Bad Girls Need Love Too: Pleasure Yourself With Pulp Fiction
Date: 2010-11-10 00:00:00+00:00
Keywords: Humor & Entertainment; Love; Sex & Marriage; Satire; Humor
Description: A Lust for Life Anxious to undress, these dangerous dolls ply their womanly wares to get whatever they want: men, power and sex - lots of sex. Yet to quench their fiery desires they crave more, much more. See, even sultry sinners long for love. Bad Girls Need Love Too is a frolicking celebration of pulp fiction floozies doomed to keep looking for love in all the wrong places. Thankfully, repeating the same mistake over and over again has never been more fun, or outrageous. For more about these hard-boiled vixens, visit BadGirlsNeedLove2.com. About the Author Gary Lovisi is the editor and publi
Publisher: Krause Publications

Bad
girls
Need Love Too

Gary Lovisi

Copyright ©2010 Gary Lovisi

All rights reserved. No portion of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system, without permission in writing from the publisher, except by a reviewer who may quote brief passages in a critical article or review to be printed in a magazine or newspaper, or electronically transmitted on radio, television, or the Internet.

Published by

Krause Publications, a division of F+W Media, Inc.
700 East State Street • Iola, WI 54990-0001
715-445-2214 • 888-457-2873
www.krausebooks.com

To order books or other products call toll-free 1-800-258-0929 or visit us online at www.krausebooks.com or www.Shop.Collect.com

Library of Congress Control Number: 2010923672

ISBN-13: 978-1-4402-1357-1
eISBN-13: 978-1-4402-1782-1
ISBN-10: 1-4402-1357-7

Cover Design by Rachael Knier
Designed by Katrina Newby
Edited by Kristine Manty

Cover image from the book, Lingerie Ltd., by Ralph Dean, Beacon Book #B300, 1960; art by R. Gifford.

Printed in China

Contents

Good Girls Go to Heaven; Bad girls Go Everywhere

Good Girls Go to Heaven; Bad girls Go Everywhere

Wild For Kicks by John Nemec; Novel Book #5062, 1961.

This is a celebration of bad girls. The really, really bad girls mothers warn their sons to stay away from, and pray their daughters will never become.

It's a good thing not everyone thinks mother knows best — or else we wouldn't have any of these wildly wanton women to delight in. Bad girls have everything figured out. They know a woman must use every weapon at her disposal, and sex is the nuclear bomb. These classic pulp fiction hussies, sluts, and tarts have heads for business and bodies for sin. Let's face it: they want what they want when they want it.

Bad girls are red lights for lust. But deep down inside, they are also hungry for love because even bad girls need love, too. These dangerous dames will try to find love with whomever they can, whether with cheating husbands, unscrupulous bosses, rich college boys, and even other women. And if they don't find love with Mr. Right, they'll often settle for Mr. Right Now. Bad girls keep searching because they know that to climb to the top, they often have to spend a lot of time on the bottom.

These tramps and vamps excite and arouse and while their charms may be had — even if it is at a price — they are never boring; because when these girls are bad, they're even better.

Brooklyn, New York

Cotton Tramps by Kevin North; Playtime Book #620, 1962. Cover art by Robert Bonfils.

Undercover Job by Ben Daniels; Playtime Book #652S, 1963. Cover art by Robert Bonfils.

He stared now at the shapely lines of her long dancer's legs.

She was built for sex.

Every creamy, tempting inch of flesh was designed to whet and bring fulfillment to a man's desires. If that man was someone she liked. And wanted. Otherwise, Jill Fischer could probably be a cruel hard-eyed bitch. One of those conniving, well-educated and beautiful young sophisticates with the heart of a back-alley whore. A woman like his wife Mildred had been.

The bedroom door opened and Diane strode through wearing a pair of high-heel shoes. Blonde all over she was, and even a man with Dan's slow boiling point couldn't deny that there is a vast difference between a beautiful woman in Chinese pajamas and the same woman naked.

