, my King?” I ask, knowing beyond doubt which he means. “The rumors,” he repeats impatiently. “You are a jester. You hear everything.” His expression is exasperated, but there is something more, a desperation that I have not seen in him, even after a costly battle. “You know what they are whispering. You always know. Don’t bother to deny it.” “But there are so many whispers,” I say to him, and it is true enough. “The whispers about my Queen and my brother,” Hamlet says bluntly, staring into my eyes. “You have heard those rumors, haven’t you.” At another time I might be tempted to disclaim, but not now. “Yes,” I tell him quietly, “I have heard the rumors. Some are more fantastic than ot

TOLLO I am wakened by a pressure on my arm, but it is not the paws of the kitchen cat but Mect’s hands that shake me. “Hurry. Get up.” He holds a candle and I see his face is very somber. “What’s the matter?” I ask, rubbing my face and shaking my head to chase the sleep from them. “What hour is it?” “Very late; after three.” He thrusts my clothes at me. “Hurry.” I struggle to pull on my clothes and only then hear the faint, mewed protest of the cat from where she has curled beside my pillows. I reach out and stroke her to reassure her, but my attention is on Mect. “Why do you want me at this hour? Has something happened?” “Tollo has taken a fit,” says Mect. “Worse than the other times.” It is a shocking thing to hear, and I stare at him in the candle’s unsteady light. “How, worse?” “He lies on the floor twitching. There is foam around his mouth and he has started to vomit twice, but so far nothing has come of it.” He shoves my boots at me. “He is the color of old cheese.” I mutter a fe

AUTUMN Summer passes into autumn early this year; the end of August sees the first leaves turn. The flowers in Gertrude’s garden fade and wither as she grows clumsy with her pregnancy; she is content now to sit with her women once more, doing needlework while I play my shawm for them. Peasants grumble at the first of the harvests, and complain that some of their later ones will be lost if the rains return too soon. Polonius comes back from Norway filled with news and himself. He proclaims his successes to all who are willing to listen, and he basks in the flattery of the court and the respect of the Council. By the time he leaves Elsinor to visit his wife and son, he is sleek and burnished as a favored horse. Claudius is not so sanguine. He has busied himself with the affairs of the Council, but is beginning to chafe at his subordinate position. He takes to hunting stags and boars, and spends his evenings roistering and playing games of chance away from the confines of Elsinor; Hamlet

HAMLET During the night the squall becomes a proper storm, and so the first fading of night goes unnoticed. In the reception room next to the Queen’s apartments the fire has burned low, and for the last hour Hamlet has dozed in one of the chairs while I have done my best to stay awake in case there should be a summons. But Mother Bertrade comes to Hamlet, Raissa and Hildegarde with her. There is blood on her apron now, and in her arms is a tiny, red, wet, howling infant, half-wrapped in swaddling linen. Hamlet starts at the babe’s cries; he stands up slowly with awe on his face, nodding to Mother Bertrade. She is in her glory now, and she says as if she were announcing the arrival of tire Emperor, “My King, I have the honor to present your heir.” Hamlet’s eyes brighten as Mother Bertrade holds the precious bundle out to him. Custom requires that he take the infant, to show that he acknowledges it is his, and Hamlet does this with alacrity, holding the child awkwardly but with fierce pr

MID-WINTER Gertrude is on the mend at last, and all over Elsinor the preparations for the Mid-winter celebrations become more eager. There is a lightening of spirit in everyone that reveals how great the apprehension had been while the Queen was ill. Now her returning health is seen as a good omen for the Prince and for the new year. Claudius is the most vocal of those who are planning the festivities, which are ten days away. “Last year it was enough to have the customary ceremony. But this year there are more reasons to celebrate, and we would be remiss in having nothing more than the usual festivities. We must show the world that we are thankful for all the good things that have occurred since the dark of last year.” He looks at the rest of the Counsellors with a kind of good nature that he has not displayed before. “Don’t you agree? Would you not like to share in my brother’s joy?” Old Horatio is the first to take up the question, his grave features turned to unfamiliar smiles. “It

HEDRANN Hedrann is sitting alone in the Refectory, his face ashen, when I come in answer to his summons, carried to me by one of the scullions. He looks up as I enter and attempts to show a look of reassurance. “What is the matter?” I ask as I rush to his side. I can smell his sweat, all salty and sharp before I touch him, and I can see the slick sheen on his lip and forehead. “I…don’t know. A pain,” he says, pressing just below his ribs. “It was sharp a while ago, but it is duller now.” “When did this happen?” I put my arm around him and feel for the pulse in his neck, which is rapid and thready. “A short while ago. I had finished my breakfast and was dawdling over my morning ale when the pain began.” He winces as I try to make him more comfortable. “It will pass, or so I thought.” “Then it has happened before,” I exclaim in spite of my determination to be calm. “Not as severely as now,” says Hedrann, panting a little as he speaks. “This is the worst. I feel hot and cold at once.” I k

