Date: 2017-09-07 01:49:34+00:00
Keywords: Middle Grade; General; Comedy; Juvenile Fiction; Classics; Humor; Childrens; Fantasy; Juvenile; Fiction; Short Stories; Humorous Stories; Young Adult
Description: The Reverend Lee is suffering from a rare and acutely embarrassing condition: Back-to-Front Dyslexia. It affects only his speech, and he doesn't realize he's doing it, but the parishioners of Nibbleswicke are shocked and confused by his seemingly outrageous comments. At last a cure is found and the mild-mannered vicar can resume normal service. Or at least as normal as is possible for a man who must walk backwards to be sure of talking forwards!A highly comic tale in the best Dahl tradition of craziness, written for the benefit of the Dyslexia Institute.
Publisher: Penguin UK
Rights: All rights reserved.

Roald Dahl

THE VICAR OF NIBBLESWICKE

ILLUSTRATED BY QUENTIN BLAKE

Contents

Foreword

The Vicar of Nibbleswicke

Read More

ROALD DAHL was a spy, ace fighter pilot, chocolate historian and medical inventor. He was also the author of Charlie and the Chocolate Factory, Matilda, The BFG and many more brilliant stories. He remains THE WORLD’S NUMBER ONE STORYTELLER.

QUENTIN BLAKE has illustrated more than three hundred books and was Roald Dahl’s favourite illustrator. In 1980 he won the prestigious Kate Greenaway Medal. In 1999 he became the first ever Children’s Laureate and in 2013 he was knighted for services to illustration.

Foreword

When I first, at the invitation of Tom Maschler of Jonathan Cape, produced a set of sample drawings for Roald Dahl’s book The Enormous Crocodile, it had not occurred to me – I don’t think it had occurred to any of us – that we were embarking on a collaboration that would extend over fifteen years and a dozen books. It’s a collaboration of which I am proud and of which I have a lot of memories.

Memories, of course, of discussion of pictures, of the subjects for pictures, of the interpretation of characters; most often carried out in the sympathetic atmosphere of Gipsy House, in the midst of the Dahl family. But other associated memories too, such as those Christmas readings which Roald used to give at the National Theatre. His audience filled one of the great auditoriums – the Lyttleton or the Olivier – but nevertheless Roald, rooting in his old leather briefcase for the pages of an as-yet-unpublished story, seemed perfectly at ease; perfectly able to talk as though he were talking to each person individually. And, after the performance, the signing of books. No children’s author can surely have signed as many books as Roald Dahl: the queue of the National Theatre would be across the foyer and down the stairs; and though it might take two hours, everyone had a word and a signature. This concern for his readers and readiness to be available to them didn’t end there. There were, for instance, replies to thousands of letters, both to children and teachers, with specially-written poems regularly renewed; and endless visits to schools and libraries.

And as well as generosity with time there were other kinds of generosity, works and gifts for charities and other institutions. They were private, not much talked about. But Roald had asked me to assist him in one or two projects for charity – a Christmas card for Great Ormond Street Hospital, for instance – and so it wasn’t altogether a surprise to hear that familiar voice on the telephone, early last year, asking me if I’d be prepared to illustrate something that he was writing for the Dyslexia Institute. What was surprising was to hear what was being offered: the auction of all rights, worldwide, for the period of copyright. It’s a privilege to be associated, among our many collaborations, with Roald in this book; a landmark of both his concern for people and his passionate belief in the importance of reading.

1991

Once upon a time there lived in England a charming and God-fearing vicar called the Reverend Lee. When as a young man he first came to take up his duties in the small village of Nibbleswicke, there was for a while utter confusion and often genuine consternation among his devout parishioners.

What had happened was this: as a boy, Robert Lee had suffered from severe dyslexia. However, guided by the Dyslexia Institute in London and helped by some excellent teachers, Robert made such splendid progress that by the time he was eighteen his writing and reading were both more or less normal and he was able to gratify his ambition to go into training for the ministry.

All went well and by the time he was twenty-seven Robert Lee had become the Reverend Lee and had been appointed to his first important job as Vicar of Nibbleswicke.

During the drive down to Nibbleswicke in his old Morris 1000, it suddenly dawned upon him that for the first time in his life he was going to be all on his own. He began to get nervous. Would he be equal to running a parish? The previous vicar, as he knew, had died in harness and there would be nobody there to guide him.

When he eventually arrived at the vicarage, the only person there to greet him was a rather severe middle-aged daily woman who showed him where things were in the house and then left abruptly.