When She Was Bad by William Ard; Dell First Edition #B145, 1960. Cover art by Robert McGinnis.

Shame by March Hastings; Beacon Book #B198, 1958.

Daughter of Evil!

So young, so pure, so wonderfully pretty — these were the words to describe Maria.

Yet in her own mind she was already a bad girl.

For her mother was nothing more or less than a common prostitute. And Maria was sure that she had inherited the taint.

Office Hussy by John Hunter; Star Novels #767, 1957, digest-size paperback.

Hell Cat by Arnold Marmor; Merit Book #531, 1961.

Hotrod Sinners by Don Elliott; Bedside Book #BB-1222, 1962.

Divorce Bait! by James Clayford; Exotic Novel #3, 1949, digest-size paperback.

Oh, so that was the game!

She was going to claim that he had “ruined” her — when she had practically thrown herself on him, and had begged him to do what he did, and had made no bones of her enjoyment of it!

The brass-bound gall of her!

“Are you hungry?”

“You know I am, baby.”

“I mean for breakfast.”

“Well, that's not what I mean.” Pat nuzzled June's shoulder, her head swimming in the waves of fragrant blonde curls.

“Let's — let's have breakfast later,” June suggested, her voice suddenly hoarse. She began undoing the buttons of her flimsy pajamas…

The Red Snapper by Bobby Vents; All Star Books #AS55, 1965.

Count Me In by Fan Nichols; Berkley Book #G243, 1959.

“Gorgeous slut! Matt Kovac was tough, but he learned the hard way that a gorgeous blond could be even tougher… Beautiful Gail Preston hated his guts. She was out to ruin him and she knew how to do it. She had her gang behind her and the whole town sewed up solid. Matt knew they would stop at nothing to keep things going her way…”

Sin on Wheels by Loren Beauchamp; Midwood Book #70, 1961. Cover art by Paul Rader.

$1,000 Nymph by Thomas Vail; Merit Book #547, 1962. Cover art by Robert Bonfils.

Invasion of The Nymphomaniacs by Sean O'shea; Belmont Book #B50-798, 1967.

She put her arms around him and made him kiss her. He felt the trembling warmth in her lips and he was maddened by their greedy pressure telling him that this gorgeous co-ed wanted him. There was tight anger in his fierce convulsive embrace. “Why can't you let me alone?” he muttered. “Why can't I let you alone? We're heading for something we'd both regret, baby.”

“Baby wants what she wants when she wants it.”

Girl-Crazy Professor by Florence Stonebraker; Croydon Book #46, 1953, digest-size paperback. Cover art by Bernard Safran.

Vagabond Virgin by J. A. Flannigan; Newsstand Library #518, 1960. Cover art by Robert Bonfils.

Caught in the lost world of the beatniks, Lisa's search for love leads her to danger. Her one chance for freedom is to prove her virginity. Then, in a moment of passion she destroys this one — her only chance.

She lay beneath him crying softly. She was no longer a virgin — she had learned what it was like to be taken by a man.

Run, Lez, Run by Dave King; PEC Book #FL10, 1967.

As the other woman slowly crossed the room toward Margo she could feel the blood pounding in her ears, the surge of passion flowing over her entire body and a small moan of despair and desire trembled on her lips…

She said she was ill, that her temperature was up. When he helped her to his bedroom, he believed the fever bit…

This broad really was hot!

The Chinese Streetwalker by Arnold Marmor; Playtime Book #718-S, 1965.

Manhandled by Whitman Chambers; Monarch Books #434, 1964. Cover art by Harry Barton.

Charlie thought Sally was virginally innocent, and offered to marry her. Money-mad Eric saw her as a choice piece of merchandise, to be bought, used and resold. Cynical Mark sensed that Sally was as hip as a beatnik, and meant to prove it before his brother's very eyes.

I blushed slightly. I couldn't help it if my breasts were as big as cantaloupes. Everybody stared at them.

Every male wanted to touch them and squeeze them and kiss them.

It showed in their eyes. I liked having it done, too. That was one of my problems. That, and being too pretty and spoiled for my own good.