REVELS Claudius is grandly decked out in a new houpelande of Florentine velvet with a pattern of leaves worked in it; the color is a deep, rich brown. The lining of the dagged sleeves is a warm golden color, like summer peaches, in samite brought from Asia. His camisa is of silk tissue which he claims comes from Egypt, but whether this is true or not, who can say? As he has arranged the celebration, he stands at the main entrance to the Great Hall, flanked by Horatio, who is rigged out in a deep green huque in honor of the trees that do not die; Polonius is on his other side, very splendid in a long Burgundian pourpoint of dark red with vast bagged sleeves and a small lace ruff framing his face and close-trimmed beard in frothy white. At the far end of the Great Hall, Hamlet and Gertrude wait on the dais to receive the Mid-winter revelers. They are in full ceremonial dress, Gertrude with the Mid-winter crown on her head, the little candles glowing, making her face luminous. Beside them

CLAUDIUS Claudius is with the Queen when I answer her summons to come to the Prince. It is near the time for the players to begin and I had hoped I would be able to watch them, but apparently that is not to be. Claudius is decked out for the Twelfth Night play in a Florentine lucco of mulberry-red velvet lined with chestnut-colored satin; his beard is newly trimmed and curled and he smells of sandalwood. Beside him, Gertrude’s damask silk of blue-and-silver looks plain; even her ermine tippets are not enough to outshine her husband’s brother. Gertrude has banished Sigtha to the servants’ room in the Prince’s apartments, and she has just finished suckling her son when I make my bow to her. She laces her bodice closed and indicates young Hamlet in his cradle. “He will want company while the court is at the play,” she tells me. “See that he is not unhappy.” I bow to her again. “I ask you to tell the King that you have set me this task. He will otherwise expect me to attend him during the

DIPLOMACY On the first morning in March the Counsellors gather in the Audience Chamber to receive the envoy from the King of Poland. He is a tall, lean fellow with a nasty scar that runs from the edge of his jaw to his neck and disappears under the high collar of his gipon, running who knows how far down his chest. He is one of the King’s cousins, and made a name for himself in the cavalry. He has on those foolish, long-toed poulaines, with the points so exaggerated that they have to be tied by gold laces to just below his knees. They say that these are the greatest fashion in Poland, and tells me more than I like to know about the Poles, whose reputation for recklessness seems well-earned. He speaks in Latin, since he has no Danish and would not admit he understands German even if he were as fluent in it as the Emperor himself. “I am here at the behest of the King of Poland,” he says in his impressive, rasping voice, after he has made his bow to Hamlet. “It is in regard to the harbor

LOVERS Raissa is laughing as she recalls the performance of the players given two afternoons ago. For once she has been in good humor with Hildegarde, and includes her in her conversation, which excludes Margitha. The two of them giggle as if they were maids in the same laundry. Gertrude interrupts her sewing to interject, “I had never seen The Heir of Amalfi before, and I thought it would be a tragedy, and not the tangle of counter-currents that this was, with three heirs all vying for the title. The confusion was delicious, each claimant with a witness and a will! And when the victor is told how much in debt the Duchy is!” Her smile is genuine, without the strain that often blights her happiest mood these days. “It surprised me.” “Did you see Mect?” asks Margitha, less animated than the other two waiting women. “He was almost convulsed with laughing. I have never seen a jester so amused,” “Yes,” cries Hildegarde. “When the third claimant to the title arrived, I thought he would split

GARDENS In the fine spring rain Gertrude’s garden smells of fresh-turned earth. The Queen wears her hood up to keep from getting wet as she inspects what the gardeners have done to her neat beds. Her ladies follow after her, all of them displeased to be out on this soggy morning. I bring up the rear, carrying the Prince, who has been squirming since we stepped outside—if a walled garden inside a castle’s grounds can be thought of as outside. “The flowers will come again, and soon,” Gertrude is telling Raissa, who looks as if she has been given spoiled eggs to smell. “This is the work of peasants and servants,” she says, unwilling to show much enthusiasm for the Queen’s plans. “It is fitting that I turn my hand to humble work,” Gertrude says, and waits for Raissa to recant in some way. “Those of us who are given much privilege need to remind ourselves of how common people live, so that we will not be lured into contempt for them through our own blindness.” “As you say, my Queen,” Raissa

RICARDIS There are three wagons in the main courtyard, each with postillions and out-riders for escort, and at the rear, surrounded by mounted men-at-arms, a carriage. A crowd gathers and surrounds the new arrivals. As the door opens and the steps are let down, a waiting-woman is the first to emerge, and then Ricardis descends; a nurse brings up the rear, Laertes howling his indignation to the sky. Hamlet himself greets these new arrivals, and he favors Ricardis with many kind words about her husband, and adds a jocular comment about her pregnancy. “You will set a fashion among the court ladies, Madame, I would wager, for you are in great beauty just now.” “They say women often bloom brightest when they nurture new life,” Ricardis remarks, with as much of a curtsy as she can easily manage. “I am grateful to God that my babe grows and strengthens.” I have been standing slightly behind the King, and now I bow to Ricardis. “Welcome back to Elsinor, my Lady.” “It is good to see you, Yorick