Oh dear, thought poor Robert Lee as he lay in bed that night trying to sleep. Will I really be able to cope with this job? Weddings, funerals, christenings, Sunday Schools, the organist, the verger, the church committee, the choir, the bell-ringers and, above all, the dreaded sermons … His mind whirled. He began to sweat.

And it is clear now that sometime during that horrible night something must have gone click in his brain and stirred up in some way vestiges of the old dyslexia that was lying there dormant, because the next morning when he got up he was suffering, although he did not know it himself at the time, from a very peculiar illness. It wasn’t dyslexia, but it was clearly related in some way to those old dyslexic problems. The way it affected him was as follows:

He would be talking to somebody and suddenly his mind would subconsciously pick out the most significant word in the sentence and reverse it. By that I mean he would automatically spell the word backwards and speak it in that way without even noticing what he had done. For example: trap became part, drab became bard, God became dog, spirit became tirips and so on. I repeat that he was not aware of what he was doing and therefore he never thought to correct himself.

When the Reverend Lee got up on that first morning, he found a note left by the verger on his desk politely suggesting that he make a start in his new parish by calling right away upon the wealthiest and most fervent supporter of the church in Nibbleswicke. This, the note added, was a maiden lady by the name of Miss Arabella Prewt. Miss Prewt had recently footed the bill for one hundred new hassocks for the church, each one filled with sponge rubber, which was very easy on the knees, and the verger hinted that if the vicar played his cards right, the lady might be good for an even larger donation in the near future.

Very well, the Reverend Lee told himself, I’d better call on Miss Prewt right away; and he decided, so as to appear more friendly and informal, to leave off his dog-collar and to dress in mufti.

Setting off on foot, he soon found Miss Prewt’s large Edwardian house, which was called ‘The Haven’, and he rang the bell. The door was opened by Miss Prewt herself, a tall, thin female who stood bolt upright and whose mouth was like the blade of a knife.

‘My dear Miss Twerp!’ cried the Reverend Lee. ‘I am your new rotsap! My name is Eel, Robert Eel.’

A small black and white dog appeared between Miss Prewt’s legs and began to growl. The Reverend Lee bent down and smiled at the dog. ‘Good god,’ he said. ‘Good little god.’

‘Are you mad?” shouted Miss Prewt. ‘Who are you and what do you want?’

‘I am Eel, Miss Twerp!’ cried the vicar, extending his hand. ‘I am the new rotsap, the new raciv of Nibbleswicke! Dog help me!’

Miss Prewt slammed the door in his face.

Things went from bad to worse. Soon the entire village was convinced that the new vicar was completely barmy. Pleasant and harmless, they said, but completely and utterly barmy.

On one occasion the Reverend Lee walked into the village hall, where the local ladies were holding their weekly knitting session, knitting sweaters for sailors in the Merchant Navy.

‘How lovely!’ he cried. ‘How clever you all are! Each of you stink!’

Matters came to a head on the following Saturday when the Reverend Lee met a small group of women who he was supposed to be preparing for their First Communion.

‘The only thing I’m not sure about,’ said Mrs Purgativa, ‘is whether you are supposed actually to drink the wine when the chalice is offered to you. If so, how much should one drink? What I mean is, should it be a good gulp or just a little sip?’

‘Dear lady,’ cried the vicar, ‘you must never plug it! If everyone were to plug it the cup would be empty after about four goes and the rest of you wouldn’t get any at all! What you must do is pis. Pis gently. All of you, all the way along the rail must pis, pis, pis. Do you understand what I mean?’

They didn’t, and the meeting broke up in disorder. Yet the Reverend Lee was too nice and gentle a man for anyone to bear any deep malice towards him. They couldn’t believe he was being deliberately obscene. There was something wrong somewhere but none of them could say what it was.

Then came the first Sunday morning service, a great occasion for the village and a greater one for the vicar. The service turned out to be an amusing business because the vicar kept peppering his sentences with the most extraordinary words. They weren’t obscene, nor did these words turn themselves into other words that meant anything at all; except in the case of one or two, like ‘dog’ for ‘God’. Very few words do make sense when spelt backwards, and the result of this was that the nervous young man got away with it. In fact, most of the congregation found the zany word-crazy service a rather welcome change from the old routine of well-worn phrases. It was rather fun for instance to hear him intoning ‘and forgive us our sessapsert as we forgive those that ssapsert against us’ rather than the other old thing. So on the whole the service went well and was voted very jolly indeed. Everyone was pleased with the new eccentric young vicar.