Blackmail Bitch by Ray Wilde; PEC Books #N-161, circa 1967.

He Kissed Her There by Greg Tyler; Uptown Book #700, circa 1964.

The Hot Canary by Joan Ellis; Midwood Book #F238, 1963. Cover art by Robert Maguire.

I was down to my garter belt now, and I wore no panties. I twisted my arms behind me to reach the hooks of my bra, thrusting my breasts forward until I saw him bite his lip.

The bra fell, then the garter belt, and I stretched with abandon.

With a cry he grabbed at me, his mouth hot on mine, his arms crushing me to him with bruising force...

Sue clung to him drunkenly. She made no effort to ward off the hand which caressed her. She did not know if she was blushing or if it was the whiskey that made her cheeks burn. She felt full of warmth and passion.

At that moment, she was supremely glad that she was a woman.

Office Wife by Richard Grant; Beacon Book #B335, 1960.

Twisted Loves by Mark Ryan; Bedside Book #807, 1959.

Warped desires and frustrated passions turned Connie from a decent woman into a strange sinner. She learned the facts of life the wrong way by secretly observing her love-starved cousin Alice in a primitive, backwoods affair. The forbidden sight almost turned her permanently into a twisted strumpet!

Marry for money…and love can come later — not necessarily with the same guy, was Janet's credo for happiness. Go where the rich go — do what the rich do, and make yourself available, were her methods. Janet's provocative smile and alluring body were the better mousetrap — but a mousetrap has also been known to catch a rat.

Sleepy Time Honey by Kathryn Culver; Rainbow Book #110, 1951, digest-size paperback.

I.O.U. Me, no author listed; Ram Book #RB106, circa 1963.

Bedroom in Hell! by Norman A. Daniels; Rainbow Books #117, 1952. Cover art by George Gross.

Curiosity had always been her main incentive toward sex. When you let sex go, let boys follow their natural instincts, it gave you things to wonder about.

But you learned fast in a motel.

Like from the guy who had enlightened her one day in his cabin at the motel. He'd asked her point blank in so many words for what he wanted, and pushed a ten dollar bill into her shirt pocket at the same time.

Motel Girl by Paul Daniels; Bedside Book #BB970, 1960. Cover art by John Duillo.

Hungry For Men! by Lou Fisher; Novel Book #5068, 1961.

Showroom Girls by Token West; Berkley Book #G237, 1959.

Young Kathy possessed a gorgeous figure whose lush charms she didn't mind displaying before the lustful eyes of lingerie buyers. Kathy soon discovered that with her exquisite face and body, love was a highly marketable commodity… Then she met the rich and sinister Vandine. In his arms, Kathy explored the bitter depths of unholy love…

Felice was hot, passionate, wild, impossible, fantastic, incredible and she loved men, real men — but she also loved money… Yes, she loved money. So it was up to Jim, a man possessed by this half-woman, half-animal to go out and get it, even if it meant killing two men — one her own husband…

A Taste For Sin by Gil Brewer; Berkley Book #G509. Cover art by Harry Schaare.

Farm Girl by George Cassidy; Midwood Book #49, 1960. Cover art by Paul Rader.

Satan Was My Pimp by Joe Castro; Playtime Book #660, 1964. Cover art by Robert Bonfils.

Passion Fever by John Nemec; Pike Book #PB-222, 1963. Cover photo by Keith Bernard.

“Carol! Carol! You're so fantastic!” He quickly reached for her. They seized each other, hands seeking and finding and caressing, as they stumbled into the tile bathtub. Carol battled him viciously and they became two animals of lust.

When dames get tough anything can happen and usually does. I stretched out on the top of the bunk and began to think about this Julie dame. Was she curved, or was she curved? Her figure reminded me of a Coney Island roller coaster.

This Way For Hell by Spike Morelli; Leisure Library #7, 1952. Cover art by Reginald Heade.

Lust Can't Hide by Jack Vast; National Library Book #NLB107, 1965. Cover art by Bill Edwards.