PLAYERS Hieronymous is getting rigged out in elaborate vestments like those of the highranking Churchmen of Rome: his clothes are of a purple that puts old wine to shame, and he has a head-dress sitting out on the table with his face-paints and mirror that is a tall, diamond-shaped structure edged in small, glittery metal buttons meant to shine like gems. He has lit the candles on either side of his mirror and is now applying lines of dissipation to his own features, sinking his right eye in shadows and the appearance of puffiness, then emphasizing the arch of his nostril. His pleasant, rather bland face is becoming one I do not recognize. “The play will intrigue the King and those near him; at least Mect thinks it will, and he is the one who has chosen it.” I no longer put as much faith in Mect’s judgment as I once did. “Let us hope that Mect is right,” I say. “Oh-ho,” Hieronymous exclaims, though the brush in his hand remains steady and his eyes never leave the mirror; he is shaping

ENVOYS Claudius is very grand tonight; his clothes are the most lavish of anyone at Elsinor; a straw-colored damask houpelande in the bench style, with tremendous triangular sleeves with deeply dagged edges piped in very deep brown, inner sleeves of pale samite, the sleeve lining in heavy Italian satin in a shade between russet and rust. He wears a link-collar of gold with the Emperor’s Order of the Gauntlet depending from it, his brow is circled in a wreath of ivy, and he has cropped his beard very short, in imitation of the Emperor’s mode, and has perfumed it with oil of sandalwood and saffron. Beside him, Polonius has managed to be more ostentatious without equaling Claudius’ magnificence. He wears a many-pleated huque of blood-red velvet over a long, fitted Venetian giaquetta of deep shadow-purple shade. The edge of his collar is lavishly embroidered and a small ruff of Lowlands lace rises from it. He also has a link-collar, this of silver, with the Badge of Denmark. “You are most

YORICK Hamlet is frowning as he prepares to meet with his Counsellors. He signals me to come to his side, and I obey with alacrity. “Have you seen my brother this morning?” he asks me without any greeting. “No, not this morning. I saw him yesterday evening, after he had been to the bath house.” I report this without any feeling of worry; Claudius sometimes bathes as often as once a week, “I do not know that he has left his apartments yet today.” “What of his servants?” Hamlet asks impatiently. “Have you spoken to any of them? Have you seen them?” “I saw his man when I finished breakfast,” I say. “He was coming from the laundry with a filled basket.” As I say it, I recall seeing Tobias, and I am no longer as sanguine about his mission as I was an hour ago. “I supposed the basket was for his master, but what specific items were in the basket I cannot tell you.” It is strange how such an ordinary thing as a basket of laundry can suddenly seem to be so dangerous. I realize that many things

GERTRUDE Gertrude is delighted at the new plants in her garden. Only a few have buds, but they are enough to make her feel such pleasure that she announces she will spend the afternoon there, among the shoots and the new frill of leaves on the young trees. “Yorick, Margitha, take my son inside. It is too chilly for him to remain here. I will join you in a while, when my garden is in order,” she says, indicating the half-open door. “But my Queen,” says Margitha, as if her protest were not remarkable. “Ricardis is with her husband. She has taken Raissa with her, and Hildegarde. What will we do with the Prince while you are here, without escort, and the castle so full of officers and soldiers? It isn’t suitable for you to remain alone. You wish your babe to be indoors, and I cannot leave you by yourself, my Queen.” “Let Yorick attend to him,” she says with a fond look for her babe. “Hamlet always likes Yorick. You have said yourself that he is constantly amused when Yorick cares for him.

MECT Hieronymous and Mect are sitting at table, the last of their dinners spread out on platters before them; I have taken a low stool near the hearth. Most of the players have gone off to ready themselves for another performance, this time of The Children of Granada, a tale of twins separated at birth, one raised by Islamites, the other by Christians, who finally are reunited in deadly combat, only to discover their kinship as their life’s-blood mingles on the field of honor. “The King gave his approval,” says Hieronymous, a little the worse for the mead he has drunk. “We are to play it in two days.” The King has battle on his mind,” says Mect. He provides another tot of mead to the player, and goes on, “Your play will be a welcome diversion and it will serve to remind the Council that war is a hard business.” “Good drama, though,” says Hieronymous, his words a little too crisp in his effort to keep them from slurring. “War and murder and all the rest of it make for good plays. Everyo