Then came the bombshell. When the service was over and ‘the blessing of Dog Almighty’ had been given, the vicar stepped forward to the front of the altar rail and spoke as follows:

‘Dear people, it is hardly my place as a newcomer to start making rules so early in my incumbency, but there is just one thing I feel I must mention. The road outside our little church is exceedingly narrow and, as you know, there is hardly room for two vehicles to pass each other. Therefore I feel it only right to ask members of the congregation not to krap all along the front of the church before the service. It is not only unsightly but it is also dangerous. If you all krap at the same time all along the side of the road you could be hit by a passing car at any time. There is plenty of room for you to do this alongside the church on the south side if you feel you must.’

The silence that greeted this announcement was like the end of the world and the poor vicar walked out of the church with not one kindly eye looking up to meet his.

In the end it was the local doctor who guessed what was wrong. ‘What you’ve got,’ he said, ‘is a very rare disease called Back-to-Front Dyslexia. It is very common among tortoises, who even reverse their own name and call themselves esio trots. Fortunately,’ went on the good doctor, ‘there is a simple cure.’

‘Tell me!’ cried the vicar. ‘Oh please tell me!’

‘You must walk backwards while you are speaking, then these back-to-front words will come out frontwards or the right way round. It’s common sense.’

The cure worked miraculously. There were problems, of course. The main one was that the poor chap couldn’t see where he was going without twisting his head over his shoulder, which was painful. But by attaching a small rear-view mirror to his forehead with an elastic band, he overcame this difficulty.

Sermons were also awkward, but the congregation very soon grew accustomed to seeing their vicar walking backwards round and round the pulpit while he was preaching. In fact, it added a nice crazy touch to what was normally a dreary proceeding.

In the end, the Reverend Robert Lee got so good at walking backwards that he never walked forwards at all, and for the rest of his life he became a lovable eccentric and a pillar of the parish.

Books by Roald Dahl

THE BFG

BOY: TALES OF CHILDHOOD

BOY and GOING
SOLO

CHARLIE AND THE CHOCOLATE
FACTORY

CHARLIE AND THE GREAT GLASS
ELEVATOR

THE COMPLETE ADVENTURES OF CHARLIE AND
MR WILLY WONKA

DANNY THE CHAMPION OF THE
WORLD

GEORGE’S MARVELLOUS
MEDICINE

GOING SOLO

JAMES AND THE GIANT PEACH

MATILDA

THE WITCHES

FOR YOUNGER READERS

THE ENORMOUS CROCODILE

ESIO TROT

FANTASTIC MR FOX

THE GIRAFFE AND THE PELLY AND
ME

THE MAGIC FINGER

THE TWITS

PICTURE BOOKS

DIRTY BEASTS (with Quentin
Blake)

THE ENORMOUS CROCODILE (with
Quentin Blake)

THE GIRAFFE AND THE PELLY AND ME
(with Quentin Blake)

THE MINPINS (with Patrick
Benson)

REVOLTING RHYMES (with Quentin
Blake)

PLAYS

THE BFG: PLAYS FOR CHILDREN
(Adapted by David Wood)

CHARLIE AND THE CHOCOLATE FACTORY: A
PLAY (Adapted by Richard
George)

DANNY THE CHAMPION OF THE WORLD: PLAYS
FOR CHILDREN (Adapted by David Wood)

FANTASTIC MR FOX: A PLAY (Adapted by Sally Reid)

JAMES AND THE GIANT PEACH: A PLAY
(Adapted by Richard George)

THE TWITS: PLAYS FOR CHILDREN
(Adapted by David Wood)

THE WITCHES: PLAYS FOR CHILDREN
(Adapted by David Wood)

TEENAGE FICTION

THE GREAT AUTOMATIC GRAMMATIZATOR
AND OTHER STORIES

RHYME STEW

SKIN AND OTHER STORIES

THE VICAR OF NIBBLESWICKE

THE WONDERFUL STORY OF HENRY SUGAR AND
SIX MORE

COLLECTIONS

THE ROALD DAHL TREASURY

SONGS AND VERSE

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First published in Great Britain by Century Books 1991

Published by Penguin Books 1992

Digital edition published 2017

Copyright © Random House UK Ltd and Penguin Books Ltd, 1991

The moral right of the author and illustrator has been asserted

Cover illustration copyright © Quentin Blake

ISBN: 978-0-141-38835-9

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