Kay was drinking a lot, more than she should, and she was frequently drunk. When she wasn't working or with Iris she would drink alone and it was then that a wave of disgust and self-pity assailed her. She was married to a man who didn't give a damn about her. She was a call girl.

And, if that weren't enough, she was also a lesbian.

Too Hot To Handle by Orrie Hitt; Beacon Book #B250.

Jet Set Switch by John Dexter; Idle Hour Book #IH-502, 1966.

Susan lent a helping hand and began to play with Rocky's breasts, all the while flying higher on Bart's inspired flesh. Then everyone was very comfortable and very cozy at play, except that this was an adult game. A sensual game, a game of breasts and thighs and rubbing hands, a game of mouths and tongues, a game of vibrating flesh and palpitating bellies…

Any Man's Playmate by James L. Rubel; Dollar Double Book #951, 1959. Cover art by Robert Bonfils.

The Drifter by March Hastings; Midwood Book #F163, 1962. Cover art by Paul Rader.

Las Vegas Madam by Matt Harding; Domino Books #72-728, 1964.

Red light for lust!

And the hottest of them all was Linda, who ran a motel where the room service included all varieties of passion-for-pay…

It all made the job ten times tougher, but the fringe benefits were all female, all feverish, and all fabulous!

Bed and Board by Jonathon Ward; Kozy Book #K172, 1962.

Blonde Trap by Ernie Weatherall; Softcover Library #B851X, 1965.

Still laughing, she let her fingers go to work. They tweaked and titillated as if the red nails dripped sweet acid.

Then her lips, red and luscious and perfumed as a flower, got busy.

It was like fire trickling over my skin. I groaned. The pleasure was so acute it was almost unbearable.

“I'm going to give you an extra-special treat,” murmured Deedy.

“Then later you can do the same for me…”

The Invaders by Anthony Dean; After Hours Book #AH138, 1966. Cover art by Gene Bilbrew.

As Lon moved forward, feeling the shag rug on his bare feet, he was aware of the pounding in his veins, his rock hard powers in pointed urgency. He felt his face burn. Hell, he really did feel as if he were in another century, being led around in his Nature suit, while every girl in the area could do what she wanted with him. When was this going to end!

Gloria lay down on the bed. Dan started to take off her dress, kissing her. She needed him, had to have him. She pulled his lips down to cover hers, and shivered with delight… It was then that Gloria became aware of Helen's hands on her, too! There were four hands coming at her from all sides, all over her. She let passion ride, soar…for a moment aware of sensation, of flesh against flesh.

Sexy Psycho by Lillian Dowling; Newsstand Library #U-183, 1962. Cover art by Robert Bonfils.

Whip-Hand! by Hodge Evens; Falcon Book #40, 1952, digest-sized paperback.

Margo flicked the quirt against her leg and said, “I'm going to whip off your dress. Then I'm going to cut your under things. I'm going to make you come crawling to me on your hands and knees. A whipping hurts.” She smiled. “I've kept this whip on purpose.”

Like Ice She Was by William Ard; Monarch Books #147, 1960.

Bad Girl Abroad by Arthur Adlon; Chariot Book #CB120, 1960.

Woman in the Window by Jack Moore; Saber Book #SA-89, 1965. Cover art by Bill Edwards.

Blanche got me started. Blanche with her stunning clothes and silver foxes that cost more than I could earn in a year waiting tables.

“A girl as young and good looking as you, Dorine, is a fool to waste her time like this. Let me teach you the ropes. I'll see you started right.”

That night I made thirty five dollars.

Sin Street by Dorine Manners; Pyramid Book #21, 1950.

Pound of Flesh by Simms Albert; Beacon Book #B287, 1960.

She didn't consider herself a prostitute…!

A croaking laugh of derision escaped his lips. “You're cheap, Kitty,” he growled. There was lashing contempt in his voice. “You're cheap as dirt.”

Thrill Girl! by Gene Harvey; Exotic Novel, 1950, digest-size paperback.