RAISSA Raissa paces the center of Gertrude’s sewing room, her brow dark and her eyes snapping. “When did the message arrive? How long have you had it?” she demands of the Queen. “It came last night, or so I was informed. It was given to me after morning worship,” Gertrude answers as if she has taken no insult from Raissa’s lack of courtesy. “The King told me to give it to you, with his wish that you accept the offer, for your sake if not for his and your father’s. It is a very favorable contract, and does honor to Lorraine and Denmark. The grants to you are most generous.” Raissa nods. “There is no surprise in that, or the King would have said nothing to you of it. For his sake and my father’s, if not mine,” she muses, then shakes herself. “This message, how was it carried? And who brought it? You say it came last night? At what hour?” She stops and stares at the window, and then looks down at young Hamlet who is trying with all his tiny might to pull my yawp apart. “Should they hear t

WAR Hamlet faces his Counsellors with the air of one well-satisfied. “We will march in three days,” he announces, and although he is only confirming the rumors all of us have heard for days, the Counsellors do their best to appear surprised and delighted. “And the Emperor?” asks old Horatio, his stern features showing more determination than anxiety. “What will he do?” “He has approved our march. He will send us couriers so that he may be informed of all progress made against the Poles.” Polonius all but bows, gratified that he has made this arrangement. “How fortunate,” says Horatio, unimpressed by Polonius’ feat, though several of the Counsellors show increased respect to Polonius, acknowledging his accomplishment. “And the army is ready?” asks one of the Counsellors from the north. “It will be in two days,” Hamlet informs them all. “We are gathering the last of our supplies—food, weapons, and horseshoes—for our campaign.” He raises his head and his voice together. “Denmark triumphan

HAMLET Armies move slowly, and Hamlet’s is no exception. It takes the greater part of the morning for the troops and wagons to line up, and another hour before they are all underway, moving along to the steady beat of drums and the thunder of hooves and wheels. The air shakes with the rattle and rumble of it all. By now, a carriage would have reached the next town, but the army is more ponderous than a carriage. I stand on the battlements and watch the great force start the long march that will lead them to war with Poland. As at last they advance to the south, I can hear the sounds they make, a continuous thunder of feet, wheels and hooves, with a clanking of arms and equipment, the groaning of wagons under their loads, and the neighing of the horses. It reaches the battlements as a kind of pulsing murmur even when they have left the walls of Elsinor behind them. By afternoon only the great cloud of dust shows the progress of Hamlet’s forces; they are at last too far from Elsinor to b

FAVOR “A worthy steed,” Gertrude approves as she puts her hand on the massive head of the bear hound I have chosen from among the oldest and laziest of the huge dogs; his long, pink tongue lolls, and he licks her hand generously, and she wipes her hand on her skirt afterward. Mect blows a cow’s horn for fanfare, which hardly holds the dog’s attention, so indifferent has he grown with years. The court has assembled in the largest of the courtyards within the walls. Benches have been hastily set in place, and a dozen servants hurry about putting up poles to mark the field of honor. It is a breezy day and pennants flap from the courtyard eaves and the players’ wagons. “This is ridiculous,” complains Hieronymous as he watches Guilaume don the sham armor of players. “What is the Queen trying to do?” “Direct the gaze of the court away from herself,” I say, which is the answer I have arrived at after a sleepless night. “She is too much watched and does not wish to be. By bringing attention to

DISTRACTIONS “They cannot keep on this way,” Hieronymous complains more than a week later, his big hands waving as if to an unseen audience instead of the players and jesters sitting at the long plank table over our evening meal, “We are all ready to drop, and still the Queen wants entertainment every night.” I yawn as I dawdle over my supper, not relishing the hours I will have to caper and cavort for Gertrude when I am finished eating. Voss will summon me shortly, and I want to delay that moment as long as possible. “She does not want the court thinking of war, as they must if they are left to their own devices every evening.” “She also wants to keep her eye on all the courtiers,” adds Mect knowingly. “She is eager to prevent those left behind from dealing together in private, where they might plot against the King.” He rests his elbows on the table planks and grins at the rest of us. “She is a very clever woman, no doubt of it.” “Is this the King’s command, do you think?” asks one o

HIERONYMOUS The Bishop of Liege is being played again tonight. This is the third time the Queen has ordered Hieronymous’ men to perform it for her, and they are settling into their roles with confidence born of approval. She has said that she likes the way in which the ambitious hero brings about his own downfall through his designs for his own advancement. She says it instructs in the error of pride, and how it can ruin even the best of men. Whether or not it is because of this excellent moral lesson, the rest of the court has taken the play to their bosoms and lavished praise upon it, the more to ensure the good opinion of the Queen than to approve the drama. Hieronymous is looking worn out as he faces his mirror and applies his paints. His part in this work is not large, but it is crucial to the finale of the play. He is the Inquisitor who condemns the ambitious priest to the flames; he has two thundering speeches that make the hairs on your neck tingle. I have listened in awe to th

AUTUMN Harvest is everywhere around us. In the fields beyond Elsinor, the peasants have begun haying, stacking up the bounty of the fields against the lean months of winter. The hay is sweet-smelling, and pervasive; it reaches even to the Queen’s apartments on this late afternoon in September where Gertrude has summoned her ladies. I have been playing with the Prince, and so am permitted to stay. “It is very boring with the players gone,” Gertrude complains at once as Ricardis comes heavily through the door, carrying her squirming son in an uneven embrace. “That is unfortunate,” says Ricardis, sounding more tired than anything else. Margitha and Hildegarde are already here and have taken up their needles. “Something must be done. Mect and Oduvit and Yorick cannot keep on as they have. They are all running out of new amusements for us,” Gertrude makes an impatient gesture. “It is not their fault that they can do little, since court life is dull at present.” “Except for gossip,” says Ric

BETRAYAL Margitha tells me that the Prince is with his mother in the garden; on this sultry day in early September, I am not surprised that Gertrude has taken the child outside, for with the air so dense and warm, the walls of the castle seem too close when you are within them. I take my shawm and make my way to the garden, hoping as I go that the brassy heavens will cloud over so that rain will end the stifling, dank pall that has fallen over Elsinor. The door to the garden is closed, and I ease it open without announcing myself; I have taken such liberties from time to time, and I do so now without thinking. As I step into the full glare of the swollen sun I am dazzled. Then I see the Prince in his basket lying in the shade of a tree playing with a harvest poppet, and beyond him, Gertrude and Claudius, all but naked and tangled in an ardent, carnal embrace. I blink, thinking I have not seen clearly. The Queen’s thighs and haunches flash as she wraps her legs around her husband’s brot

DUTY The King’s messenger has come, a Captain in a dusty surcote over his armor, his horse lathered from the ride. He is fatigued and hungry, but he staggers up the stairs to the Council Chamber, his dispatch held out to Polonius as he enters the room. I watch and listen from the corridor where I have spent most of the morning in the hope of gleaning some information about the King’s enemies at court. So far I have learned precious little and I am starting to feel like a fool in truth. “How goes the war with the Poles, good Captain?” asks Polonius in form as he takes the dispatch and kisses Hamlet’s seal as a sign of his fealty. He is rigged out in deep blue velvet that must be uncomfortably hot on this warm afternoon. His greatest extravagance is the ruff that frames his face, making it appear that his head is being presented on a point-work pillow. “The Poles have many men in the field, and they are hard fighters, but Hamlet, thus far, has carried the day,” reports the Captain. “I my

TREASON Rain has driven the Queen in from her garden before her women expect her; she is flustered and snappish, and she sets about her needlework in discontent while I sit at the side of the Prince’s cradle and sing him the “Ballad of King Eric and King Ingo”, about the dealings of the King of Denmark and the King of Sweden before the time of the Crusades. I have sung it to him every day for a month, and I know he has come to recognize many of the phrases. He listens carefully, and there is a keenness in his eyes that give me to hope that he is taking some of the tales to heart. “For a wise and prudent King Will rejoice in everything; And any man possesses naught If he is bereft of thought.” The Prince waves his little hands in time to the meter of the song, and does what he can to match the sounds. The door opens and Claudius rushes into the chamber. His fine damask huque is spattered with water and his golden hair is darkened and wet. “I waited for you,” he says uncautiously. Gertru

BIRTHDAY “A dancing bear for the Prince’s natal day!” cries Oduvit in mock horror when the stiff major-domo has finished reading the Queen’s proclamation to those of us gathered with Voss in the kitchen, as much for warmth as for the bits of food. “Pray that the monster does not decide to devour the celebratory feast all by itself.” “And French tumblers,” says Mect, “from the Queen’s father.” He smiles a little, his brows rising upward. “There is also Polonius’” wife,” says Voss with an appreciative chuckle. “Look at the size of her. She could interrupt the celebration with another birth.” “She is not due quite yet,” I tell them, for I have heard Ricardis calculate the days many times now. “It will be another six weeks, they say, and the Prince’s natal day will come in three.” “Little you know about it,” says Oduvit. “Women birth when the baby is done. That is always the way it has been. And wouldn’t it be like Ricardis to do such a thing?” Voss has taken to encouraging Oduvit, and so

COUNCIL We have been told to expect the Norwegians to arrive within the week, if the rain is not too great; the roads have become mires and bogs, and all travel has slowed to a walk. They will arrive in time for Prince Hamlet’s natal day and will remain through Epiphany. “I never thought I would pray for snow and ice,” says Polonius to the Counsellors on a wet November morning, “but I do now; at least one may use sleighs over snow. In mud nothing will do.” There is a silence among the Counsellors that does not bode well for Polonius this morning; usually when he says something so obvious and without controversy, some of the Counsellors indicate their agreement with him. Finally the doddering Leocadius totters to his feet and suggests that a party of soldiers be dispatched to meet the Norwegians when they land. I draw my stool nearer the great hearth where two huge logs have just started to burn; this will not only keep me warmer, it will make me less conspicuous than if I continue to s