Down and Out by Les Masters; Midwood Book #32-495, 1965. Cover art by Victor Olson.

Girls Dormitory by Joan Ellis; Midwood Books #F343, 1963. Cover art by Paul Rader.

Elaine, cute and cuddly, she learned the easiest and fastest way to earn passing grades from her male professors.

Adele, older and wiser, she paid her way through school with the money she'd earned as a very special kind of party girl.

Mona, sleek and sensuous, she was as popular with her sorority sisters as she was with the campus wolves…and for the same reason.

Joyce liked working for Lingerie Ltd. But it seemed that in return for advancement she was expected to confer her favors upon the men around the place. They could not know that Joyce had an unwholesome aversion to members of the male species. She reserved her affections for one of the young secretaries, pert and adorable Doris.

Lingerie Ltd. by Ralph Dean; Beacon Book #B300, 1960. Cover art by R. Gifford.

The Bed at the Top by Charles Beck; Beacon Book #B477F, 1962.

Dance-Hall Dyke by Toni Adler; Playtime Book #699-S, 1964. Cover art by Robert Bonfils.

As Alicia bent to take a glass from the cabinet, Kim grasped her shoulders and jerked her up, abruptly. Then Kim's mouth was on her lips. Alicia's mind exploded in shock and bewilderment.

“You're a lesbian!” Anger flushed her face. “How dare you even think of me this way?”

Kim's hands darted out and swiftly pinned Alicia's arms to her sides. “You're going to love me,” Kim whispered.

Hollywood Hellcat by John Underwood; Star Novels #764, 1957, digest-size paperback.

She had everything all figured out: A woman must use every weapon she has at her disposal, and sex is the strongest…

Make a sucker out of every man you can because if you don't, he'll make a sucker out of you.

She lay back, breasts floating, hair swirling in soft eddies around her beautiful face.

“Be big,” she pleaded.

“Be — be a seahorse with a beard of Neptune and the strength of a shark! Hurt me, Brent! Oh, make me scream with hurt and want and hurt again!”

Satana by Helene Morgan; Rapture Book #RB303, 1964.

Satan's Harvest by Sanford Aday; Fabian Novel #Z-102, circa 1958.

He watched her flesh quiver, while her stomach rose and fell with her breathing. He kissed it and then started to turn away. She put her hands gently on his head, trying to keep his lips against her flesh. He jerked his head up angrily and looked at her. “Are you one of those freaks, Lupe?” His eyes were bulging with amazement and dismay. “All men kiss women's stomachs,” she said. ‘That's the way people make love.”

Office Affair by Mark West; Beacon Book #B421Y, 1961.

The Payoff by Max Collier; Midwood Book #F232, 1962. Cover art by Paul Rader.

Bitch on Wheels by Robert Devlin; Chariot Books #CB156, 1960.

Cynthia, too, was a winner, and liked to be associated with winners. Also she was vengeful. She would get even with Ross Baxter for having stood her up today if it was the last act of her life. She would ask him over here and she would wear her new white negligee with practically nothing at all under it. When her father came in and found her, quite probably, adorning Ross Baxter's lap, Baxter would suddenly find himself chucked bodily out of the house. Then that dime-a-dozen Casanova would learn who he could stand up and who he could not.

Love Now Pay Later by Elaine Dorian; Beacon Book #B449F, 1961.

Run Tough, Run Hard by Carson Bingham; Monarch Book #487, 1964. Cover at by Ray Johnson.

Brad felt the warmth of Deedee's body, the silkiness of her flesh and the touch of her searching lips.

“I hate my mother,” she sighed, “for trying to steal you from me.”

That was when the spotlight caught them, stabbing through the darkness at their near-nakedness. And behind the spotlight was Lieutenant Pierce of the Juvenile Bureau.

Gwen combined lush allure with a realistic capacity for getting what she wanted. By artful distribution of her kisses and other favors, she bound numerous men to her.

But despite her many lovers she never lost sight of the great love of her life — herself!

Death Is A Lovely Lady by Ruth Fenisong; Popular Library #173, 1949.

Free and Easy by Luther Gordon; Ecstasy Novel #1, 1951, digest-size paperback.

Never Say No! by Luther Gordon; Ecstasy Novel #10, 1951, digest-size paperback.

Hell's Harlot by Don Holliday; Midnight Reader #MR-411, 1962.

Man Trap by Matt Harding; Beacon Book #B360, 1960. Cover art by Harry Barton.

Atomic Blonde by Monte Steele; Playtime Books #639, 1963. Cover art by Robert Bonfils.

We grew more frenzied. She shuddered as waves of ecstasy raced through her body, exciting me in return. Her heels dug into my rump as she wiggled and pivoted violently upon the bed.

And then it was too much for both of us and we exploded together. I bit her shoulder in the final shattering spasm and fell to the side, still holding her in my arms. We lay for a long time together, limp and gasping for breath.

The Unfortunate Flesh by Randy Salem; Midwood Books #63, 1960. Cover art by Paul Rader.

Thirst For Love by George H. Smith; Novel Book #6013, 1962.

She came to him with a rutting-bitch-dog abandon!

With the terrible power of a naked-bladed bulldozer. She laid warm hands on her own pendulous breasts, rubbed them to an almost unbearable demanding, then she closed her eyes…sooty lashes batting, batting…mocking him!…tempting him!…trapping him!

Imprisoned desires and frustrated love behind the walls of a woman's reformatory-school fester into a seething hot-bed of unleashed passions and vice. None of the unfortunate women are able to escape this web of lustful sins that are forced upon them by their fellow prisoners because they are inmates in a…sin-infested, hell hole!

Reformatory Women by Kermit Welles; Bedside Books #BB812, 1959.

Very Private Secretary by Jack Hanley; Beacon Books #B296, 1960.

She sighed, stretching her provocative body sinuously, aware of David's eyes on her. And then his hands were slipping over the polished shoulders, drawing her closer to him. She held still, suffering his hands on her body and his kiss on her closed lips, then a low laugh sounded deep in her throat.

“You were a good boy to do as I asked you. Now the good boy wants his reward, doesn't he?” she cooed.

Night of Shame by Lewis Lester; Beacon Books #B234, 1959.

Sin Street by Bob Bristow; Dell Books #B139, 1959.

She moved her body against his, pressing herself close.

He wanted to grab her in his arms. More than anything else he wanted his arms crushing her as tightly as he could. In that flash of time he knew what would happen…

It would be heaven and hell and thunder and lightning and hurricane.

He could smell the good warm odor of her. It blotted out everything else.

Night-Club Sinner by Harry Whittington; Croydon Book #62, 1954, digest-size paperback. Cover art by Bernard Safran.

Bachelor Girl by Frances Loren; Beacon Signal Book #B583F, 1963. Cover art by Robert Maguire.

Wild Hunger by Fred Malloy; Beacon Books #B171, 1958.

His knee pressed harder into her back, as he leaned to grasp a handful of her flimsy blouse. He tore the entire back out of it in a single sweeping motion.

“There, you hussy, how do you like that?”

Diane had an unlimited appetite for sex, in all of its many forms — and enough money to maintain a captive harem of males to satisfy her every twisted desire!

Robert was willing to try anything once, but being the love-slave of a beautiful woman wasn't quite his idea of the right way to go wrong!

Asylum…or Hell! by Ralph Brandon; Intimate Edition #718, 1963.

Kept Sisters by Florence Stonebraker; Beacon Book #B388, 1961.

Hell Bent by H. B. Ames; Beacon Book #B163, 1958.

Bedroom Panthers by Myrtle Field; Playtime Book #716-S, 1965.

The Unfaithful by Brian Black; Signal Beam #B811X, 1965.

A queer little thrill shot through me, a strange delicious warmth that tickled delightfully and made my breath catch in my throat. I waited a few moments; then, in a mousy, apologetic voice, I said, “Would you… slap me like that again, Patricia? That felt kind of… well… kind of nice.”