CELEBRATION It is Prince Hamlet’s natal day, and I have never felt more the traitor than I do in this hour, standing beside Gertrude and Claudius like one of their creatures as the feast is set forth; six whole oxen roasted with entire hams and a bushel of onions inside them; fifty snipe and herons dressed in a sauce of eggs and cream with sweet herbs; nine roasts of venison with crushed mustard seed and ginger; clotted cream with honey to be served with spiced breads; a soup of shellfishes; two dozen braised geese filled with new cheese, leeks and butter with coriander; and four huge fish, newly caught and poached, with a dressing of egg-and-oil with dill and French garlic. Musicians play sweet dances for the Prince and the rest of the court; they are seated in the gallery so that the sound of crumhorns falls plaintively on the air, and the beat of the tambor sounds like a distant heart. Nothing is too loud, for such things distress young Hamlet, who is more interested in chewing anyt

MID-WINTER For the coming of the new Year, Gertrude once again wears the Mid-Winter Crown, its candles making her face appear to float above her dark mourning clothes, giving her a spectral look. The west and east doors are open to the clear, cold night, and the feast lasts for more than four hours, the courses being presented by servants in splendid livery which throughout the evening is increasingly smirched with grease and smuts from the fare they bring. Claudius occupies the seat beside Gertrude, glorious in a black houpelande of Venetian cut velvet with a fan-ruff of thick amber lace, the amber silk-lined triangular sleeves so long they are knotted in order to keep them from trailing too much on the floor; rarely has mourning been so flattering, or so ostentatious. He is easily the most elegant man in the room, and he knows it, taking pains to sit and move to show himself to advantage. Polonius is absent, and so Fortinbras’ ambassador, Count Axel, occupies his place. “They aren’t

MARGITHA The Queen is in a petulant mood, and this is reflected in the way she trowels the earth in her garden. She is discontented with the finery of spring. As she readies new beds for her seedlings, she glares at the ground. I am following the Prince, who has not yet started to walk, but who is pulling himself along with great speed, sometimes crawling, sometimes supporting himself on the stones that outline the flower-beds. He goes with determination once he is moving, but he often ponders where to move next. It is difficult to keep up with him. “Your instruction is lacking, Sir Yorick,” the Queen tells me suddenly. “Your pupil has not spoken more than a few sounds.” She pushes back to her knees on her mat. “Do you take him inside and try if you can at least get him to prattle.” It is still within me to be disappointed by her disloyalty to the King, but I know there is nothing to be gained by entering into a dispute with Gertrude. I bow to her, “As you wish, my Queen,” I say, and g

GERTRUDE Three weeks later Gertrude grows ill, listless and peevish; the malady comes on suddenly, with the first real heat of spring, and she takes to her bed, allowing only her women to approach her. Nothing Margitha can supply her eases her suffering, and she languishes, ordering me to remove the Prince along with myself, so that he will not have to watch his mother in pain. Then she lies back in a half-swoon born of low fever, sore limbs and profound cramps in the guts. I comply with her orders, spending my time in her sewing room, watching after young Hamlet, doing my poor best to keep the child from fretting, though he is keenly aware of the emotions around him. In the evening, two Guards are summoned to stand at the door to protect the Prince and the Queen, and a nurse is set to care for each of them, worthy women who have the endorsement of the Bishop as well as the Chamberlain of the castle. The boy is guarded, which I trust gives Gertrude some comfort in her travail. On the s

WAR A company of wounded have arrived at Elsinor. These are the ones who have been hurt badly enough that they are not worth much in the fray, but are not so badly wounded that traveling would worsen their injuries, They are received as great heroes by the court, and there is much celebration all through the day and into the evening, when I am sent to their barracks to entertain their feast; tonight the court will content itself with the tunes of the musicians and the pleasure of dancing. Finding amusement suitable to the soldiers is difficult; it is not like making merry at the court, for these veterans are more blunt in their tastes, and they prefer broad pranks to honed wit. Therefore I and the other two jesters are at pains to cut capers more in tune with the marketplace than the halls of Elsinor. We are welcomed with hoots and hollers that are as genuine as the most delighted applause offered by the high-born of the court. While the soldiers dine on roast pig, baked lamb, new chee

HAMLET All through the spring and into summer I tend young Hamlet while Claudius and Gertrude dally in her garden, secure in their treason; my shoulder aches constantly from young Hamlet’s increasing desire to be given ever-longer rides, and as the days wear on, I put more emphasis on telling him tales and singing ballads. Slowly, and with many errors, the Prince begins to sing along with me the words of the great sagas of heroes and Denmark. His interest extends beyond our borders, and he often asks for the lays of those who have left their marks on history, particularly ones that recount the perils of independent thought or the hazards of unhallowed love, though what a child of his age can know of either puzzles me. He is especially fond of “The Adventures of Abelard the Frenchman,” and often does his best to sing the refrain: “Let everyone pray for his soul And praise his greatness of mind; He sought an unreachable goal For the glory of all humankind. Yet the price he paid For the l