She didn't answer. But she did as I'd asked. A little harder this time. But still playfully. And instantly a “playful” thrill trickled through me and made me catch my breath again.

Crafty Dames by Ruth Lamber; Unique Book #UB137, 1967. Cover art by Bill Ward.

Satan's Daughters by Jack Leech (inside says by Jack Trimble); Europa Book #1104, 1963. Cover art by Bill Edwards.

Martha's legs were strong, her sinuous hips tick-tocking in growing rhythm with the silken insistence of her thighs.

“Hurt me,” she hissed, “hurt me,” and he had tried to ignore the ragged urgency of her voice. Until she forced him to listen. With slashing fingernails across his back; with animal teeth that tore at his mouth.

Animal Broad by Con Sellers; Novel Book #5025, 1960.

Wanton Web by Dave King; PEC Book #N136, 1966.

Paul, Hollywood publicity man, went to a party…and was shocked to find he was the only guest with clothes on! Paul resolved to cut out and stay out. It wasn't his type bash. Then, somebody burgled his apartment… beautiful girls, who'd been at the undressed party, dropped in to inflame him with tastes of love.

From Door to Door by Orrie Hitt; Beacon Book #B304, 1960. Cover art by Frank Uppwall.

Street of Dark Desires by Mark Reed (Norman Daniels), Rainbow Book #107, 1952.

Part woman, part lusting animal, Hazel could take the abuse men dished out, as long as it brought her more excitement, added success, increased riches. And by the time the seductive beauty had finished with the men at her command, she had what she always wanted — plus some things she could do without!

Harlot in Her Heart by Norman Bligh; Ecstasy Novel, 1950. Cover art by Jean Claude Rodewald.

The Lady is a Lush by Orrie Hitt; Beacon Book #B342; 1960.

She-Devil by Harry Hervey; Pyramid Book #G301, 1957.

“Break him!” she screamed. Two burly guards pushed him against the wall, pinning him there. Each time she gave the order, they struck him. He wanted to cry out. He prayed that he might faint. But beyond them he could see her — the woman who had shared his bed only nights before, her eyes gleaming now with pleasure at his torment.

Bonnie went the route — from rags to chic frocks and hundred-dollar-dates — from Hollywood to a Honolulu dance hall. Her clients ranged from motion picture execs to Filipino farm workers; from necrophilia to lesbian.

Dime-A-Dance Hustler by Eve Linkletter; PEC #N-141, 1966.

Out of Darkness by Lonny Bass; Saber Book #SA-9, 1959.

Call Her Wanton by Lon Williams; Beacon Book #BB149, 1957. Cover art by Saul Levine.

Honky Tonk Girl by Charles Beckman, Jr. Falcon Book #44, 1953, digest-size paperback.

Somewhere along Honky Tonk Street, hidden beneath the slime and filth and misery, there are three beautiful women — and Johnny knows that one of them holds the key to Miff's death.

Is it Ruth, so innocent and loving, Ruth — whose body remembers more than her mind cares to admit?

Or is it Jean, the ravishing — and too often ravished — beauty?

Or can it be Raye, the nymphomaniac and part-time handmaiden of violence?

Women in Prison by Mike Avallone; Midwood Book #120, 1961. Cover art by Paul Rader.

“You're a stranger and I'm not only letting you kiss me but I'm kissing you, too.”

“Is that so bad?” “Not the kissing, but where it leads.” “And where does it lead?” “Do I have to put it into words?” “Yeah.”

She did and the next time she moaned and twisted in my arms. She pressed closer and her teeth cut into my lower lip. I tasted blood and I heard the dress rip. “The bedroom,” she whispered.

Love, Blood & Tears by Nicky Weaver; Kozy Book #K185, 1963.

Swingers in Danger by Drew Palmer; Saber Book #SA-135, 1968. Cover art probably by Bill Edwards.

Sin School by Don Holliday; Midwood Book #25, 1959.

Blonde, voluptuous Betsy was a singer with a big-name band — she didn't mean to be bad, she just couldn't help it…

Neglected by her handsome husband Don and surrounded by admiring males, she found the days and nights on the road a living hell of thwarted desires…

Betsy tried desperately to control her yearning, but one night in the arms of Don's best friend she learned that sin can be satisfying.

Immoral Woman by Jack Hanley Berkley Book #G252, 1959.

Bait by George Cassidy; Beacon Book #B525F, 1962. Cover art by “Gida.”

Female Peeping Tom by Bill Adams; Playtime Book #646, 1963. Cover art by Robert Bonfils.

The Platinum Trap by Mike Avallone, Midwood Book #F202, 1962. Cover art by Paul Rader.

The Needle by Sloane M. Britain, Beacon Books #B237, 1959.

A scorching story of a beautiful teen-age girl who tried to escape the sweat and lust of the teeming tenements — and raised herself from the gutter to a better life. She used her lovely body as bait and landed some of the “big fish” from the muddy waters of big business lust!

Man Bait by Alexis Roget; Chariot Book #CB217, 1962.

The Queen of the Kooch Dancers by Hern Feld; Wing Book #WB-104, 1965.

Carnival Girl by Orrie Hitt; Beacon Book #B238, 1959.

Youth Against Obscenity by Sharron Michelle; Saber Book #SA-106, 1966. Cover art by Bill Edwards.

Love slow… Fight fast…

Drink more… Talk less…

Mountain women and mountain men live that way, and that's the way they want to live. There's no use trying to make them talk more, because they don't see the use of it. And there's no use trying to make them drink less, because mountain dew isn't made for light drinking. By the same token, you can't slow down a mountain man's willingness to fight… or speed up a mountain woman's surrender to love.

Shanty Road by Whit Harrison; Original Novels #742, 1954.

Queen Bee by Will Newbury; Midwood Book #32-508, 1963. Cover art by Victor Olson.

“Relax, darling,” she murmured huskily, running her fingertips up his thigh. “As long as you want this account as badly as you say, I'm sure we'll be able to do business.

You give me what I want and I'll give you what you want.”

Brian trembled under the tantalizing play of her knowing fingers and cleared his throat. “Very simple…” Lila leaned back and extended her long legs. “You can begin by taking off my stockings…”

The Narrow Line by Herb Roberts; Beacon Books #B610F, 1963.

More Must-Have Guides from Gary Lovisi

Dames, Dolls and Delinquents

A Collector's Guide to Sexy Pulp Fiction Paperbacks

The lusty and lurid femme fatale pulp fiction paperback cover art in this guide is intriguing and innovative. In addition to the 700 covers in this book, you'll find essential details to help you identify each book; details including title, author, cover artist, publisher, book number and date of publication. Plus, you'll also gain prices in three grades of condition for each book. This guide is truly a visual smorgasbord of sex, sin and sass!

Softcover • 224 pages

700 color photos

Item# Z3823 • $24.99

Antique Trader ®

Collectible Paperback Price Guide

Your library of paperbacks could be worth more than you realize, and this price guide is just the book to help you find out! Inside this edition of the paperback-collector's must have you'll find nearly 4,000 listings, with pricing and title, author and artist information, as well as 1,000 color photos of covers from every imaginable literary genre, including fantasy, mysteries, westerns, sex and social issues, and much more.

Softcover • 304 pages

1,000 color photos

Item# Z1842 • $19.99

Order directly from the publisher at Shop.Collect.com

Krause Publications, Offer ACBA

P.O. Box 5009

Iola, WI 54945-5009
shop.collect.com

Call 800-258-0929 8 a.m. - 5 p.m. to order direct from the publisher, or visit booksellers nationwide or antiques and hobby shops.

Please reference offer ACBA with all direct-to-publisher orders

Resources for Everything You Collect

FREE Bad Girls Wallpaper & Bad Girl of the Week

Get yours today!

www.badgirlsneedlove2.com/enewsletter

Note: You must have a valid e-mail address to receive your free bad girls.