COUNCIL At the end of September, a courier brings word that the army will be in the field through the winter once again, and this time the requests for supplies and more men is not met with favor in the Council, for the sacrifice required has less promise of later bounty than when the campaign first began. Polonius himself admits to doubting the outcome of the war, and recommends that Fortinbras be asked to send men to the battle. “For although we have pledged to use only Danish soldiers, I believe it is fitting that we broach the matter with him now, and ask that he honor his promise of support with greater zeal than he has before.” A number of the Counsellors nod gravely and make signs of agreement. A few of them have an attitude of disapproval which they did not reveal when the army was preparing to march. “We must not undertake to compromise our standing with Norway,” says Claudius, in unexpected endorsement of his brother’s appeal to the Council for more supplies. “If we show ours

HAMLET Hamlet has learned a number of words, and he practices them with steady determination. He often sits alone and recites all of them, repeating them in his soft, childish voice. The Queen has renewed her interest in the child and she speaks of him in a loving way that is much like her devotion to him when he was born. But I perceive another purpose in her care; she wishes to bind him to her, and to know everything she can about him, so that she will not be given away by some chance remark made by the Prince when the King returns. If her son is determined to protect her, she will have nothing to fear from his father. When I am summoned to play and sing for him, Gertrude joins us, and adds her sweet voice to our song. Young Hamlet basks in this new-found affection, and quickly learns which of his antics most delight his mother. It is important to him to please her, and he is at pains to make her glad of his company. He is occasionally joined by young Horatio, who is fascinated by th

ODUVIT For the Prince’s Natal Day celebration, Oduvit and I are given new chaperons, with bells on the points of the caps; Mect is provided a new suit of clothes in bright colors, with a new staff with painted bladders attached to it. The Queen has arranged for a number of jugglers to come to Elsinor, and her father has sent two French troubadours to entertain the court. Claudius has led the hardiest of the courtiers into the forest to bring back stags and boar for the feast, and as the evening festivities begin, he strides about, accepting the admiration of the courtiers for his daring in the hunt. “You’d think he’d fought a mother bear with a single knife,” scoffs Oduvit as he overhears Claudius describe how he and two others ran down a boar and speared it from horseback. “What chance did the boar have, I ask you? And what bravery is needed in such an unequal contest?” “Best not to mention it when you are performing,” warns Mect as we watch from our place in the gallery where the mus

GERTRUDE Young Hamlet claps his hands with pleasure when I present myself to him and the Queen. The Prince is dressed in a fur houpelande, as fine as any that might be worn by grown men. There is even a small dagger through his belt where a sword would be for men, though it has been dulled and blunted, and it is lashed to his clothing so that he cannot draw it. Now that he has passed the age of two, he is regarded as a more promising child; and the court is taking a greater interest in him, for his chances of survival look better than they did when he was born. The Queen has not been unaware of the advantage her son provides her, especially with her husband still away at war, and so she has been devoting herself more openly to young Hamlet’s welfare, taking time to show him affection and distinction usually bestowed on older children. “We were sorry to hear of your misfortune, Sir Yorick; my son has missed your company,” says Gertrude as she rises from where she has been playing with h

MID-WINTER A courier has come not an hour ago, bearing news that the Poles have agreed to a truce and that the war has ended. Never have I seen Elsinor thrown into such chaos as it is now, for suddenly the Mid-winter festivities are to be linked with a victory celebration, which will be on a far grander scale than anything the court has prepared for, though the day of the celebration is not yet upon us. Since the arrival of the courier, I have been on the battlements, wearing my warmest garments against the new snow that is coming down steadily from vast swaths of clouds, looking to the south as if I might be able to watch Hamlet’s army approach as I watched it depart so many months ago. I realize it is folly to do this, and eventually the cold drives me indoors. Voss is distraught, tearing about the kitchens, issuing orders for more food and better preparations from all of his staff; suddenly confronted with the demands of so fine an occasion, he has rallied himself by bullying his un

HAMLET Advance guards from the army have been arriving at Elsinor for the last two days, all of them complaining of rain and mud on the road which is slowing the King’s return. Spring is a long way off, though the winter has not been a severe one, and around Elsinor the farmers and peasants are starting to complain of the trouble they are having feeding the court as well as their families. Claudius orders the Guard to go farther afield to bring food, and the grumbling diminishes while the court contents itself with austere meals and simple fare, all in anticipation of the great celebration to come when the King returns. The preparations at the castle continue, but in bursts of activity rather than a steady stream of it, for such uncertainties make planning difficult for all of us. The men of Fortinbras join in the hunting, and strive to be pleased with the circumstances, but they cannot conceal how they chafe at the bit, waiting for Hamlet to come. I spend as much time as I am able wit

LOVERS Gertrude and Claudius stare at each other in dismay, their passion still upon them as they lie under the fur coverlets of the narrow servant’s bed. I watch them, trying not to notice how their hands shape one another’s flesh. “Day after tomorrow?” Claudius repeats. “You’re certain of that.” “The page departed not a quarter of an hour ago, and his word came directly from the courier; I heard them talking in the ante-room to the Council Chamber.” (Though it smacked of poor manners, I had to be the one to tell them; and I had to do it at once.) “They will shortly make it official, and inform you properly. Someone will be dispatched from the Council, my Queen, and you must be prepared to receive him. The courier is with the Council now, and he will not need much more time to complete his report.” I try not to address Claudius at all, but I cannot entirely avoid it, for well he knows his absence will be noticed. “Who would have thought he could come in February?” asks Claudius, his v

RETURN Flags and pennons hang like neglected laundry in the steady rain. The musicians huddle in the shelter of a narrow awning, shivering as they prepare to welcome the King into Elsinor once again. Inside the main entrance to the castle, the court has been assembled for the last hour and more, all in their grandest ensembles, and are now trying not to be bored with waiting. The pages and understewards are massed at the rear of the Great Hall, their livery fresh and neat; they whisper among themselves, making a point of saying that they know the King will be here in the next hour. Gertrude is on her throne, her cotehardie emblazoned with the arms of Denmark; young Hamlet in his cradle beside her, Margitha tending to the child as he begins to fret, plucking at his fine clothing in steady determination to be rid of it. Mect and I stand on either side of the entrance to the castle, ready to fling the door wide as soon as Hamlet is once again in the courtyard. My shoulder is aching from t

TRIUMPHS For the next week the court rejoices in the King’s triumphant return; Mect and I are kept busy entertaining them all at suppers and promenades and such displays as the wretched weather will permit. The Norwegians present the various honors and gifts Fortinbras sends to Hamlet, along with letters on the progress of young Fortinbras, who, it would seem, is growing up admirably. After a short Council meeting, Hamlet pulls me aside, and indicates one of the old galleries in a neglected part of the castle. “How has it been while I was gone?” he asks me when he is certain that.we are not being followed or overheard. “What has been the character of the court? I was warned some time ago that Polonius has thrown in his lot with my damned brother.” “They have acted together many times, certainly,” I say in answer, speaking softly in spite of the privacy the King has assured us. Hamlet stops pacing and looks down at me. “Not you as well, Yorick. No courtesy, if you wish to serve me honor

PLAYERS One last fete will see the Norwegians away from Elsinor, and this one has been ordered to be the height of courtesy, to show honor to Fortinbras. Luckily the weather has turned mild, spring making a soft beginning, and so it is possible to have some of the entertainments outside in the afternoon. Thus the inside of the castle is left to Voss and his staff, the court taking less formal pleasures before the grandeur of the evening to come. Once again there are performers brought to Elsinor for the occasion, in this case Swiss puppeteers, with clever figures they control with rods and strings. With only two jesters left at court, the Queen has insisted that other forms of entertainment must be offered, or the guests will be offended; hence the Swiss Puppeteers. They set up their stages in the interior court, and rebuff all overtures of friendship Mect and I profess. “You are jesters,” says their leader, as if that were reason enough for them to pay no attention to our presence. “G

BETRAYALS Hamlet has three oil lamps set out on his table where maps are awaiting his attention; his fine Crusader’s gown is over his night-rail, keeping him warm in this chilly room, for the fire has long since been banked. “What else did they say?” he asks me, wringing every last piece of information from me. In the hours since I have answered his summons, I have answered this question in myriad forms. “I think most were offended,” I conclude as I began. “It was fortunate that you were with Claudius and Counts Holberg and Axel while the performance was going on, otherwise it might have been much worse.” I have been offering this to him for more than two hours, in the hope it will calm his worry. “True, true,” he says quietly. “And the letters they carry away at dawn were signed before all the uproar began.” “It will go well,” I promise him, seeing how filled with anguish he is, and wishing I could find the one phrase, the one explanation that will banish his anxieties. “And they will

YORICK Voss has left a plate of supper out for me; it is on the trunk where I keep my clothes. And the kitchen cat has helped herself to my meal, as I can tell by the cubes of mutton that have been gnawed by the cat. Now she lies on the floor, still and cold, her tongue sticking out, all swollen, dried foam on her nose and whiskers, and her paws drawn up to her taut belly, her lovely fur matted with vomit and piss. I stand beside her for a long while, weeping in silence, all but numb with grief for her, and shamed that she died because she ate my food. She trusted me to care for her and her reward is this. That she should die for me! I feel rage burn within me, and a grim determination to see her avenged, even as I admit that I will not be able to do it; for Mect expects to find me dead in the morning, not my cat. With a sudden impulse I draw my statue of the Male Goddess from underneath my pillow and put it next to the pitiful carcass, vowing that she will not have died without purpos